Time Will Reveal Jay R Mp3 Download

THE LION KING: THE GIFT (2019)

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• Everything you see exist together in a delicate balance
  You need to understand that balance
  And respect all the creatures
  From the crawling ant
  To the leaping antelope
  We are all connected in the great circle of life

  PERFORMED BY JAMES EARL JONES / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ARRANGEMENT AND ORCHESTRATION BY DEREK DIXIE / CO-ARRANGEMENT BY STEPHANIE MATTHEWS / STRINGS PERFORMED BY STEPHANIE MATTHEWS, STEPHANIE YU, CRYSTAL ALFORQUE, BIANCA MCCLURE, MARTA HONER, RHEA HOSANNY, TAHIRAH WHITTINGTON, ADRIENNE WOODS, CHELSEA STEVENS, JONATHAN RICHARDS / ADDITIONAL SOUNDS BY TYLER SCOTT / MIXED BY TYLER SCOTT, LESTER MENDOZA AT NRG RECODING STUDIOS NORTH HOLLYWOOD, CA / STRINGS RECORDED BY DANIEL PAMPURI AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: Beyoncé
  If you feel insignificant
  You better think again
  Bettter wake up Because
  Youʼre part of something way bigger
  Youʼre part of something way bigger
  Not just a spec in the universe
  Not just some words in a bible verse
  You are the living word
  Oh youʼre part of something way bigger
  Bigger than you
  Bigger than we
  Bigger than the picture they framed us to see
  But now we see it
  And it ainʼt no secret noo

  Verse 2: Beyoncé
  Understand that the truth about that question in your soul
  Look up donʼt look down
  Then watch the answers unfold
  Life is your birth right
  They hid that in da fine print
  Take the pen and rewrite it
  Step out your estimate
  Step in your essence and
  Know that youʼre excellent
  Rise
  The spirit is teaching
  No Iʼm not just preaching
  I'm taking my own advice
  Let mama let you know
  Mama's still trying
  I canʼt get no days off
  I donʼt get no days off
  Truly I'm feeling it
  I had to say that thing twice
  Trying to be a good wife
  Still really hard I canʼt lie
  But I promised you I would fight
  So I fight

  Verse 3: Beyoncé
  If you feeling frustrated and
  You sinking, I'm jumping in
  Forgiveness is key
  Because weʼre fighting something way bigger
  You'll never lose
  We are winners
  Iʼll be the roots
  You be the tree
  Pass on the fruit that was given to me
  Legacy
  Uh
  We part of something way bigger
  Bigger
  You're part of something way bigger
  Bigger than you
  Bigger than we
  Bigger than the picture they framed us to see
  Legacy ooo
  You're part of something way bigger

  Bridge: Beyoncé
  Let love be the Water
  I pour in you
  And you pour into me
  There ainʼt no drought here bloom into our
  Actual powers
  Iʼll be your sanctuary
  You just know it yet
  You just know it yet
  No matter how hard it gets You got my blood in ya
  And youʼre gonna Rise

  Chorus: Beyoncé
  Youʼre part of something way bigger
  Youʼre part of something way bigger
  Bigger than you
  Bigger than me
  Bigger than the picture they paint us to be
  Yeah oooo
  Youʼre part of something way bigger
  Understand that the truth About that question in your soul Look up donʼt look down
  Then watch the answers unfold Life is your birth right
  They hid that in da fine print Take the pen and rewrite it
  Step out your estimate
  Step in your essence and
  Know that youʼre excellent
  Rise
  The spirit is teaching
  No Iʼm not just preaching
  Im taking my own advice
  If you feel insignificant
  You better think again
  bettter wake up Because
  Youʼre part of something way bigger
  Youʼre part of something way bigger
  Iʼll be the roots
  You be the tree
  Pass on the fruit that was given to me
  Legacy
  Uh
  We're part of something way bigger

  PERFORMED BY BEYONCÉ/WRITTEN BY BEYONCÉ, DEREK JAMES DIXIE,STACY BARTHE, RACHEL "RAYE" KEEN, AKIL "FRESH" KING, RICHARD LAWSON / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PROKIZUM MUZIK PUBLISHING (SESAC), STACY SONG/UNIVERSAL MUSIC PUBLISHING (ASCAP), WARNER CHAPPELL MUSIC LTD (PRS), 3M PUBLISHING/BMG RIGHTS/(ASCAP), RICHARD LAWSON PUB DESIGNEE (ASCAP)/PRODUCED BY BEYONCÉ, DEREK DIXIE /ARRANGEMENT AND ORCHESTRATION BY DEREK DIXIE / CO-ARRANGEMENT BY STEPHANIE MATTHEWS/COPYIST: CHELSEA STEVENS / STRINGS PERFORMED BY STEPHANIE MATTHEWS, STEPHANIE YU, CRYSTAL ALFORQUE, BIANCA MCCLURE, MARTA HONER, RHEA HOSANNY, TAHIRAH WHITTINGTON, ADRIENNE WOODS, CHELSEA STEVENS, JONATHAN RICHARDS /ADDITIONAL VOCALS BY RACHEL "RAYE" KEEN RECORDED AT PARKWOOD WEST LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DANIEL PAMPURI, LESTER MENDOZA /ASSISTANT MIX ENGINEER: JOHN CRANFIELD, TYLER SCOTT / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / ASSISTANT RECORDING ENGINEER FOR STRINGS: ANDREA ROBERTS / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

• Let me tell you something my father told me
  Look at the stars
  The great kings of the past look down on us from those stars
  So whenever you feel alone
  Just remember those kings will always be up there to guide you
  And so will I

  PERFORMED BY JAMES EARL JONES/WRITTEN BY JEFF NATHANSON/SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: Beyoncé
  Daddy used to take me walkin down the street
  Daddy used to take my hand say follow me...
  Daddy used to lead me back home all the time
  I got big enough to run around daddy left me outside

  Hook: Beyoncé
  He said find your way back
  Big big world but you got it baby...
  Find your back....
  Don't let this life drive you crazy
  Find your way back...
  Come back home before the streets lights on
  Find your way back...
  Find your way back...

  Verse 2: Beyoncé
  Daddy used to tell me look up at the stars
  Been a long time but remember who you are...
  Circle of life and one day I might not make it
  Circle of life and one day I might not make it

  Hook: Beyoncé
  But you just gotta find your way back
  Big big world but you got it baby...
  Find your back....
  Don't let this life drive you crazy
  Find your way back...
  Come back home before the streets lights on
  find your way back...
  Find your way back...
  Bridge: Beyoncé
  Daddy used to teach me all my moves
  Running round wild had to tie my shoes
  Itty bitty child with a smile like you...
  Wild wild child look a lot like you..
  Daddy used to teach me all my tricks
  Running round wild had to get my fix
  Daddy used to teach me all my plays
  On a marathon told me run my race

  Hook: Beyoncé
  Find your way back
  Big big world but you got it baby...
  Find your back....
  Don't let this life drive you crazy
  Find your way back...
  Come back home before the streets lights on
  Find your way back...
  Find your way back...

  Bridge: Beyoncé
  Daddy used to teach me all my moves
  Running round wild had to tie my shoes
  Itty bitty child with a smile like you...
  Wild wild child look a lot like you..
  Daddy used to teach me all my tricks
  Running round wild had to get my fix
  Daddy used to teach me all my plays
  On a marathon told me run my race

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, BRITTANY "STARRAH" HAZZARD, BUBELE BOOI, ROBERT MAGWENZI, ABISAGBOOLA "BANKULLI" OLUSEUN, OSARETIN OSABUOHIEN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PEOPLE OVER PLANES (ASCAP)/THESE ARE SONGS OF PULSE, UNIVERSAL MUSIC PUBLISHING (SAMRO), ROBERT MAGWENZI PUB DESIGNEE (SAMRO), ABISAGBOOLA OLUSEUN PUB DESIGNEE, OSARETIN OSABOUHIEN PUB DESIGNEE / PRODUCED BY BEYONCÉ, BUBELE BOOI, ROBERT MAGWENZI /ADDITIONAL PRODUCTION BY GUILTYBEATZ, DEREK DIXIE / VOCAL PRODUCTION BY BANKULLI, DEREK DIXIE /ADDITIONAL VOCALS BY BANKULLI RECORDED AT PARKWOOD WEST LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY STUART WHITE AT NRG STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DEREK DIXIE / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  CONTAINS ELEMENTS OF "MARADONA" WRITTEN BY OSARETIN OSABUOHIEN AND PERFORMED BY NINIOLA

• Go back to your den simba
  I dont babysit

  PERFORMED BY CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: Tekno
  Suzuki no be chang jiang
  (Suzuki is no chang jiang)
  Jet li no be liu kang
  (Jet li is no liu kang)
  You know me i no be pretend
  (You know me i dont pretend)
  From start of the week to the weekend
  I no de hide for corner
  (You won't see me hiding in no corner)
  Foot work like pogba
  If you get my ton ton ton
  (If you get on my vibe)
  Me I want to get on your don don don
  (I can get on your vibe)

  Pre: Nana
  Sheep don't run with lion Snake don't swing monkey
  I can't talk for too long
  got too much gold to try on

  Sheep don't run with lion Snake don't swing monkey
  I can't talk for too long
  got too much gold to try on

  Hook: Nana
  Jealousy
  Don't you jealous me
  That's that jealousy
  Don't you jealous me
  That's that jealousy
  Don't you jealous me
  That's that jealousy
  Don't you come for me

  Mr Eazi
  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  Verse 2: Yemi Alade
  O O Odogwu
  (Great Man)
  aBeg make them talk I go give them the action
  (please let them talk , I'll give them action)
  I be the grand master
  Salute the commander
  Otunba
  Oga
  Saidi
  Chairman
  Mansa
  Oba
  (Titles of African Leaders)
  Yaro
  (Small boy/youngin)
  Clear Road
  (Make way)

  Pre: Nana
  Sheep don't run lion
  Snake don't swing with monkey
  I can't talk for too long
  got too much gold to try on

  Sheep don't run lion
  Snake don't swing with monkey
  I can't talk for too long
  got too much gold to try on

  Hook: Nana
  Jealousy
  Don't you jealous me
  That's that jealousy
  Don't you jealous me
  That's that jealousy
  Don't you jealous me
  That's that jealousy
  Don't you come for me

  Mr Eazi
  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  Baako – "one"
  Mienu – "two"
  Yenko – "let's go"
  Aahbaaa

  PERFORMED BY TEKNO, LORD AFRIXANA, MR EAZI, YEMI ALADE/WRITTEN BY BEYONCÉ, AUGUSTINE MILES KELECHUKWU, NANA O. AFRIYIE, OLUWATOSIN OLUWOLE AJIBADE, YEMI ALADE, ARIOWA IROSOGIE, EARL PATRICK TAYLOR/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TEKNO PUB DESIGNEE, EPIPHANY S WRITING GROUP (BMI)/PRIMARY WAVE BEATS (BMI)/BMG PLATINUM SONGS (BMI), SONY/ATV UK (PRS), EFFYZZIE MUSIC LTD (PRS),WARNER/CHAPPELL MUSIC LTD (ASCAP), BELLA'S MONEY/THESE ARE SONGS OF PULSE (ASCAP)/ PRODUCED BY BEYONCÉ,P2J/ADDITIONAL PRODUCTION BY DEREK DIXIE/ADDITIONAL VOCALS BY JOZZY RECORDED AT PARKWOOD WEST LOS ANGELES, CA/MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA/RECORDED BY P2J, ARI PENSMITH AT PARKWOOD WEST STUDIOS WEST HOLLYWOOD, CA/MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  TEKNO APPEARS COURTESY OF ISLAND RECORDS UK UMG AFRICA
  LORD AFRIXANA APPEARS COURTESY OF BULLISH ENETERTAINMENT
  YEMI ALADE APPEARS COURTESY OF EFFYZZIE MUSIC LTD
  MR EAZI APPEARS COURTESY OF EMPAWA AFRICA LTD

• This must be it
  C'mon
  Simba get down it could be dangerous
  Danger? Ha I laugh in the face of danger

  PERFORMED BY JD MCCRARY, SHAHADI WRIGHT JOSEPH / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: Burna Boy
  Your body go rest o
  (you will calm down)
  Papa tell piken
  (A father told child)
  Your body go resto
  Your body go resto

  Pre: Burna Boy
  Your tongue go confess o
  (you will speak the truth)
  Your head will correcto
  (Your mind will be focused)
  You no forgeto
  (You won't forget)
  She you get the concept
  (Do you understand)

  Chorus: Burna Boy
  Dem no day tell person
  (Nobody will tell you)
  Ja Ara é Ja Ara é
  You go learn your own lesson
  (You will learn our own lessons)
  Ja Ara é Ja Ara é
  Everybody keeps on searching
  Ja Ara é Ja Ara é
  For miraculous blessings
  Ja Ara é Ja Ara é

  Verse 1: Burna Boy
  You go bow for Lagos
  (You will be confused Lagos) (back home)
  Ja Ara
  If you no know yourself you go lost
  (if you don't know yourself you will get lost)
  Ja Ara
  If you get money you be bros
  (I you have money you will be respected)
  Ja Ara
  Omo nobody holy no apostles
  (Nobody is holy there are no apostles)
  Ja Ara

  Pre: Burna Boy
  Your tongue go confesso
  (you will speak the truth)
  Your head will correcto
  (Your mind will be focused)
  You no forget o
  (You won't forget)
  Shey you get the concept
  (Do you understand)

  Chorus: Burna Boy
  Dem go tell you watch out when you go
  (They will tel you to watch out)
  Watch out pon de road
  Watch out for them hyenas
  Watch out when you go
  Watch out pon de road
  Watch out

  Bridge: Burna Boy
  Look around in all the places you go to
  Stand your ground and stay solid like ogun (God of iron (strength))
  Watch your back and just do what you're supposed to
  Take care of family and people your close to

  Chorus: Burna Boy
  Dem no day tell person
  (Nobody will tell you)
  Ja Ara é Ja Ara é
  You go learn your own lesson
  (You will learn your own lessons) Ja Ara é Ja Ara é
  Everybody keeps on searching
  Ja Ara é Ja Ara é
  For miraculous blessings
  Ja Ara é Ja Ara é

  PERFORMED BY BURNA BOY / WRITTEN BY BEYONCÉ, DAMINI OGULU, RICHARD ISONG / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC PUBLISHING GROUP (ASCAP), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP) / PRODUCED BY BEYONCÉ, P2J / ADDITIONAL PRODUCTION BY DEREK DIXIE / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDED BY P2J AT RED ROOM, MILOCO STUDIOS LONDON, UK AND CECIL BERNARDY AT RECORD PLANT RECORDING STUDIOS LOS ANGELES, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  BURNA BOY APPEARS COURTESY OF BAD HABIT/ON A SPACESHIP/ATLANTIC RECORDS

• PERFORMED BY JD MCCRARY, CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY LESTER MENDOZA/MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: Beyoncé and Kendrick
  One time I took a swim in the Nile
  I swam the whole way I didn't turn around
  Man I swear
  It made me relax when I came down

  I felt liberated like free birds
  I'm stimulated now
  Plunging away unless my body on top

  All of these current might cost me my life
  Right now

  When danger finds me it follow with tides
  Many miles ahead of me still I'm in stride
  She said

  Bridge: Beyoncé
  Hey little buddy where you going
  I'm not sure but I know I'm still in motion
  This ain't regular I seen regular
  These streams may take me out to the ocean

  Verse: Kendrick
  Told myself if I dive in it without precaution of a life jacket
  Then I'll dive in until I'm exhausted and I'm type lackin'
  Waste line on 4 deep
  Senses on 4 deep
  Feel like there's 4 me

  Chorus: Beyoncé and Kendrick
  One time I took a swim in the Nile
  (one time I took a swim)
  I swam the whole way I didn't turn around
  Man I swear
  (I swear)
  It made me relax when I came down
  (when I came down)
  I felt liberated like free birds
  I'm stimulated now
  (stimulated) Plungin away unless my body on top
  (Stimulated now)
  All of these currents might cost me my life
  Right now
  (right now)
  When danger finds me it follows with tides
  (stimulated right now)
  Many miles ahead of me still I'm in stride

  That's some good

  Verse: Beyoncé
  Got the Nile running through my body
  Look at my natural
  I'm so exotic
  Darker than berry
  Sweeter than fruit
  Deeper the wounded
  Deeper the roots
  Nubian doused in brown
  Boy I'm lounging in it
  Fountain of you, I said I'm drowning in it
  I'm in the Nile, deep in denial
  I'm in the Nile, deep in denial

  PERFORMED BY BEYONCÉ, KENDRICK LAMAR / WRITTEN BY BEYONCÉ, KENDRICK DUCKWORTH, MARK SPEARS, HYKEEM CARTER, KEANU DEAN TORRES, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, HARD WORKING BLACK FOLKS INC (ASCAP)/TOP DAWG MUSIC (ASCAP)/WB MUSIC CORP (ASCAP), PUSHY PUBLISHING (ASCAP), TDE MUSIC LLC (BMI), HYKEEM CARTER PUB DESIGNEE (BMI) , KEANU DEAN TORRES PUB DESIGNEE (APRA), 114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI)/ PRODUCED BY BEYONCÉ, SOUNWAVE, HYKEEM CARTER, KEANU BEATS / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/KENDRICK VOCALS RECORDED BY MATT SCHAFFER AT INTERSCOPE RECORDS LOS ANGELES, CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT ENGINEER: JOHNNY KOSICH, JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  KENDRICK LAMAR APPEARS COURTESY OF TOP DAWG ENT/AFTERMATH RECORDS/INTERSCOPE RECORDS

  NEW LESSON (TIMON, PUMBAA, & YOUNG SIMBA INTERLUDE)

  PERFORMED BY BILLY EICHNER, SETH ROGEN, JD MCCRARY / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, LUDWIG GORANSSON / MIXED BY LESTER MENDOZA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• PERFORMED BY BILLY EICHNER, SETH ROGEN, JD MCCRARY / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, LUDWIG GORANSSON / MIXED BY LESTER MENDOZA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: Beyoncé
  I know my enemies prey on me
  So pray for me
  Tick tick wait on it
  I'm keeping down my body count
  I'm finessing like a trap bounce, trap bounce
  Cause everyday above ground is a blessing
  I done leveled up
  Now my view Panoramic
  None of my fears can't go where I'm headed
  Had to cut em loose
  Now I'm loose break the levee
  I'm bout flood on em flood on a killa
  They ran it down, I'm ___, go Mutombo, no no killa
  You can't dim my light
  Cause When we walk up in the club
  I need them sirens going off
  Then we look up in the sky
  The tears cry let us know that we're alive, yeah yeah
  I get goosebumps every time
  I throw up my diamond
  Together we big timing
  Don't make me have to remind ya

  Chorus: Beyoncé
  I got my cup to the heavens
  Another night I won't remember
  Promise this my mood foreva
  Promise this my mood foreva
  Treasures dancing on the bezel
  The kinda feeling unforgettable
  Promise this my mood foreva
  Promise this my mood foreva
  Foreva and eva

  Verse 2: Jay-Z
  You heard that
  That's the sound of the price going up
  Forever and eva eva
  And Eva Eva
  At the Saxon in the Madiba suite
  Like Mandela
  Bumping Fela on the puma jet
  Like we from Lagos man
  Mansa Musa reincarnated
  We on our levels that's a Billi
  A thousand Milli
  First one to see a B
  Out these housing buildings
  I be feeling like Prince in 94
  Mike in 79
  Biggie in 97
  94 Nas
  Ali bumaye no Kumbaya
  Just give me the Somale
  I'm on lataj
  Helmet on the Jet Ski
  You know the vibes
  Hit my head, figured out me
  Oh my God without the God in the XY
  I'm afraid whole the game will be colonized
  The marathon will be televised for NIP
  Cause true kings don't die, we multiply
  Peace

  Sub Verse (Verse 1.2): Beyoncé
  I'm so unbothered , I'm so unbothered
  Y'all be so pressed while I'm raising daughters
  Sons of empires y'all make me chuckle
  Stay in your struggle
  Crystal blue water
  Piña colada and you stay ramada inn
  My baby father blood line Rwanda
  Why would you try me
  Why would you bother
  I am Beyoncé
  Giselle Knowles-Carter
  I am the Nala
  Sister of Naruba
  Oshun Queen Sheeba
  I am the mother , ankh on my gold chain
  I sold my whole chain
  I be like soul food
  I am a whole mood

  When we walk up in the club
  I need the sirens going off
  Then we look up in the sky
  The tears cry let us know that we're alive, yeah yeah
  I give goosebumps every time
  I throw up my diamond
  Together we big timing
  The children are our reminder

  Chorus: Beyoncé
  I got my cup to the heavens
  Another night I won't remember
  Promise this my mood foreva
  Promise this my mood foreva
  Treasures dancing on the bezel
  The kinda feeling unforgettable
  Promise this my mood foreva
  Promise this my mood foreva
  Foreva and eva
  Eva , Eva
  Forever and eva

  Bridge: Beyoncé
  No shade no shade I got that lime light
  No trade no trade I wont't give-up my pride
  I'm focused so get your mind right
  Cloud 9 cloud 9 I couldn't ever tell you what's going down

  Time to break it down now
  Woo..yeah
  Woo…yeah
  Woo…yeah

  Chorus: Beyoncé
  I got my cup to the heavens
  Another night I won't remember
  Promise this my mood foreva
  Promise this my mood foreva
  Treasures dancing on the bezel
  The kinda feeling unforgettable
  Promise this my mood foreva
  Promise this my mood foreva
  Foreva and eva
  Forever and eva
  Eva eva eva eva eva
  Foreva and eva
  eva and
  eva and eva (reapet)

  PERFORMED BY BEYONCÉ, JAY-Z, CHILDISH GAMBINO, OUMOU SANGARÉ / WRITTEN BY BEYONCÉ, S. CARTER, DONALD GLOVER, KHALED KHALED, FLOYD NATHANIEL HILLS, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV, ANATHI BHONGO MNYANGO,ANT CLEMONS, MICHAEL UZOWURU,TEO HALM, JEFF KLEINMAN, OUMOU SANGARE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), CHILDISH INDUSTRIES(BMI),BMG PLATINUM SONGS US (BMI)/GIVE THANKS PUBLISHING (BMI),DANJAHANDZ MUZIK (SESAC),114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI), GOLD TEA PRODUCTIONS (SAMRO), A. BLESSING PUBLISHING (BMI)/SONG OF UNIVERSAL (BMI), BEYOND CATEGORY LLC/UNIVERSAL MUISC PUBLISHING GROUP,SONGS OF UNIVERSAL, INC(BMI), UNIVERSAL MUSIC PUBLISHING (ASCAP),OUMU SANGARE PUB DESIGNEE / PRODUCED BY BEYONCÉ,DJ KHALED, DANJA/ADDITIONAL PRODUCTION BY MICHAEL UZOWURU, TEO HALM, JEFF KLEINMAN /BEYONCÉ VOCALS RECORDED BY STUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/ JAY-Z VOCALS RECORDED BYSTUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/CHILDISH GAMBINO VOCALSRECORDED BY RILEY MACKIN AT THE TEMPLE LOS ANGELES, CA/MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL /MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  CONTAINS ELEMENTS OF "DIARABY NENE" WRITTEN AND PERFORMED BY OUMOU SANGARE
  CONTAINS AN INTERPOLATION OF "SWEET GREEN FIELDS" WRITTEN BY JIMMY SEALS, PUBLISHED BY SONY/ATV ACUFF ROSE MUSIC (BMI).
  CONTAINS AN INTERPOLATION OF "(THINK) ABOUT IT" WRITTEN BY JAMES BROWN, PUBLISHED BY UNICHAPPELL MUSIC INC./DYNATONE PUBLISHING CO. (BMI).

  JAY-Z APPEARS COURTESY OF ROCNATION
  CHILDISH GAMBINO APPEARS COURTESY OF WOLF & ROTHSTEIN / RCA RECORDS

• PERFORMED BY BEYONCÉ KNOWLES-CARTER, DONALD GLOVER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®/©2019 DISNEY ENTERPRISES, INC.

• Hook: Salatiel
  Baby Oh I'm not much of a talker
  Baby Oh can I drink from your water
  Baby Oh meet me down by the river
  We can dance to the rhythm

  Post: Pharrell
  Yes we can make it far
  Don't need inflatables
  That's what the waves are for
  What are you waiting for

  Yes we can make it far
  Don't need inflatables
  That's what the waves are for
  What are you waiting for

  Verse: Pharrell
  Oh darling if you leave
  I'll go whereve you go
  I'll where your heart on my sleeve
  So everybody here knows
  But if you tell me to stay
  You'll never be on your own
  So baby , don't wait too long

  Hook: Pharrell
  Baby oh
  I'm not much of a talker
  Baby oh
  Can I drink from your water
  Baby oh
  Meet me down by the river
  We can dance to the rhythm
  Till the sun is high and the water runs dry

  Post: Pharrell
  Yes we can make it far
  Don't need inflatables
  That's what the waves are for
  What are you waiting for

  Yes we can make it far
  Don't need inflatables
  That's what the waves are for
  What are you waiting for

  Verse 2: Beyoncé
  I'll bring you back the moon
  Just so we got all night
  I'll bring the sun down too
  So I can show you the light
  Trust me if you ever leave
  I'll be right by your side oh
  For you, I'll ride

  Hook: Pharrell and Beyoncé
  Baby oh
  I'm not much of a talker
  Baby oh
  Can I drink from your water
  Baby oh
  Meet me down by the river
  We can dance to the rhythm
  Till the sun is high and the water runs dry

  Post: Pharrell
  Yes we can make it far
  Don't need inflatables
  That's what the waves are for
  What are you waiting for

  Yes we can make it far
  Don't need inflatables
  That's what the waves are for
  What are you waiting for

  Hook: Pharrell and Beyoncé
  Baby oh
  I'm not much of a talker
  Baby oh
  Can I drink from your water
  Baby oh
  Meet me down by the river
  We can dance to the rhythm
  Till the sun is high and the water runs dry

  PERFORMED BY SALATIEL,PHARRELL, BEYONCÉ/WRITTEN BY BEYONCÉ, NANA O. AFRIYIE , NIJA CHARLES PKA NIJA, PHARRELL WILLIAMS, RICHARD ISONG, ALASTAIR O'DONNELL/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EPIPHANY S WRITING GROUP (BMI)/PRIMARY WAVE BEATS (BMI)/BMG PLATINUM SONGS (BMI), SONGS OF UNIVERSAL, INC. AND SONGS BY AMNIJA. ALL RIGHTS FOR SONGS BY AMNIJA CONTROLLED AND ADMINISTERED BY SONGS OF UNIVERSAL, INC, MORE WATER FROM NAZARETH (GMR), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP), NEO SONGS/BMG/PRODUCED BY BEYONCÉ, P2J/ADDITIONAL VOCALS BY MOONCHILD SANELLY / BEYONCÉ VOCALS RECORDEDBYSTUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/SALATIEL VOCALS SELF RECORDED/ PHARRELL VOCALS RECORDED BY MIKE CARSONBY RECORDING ENGINEER AT MOTORBASS RECORDING STUDIO PARIS, FR/MIXED BY LESLIE BRATHWAITE AT MEANS STREET STUDIOS IN ATLANTA, GA /ASSISTANT ENGINEER: JENNA FELSENTHAL, ANTOINE POYETON / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  SALATIEL APPEARS COURTESY OF ALPHA BETTER RECORDS
  PHARRELL APPEARS COURTESY OF IIAMOTHER/COLUMBIA RECORDS

• Intro (Chorus): Blue Ivy Carter, SAINt JHN
  Brown skin girl
  Ya skin just like pearls
  The best thing in the world
  I never trade you for anybody else baby
  Brown skin girl
  Ya skin just like pearls
  The best thing in the world
  I never trade you for anybody else, singin'

  Verse 1: WizKid
  She say she really grew up just like me
  Don't believe in nothing but the almighty
  Just a little jeans and a pure white tee
  She never dream for ever be nobody wifey
  She Wilhemina pretty but she heart is a maze
  Play ya like a villain 'cause she caught in a wave
  Tonight I am walking away
  9 to 5 mind on the grind ya ya

  Pre: WizKid
  Tonight I might fall in love
  Depending on how you hold me
  Iʼm glad that Iʼm calming down
  Can't let no one come control me
  Keep dancing and call it love
  She fights it but falling slowly
  If ever you are in doubt
  Remember what Mama told me

  Chorus: WizKid
  Brown skin girl
  Ya skin just like pearls
  Your back against the world
  I never trade you for anybody else yeah

  Brown skin girl Ya skin just like pearls The best thing inna di world
  I never trade you for anybody else yeah

  Verse 2: Beyoncé
  Pose like a trophy when Naomi's walking
  She need a Oscar for that pretty dark skin
  Pretty like Lupita when the cameras close in
  Drip broke the levee when my Kelly's Rowland
  I think tonight she might braid her braids
  Melanin too dark to throw her shade
  She minds her business and whines her waist
  Gold like 24K, OK
  Pre: WizKid and Beyoncé
  Tonight I might fall in love
  Depending on how you hold me
  Iʼm glad that Iʼm calming down
  Can't let no one come control me
  Keep dancing and call it love
  She fights it but falling slowly
  If ever you are in doubt
  Remember what Mama told me

  Brown skin girl
  Ya skin just like pearls
  Ya back against the world
  I never trade you for anybody else yeah
  Brown skin girl
  Ya skin just like pearls
  The best thing about di world
  I never trade you for anybody else yeah

  Bridge: Beyoncé
  Oh oh, have you looked in the mirror lately
  Wish you could trade eyes with me
  'Cause there's complexities
  In complexion
  But your skin
  It glows like diamonds
  Pigment like the earth
  You be giving birth
  To everything alive
  Baby know your worth
  I love everything about you
  From your nappy curls
  To every single curve
  Your body natural
  Same skin that was broken
  Be the same skin taking over
  Most things out of focus view
  But when you're in the room
  They notice you
  'Cause you're beautiful
  Yeah you're beautiful
  The men them gon' fall in love
  With you and all of your glory
  Your skin is not only dark
  It shines and it tells your story
  Keep dancing
  They can't control you
  They watching
  They all adore you
  If ever you are in doubt
  Remember what Mama told you

  Chorus: WizKid and Beyoncé
  Brown skin girl
  Ya skin just like pearls
  Your back against the world
  I never trade you for anybody else
  Brown skin girl
  Ya skin just like pearls
  The best thing in the world
  I never trade you for anybody else, say

  Chorus: Blue Ivy Carter
  Brown skin girl
  Ya skin just like pearls
  The best thing in the world
  I never trade you for anybody else, singin'

  PERFORMED BY BLUE IVY CARTER, SAINt JHN, BEYONCÉ, WIZKID/WRITTEN BY BEYONC&Ereg;, CARLOS ST. JOHN, ADIO MARCHANT, S. CARTER, STACY BARTHE, ANATHI BHONGO MNYANGO, MICHAEL UZOWURU, RICHARD ISONG/ PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, THE ST. JOHN PORTFOLIO/BMG PLATINUM, BLACK BUTTER MUSIC PUBLISHING LTD/BMG RIGHTS MANAGEMENT (UK) LTD,CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), STACY SONGS/UNIVERSAL MUSIC PUBLISHING (ASCAP), GOLD TEA PRODUCTION LLC (SAMRO),BEYOND CATEGORY LLC/UNIVERSAL MUSIC PUBLISHING GROUP, P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP)/PRODUCED BY BEYONC&Ereg;, P2J / ADDITIONAL PRODUCTION BY DEREK DIXIE/BASS BY PINO PALLADINO/ BLUE IVY VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/SAINt JHN VOCALS RECORDED BY P2J AT GEE JAM STUDIO PORT ANTONIO, JAMAICA / WIZKID VOCALS RECORDED BY ENGINEER SAM HARPER AT RECORDING STUDIOTHE RED ROOM MILOCO STUDIOSLONDON,UK/ BEYONC&Ereg; VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA/RECORDING ENGINEER: LESTER MENDOZA,DANIEL PAMPURI, CHRISOTHPER ULRICH/MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA/ MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  SAINT JHN APPEARS COURTESY OF HITCO
  WIZKID APPEARS COURTESY OF RCA

• PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY ZACHARY ACOSTA / MIXED BY ZACHARY ACOSTA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: Tiwa Savage
  See how the sun and the moon bow for you
  But you won't open your eyes

  Omo oba ma gba gbe (Son of the king don't you forget)
  Run ti oruko Baba re (Remember your father's name)

  Pre: Tiwa Savage
  Tick tock pretty baby
  You can get it back don't you waste it
  To grow from your past gotta face it
  Ahh, yeah

  Chorus: Tiwa Savage
  Ooh you are the remedy
  Don't know what's inside
  But you're the key to the kingdom

  Ooh you are the remedy
  Don't know what's inside
  But you're the key to the kingdom So believe
  Even if you can't see I'll never leave
  Cause You're the key to the kingdom (2x)

  You're the key to the kingdom
  Oh you are the remedy
  Don't know what's inside
  But you're the key to the kingdom
  You're the key to the kingdom
  Hey, so believe even if you can't see I'll never leave
  You're the key to the kingdom
  You're the key to the kingdom

  Verse 2: Mr Eazi
  Zagadat
  Just like the tree, just like the Chinese bamboo tree
  See eyes might not see the greatness inside you, that lies within

  Oya come sit pon your throne,
  you know you no go stay down for long,
  whenever in doubt and alone
  Just remember, you're the king inna the kingdom

  Bridge: Tiwa Savage
  You're the key to the kingdom
  Oh you are the remedy
  Don't know what's inside
  But you're the key to the kingdom
  You're the key to the kingdom
  Hey, so believe even if you can't see I'll never leave
  You're the key to the kingdom
  You're the key to the kingdom

  Post: Tiwa Savage
  Here's some things you have to know it go rough for man to grow
  When you feel you had enough You gotta breathe
  Just remember who you are
  If you forget look to the stars
  Even the strong get weak
  But you're the key , you're the key

  Verse 2: Tiwa Savage
  Baby you're the key
  It cost my life to pave the way
  You get it for free
  (Call on me when you need)
  It's obvious to me
  Bloodline is royalty passed to you when I leave But
  (Call on me when you need)

  Pre Hook: Tiwa Savage
  Tick tock pretty baby
  You can't get it back don't you waste it
  To grow from your past

  PERFORMED BY TIWA SAVAGE, MR EAZI / WRITTEN BY BEYONCÉ, KIM KRYSIUK PKA "KAYDENCE", RICKIE TICE PKA "CASO", AKIL "FRESH" KING, TIWATOPE SAVAGE, GERALD "MIXEDBYGWHITE" WHITE, ARIOWA IROSOGIE, RICH KING, OLUWATOSIN OLUWOLE AJIBADE, RONALD BANFUL, DEREK JAMES DIXIE, RICHARD ISONG/ PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SEVEN CORNERS/BMG (BMI), PEN PIPER PUBLISHING(BMI), 3M PUBLISHING/BMG RIGHTS, SONYATV/TIWASAVAGE PUBLISHING (ASCAP), GERALD WHITE PUB DESIGNEE (BMI), WARNER/CHAPPEL MUSIC LTD, HILLTOP AVENUE PUBLISHING (ASCAP), SONYATV UK (PRS), RONALD BANFUL COPYRIGHT CONTROL (PRS), PROKIZUM MUZIK PUBLISHING (SESAC), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP) / PRODUCED BY BEYONCÉ, NORTHBOI ORACLE / CO-PRODUCED BY GUILTYBEATZ, P2J, DEREK DIXIE / ADDITIONAL VOCALS BY ARI PENSMITH / BASS BY COURTNEY LEONARD / GUITAR BY ROD CASTRO / MIXED BY CHRIS GODBEY AT TIKI HILL STUDIOS DALLAS, TX AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / RECORDING ENGINEERS: ARI PENSITH, DANIEL PAMPURI / MIX ASSISTANT: TYLER SCOTT, LESTER MENDOZA / ASSISTANT ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  TIWA SAVAGE APPEARS COURTESY OF UNIVERSAL MUSIC GROUP
  MR EAZI APPEARS COURTESY OF EMPAWA AFRICA LTD

• PERFORMED BY DONALD GLOVER, JOHN KANI / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY LESTER MENDOZA / MIXED BY LESTER MENDOZA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Hook: Beyoncé
  Long live the king
  You a king you know it
  King already..
  Already you know it
  Top everything, everything you know it…
  King already
  Already you know it

  Verse 1: Beyoncé
  Mind body soul
  Got a king body…
  Body gon shine
  Bling bling body…
  Callin all the shots
  Ring ring body..
  Crown on ya head
  Got a king body….

  Hook: Beyoncé
  Long live the king
  You a king you know it
  King already…
  My baby you know it…
  Top everything
  Everything you know it…
  King already…
  Already you know it

  Post: Beyoncé
  Shine already…
  It's time already
  In line already
  It's time already
  Shine already…
  It's time already
  In line already
  It's time already

  Verse 2: Beyoncé
  Tried to stop it me say no, no, no
  Royalty say don't you know
  Know, know, know
  Tried to stop it me say go, go, go
  Bubble up and watch it
  Grow, grow, grow

  Verse 3: Shatta Wale
  Every king Be Ruler,
  Be ruler yea
  Every warrior they conquer yea
  Every king be stronger yea
  King Dey rule them long yea.
  Osh Remember who you are ooh oh oh Osh Real king always win ooh oh.
  Osh You for be brave ooh oh oh.
  Osh And show your people more love ooh oh Osh
  It's time already,
  I say it's time already,
  In line already
  I say in line already.
  Only You got the remedy
  I say you got the remedy
  Shine your body
  Shine your body.
  Ha Ha HAahh......
  Be your own king Make nobody come rule your world.

  Yo Yo Yo......
  Be your own king Make nobody come rule your world.
  Ha Ha HAahh......
  Be your own king Make nobody come rule your world.
  Yo Yo Yo......
  Be your own king Make nobody come rule your world.
  Long Live the king
  You are a king and you know it
  Top everything, everything you know it Show them the way, you know it
  You know it, know it

  Bridge: Beyoncé
  Diamonds on my fist
  Fighting demons y'all
  Come and rest your head
  Take your crown off oh
  Woke up in a foreign
  Need to take it slow
  He said I'm moving too fast
  Said I need to take it too slow
  Take it slow take it slow
  Trying to take my baby home
  Take it slowww take it sloww

  Verse 4: Shatta Wale
  Osh remember who you are ooh oh oh
  Osh real king always win ooh oh
  Osh you for be brave ooh oh oh
  Osh and show your people more love
  Ooh oh Osh
  It's time already
  I say it's time already
  In line already
  I say in line already
  Only you got the remedy
  I say you got the remedy
  Shine your body
  Shine your body
  Ha Ha Haah… Be your own king
  Make nobody come rule your world
  Yo yo yo..
  Be your own king make nobody come

  Hook: Shatta Wale
  Long live the king
  You a king you know it
  Top everything, everything you know it…
  Show them the world
  You know it
  You know it
  You know it

  PERFORMED BY BEYONCÉ, SHATTA WALE, MAJOR LAZER / WRITTEN BY BEYONCÉ, BRITTANY "STARRAH" HAZZARD, TOUMANI DIABATE, CLÉMENT PICARD, MAXIME PICARD, THOMAS WESLEY PENTZ, CHARLES NII ARMAH MENSAH, RONALD BANFUL / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PEOPLE OVER PLANES (ASCAP)/THESE ARE SONGS OF PULSE, TOUMANI DIABATE PUB DESIGNEE (BMI), CLÉMENT PICARD PUB DESIGNEE (SACEM), MAXIME PICARD PUB DESIGNEE (SACEM), I LIKE TURTLES MUSIC (ASCAP), CHARLES NII ARMAH MENSAH PUB DESIGNEE (BMI), BANFUL COPYRIGHT CONTROL (PRS) / PRODUCED BY BEYONCÉ, DIPLO, PICARD BROTHERS / CO-PRODUCED BY GUILTYBEATZ / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY CHRIS GODBEY AT TIKI HILL STUDIOS DALLAS, TX AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  SHATTA WALE APPEARS COURTESY OF FANTASY ENTERTAINMENT GROUP
  MAJOR LAZER APPEARS COURTESY OF MAD DECENT

• As King I was most proud of one thing
  Having you as my son
  I never left you
  I never will
  Remember who you are
  Remember

  PERFORMED BY JAMES EARL JONES / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE /ADDITIONAL VOCALS BY ERYN ALLEN KANE / MIXED BY LESTER MENDOZA, AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• If the storm comes
  If we burn up
  If the wells run dry
  You're my reason
  To believe in
  Another life

  If it all ends
  And it's over
  If the sky falls fire
  Best believe me
  You will see me
  On the other side

  If we wake up
  Lose our patience
  Or eben lose our lives
  I'll feel lucky
  To say that you've been
  A friend of mine

  Best believe me
  You will see me
  On the other side

  Bankuli Swahili Chants
  B Swahili Chants

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, SYDNEY BENNETT, DAVE ROSSER, NICK GREEN, ABISAGBOOLA "BANKULLI" OLUSEUN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF KOBALT MUSIC PUBLISHING (BMI), DAVE ROSSER MUSIC (BMI)/THESE ARE PULSE SONGS (BMI), SONGS FOR DON (BMI)/THESE ARE PULSE SONGS (BMI), ABISAGBOOLA OLUSEUN PUB DESIGNEE / PRODUCED BY BEYONCÉ, NICKY DAVEY / ADDITIONAL PRODUCTION BY DEREK DIXIE, SYDNEY BENNETT / ADDITIONAL VOCALS BY BANKULLI RECORDED AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLASNDING LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DEREK DIXIE, LESTER MENDOZA, DANIEL PAMPURI / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  WAR (NALA INTERLUDE)

  PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Your reign is over Scar
  If you want to get him, you'll have to get through us
  Are you with me lions?

  PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Hook: Nija
  They'll never take my power
  My power, my power
  They'll never take my power
  My power, my power
  They feel a way Oh wow
  They feel a way Oh wow

  They'll never take my power
  My power, my power
  They'll never take my power
  My power, my power
  They feel a way Oh wow
  They feel a way Oh wow

  Verse 1: Tierra Whack
  I was always in the lead
  Who ya wanna be?
  I'm who they wanna be?
  B E A U T Y
  Never seen so much rage from a Queen
  Rage from a Queen
  Rage from a Queen
  Queen so strong
  Thought she was a machine
  Girl of ya dreams
  Synclaire Regine
  Turned to the max
  Can't forget Maxine

  Refer to me as a Goddess!
  I'm tired of being modest
  100 degrees the hottest
  Ebony and Ebonics
  Black people win
  They say we being demonic
  Angel in disguise
  I hate I have to disguise it
  Why you gotta despise it
  Rich in the mind, That's why I'm making deposits
  I carry all the power
  Time to realize it!

  Hook: Nija
  They'll never take my power
  My power, my power
  They'll never take my power
  My power, my power
  They feel a way Oh wow
  They feel a way Oh wow

  They'll never take my power
  My power, my power
  They'll never take my power
  My power, my power
  They feel a way Oh wow
  They feel a way Oh wow

  Verse 2: Beyoncé
  This that Rhythm
  This that lightening
  This that burn
  This ain't no Perm
  This that Nappy
  This that herb
  This that Kinfolk
  This that Skinfolk
  This that war
  This that bloodline
  On the frontline
  Ready for war
  Where you gon run
  Ima get loose get loose
  Get low get low
  Ima get loose get loose
  Get low get low
  Gotta protect my grace
  Keep it locked in a safe
  Don't make me get back to my ways
  My power they'll never take

  Hook: Nija
  They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way Oh wow
  They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way
  Oh wow

  Vumani bo! (Do you agree/Are you with me?)
  Syavuma!!! (We agree/ We are with you)
  Selingenile iKumkani (The King has arrived)
  Ningangabazi amandi' ami (Do not doubt my power)
  Ngizo gobis' abanenkani (I will persuade those who are stubborn)

  Thulani bo! (Be Quiet)
  Senghleli!!! (We are still)
  Selivukil' iDimoni lami (My inner-demons have awakened)

  Nibabuzil' abaziyo ngam (Have you asked those who know of me)
  There will be peace when I'm done

  Jongani bo! (Look here)
  Syabona!!! (We See)
  Ndim neSkeem sami (It is me & my 'squad')
  Sizilethile Izikhali (We have prepared weapons)
  La amagwal awahlangani (Cowards have no place here)

  Hlalani bo (Sit! *plural*)
  Ibamb'Umthetho (be still & obedient)
  Niyabon' iyinkinga lento (can you see we have a challenge/predicament?)
  Soy'lungisa (We will resolve it)
  Themba Mina (Put your trust in me)
  Qoq amaqhawe! Soy'qeda manje! (Gather the Troops! We will finish it now!)

  Hook: Nija
  They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way Oh wow
  They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way
  Oh wow

  Bridge: Yemi Alade
  You no fit to touch am O
  You no fit to touch am O

  Verse 5: Moonchild
  Boom Boom check you later
  I roll with the danger
  Andoyiki n'inja
  (I'm not even scared of dogs)
  Mina ndili ninja
  (Because I'm a ninja)

  Boom Boom check you later
  I roll with the danger
  Andoyiki n'inja
  (I'm not even scared of dogs)
  Mina ndili ninja
  (Because I'm a ninja)

  PERFORMED BY NIJA, BEYONCÉ, BUSISWA, YEMI ALADE, TIERRA WHACK, MOONCHILD SANELLY, DJ LAG / WRITTEN BY BEYONCÉ, BUSISWA GQULU, YEMI ALADE, TIERRA WHACK, SANELISIWE TWISHA ,NIJA CHARLES PKA NIJA, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVAWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV, LWAZI ASANDA GWALA/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SON/ATV MUSIC PUBLISHING (SAMRO), EFFYZZIE MUSIC LTD (PRS), TIERRA WHACK PUB DESIGNEE UNIVERSAL MUSIC PUBLISHING GROUP (ASCAP), MOONCHILD SANELLY PUB DESIGNEE (SAMRO), SONGS OF UNIVERSAL, INC. AND SONGS BY AMNIJA. ALL RIGHTS FOR SONGS BY AMNIJA CONTROLLED AND ADMINISTERED BY SONGS OF UNIVERSAL, 114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI), DJ LAG PUB DESGINEE / PRODUCED BY BEYONCÉ, DJ LAG / ADDITIONAL PRODUCTION BY DEREK DIXIE / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / BUSISWA VOCALS RECORDED BY GUILTYBEATZ AT EIGHT MUSIC STUDIOS IN JOBURG, SA / YEMI ALADE VOCALS RECORDED BY P2J AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / TIERRA WHACK VOCALS RECORDED BY KENETE SIMMS AT NAKED PEOPLE STUDIOS PHILADELPHIA, PA / MOONHILD SANELLY VOCALS RECORDED BY XIVONAKI MANZINI AT THE COUSINS X AQUANOTE PRODUCTIONS SOUTH AFRICA AND ZAIN VALLY AT MAD COW STUDIO (ZA) / NIJA VOCALS RECORDED BY NIJA AT PARKWOOD WEST STUDIOS LOS ANGELES,CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: JENNA FELSENTHAL, DANIEL PAMPURI / MIX ASSISTANT: JOHN CRANGIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  NIJA APPEARS COURTESY OF LEGION
  BUSISWA APPEARS COURTESY OF BUSISWA ENTERTAINMENT
  YEMI ALADE APPEARS COURTESY OF EFFYZZIE MUSIC LTD
  TIERRA WHACK APPEARS COURTESY INTERSCOPE RECORDS
  MOONCHILD SANELLY APPEARS COURTESY OF BAND OF WOLVES
  DJ LAG APPEARS COURTESY OF HYPERDUB

• Give me one good reason why I shouldn't rip you apart
  I can give you more than one

  PERFORMED BY DONALD GLOVER, CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, P2J / MIXED BY ZACHARY ACOSTA, AND JOHN CRANFIELD AT NRG STUDIOS IN NORTH HOLLYWOOD, CA/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1: 070 Shake
  I wonder
  How and why it went so wrong
  It's been so dark yea
  I wanna say my last goodbyes and Iʼll be gone For good left you guys behind oh
  Iʼm so lonely

  Verse 1: Jessie Reyez
  In the jungle
  Aint no bible
  Show time show time
  No recital
  Show no fear boy
  Where's your spinal
  Where's your back bone
  Where's your pyro
  I had to be everything you couldn't be for my survival
  My own idol
  Skipped my trial
  And took my rightful
  Rightful title

  No remorse
  The sin is final
  I found all my
  Own disciples
  I'm too far gone
  Down this spiral
  No white angels
  Just albinos
  Check my eyes man, they're all white man, rolling back now
  where'd the light go
  Guess it died so
  Cold like kryo
  Crack my kneck back like in the chiro eeeeeee

  Hook: Jessie Reyez
  I've waited too long for this
  I need this like oxygen
  I've waited too long for this
  I need this like oxygen
  I've waited too long for this
  I need this like oxygen
  Dark side is fine by me

  Verse 2: 070 Shake
  Sorry
  Sorry
  My own family
  I slayed you
  Betrayed you
  Donʼt you grow to be like me Iʼm under
  Sinking to the darkest sea The darkest sea

  PERFORMED BY 070 SHAKE, JESSIE REYEZ / WRITTEN BY BEYONCÉ, DANIELLE BALBUENA, JESSIE REYEZ, RICHARD ISONG, TIM SUBY, DAVE HAMELIN, ARIOWA IROSOGIE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DANIELLE BALBUENA MUSIC (BMI), FMLY USA/BMG GOLD SONGS (SOCAN), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP), NYIAN KING / EMI POP MUSIC PUBLISHING(GMR), ELECTRONIC BONGO PRODUCTIONS / SOUTHERN MUSIC PUBLISHING CO CANADA LTD., WARNER/CHAPPELL MUSIC LTD (ASCAP) / PRODUCED BY BEYONCÉ, P2J, TIM SUBY, DAVE HAMELIN / CO-PRODUCED BY ARI PENSMITH / ADDITIONAL PRODUCTION BY DEREK DIXIE, MIKE DEAN / ADDITIONAL KEYS BY ARI PENSMITH / RECORDING ENGINEER: DANIEL PAMPURI / 070 SHAKE VOCALS RECORDED BY JENNA FELSENTHAL AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / JESSIE REYEZ VOCALS RECORDED BY SPENCER "MOOSE" MUSCIO AT LEFT FIELD STUDIOS TORONTO,CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  070 SHAKE APPEARS COURTESY OF DEF JAM RECORDINGS
  JESSIE REYEZ APPEARS COURTESY OF ISLAND RECORDS

• The kings time as ruler rises and falls like the sun
  One day Simba The sun will set on my time here and will rise with you as the new king
  Simba
  Im here mother. Im home.

  PERFORMED BY JAMES EARL JONES, ALFRE WOODARD, DONALD GLOVER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL VOCALS BY MZANSI YOUTH CHOIR (SOUTH AFRICA) / MZANSI YOUTH CHOIR RECORDED BY JAMES BASSINGWAIGHTE / MIXED BY ZACHARY ACOSTA AT NRG STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

• Verse 1:
  Yeah and the wind is talking
  Yeah for the very first time
  Will the melody that pulls you towards it
  Paint in pictures of paradise
  Saying

  Pre:
  Rise up, to the light in the
  Sky yeah, watch the light lift your
  Heart up, burn your flame through the night
  Wooo
  

  Chorus:
  Spirit
  Watch the heavens open (open) yeah
  Spirit
  Can you hear it calling (calling) yeah
  

  Verse 2:
  Yeah and the waters crashing
  Trying to keep your head up high
  While you're trembling
  That's when the magic happens
  And the stars gather by
  By your side, side yeah
  

  Pre:
  Rise up, to the light in the
  Sky yeah, let the light lift your
  Heart up burn your flame through the night
  Woooo
  

  Chorus:
  Spirit
  Watch the heavens open (open) yeah
  Spirit
  Can you hear it calling (calling) yeah
  

  Post:
  Your destiny is coming close
  Stand up and fight
  Ohhhh
  

  Bridge:
  So go into that far off land
  And be one with the great I am
  I am boy becomes a man
  Wooo
  

  Chorus:
  Spirit
  Watch the heavens open (open) yeah
  Spirit
  Can you hear it calling (calling) yeah
  

  Chorus:
  Spirit
  Watch the heavens open (open) yeah
  Spirit
  Can you hear it calling (calling) yeah
  

  Your destiny is coming close
  Stand up and fight
  Ohhhh

  So go into that far off land
  And be one with the great I am

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TIMOTHY MCKENZIE, ILYA SALMANZADEH / PRODUCED BY BEYONCÉ, TIMOTHY MCKENZIE, ILYA FOR MXM PRODUCTIONS, LABRINTH / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MXM ADMINISTERED BY KOBALT (ASCAP)/WOLF COUSINS (STIM)/WARNER CHAPPELL MUSIC SAND (STIM) / BMG PLATINUM SONGS (BMI), ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC., / PRODUCED BY BEYONCÉ, ILYA FOR MXM PRODUCTIONS, LABRINTH / VOCAL PRODUCTION BY BEYONCÉ / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / DRUMS BY LABRINTH, ILYA, DEREK DIXIE / PROGRAMMING AND ARRANGEMENT BY LABRINTH, ILYA, BEYONCÉ / CHOIR PRODUCED BY DEREK DIXIE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / CHOIR RECORDED BY DANIEL PAMPURI AND LESTER MENDOZA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIXED BY STUART WHITE AT NRG STUDIOS NORTH HOLLYWOOD, CA / ASSISTANT ENGINEER CORY BICE, JEREMY LERTOLA, SAM HOLLAND, ANDREA ROBERTS, STEVEN XAI / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

Homecoming (2019)

• Buy Now

• Slater Thorpe:
  Ladies and Gentleman welcome to Beyoncé Homecoming 2018

  PERFORMED BY BEYONCÉ / ANNOUNCER: SLATER THORPE / WRITTEN BY BEYONCÉ, QUINCY JONES, CHARLES EMANUEL SMALLS, MICHAEL COOPER, ASHETON TERRENCE O'NIEL HOGAN, KENDRICK LAMAR, ANTHONY TIFFITH, MICHAEL WILLIAMS, SHAWN C. CARTER, ELBERNITA CLARK, AND ERNEST DION WILSON / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, YELLOWBRICK ROAD MUSIC (ASCAP), WB MUSIC CORP (ASCAP) KIDADA MUSIC (BMI), WARNER-TAMERLANE PUB (BMI), BRAVO AND ENCORE MUSIC (BMI), WARNER -TAMERLANE PUBLISHING CORP (BMI), HARD WORKING BLACK FOLKS INC (ASCAP), TOP DAWG MUSIC (ASCAP), WB MUSIC CORP (ASCAP), SONGS OF KOBALT MUSIC PUBLISHING (BMI), SOUNDS FROM EARDRUMMERS (ASCAP), CARTER BOYS MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. SONGS BY TWINKIE MUSIC PUBLISHING (BMI), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, LET THE STORY BEGIN PUBLISHING (ASCAP) AND BMG MONARCH (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Intro: Beyoncé Coachella.You ready? Let's go get 'em

  JAY-Z Background Vocals:
  Yes, so crazy right now
  It's so crazy right now
  Most incredibly, it's ya girl, B
  History in the making
  Part two, so crazy right now

  Verse 1: Beyoncé
  I look and stare so deep in your eyes
  I touch on you more and more every time
  When you leave, I'm begging you not to go
  Call your name two, three times in a row
  Such a funny thing for me to try to explain
  How I'm feeling and my pride is the one to blame
  I still don't understand
  Just how your love can do what no one else can

  Chorus: Beyoncé
  Got me lookin' so crazy right now, your love's
  Got me lookin' so crazy right now your love
  Got me lookin' so crazy right now, your touch
  Got me lookin' so crazy right now your touc)
  Got me hopin' you'll page me right now, your kiss
  Got me hopin' you'll save me right now
  Lookin' so crazy in love's
  Got me lookin', got me lookin'
  Lookin' so
  Lookin' so
  Lookin' so

  Big Sean: Drop it

  Bridge: Beyoncé
  Uh oh, uh oh, uh oh, oh, no, no
  Uh oh, uh oh, uh oh, oh, no, no
  Uh oh, uh oh, uh oh, oh, no, no
  Uh oh, uh oh, uh oh, oh, no, no

  Verse 2: Beyoncé
  When I talk to my friends so quietly
  Who he think he is? Look at what you did to me
  Tennis shoes, don't even need to buy a new dress
  If you ain't there, ain't nobody else to impress
  It's the way that you know what I thought I knew
  It's the beat in my heart skips when I'm with you
  I still don't understand
  Just how your love can do what no one else can

  Chorus: Beyoncé
  Got me lookin' so crazy right now
  Got me lookin' so crazy right now
  Got me lookin' so crazy right now
  Crazy right now
  Crazy right now
  Got me lookin' so crazy right now
  Got me lookin' so crazy right now
  Crazy right now
  Crazy right now

  Beyoncé: Coachella, Y'all dance with me, Come on.

  JAY-Z Background Vocals:
  N---a ask
  N---a N---a ask about me
  N---a ask
  N---a N---a ask about me
  N---a ask
  N---a ask
  N---a N---a ask about me
  N---a ask

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, SHAWN CARTER, RICHARD HARRISON, EUGENE RECORD, DWAYNE CARTER, TERIUS GRAY, BYRON O. THOMAS, TIM MOSLEY, SEAN MICHAEL ANDERSON, STANLEY KIRK BURRELL, ERNEST CLARK, JAMES JOHNSON, ALONZO MILLER, MARCOS PALACIOS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), CARTER BOYS PUBLISHING (ASCAP), LIL LU LU PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), UNICHAPPEL MUSIC INC (BMI), MONEY MACK MUSIC (BMI), BREKA MUSIC (BMI) AND FRESH IS THE WORD (BMI), PUBLISHED BY SEAN MICHAEL ANDERSON MUSIC LLC (BMI), BUST IT PUBLISHING (BMI), TWO WORKS (ASCAP), SONY/ATV TUNES LLC (ASCAP), JOBETE MUSIC CO INC (ASCAP), FF TO DEF PUBLISHING LLC (BMI), SONGS OF UNIVERSAL INC (BMI), STONE DIAMOND MUSIC CORPORATION (BMI) AND VIVA PANAMA (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Verse 1: Beyoncé
  Trying to reign
  Trying to rain on the thunder
  Tell the storm I'm new
  I'ma walk
  I'ma march
  On the regular
  Painting white flags blue
  Lord forgive me I've been running
  Running blind in truth
  I'ma rain
  I'ma reign
  On this bitter love
  Tell the sweet I'm new

  I'm telling these tears gonna fall away fall away… oooh
  May the last one burn into flames

  Chorus: Beyoncé
  Freedom
  Freedom
  I can't move
  Freedom cut me loose
  Freedom
  Freedom
  Where are you?
  Cause I need freedom too
  I break chains all by myself
  Won't let my freedom rot in hell
  I'ma keep running cause a winner don't quit on themselves

  Kendrick Lamar Background Vocals:
  Huh what you want from me is it true you see uh oh father can you hear me?
  Huh what you want from me is it true you see uh oh father can you hear me?
  Hear me?

  PERFORMED BY BEYONCÉ / WRITTEN BY JONATHAN COFFER, BEYONCÉ, CARLA WILLIAMS, ARROW BENJAMIN, KENDRICK DUCKWORTH, FRANK TIRADO, ALAN LOMAX, JOHN LOMAX SR, CALVIN BROADUS, AWOOD JOHNSON, CRAIG LAWSON, COREY MILLER / PUBLISHED BY B-UNIQUE MUSIC LIMITED/KOBALT PUBLISHING AMERICA INC (BMI), WB MUSIC CORP (ASCAP), OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EMI BLACKWOOD MUSIC INC (BMI), SONY/ATV SONGS (BMI) OWN CHIT PUBLISHING (BMI), ULTRA EMPIRE MUSIC (BMI), BLOCK OFF BROAD PUBLISHING (BMI) AND L P BOYZ MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Beyoncè:
  Lift every voice and sing
  Till earth and heaven ring
  Ring with the harmonies of Liberty
  Let our rejoicing rise
  High as the list'ning skies
  Let us march on till victory is won

  PERFORMED BY BEYONCÉ / WRITTEN BY JAMES WELDON JOHNSON

• Intro: Big Freedia

  Baby, I'm back by popular demand
  B----, I'm back by popular demand
  I did not come to play with you h---
  I came to slay b----

  Refrain: Beyoncé
  Ya'll haters corny with that illuminati mess
  Paparazzi catch my fly and my cocky fresh
  I'm so reckless when I rock my givenchy dress
  I'm so possessive so I rock his roc necklaces
  My daddy Alabama
  Mama Louisiana
  You mix that negro with that creole make a Texas-bama
  I like my baby hair with baby hair and afros
  I like my negro nose with Jackson 5 nostrils
  I earned all this money but they never take the country out me
  I got hot sauce in my bag… swag

  Chorus: Beyoncé
  I see it I want it
  I stunt yellow hornet
  I dream it I work hard I grind till own it
  I twirl on them haters
  Albino alligators
  El camino with the seat low sipping cuervo with no chaser
  Sometimes I go off
  I go hard
  Get what's mine
  I'm a star
  Cause I slay… I slay I slay I slay
  I slay I slay I slay I slay
  I'm gon' slay I slay I slay I slay
  All day I slay I slay okay okay

  Ok ladies now let's get in formation
  Ok ladies now let's get in formation
  Prove to me you got some co-ordination
  Slay trick or you get eliminated
  When he f--- me good i take his ass to red lobster
  when he f--- me good i take his ass to red lobster
  If he hit it right I might take him on a flight on my chopper
  Drop him off at the mall let him buy some j's let him shoppa

  I might get your song played on the radio station
  I might get your song played on the radio station
  You just might be a black bill gates in the making
  I just might be a black bill gates in the making

  Chorus: Beyoncé

  I see it I want it
  I stunt yellow hornet
  I dream it I work hard I grind till I own it
  I twirl on my haters
  Albino Alligators
  El camino with the seat low sipping cuervo with no chaser
  Sometimes i go off
  I go hard
  Take what's mine
  I'm a star
  Cause I slay… I slay I slay I slay
  I slay I slay I slay I slay
  We gon' slay gon' slay we slay i slay
  I slay okay I slay okay okay okay

  Ok ladies now let's get in formation
  Ok ladies now let's get in formation
  Prove to me you got some co-ordination
  Slay trick or you get eliminated
  Ok ladies now let's get in formation
  Ok ladies now let's get in formation
  You know you that b---- when you cause all this conversation
  Always stay gracious
  Best revenge is your paper

  Outro: Nina Simone
  I think what you are trying to ask is why am I so insistent upon giving out to them that blackness that black power that black…pushing them to identify with black culture.
  I think that's what you're asking. It's…I have no choice over it in the first place.
  To me we are the most beautiful creatures in the whole world. black people.
  My job is to somehow make them curious enough or persuade them by hook or crook to get more aware of themselves and where they came from and what they are into and what is already there and just to bring it out. This is what compels me to compel them. And I will do it by whatever means necessary.

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, MICHAEL L. WILLIAMS II, KHALIF BROWN, ASHETON HOGAN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP OBO ITSELF AND OAKLAND 13 MUSIC, SOUND FROM EARDRUMMERS LLC ASHETON HOGAN BMI PUB DESIGNEE, WARNER-TAMERLANE PUBLISHING CORP (BMI) OBO ITSELF EARDRUMMERS MUSIC PUBLISHING LLC (BMI) AND KHALIF BROWN BMI PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT OF NINA SIMONE'S "THAT BLACKNESS" SPEECH, "NINA SIMONE: THAT BLACKNESS", FEBRUARY 2013. EXCERPT COPYRIGHT © 2013 BY NINA SIMONE

• I grew up in Houston, Texas and visiting Prairie View
  We rehearsed at TSU for many years in Third Ward
  And I always dreamed of going to an HBCU
  My college was Destiny's Child
  My college was traveling around the world and life was my teacher
  I wanted a black orchestra, I wanted the steppers, I needed the vocalists
  I wanted different characters, I didn't want us all doing the same thing
  The amount of swag is just limitless, like the things that these young people can do with their bodies and the music they can play and the drumrolls, and the haircuts and the bodies.
  It's just not right, it's just so much d--- swag

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP OBO ITSELF AND OAKLAND 13 MUSIC

• Beyoncé: Let me hear you sing

  Intro: Beyoncé
  I ain't sorry
  I ain't sorry
  I ain't sorry
  N---- nah
  I ain't sorry
  I ain't sorry
  I ain't sorry

  You trying to roll me up I ain't sorry
  I ain't picking up I ain't sorry
  I'm headed to the club I ain't sorry
  I ain't thinking 'bout you I ain't sorry

  Me and my ladies sip my D'ussé cups
  I don't give a f---- chucking my deuces up
  Suck on my b--- pause

  Beyoncé: Bug A Boos.
  I need a good laugh
  You Make me laugh
  Bug A Boo 1: Bug a Boos!
  Bug A Boos: ooooooooahhhhhhhh
  Beyoncé and Bug A Boos: laughing
  Beyoncé: Did that make us laugh?
  Audience: no!
  Beyoncé: Think about it.
  Bug A Boo 1: Bug a Boos!nBuuzzzzzzzzzz
  Beyoncé: Fall in line.
  Ladies. Ladies. Ladies.
  Are we smart?
  Audience: yes!
  Beyoncé: Are we strong?
  Audience: yes!
  Beyoncé: Have we had enough of the bullshit?
  Audience: yes!
  Beyoncé: Show em.
  Beyoncé + Performers:
  Suck on my b----
  Suck on my b----pause

  Suck on my b----
  Suck on my b----
  Suck on my b----
  Suck on my b----pause

  Hell na
  Hell na
  Middle Fingers up
  Middle Fingers up
  Put em hands high
  Put em hands high
  Wave it in his face
  Wave it in his face
  Tell him boy bye
  Tell him, tell him boy bye
  Tell him boy bye
  Tell him, tell him boy bye
  Tell him boy bye
  Tell him, tell him boy bye
  Tell him boy bye
  Tell him, tell him boy bye
  I ain't think about you.
  Ugh

  Verse 2: Beyoncé
  Middle fingers up
  Put them hands high
  Wave it in his face
  Tell 'em boy bye
  Tell 'em boy bye
  Boy bye
  Middle fingers up
  Iain't thinking 'bout you

  I ain't sorry
  Iain't sorry
  Iain't sorry
  I ain't thinking 'bout you
  I ain't sorry
  I ain't sorry
  I ain't sorry
  No No , hell nah

  Now you want to say you're sorry
  Now you want to call me crying
  Now you gotta see me wilding
  Now I'm the one that's lying
  And I don't feel bad about it
  It's exactly what you get
  Stop interrupting my grinding

  Bridge: Beyoncé
  I can't believe I believed everything we had would last
  So young and naive for me to think she was from your past
  Silly of me to dream of one day havin' your kids
  Love is so blind it feels right when it's wrong
  I can't believe I fell for your schemes, I'm smarter than that
  So dumb and naive to believe that with me you're a changed man
  Foolish of me to compete when you cheat with loose women
  It took me some time, but now I am strong
  Because I realized I got
  Me, myself, and I, that's all I got in the end
  That's what I found out
  And it ain't no need to cry

  Beyoncé:I see you, how did you do that so fast?
  She has on my outfit y'all

  Sing it
  Sing it
  Sing it Ladies

  From now on I'ma be my own bestfriend
  Right Ladies?

  Verse 3: Beyoncé
  I left a note in the hallway
  By the time you read it, I'll be far away
  I'm far away
  But I ain't f------with nobody
  Let's have a toast to the good life
  Suicide before you see this tear fall down my eyes
  Me and my baby, we gon' be alright
  We gon' live a good life
  Big homie better grow up
  Me and my whoadies 'bout to stroll up
  I see them boppers in the corner
  They sneaking out the back door
  He only want me when I'm not there
  He better call Becky with the good hair
  You better call Becky with the good hair

  PERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ, SCOTT STORCH AND ROBERT WALLER / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13M (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), NOTTING DALE SONGS INC (ASCAP), RESERVOIR MEDIA MUSIC (ASCAP) AND BLACK OWNED MUSIK (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Verse: Beyoncé
  Rock diamonds on my neck, got diamonds on my records
  Since fifteen coming down reppin' Texas
  How you gon' neglect this? You is just a hot mess
  You can call Tyrone, you ain'tgots to lie Craig
  What about my body, body?
  You don't want my body, body?
  Acting like I'm nobody
  You gon' make me call somebody

  Let's go little Kitty Kat
  I think it's time to go
  Let's go little Kitty Kat
  He don't want no more
  Let's go little Kitty Kat

  Outro: Beyoncé
  He better call Becky with the good hair

  WRITTEN BY PHARRELL WILLIAMS, S. CARTER, BEYONCÉ / PUBLISHED BY EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR), B DAY PUBLISHING (ASCAP) AND WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Call Becky with the good hair

  Beyoncé: Coachella!
  Thank y'all so much for having us once again.
  I'm so honored to be on this stage tonight.
  This next song is for all of my queens.
  Do we have any beautiful queens in the house tonight?
  I want y'all to sing along if y'all know the lyrics.
  It's called Bow Down.

  Verse 1: Beyoncé
  I know when you were little girls
  You dreamt of being in my world
  Don't forget it, don't forget it
  Respect that, bow down b----
  I took some time to live my life
  But don't think I'm just his little wife
  Don't get it twisted, get it twisted
  This my s---, bow down b----

  Bridge: Background track
  Bow down b----, bow bow down b----
  Bow down b----, bow bow down b----
  H-town vicious, H H-town vicious
  I'm so crown, bow bow down bitches

  I'm out that H-Town
  Coming, coming down
  I'm coming down dripping candy on the ground
  H, H-town, town, I'm coming down
  Coming down dripping candy on the ground

  PERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ , SHAWN C. CARTER, KIRK ANDRE BENNETT, MIGUEL COLLINS, MIKE DEAN, BOBBY DIXON, EBONY NAOMI OSHUNRINDE, JACQUES WEBSTER, DEMACIO CASTELLON, CHRIS GODBEY, LESLIE JEROME HARMON, GARLAND WAVERLY MOSLEY JR. AND TIMOTHY MOSLEY / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (BMI), DUB PLATE MUSIC PUBLISHERS LTD (ASCAP), ZABOGAUBHI MUSIC (ASCAP), PAPA GEORGE MUSIC (BMI), SONGS OF STB (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI),BMG GOLD SONGS (ASCAP), TRAVIS SCOTT MUSIC (BMI), SONY/ATV BALLAD, DEMOLITION CREW PUBLISHING (ASCAP), SONY/ATV BALLAD (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI), 757 MUSIC (ASCAP) AND VB RISING PUBLISHING (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Intro:
  Coming coming down
  Dripping candy on the ground
  Coming coming down
  Dripping candy on the ground

  Beyoncé:Listen

  Verse: Beyoncé
  I been on, I been on, I been on
  Tell me who gon' take me off
  Take me off, take me off, take me off
  I been on, I been on, I been on
  Tell me who gon' take me off
  Take me off, take me off, take me off

  Rolling high, leather and wood
  Keep it trill, that's what good
  Kiss my momma, show that love
  Pop them bottles in that club
  I heard your boo was talking lip
  I told my crew to smack that trick
  Smack that trick, smack that trick
  Guess what they did, smack that trick
  Gold everything, gold a-- chains
  Gold a-- rings, gold a-- fangs
  You can see me stunt when you turn on ya screen
  You can see me stunt when you turn on ya screen
  I'm bigger than life, my name in the lights
  I'm the capital B, I don't need no hype
  The capital B means, I'm 'bout that life
  The capital B means, I'm 'bout that life b----

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÈ, POLOW DA DON, TIMOTHY MOSLEY, JONATAN "ANONYMOUS" SOLONNE-MYVETT, THERON THOMAS, TIMOTHY THOMAS, SONNY COREY UWAEZUOKE, CRAIG BAZILE, PERCY MILLER AND MIA YOUNG / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MY DIET STARTS TOMORROW INC/SONGS OF UNIVERSAL INC (BMI), VB RISING MUSIC PUBLISHING/OLE MEDIA MANAGEMENT LP II (ASCAP), I LOVE BELIZE PUB, U CAN'T TEACH BEIN THE SHH INC (BMI), T-N-T EXPLOSIVE MUSIC PUBLISHING/ UNIVERSAL MUSIC CORPORATION(ASCAP), SONY DIGITAL MUSIC GROUP/BANG VILLAGE 247 PUBLISHING LLC/IRVING MUSIC (BMI), BLOCK OFF ROAD PUBLISHING (BMI) AND LP BOYZ MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Verse 1: Beyoncé
  I've been drinkin', I've been drinkin'
  I get filthy when that liquor get into me
  I've been thinkin', I've been thinkin'
  Why can't I keep my fingers off it, baby I want you, nana
  Why can't I keep my fingers off it, baby I want you, nana

  Beyoncé: Coachella I wanna hear y'all sing

  Cigars on ice, cigars on ice
  Feeling like an animal with these cameras all in my grill
  Flashing lights, flashing lights
  You got me faded, faded, faded
  Baby, I want you, nana
  Can't keep your eyes off my fatty
  Daddy, I want you
  Drunk in love,

  Beyoncé: How y'all doing over here.

  I want you

  We woke up in the kitchen saying
  "How the hell did this shit happen?" Oh baby

  Beyoncé: I can see you all the way, all the way back there.
  Drunk in love
  We be all night
  Last thing I remember is our beautiful bodies grinding off in that club
  Drunk in love

  Beyoncé: Sing it y'all

  We be all night

  Sing!
  Come on sing!

  We be all night

  Sing!
  Hey!

  We be all night, and everything alright
  No complaints for my body, so fluorescent under these lights
  Boy, I'm drinking, park it in my lot, 7-11
  I'm rubbing on it, rub-rubbin'
  If you scared, call that reverend
  Boy I'm drinking, get my brain right
  I'm on the Armand de Brignac, yeah gangsta wife
  Louis sheets, he sweat it out, like washrags, he wet it up
  Boy, I'm drinking, I'm singin' on the mic to my boy's toys
  Then I fill the tub up halfway
  Then ride with my surfboard
  Surfboard, surfboard
  Grindin' on that wood, grindin', grindin' on that wood
  I'm swervin' on that, swerving-swervin' on that
  Big body been swervin' all this
  Surfs up
  Good good

  Bridge: Nina Simone
  I lost myself on a cool damp night
  Gave myself in that misty light
  Was hypnotized by a strange delight
  Under a lilac tree
  I made wine from the lilac tree
  Put my heart in its recipe
  It makes me see what I want to see
  And be what I want to be
  When I think more than I want to think
  Do things I never should do
  I drink much more that I ought to drink
  Because I brings me back you

  Last thing I remember is our beautiful bodies grinding off in that club
  Drunk in love
  We be all night

  Sing it!
  Hey!

  We be all night
  Riding with my surfboard
  Surfboard, surfboard

  Grindin' on that wood, grindin', grindin' on that wood
  I'm swervin' on that, swerve-swervin' on his big body
  Ahhh! You!!

  Surfboard, surfboard, surfboard
  Grindin' on that wood, grindin', grindin' on that wood
  Swervin' on that, swerve-swervin' on his big body
  Been Surfin on all his
  Surf Surfin on all his good good!

  Outro: Beyoncè
  To the left, to the left
  Everything you own in the box to the left
  Sing it!
  To the left, to the left
  Everything you own in the box to the left
  Say I'ma a Diva
  Sing it!
  I'ma a Diva
  Say I'ma a Diva
  Sing it!
  Louder
  I'ma a Diva
  Louder
  I'ma a Diva
  Can't hear you
  I'ma a Diva
  Sing it!
  Come on!

  PERFORMED BY BEYONCÉ / WRITTEN BY SHAWN C. CARTER, RASOOL DIAZ, NOEL FISHER, JEROME HARMON, BEYONCÉ, TIMOTHY MOSLEY, ANDRE PROCTOR, BRIAN SOKO, JAMES EDWARD FAUNTLEROY II, CHRIS GODBEY, MIGUEL JONTEL PIMENTEL AND JUSTIN R. TIMBERLAKE, JAMES H. SHELTON, ALVITICUS BRYANT, KEVIN MICHAEL ERONDU, MICHAEL GORDON, JARED RICE, SEDARIUS SPEARMAN, KEISHAUN PATRICK WATTS, AMUND BJORKLUND, MIKKEL ERIKSEN, TOR HERMANSEN, ESPEN LIND AND SHAFFER SMITH
  PUBLISHED BY CARTER BOYS MUSIC (ASCAP) RASOOL DIAZ BMI PUB DESIGNEE, EMI BLACKWOOD MUSIC INC (BMI) IF YOU NEED ME DON'T LEAVE ME (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI) OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP) OLE MEDIA MANAGEMENT LP II (ASCAP), VB RISING PUBLISHING (ASCAP) ANDRE PROCTOR BMI PUB DESIGNEE, BRIAN SOKO PUB DESIGNEE, FAUNTLEROY MUSIC (ASCAP), ALMO MUSIC CORPORTATION (ASCAP), UNDERDOG WEST SONGS (ASCAP), SONY/ATV BALLAD (ASCAP), WARNER-TAMERLANE PUBLISHING CORP (BMI), ART DEALER CHIC (ASCAP), UNIVERSAL MUSIC CORPORATION (ASCAP) AND TENNMAN TUNES (ASCAP), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP), CHAPPEL-CO INC (ASCAP), 1000 WATTS PUBLISHING COMPANY (ASCAP), MAKING MOVES MUSIC GROUP (ASCAP), ON DEBBIE PUBLISHING LLC (ASCAP), POWER ALLIANCE MUSIC (ASCAP) AND UNIVERSAL MUSIC CORPORATION (ASCAP), STELLAR SONGS LIMITED (BMI), EMI MUSIC PUBLISHING LTD (ASCAP), SONY/ATV MUSIC PUBLISHING (UK) LIMITED (ASCAP), B DAY PUBLISHING (ASCAP), SUPER SAYIN PUBLISHING (BMI) AND UNIVERSAL MUSIC Z SONGS (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• I'm-a diva
  i'm-a, i'm-a a diva
  I'm-a, i'm-a a diva
  I'm-a, i'm-a a diva
  I'm-a, i'm-a a diva
  I'm-a, i'm-a a diva
  I'm-a, i'm-a a diva
  i'm-a, i'm-a

  Na, na, na, diva is a female version of a hustla
  Of a hustla, of a, of a hustla

  Na, na, na, diva is a female version of a hustla
  Of a hustla, of a, of a hustla

  Stop the track
  Let me state facts

  I told you gimme a minute and i'll be right back
  Fifty million 'round the world and they said that i couldn't get it
  I done got so sick and filthy with benji'si can't spend it
  Tell me somethin' where ya boss at
  Where my ladies up in here that like to talk back
  I wanna see ha
  I'd like to meet ya
  What you said
  she ain't no diva
  No, no, no

  Beyoncé: Diva's y'all help me sing this next verse

  Since 15 in my stilettos
  Been struttin' in this game
  What's your age was the question they ask when i hit the stage
  I'm a diva best believe-a, you see her, she's gettin' paid
  She ain't calling him a greeter
  Don't need him, her bed's made

  This is a stick up, stick up
  I need them bags or that money
  I'm-a stick up, stick up, you see the mask, where that money

  All my ladies gettin' up
  I see you, i do the same
  Take you to another level
  no passengers on my plane

  I need them bags or that money
  I'm-a stick up, stick up, you see the mask, where that money

  Outro: Everybody Mad
  I be getting to the money, everybody mad
  I think I'm getting too much money, everybody mad
  The same old nigga from the block
  The same old nigga with the pot
  The same old nigga from the trap
  Everybody hated on him, then he bounced right back

  I be getting to the money, everybody mad
  I think I'm getting too much money, everybody mad
  The same old nigga from the block
  The same old nigga with the pot
  The same old nigga from the trap
  Everybody hated on him, then he bounced right back

  I be getting to the money

  PERFORMED BY BEYONCÉ / WRITTEN BY SHONDRAE CRAWFORD, SEAN GARRET HAMLER, BEYONCÉ, AUBREY GRAHAM, ANTHONY PALMAN, MATTHEW SAMUELS, NOAH SHEBIB, JEREME ALERTA, ODIS FLORES, SHAWN C. CARTER AND TIM MOSLEY / PUBLISHED BY SONGS OF UNIVERSAL INC (BMI) TEAM S DOT PUBLISHING (BMI), B DAY PUBLISHING (ASCAP) EMI APRIL MUSIC INC (ASCAP), LEVEGAS PUBLISHING COMPANY INC (ASCAP), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, PARMA NINJA MUSIC (ASCAP), EMI APRIL MUSIC INC (ASCAP), RONCESVALLES MUSIC PUBLISHING (ASCAP), 1DAMENTIONAL PUBLISHING (ASCAP), SONY/ATV TUNES LLC (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), LIVE WRITE LLC (BMI), NOAH SHEBIB SOCAN PUB DESIGNEE, JEREME BMI PUB DESIGNEE , SONY/ATV BALLAD (BMI), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (ASCAP), ECAF MUSIC (BMI), SONY/ATV SONGS LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• It's that Yoncé, your Yoncé
  In that lingerie, on that chardonnay
  Scoring touchdowns on your runway
  I'm Texas forever, like Bun B
  And I'm Redbonedyo
  I'm really rit' like Donjae
  I'm camo in here yo
  These thots can't clock me nowadays
  You wish I was your pound cake
  Boy, you know I look good as f---
  Wish I was your baby momma
  Want me to come around and give you good karma
  But no, we escalating, up in this b----, like elevators
  Of course sometime s--- goes down
  When it's a billion dollars on an elevator

  Momma taught me good home training
  My Daddy taught me how to love my haters
  My sister taught me I should speak my mind
  My man made me feel so God damn fine
  I'm flawless

  Of course some s--- goes down when there's a billion dollars on the elevator

  You wake up, flawless
  Post up, flawless
  Ride round in it, flawless
  Flossin on that, flawless
  This diamond, flawless
  My diamonds, flawless
  This rock, flawless
  My rock, flawless
  Sing!
  I woke up like this
  I woke up like this
  We flawless, ladies tell 'em
  I woke up like this
  I woke up like this
  We flawless, twins tell 'em
  Say I, look so good tonight
  G—d---, G—d---,
  Say I, look so good tonight
  G—d---, G—d---,G—d---

  How y'all feeling?
  Coachella how did you wake up this morning?

  Woke up to n---- looking like me
  Woke up to n----- talking like me

  Alight, I want y'all to repeat after me.

  I'm feelin myself.
  Say

  I'm feelin' myself, I'm feelin' myself
  I'm feelin' my, feelin' myself
  I'm feelin' myself, I'm feelin' my, feelin' my, feelin' myself
  I'm feelin' myself, I'm feelin' my, feelin' myself
  I'm feelin' myself, I'm feelin' my

  I'm feelin' myself, I'm feelin' myself
  I'm feelin' my, feelin' myself
  I'm feelin' myself, I'm feelin' my, feelin' my, feelin' myself
  I'm feelin' myself, I'm feelin' my, feelin' myself
  I'm feelin' myself, I'm feelin' my

  Changed the game with that digital drop
  Know where you was when that digital popped
  I stopped the world
  Male or female, it make no difference
  I stop the world, world, stop

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, CHAUNCEY HOLLIS, BEYONCÉ, RAYMOND MARTIN, RASHAD MUHAMMAD, TERIUS NASH, ONIKA MARAJ, SOLÁNA ROWE SHAWN C. CARTER, KIRK ANDRE BENNETT, MIGUEL COLLINS, MIKE DEAN, BOBBY DIXON, EBONY NAOMI OSHUNRINDE, JACQUES WEBSTER, SHARON KAYE ABSHIRE, AUBREY GRAHAM, BERNARD JOSEPH GERARD, CHAUNCEY HOLLIS, RAYMOND MARTIN, NOAH SHEBIB, MARVIN THOMAS, JUSTIN GARNER, ANTOINE MCCOLISTER, WILLIAM ROBERTS, NAYVADIUS WILBURN, MICHAEL WILLIAMS, JORDAN CARTER, JORDAN JENKS, SYMERE WOODS, MARQUIS KING,MANUEL ALVARENGA, ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON / PUBLISHED BY U CAN'T TEACH BEIN THE SHHH INC (BMI), SONY/ATV BALLAD (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL INC (BMI), HAZEBANGA PUBLISHING (ASCAP), SEVEN PEAKS MUSIC (ASCAP) AND 2082 MUSIC PUBLISHING (ASCAP), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (BMI), DUB PLATE MUSIC PUBLISHERS LTD (ASCAP), ZABOGAUBHI MUSIC (ASCAP), PAPA GEORGE MUSIC (BMI), SONGS OF STB (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI),BMG GOLD SONGS (ASCAP), TRAVIS SCOTT MUSIC (BMI), SONY/ATV BALLAD, SHARON KAYE ABSHIRE SACEM PUB DESIGNEE, AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, BERNARD JOSPEH GERARD SACEM PUB DESIGNEE, U CAN'T TEACH BEIN THE SHH INC (BMI), SONGS OF UNIVERSAL INC (BMI) SONY/ATV BALLAD (BMI), NOAH SHEBIB SOCAN PUB DESIGNEE, MARVIN THOMAS SOCAN PUB DESIGNEE, SONGS OF UNIVERSAL INC (BMI), IRVING MUSIC (BMI),MONEY MACK MUSIC (BMI), 4 BLUNTS LIT AT ONCE PUBLISHING (BMI), EMI BLACKWOOD MUSIC INC (BMI), NAYVADIUS MAXIMUS MUSIC (BMI), FIRST AND GOLD PUBLISHING (BMI), MR CASH FLOW PUBLISHING (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), WE THE BEST MUSIC (BMI) AND SOUNDS FROM EARDRUMMERS (ASCAP), JORDAN CARTER ASCAP PUB DESIGNEE, WARNER-TAMERLANE PUBLISHING CORP (BMI) AND SYMERE WOODS ASCAP PUB DESIGNEE, GLIZZY GANG PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), EAMUZIK (BMI), BMG MONARCH (ASCAP), GNAT BOOTY MUSIC (ASCAP), HITCO MUSIC (BMI) AND ORGANIZED NOIZE MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• DJ Khaled: Check this out
  After Beyoncé performs.
  After she done the dance.
  Coachella gotta rename Coachella to Beychella.

  New name alert!
  Beychella!

  Beyoncé:
  I'm the only lady here, still the realest n---- in the room
  I break the internet, top two and I ain't number two
  My body, my ice, my cash, all real, I'm a triple threat
  F--- it up and then leave, come back, f--- it up and then leave again
  Top off the coupe and it look like Freaknik
  In the hood, hollerin' "Freek Meek"
  Two deep, it's just me and JAY
  Just posted in them courtside seats
  Woo! I'm like hol'up
  Woo! I might roll up
  If they tryna party with the queen
  They gon' have to sign a non-disclosure, ayy

  I took the top off the Maybach, yeah
  I took the top off the Maybach, yeah
  I took the top off the Maybach, yeah
  Ayy, I took the top off of my Maybach b----
  I took the top off of my Maybach b----

  PERFORMED BY BEYONCÉ / WRITTEN BY S. CARTER, NAYVADIUS DEMUN, DENISIA ANDREWS, BRITTANY CONEY, KHALED KHALED, BEYONCÉ, JOE ZARILLO / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), WARNER CHAPPEL NORTH AMERICA LIMITED (ASCAP), NAYVADIUS MAXIMUS MUSIC (BMI), 1114 SOUNDS (SESAC), WBM MUSIC (SESAC), CONEY COSMOS MUSIC PUBLISHING, WARNER-TAMERLANE PUBLISHING CORP (BMI), DJ KHALED PUBLISHING (BMI) , OAKLAND 13 MUSIC (ASCAP) WB MUSIC CORP (ASCAP) AND JOE ZARILLO PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• G—d---
  G—d---
  G—d---

  I know you care
  Smack it, smack it in the air

  Wave your hands side to side, put it in the air

  Clap, clap, clap like you don't care
  Smack that, clap, clap, clap like you don't care
  I know you care

  Clap, it clap, clap, clap it
  Foot up, my foot up
  Hold up now my foot up
  I'm spinnin' my foot up
  Foot up yeah my foot up
  I'm spinnin' my foot up
  Put my foot down
  Yeah my hands up

  Hold that cup like alcohol
  Hold that cup like alcohol
  Hold that cup like alcohol
  Don't you drop that alcohol
  Never drop that alcohol, never drop that alcohol
  I know I'm thinkin' bout that alcohol
  I know I'm thinkin' bout that alcohol

  Man this here like rollin' dice, d---this feel like rollin' dice
  Seven eleven, seven eleven, seven twice, man seven twice
  Man it feel like rollin' dice, d---this feel like rollin' dice
  Man it feel like rollin' dice
  Seven twice, seven twice

  Man I'm tryna kick it with you
  Damn I wanna kick it wit you
  Man I wanna kick it with you

  I spin' around and I kick it with you

  Shoulders sideways, smack it, smack it in the air
  Legs movin' side to side, smack it in the air
  Legs movin' side to side, smack it in in the air
  Shoulders move side to side smack it in the air
  Smack it in the air, smack it, smack it the in the air
  Smack it in the air, smack it, smack it in the air

  I know you care

  Wave your hands side to side
  Wave your hands side to side
  Wave your hands side to side
  Wave your hands side to side
  Ooh we Bey be freaky deaky
  Then you see she pink bikini
  Rock out that groovy dye dashiki
  Nefertiti edges kinky
  Sweatin' out my blow out
  Sweatin' on my press
  This trick about to go off
  Mad 'cause I'm so fresh
  Fresher than you
  I'm fresher than you
  Fresher than you
  Fresher than you, oh!

  PERFORMED BY BEYONCÉ / WRITTEN BY ADRIAN BRUESCH, NOEL C FISHER, BEYONCÉ, SWIFT SIDNEY, AUBREY GRAHAM, LELAND TYLER WAYNE AND NAYVADIUS WILBURN / PUBLISHED BY HIP HOPVILLE USA MUSIC (BMI), SONGS OF CROWD CONTROL PUBLISHING (BMI), IF YOU NEED ME DON'T LEAVE ME (BMI), EMI BLACKWOOD MUSIC INC (BMI), , IF YOU NEED ME DON'T LEAVE ME (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF KOBALT MUSIC PUBLISHING (BMI), AND SONGS OF SWIFT SONGS (BMI), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, IRVING MUSIC (BMI), NAYVADIUS MAXIMUS MUSIC (BMI) AND PLUTO MARS MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Bug-A-Boo 1: I'm Bug A Boo daddyAKA me, myself
  Yo let's take a group pic bro– and I. Ha haha.

  Bug-A-Boo 2: I'm Bug A Boo Up–Grade–You. Also known as Shinin, ShininShinin Yea,

  Bug-A-Boo 3: I'm Bug A … I'm Bug A Boo sweet dreams also known as blow.

  Bug-A-Boo 4: I'm Bug A Boo Up disappear also known as *sings* Ave Maria

  Bug-A-Boo 5: I'm Bug A Boo Rocket. Also known as*sings* If I were a Boy.

  Bug-A-Boo 6: I'm Bug A Boo *sings* We gotta work it out hey.
  Also known as we like to party ay, ay, ay, ay.

  Bug-A-Boos: Lets go huh

  Bug-A-Boo 1: Bug A Boos

  Bug-A-Boos: All together now.

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÈ, BURT BACHARACH, JAHRON BRATHWAITE, INGRID BURLEY, SHAWN C. CARTER, HAL DAVID, FLOYD NATHANIEL HILLS, KHALED KHALED, IAN DENCH, MIKKEL ERIKSEN, AMANDA GHOST, TOR HERMANSEN, MAKEBA RIDDICK , CHAD HUGO, AND PHARRELL L. WILLIAMS / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP) BMG RIGHTS MANAGEMENT (UK) LTD (HAL DAVID) (ASCAP), CARTER BOYS MUSIC (ASCAP) , JA PUBLISHING GROUP INC (ASCAP), LOVE VIVIAN MUSIC (ASCAP), NEW HIDDEN VALLEY MUSIC CO (ASCAP), SONGS OF FUJIMUSIC (ASCAP),SONY/ATV ALLEGRO (ASCAP),BMG PLATINUM SONGS US (BMI), GIVE THANKS PUBLISHING (BMI), BC JEAN PUBLISHING (BMI), SONGS OF UNIVERSAL INC (BMI), BMG RUBY SONGS, GAD SONGS, LIEDELA MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), SONY/ATV MUSIC PUBLISHING (UK) LIMITED (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), JANICE COMBS MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), YOGA FLAMES PUBLISHING (BMI), EMI BLACKWOOD MUSIC INC (BMI) AND EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR)

• I may be young, but I'm ready
  To give you all my love
  I told my girls you can get it
  Don't slow it down, just let it go

  So in love
  I'll give it all away
  Just don't tell nobody tomorrow
  So tonight,
  I'll do it every way
  Speakers knockin' til the morning light

  Cause we like to party hey, hey, hey, hey, hey, hey
  Cause we like to party hey, hey, hey, hey, hey, hey
  Cause we like to party

  hey, hey, hey, hey, hey, hey

  You a bad girl and your friends bad too, oh
  We got the swag sauce, she drippin' swagu
  You a bad girl and your friends bad too, oh
  We got the swag sauce, she drippin' swagu

  Outro: Beyoncé
  As a black woman
  I used to feel like the world wanted me to stay in my little box
  And black women often feel underestimated
  I wanted us to feel proud of not only the show but the process
  Proud of the struggle
  Thankful for the beauty that comes with a painful history and rejoice in the pain
  Rejoice in the imperfections and the wrongs that are so damn right
  And I wanted everyone to be grateful for their curves , their sas, their honesty
  Thankful for their freedom

  PERFORMED BY BEYONCÉ / WRITTEN BY ANDRÉ BENJAMIN, JEFFREY BHASKER, DOUGLAS DAVIS, BEYONCÉ, DEXTER MILLS, RICKY WALTERS AND KANYE WEST / PUBLISHED BY WEDONTPLAYEVENWHENWEREPLAYING SONGS LLC (ASCAP), BMG MONARCH (ASCAP), EMI APRIL MUSIC INC (ASCAP), WAY ABOVE MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), GET YA FROG ON PUBLISHING (BMI), ULTRA EMPIRE MUSIC (BMI), ENTERTAINING MUSIC (BMI), EMI BLACKWOOD MUSIC INC (BMI), SONY/ATV SONGS LLC (BMI) AND PLEASE GIMME MY PUBLISHING INC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Who the f--- do you think i is
  You ain't married to no average b---- boy
  You can watch my fat a-- twist boy
  As I bounce to the next d--- boy

  And keep your money
  I got my own
  Keep a bigger smile on my face
  Being alone
  Bad mutha f---er
  God complex
  I motivate your a--
  call me malcolm x
  Your operator
  Innovator
  F--- you hater
  You can't recreate her no
  You'll never recreate her no

  You just gotta let it be
  let it be
  let it be
  let it be baby

  You just gotta let it be
  let it be
  let it be
  let it be baby

  You hurt yourself
  Don't hurt yourself

  When you play me, you play yourself
  Don't play yourself
  When you lie to me, you lie to yourself
  You only lying to yourself
  When you hurt me, you hurt yourself
  Don't hurt yourself

  You just gotta let it be
  let it be
  let it be
  let it be
  let it be baby

  Who the f--- do you think I is
  I smell that fragrance on your louis knit boy
  Just give my fat a--a big kiss boy
  Tonight i'm f------ up all your s---- boy

  The most disrespected person in America is the black woman
  I am the dragon breathing fire
  The most unprotected person in America is the black woman
  Beautiful mane I'm the lion
  The most neglected person in America is the black woman.
  Beautiful man I know you're lying

  This is your final warning
  You know I give you life
  If you try this shit again
  You gonna lose your wife

  PERFORMED BY BEYONCÉ / WRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM
  PUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP); ALL RIGHTS ADMINISTERED OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED
  PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT FROM MALCOLM X SPEECH, "WHO TAUGHT YOU TO HATE YOURSELF," MAY 5, 1962, LOS ANGELES, CA

• I told you how you hurt me baby,
  But you don't care
  Now I'm crying and deserted baby, but you don't care
  Ain't nobody tell me this is love, when you're immune to all my pain
  I need you to tell me this is love, you don't care well that's ok

  Well I care
  I know you don't care too much
  But I still care, la, la, la… baby, la, la, la…
  Oh I care
  I know you don't care too much
  But I still care, la, la, baby, la, la, la… ohhh

  Ever since you knew your power, you made me cry
  And now every time our love goes sour, you won't sympathize
  You see these tears falling down to my ears, i swear you like when i'm in pain
  I try to tell you all my fears, you still don't care, well that's ok
  Listen

  Well I care
  I know you don't care too much
  But I still care, la, la, la… baby, la, la, la…
  Oh I care
  I know you don't care too much
  But I still care, la, la, baby, la, la, la… ohhh

  Boy maybe if you cared enough,
  I wouldn't have to care so much
  What happened to our trust?
  Now you're just givin' up
  You used to be so in love,
  Now you don't care no more

  Ooooooooooo…

  Well I care
  I know you don't care too much
  But I still care, la, la, la… baby, la, la, la…
  Oh I care
  I know you don't care too much
  But I still care, la, la, baby, la, la, la… ohhh
  I still care la, la, la….
 I still care la, la, la….
 I still care la, la, la….

  PERFORMED BY BEYONCÉ / WRITTEN BY JEFFREY BHASKER, CHAD HUGO, BEYONCÉ / PUBLISHED BY WAY ABOVE MUSIC (BMI), SONY/ATV SONGS LLC (BMI), UNIVERSAL MUSIC CAREERS (BMI), B DAY PUBLISHING (ASCAP) AND EMI APRIL MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Driver roll up the partition please
  Driver roll up the partition please
  Driver roll up the partition please
  I don't need you seeing yoncé on her knees
  Took 45 minutes to get all dressed up
  We ain't even gonna make it to this club
  Now my mascara runnin red lipstick smudged
  Ah he so horny yeah he want to f---
  He popped all my buttons and he ripped my blouse
  He monicaluwinski'd all on my gown
  Whoa dere daddy daddy didn't bring a towel
  Whoa baby baby better slow it down
  Took 45 minutes to get all dressed up
  And we ain't even gonna make it to this club

  Take all of me
  I just wanna be the girl you like
  The kinda girl you like
  Take all of me
  I just wanna be the girl you like
  The kinda girl you like is right here with me
  Right here with me
  Right here with me
  Right here with me

  PERFORMED BY BEYONCÉ / WRITTEN BY MIKE DEAN, BEYONCÉ, TIMOTHY MOSLEY, TERIUS NASH, JUSTIN TIMBERLAKE, JEROME HARMON AND DWANE WEIR / PUBLISHED BY PAPA GEORGE MUSIC (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13, VB RISING PUBLISHING (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), TENNMAN TUNES (ASCAP), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP), WARNER-TAMERLANE PUBLISHING CORP (BMI), WANE COUNTY (BMI) AND SEAN MICHAEL ANDERSON MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• See me up in the club with fifty of them girls
  Posted in the back, diamond fangs in my grill
  Brooklyn brim with my eyes sittin' low
  And every girl in here with me got that smoke
  And every girl in here gotta look me up and down
  All on Instagram, cake by the pound
  Circulate the image every time I come around
  G's up, tell me how it'slookin' babe

  Drop the bass, mane, the bass get lower
  Radio say speed it up I just go slower
  High like treble, puffin on themids
  The man ain't never seen a booty like this
  And why you think ya keep my name rollin' off your tongue
  'Cause when you want a smash, I'll just write another one
  I sneezed on the beat and the beat got sicker
  Yoncé all on his mouth like liquor
  Yoncé all on his mouth like liquor
  Yoncé all on his mouth like liquor
  Yoncé all on his mouth like liquor
  Like like liquor, like likelike liquor

  PERFORMED BY BEYONCÉ / WRITTEN BY MIKE DEAN, LESLIE JERMON HARMON, BEYONCÉ, TIMOTHY MOSLEY, TERIUS NASH, JUSTIN TIMBERLAKE / PUBLISHED BY PAPA GEORGE MUSIC (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP), VB RISING PUBLISHING (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), TENNMAN TUNES (ASCAP), SEAN MICHAEL ANDERSON MUSIC LLC (BMI), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Are y'all ready Coachella?

  I wanna see everybody from the front to the back put your hand up
  Sing it now hey!
  Jump, jump!
  Yeah, let me see you jump.

  Ladies and gentleman please give it up for J Balvin

  J Balvin:
  Si el ritmo te lleva a mover la cabeza ya empezamos como es
  Mi música no discrimina a nadie así que vamos a romper
  Y toda mi gente se mueve
  Mira el ritmo cómo los tiene
  Hago música que entretiene
  El mundo nos quiere, nos quiere, y me quiere a mí
  Toda mi gente se mueve
  Mira el ritmo cómo los tiene
  Hago música que entretiene
  Mi música los tiene fuerte bailando y se baila así

  Beyoncè
  Give it up y'all
  Yeah, yeah, yeah
  Here we go

  He say my body stay wetter than the ocean
  And he say that Creole in my body's like a potion
  I can be a beast or I can give you emotion
  But please don't question my devotion
  I've been giving birth on these haters 'cause I'm fertile
  See these double Cs on this bag, murda
  Want my double Ds in his bed, Serta
  If you really love me make an album about me, word up

  Soon as I walk in
  Boys start they talkin
  Right as that booty sway (Freeze)
  Slay
  Lift up your people
  From Texas, Puerto Rico
  Dem' isalnds to Mexico (Freeze)

  ¿Y dónde está mi gente?
  Yeah, yeah , yeah
  Mais fais bouger la tête
  Yeah, yeah, yeah
  Azul, are you with me
  Say yeah, yeah, yeah
  Un, dos, tres, here we go
  Oh, yeah, yeah, yeah
  Oh, yeah, yeah, yeah

  Un, dos, tres, cuarto

  Outro
  Know know you wanna roll with a good girl, good girl
  Know know you wanna roll with a good girl, good girl
  Know know you wanna roll with a good girl, good girl
  One time
  Knowyou wanna roll with a good girl
  One time
  Do it big do it all for a good girl
  One time...
  This is a song for the good girl
  And I still keep it hood, still treat you like I should
  What's up?
  Good girl
  Good girl
  Good girl

  PERFORMED BY BEYONCÉ FEAT J BALVIN / WRITTEN BY ASHADALLY ADAM, BEYONCÉ, MOHOMBI MOUPONDO, TERIUS NASH, JOSE ALVARO BALVIN, SUAREZ RAMIREZ, ECHAVARRIA ANDRES RESTREPO, WILLY WILLIAM, SIDNEY BROWN, AUBREY GRAHAM, BEYONCÉ, NOAH SHEBIB, JORDAN ULLMAN, DWANE WEIR II, RASOOL RICARDO DIAZ, NOEL FISHER, SIA FURLER, BEYONCÉ, GREGORY KURSTIN, ANDRE ERIC PROCTOR AND BRIAN SOKO / PUBLISHED BY ASHADALLY ADAM SACEM PUB DESIGNEE, OAKLAND 13 MUSIC (ASCAP) WB MUSIC CORP (ASCAP), MOHOMBI MOUPONDO BMI PUB DESIGNEE 2082 MUSIC PUBLISHING (ASCAP), UNIVERSAL MUSICA UNICA PUBLISHING (BMI), DYNASTY PUBLISHING GROUP (ASCAP), BLACK KOI ENTERTAINMENT LLC (ASCAP), UNIVERSAL MUSICA INC (ASCAP), CAN'T STOP MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), WILLY WILLIAM FAUADE BMI PUB DESIGNEE , DOWNTOWN DMP SONGS (BMI), OVERDOSE OF LIFE PUBLISHING (BMI), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, NOAH SHEBIB SOCAN PUB DESIGNEE, RONCESVALLES MUSIC PUBLISHING (ASCAP), JORDAN ULLMAN SOCAN PUB DESIGNEE, SEAN MICHAEL ANDERSON MUSIC LLC (BMI), WANE COUNTY (BMI) AND WARNER-TAMERLANE PUBLISHING CORP (BMI), EMI BLACKWOOD MUSIC INC (BMI), IF YOU NEED ME DON'T LEAVE ME (BMI), WARNER-TAMERLANE PUUBLISHING CORP (BMI), EMI APRIL MUSIC INC (ASCAP), EMI MUSIC PUBLISHING LTD , KURSTIN MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Certified quality
  A dat da girl dem need and dem not stop cry without apology
  Buck dem da right way – dat my policy
  Sean paul alongside Beyoncé – now hear what da man say
  Dutty yeah, duttyya, dutty yeah, duttyya
  Beyoncé sing it now girl

  Sing it y'all!

  Baby boy you stay on my mind
  Fulfill my fantasies
  I think about you all the time
  I see you in my dreams
  Baby boy not a day goes by
  Without my fantasies
  I think about you all the time
  I see you in my dreams

  Ah oh my baby's fly baby go
  Yes no hurt me so good baby oh
  I'm so wrapped up in your love let me go
  Let me breathe stay out my fantasies

  Baby boy you stay on my mind
  Baby boy you are so damn fine
  Baby boy won't you be mine
  Baby boy let's conceive an angel

  Top top – girl
  me and you together is a wrap dat – girl
  driving around da town in your drop top – girl
  you no stop shock – girl
  little more da dutty, we'll rock dat world
  little more da dutty,
  little more da dutty,
  little more da dutty, we'll rock dat world
  little more da dutty
  little more da dutty
  little more da dutty

  PERFORMED BY BEYONCÉ / WRITTEN BY SHAWN CARTER, SEAN HENRIQUES, INI KAMOZE, BEYONCÉ, SCOTT STORCH, ROBERT WALLER, MARIO ANTONIO DUNWELL, ADIDJA PALMER, LINTON WHITE, DOUGLAS DAVIS AND QUAME RILEY / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), EMI MUSIC PUBLISHING LTD (ASCAP), HOTTIS MUSIC GROUP (BMI), IRVING MUSIC (BMI), BEYONCÈ PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP) AND NOTTING DALE SONGS INC (ASCAP), MARIO ANTONIO PUB DESIGNEE, NW COLLECTIONS (BMI), MUSIC BY GREENSLEEVES (BMI), DON VICIOUS MUSIC (BMI), ENTERTAINING MUSIC (BMI) AND JIMMY ROLLINS ENTERTAINMENT GROUP PUBLISHING (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• No nono
  You don't love me
  This I know boy
  The people, the people
  The people!
  No nono
  You don't love me
  This I know boy
  The people, the people
  If you ask me baby
  I'll do anything you say you boy
  I'm talking to you

  PERFORMED BY BEYONCÉ / WRITTEN BY EUWART ASMAN BECKFORD, JOSHUA BISHOP KELLEY, WILLIE C COBBS, WINSTON DELANO RILEY AND OPHLIN RUSSELL-MEYERS / PUBLISHED BY EUWART ASMAN BECKFORD PUB DESIGNEE, WESTBURY MUSIC LTD (ASCAP) AND EMBASSY MUSIC CORPORATION (BMI), WESTBURY MUSIC LTD (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Beyoncé: I see y'all in the front row

  Hold up, they don't love you like I love you
  Slow down, they don't love you like I love you
  Back up, they don't love you like I love you
  Step down, they don't love you like I love you
  Can't you see there's no other man above you
  What a wicked way to treat the girl that loves you
  Hold up, they don't love you like I love you
  slow down

  It's such a shame
  You let this good love go to waste
  I always give that top tier 5 star
  Back seat lovin in the car
  Like make that wood
  Make that wood
  Holly like the boulevard

  PERFORMED BY BEYONCÉ / WRITTEN BY THOMAS WESLEY PENTZ, EZRA KOENIG, BEYONCÉ, EMILE HAYNIE, JOSHUA TILLMAN, UZOECHI EMENIKE, SEAN RHODEN P/K/A MELO-X, DOC POMUS, MORT SCHUMAN, DEANDRE WAY, ANTONIO RANDOLPH, KELVIN MCCONNELL, BRAIN CHASE, KAREN ORZOLEK, NICK ZINNER / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, WB MUSIC CORP (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./HEAVYCRATE PUBLISHING (ASCAP), NEON REGGAE CO-OP CITY SUGAR POP MEOW MEOW (ASCAP), WARNER/CHAPPELL MUSIC LTD. (PRS) MELOXTRA PUBLISHING (BMI), UNICHAPPELL MUSIC, INC. (BMI), SOULJA BOY TELL'EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI), CHRYSALIS MUSIC LTD/BMG BLUE (BMI), ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Oh, killing me softly and I'm still falling
  Still the one I need, I will always be with you
  Oh, you got me all gone, don't ever let me go
  Say it real loud if you fly
  If you leave me you're out of your mind

  My baby is a ten
  We dressing to the nine
  He pick me up, we eight
  Make me feel so lucky seven
  He kiss me in his six
  We be making love in five
  Still the one I do this four
  I'm trying to make us three
  From that 2
  He still the 1

  There's ups and downs in this love
  Got a lot to learn in it's love
  Through the good and the bad, still got love
  Dedicated to the one of love, hey

  Still love the way he talk, still love the way I sing
  Still love the way he rock them black diamonds in that chain
  Still all up on each other, ain't a damn thing change
  My girls can't tell me nothing, I'm gone in the brain

  Me and my boo in my boo's coup riding
  All up in that black with his chick right beside him
  Ladies, if you love your man show you the fliest
  Grind up on it, girl, (girl, girl) show him how you ride it

  Me and my boo and my boo lip locking
  All up in the back because the chicks keep flocking
  All that gossip in 10 years stop it
  London speed it up, Houston rock it

  PERFORMED BY BEYONCÉ / WRITTEN BY MICHAEL BIVINS, ESTHER DEAN, JULIE FROST, BEYONCÉ, CAINON LAMB, NATHAN MORRIS, WANYA MORRIS, TERIUS NASH, ROBERT SHEA TAYLOR, KARL RUBIN BRUTUS, ROGET CHAHAYED, JULIAN GRAMMA, SHELLEY MASSENBURG-SMITH AND MILES PARKS MCCOLLUM / PUBLISHED BY BIV TEN PUBLISHING (ASCAP), AYNAW PUBLISHING (BMI), DAT DAMN DEAN MUSIC (BMI), B DAY PUBLISHING (ASCAP), CAINON'S LAND MUSIC PUBLISHING (ASCAP), PEERMUSIC III LTD (BMI), VANDERPOOL PUBLISHING (BMI) DOWNTOWN DLJ SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP) TOTALLY FAMOUS MUSIC (ASCAP), UNIVERSAL MUSIC CORPORATION (ASCAP) , WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), BMG PLATINUM SONGS US (BMI), SONGS OF UNIVERSAL INC (BMI), JULIAN GRAMMA SOCAN PUB DESIGNEE, THESE ARE SONGS OF PULSE (ASCAP),BOAT BOY S PUBLISHING (BMI), AMERICAN SONGS ALPHA (ASCAP), BMG GOLD SONGS (ASCAP), HIP-HOP ANONYMOUS (ASCAP), SON OF SAM PRODUCTIONS (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Beyoncé: Can I take this back?

  Sing it yall

  Chorus: Beyoncé
  Ooo Boy you lookin' like you like what you see
  Won't you come over and check up on it, I might let you work up on it
  Ladies let em check up on it, watch it while he check up on it
  Dip it, pop it, twerk it, stop it, check on me tonight

  Verse 1: Beyoncé
  If you got it flaunt it, boy I know you want it
  While I turn around you watch me check up on it
  Ou you watchin' me shake it, I see it in ya face
  Ya can't take it, it's blazin', you watch me in amazement
  You can look at it, as long as you don't grab it
  If you don't go braggin', I might let you have it
  You think that I'm teasin', but I ain't got no reason
  I'm sure that I can please you, but first I gotta read you

  Chorus: Background Singers

  Ooo Boy you lookin' like you like what you see
  Won't you come over and check up on it, I might let you work up on it
  Ladies let em check up on it, watch it while he check up on it
  Dip it, pop it, twerk it, stop it, check on me tonight

  Beyoncé: I wanna see y'all do the dance
  You ready? I'm watching
  I wanna see if y'all know it.

  Chorus: Background Singers
  Ooo Boy you lookin' like you like what you see
  Won't you come over and check up on it, I might let you work up on it
  Ladies let em check up on it, watch it while he check up on it
  Dip it, pop it, twerk it, stop it, check on me tonight

  10, 9, 8, 7, 6, 5, 4, 3, 2, 1

  PERFORMED BY BEYONCÉ / WRITTEN BY ANGELA BEYINCE, KASSEEM DEAN, GARRETT HAMLER, BEYONCÉ, STAYVE THOMAS / PUBLISHED BY ANGELA BEYINCE MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), KASSEEM DEAN SESAC PUB DESIGNEE HITCO SOUTH (ASCAP), BEYONCÉ PUBLISHING (ASCAP) WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Jay-Z
  Coachella, if you havin a good time tonight– make some noise.

  Beyoncé
  Give it up for Hova.

  Jay-Z
  Come on
  I used to run base like Juan Pierre
  Now I run the bass, hi hat, and the snare
  I used to bag girls like Birkin Bags
  Now I bag B (Boy, you hurtin' that)
  Brooklyn Baby where they birthed me at
  Now I be everywhere, the nerve of rap
  The audacity to have me with them curtains back
  Me and B, she about to sting
  Stand back

  Beyoncé
  Baby, seems like everywhere I go
  I see you, from your eyes, your smile
  It's like I breathe you; helplessly I reminisce
  Don't want to compare nobody to you

  Boy, I try to catch myself
  But I'm out of control
  Your sexiness is so appealing
  I can't let it go, oh

  You know that I can't get over you
  'Cause everything I see is you
  And I don't want no substitute
  Baby, I swear it's déjà vu

  Know that I can't get over you
  'Cause everything I see is you
  And I don't want no substitute
  Baby, I swear it's déjà vu

  Hova's flow so unusual
  Baby girl, you should already know
  It's H-O, light up the dro'
  'Cause you gon' need help tryin' to study my bounce
  Flow, blow--what's the difference?
  One you take in vein while the other you sniffin'
  It's still dough--po-po try to convict him
  That's a no-go; my flow keep the dough tipping
  Like four-fours, like I'm from the H-O-U-S-T-O-N
  Blow, wind so Chicago of him
  Is he the best ever? That's the argument
  I don't make the list; don't be mad at me
  I just make the hits like a factory
  I'm just one-to-one, nothin' after me
  No déjà vu, just me and my, oh

  Baby, I can't go anywhere
  Without thinking that you're there
  Seems like you're everywhere, it's true
  Gotta be having déjà vu
  'Cause in my mind I want you here
  Get on the next plane; I don't care
  Is it because I'm missing you
  That I'm having déjà vu?
  Boy, I try to catch myself
  But I'm out of control
  Your sexiness is so appealing
  I can't let it go

  Baby, I swear it's déjà vu
  You know that I can't get over you
  'Cause everything I see is you
  And I don't want no substitute
  Baby, I swear it's déjà vu
  Know that I can't get over you
  'Cause everything I see is you
  And I don't want no substitute
  Baby, I swear it's déjà vu

  Boy, I try to catch myself
  But I'm out of control
  Your sexiness is so appealing
  I can't let it go, oh

  Go gogogoooo
  Go gogogoooo
  Go gogogoooo
  Go go RED LIGHT (ah) GREEN LIGHT!

  PERFORMED BY BEYONCÉ, JAY-Z / WRITTEN BY S. CARTER, RODNEY JERKINS, BEYONCÉ, KELLIE PRICE, MAKEBA RIDDICK, DELISHA THOMAS, JOHN WEBB JR., FELA ANIKULAPO KUTI, MANU DIBANGO, THOMAS R. BRENNECK, SHAWN C. CARTER, SEAN COMBS, LEVAR COPPIN, MICHAEL JOSEPH DELLER, DAVID ANTHONY GUY, DELENO MATTHEWS, LEON MICHELS, GABRIEL ROTH, HOMER STEINWEISS, SEAN GARRETT, AND PHARRELL L. WILLIAMS / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), 23K MUSIC PUBLISHING (BMI), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), JANICE COMBS MUSIC (BMI), YOGA FLAMES PUBLISHING (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), KELLIE PRICE SESAC PUB DESIGNEE, DELISHA THOMAS SOCAN PUB DESIGNEE, JOHN WEBB SESAC PUB DESIGNEE, INTERSONG USA INC (ASCAP), FANTASIA EDITIONS MUSICALES (ASCAP), CARTER BOYS MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP), EXTRAORDINAIRE SONGS (ASCAP), FOR MY SON PUBLISHING (ASCAP), JUSTIN COMBS PUBLISHING (ASCAP), SONGS OF BIG DEAL (ASCAP), BOSCOSOUND MUSIC (BMI), EXTRAORDINAIRE MUSIC LLC (BMI), WAIT THAT'S MINE (BMI), BMG PLATINUM SONGS US (BMI), EMI BLACKWOOD MUSIC INC (BMI), HITCO MUSIC (BMI), B DAY PUBLISHING (ASCAP) AND EMI APRIL MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Slater Thorpe:
  We got snares, cymbals, quads, and base. it's time for you to get a little taste of the only drumline certified by the Queen Bee, guaranteed to show up and show out on your ass any time any place anywhere, introducing the Buzz.

  We Ready
  We Ready
  We Ready
  We Ready
  We Ready
  We Ready
  We Ready

  Hey, We ready
  Hey, We ready
  Hey, We ready
  Hey, We ready

  Horns

  PERFORMED BY BEYONCÉ / ANNOUNCER: SLATER THORPE / WRITTEN BY BEYONCÉ, DEREK DIXIE, BZZZZ DRUMLINE, HAROLD LILLY JR., ELVIS WILLIAMS, PASTOR TROY, GEORGE CLINTON JR., GRACE COOK HAZEL, COREY J. JOHNSON, MARRICO D. KING, RALPH LEVERSTON, MARTIN WONDOSAS AND DEMETRIUS HUBERT / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DEREK DIXIE PUB DESIGNEE, B DAY PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), UNCLE BOBBY MUSIC (BMI) , PASTOR TROY PUB DESIGNEE, GEORGE CLINTON SESAC PUB DESIGNEE, BRIDGEPORT MUSIC INC (BMI), FLICT PUBLISHING (BMI), SALLAP MUSIC PUBLISHING (BMI) AND DEMETRIUS HUBERT PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Coachella thank you for allowing me to be the first black woman to headline Coachella.

  Ain't that bout a b----?

  This song is dedicated to all the incredible women that opened up the doors for me. Thank you so much ladies. Do we have any strong women out there tonight? Sing along.

  Girls, we run this motha, yeah
  Girls, we run this motha, yeah
  Girls, we run this motha, yeah
  Girls we run this motha,

  Here we go.

  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls

  Who run this motha?
  Girls
  Who run this motha?
  Girls
  Who run this motha?
  Girls
  Who run this motha?
  Girls

  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls

  Some of them men think
  They freak this like we do
  But no they don't
  Make your check come at they neck
  Disrespect us no they won't

  This goes out to all my girls
  That's in the club rocking the latest
  Who will buy it for themselves
  And get more money later

  I think I need a barber
  None of these n----- can fight me
  I'm so good with this,
  I remind you I'm so hood with this

  Boy I'm just playing
  Come here baby
  Hope you still like me
  "F" you pay me

  My persuasion can build a nation
  Endless power
  With our love we can devour
  You'll do anything for me

  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls

  Who run this motha?
  Girls
  Who run this motha?
  Girls
  Who run this motha?
  Girls
  Who run this motha?
  Girls

  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls
  Who run the world?
  Girls

  Who are we? Who are we?
  What we run? What we run?
  The world (who run this motha')

  Who are we? Who are we?
  What we run? What we run?
  The world (who run this motha')

  Who are we? Who are we?
  What do we run? What do we run?
  We run the world (We run this motha')

  Who are we?
  What we run?
  We run the world.

  Who run the world?
  Girls

  Chimamanda
  We teach girls to shrink themselves, to make themselves smaller
  We say to girls: "You can have ambition, but not too much"
  You should aim to be successful, but not too successful otherwise you will threaten the man
  We raise girls to see each other as competitors
  Not for jobs or for accomplishments but for the attention of men
  Feminist: a person who believes in the social, political and economic equality of the sexes

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TERIUS YOUNGDELL NASH, ADIDJA AZIM PALMER, THOMAS WESLEY PENTZ, DAVID JAMES ANDREW TAYLOR , NICK VAN DE WALL, ANGELA RENEE BEYINCE , SOLANGE KNOWLES, JESSE RANKINS, EDDIE SMITH III, JONATHAN WELLS, DAVE TAYLOR, SHEA TAYLOR, JACKIE JACKSON AND MICHAEL JACKSON / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), EMI APRIL MUSIC INC (ASCAP), 2082 MUSIC PUBLISHING (BMI), BMG PLATINUM SONGS US (BMI), NW COLLECTIONS (BMI), I LIKE TURTLES MUSIC (ASCAP), KMR MUSIC ROYALTIES II SCSP, SWITCH WERD MUSIC (ASCAP), REBEL YARD PUBLISHING (BUMA), ANGELA BEYINCE MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), SOLANGE MW PUBLISHING, WB MUSIC CORP (ASCAP), CHILDREN NEED EXERCISE MUSIC (BMI), RESERVOIR 416 (BMI), WELLS PLAYED MUSIC (BMI), DOWNTOWN DLJ SONGS (ASCAP) AND KOBALT SONGS MUSIC PUBLISHING (ASCAP), MIJA MUSIC (BMI) AND SIGGY MUSIC INC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT FROM CHIMAMANDA NGOZI ADICHE'S SPEECH, "WE SHOULD ALL BE FEMINISTS", DECEMBER 2012. EXCERPT COPYRIGHT © 2012 BY CHIMAMANDA NGOZI ADICHIE"

• All
  Lose My Breath
  Can you keep up
  Babyboy
  Make me lose my breath
  Bring the noise
  Make me lose my breath
  Hit me hard make
  Me lose my breath (ah ah)
  Can you keep up
  Babyboy
  Make me lose my breath
  Bring tha noise
  Make me lose my breath
  Hit me hard
  Make me lose my breath (ah ah)

  Michelle
  If you can't make me say ooo
  Like the beat of this drum
  Why you ask for some
  you ain't really want none
  If you can't make me say ooo
  Like the beat of this groove

  All
  You don't have no business in this here's your papers
  Baby you are dismissed

  Beyoncé
  Everybody give it up for the beautiful Kelly, and the beautiful Michelle.

  Michelle
  We love you.

  Kelly
  My girl B is killin it tonight.

  Beyoncé
  I'm so happy y'all are here tonight.
  Do y'all remember this song?

  PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS / WRITTEN BY BEYONCÉ, FRED JERKINS III, KELLY ROWLAND, LASHAWN DANIELS, MICHELLE WILLIAMS, RODNEY JERKINS, SEAN GARRETT, SHAWN C, CARTER, ANGELA RENEE BEYINCE, DON DAVIS, PATRICK DENARD DOUTHIT, SEAN GARRETT AND EDDIE C. ROBINSON / PUBLISHED BY BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP),FRED JERKINS PUBLISHING (BMI), SONY/ATV MELODY (BMI), KELENDRIA ROWLAND PUB DESIGNEE (ASCAP), EMI APRIL MUSIC INC (ASCAP), SONY/ATV MELODY (BMI), SONY/ATV TUNES LLC (ASCAP), TMWILLIAMS PUBLISHING (ASCAP), HITCO SOUTH (ASCAP), EMI BLACKWOOD MUSIC INC (BMI) AND CARTER BOYS MUSIC (ASCAP), ANGELA BEYINCE MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), EMI FULL KEEP MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Say my name, say my name
  If no one is around you
  Say baby I love you
  If you ain'trunnin' game
  Say my name, say my name
  You actin' kinda shady
  Ain'tcallin' me baby
  Why the sudden change

  Say my name, say my name
  If no one is around you
  Say baby I love you
  If you ain'trunnin' game

  Say my name, say my name
  You actin' kinda shady
  Ain'tcallin' me baby
  Why the sudden change

  Any other day
  I would call and you would say
  Baby how's your day
  But today, it ain't the same

  Every other word
  Is "uh-huh" yeah "okay"
  Could it be that you
  Are at the crib with another lady

  I know you say that I am assuming things
  Something's going down that's the way it seems
  Shouldn't be the reason why you're acting strange
  If nobody's holding you back from me
  Cause I know how you usually do
  When you say everything to me times two
  Why can't you just tell the truth
  If somebody's there then tell me who

  Say my name, say my name
  Boy say my name
  Say baby I love you
  If you ain'trunnin' game
  Say my name, say my name
  You actin' kinda shady
  Ain'tcallin' me baby
  Why the sudden change

  Say my name
  Say my name
  Say my, say my, say my name
  Say my, say my, say my name
  Boy say my name
  Hey say

  You better say my name
  Cus something feels strange
  I'm filing a complaint
  I'm just asking you to say my name,

  PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS / WRITTEN BY BEYONCÉ, FRED JERKINS III, KELENDRIA ROWLAND, LASHAWN DANIELS, LATAVIA ROBERSON, LETOYA LUCKETT, RODNEY JERKINS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP) EMI APRIL MUSIC INC (ASCAP), FRED JERKINS PUBLISHING (BMI) KELENDRIA MUSIC PULISHING (ASCAP), LATIVIA MUSIC PUBLISHING (ASCAP) LETOYA MUSIC PUBLISHING (ASCAP), SONY/ATV TUNES LLC (ASCAP) WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• T.I
  Shot it witChelle and kick it wit Kelly or holla at Bey
  Ya, gotta be g's you way outta your league

  Beyoncé
  We like them boys up top from the BK (BK)

  Michelle
  I like them boys over there they looking strong tonight (strong tonight)

  Kelly
  We like dem boys that be in them lac's leanin' (Leanin')
  Open their mouth their grill gleamin' (Gleamin')
  Candy paint, keep that whip clean and (Clean and)
  Sing it yall
  (They always be talkin that country slang, we like)

  We keep that beat that be in the back beatin' (Beatin')
  Eyes be so low from there chiefin (chiefin)
  I love how he keep my body screamin' (Screamin')
  A rude boy that's good to me, with street credibility

  If his status ain't hood
  I ain'tcheckin' for him
  Betta be street if he lookin' at me
  I need a soldier
  That ain't scared to stand up for me
  Known to carry big things
  If you know what I mean

  There's some soldiers in here (Where they at, where they at)
  They want to take care of me (Where they at)
  I know some soldiers in here (Where they at, where they at)
  Don't mind takin one for me (Where they at)
  I know some soldiers in here (Where they at, where they at)
  They want to spend that on me (Where they at)
  I know some soldiers in here (Where they at, where they at)
  Wouldn't mind puttin' that on me (Where they at)

  I need a soldier

  Beyoncé
  Please give it up for Destiny's Child

  Give it up one more time for my best friend
  That's my best friend .
  Michelle
  Makidada

  PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS
  WRITTEN BY BEYONCÉ, CLIFFORD HARRIS, DWAYNE CARTER, KELLY ROWLAND, MICHELLE WILLIAMS, RICH HARRISON, DEAN GARRETT , BOBBY BYRD, SHAWN CARTER, JUSTIN GREGORY SMITH, JOHN COCKER, WOODROW CUNNINGHAM, NORMAN DURHAM, MIKEL HOOKS, RONALD HUDSON, CHRISTOPHER STAINTON, LARRY TROUTMAN, ROGER TROUTMAN, HAL DAVIS, DONALD FLETCHER AND WELDON PARKS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), BMG GOLD SONGS (ASCAP), MONEY MACK MUSIC (BMI), KELENDRIA MUSIC PULISHING (ASCAP), TMWILLIAMS PUBLISHING (ASCAP), DOMANI AND YA MAJESTY'S MUSIC (ASCAP), SONY/ATV TUNES LLC (ASCAP), WB MUSIC CORP (ASCAP), DYNATONE PUBLISHING CO (BMI), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (ASCAP), JUSTIN GREGORY ASCAP PUB DESIGNEE, ESSEX MUSIC INTERNATIONAL INC (ASCAP), H&R LASTRADA MUSIC (ASCAP), ONWARD MUSIC LTD, STONSEE MUSIC (ASCAP), EMBASSY MUSIC CORPORATION (BMI), R2M MUSIC (BMI), SONGS OF LASTRADA (BMI), JOBETE MUSIC CO INC (ASCAP), WELDON DEAN PARKS BMI PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Everybody say hey Miss Carter.
  I'm just checking to make sure yall still out there.
  All the way in the back, say Hey Miss Carter.
  Okay.
  To my right, say hey Miss Carter
  To my left, say hey Miss Carter

  Everybody put your hands together like this.
  Everybody put your hands together like this. Yea
  Now everybody say, Hey, Hey, Hey
  Even louder, hey, hey, hey

  Say
  I ain't worried, doing me tonight
  I ain't worried, doing me tonight
  Louder
  A little sweat ain't never hurt nobody
  Sing
  A little sweat ain't never hurt nobody
  While y'allstandin' on the wall
  Sing
  While y'allstandin' on the wall
  I'm the one tonight gettin' bodied
  I'm the one tonight gettin' bodied
  Say
  Get me bodied
  Sing
  Get me bodied
  Get me bodied
  Get me bodied
  You want my body
  Sing
  You want my body
  Get me bodied

  Baby, all I want
  Is to let it go
  Ain't no worries, no
  We can dance all night
  Get me bodied
  That means come closer to me
  While we grind to the beat
  And your body
  Baby all I need
  Is to let it be
  Ain't no worries, no
  Boy, dance with me
  Feel my body
  That means come closer to me
  While we grind to the beat
  And your body

  I ain't worried, doing me tonight
  Ain't no shame 'cause I gotta get mine
  I swing my hair and kick off my shoes
  Come here, boy, and let me work on you
  I ain't worried, doing me tonight
  A little sweat ain't never hurt nobody
  While y'allstandin' on the wall
  I'm the one tonight gettin' bodied
  I'm the one tonight gettin' bodied
  I'm the one tonight gettin' bodied
  I'm the one tonight gettin' bodied
  I'm the one tonight gettin' bodied
  You want my body (getting' bodied)
  Won't you get me bodied? (getting' bodied)
  Hey

  Ladies and gentlemen, please give it up for Solange.

  Drop down low and sweep the floor wit it
  Drop drop down low and sweep the floor wit it
  Go Solange!
  Drop down low and sweep the floor wit it
  Drop drop down low and sweep the floor wit it
  oh no no

  Pat your weaves ladies
  Pat patpat your weaves ladies
  Watch it while he check up on it
  Pat your weaves ladies
  Pat patpat your weaves ladies
  Watch it while he check up on it

  Tick tickticktick fight
  Now tick tickticktickticktick fight
  Now tick tickticktick fight
  Now tick tickticktickticktick fight

  Now pose for the camera now flick flickflick
  Pose for the camera now flick flickflick
  Pose for the camera now flick flickflick
  Pose for the camera now flick flickflick

  Do an old school dance an old school dance
  An old school dance do an old school
  Do an old school dance an old school dance
  An old school dance get old school

  Stop now cool off cool off, cool off cool off
  Drop and cool off cool off cool off cool off

  Wind it back girl, wind it back girl
  Make your hair touch the floor wine it back
  Wind it back girl, wind it back girl
  Make your hair touch the floor wine it back

  Do the scissor leg, touch ya heels touch ya toes
  Do the scissor leg, touch ya heels touch ya toes
  Do the scissor leg, touch ya heels touch ya toes
  Do the scissor leg, touch ya heels touch ya toes

  Do the naomicampbell walk, naomicampbell walk
  Walk across the room like naomicampbell
  Do the naomicampbell walk, naomicampbell walk
  Walk across the room like naomicampbell

  Snap for the kids, snap for the kids
  Snap in a circle three times
  Snap for the kids, snap for the kids
  Snap in a circle three times

  I touch ya body, while ya touch my body
  We touching bodies tonight
  We getting bodied
  I touch ya body, while ya touch my body
  We touching bodies tonight
  We getting bodied

  PERFORMED BY BEYONCÉ / WRITTEN BY ANGELA BEYINCE, KASSEEM DEAN, GARRETT HAMLER, BEYONCÉ, SOLANGE KNOWLES, MAKEBA RIDDICK, JEOME TEMPLE, ORVILLE ERWIN HALL, PHILLIP GLEN PRICE, CHADRON MOORE, JASIEL ROBINSON , KING SOLOMON LOGAN, LESLIE JEROME HARMON / PUBLISHED BY ANGELA BEYINCE MUSIC (ASCAP), KASSEEM DEAN SESAC PUB DESIGNEE, EMI APRIL MUSIC INC (ASCAP), B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), SOLANGE MW PUBLISHING (ASCAP), MAKEBA RIDDICK BMI PUB DESIGNEE, TAKE FO' PUBLISHING (BMI), PROTOONS INC (ASCAP), CHADRON MOORE ASCAP PUB DESIGNEE, BASEMENT FUNK SOUTH (BMI), GRANNY MAN PUBLISHING (BMI), MALIK AND MEKHI MUSIC (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI) AND ROYAL COURT MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Give it up for my sister!
  Alright now.
  Everybody put your hands together.
  Do we have any single ladies in the house tonight?

  Now put your hands up.

  All the single ladies
  All the single ladies
  All the single ladies
  All the single ladies
  All the single ladies
  All the single ladies
  All the single ladies
  now put your hands up

  Up in the club
  we just broke up
  i'mdoin' my own lil' thing
  you decided to dip
  and now you wanna trip
  'cause another brother noticed me
  i'm up on him
  he up on me
  don't pay him any attention
  kept crying my tears
  for 3 good years
  you can't be mad at me

  'cause if you like it
  then you should've put a ring on it
  if you like it
  then you should've put a ring on it
  don't be mad once you see that he want it
  'cause if you like it
  then you should've put a ring on it

  Uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
  uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

  If you like it
  then you should've put a ring on it
  if you like it
  then you should've put a ring on it
  don't be mad once you see that he want it
  if you like it
  then you should've put a ring on it

  Now wait.
  I want yall to get nice and stanky with me.
  Where I'm from, we do things nice and stanky.
  We do things nice and funky.
  Can y'all repeat after me? You ready?

  Say, hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  hey ay hey ay.
  Hey, hey, ya
  Hey, hey, ya
  hey ay hey ay.
  hey ay hey ay.

  Now wait.
  You still ain'tstanky enough for me.

  Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
  uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

  Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
  Put your hands up
  Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
  Where my ring at
  uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

  Sing
  If you like it
  then you should've put a ring on it
  if you like it
  then you should've put a ring on it
  don't be mad once you see that he want it
  I see you
  if you like it
  then you should've put a ring on it
  Where my ring at
  If you like it
  then you should've put a ring on it
  if you like it
  then you should've put a ring on it
  don't be mad once you see that he want it
  If you like it
  Then you should've put a ring on it.
  Uh, oh, oh.

  I love y'all

  PERFORMED BY BEYONCÉ / WRITTEN BY THADDIS HARRELL, BEYONCÉ, TERIUS NASH, CHRISTOPHER STEWART / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), MARCHNINENTH MUSIC (ASCAP), SONGS OF PEER LTD (ASCAP), SONY ATV HARMONY (ASCAP), SUGA WUGA MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Blue Ivy:
  Let our rejoicing rise
  high as the listening skies
  let us march on till victory is won.

  Beyoncé
  Yay! Beautiful job, Baba. You sound so pretty.

  Blue Ivy:
  I want to do that again.

  Beyoncé:
  Oh you want to do it again, you're like mommy, huh?

  Blue Ivy:
  Yes. I want to do that again. It feels good!

  Beyoncé:
  It feels good?
  (Laughs)
  Ok you want to
  Go
  Lift your voice and sing.

  Beyoncé:
  I feel we made something that made my daughter proud, made my mother proud, my father proud and all of the people that are my brothers and sisters around the world. That's why I live. I'm so lucky and grateful that I'm able to take all these crazy ideas and actually make them into something that heals peoples that may spark vision in people. That shows them to dream big, that shows them that they are limitless. If my country ass can do it, they can do it

  PERFORMED BY BLUE IVY, BEYONCÉ / WRITTEN BY JAMES WELDON JOHNSON / PUBLISHED BY JAMES WELDON JOHNSON PUB DESIGNEE

• I wanna sing this last song to all my incredible, beautiful fans.
  Loyal fans.
  Ride or dies.
  It's dedicated to my incrediblebeyhive.

  Honey, honey
  I can see the stars all the way from here
  Can't you see the glow on the window pane
  And I can feel the stars whenever you're near, you're near
  Every time you touch me I just melt away

  Everybody ask me why I'm smiling out from ear to ear
  (They say love hurts)
  But I know (it's gonna take the real work)
  Nothing's perfect but it's worth it
  After fighting through my tears and you finally could put me first
  Sing it y'all.

  Baby it's you
  You're the one I love
  You're the one I need
  You're the only thing I see
  Come on baby it's you
  You're the one that gives your all
  You're the one I can always call
  When I need you make everything stop
  Finally you put my love on top

  Baby cus you're the one that I love,
  Baby you're all I need
  You're the only thing I see
  Come on baby it's you
  You're the one that gives your all
  You're the one I can always call
  When I need to make everything stop
  Finally you put my love on top

  Baby, it's your turn
  Sing it–
  Louder–
  You're the –
  Come on baby it's you
  You're the one that gives your all
  You're the one I can always call
  When I need to make everything stop
  Finally you put my love on top

  Baby cus you're the one that I love,
  Baby you're all I need
  You're the only thing I see
  Come on baby it's you
  You're the one that gives your all
  You're the one I can always call
  When I need you baby everything stops
  Finally you put my love on top

  Baby cus you're the one that I love,
  Baby you're all I need
  You're the only thing I see
  Come on baby it's you
  You're the one that gives your all
  You're the one that always calls
  When I need to you baby everything stop
  Finally you put my love on top

  PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TERIUS NASH, ROBERT SHEA TAYLOR AND MICHAEL COOPER / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), DOWNTOWN DLJ SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP), BRAVO AND ENCORE MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

• Beyoncé:
  Please give it up for my incredible incredible crew on this stage
  My female dancers
  Give it up now
  Come on ladies
  Give it up for my male dancers
  Please give it up for Larry and Laurent, Les twins
  Please give it up for my incredible background singers
  Please give it up for my beautiful orchestra
  Please give it up for my drumline
  Please give it up for my crew
  That is everyone behind the scenes that worked tirelessly to put this show together
  We love you
  Thank you to my family that's here tonight
  Have a beautiful night
  I love you from the bottom of my heart
  God bless you
  Good night

  PERFORMED BY BEYONCÉ / WRITTEN BY BURT BACHARACH, JAHRON ANTHONY BRATHWAITE, INGRID BURLEY, SHAWN CARTER, HAL DAVID, FLOYD NATHANIEL HILLS, KHALED KHALED, BEYONCÈ / PUBLISHED BYBMG RIGHTS MANAGEMENT (UK) LTD (HAL DAVID) (ASCAP), CARTER BOYS MUSIC (ASCAP) , JA PUBLISHING GROUP INC (ASCAP), LOVE VIVIAN MUSIC (ASCAP), NEW HIDDEN VALLEY MUSIC CO (ASCAP), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP), SONGS OF FUJIMUSIC (ASCAP),SONY/ATV ALLEGRO (ASCAP),BMG PLATINUM SONGS US (BMI), GIVE THANKS PUBLISHING (BMI)
  PRODUCED BY BEYONCÉ AND DEREK DIXIE

• You make me happy
  This you can bet
  You split right beside me yea
  And I won't forget
  And I really love you
  You should know
  I wanna make sure I'm right boy
  Before I let go

  Now we had our good time
  That we can say
  We hurting each other yea
  And boy it's a shame
  Now I won't be foolish no
  I wanna know
  I wanna make sure I'm right boy
  Before I let go

  You know I thank god
  Sun rises and shines on you
  You know there's nothing
  Nothing
  Nothing
  I would not do
  Before I let you go
  I would never never never never never never never never
  Let you go
  Before I go

  I…. Pull up to Coachella
  Boots with the ghost feathers
  I brought the squad wit' me
  Black on black bandanas
  D'ussé and champagne
  I did the damn thang
  Dirty Diana
  Singing and dancing all in the rain
  Ooh ooh
  I just wanna have a good time
  Turn around dip and slide
  And twirl that ass to the right now
  Ooh ooh
  Bunny hop
  Bunny hop
  Drop
  Pop
  Cross your legs
  Turn around and clap
  Shuffle to the left
  Let's glide now
  Ooh ooh
  Drop it down
  Drop it down
  Low
  Low
  Low low low to the flo'
  Bring it up
  Clap
  Then roll
  Roll
  Step on em
  Step on em
  Step on em
  Step
  Step on em
  Kick on em
  Stomp on them step
  Swag the right
  Surf the left
  Work the middle
  Till it hurt a little

  Before I let
  Before I let
  Before I let go

  Before I let
  Before I let
  Before I let go

  PERFORMED BY BEYONCÉ / WRITTEN BY FRANKIE BEVERLY, LARRY BLACKMON, TOMI JENKINS / PUBLISHED BY AMAZEMENT MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), TAKE FO' PUBLISHING (BMI), UNIVERSAL POLYGRAM INT., PUBLISHING, INC. (ASCAP) O/B/O UNIVERSAL MUSIC PUBLISHING INT B.V. AND UNIVERSAL SONGS OF POLYGRAM INT., INC. (BMI) O/B/O UNIVERSAL MUSIC PUBLISHING INT B.V. / PRODUCED BY TAY KEITH AND BEYONCÉ / ADDITIONAL PRODUCTION BY DEREK DIXIE / CONTAINS A SAMPLE OF "GET READY READY" PERFORMED BY DJ JUBILEE COURTESY OF TAKE FO' RECORDS. / CONTAINS A SAMPLE OF "BEFORE I LET GO" PERFORMED BY MAZE FEATURING FRANKIE BEVERLY COURTESY OF CAPITOL RECORDS, A DIVISION OF UMG RECORDINGS, INC., UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED. / CONTAINS AN INTERPOLATION OF "CANDY" WRITTEN BY L. BLACKMON AND T. JENKINS

• I Been On
  Beyoncè

  I been on, I been on, I been on
  Tell me who gon' take me off
  Take me off, take me off, take me off
  I been on, I been on, I been on
  Tell me who gon' take me off
  Take me off, take me off, take me off

  Rolling high, leather and wood
  Keep it trill, that's what good
  Kiss my momma, show that love
  Pop them bottles in that club
  I heard your boo was talking lip
  I told my crew to smack that trick
  Smack that trick, smack that trick
  Guess what they did, smack that trick
  Gold everything, gold a-- chain
  Gold a-- rings, gold a--fangs
  You can see me stunt when you turn on ya screen
  You can see me stunt when you turn on ya screen
  I'm bigger than life, my name in the lights
  I'm the number one chick, I don't need no hype
  The capital B means, I'm 'bout that life
  The capital B means, I'm 'bout that life

  I been on, I been on, I been on
  Tell me who gon' take me off
  Take me off, take me off, take me off
  Cause I been on

  I remember my baby hair with my dookie braids
  Frenchy's, Boudin in the parking lot
  Shout out to Willie D
  I was in that Willie D video when I was about fourteen, looking crazy
  Shout out Pimp C
  You know we used to sneak and listen to that UGK
  Didn't do your girl but your sister was alright, damn
  In ya homeboy's Caddy last night man, haha
  Hold up, Texas trill
  H-Town going down, man

  PERFORMED BY BEYONCÈ / WRITTEN BY BEYONCÉ, JAMAL JONES, TIMOTHY MOSLEY, JONATHAN "ANONYMOUS" SOLONNE-MYVETT, THERON THOMAS, TIMOTHY THOMAS, SONNY COREY UWAEZUOKE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MY DIET STARTS TOMORROW INC, SONGS OF UNIVERSAL INC (BMI), VB RISING MUSIC PUBLISHING, OLE MEDIA MANAGEMENT LP II (ASCAP), I LOVE BELIZE PUB, U CAN'T TEACH BEIN THE SHH INC(BMI), T-N-T EXPLOSIVE MUSIC PUBLISHING, UNIVERSAL MUSIC CORPORATION(ASCAP, SONNY DIGITAL MUSIC GROUP/BANG VILLAGE 247 PUBLISHING LLC/IRVING MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS AND BEYONCÉ / CO-PRODUCED BY JEROME HARMON FOR BRONZE AND BRAINZ PRODUCTIONS, TIMBALAND PRODUCTIONS

EVERYTHING IS LOVE (2018)

• Buy Now

• Happily in love
  Haters please forgive me
  I let my wife write the will I pray my children outlive me
  I give my daughter my custom dress and she gon' be litty
  Vintage pieces by the time she hit the city yeah
  Vintage frames I see nobody f------ with him
  Pretty thug out that third ward , gimme
  Sir acid, like his dad's sh-- is trippy
  Twinning, Blue and Rumi
  Me and Solo how fitting
  Sitting, doc at the bay with a big yacht
  Sipping Yamazaki on the rocks
  He went to Jared I went to JAR out in Paris
  Yeah you f----- up the first stone
  We had to get remarried
  (Yo, chill man)
  We keeping it real with these people right?
  Lucky I ain't kill you when I met that b..
  (Nah, aight, aight)
  Ya know how I met her
  We broke up and got back together
  To get her back, I had to sweat her
  Ya could make up with a bag
  I had to change the weather
  Move the whole family West
  But it's whatever
  In a glass house, still throwing stones
  Hova, Beyzus
  Watch the throne

  You did some thangs to me
  Boy you do some thangs to me
  But love is deeper than your pain
  And I believe you can change baby
  The ups and downs are worth it
  Long way to go but we're working
  We're flawed but we're still perfect for each other yeah yeahyeah

  Sometimes I thought we'd never see the light
  We went through hell with heaven on our side
  This beach ain't always been no paradise
  But nightmares only last one night

  No more clubs and Cali curfews
  Just private affairs and a tighter circle
  Large format wines in small settings
  Just hood a-- n----- in designer suits
  Follow my moves, I'm the truth inAlaia boots
  Amelia Earhart flyer than who
  Fake newsy'all choose, we no like
  No photoshop this real life

  You did some thangs to me
  Boy you do some thangs to me
  But love is deeper than your pain
  And I believe you can change baby
  The ups and downs are worth it
  Long way to go but we're working
  We're flawed but we're still perfect for each other yeah, yeah, yeah

  Sometimes I thought we'd never see the light
  We went through hell with heaven on our side
  This beach ain't always been no paradise
  But nightmares only last one night

  Look at us now
  Pray….
  Pray for the vows
  Way..
  Up now
  It's a long way ..
  A long way down

  We came and
  We saw and we
  Conquered it all
  We came and
  We conquered, now we
  Happy in Love

  WRITTEN BY BEYONCé, S. CARTER, DAVID ANDREW SITEK, NIJA CHARLES, DENISIA ANDREWS, BRITTANY CONEY, EDDIE CAMPBELL, ERNIE JOHNSON, PETE JAMES, BILL LASWELL, JEAN TOUITOU, THIERRY PLANELLE, L. LYNN, R. OZUNA, J. POYSER, R. SAADIQ, G. STANDRIDGE, E. WRIGHT, LARRY GRAHAM / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), BMG MONARCH/SONGS OF BIG DEAL/THE FANTASY CONTINUES MUSIC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI);1114 SOUNDS/W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP) / PRODUCED BY BEYONCé, JAY-Z AND DAVID ANDREW SITEK / ADDITIONAL PRODUCTION BY: NOVA WAV / MIXED BY TONY MASERATI AND STUART WHITE AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE, GIMEL "YOUNG GURU" KEATON AND ZEPH SOWERS AT THE U ARENA PARIS, FRANCE / ASSISTANT MIX ENGINEER: TYLER SCOTT / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING, ATLANTA, GA USING SING TECHNOLOGY®

  CONTAINS A SAMPLE OF "YOU MAKE MY LIFE A SUNNY DAY" WRITTEN BY EDDIE CAMPBELL, ERNIE JOHNSON AND PETE JAMES AND PERFORMED BY EDDIE & ERNIE

  CONTAINS ELEMENTS OF "VICTORY IS CERTAIN" FROM APC TRACKS VOL 1 WRITTEN BY BILL LASWELL, JEAN TOUITOU AND THIERRY PLANELLE

  CONTAINS AN INTERPOLATION OF "LOVE OF MY LIFE" WRITTEN BY L. LYNN, R. OZUNA, J.POYSER, R. SAADIQ, G. STANDRIDGE AND E. WRIGHT PERFORMED BY ERYKAH BADU AND COMMON
  PUBLISHED BY FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP)

  FEATURING SAMPLES FROM THE GRAHAM CENTRAL STATION RECORDING "THE JAM" WRITTEN BY LARRY GRAHAM. PRODUCED UNDER LICENSE FROM WARNER MUSIC BROS. RECORDS INC. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY

• Yeah, yeah, yeah, yeah
  Yeah, yeah, yeah, yeah
  Yeah, yeah, yeah, yeah
  Yeah, yeah, yeah, yeah

  Stack my money fast and go fast, fast, go
  Fast like a Lambo skrrt, skrrt, skrrt
  I be jumping off the stage oh jumping, jumping, hey, hey
  Crowd better save her crowd going hey

  I can't believe we made it this is what we made, made
  This is why we thankful this is why we thank, thank
  I can't believe we made it this a different angle
  Have you ever seen a crowd goin' ape ape? Rah!

  Give me my check
  Put some respeck on my check
  Or pay me in equitypay me in equity
  Watch me reverse out of debt skrrt
  He got a bad chick bad chick
  We living lavish lavish
  I got expensive fabrics
  I got expensive habits

  He wanna' go with me go with me
  He like to roll with meroll with me
  He want to be with mebe with me
  He wanna' give me that vitamin DD!
  Ice ornaments
  Ice style tournaments
  You ain't on to thisno
  Don't think they on to this no
  Yeah, yeah, yeah, yeah

  Bought him a jet Yeah, yeah, yeah, yeah
  Shut down Colette Yeah, yeah, yeah, yeah
  Philippe PatekYeah, yeah, yeah, yeah
  Get off my ouu uh, hey

  Gimme da ball
  Gimme the ball
  Take a top shiftball
  Call my girls and put 'em all on a spaceshipbrr
  Hang one night with Yoncè I'll make you famoushey
  Have you ever seen a stage goin' ape sh--?Rah!

  Stack my money fast and go fast, fast, go
  Fast like my Lambo skrrt, skrrt, skrrt
  I be jumping off the stage oh jumping, jumping, hey, hey
  Crowd better save her crowd going hey

  I can't believe we made it this is what we made, made
  This is what we thankful forthis is what we thank, thank
  I can't believe we made it this a different angle
  Have you ever seen a crowd goin' apesh--? Rah!

  I'm a Gorilla in a f------ coupe
  Finna pull up in the zoo
  I'm like Chief Keef meet Rafiki who been lyin King to you
  Pocket watching like kangaroos
  Tell these clowns we ain't amused
  'Nana clips for that monkey business
  4-5 got change for you
  Motorcades when we came through
  Presidential with the planes too
  Wouldn't bet against you with the residential
  Undefeated with the cane too
  I said no to the super bowl
  You need me, I don't need you
  Every night we in the end zone
  Tell the NFL we in stadiums too
  Last night was a f------ zoo
  Stage diving in a pool of people
  Ran through Liverpool like a f------Beatle
  Smoking gorilla glue like it's f------ legal
  Tell the Grammys f---- that 0-8 sh--
  Have you ever seen a crowd going ape sh--?Rah!

  Stack my money fast and go fast, fast, go
  Fast like my Lambo skrrt, skrrt, skrrt
  I be jumping off the stage oh jumping, jumping, hey, hey
  Crowd better save her crowd going hey

  I can't believe we made it this is what we made, made
  This is what we thankful for this is what we thank, thank
  I can't believe we made it this a different angle
  Have you ever seen a crowd goin' apesh--? Rah!

  Haters in danger
  Whole lot of gangin' (gang)
  35 chains
  I don't give a d---'bout the fame (nope)
  G8 planes (tshh)
  Alexander Wang (woo!)
  She a thot that you claim (woo!)
  Can't be tapping my reign oh ah

  Poppin', I'm poppin' my bitches all poppin'
  And we go to the dealer and cop it all (cop it all)
  Sipping my favorite alcohol (alcohol)
  Got me so lit I need Tylenol
  All of my people I free 'em all (free 'em all)
  Hop in my whip wanna' see the stars, uh
  Sending the missiles off
  Drinking my inhibitions off
  Two hundred fifty for the Richard Mille
  Yeah yeah
  Live in your feels
  My body make Jigga go kneel
  My man, my mama, my lawyer, my shield
  Look at my jewelry I'm lethal (lethal)
  These diamonds on me they see-through
  I'm a Martian they wishing they equal (equal)
  I got M's like the back Evisu

  Gimme da ball
  Gimme the ball
  Take a top shift (she went crazy)
  Call my girls and put 'em all on a spaceship
  Hang one night with Yoncè I'll make you famous
  Have you ever seen a crowd going ape sh--? Rah!

  Stack my money fast and go fast, fast, go
  Fast like a Lambo skrrt, skrrt, skrrt
  I be jumping off the stage oh jumping, jumping, hey, hey
  Crowd better save her crowd going hey

  I can't believe we made it this is what we made, made
  This is what we're thankful forthis is what we thank, thank
  I can't believe we made it this a different angle
  Have you ever seen a crowd goin' apesh--? Rah!

  Written by Pharrell Williams, Beyoncé, S. Carter, QuaviousKeyate Marshall, Kiari Kendrell Cephus
  Published byEMI Pop Music Publishing/More Water From Nazareth (GMR); Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC;Huncho YRN Music (ASCAP/ 1479 QC Music/Universal Corp (ASCAP); YRN Piped Up ENT (ASCAP)/JPL QC Music, Reservoir Media Music (ASCAP)
  Produced byPharrell, Beyoncè and JAY-Z
  Additional vocals by Offset &Quavo of Migos
  Mixed by Stuart White
  Recorded by Stuart White
  Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
  Offset &Quavo appear courtesy of Quality Control Music

  Contains elements of A$AP Rocky Non- Music YouTube Video

• Mm , mmm
  Ain't nothin' to it
  Real one
  Ain't nothin' to it
  Boss
  Ain't nothin' to it
  Real one
  Ain't nothin' to it
  Boss
  I pay the cost
  Ohh, gon' take it off
  Take it off
  I record then I ball
  Then I ball
  I ignored a lot of calls
  Click, click
  You ain't talkin' bout nothin'
  I ain't got no time
  Got that dinero on my mind
  Ohh… I got real problems just like you
  Ohh I got real problems just like you
  Tell that trick I don't like you
  I don't f--- witchu'

  Ain't nothin' to it
  Real one
  Ain't nothin' to it
  Boss
  Ain't nothin' to it
  Real one
  Ain't nothin' to it
  I Boss

  Oohh, real one
  Boss

  Oh oh oh oh
  Oh, yeah

  Let me go B
  100 million crib
  3 million watch
  All facts
  No cap, false
  N---- you not a boss
  You got a boss
  N----- getting jerked
  That sh-- hurts
  I take it personally
  N----- rather work for the man
  Than to work with me
  Just so they can pretend they on my level
  That sh-- is irking to me
  Pride always goeth before the fall
  Almost certainly
  It's disturbing what I gross
  (What I gross)
  Survey says you not even close
  (Not even close)
  Everybody's bosses' till it's time to pay for the office
  Till them invoices separate the men from the boys
  Over here we measure success by how many people successful next to you
  Here we say you broke if everybody is broke except for you
  Boss!

  Ain't nothin' to it
  Real one
  Ain't nothin' to it
  Boss
  Ain't nothin' to it
  Real one
  Ain't nothin' to it
  I Boss

  Oohh, real one
  Boss

  Oh oh oh oh
  Oh, yeah

  Ain't nothin' to it I Boss
  I bought my momma a whip
  My great great grandchildren already rich
  That's alotta' brown chil'ren on your Forbes list
  Frolicking around my compound on my fortressBoss
  Oh, I be riding around with my seat reclining
  Dropping my daughter off at school every morning
  We slamming car doors
  I be troooollingggon these bum boys
  You ain't talking about nothin' I ain't got no time
  Boss
  Chill…, tell them paps they gotta relaxyou tried it
  Toes in the sandMomma getting fat
  Snack

  Nothin' to it, real one
  Ain't nothin' to it
  Boss
  Ain't nothin' to it
  Real one
  Ain't nothin' to it
  Boss

  Ohh, Real one
  I'm a Boss

  Oh oh oh oh
  Oh, yeah

  Ohh, ohh
  I'm a Boss

  Shout out to Rumi and Sir
  Love Blue

  Written by Beyoncé, S. Carter, Tyrone "Ty Dolla $ign" Griffin Jr, Dernst "D'Mile" Emile II
  Published by Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Its Drugs Publishing, EMI Blackwood Music (BMI); Tailored 4U Music (BMI)
  Produced byBeyoncé, JAY-Z and D'Mile for Medinah Entertainment
  Additional production by Mike Dean, Melo-X and Derek Dixie
  Additional horn arrangement by Derek Dixie
  Horns by Christopher Gray, Peter Ortega, Randy Ellis, Richard Lucchese, Corbin Jones
  Christopher Johnson, Lessie Vonner, Arnetta Johnson, Crystal Torres
  Additional Vocals by Ty Dolla $ign
  Mixed by Tony Maserati
  Recorded by Stuart White
  Assistant Mix Engineer: Tyler Scott
  Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
  Ty Dolla $ign appears courtesy of Atlantic Records

• I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah
  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah
  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah
  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah

  Yeah,
  F--- your subpoenas and your misdemeanors
  Was too busy touring out all your arenas
  My passport is tatted
  It looks like it's active
  I play on these planes
  Y'all catch me in traffic
  Y'all drag me in court for that sh--
  Y'all backwards
  After all of these years of drug trafficking, huh?
  Time to remind me I'm black again, huh?
  All this talking back, I'm too arrogant, huh?
  What would you do you knew you couldn't fail
  I have no fear of anything, do everything well
  I have no fear of jail, I was born in the trap
  I have no fear of death, we all born to do that
  It's just life
  I'm just nice
  Tonight I might
  Raise my price
  Great advice
  D--- you Hov
  Jesus Christ!

  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah
  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah

  & I'm nice, nice, nice, nice, nice, nice, nice
  Up all night, night, night, night, night, night, night
  Running from the lights, lights, lights, lights, lights, lights, lights
  Covered in ice, ice, ice, ice,ice, ice, ice

  Patiently waiting for my demise
  Cause my success can't be quantified
  If I gave two fs two fs 'bout streaming numbers
  Would've put Lemonade up on Spotify
  F--- you
  And you
  Your cool
  And you
  I'm out
  I ain't never seen a ceiling in my whole life
  That's word to Blue
  Free stylin' life
  Blueprint from my Jigga who never writes
  I'm so na-a-a ice
  I'm everybody type
  G-- d--- right
  I'm so nice
  Jesus Christ
  I'm better than the hype
  I give you life

  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah
  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah

  & I'm nice, nice, nice, nice, nice, nice, nice
  Up all night, night, night, night, night, night, night
  Running from the lights, lights, lights, lights, lights, lights, lights
  Covered in ice, ice, ice, ice,ice, ice, ice

  Last name gon' be here foreva'
  Now we finna' float like feathas'
  Me and Hova do it like rebels
  Most of ya chicks got pebbles
  I got the Rocs and the Fella
  Ice like 'dem wells from the heavens
  Ya gon' have to watch us eat
  Stocked up like the doomsday prepers
  Anybody ever had a era
  When things coulda' been better
  Feelin' like you was on a stretcher
  And all you remember was the hecklers
  But the universe lifts that weight
  Then you shine like a new feather
  Blessings on blessings, etcetera
  Feeling like the best year ever
  D--- it's nice!

  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah
  I can do anything…, yeah
  Hell nah, hell nah, hell nah, hell nah

  & I'm nice, nice, nice, nice, nice, nice, nice
  Up all night, night, night, night, night, night, night
  Running from the lights, lights, lights, lights, lights, lights, lights
  Covered in ice, ice, ice, ice,ice, ice, ice

  WRITTEN BY PHARRELL WILLIAMS, BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY
  PUBLISHED BY EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR);OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) / PRODUCED BY PHARRELL / VOCAL PRODUCTION BY BEYONCé AND JAY-Z / ADDITIONAL VOCALS BY PHARRELL / RECORDED BY STUART WHITE, MIKE LARSON AND TYLER SCOTT AT THE U ARENA, PARIS, FRANCE AND THE CHURCH STUDIOS, LONDON, UK / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

  PHARRELL APPEARS COURTESY OF COLUMBIA RECORDS

• Cash in deposits, 24 carrot faucets
  Louis V and Goyard trunks all in the closet
  Ain't sh-- changed the streets is still watchin'
  And my lil' baby Blue is like who gon' stop us, huh

  Ain't no way to stop this love…
  Ain't no space if everything… is love

  I'm representin' for the hustlers all across the world
  Still
  Still dippin' in my lo-lo's girl
  Still
  I put it down for the 7(Sem') 1 3
  And we still got love for the streets

  We playedit cool at the pool in Cancun VMA
  Confidence you exude make the fools stay away
  Me I play my room let the fools have they say
  Fate, had me sitting next you on a plane
  And I knew straight away
  The next time we would speak
  Was like two years away
  You had a man
  You shut it down
  Until you two had a break
  I bet that dude ruled the day
  You kept me up on the phone
  While you were away
  You came back , I let you set the date
  NOBU on the plate
  I brought my dude to play it cool
  My first foolish mistake

  Cash in deposits, 24 carrot faucets
  Louis V and Goyard trunks all in the closet
  Ain't sh-- changed the streets is still watching
  And my little baby Blue is like who gon' stop us, huh

  Ain't no way to stop this love…
  Ain't no space if everything… is love

  I'm representing for the hustlers all across the world
  Still
  Still dippin' in my lo-lo's girl
  Still
  I put it down for the 7(Sem') 1 3
  And we still got love for the streets

  I never knew a love, love, love, love like this
  Gotta be special for me to write this
  Queen, I ain't mean no disrespect
  But the way I network is hard for me to connect
  My first time in the ocean went exactly how you would expect
  Meanwhile you going hard jumping off the top deck
  A leap of faith I knew I was up next
  I never told you but I told a few people we'd wed
  Me, I'm off to Rome, you going back home instead
  My first time in my life a live n---- felt dead
  You came back I had to act like it was cool in my head
  Thoughts of jumping the broom a player never been swept

  Cash in deposits, 24 carrot faucets
  Louis V and Goyard trunks all in the closet
  Ain't sh-- changed the streets is still watching
  And my little baby Blue is like who gon' stop us, huh

  I'm representing for the hustlers all across the world
  Still
  Still dippin' in my lo-lo's girl
  Still
  I put it down for the 7(Sem') 1 3
  And we still got love for the streets

  To all the good girls that love hustlers
  To the mothers that put up with us
  To all the babies that suffer cause us
  We only know love because of ya
  America is a motherf----- to us
  Lock us up shoot us
  Shoot our self esteem down we don't deserve true love
  Black queen
  You
  Rescued us
  You rescued us
  Rescued us

  MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

  CONTAINS AN INTERPOLATION OF STILL D.R.E WRITTEN BY MELVIN CHARLES BRADFORD, S. CARTER, SCOTT STORCH AND ANDRE ROMELL YOUNG PERFORMED BY DR. DRE AND SNOOP DOG
  PUBLISHED BY AIN'T NOTHING BUT FUNKIN' MUSIC (ASCAP); HARD WORKING BLACK FOLKS INC (ASCAP); LIL LU LU PUBLISHING (ASCAP); RESERVOIR MEDIA MUSIC (ASCAP); SCOTT STORCH MUSIC (ASCAP); WB MUSIC CORP (ASCAP)

  CONTAINS SAMPLES FROM "SPHINX GATE" AND "THE WORLD IT SOFTLY LULLS"
  WRITTEN BY P. BENDER, S. MARVIN, P. MOSS AND N. SAALFIELD AND PERFORMED BY HIATUS KAIYOTE
  PUBLISHED BY P.BENDER PUB DESIGNEE, S. MARVIN PUB DESIGNEE, P.MOSS PUB DESIGNEE, AND N.SAALFIELD PUB DESIGNEE

  CONTAINS AN INTERPOLATION OF "THE LIGHT"
  WRITTEN BY ROBERT CALDWELL, NOMAN HARRIS, LONNIE RASHID LYNN, BRUCE A MALAMENT, JAMES DEWITT YANCEY AND PERFORMED BY COMMON
  PUBLISHED BY BENDAN MUSIC (ASCAP); E P H C Y PUBLISHING (ASCAP)

• My friends, real friends
  Better than yo' friends
  That's how we keep poppin' out that Benz, yeah
  No foes, real friends
  We ain't even gotta pretend, yeah
  Get bands, get bands
  Spend it all on my friends
  Gon' pull me up, pull me up, pull me up
  & never let me down Never let me down
  Gon' pull me up, pull me up, pull me up
  & never let me drown Never let me drown
  Gon' pull me up, pull me up, pull me up
  & never let me drownNever let me drown
  Gon' pull me up, pull me up, pull me up
  I'll never hit the ground
  Never let me drown
  Never let me drown

  My friends, real friends
  Better than yo' friends, yeah
  That's how we keep poppin' out that Benz, yeah
  Faux friends, real friends
  Better than yo' friends, yeah
  Ask them, ask them
  They know all my biness'
  I don't know what I would do
  Without all of my crew, yeah
  I ain't making no room, yeah
  I ain't making no new friends
  I don't make no moves, yeah
  Without telling my crew, yeah
  That's just how it do, yeah
  That's just how it do… oh
  D----it I love my life
  Styrofoam cups no ice
  Party before we go inside
  Never let 'em out my sight
  They're right by my side
  They're my ride or dies
  They're my ride or dies

  My friends are goals
  Your friends are foes
  We fly, why cry
  Our souls exposed, yeah
  We smoke, we laugh
  Your stress, my stress
  Closer than kin
  I'm blessed, you blessed

  Uh
  10 toes
  10 toes
  We was out in that road, uh
  Looking for love in wrong places
  We were posed to a stove, yeah
  Share jewels, share clothes
  That's how deep this sh-- goes, yeah
  Every week ya got bros, yeah
  All of ya fake clothes, yeah
  Ya switching sides like NBA teams just after half time
  I'm pulling up on my dog make sure he ok, I don't even have time
  And cop me a Porsche with butterscotch seats, this before they had meals
  Live better than rappers and they don't even have deals
  It's that real
  Bought Emory a BM as soon as he came home
  We hopped on a plane headed straight to the Bay
  That's how we turned the game on
  It's game on
  Ty momma died, I was there
  My nephew died, he was there
  He at my house more than I be there
  More than B there
  Ty Ty there
  E there
  Breezy there
  Juan there
  High here
  Chaka there
  Law there
  They all here
  Oh yeah
  Des there
  Kwanna here
  Sh-- feel like nirvana here
  Crib like the Soho house
  I might stay in and grow out my hair
  Tight circle no squares
  I'm geometrically opposed to you
  Ya like to try angles
  Ya like to troll, do you?
  Ya talk around h---, do you?
  Ya don't follow codes, do you?
  We know everything you say from n----- close to you
  You emotional
  When I say free the dogs, I free 'em
  That's how Meek got his freedom
  Ya put n----- on a t-shirt
  It hurts you ain't ever meet 'em
  You got n---- in the feds
  You ain't even trying to feed 'em
  I'm trying to free the world
  That's how deep I'm in
  I ain't going to nobody nothing
  If me and my wife beefin'
  I don't care if the house on fire
  I'm dying n---- I ain't leaving
  Ty Ty take care of my kids
  After he done grieving
  If y'all don't understand that
  We ain't meant to be friends

  Pull me up, pull me up, pull me up
  Don't ever let me down They never let me down
  Gon' pull me up, pull me up, pull me up
  Don't ever let me drown Never let me drown
  Gon' pull me up, pull me up, pull me up
  Them never let me downNever let me down
  Gon' pull me up, pull me up, pull me up
  Don't ever let me down
  Never let me down
  Never let me down

  They pray pray for me
  They pray pray for me
  See better things for me
  Want better days for me
  Unselfishly
  They pray pray for me
  They pray pray for me
  Whenever I'm in need
  They in the backseat
  With the AUX bumping B
  They ain't no pride involved
  They ain't no pride involved
  In my heart, heart, heart
  You know 444
  That's my dog, dog, dog
  See your dogs, dogs, dogs,
  Point em' out, out, out
  Point em' out, out, out
  What would I be without my friends?What would I be without my friends?
  I ain't got no understandingI ain't got no understanding
  'Bout them you might just catch these hands
  We fall out and we make amends
  Yeah, yeah my friends

  Your friends are foes
  My friends are goals
  Closer than kin
  Our souls exposed, yeah
  Your friends are frauds
  All they want is applauds, yeah
  And my friends, real friends
  Closer than kin

  Them pull me up, pull me up, pull me up
  Them never let me drown
  Them pull me up, pull me up, pull me up
  Them never let me down
  Them pull me up, pull me up, pull me up
  Them never let me down
  Them pull me up, pull me up, pull me up
  Them pull me up, pull me up, pull me up
  Them pull me up, pull me up, pull me up
  Them pull me up, pull me up, pull me up

  WRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, JAHAAN SWEET, DENISIA ANDREWS, BRITTANY CONEY, TAVOR JAVON HOLINS, AMIR "CASH" ESMAILIAN, NAVRAJ GORAYA, RUPERT THOMAS JR. / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP);SONGS OF KOBALT MUSIC PUBLISHING (BMI); 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); TAVOR JAVON HOLLINS BMI PUB DESIGNEE; AMIR "CASH" ESMAILIAN SOCAN PUB DESIGNEE; BMG GOLD SONGS (ASCAP), RUPERT THOMAS JR PUB DESIGNEE (SOCAN) SHAY NOELLE PUBLISHING, SONY/ATV TUNES LLC (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA AND JAHAAN SWEET / CO-PRODUCED BY NAV AND SEVN THOMAS / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA /ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

• Ain't no need to ask, you heard about us
  No need to ask, you heard about us
  Already know you know about… us

  No need to ask, you heard about us
  No need to ask, you heard about us
  Watch yo' mouth when you around… us

  Pull up, hop out, wreck. Got
  No time, but we got Pateks. I
  Come around stepping on necks. My
  Jigga got n----- upset, Why?

  Oh why these b------ so mad for?
  They don't want Yoncé on their door
  Louie Slugger to your 4 door
  Careful, you'll get what you ask for
  We go
  Go

  Go to Cuba, then Aruba in the middle of the winter
  Oh
  Skrrt, skrrt, brand new Sprinter
  We laugh to the bank, but we ain't no joke, yeah
  You better act like you know, yeah

  Ain't no need to ask, you heard about us
  No need to ask, you heard about us
  Already know you know about… us

  Ain't no need to ask, you heard about us
  No need to ask, you heard about us
  Watch yo' mouth when you around us

  If you don't know, now you know people…
  We smoke & we drank
  D'USSÉ to the face
  Yeah

  And if don't know, now you know people…
  Put you in your place
  B---- stay in yo' lane

  Talk that talk B
  Billy Jean in his prime
  For the thousand time the kid ain't mine
  Online they call me dad kiddingly
  You're not supposed to take this dad thing literally
  That's too famous, we don't even really do famous
  I'm cool on that, chunk the two fingers
  Everyday I'm getting sued famous
  I show up to court without a suit famous
  Your every move is on the news, ain't it ?
  Sh-- has its perks too, ain't it?
  Shooting videos in the Louvre, ain't it ?
  It could be far worse for you, can't it?
  Pain comes with Penthouse views, ain't it?
  B---- know me, I been me since the cocaine
  B---- know B, she don't even need a whole name
  (It's Beyoncè)
  (Oh My God)

  Ain't no need to ask, you heard about us
  No need to ask, you heard about us
  Already know you know about us

  No need to ask, you heard about us
  No need to ask, you heard about us
  Watch yo mouth when you around us

  And if you don't know, now you know people…
  We smoke & we drank
  D'USSÉ to the face

  And if don't know, now you know people…
  Put you in your place
  B---- stay in yo lane

  Yeah, we the ones that y'all heard about
  Make big noise, big noise
  We don't need no voucher
  We them ones y'all worried about
  We good we good
  Keep us out yo' mouth
  If you don't know, now you know people…
  If you don't know, now you know people…

  WRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, NIJA CHARLES, JAHAAN SWEET, ANDERSON "VINYLZ" HERNANDEZ, RAMON "!LLMIND" IBANGA JR., SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP),; 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI); THE SWEET LIFE, LLC ADMINISTERED BY SONGS OF KOBALT MUSIC PUBLISHING (BMI); VINYLZ MUSIC GROUP (ASCAP); SONY/ATV TUNES LLC (ASCAP); BIG TROUBLE LITTLE CHINA/ EMPIRE SF (ASCAP); JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA, JAHAAN SWEET, VINYLZ AND !LLMIND / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY STUART WHITE AT RAK STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT THE U ARENA, PARIS, FRANCE / ASSISTANT / MIX ENGINEER: DAN EWINS / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

  CONTAINS AN INTERPOLATION OF "JUICY" BY THE NOTORIOUS B.I.G
  WRITTEN BY SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE
  PUBLISHED BY JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP)

• Can you tell us about love?
  Hmm
  Well there is love of children, love of self, love of God ,love of a partner
  All of dem have a different shape , but all of dem is the same in the end
  It's about sensitivity, it's about passion
  It's about unconditional giving of self to another person
  And there's love of humanity
  That's the love that is right now needed most
  Love of humanity
  But in everything , in all of that love there is a soul
  It's like when you take some eggs and break them
  And you take the shells and you mix them up
  Trying to find the one's that match
  When you find the perfect match
  That comparity results in passion
  Results in unconditional giving of self
  I hope I can say that again

  Yeah
  I'm good on any MLK Boulevard
  I'm good on any MLK Boulevard
  See my vision with a tech, b---- I'm Malcolm X
  Haters dreading my effect, they want that Das EFX
  Get your hands up high like a false arrest
  Let me see 'em up high this is not a test
  Yes
  Put 'em up this is not a test
  Now hands where I can see 'em
  F--- a false arrest

  This off white fit that I rock sh-- permanent, hmm
  The 'fro that I grow got no perm in it, hmm
  A n---- late but he best dressed
  Got slowed down by the weight of my necklaces
  Park the Lex in projects
  B---- I'm reckless
  Extra magazine, hopped on the jet with my Ebony chick
  Blacker than the Essence Fest
  The behind the back pass is so effortless
  Lebron James to you Amber Roses
  Dapper Dan at 4 am, sh-- I am the culture
  I made my own wave so now they anti Tidal
  I'm living a no sock life to spite you
  Since the Kalief doc they been at my neck
  Ya' could tell 'em Trayvon is coming next
  The SEC, the FBI or the IRS
  I pass the alphabet boys like a eye test

  I'm good on any MLK Boulevard, (I'm good)
  I'm good on any MLK Boulevard, (He good)
  See my vision with a tech, b---- I'm Malcolm X, (I'm Malcolm X)
  Haters dreading my effect, they want that Das EFX
  Yeah

  Get yo' hands up high like a false arrest put your hands up high
  Let me see 'em up high this is not a test, yeslet me see 'em up high
  Yes, put 'em up this is not a testput 'em up, put 'em up, put 'em up
  Put your hands where I can see 'em
  What's a false arrest !
  Higher
  Higher
  Higher
  Higher
  Higher
  Higher
  Higher
  Higher

  I'm good anywhere I go, anywhere I go (go)
  I pull up like the Freedom riders
  Hop out on Rodeo
  Stunt with your curls your lips
  Sarah Baartman hips
  Gotta' hop into my jeans
  Like I hop into my whip, yeah
  Mobbing in a hoodie like Melo
  Come up out that pretty motherf-----' like hello, hello
  I will never let you shoot the nose off my Pharaoh
  Yeah..

  I like purple and purple rain
  Tryna' put red and blue together b---- that's all game
  These people tryna' get me out the paint
  Cause I cook collard greens and yams better than ya' aunt
  Man
  We started with a mustard seed
  Now we in the grey 911 with the mustard seats
  Sheesh
  Matte black puma jet
  Shining my light on the world just like Umi said
  Got the Richard Mille all colors
  Might hit you with the rose gold all summer
  For the culture
  They even biting cornrows
  Put your scarecrows up
  I come from the finest crop
  Tell 'em the gods on road
  Watch 'em line the block
  The Chitlin' Circuit has stopped
  Now we in stadiums
  80 thou' a WOP, yeah
  Watch

  I'm good on any MLK Boulevard, (He good)
  I'm good on any MLK Boulevard, (He good )
  See my vision with a tech, b---- I'm Malcolm X, (I'm Malcom X)
  Haters dreading my effect, they want that Das EFX
  Get your hands up high like a false arrest
  Let me see 'em up high this is not a test
  Yes
  Put 'em up this is not a test
  Now hands where I can see 'em
  F--- a false arrest

  I know, I only got 'pon the the way
  But look in the mirror, I see him holding me
  Not realizing all that your expect passed away
  But I know, I only got 'pon my way

  WRITTEN BY BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY, MARCELLO VALENZANO, ANDRE CHRISTOPHER LYON, RAYSHON COBBS JR, ALEXANDER SMITH, JAN KOZUKI / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP) / 1114 SOUNDS (SESAC); W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); 808-RAY BEATS (ASCAP); SMITTY BEATS (BMI) / PRODUCED BY BEYONCé, JAY-Z AND COOL & DRE FOR EPIDEMIC MUSIC INC / ADDITIONAL VOCALS BY DR. LENORA ANTOINETTE STINES  / MIXED BY TONY MASERATI AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA / ASSISTANT MIX ENGINEER: TYLER SCOTT AND HENRI DAVIES / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

  CONTAINS A SAMPLE OF "BROKEN STRINGS" WRITTEN BY JAN KOZUKI AND PERFORMED BY FLOWER TRAVELLIN' BAND

• Put it on ice
  Celebrate that we made it
  I put it on Christ
  That's on God, yeah
  Lord knows it takes hella' patience
  When your name is a verb
  And these comments absurd
  And they swear they know you better than you know yourself
  Could you control yourself?
  Cheers to me and you

  Salud….

  Look me in my eye
  Nigga cheers to you and I
  Cheers to you…
  Look me in the eye
  Make a cheers to you and I

  Salud!

  Mazel Tov
  Gold bottle, tall
  Wife got a model walk
  House all glass
  Slide the doors, you ain'tgotta wall
  And to top it off
  Got another one in Montauk
  Trifecta down in Tribeca
  Bonjour
  French crib in the French Quarters
  Champagne in the glass
  Toast to the importers
  Spill some out for the past

  Put it on ice
  Let's celebrate that we made it
  I put it on Christ
  That's on God, yeah
  Lord knows it takes hella' patience
  When your name is a verb
  And these comments absurd
  And they swear they know you better than you know yourself
  Could you control yourself?

  Cheers to me and you

  Salud…

  Baby me in my eye
  Take acheers to you and I
  Cheers to you….
  Baby look me in the eye
  Take acheers to you and I

  Salud!

  Hola
  Thank the most high for the coca
  Salud!
  God protect babies and fools
  I was both
  It's just not a popular trope
  The wind comes and I'm just a flute
  The winds come and I'm not a fluke
  I'm convinced that I'm truly the G.O.A.T
  Sosa
  The Elohimintervene like boy you the truth
  Don't die
  Angels on both sides, toast with mimosas
  Your President'stweetin' about Hov like he know us
  My road to the top was the take what you owed us
  I give a f--- what that man find vulgar
  Just look in my eyes when you toast us

  Put it on ice
  Let's celebrate that we made it
  I put it on Christ
  That's on God
  Lord knows it takes hella patience
  When your name is a verb
  And these comments are absurd
  And they swear they know you better than you know yourself
  Could you control yourself?

  Cheers to me and you!

  Salud…

  Baby look me in my eye
  Take acheers to you and I
  Cheers to you…
  Baby look me in the eye
  Take acheers to you and I

  Salud!

  Mazel Tov

  Put up your glass
  Put up your glass
  Put up your bag
  Throw up a light
  So that we bright
  Blow money fast, yeah
  This what we came for
  Look out the window
  Nigga , oh no
  This what we ball for

  Shoutout to Rumi and Sir
  Love Blue

  Written by Beyoncé, S. Carter, Marcello Valenzano, Andre Christopher Lyon, E. Dubok
  Published by Oakland 13 Music (ASCAP) All Rights Administered by WB Music Corp. OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Z Songs/Dade Co. Project Music Inc. (BMI) OBO Universal Music ; Fruit of the Loominati Music (BMI)
  Produced by Beyoncé, JAY-Z and Cool & Dre for Epidemic Music Inc
  Co-produced by Beat Butcha
  Additional programming by 808-Ray
  Additional vocals by Dre from Cool &Dre
  Mixed by Chris Godbey
  Recorded by Stuart White
  Assistant Mix Engineer: Tyler Scott
  Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®

  A&R Executive: Teresa LaBarbera

LEMONADE (2016)

• Buy Now

• YOU CAN TASTE THE DISHONESTY, IT'S ALL OVER YOUR BREATH
  AS YOU PASS IT OFF SO CAVALIER, BUT EVEN THAT'S A TEST
  CONSTANTLY AWARE OF IT ALL, MY LONELY EAR
  PRESSED AGAINST THE WALLS OF YOUR WORLD

  PRAY TO CATCH YOU WHISPERING
  I PRAY YOU CATCH ME LISTENING
  I'M PRAYING TO CATCH YOU WHISPERING
  I PRAY YOU CATCH ME

  I'M PRAYING TO CATCH YOU WHISPERING
  I PRAY YOU CATCH ME LISTENING
  I PRAY YOU CATCH ME

  NOTHING ELSE EVER SEEMS TO HURT LIKE THE SMILE ON YOUR FACE
  WHEN IT'S ONLY IN MY MEMORY, IT DON'T HIT ME QUITE THE SAME
  MAYBE IT'S A CAUSE FOR CONCERN, BUT I'M NOT AT EASE
  KEEPING MY HEAD TO THE CURB

  PRAY TO CATCH YOU WHISPERING
  I PRAY YOU CATCH ME LISTENING
  I PRAY TO CATCH YOU WHISPERING
  I PRAY YOU CATCH ME
  I PRAY YOU CATCH ME
  I PRAY YOU CATCH ME
  I'M PRAYING YOU CATCH ME

  WRITTEN BY KEVIN GARRETT, BEYONCÉ, JAMES BLAKE / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF, ROC NATION MUSIC AND KEVIN GARRETT MUSIC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONY/ATV / PRODUCED BY KEVIN GARRETT, BEYONCÉ AND JEREMY MCDONALD / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / PIANO BY KEVIN GARRETT / JUPITER BASS BY JAMES BLAKE / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS AND KEYBOARDS ENGINEERED BY GREG KOLLER / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS, LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

• HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
  WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
  HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

  SOMETHING DON'T FEEL RIGHT
  BECAUSE IT AIN'T RIGHT
  ESPECIALLY COMING UP AFTER MIDNIGHT
  I SMELL YOUR SECRETS
  AND I'M NOT TOO PERFECT
  TO EVER FEEL THIS WORTHLESS
  HOW DID IT COME DOWN TO THIS
  SCROLLING THRU YOUR CALL LIST
  I DON'T WANT TO LOSE MY PRIDE BUT I'MA F---- ME UP A BITCH
  KNOW THAT I KEPT IT SEXY
  YOU KNOW I KEPT IT FUN
  IS THERE SOMETHING THAT I'M MISSING? MAYBE MY HEAD FOR ONE
  WHAT'S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZY
  OR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELY
  I'D RATHER BE CRAZY

  HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
  WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
  HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

  LET'S IMAGINE FOR A MOMENT
  THAT YOU NEVER MADE A NAME
  FOR YOURSELF MASTER WEALTH THEY HAD YOU LABELED AS A KING
  NEVER MADE IT OUT THE CASE
  STILL OUT THERE MOVING IN THEM STREETS
  NEVER HAD THE BADDEST WOMEN IN THE GAME UP IN YOUR SHEETS
  WOULD THEY BE DOWN TO RIDE, NO
  THEY USED TO HIDE FROM LIE TO YA
  BUT Y'ALL KNOW WE WERE MADE FOR EACH OTHER
  SO I FIND YOU AND HOLD YOU DOWN

  HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
  WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
  HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

  BABE IT'S SUCH A SHAME
  YOU LET THIS GOOD LOVE GO TO WASTE
  I ALWAYS GIVE THAT TOP TIER 5 STAR
  BACK SEAT LOVIN IN THE CAR
  LIKE MAKE THAT WOOD HOLLY LIKE A BOULEVARD

  WHAT'S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZY
  OR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELY
  I'D RATHER BE CRAZY

  HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
  CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
  WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
  HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
  SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

  I HOP UP OFF MY BED
  AND GET MY SWAG ON
  I LOOK IN THE MIRROR SAY WASSUP
  WASSUP WASSUP WASSUP

  WRITTEN BY THOMAS WESLEY PENTZ, EZRA KOENIG, BEYONCÉ, EMILE HAYNIE, JOSHUA TILLMAN, UZOECHI EMENIKE, SEAN RHODEN P/K/A MELO-X, DOC POMUS, MORT SCHUMAN, DEANDRE WAY, ANTONIO RANDOLPH, KELVIN MCCONNELL, BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, NEON REGGAE CO-OP CITY, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./HEAVYCRATE PUBLISHING (ASCAP), SUGAR POP MEOW MEOW (ASCAP), WARNER/CHAPPELL MUSIC LTD. (PRS), MELOXTRA PUBLISHING (BMI) , UNICHAPPELL MUSIC, INC. (BMI), 456 MUSIC ASSOCIATES (BMI) ALL RIGHTS ADMINISTERED BY UNICHAPPELL MUSIC, INC. (BMI), SOULJA BOY TELL'EM MUSIC (BMI) EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI) CHRYSALIS MUSIC LTD/BMG BLUE (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY DIPLO, BEYONCÉ AND EZRA KOENIG / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY MELO-X / GUITAR BY JR BLENDER / DRUM PROGRAMMING BY DIPLO AND JR BLENDER / MIXED AND RECORDED BY STUART WHITE / ASSISTED BY JON SHACTER / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT RECORD PLANT STUDIOS IN LOS ANGELES, CA AND MAD DECENT STUDIOS IN BURBANK, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  CONTAINS ELEMENTS OF "CAN'T GET USED TO LOSING YOU" WRITTEN BY DOC POMUS AND MORT SHUMAN. PUBLISHED BY UNICHAPPELL MUSIC, INC. (BMI) AND 456 MUSIC ASSOCIATES (BMI) ALL RIGHTS ADMINISTERED BY UNICHAPPELL MUSIC, INC. (BMI).

  THIS COMPOSITION EMBODIES PORTION OF "TURN MY SWAG ON" WRITTEN BY DEANDRE WAY, ANTONIO RANDOLPH AND KELVIN MCCONNELL. PUBLISHED BY SOULJA BOY TELL'EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI)

  CONTAINS ELEMENTS OF "MAPS" WRITTEN BY BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER, PUBLISHED BY CHRYSALIS MUSIC LTD/BMG BLUE (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.

• DON'T HURT YOURSELF
  DON'T HURT YOURSELF

  WHO THE F--- DO YOU THINK I IS
  YOU AIN'T MARRIED TO NO AVERAGE B---- BOY
  YOU CAN WATCH MY FAT ASS TWIST BOY
  AS I BOUNCE TO THE NEXT D--- BOY

  AND KEEP YOUR MONEY
  I GOT MY OWN
  KEEP A BIGGER SMILE ON MY FACE
  BEING ALONE
  BAD MUTHA F----ER
  GOD COMPLEX
  MOTIVATE YOUR ASS
  CALL ME MALCOLM X
  YOUR OPERATOR
  INNOVATOR
  FUCK YOU HATER
  YOU CAN'T RECREATE HER NO
  YOU NEVER RECREATE HER NO

  WE JUST GOTTA LET IT BE
  LET IT BE
  LET IT BE
  LET IT BE BABY

  YOU JUST GOTTA LET IT BE
  LET IT BE
  LET IT BE
  LET IT BE BABY

  WHEN YOU HURT ME
  YOU HURT YOURSELF
  DON'T HURT YOURSELF

  WHEN YOU DIS ME
  YOU DIS YOURSELF
  DON'T HURT YOURSELF

  WHEN YOU HURT ME
  YOU HURT YOURSELF
  DON'T HURT YOURSELF

  WHEN YOU LOVE ME
  YOU LOVE YOURSELF
  LOVE GOD HERSELF
  I AM THE DRAGON BREATHING FIRE
  BEAUTIFUL MANE I'M THE LION
  BEAUTIFUL MAN I KNOW YOU'RE LYING
  I AM NOT BROKE AND I'M NOT CRYING
  I'M NOT CRYING, YOU AIN'T TRYING HARD ENOUGH
  YOU AIN'T LOVING HARD ENOUGH
  YOU DON'T LOVE ME DEEP ENOUGH
  WE NOT REACHING PEAKS ENOUGH

  BLINDLY IN LOVE
  I FUCKS WITH YOU, TILL I REALIZE
  I'M JUST TOO MUCH FOR YOU
  I'M JUST TOO MUCH FOR YOU

  YOU JUST GOTTA LET IT BE
  LET IT BE
  LET IT BE
  LET IT BE BABY

  HEY BABY
  WHO THE FUCK DO YOU THINK I IS
  I SMELL THAT FRAGRANCE ON YOUR LOUIS KNIT BOY
  JUST GIVE MY FAT ASS A BIG KISS BOY
  TONIGHT I'M FUCKING UP ALL YOUR SHIT BOY

  WHEN YOU HURT ME
  YOU HURT YOURSELF
  TRY NOT TO HURT YOURSELF
  WHEN YOU PLAY ME, YOU PLAY YOURSELF
  DON'T PLAY YOURSELF
  WHEN YOU LIE TO ME, YOU LIE TO YOURSELF
  YOU ONLY LYING TO YOURSELF
  WHEN YOU LOVE ME, YOU LOVE YOURSELF
  LOVE GOD HERSELF

  WE JUST GOTTA LET IT BE
  LET IT BE
  LET IT BE
  LET IT BE
  LET IT BE BABY

  THIS IS YOUR FINAL WARNING
  YOU KNOW I GIVE YOU LIFE
  IF YOU TRY THIS SHIT AGAIN
  YOU GONNA LOSE YOUR WIFE

  WRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM
  PUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED. / PRODUCED BY JACK WHITE AND BEYONCÉ / CO-PRODUCED BY DEREK DIXIE / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY RUBY AMANFU / RECORDED BY STUART WHITE, VANCE POWELL AND JOSHUA V. SMITH / ADDITIONAL OVERDUBS BY JOSHUA V. SMITH / SECOND ENGINEERING BY RAMON RIVAS / BASS GUITAR BY JACK WHITE / DRUMS BY PATRICK KEELER / HAMMOND ORGAN BY MARK WATROUS / MIXED BY STUART WHITE / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA, MARK WATROUS, FATS KAPLAN, LINDSEY SMITH-TRESTLE / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS ENGINEERED BY GREG KOLLER / ADDITIONAL DRUM PROGRAMMING BY DEREK DIXIE / PROTOOLS EDITING/RECORDING BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND JOSHUA V. SMITH / ADDITIONAL INSTRUMENTATION RECORDING BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / ADDITIONAL STUDIO ASSISTING BY ED SPEAR / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  FEATURES SAMPLE FROM THE LED ZEPPELIN RECORDING "WHEN THE LEVEE BREAKS," PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY. WRITTEN BY JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM, PUBLISHED BY FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED.
  

• I AIN'T SORRY
  I AIN'T SORRY
  I AIN'T SORRY
  N---- NAH
  I AIN'T SORRY
  I AIN'T SORRY
  I AIN'T SORRY

  HE TRYING TO ROLL ME UP (I AIN'T SORRY)
  I AIN'T PICKING UP (I AIN'T SORRY)
  HEADED TO THE CLUB (I AIN'T SORRY)
  I AIN'T THINKING 'BOUT YOU (I AIN'T SORRY)

  ME AND MY LADIES SIP MY D'USSÉ CUPS
  I DON'T GIVE A F--- CHUCKING MY DEUCES UP
  SUCK ON MY BALLS PAUSE
  I HAD ENOUGH
  I AIN'T THINKING 'BOUT YOU
  I AIN'T THINKING 'BOUT

  MIDDLE FINGERS UP
  PUT THEM HANDS HIGH
  WAVE IT IN HIS FACE
  TELL 'EM BOY BYE
  TELL 'EM BOY BYE
  BOY BYE
  MIDDLE FINGERS UP
  I AIN'T THINKING 'BOUT YOU

  I AIN'T SORRY
  I AIN'T SORRY
  I AIN'T SORRY
  N---- NAH
  I AIN'T SORRY
  I AIN'T SORRY
  I AIN'T SORRY
  NO NO HELL NAH

  NOW YOU WANT TO SAY YOU'RE SORRY
  NOW YOU WANT TO CALL ME CRYING
  NOW YOU GOTTA SEE ME WILDIN'
  NOW I'M THE ONE THAT'S LYING
  AND I DON'T FEEL BAD ABOUT IT
  IT'S EXACTLY WHAT YOU GET
  STOP INDIRECTING MY GRINDING

  I AIN'T THINKING BOUT YOU
  I AIN'T THINKING BOUT YOU
  I AIN'T THINKING BOUT YOU
  I AIN'T THINKING BOUT YOU
  I AIN'T THINKING BOUT YOU

  MIDDLE FINGERS UP
  PUT THEM HANDS HIGH
  WAVE IT IN HIS FACE
  TELL 'EM BOY BYE
  TELL 'EM BOY BYE
  BOY BYE
  MIDDLE FINGERS UP
  I AIN'T THINKING BOUT YOU

  I AIN'T SORRY
  I AIN'T SORRY
  I AIN'T SORRY
  N---- NAH
  I AIN'T SORRY
  I AIN'T SORRY
  I AIN'T SORRY
  NO NO HELL NAH

  LOOKING AT MY WATCH HE SHOULD'VE BEEN HOME
  TODAY I REGRET THE NIGHT I PUT THAT RING ON
  HE ALWAYS GOT THEM FUCKING EXCUSES
  I PRAY TO THE LORD YOU REVEAL WHAT HIS TRUTH IS

  I LEFT A NOTE IN THE HALLWAY
  BY THE TIME YOU READ IT I'LL BE FAR AWAY
  I'M FAR AWAY
  BUT I AIN'T FUCKING WITH NOBODY
  LET'S HAVE A TOAST TO THE GOOD LIFE
  SUICIDE BEFORE YOU SEE THIS TEAR FALL DOWN MY EYES
  ME AND MY BABY WE GONE BE ALRIGHT
  WE GON' LIVE A GOOD LIFE
  BIG HOMIE BETTER GROW UP
  ME AND MY WHOADIES 'BOUT TO STROLL UP
  I SEE THEM BOPPERS IN THE CORNER
  THEY SNEAKING OUT THE BACK DOOR
  HE ONLY WANT ME WHEN I'M NOT THERE
  HE BETTER CALL BECKY WITH THE GOOD HAIR
  HE BETTER CALL BECKY WITH THE GOOD HAIR
  

  WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MELO-X, BEYONCÉ AND DIANA GORDON / CO-PRODUCED BY HIT-BOY FOR HITS SINCE '87 AND HAZEBANGA FOR HAZEBANGA MUSIC / ADDITIONAL PRODUCTION BY STUART WHITE / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PROGRAMMING BY B. CARR / BACKGROUND VOCALS BY CHRISSY COLLINS / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

• 6 INCH HEELS
  SHE WALKED IN THE CLUB
  LIKE NOBODY'S BUSINESS
  GOT DAMN
  SHE MURDERED EVERYBODY AND I WAS HER WITNESS

  (THE WEEKND)
  STACKIN' MONEY MONEY EVERYWHERE SHE GO… (WHERE SHE GO)
  YOU-KNOW…
  PESOS OUT OF MEXICO… (MEXICO)
  THEM UNOS… COMMAS AND THEM DECIMALS… (DECIMALS)
  SHE DON'T GOTTA GIVE IT UP SHE PROFESSIONAL… OH

  SHE MIXING UP THAT ACE WITH THE HENNESSY… (HENNESSY)
  SHE LOVE THE WAY IT TASTE THAT'S THE RECIPE.. (RECIPE)
  RUSHING THROUGH HER VEINS LIKE IT'S ECSTASY.. OH NO
  SHE ALREADY MADE ENOUGH BUT SHE'LL NEVER LEAVE…

  6 INCH HEELS
  SHE WALKED IN THE CLUB
  LIKE NOBODY'S BUSINESS
  GOT DAMN
  SHE MURDERED EVERYBODY AND I WAS HER WITNESS
  SHE WORKS FOR THE MONEY
  SHE WORK FOR THE MONEY
  FROM THE START TO FINISH
  AND SHE WORTH EVERY DOLLAR
  SHE WORTH EVERY DOLLAR
  AND SHE WORTH EVERY MINUTE

  SHE STACK HER MONEY MONEY EVERYWHERE SHE GO
  HER YAMAZAKI STRAIGHT FROM TOKYO
  SHE GOT THEM COMMAS AND THEM DECIMALS
  SHE DON'T GOTTA GIVE IT UP CUZ SHE PROFESSIONAL

  6 INCH HEELS
  SHE WALKED IN THE CLUB
  LIKE NOBODY'S BUSINESS
  GOT DAMN
  SHE MURDERED EVERYBODY AND I WAS HER WITNESS
  SHE WORKS FOR THE MONEY
  SHE WORK FOR THE MONEY
  FROM THE START TO FINISH
  AND SHE WORTH EVERY DOLLAR
  SHE WORTH EVERY DOLLAR
  AND SHE WORTH EVERY MINUTE

  STARS IN HER EYES
  SHE FIGHTS FOR THE POWER
  KEEP IN TIME
  SHE GRINDS
  DAY AND NIGHT
  SHE GRINDS FROM MONDAY TO FRIDAY
  WORK FROM FRIDAY TO SUNDAY
  SHE GONE SLAY
  SHE'S TOO SMART TO CRAVE MATERIAL THINGS
  SHE PUSHING HERSELF
  DAY AND NIGHT
  SHE GRINDS FROM MONDAY TO FRIDAY
  WORK FROM FRIDAY TO SUNDAY
  STARS IN HER EYES
  SHE FIGHTS AND SHE SWEATS THRU SLEEPLESS NIGHTS
  BUT SHE DON'T MIND
  SHE LOVES THE GRIND
  SHE GRINDS FROM MONDAY TO FRIDAY
  WORKS FROM FRIDAY TO SUNDAY
  SHE GONE SLAY
  TOO SMART TO CRAVE MATERIAL THINGS
  STACKING HER PAPER
  STACKING HER PAPER
  SHE GRINDS FROM MONDAY TO FRIDAY
  WORK FROM FRIDAY TO SUNDAY

  6 INCH HEELS
  SHE WALKED IN THE CLUB
  LIKE NOBODY'S BUSINESS
  GOT DAMN
  SHE MURDERED EVERYBODY AND I WAS HER WITNESS
  SHE WORKS FOR THE MONEY
  SHE WORK FOR THE MONEY (KNOW JUST WHAT TO DO)
  FROM THE START TO FINISH (TO MAKE YOU LOVE ME)
  AND SHE WORTH EVERY DOLLAR (LOVE ME)
  SHE WORTH EVERY DOLLAR (LOVE ME)
  AND SHE WORTH EVERY MINUTE

  NOW YOU KNOW I MAKE YOU FEEL YOU'LL ALWAYS COME BACK TO ME…..

  COME BACK
  COME BACK
  COME BACK
  COME BACK
  COME BACK

  WRITTEN BY ABEL "THE WEEKND" TESFAYE, BEYONCÉ, DANNY SCHOFIELD, BEN DIEHL, TERIUS "THE-DREAM" NASH, AHMAD "BELLY" BALSHE, BOOTS, DAVE PORTNER, NOAH LENNOX, BRIAN WEITZ, BURT BACHARACH, HAL DAVID / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC OBO SONGS OF SMP (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./SAL&CO INC. (ASCAP), BENJAMIN DIEHL PUBLISHING DESIGNEE (BMI), 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP)/SAL&CO INC. (ASCAP), WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI) AND IN SOULS (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), ROUGH TRADE PUBLISHING LTD (PRS), BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) / PRODUCED BY DANNYBOYSTYLES, BEN BILLIONS, BEYONCÉ AND BOOTS / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PRODUCTION BY DEREK DIXIE / ADDITIONAL INSTRUMENTATION BY DEREK DIXIE / ADDITIONAL VOCALS BY BELLY / RECORDED BY STUART WHITE AT RECORD PLANT STUDIOS IN LOS ANGELES, CA / SECOND ENGINEERING BY RAMON RIVAS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY TYLER SCOTT AND JAMES KRAUSSE / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA

  THIS COMPOSITION EMBODIES PORTIONS OF "MY GIRLS" WRITTEN BY DAVID PORTNER, NOAH LENNOX, AND BRIAN WEITZ. PUBLISHED BY ROUGH TRADE PUBLISHING LTD (PRS).

  CONTAINS SAMPLES FROM "WALK ON BY" WRITTEN BY BURT BACHARACH AND HAL DAVID, PUBLISHED BY BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) AND PERFORMED BY ISAAC HAYES. USED COURTESY OF STAX RECORDS CONCORD MUSIC GROUP, INC. ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.

  THE WEEKND APPEARS COURTESY OF THE WEEKND XO, INC./REPUBLIC RECORDS
  

• YEE HAW
  TEXAS
  TEXAS
  TEXAS

  CAME INTO THIS WORLD
  DADDY'S LITTLE GIRL
  DADDY MADE A SOLDIER OUT OF ME
  DADDY MADE ME DANCE
  DADDY HELD MY HAND
  BUT DADDY LIKED HIS WHISKY WITH HIS TEA

  AND WE ROLLED MOTORCYCLES
  BLACK JACK CLASSIC VINYL
  TOUGH GIRL IS WHAT I HAD TO BE
  HE SAID TAKE CARE OF YOUR MOTHER
  WATCH OUT FOR YOUR SISTER
  AND OH THAT'S WHEN HE GAVE TO ME

  WITH HIS GUN AND HIS HEAD HELD HIGH
  HE TOLD ME NOT TO CRY
  OH MY DADDY SAID SHOOT
  OH MY DADDY SAID SHOOT
  WITH HIS RIGHT HAND ON HIS RIFLE
  HE SWORE IT ON THE BIBLE
  MY DADDY SHOOT
  OH MY DADDY SAID SHOOT

  HE HELD ME IN HIS ARMS
  AND HE TAUGHT ME TO BE STRONG
  HE TOLD ME WHEN HE'S GONE HERE'S WHAT TO DO
  WHEN TROUBLE COMES TO TOWN
  AND MEN LIKE ME COME AROUND
  OH MY DADDY SAID SHOOT
  OH MY DADDY SAID SHOOT

  DADDY MADE ME FIGHT
  IT WASN'T ALWAYS RIGHT
  BUT HE SAID GIRL IT'S YOUR 2ND AMENDMENT
  HE ALWAYS PLAYED IT COOL
  BUT DADDY WAS NO FOOL
  AND RIGHT BEFORE HE DIED HE SAID REMEMBER

  HE SAID TAKE CARE OF YOUR MOTHER
  WATCH OUT FOR YOUR SISTER
  THAT'S WHEN DADDY LOOKED AT ME

  WITH HIS GUN
  WITH HIS HEAD HELD HIGH
  HE TOLD ME NOT TO CRY
  OH MY DADDY SAID SHOOT
  OH MY DADDY SAID SHOOT
  WITH HIS RIGHT HAND ON HIS RIFLE
  HE SWORE IT ON THE BIBLE
  MY DADDY SHOOT,
  OH MY DADDY SAID SHOOT

  HE HELD ME IN HIS ARMS
  AND HE TAUGHT ME TO BE STRONG
  AND HE TOLD ME WHEN HE'S GONE HERE'S WHAT TO DO
  WHEN TROUBLE COMES TO TOWN
  AND MEN LIKE ME COME AROUND
  OH MY DADDY SAID SHOOT
  OH MY DADDY SAID SHOOT

  MY DADDY WARNED ME ABOUT MEN LIKE YOU
  HE SAID BABY GIRL HE'S PLAYING YOU
  HE'S PLAYING YOU
  MY DADDY WARNED ME ABOUT MEN LIKE YOU
  HE SAID BABY GIRL HE'S PLAYING YOU
  HE'S PLAYING YOU

  CAUSE WHEN TROUBLE COMES TO TOWN AND MEN LIKE ME COME AROUND
  OH MY DADDY SAID SHOOT
  OH MY DADDY SAID SHOOT
  CAUSE WHEN TROUBLE COMES TO TOWN AND MEN LIKE ME COME AROUND
  OH MY DADDY SAID SHOOT
  OH MY DADDY SAID SHOOT

  GOOD JOB B! (BLUE)

  WRITTEN BY DIANA GORDON, BEYONCÉ, KEVIN COSSUM, ALEX DELICATA / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND YRP MUSIC PUBLISHING (BMI) ALL RIGHTS ON BEHALF OF ITSELF AN YRP MUSIC PUBLISHING ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DELICATA MUSIC/NUMBERS NEVER LIE (BMI) ADMINISTERED BY SONGS OF KOBALT MUSIC PUBLISHING / PRODUCED BY BEYONCÉ / CO-PRODUCED BY DEREK DIXIE AND ALEX DELICATA FOR DELICATA MUSIC PRODUCTIONS / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / BASS BY COURTNEY LEONARD / GUITAR BY ERIC WALLS / HORNS BY RANDOLPH ELLIS, PETER ORTEGA, CHRISTOPHER GRAY, RICHARD LUCCHESE / HARMONICA BY PATRICK WILLIAMS / ADDITIONAL INSTRUMENTATION BY TOO MANY ZOOZ / DRUMS AND DRUM PROGRAMMING BY DEREK DIXIE / BAND SESSION LEADER: DEREK DIXIE / BAND RECORDING ENGINEERING BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / ASSISTANT RECORDING ENGINEERING BY DEREK DIXIE / RECORDED IN THE BEEHIVE IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

• 10 TIMES OUT OF 9 I KNOW YOU LYIN'
  BUT 9 TIMES OUTTA 10 I KNOW YOU TRYING
  SO I'M TRYING TO BE FAIR
  AND YOU'RE TRYING TO BE THERE
  AND TO CARE
  BUT YOU'RE CAUGHT UP IN YOUR PERMANENT EMOTIONS
  AND ALL THE LOVE I'M GIVING IS UNNOTICED
  JUST FLOATING IN THE AIR
  LOOKIE THERE...
  ARE YOU AWARE?
  YOU'RE MY LIFELINE, ARE YOU TRYNA KILL ME?
  IF I WASN'T ME WOULD YOU STILL FEEL ME?
  LIKE ON MY WORST DAY?
  OR AM I NOT THIRSTY?
  ENOUGH…
  I DON'T CARE ABOUT THE LIGHTS OR THE BEAM
  I'D SPEND MY LIFE IN THE DARK
  FOR THE SAKE OF YOU AND ME
  THE ONLY WAY TO GO IS UP
  SKIN THICK
  TOO TOUGH

  YOU YOU YOU YOU AND ME COULD MOVE A MOUNTAIN
  YOU YOU YOU YOU AND ME COULD CALM A WAR DOWN
  YOU YOU YOU YOU AND ME COULD MAKE IT RAIN NOW
  YOU YOU YOU AND ME COULD STOP THIS LOVE DROUGHT

  9 TIMES OUTTA 10 I'M IN MY FEELINGS
  BUT 10 TIMES OUTTA 9 I'M ONLY HUMAN
  TELL ME WHAT DID I DO WRONG?
  FEEL LIKE THAT QUESTION HAS BEEN POSED... I'M MOVING ON
  I'VE ALWAYS BEEN COMMITTED I BEEN FOCUSED
  I ALWAYS PAID ATTENTION, BEEN DEVOTED
  TELL ME WHAT DID I DO WRONG?
  OH I ALREADY ASKED THAT...
  MY BAD
  BUT YOU'RE MY LIFELINE THINK YOU TRYNA KILL ME?
  IF I WASN'T BEY WOULD YOU STILL FEEL ME?
  LIKE ON MY WORST DAY?
  OR AM I NOT THIRSTY?
  ENOUGH…
  I DON'T CARE ABOUT THE LIGHTS OR THE BEAMS
  I'D SPEND MY LIFE IN THE DARK
  FOR THE SAKE OF YOU AND ME
  THE ONLY WAY TO GO IS UP
  THEM OLE BITCHES SO WACK
  I'M SO TOUGH, WHAT'S UP?

  YOU YOU YOU YOU AND ME COULD MOVE A MOUNTAIN
  YOU YOU YOU YOU AND ME COULD CALM A WAR DOWN
  YOU YOU YOU YOU AND ME COULD MAKE IT RAIN NOW
  YOU YOU YOU AND ME COULD STOP THIS LOVE DROUGHT

  WRITTEN BY MIKE DEAN, INGRID BURLEY, BEYONCÉ / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI)/PAPA GEORGE MUSIC (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., LOVE VIVIAN MUSIC/SONY/ATV TUNES/EMI APRIL MUSIC (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / KEYBOARDS AND DRUM PROGRAMMING BY MIKE DEAN / TRACK ENGINEERED BY MIKE DEAN / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

• WE BUILD SAND CASTLES
  THAT WASHED AWAY
  I MADE YOU CRY
  WHEN I WALKED AWAY
  AND ALTHOUGH I PROMISED
  THAT I COULDN'T STAY
  EVERY PROMISE DON'T WORK OUT THAT WAY
  EVERY PROMISE DON'T WORK OUT THAT WAY

  DISHES SMASHED ON MY COUNTER
  FROM OUR LAST ENCOUNTER
  PICTURES SNATCHED OUT THE FRAME
  BITCH I SCRATCHED OUT YOUR NAME
  AND YOUR FACE
  WHAT IS IT ABOUT YOU?
  THAT I CAN'T ERASE BABY
  WHEN EVERY PROMISE DON'T WORK OUT THAT WAY
  NO NO BABY
  WHEN EVERY PROMISE DON'T WORK OUT THAT WAY

  AND YOUR HEART IS BROKEN
  CAUSE I WALKED AWAY
  SHOW ME YOUR SCARS
  AND I WON'T WALK AWAY
  AND I KNOW I PROMISED THAT I COULDN'T STAY
  EVERY PROMISE DON'T WORK OUT THAT WAY
  EVERY PROMISE DON'T WORK OUT THAT WAY
  

  WRITTEN BY VINCENT BERRY II, BEYONCÉ, MALIK YUSEF, MIDIAN MATHERS / PUBLISHED BY CLEFTONE MUSIC (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./JABRIEL IZ MYNE (ASCAP), MIDIAN MATHERS BMG PLATINUM SONGS US OBO MABLE JEAN MUSIC (BMI) / PRODUCED BY BEYONCÉ AND VINCENT BERRY II / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY VINCENT BERRY II / SYNTHS BY JACK CHAMBAZYAN / SYNTH ARRANGEMENT BY BOOTS / RECORDED BY STUART WHITE IN THE BEEHIVE, LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY MILES COMASKEY / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PIANO RECORDED BY JORDAN STILWELL
  

• FORWARD
  BEST FOOT FORWARD JUST IN CASE
  WHEN WE MADE OUR WAY TO NOW
  IT'S TIME TO LISTEN
  IT'S TIME TO FIGHT
  FORWARD
  NOW WE'RE GOING TO HOLD DOORS OPEN FOR A WHILE
  NOW WE CAN BE OPEN FOR A WHILE
  FORWARD
  I LOVE YOU MORE THAN THIS JOB PLEASE DON'T WORK FOR ME
  FORWARD
  GO BACK TO YOUR SLEEP IN YOUR FAVORITE SPOT JUST NEXT TO ME
  FORWARD
  

  WRITTEN BY JAMES BLAKE AND BEYONCÉ / PUBLISHED BY SONY/ATV, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY JAMES BLAKE AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY JAMES BLAKE / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORD ENGINEERING BY JOHN CRANFIELD / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  JAMES BLAKE APPEARS COURTESY OF POLYDOR LIMITED
  

• TRYING TO REIGN
  TRYING TO RAIN ON THE THUNDER
  TELL THE STORM I'M NEW
  I'MA WALK
  I'MA MARCH
  ON THE REGULAR
  PAINTING WHITE FLAGS BLUE
  LOVE FORGIVE ME I'VE BEEN RUNNING
  RUNNING BLIND IN TRUTH
  I'MA RAIN
  I'MA REIGN
  ON THIS BITTER LOVE
  TELL THE SWEET I'M NEW

  I'M TELLING THESE TEARS GONNA FALL AWAY FALL AWAY… OOOH
  MAY THE LAST ONE BURN INTO FLAMES

  FREEDOM
  FREEDOM
  I CAN'T MOVE
  FREEDOM CUT ME LOOSE
  FREEDOM
  FREEDOM
  WHERE ARE YOU?
  CAUSE I NEED FREEDOM TOO
  I BREAK CHAINS ALL BY MYSELF
  WON'T LET MY FREEDOM ROT IN HELL
  I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVES

  I'M A WADE
  I'M A WAVE THROUGH THE WATERS
  TIL THE TIDE DON'T MOVE
  I'M A RIOT I'M A RIOT THROUGH YOUR BORDERS
  CALL ME BULLET PROOF
  LOVE FORGIVE ME I'VE BEEN RUNNING, RUNNING BLIND IN TRUTH
  I'M A WADE
  I'M A WAVE THROUGH YOUR SHALLOW LOVE
  TELL THE DEEP I'M NEW

  I'M TELLING THESE TEARS GONNA FALL AWAY FALL AWAY… OOOH
  MAY THE LAST ONE BURN INTO FLAMES

  FREEDOM
  FREEDOM
  I CAN'T MOVE
  FREEDOM CUT ME LOOSE
  FREEDOM
  FREEDOM
  WHERE ARE YOU?
  CAUSE I NEED FREEDOM TOO
  I BREAK CHAINS ALL BY MYSELF
  WON'T LET MY FREEDOM ROT IN HELL HEY
  I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVES

  (KENDRICK LAMAR)
  TEN HAIL MARY'S I MEDITATE FOR PRACTICE (ONE, TWO)
  CHANNEL 9 NEWS TELL ME I'M MOVING BACKWARDS (ACHACHA)
  8 BLACKS LEFT DEATH IS AROUND THE CORNER (HAH)

  SEVEN MISLEADING STATEMENTS BY MY PERSONA (UH WOO)
  SIX HEAD LIGHTS WAVING IN MY DIRECTION (COME ON)
  FIVE-O ASKING ME WHAT'S IN MY POSSESSION… YEAH
  I KEEP RUNNING JUMP IN THE AQUA DUCTS
  FIRE HYDRANTS AND HAZARDOUS
  SMOKE ALARMS ON THE BACK OF US
  BUT MAMA DON'T CRY FOR ME RIDE FOR ME
  TRY FOR ME LIVE FOR ME
  BREATH FOR ME SING FOR ME
  HONESTY GUIDING ME I CAN BE ME MORE THAN I GOTTA BE
  STOLE FROM ME LIED TO ME NATION HYPOCRISY
  COLD ON ME DRIVING ME WICKED
  MY SPIRIT INSPIRE ME LIKE… YEAH

  OPEN CORRECTIONAL GATES IN HIGH DESERTS … YEAH
  OPEN OUR MIND AS WE CAST AWAY OPPRESSION… YEAH
  OPEN THE STREETS AND WATCH OUR BELIEFS AND WHEN THEY CARVE MY NAME INSIDE THE CONCRETE I PRAY IT FOREVER READS...

  FREEDOM
  FREEDOM
  I CAN'T MOVE
  FREEDOM CUT ME LOOSE
  FREEDOM
  FREEDOM
  WHERE ARE YOU?
  CAUSE I NEED FREEDOM TOO
  I BREAK CHAINS ALL BY MYSELF
  WON'T LET MY FREEDOM ROT IN HELL HEY
  I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVES

  HUH WHAT YOU WANT FROM ME IS IT TRUE YOU SEE UH  OH FATHER CAN YOU HEAR ME?
  HUH WHAT YOU WANT FROM ME IS IT TRUE YOU SEE UH  OH FATHER CAN YOU HEAR ME?
  HEAR ME?
  

  WRITTEN BY JONATHAN COFFER, BEYONCÉ, CARLA WILLIAMS, ARROW BENJAMIN, KENDRICK DUCKWORTH, FRANK TIRADO, ALAN LOMAX, JOHN LOMAX SR. / PUBLISHED BY B-UNIQUE MUSIC LIMITED/KOBALT PUBLISHING AMERICA, INC. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EMI BLACKWOOD MUSIC INC. (BMI), SONY/ATV SONGS (BMI), WB MUSIC CORP. (ASCAP), HARD WORKING BLACK FOLKS INC. (ASCAP) AND TOP DAWG MUSIC (ASCAP) OBO KENDRICK DUCKWORTH PKA KENDRICK LAMAR, NOW-AGAIN RECORDS, GLOBAL JUKEBOX PUBLISHING (BMI), LUDLOW MUSIC INC. (BMI) / PRODUCED BY JONNY COFFER, BEYONCÉ AND JUST BLAZE / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / BACKGROUND VOCALS BY ARROW BENJAMIN / PROGRAMMING AND KEYBOARDS BY JONNY COFFER / ADDITIONAL PROGRAMMING BY BOOTS AND MYLES WILLIAM / BASS BY MARCUS MILLER / ADDITIONAL PIANO BY CANEI FINCH / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  CONTAINS A SAMPLE OF "LET ME TRY," WRITTEN BY FRANK TIRADO AND PERFORMED BY KALEIDOSCOPE. USED COURTESY OF NOW-AGAIN RECORDS, WITH THANKS TO THOMAS HARTLAGE AND SHADOKS MUSIC.

  CONTAINS A SAMPLE OF "COLLECTION SPEECH/UNIDENTIFIED LINING HYMN," PERFORMED BY REVEREND R.C. CRENSHAW. RECORDED BY ALAN LOMAX IN 1959. USED COURTESY OF GLOBAL JUKEBOX PUBLISHING (BMI) AND THE ALAN LOMAX COLLECTION, AMERICAN FOLKLIFE CENTER, LIBRARY OF CONGRESS, COURTESY OF ODYSSEY PRODUCTIONS, INC.

  CONTAINS A SAMPLE OF "STEWBALL," PERFORMED BY PRISONER "22" AT MISSISSIPPI STATE PENITENTIARY AT PARCHMAN, RECORDED IN 1947 BY ALAN LOMAX AND JOHN LOMAX SR. USED COURTESY OF LUDLOW MUSIC INC. (BMI)/GLOBAL JUKEBOX PUBLISHING (BMI) AND THE ALAN LOMAX COLLECTION, AMERICAN FOLKLIFE CENTER, LIBRARY OF CONGRESS, COURTESY OF ODYSSEY PRODUCTIONS, INC.

  KENDRICK LAMAR APPEARS COURTESY OF TOP DAWG ENT./AFTERMATH RECORDS/INTERSCOPE RECORDS

• I FOUND THE TRUTH BENEATH YOUR LIES
  AND TRUE LOVE NEVER HAS TO HIDE
  TRADE YOUR BROKEN WINGS FOR MINE
  I'VE SEEN YOUR SCARS AND KISSED YOUR CRIMES

  SO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
  KISS UP AND RUB UP AND FEEL UP
  KISS UP AND RUB UP AND FEEL UP ON YA
  GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
  I'M GONNA KISS UP AND RUB UP AND FEEL UP
  KISS UP AND RUB UP AND FEEL UP ON YA

  ALL NIGHT LONG....
  (ALL NIGHT YEAH )

  GOOD LOVE
  ALL NIGHT LONG......
  (ALL NIGHT YEAH )

  SWEET LOVE
  ALL NIGHT LONG.....
  (ALL NIGHT YEAH )

  ALL I WANNA
  BE NO OTHER
  BE TOGETHER
  I REMEMBER
  SWEET LOVE
  ALL NIGHT LONG…

  MY LOVE WAS STRONGER THAN YOUR PRIDE
  BEYOND YOUR DARKNESS I'M YOUR LIGHT
  YOU GET DEEP YOU TOUCH MY MIND
  BAPTIZE YOUR TEARS AND DRY YOUR EYES

  SO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
  KISS UP AND RUB UP AND FEEL UP
  KISS UP AND RUB UP AND FEEL UP ON YA
  GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
  I'M GONNA KISS UP AND RUB UP AND FEEL UP
  KISS UP AND RUB UP AND FEEL UP ON YA

  ALL NIGHT LONG....
  (ALL NIGHT YEAH )

  GOOD LOVE
  ALL NIGHT LONG......
  (ALL NIGHT YEAH)

  SWEET LOVE
  ALL NIGHT LONG.....
  (ALL NIGHT YEAH)

  ALL I WANNA
  BE NO OTHER
  BE TOGETHER
  I REMEMBER
  SWEET LOVE
  ALL NIGHT LONG…

  THEY SAY TRUE LOVE'S THE GREATEST WEAPON
  TO WIN THE WAR CAUSED BY PAIN
  BUT EVERY DIAMOND HAS IMPERFECTIONS
  BUT MY LOVE'S TOO PURE TO WATCH IT CHIP AWAY

  BOY NOTHING REAL CAN BE THREATENED
  TRUE LOVE BREATHES SALVATION BACK INTO ME
  WITH EVERY TEAR CAME REDEMPTION
  AND MY TORTURER BECAME MY REMEDY

  SO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
  KISS UP AND RUB UP AND FEEL UP
  KISS UP AND RUB UP AND FEEL UP ON YA
  GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
  I'M GONNA KISS UP AND RUB UP AND FEEL UP
  KISS UP AND RUB UP AND FEEL UP ON YA

  ALL NIGHT LONG....
  (ALL NIGHT YEAH)

  GOOD LOVE
  ALL NIGHT LONG......
  (ALL NIGHT YEAH)

  SWEET LOVE
  ALL NIGHT LONG.....
  (ALL NIGHT YEAH)

  ALL I WANNA
  BE NO OTHER
  BE TOGETHER
  I REMEMBER
  SWEET LOVE
  ALL NIGHT LONG…

  YOU KNOW I MISSED YOU MY LOVE

  WRITTEN BY THOMAS WESLEY PENTZ, BEYONCÉ, HENRY ALLEN, TIMOTHY AND THERON THOMAS, ILSEY JUBER, AKIL KING, JARAMYE DANIELS, ANDRE BENJAMIN, PATRICK BROWN, ANTWAN PATTON / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS MUSIC PUBLISHING, LLC OBO DUKE CITY MUSIC (SESAC), SONGS MUSIC PUBLISHING (SESAC), TNT EXPLOSIVE PUBLISHING/UMPG (ASCAP), SONY/ATV SONGS LLC / SPARKO PHONE MUSIC (BMI), AKIL C. KING/M PUBLISHING/BMG RIGHTS MANAGEMENT (BMI), JARAMYE DANIELS MUSIC/WARNER TAMERLANE (ASCAP), BMG MONARCH (ASCAP)/GNAT BOOTY MUSIC (ASCAP), SONGS OF WINDSWEPT (BMI)/HITCO MUSIC (BMI) / ORGANIZED NOIZE MUSIC (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY DIPLO AND BEYONCÉ / CO-PRODUCED BY KING HENRY / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY DIPLO AND KING HENRY / HORNS BY RANDOLPH ELLIS, PETER ORTEGA, CHRISTOPHER GRAY, RICHARD LUCCHESE / HORNS ARRANGED BY DEREK DIXIE / HORNS RECORDED BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS, KEYBOARDS AND BASS ENGINEERED BY GREG KOLLER / GUITAR BY KING HENRY / BASS BY MARCUS MILLER / DRUM PROGRAMMING BY DEREK DIXIE, DIPLO AND KING HENRY / ADDITIONAL INSTRUMENTATION BY DEREK DIXIE / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / RECORDED AT JUNGLE CITY STUDIOS IN NEW YORK CITY, CONWAY STUDIOS IN LOS ANGELES, CA AND MAD DECENT STUDIOS IN BURBANK, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY TYLER SCOTT / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  CONTAINS ELEMENTS OF "SPOTTIEOTTIEDOPALISCIOUS" WRITTEN BY ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON. PUBLISHED BY BMG MONARCH (ASCAP)/GNAT BOOTY MUSIC (ASCAP), SONGS OF WINDSWEPT (BMI)/HITCO MUSIC (BMI) / ORGANIZED NOIZE MUSIC (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.

• YA'LL HATERS CORNY WITH THAT ILLUMINATI MESS
  PAPARAZZI CATCH MY FLY AND MY COCKY FRESH
  I'M SO RECKLESS WHEN I ROCK MY GIVENCHY DRESS
  I'M SO POSSESSIVE SO I ROCK HIS ROC NECKLACES

  MY DADDY ALABAMA
  MY MAMA LOUISIANA
  YOU MIX THAT NEGRO WITH THAT CREOLE MAKE A TEXAS-BAMA

  VERSE-1
  I LIKE MY BABY HAIR WITH BABY HAIR AND AFROS
  I LIKE MY NEGRO NOSE WITH JACKSON 5 NOSTRILS
  I EARNED ALL THIS MONEY BUT THEY NEVER TAKE THE COUNTRY OUT ME
  I GOT HOT SAUCE IN MY BAG… SWAG

  PRE-1
  I SEE IT I WANT IT
  I STUNT YELLOW HORNET
  I DREAM IT I WORK HARD I GRIND TILL I OWN IT
  I TWIRL ON THEM HATERS
  ALBINO ALLIGATORS
  EL CAMINO WITH THE SEAT LOW SIPPING CUERVO WITH NO CHASER

  SOMETIMES I GO OFF
  I GO HARD
  GET WHATS MINE
  IM A STAR
  CAUSE I SLAY… I SLAY I SLAY I SLAY
  I SLAY I SLAY I SLAY I SLAY
  IM GON' SLAY I SLAY I SLAY I SLAY
  ALL DAY I SLAY I SLAY OKAY OKAY

  HOOK-1
  OK LADIES NOW LETS GET IN FORMATION
  OK LADIES NOW LETS GET IN FORMATION
  PROVE TO ME YOU GOT SOME CO-ORDINATION
  SLAY TRICK OR YOU GET ELIMINATED

  WHEN HE FUCK ME GOOD I TAKE HIS ASS TO RED LOBSTER
  WHEN HE FUCK ME GOOD I TAKE HIS ASS TO RED LOBSTER
  IF HE HIT IT RIGHT I MIGHT TAKE HIM ON A FLIGHT ON MY CHOPPER
  DROP HIM OFF AT THE MALL LET HIM BUY SOME J'S LET HIM SHOPPA

  VERSE-2
  I MIGHT GET YOUR SONG PLAYED ON THE RADIO STATION
  I MIGHT GET YOUR SONG PLAYED ON THE RADIO STATION
  YOU JUST MIGHT BE A BLACK BILL GATES IN THE MAKING
  YOU JUST MIGHT BE A BLACK BILL GATES IN THE MAKING

  PRE-2
  I SEE IT I WANT IT
  I STUNT YELLOW HORNET
  I DREAM IT I WORK HARD I GRIND TILL I OWN IT
  I TWIRL ON MY HATERS
  ALBINO ALLIGATORS
  EL CAMINO WITH THE SEAT LOW SIPPING CUERVO WITH NO CHASER

  SOMETIMES I GO OFF
  I GO HARD
  TAKE WHATS MINE
  IM A STAR
  CAUSE I SLAY… I SLAY I SLAY I SLAY
  I SLAY I SLAY I SLAY I SLAY
  WE GON' SLAY GON' SLAY WE SLAY I SLAY
  I SLAY OKAY I SLAY OKAY OKAY OKAY

  HOOK-2
  OK LADIES NOW LETS GET IN FORMATION
  OK LADIES NOW LETS GET IN FORMATION
  PROVE TO ME YOU GOT SOME CO-ORDINATION
  SLAY TRICK OR YOU GET ELIMINATED

  OK LADIES NOW LETS GET IN FORMATION
  OK LADIES NOW LETS GET IN FORMATION
  YOU KNOW YOU THAT BITCH WHEN YOU CAUSE ALL THIS CONVERSATION
  ALWAYS STAY GRACIOUS
  BEST REVENGE IS YOUR PAPER
  

  WRITTEN BY MICHAEL L. WILLIAMS II, BEYONCÉ, KHALIF BROWN, AAQUIL BROWN, ASHETON HOGAN / PUBLISHED BY WB MUSIC CORP (ASCAP) OBO ITSELF, SOUNDS FROM EARDRUMMERS LLC, WARNER-TAMERLANE PUBLISHING CORP (BMI) OBO ITSELF, EARDRUMMERS MUSIC PUBLISHING LLC, (BMI), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP., KHALIF BROWN BMI PUB DESIGNEE, AAQUIL BROWN BMI PUB DESIGNEE, ASHETON HOGAN BMI PUB DESIGNEE, AND WB MUSIC CORP. (ASCAP). OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MIKE WILL MADE-IT AND BEYONCÉ / CO-PRODUCED BY PLUSS FOR EARDRUMMERS ENTERTAINMENT LLC / VOCAL PRODUCTION BY BEYONCÉ / ADLIBS BY SWAE LEE OF RAE SREMMURD / ADDITIONAL BACKGROUND ADLIBS BY BIG FREEDIA / TRUMPET BY MATT DOE / HORN ARRANGEMENT BY DEREK DIXIE / RECORDED BY STUART WHITE IN THE BEEHIVE IN LOS ANGELES, CA / MIXED BY JAYCEN JOSHUA FOR THE PENUA PROJECT/INNERSOUND MGMT AT LARRABEE SOUND STUDIOS, NORTH HOLLYWOOD CA AND STUART WHITE AT PACIFIQUE STUDIO IN LOS ANGELES, CA / ASSISTANT MIX ENGINEERING BY MADDOX CHHIM, DAVID NAKAJI, AND ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE IN NEW YORK CITY
  

• A VISUAL ALBUM BY
  BEYONCÉ

  FILM ADAPTATION AND POETRY BY
  WARSAN SHIRE

  DIRECTORS
  KAHLIL JOSEPH
  BEYONCÉ KNOWLES CARTER

  ADDITIONAL DIRECTORS
  MELINA MATSOUKAS
  TODD TOURSO
  DIKAYL RIMMASCH
  JONAS ÅKERLUND
  MARK ROMANEK

  EXECUTIVE PRODUCER
  BEYONCÉ KNOWLES CARTER

  EXECUTIVE PRODUCERS
  TODD TOURSO
  ERINN WILLIAMS
  DORA MELISSA VARGAS
  STEVE PAMON
  ED BURKE

  PRODUCERS
  ONYE ANYANWU
  JONATHAN LIA
  KEENAN FLYNN
  NATHAN SCHERRER
  SCOTT HORAN
  KIRA CARSTENSEN
  THOMAS BENSKI
  DANYI DEATS
  THOMAS MARTIN
  VIOLAINE ETIENNE
  MICHAEL GARZA

  CINEMATOGRAPHERS
  CHAYSE IRVIN
  KHALIK ALLAH
  PÄR EKBERG
  SANTIAGO GONZALEZ
  MALIK SAYEED
  DIKAYL RIMMASCH
  REED MORANO

  EDITOR
  BILL YUKICH

  ADDITIONAL EDITING BY
  LUKE LYNCH
  ALEXANDRE MOORS
  ALEXANDER HAMMER
  MICHAEL HELDMAN
  JEFF SELIS
  PAUL ROGERS
  ARMEN HAROOTUN

  MUSICAL SCORE
  MELO-X

  SOUND DESIGN AND MIX
  ERIC HOFFMAN
  ALBUM SONGS MIX AND RECORD
  STUART WHITE
  TONY MASERATI

  MUSIC SUPERVISOR
  TERESA LABARBERA WHITES

  STYLING
  MARNI SENOFONTE

  GLAM
  HAIR: KIM KIMBLE
  MAKE UP: SIR JOHN BARNETT
  NAILS: LISA LOGAN

  PRODUCTION DESIGNERS
  HANNAH BEACHLER
  ETHAN TOBMAN
  TOM FODEN
  JASON HOUGAARD
  JC MOLINA

  CHOREOGRAPHERS
  CHRIS GRANT
  JAQUEL KNIGHT
  ANTHONY BURRELL
  DANA FOGLIA
  MICHAELA DEPRINCE
  ASHLEY EVERETT

  **START SCROLL**

  WITH APPEARANCES BY
  BEYONCÉ
  BRITTANI ALEXANDER
  JASMINE "JB" BADIE
  FULANI BAHATI
  CHLOE BAILEY
  HALLE BAILEY
  DENEÉ BAPTISTE
  AVA BERNSTINE
  KENDRA BRACY
  BIANCA BREWTON
  MONIQUE BROGAN
  LATASHA BRYANT
  SIFARE BURRELL
  INGRID BURLEY
  GWENDOLYN CARR
  BLUE IVY CARTER
  SHAWN "JAY Z" CARTER
  TANESHA "KSYN" CASON
  LEAH CHASE
  DENZEL CHISOLM
  AVA CLARK
  J'ATINA CLARK
  KENITIA COLEMAN
  ZENDAYA COLEMAN
  ZORA GRACE DAVIS
  MICHAELA DEPRINCE
  DESIREE DIXON
  HANNAH DOUGLASS
  GAILY EDGERSON
  ASHLEY EVERETT
  HAJIBA FAHMY
  AMANDY FERNANDEZ
  SYBRINA FULTON
  KIMMIE GEE
  WINNIE HARLOW
  JASMINE HARPER
  ALEX HARRIS
  LE'ANA "LEVI" HILL
  TAMIKA JETT
  WANDA JOHNSON
  MATHEW KNOWLES
  RICHARD LAWSON
  TINA KNOWLES LAWSON
  SABINA LUNDGREN
  LEZLEY MCSPADDEN
  MARIAH MENDEZ
  RON MYLES
  SAIDAH NAIROBI
  KHADIJA NICHOLAS
  CHRISTIAN OWENS
  AHSIA PETTIGREW
  JIAN PIERRE-LOUIS
  KAYLA PITTMAN
  FERLY PRADO
  DEJA RILEY
  TAJA RILEY
  LISA ROSENTHAL
  REBECCA "REBBIE" ROSIE
  ABRIELLE SANDERS
  DIAMOND SMITH
  DANIELLE STAMPER
  AMANDLA STENBERG
  CHINA TAYLOR
  JANA THOMPKINS
  QUVENZHANÉ WALLIS
  MARQUITA WASHINGTON
  CHRISTINA WEBBER
  HATTIE WHITE
  EBONY WILLIAMS
  FAITHE WILLIAMS
  SERENA WILLIAMS
  TAJANA WILLIAMS
  QUINETTA WILMINGTON
  KHADIJA WILSON
  QUEEN YAYA
  JACQUELINE YORK
  EBBONI YOUNG
  LISA KAINDE DIAZ ZAYAS
  NAOMI LUCIE DIAZ ZAYAS

  ADDITIONAL CAST
  LOUISA ABERNATHY
  MEL AGCAOLI
  JERMAINE ALPHONSE
  CONSUELLO ANDERSON
  JOVAN ARMAND
  EVELYN BRINSON
  HERMAN BROCKS III
  MARK BROGDEN
  ZOIE BROGDEN
  CHARLES BROWN
  GEORGE BROWN
  GLORIA BROWN
  HENRY BROWN
  MIEKO CLARK
  DARRELL CROOKS
  GARRETT DAVIS
  RODERICK DAVIS
  GABE DE GUZMAN
  LANA DANIELYAN
  GABRIEL DERRICKS
  LAWRENCE DUNBAR
  TATIANA EASLEY
  JOE EVANS
  SHANTELL FINLEY
  JAYDEN FLOWERS
  GM FORD
  GABBY
  MELVIN GALIEN
  MICHAEL GILBEAUX
  LATANYA GRINSTEAD
  LESLA GRINSTEAD
  HUNTER HA
  DARRELL HARDY
  SHARRELL HARDY
  PATRICIA HARRIS
  ALIJAH JETT
  CHRIS JOHNSON
  TYE HALE JOHNSON
  ELOISE JONES
  KNOCKAZ BRASS BAND
  ROCHELLE LEBLANC
  LEVYSTEIN LOCKETT
  MICHAEL LONDON
  ODELL MACK
  CHARLENA MATHEWS
  JOURNI MCGEE
  ORLANDO MILLENDER
  DORIS MOLIZONE
  HENRY NGUYEN
  MILES O'MALLEY
  CHASE OTUBUAH
  ANITA OUBRE
  ISABEL PATEAN-VILLA
  GERALD PLATENBURG
  LINDA T. PORTER
  REVERT POWELL
  RAHEAN
  NYLA RAHMAN
  ISA RAHMAN
  BARBARA J. RAINEY
  LEONARD RAYMOND
  MADDIE RAYMOND
  HERMOINE REED
  JOSHUA REESE
  BILL ROPER
  RICARDO ROUSE
  MONTRELL SAYLES
  JESSE SHARPS
  KEENON SHUFFORD
  ALEXANDRIA SILVA
  DESMOND SONIAT
  MICAAL STEVENS
  TYSAIAH STUTTS
  KIERAN TAMONDONG
  NICOLE TATE
  LOUIS TAYLOR
  JENNIFER TRAMUTA
  NHAN VO
  BASAI WADE
  PERCY WARD
  ASHTEN WARE
  MORGAN WESTBROOKS
  FAITH WILLIAMS
  HERMAN WILLIAMS IV
  JEDIDIAH WINSLOW
  COREY WOODS
  JOHN YOUNG

  PRODUCTION

  PULSE FILMS
  EXECUTIVE PRODUCER: KIRA CARSTENSEN
  EXECUTIVE PRODUCER: THOMAS BENSKI
  PRODUCER: ONYE ANYANWU
  EXECUTIVE PRODUCER: LAURA TUNSTALL
  EXECUTIVE PRODUCER: MAURY STRONG
  PRINCIPAL MANAGER: CARRIE BORNSTEIN
  PRINCIPAL COORDINATOR: NOAH TRIVIER
  LINE PRODUCER: DANYI DEATS
  PRODUCER'S ASSISTANT: REILY VALENTINE
  PRODUCTION SUPERVISOR: TRACY KELLER
  ASSISTANT PRODUCTION SUPERVISOR: ANNY POIRIER
  L.A. POC: ANNA ALEXANDER
  PRODUCTION SECRETARY: CLAIRE OHLSEN

  ANONYMOUS CONTENT
  MANAGING DIRECTOR: ERIC STERN
  EXECUTIVE PRODUCER: SUEELLEN CLAIR
  HEAD OF PRODUCTION: KERRY HAYNIE
  PRODUCER: THOMAS MARTIN
  ASSOCIATE PRODUCER: KRISTA WORBY
  PRODUCTION SUPERVISOR: MAHLIN DIAMOND
  PRODUCTION COORDINATOR: JARED PLOTIN

  GOOD COMPANY
  EXECUTIVE PRODUCER: JONATHAN LIA
  EXECUTIVE PRODUCER: BRIAN WELSH
  EXECUTIVE PRODUCER: RYAN HEIFERMAN
  PRODUCTION SUPERVISOR: RACHEL STRAUS
  PRODUCTION SUPERVISOR: PEPPER CARLSON
  ASSISTANT PRODUCTION SUPERVISOR: CORI RUBIO
  OFFICE ASSISTANT: MICHAEL HERNANDEZ

  PRETTY BIRD
  EXECUTIVE PRODUCER: NATHAN SHERRER
  PRODUCTION MANAGER: BEN PIETY
  PRODUCTION COORDINATOR: JEFF KOPCHIA
  ASSISTANT PRODUCTION COORDINATOR: LAUREN CIELL
  PRODUCTION COORDINATOR: IAN MENZIES

  SERIAL PICTURES
  EXECUTIVE PRODUCER: VIOLAINE ETIENNE
  PRODUCER: MICHAEL GARZA
  PRODUCTION SUPERVISOR: MATT AYRISS
  COMMUNICATIONS COORDINATOR: AMANDA ANDREWS
  TALENT COORDINATOR: STEPHANIE MACHADO

  2ND UNIT DIRECTORS
  KHALIK ALLAH
  MALIK SAYEED
  LILY KEBER
  NICOLE OTERO

  1ST ADS
  JONAS MORALES
  ROB JACKSON
  PIERRE CAILLIAREC
  SEAN HORNER
  CRAIG PINCKES
  ANDY COFFING
  JP WETZEL
  JEY WADA

  2ND ADS
  MARK CHRISTOPHER
  SHANNON TROLL
  ERIC TOPPER
  DEAN PERATSAKIS
  PATRICK CUNNINGHAM
  JIMMY BRAYL
  PAUL SCHNEIDER
  LILY GARCIA

  2ND 2ND ADS
  ANGEL DE LAVIÑA
  AMAN SEGAL
  GERALD HICKMAN
  PAUL SCHNEIDER
  GEORGE HARKNESS

  DIRECTOR'S ASSISTANTS
  DIRECTOR'S ASSISTANT: JEANA SULLIVAN
  DIRECTOR'S ASSISTANT: DENIESE DAVIS
  DIRECTOR'S ASSISTANT: WILL KANER

  SCRIPT SUPERVISORS
  SCRIPT SUPERVISOR: MARY FRANCIS ELGIN
  SCRIPT SUPERVISOR: SARAH DART
  SCRIPT SUPERVISOR: TARA RIDDELL

  ART DEPARTMENT

  ART DIRECTORS
  CHRIS BRITT
  REBECA PEREZ
  MIKE MANSON
  NATHAN W. BAILEY
  PAUL RICE

  ART COORDINATOR: JESSICA LEE
  ART COORDINATOR: RAYELLE HACHÉ
  ART COORDINATOR: ANGIE MCCRILLIS
  ART COORDINATOR: MIRANDA CRISTOFANI
  ART COORDINATOR: LISA MEDINA
  ASSISTANT ART DIRECTOR: LAURA DEROSA
  ASSISTANT ART DIRECTOR: NICHOAS RUIZ KELLEY
  LEADMAN: VINNY LEBLANC
  LEADMAN: CLOVIS CHAMBARET
  LEADMAN: SCOTT MACDONALD
  LEADMAN: ANDRE PRICE
  LEADMAN: JEFF MYRON
  LEADMAN: MIKE STARBIRD
  SET DECORATOR: KIM MURPHY
  SET DECORATOR: JENNA CRAIG
  SET DECORATOR: PELÉ KUDREN
  SET DECORATOR BUYER: JESSICA TAYLOR
  DECORATOR: ALEX WINTERSTELLER
  DECORATOR: REBECCA PEREZ
  SET DRESSER: JOHN TALBOT
  SET DRESSER: TORY DUCOTE
  SET DRESSER: MARTIN ORCHARD
  SET DRESSER: GEOFFREY TURNEY
  SET DRESSER: LARRY KETCHUM
  SET DRESSER: TOZAR SIMICH
  SET DRESSER: BOBBY LITE GIBSON
  SET DRESSER: HENRIK PELLICER
  SET DRESSER: RONI LEVI
  SET DRESSER: MATT KELLY
  SET DRESSER: GEORGE MARSALAS
  SET DRESSER: ANDRE PRICE
  SET DRESSER: ROGER LAPLANT
  SET DRESSER: RONNIE PRICE
  SET DRESSER: TRISTAN DEDE
  SET DRESSER: PAOLO MARIANO
  SET DRESSER: DINO ROBINSON
  SET DRESSER: ANDY VAN SCHOIACK
  SET DRESSER: OSCAR ABEL
  DRESSER/DRIVER: KC UZOH
  SET DRESSER/DRIVER: JOHN LYNN
  DRESSER: JOSE CASTILLO
  DRESSER: KEEF LEASURE
  ON SET DRESSER: JOHN LAMKIN
  SCENIC: JAMES HAWORTH
  PROP MASTER: MIKE SCHERSCHEL
  PROP MASTER: VINCE PEARSON
  PROP MASTER: THOMAS BRY
  PROP MASTER: MARI YUI
  PROPS ASSISTANT: STUART OKATA
  PROPS ASSISTANT: JASON HOLMAN
  ARMORER: CLAYTON BEISNER
  SHOPPER: ERIN THIELE
  ACCURATE STAGING: JOHNNY
  ARCHITECTURAL ENGINEER: MATT TIMMERS
  SPFX COORDINATOR: SUSAN MILLIKEN
  SPFX COORDINATOR: BOB GARRIGUS
  SPFX FOREMAN: JIM GILL
  SPFX FOREMAN: NEIL SMITH
  SPFX ASSISTANT: ADAM FORSTER
  SPFX ASSISTANT: BRIAN WEILAND
  SPFX: RANDY KROHMER
  SPFX: RENE DIAMANTE
  SPFX: SUSAN MILLIKEN
  PYROTECHNICIAN: STEVEN NEWQUIST
  PYROTECHNICIAN: ROCKY GEHR
  SPFX TECHNICIAN: RICHARD JACOBS
  SPFX TECHNICIAN: SCOTT ADLER
  SPFX TECHNICIAN: RICHARD HOGUE
  SPFX TECHNICIAN: TAYLOR ESTEVES
  SPFX TECHNICIAN: TOM RINEHART
  WATER TRUCK: JOSEPH LAVOIE
  WATER TRUCK: BRAIN EASTVELD
  WATER TRUCK: STEVE MARTINEZ
  SHOWER TRUCK: MIKE MARR
  HORSE WRANGLER: SCARLET WALKER
  HORSE WRANGLER: STEPHEN BENDER
  ENTOMOLOGY CONSULTANT: STEVEN KUTCHER
  BACKGROUND WRANGLER: JAZMYN BOODRAN
  PA: JASON NORTH
  PA: ANNIE HOLSTEIN
  PA: JEANINE RINGER
  PA: BRIGITTE HUFF
  PA: ASHLEY KINSER
  ADDITIONAL: EVERETTE EGLIN
  ADDITIONAL: JASON WILSON

  ADDITIONAL STYLING

  STYLISTS
  NEWHEART OHANIAN
  TIM WHITE
  ZERINA AKERS
  SHIONA TURINI
  B ÅKERLUND
  KAREN LANGLEY
  ARMINA MUSSA
  KELLY WILLIAMS OF JAK
  JESSICA LORIA OF JAK
  WARDROBE SUPERVISOR: JILLIAN KREINER
  WARDROBE SUPERVISOR: JESSICA LAW
  BACKGROUND STYLIST: NATASHA NEWMAN-THOMAS
  STYLIST ASSISTANT: LAUREN BOTT
  STYLIST ASSISTANT:JOAN REIDY
  STYLIST ASSISTANT: EYOB YOHANNES
  STYLIST ASSISTANT: JOHN ANGELO DE PERALTA
  STYLIST ASSISTANT: COURTNEY MADISON
  STYLIST ASSISTANT: ERIC ARCHIBALD
  STYLIST ASSISTANT: JASMIN ROSS
  STYLIST ASSISTANT: TONYA LOMBARDO
  STYLIST ASSISTANT: GENEVIEVE TATE
  STYLIST ASSISTANT: DEREK BULGER
  STYLIST ASSISTANT: KENNY P PAUL
  STYLIST ASSISTANT: BOBBY WESLEY WILLIAMS
  STYLIST ASSISTANT: JANELLE LOPEZ
  STYLIST ASSISTANT: DANIELE LOCKE
  STYLIST ASSISTANT: JAMES CARROLL
  STYLIST ASSISTANT: ANTHONY GULLA
  STYLIST ASSISTANT: ZOE ZHOU
  STYLIST ASSISTANT: RACHEL GRUBBS
  STYLIST ASSISTANT: ADE SAMUEL
  SEAMSTRESS: SALLY SMITH
  WARDROBE PA: CAITLIN WELLS
  KEY COSTUMER: CAMILLE A GARMENDIA
  2ND COSTUMER: KATINA DANABASSIS
  2ND COSTUMER: TIM CHERNYAEV

  ADDITIONAL HAIR
  KENDRA GARVEY
  KIMBERLY 'KIMMI' MCALLISTER
  GODFREY STEWARD
  NEAL FARINAH
  PAULA ASHBY
  ERVETTE MAHAN
  SEAN SMITH
  ERVETTE MAHAN
  SHAWNTE ELLIS
  HAIR ASSISTANTS: ASHLEY KING
  HAIR ASSISTANTS: SHANTELL MALLARD
  HAIR ASSISTANTS: BRANDI JACKSON
  HAIR ASSISTANTS: TATER PAZON
  HAIR ASSISTANTS: MELVION SMITH
  HAIR ASSISTANTS: CEDRIC GARNER
  HAIR ASSISTANTS: SHENDRA COLEMAN
  HAIR ASSISTANTS: HELENA JONES
  HAIR ASSISTANTS: KRISTA JEE
  HAIR ASSISTANTS: MATILDE CAMPOS
  HAIR ASSISTANTS: CHRIS GEES
  HAIR ASSISTANTS: QUAN PIERCE
  HAIR ASSISTANTS: SEAN SMITH
  HAIR ASSISTANTS: EVETTE MAHANN
  HAIR ASSISTANTS: SHAWN ELLIS

  ADDITIONAL MAKE UP
  FRANCESCA TOLOT
  DANA DELANEY
  RACHEL HOKE
  LEAH CARMICHAEL
  SALLY WANG
  OLIVE MEYER
  MEL DANIEL
  MAKE UP ASSISTANTS: ELLY QUIROS
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  MARVIN MEJADA
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  PETER PETROSYAN
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  MARK "WOODY" YOUNG

  POST PRODUCTION - FINISHING

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BEYONCÉ (2013)

• Buy Now

• HARVEY KEITEL: MS. THIRD WARD, YOUR FIRST QUESTION - WHAT IS YOUR ASPIRATION IN LIFE?
  BEYONCÉ: OH…MY ASPIRATION IN LIFE…WOULD BE…TO BE HAPPY.

  MAMA SAID
  YOU'RE A PRETTY GIRL
  WHAT'S IN YOUR HEAD
  IT DOESN'T MATTER
  BRUSH YOUR HAIR
  FIX YOUR TEETH
  WHAT YOU WEAR
  IS ALL THAT MATTERS
  JUST ANOTHER STAGE
  PAGEANT THE PAIN AWAY
  THIS TIME I'M GONNA TAKE THE CROWN
  WITHOUT FALLING DOWN DOWN DOWN

  PRETTY HURTS
  WE SHINE THE LIGHT ON WHATEVER'S WORST
  PERFECTION IS A DISEASE OF A NATION
  PRETTY HURTS, PRETTY HURTS
  PRETTY HURTS
  WE SHINE THE LIGHT ON WHATEVER'S WORST
  WE TRY TO FIX SOMETHING
  BUT YA CAN'T FIX WHATCHA CAN'T SEE
  IT'S THE SOUL THAT NEEDS SURGERY

  BLONDER HAIR
  FLAT CHEST
  TV SAYS
  BIGGER IS BETTER
  SOUTH BEACH
  SUGAR FREE
  VOGUE SAYS
  THINNER IS BETTER

  JUST ANOTHER STAGE
  PAGEANT THE PAIN AWAY
  THIS TIME I'M GONNA TAKE THE CROWN
  WITHOUT FALLING DOWN DOWN DOWN

  PRETTY HURTS
  WE SHINE THE LIGHT ON WHATEVER'S WORST
  PERFECTION IS A DISEASE OF A NATION
  PRETTY HURTS, PRETTY HURTS
  PRETTY HURTS
  WE SHINE THE LIGHT ON WHATEVER'S WORST
  WE TRY TO FIX SOMETHING
  BUT YA CAN'T FIX WHATCHA CAN'T SEE
  IT'S THE SOUL THAT NEEDS A SURGERY

  BRIDGE
  AIN'T GOT NO DOCTOR OR PILL THAT CAN TAKE THE PAIN AWAY
  THE PAINS INSIDE AND NOBODY FREES YOU FROM YOUR BODY
  IT'S MY SOUL IT'S MY SOUL THAT NEEDS SURGERY
  IT'S MY SOUL THAT NEEDS SURGERY
  PLASTIC SMILES AND DENIAL CAN ONLY TAKE YOU SO FAR
  THEN YOU BREAK WHEN THE FAKE FACADE LEAVES YOU IN THE DARK
  LEFT WITH SHATTERED MIRRORS AND THE SHARDS
  OF A BEAUTIFUL PAST
  PRETTY HURTS
  WE SHINE THE LIGHT ON WHATEVER'S WORST
  PERFECTION IS A DISEASE OF A NATION
  PRETTY HURTS, PRETTY HURTS
  PRETTY HURTS
  WE SHINE THE LIGHT ON WHATEVER'S WORST
  WE TRY TO FIX SOMETHING
  BUT YA CAN'T FIX WHATCHA CAN'T SEE
  IT'S THE SOUL THAT NEEDS SURGERY

  PRETTY HURTS, PRETTY HURTS…….

  WHEN YOU ARE ALONE ALL BY YOURSELF
  WHEN YOU'RE LYING IN YOUR BED
  REFLECTION STARES RIGHT INTO YOU
  ARE YOU HAPPY WITH YOURSELF?
  STRIPPED AWAY THE MASQUERADE
  THE ILLUSION HAS BEEN SHED
  ARE YOU HAPPY WITH YOURSELF?
  YES
  

  WRITTEN BY JOSHUA COLEMAN, SIA FURLER, BEYONCÉ KNOWLES / PUBLISHED BY EACH NOTE COUNTS/PRESCRIPTION SONGS (ASCAP) ADMINISTERED BY KOBALT SONGS MUSIC PUBLISHING, INC. (ASCAP), EMI MUSIC PUBLISHING, LTD. (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY AMMO FOR PRESCRIPTION SONGS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / INTRO ADDITIONAL SYNTH AND SFX BY DEREK DIXIE / MASTERED BY JAMES KRAUSSE

• AND I'VE BEEN DRIFTING OFF OF KNOWLEDGE
  CAT-CALLS ON CAT-WALKS, MAN THESE WOMEN GETTING SOLEMN
  I COULD SING A PSALM FOR A SOLOMON OR SALAMANDER
  WE TOOK A FLIGHT AT MIDNIGHT AND NOW MY MIND CAN'T HELP BUT WANDER
  HOW COME?
  SPOON-FED PLURALIZED EYES TO FIND THE BEACHES IN THE FOREST
  WHEN I'M LOOKING OFF THE EDGE, I PREACH MY GUT IT CAN'T HELP IGNORE IT
  I'M CLIMBING UP THE WALLS CUZ ALL THE SH-- I HEAR IS BORING
  ALL THE SH-- I DO IS BORING
  ALL THESE RECORD LABELS BORING
  I DON'T TRUST THESE RECORD LABELS, I'M TOURING
  ALL THESE PEOPLE ON THE PLANET WORKING 9 TO 5 JUST TO STAY ALIVE
  THE 9 TO 5 JUST TO STAY ALIVE….
  ALL THE PEOPLE ON THE PLANET WORKING 9 TO 5 JUST TO STAY ALIVE
  HOW COME?

  WHAT GOES UP
  GHOST AROUND
  GHOST AROUND

  WHAT GOES UP
  GHOST AROUND
  GHOST AROUND…

  SOUL NOT FOR SALE
  PROB'LY WON'T MAKE NO MONEY OFF THIS, OH WELL
  REAP WHAT YOU SOW
  PERFECTION IS SO…UMH

  IT'S WHAT YOU DO
  IT'S WHAT YOU SEE
  I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
  IT'S WHERE WE GO
  IT'S WHERE WE'LL BE
  I KNOW IF I'M ON TO YOU, I'M ON TO YOU
  ON TO YOU, YOU MUST BE ON TO ME

  MY HAUNTED LUNGS
  GHOST IN THE SHEETS
  I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
  MY WICKED TONGUE, WHERE WILL IT BE?
  I KNOW IF I'M ON TO YOU, I'M ON TO YOU
  ON TO YOU, I'M ON TO YOU
  ON TO YOU, YOU MUST BE ON TO ME

  YOU WANT ME?
  I WALK DOWN THE HALLWAY
  YOU LUCKY?
  THE BEDROOM'S THE WRONG WAY
  SLAP ME, I'M PINNED TO THE DOORWAY
  KISS, BITE, FOREPLAY

  MY HAUNTED LUNGS
  GHOST IN THE SHEETS
  I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
  MY WICKED TONGUE, WHERE WILL IT BE?
  I KNOW IF I'M ON TO YOU, YOU MUST BE ON TO ME

  IT'S WHAT WE SEE
  I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
  IT'S WHERE WE GO
  IT'S WHERE WE'LL BE
  I KNOW IF I'M ON TO YOU, I'M ON TO YOU
  ON TO YOU, I'M ON TO YOU
  ON TO YOU, YOU MUST BE ON TO ME
  YOU MUST BE ON TO ME
  YOU MUST BE ON TO ME
  YOU MUST BE ON TO ME, ME, ME, ME, ME, ME
  

  WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL DRUM PROGRAMMING BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87 / BACKGROUND VOCALS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY KWANE WYATT / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC / ASSISTANT ENGINEERS JAMES KRAUSSE AND JUSTIN HERGETT

• I'VE BEEN DRINKIN'
  I'VE BEEN DRINKIN'
  I GET FILTHY WHEN THAT LIQUOR GET INTO ME
  I'VE BEEN THINKIN'
  I'VE BEEN THINKIN'
  WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH
  WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH

  CIGARS ON ICE, CIGARS ON ICE
  FEELIN' LIKE AN ANIMAL WITH THESE CAMERAS ALL IN MY GRILL
  FLASHING LIGHTS, FLASHING LIGHTS
  YOU GOT ME FADED, FADED, FADED
  BABY I WANT YOU, NA-NAH
  CAN'T KEEP YOUR EYES OFF OF MY FATTY
  DADDY I WANT YOU, NA-NAH
  DRUNK IN LOVE
  I WANT YOU

  WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
  DRUNK IN LOVE
  WE BE ALL NIGHT
  LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
  DRUNK IN LOVE
  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE

  WE BE ALL NIGHT
  AND EVERYTHIN' ALL RIGHT
  NO COMPLAINTS FROM MY BODY SO FLORESCENT UNDER THESE LIGHTS
  BOY I'M DRINKIN'
  PARK IT IN MY LOT 7-11
  I'M RUBBING ON IT, RU-RUBBIN' IT
  IF YOU SCARED CALL THAT REVREN
  BOY I'M DRINKIN'

  GET MY BRAIN RIGHT
  ARMAND DE BRIGNAC GANGSTER WIFE
  LOUIE SHEETS HE SWEAT IT OUT, LIKE WASH RAGS HE WEAR IT OUT
  BOY I'M DRINKIN', I'M SINGIN'
  ON THE MIC TO MY BOY TOYS
  THEN I FILL THE TUB UP HALF WAY THEN RIDE IT WITH MY SURFBOARD, SURFBOARD, SURFBOARD
  GRAININ' ON THAT WOOD, GRAININ', GRAININ' ON THAT WOOD
  I'M SWERVIN' ON THAT, SWERVIN', SWERVIN' ON THAT
  BIG BODY BEEN SERVIN' ALL THIS, SWERVE, SURFIN' IN ALL THIS GOOD, GOOD

  WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
  DRUNK IN LOVE
  WE BE ALL NIGHT
  LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
  DRUNK IN LOVE
  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE

  RAP:
  THAT D'USSE IS THE SH--
  IF I DO SAY SO MYSELF
  IF I DO SAY SO MYSELF
  IF I DO SAY SO MYSELF

  STUMBLED ALL IN THE HOUSE TIME TO BACK UP ALL OF THAT MOUTH
  THAT YOU HAD IN THE CAR
  TALKING BOUT YOU THE BADDEST ----- THUS FAR
  TALKING BOUT YOU BE REPPIN' THAT 3RD(WARD)
  I WANNA SEE ALL THE SH-- THAT I HEARD
  YOU KNOW I SLING CLINT EASTWOOD
  I HOPE THAT YOU CAN HANDLE THIS CURVE

  FOREPLAY IN THE FOYER
  ------ UP MY WARHLOL
  SLIP THE PANTIES RIGHT TO THE SIDE AINT GOT THE TIME TO TAKE DRAWS OFF

  ON SITE
  CATCH A CHARGE I MIGHT
  BEAT THE BOX UP LIKE MIKE IN '97 I'LL BITE
  I'M IKE, TURNER, TURN UP
  BABY NO I DON'T PLAY
  NOW EAT THE CAKE ANNA MAE I SAID EAT THE CAKE ANNA MAE
  IM NICE
  FOR YA'LL TO REACH THESE HEIGHTS

  YOU GONNA NEED G3
  4, 5, 6 FLIGHTS SLEEP TIGHT
  WE SEX AGAIN IN THA MORNIN' YO BREASTASES IS MY BREAKFAST
  WE GOIN IN WE BE ALL NIGHT

  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE

  I'M NEVER TIRED, WE NEVER TIRED
  I'VE BEEN SIPPIN', IT'S THE ONLY THING THAT'S BEEN KEEPING ME ON FIRE, WE ON FIRE
  DIDN'T MEAN TO SPILL THAT LIQUOR ALL ON MY ATTIRE
  I'VE BEEN DRINKIN', WATERMELON
  I WANT YOUR BODY RIGHT HERE
  DADDY I WANT YOU RIGHT NOW
  CAN'T KEEP YOUR EYES OFF MY FATTY
  DADDY I WANT YOU

  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE
  

  WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, SHAWN CARTER, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, T.MOSLEY, J.HARMON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) AND CARTER BOYS MUSIC (ASCAP) ALL RIGHTS OBO ITSELF AND CARTER BOYS MUSIC ADMINISTERED, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC., JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, AND BOOTS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY BOOTS / ADDITIONAL SYNTH SOUNDS BY DEREK DIXIE / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• I LOVE YOUR FACE
  YOU LOVE THE TASTE
  THAT SUGAR BABE
  IT MELTS AWAY

  I KISS YOU AND YOU LICK YOUR LIPS (I KISS YOU AND YOU LICK YOUR LIPS
  YOU LIKE IT WET AND SO DO I (YOU LIKE IT WET AND SO DO I)
  NO YOU NEVER WASTE A DRIP (NO YOU NEVER WASTE A DRIP )
  I WONDER HOW IT FEELS SOMETIMES
  MUST BE GOOD TO YOU

  (KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
  (KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
  (NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
  (NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-O

  CAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
  PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
  I'MA LEAN BACK, DON'T WORRY IT'S NOTHING MAJOR
  MAKE SURE YOU CLEAN THAT, IT'S THE ONLY WAY TO GET THE FLAVOR, OOO-BOY

  WHEN YOU'RE THIRSTY AND NEED LOVE
  I GIVE IT UP TILL I'M EMPTY BABY
  MUST BE GOOD TO YOU
  IF YOU'RE LONELY IN YOUR BED
  I'LL FILL IT UP TO THE TOP, BABY
  MUST BE GOOD TO YOU

  (KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
  (KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
  (NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
  (NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-O

  CAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
  PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
  I'MA LEAN BACK, DON'T WORRY IT'S NOTHING MAJOR
  MAKE SURE YOU CLEAN THAT, IT'S THE ONLY WAY TO GET THE FLAVOR, OOO-BOY

  I'M ABOUT TO GET INTO THIS GIRLS,
  THIS IS FOR ALL MY GROWN WOMEN OUT THERE

  I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)

  OOH I HAD A NAUGHTY THOUGHT TODAY BABY
  EVERY TIME I CLOSE MY EYES.
  OOH GET A GLIMPSE OF THIS CANDY PAINT
  DON'T SLIP OFF WHEN IT DRIP OFF ON TOP OF YOUR RIDE
  I KNOW YOU SEE IT HERE LIFT IT UP TOSS IT BABE
  I KNOW EVERYTHING YOU WANT, I'MA SHOW YOU HOW I STROKE (STROKE IT)
  BRING YOUR WORK HOME ON TOP OF ME, I'MA LET YOU BE THE BOSS OF ME
  I KNOW EVERYTHING YOU WANT, GIVE ME THAT DADDY LONG STROKE

  I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
  I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)

  (KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
  (KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
  (NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
  (NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-O

  CAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
  PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
  

  WRITTEN BY PHARRELL WILLIAMS, BEYONCÉ KNOWLES, JAMES FAUNTLEROY, T.MOSLEY, J.HARMON, JUSTIN TIMBERLAKE, TERIUS NASH / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI), 2082 MUSIC PUBLISHING (ASCAP) / WB MUSIC CORP., ADMINISTERED BY WB MUSIC CORP., TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP) / PRODUCED BY PHARRELL WILLIAMS AND BEYONCÉ KNOWLES / CO-PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., BART SCHOUDEL, AND ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY PHARRELL WILLIAMS AND TIMBALAND / HORNS BY KATTY RODRIGUEZ, ADISON EVANS AND CRYSTAL TORRES AND ARRANGED BY DEREK DIXIE / MIXED BY STUART WHITE AT THE MIX ROOM, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT, ASSISTED BY JAMES KRAUSSE, PAUL PAVAO AND EDWARD VALLDEJULI / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
  

• BABY PUT YOUR ARMS AROUND ME
  TELL ME I'M THE PROBLEM
  NO I'M NOT THE GIRL YOU THOUGHT YOU
  KNEW AND THOUGHT YOU WANTED
  UNDERNEATH THAT PRETTY FACE IS SOMETHING COMPLICATED
  I COME WITH A SIDE A TROUBLE
  BUT I KNOW THAT'S WHY YOU'RE STAYIN'

  BECAUSE YOU'RE NO ANGEL EITHER BABY
  CAUSE YOU'RE NO ANGEL EITHER BABY
  YOU'RE NOT AN ANGEL EITHER
  BUT AT LEAST I'M TRYING
  I KNOW I DRIVE YOU CRAZY
  BUT WOULD YOU RATHER THAT I BE A MACHINE
  WHO DOESN'T NOTICE WHEN YOU'RE LATE OR WHEN YOU'RE LYIN'
  I LOVE YOU EVEN MORE THAN WHO I THOUGHT YOU WERE BEFORE
  CAUSE YOU'RE NO ANGEL EITHER BABY
  CAUSE YOU'RE NO ANGEL EITHER BABY
  CAUSE YOU'RE NO ANGEL EITHER BABY
  CAUSE YOU'RE NO ANGEL EITHER BABY, OHHH

  OHHH, OHH, OHH, (REPEAT)

  TELL ME DO YOU WANNA RIDE… RIDE, RIDE, RIDE
  TELL ME DO YOU WANNA RIDE…

  RIDE AROUND
  RIDE AROUND
  RIDE AROUND
  WE RIDE AROUND IN THAT H-TOWN

  THOSE CANDLES IN YOUR BED, NO NEED FOR THE SPELL
  STOP ACTIN' SO SCARED, JUST DO WHAT I TELL
  FIRST BOTH MY LEGS GO BACK ON YOUR HEAD
  AND WHATEVER YOU WANT, YEAH BABY I BET IT COMES TRUE

  BABY PUT YOUR ARMS AROUND ME
  TELL ME I'M THE PROBLEM
  NO I'M NOT THE GIRL YOU THOUGHT YOU
  KNEW AND THOUGHT YOU WANTED
  UNDERNEATH THAT PRETTY FACE IS SOMETHING COMPLICATED
  I COME WITH A SIDE A TROUBLE
  BUT I KNOW THAT'S WHY YOU'RE STAYIN'
  BECAUSE YOU'RE NO ANGEL EITHER BABY
  CAUSE YOU'RE NO ANGEL EITHER BABY
  YOU'RE NO ANGEL EITHER BABY
  

  WRITTEN BY CAROLINE POLACHEK, BEYONCÉ KNOWLES, CO-PRODUCED BY PATRICK WIMBERLY, JAMES FAUNTLEROY / PUBLISHED BY AVANT-GARCON (SESAC), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP) / PRODUCED BY CAROLINE POLACHEK AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / RECORDED BY CAROLINE POLACHEK AT RUSSELL'S OF CLAPTON, LONDON AND FETALMAUS STUDIO, NYC AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / SYNTHS AND DRUM PROGRAMMING BY CAROLINE POLACHEK / MIXED BY ANDREW SCHEPS AT PUNKER PAD WEST, VAN NUYS, CA / ADDITIONAL MIXING BY STUART WHITE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• SEE ME UP IN THE CLUB WITH FIFTY OF THEM GIRLS
  POSTED IN THE BACK, GOT MY THINGS IN MY GRILL
  BROOKLYN BRIM, WITH MY EYES SITTIN LOW
  EVERY BOY IN HERE WITH ME GOT THAT SMOKE
  AND EVERY GIRL IN HERE GOTTA LOOK ME UP AND DOWN
  ALL ON INSTAGRAM CAKE BY THE POUND
  CIRCULATE THE IMAGE EVERY TIME I COME AROUND
  G'S UP, TELL ME HOW I'M LOOKING BABE

  BROUGHT THIS ALL FOR YOU, JUST WALK MY WAY
  JUST TELL ME HOW IT'S LOOKING BABE
  JUST TELL ME HOW IT'S LOOKING BABE
  I DO THIS ALL FOR YOU, BABY JUST TAKE AIM
  TELL ME HOW I LOOKING BABE
  TELL ME HOW I LOOKING BABE

  DROP THE BASS, MAN THE BASS, GET LOWER
  RADIO, SAY SPEED IT UP, I JUST GO SLOWER
  HIGH LIKE TREBLE, PUFFIN ON THE MIDS
  THE MAN AIN'T EVER SEEN A BOOTY LIKE THIS
  WHY DO YOU THINK YOU KEEP UP MY NAME ROLLIN OFF THE TONGUE
  CAUSE WHEN YOU WANNA SMASH, I JUST WRITE ANOTHER ONE
  I SNEEZED ON THE BEAT AND THE BEAT GOT SICKER
  YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
  YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
  YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
  YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
  LIKE LIKE LIQUOR LIKE LIKE LIKE LIQUOR
  YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
  YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
  YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
  LIKE LIKE LIQUOR, LIKE LIKE LIKE LIQUOR

  DRIVER ROLL UP THE PARTITION PLEASE
  DRIVER ROLL UP THE PARTITION PLEASE
  I DON'T NEED YOU SEEING YONCE ON HER KNEES
  TOOK 45 MINUTES TO GET ALL DRESSED UP
  WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB
  NOW MY MASCARA RUNNIN RED LIPSTICK SMUDGED
  AH HE SO HORNY YEAH HE WANT TO FU
  HE POPPED ALL MY BUTTONS AND HE RIPPED MY BLOUSE
  HE MONICA LUWINSKI'D ALL ON MY GOWN
  WHOA DERE DADDY DADDY DIDN'T BRING A TOWEL
  WHOA BABY BABY BETTER SLOW IT DOWN
  TOOK 45 MINUTES TO GET ALL DRESSED UP
  AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB

  TAKE ALL OF ME
  I JUST WANNA BE THE GIRL YOU LIKE
  THE KINDA GIRL YOU LIKE
  TAKE ALL OF ME
  I JUST WANNA BE THE GIRL YOU LIKE
  THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH ME

  DRIVER ROLL UP THE PARTITION FAST
  DRIVER ROLL UP THE PARTITION FAST
  OVER DERE I SWEAR I SAW THEM CAMERAS FLASH
  HAND PRINTS AND FOOT PRINTS ON MY GLASS
  HAND PRINTS AND GOOD GRIPS ALL ON MY ASS
  PRIVATE SHOW WITH THE MUSIC BLASTIN
  HE LIKE TO CALL ME PEACHES WHEN WE GET THIS NASTY
  RED WINE DRIP FILTH TALK THAT TRASH
  CHAUFFEUR EASE DROPPIN TRYING NOT TO CRASH
  WHOA DERE DADDY DADDY NOW YOU RIPPED MY FUR
  WHOA BABY BABY BE SWEATIN ON MY HAIR
  TOOK 45 MINUTES TO GET ALL DRESSED UP
  AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB

  TAKE ALL OF ME
  I JUST WANNA BE THE GIRL YOU LIKE
  THE KINDA GIRL YOU LIKE
  TAKE ALL OF ME
  I JUST WANNA BE THE GIRL YOU LIKE
  THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH ME

  TAKE ALL OF ME
  I JUST WANNA BE THE GIRL YOU LIKE
  THE KINDA GIRL YOU LIKE
  TAKE ALL OF ME
  I JUST WANNA BE THE GIRL YOU LIKE
  THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH ME
  

  WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, JUSTIN TIMBERLAKE, T.MOSLEY, J.HARMON, DWANE WEIR P/K/A KEY WAYNE, MIKE DEAN / PUBLISHING BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI), PAPA GEORGE MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, JUSTIN TIMBERLAKE, BEYONCÉ KNOWLES, AND KEY WANE / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS AND BOOTS / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ANN MINCIELI AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE AND TERIUS "THE-DREAM" NASH / ADDITIONAL SYNTH SOUNDS BY NILES HOLLOWELL-DHAR (THE CATARACS) AND DEREK DIXIE / SPOKEN WORDS RECORDING BY HAJIBA FAHMY / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERING BY JAMES KRAUSSE / ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT, CHRIS TABRON, AND MATT WIGGERS / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• I'M IN MY PENTHOUSE HALF NAKED
  I COOKED THIS MEAL FOR YOU NAKED
  SO WHERE THE HELL YOU AT
  THERE'S JUST ONE SHOT LEFT OF THIS DRINK
  IN THIS GLASS DON'T MAKE ME BREAK IT
  WISH THAT YOU WERE ME
  SO YOU COULD FEEL THIS FEELING

  I NEVER BROKE ONE PROMISE
  AND I KNOW THAT I'M NOT HONEST
  NOW YOU GOT ME YELLING
  THATS BECAUSE I'M JEALOUS

  IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
  OOO I'M JEALOUS
  IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
  OOO I'M JEALOUS

  SOMETIMES I WANNA WALK IN YOUR SHOES
  DO THE TYPE OF THINGS THAT I NEVER EVER DO
  SO I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELF
  BABY GIRL YOU CAN'T SURVIVE LIKE THIS

  TAKE IT ONE STEP FURTHER
  FREAKUM DRESS OUT OF MY CLOSET
  YONCE FILLING OUT THIS SKIRT
  I LOOK DAMN GOOD I AINT LOST IT
  AND I AINT MISSED A BEAT
  BOY YOU BEEN HANGING OUT AT NIGHT
  I'M STAYIN OUT UNTIL TOMORROW
  DANCIN ON THEM TABLES
  AINT GOT NO CARES NO SARROWS

  I RAN INTO MY EX
  SAY WHAT'S UP TO HIS BESTEST
  NOW WE REMINISCING
  HOW WE USED TO FLEX IN TEXAS
  DON'T BE JEALOUS

  IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
  OOO I'M JEALOUS
  IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE

  SOMETIMES I WANNA WALK IN YOUR SHOES
  DO THE TYPE OF THINGS THAT I'LL NEVER EVER DO
  I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELF
  BABY GIRL YOU CAN'T SURVIVE LIKE THIS, NO

  AND I HATE YOU FOR YOUR LIES AND YOUR COVERS
  AND I HATE US FOR MAKING GOOD LOVE TO EACH OTHER
  AND I LOVE MAKING YOU JEALOUS BUT DON'T JUDGE ME
  AND I KNOW THAT I'M BEING HATEFUL
  BUT THAT AINT NOTHING
  THAT AINT' NOTHING
  I'M JUST JEALOUS
  I'M JUST HUMAN
  DON'T JUDGE ME

  IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
  OOO I'M JEALOUS
  IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MIN
  

  WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, BOOTS, LYRICA ANDERSON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), REACH MUSIC PUBLISHING INC. (ASCAP) / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS, HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, HAZEBANGA MUSIC FOR HITS SINCE 87, AND ANDRE PROCTOR / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTED BY CARLOS PEREZDEANDA / BACKGROUND VOCALS BY BOOTS / INSTRUMENTS PLAYED BY BOOTS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY STUART WHITE, JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• LET ME SIT THIS BACK ON YOU…
  SHOW YOU HOW I FEEL…
  LET ME TAKE THIS OFF…
  WILL YOU WATCH ME?..
  THAT'S MASS APPEAL…
  DON'T TAKE YOUR EYES… DON'T TAKE YOUR EYES OFF IT
  WATCH IT.. BABE..
  IF YOU LIKE, YOU CAN TOUCH IT BABE…
  DO YOU WANNA TOUCH IT BABY...
  OOO GRAB A HOLD, DON'T LET GO, LET ME KNOW…
  THAT YOU ARE READY…
  I JUST WANNA SHOW YOU NOW, SLOW IT DOWN, GO AROUND…
  YOU ROCK HARD, I ROCK STEADY

  AND ROCK RIGHT UP TO SIDE OF MY MOUNTAIN
  CLIMB UNTIL YOU REACH MY PEAK BABY, PEAK BABY, PEAK
  AND REACH RIGHT INTO THE BOTTOM OF MY FOUNTAIN
  I WANT TO PLAY IN YOUR DEEP BABY, DEEP BABY, DEEP
  THEN DIP ME UNDER WHERE YOU CAN
  FEEL MY RIVER FLOW AND FLOW
  HOLD ME TILL I SCREAM FOR AIR TO BREATHE
  WASH ME OVER UNTIL MY WELL RUNS DRY
  SEND ALL YOUR SINS ALL OVER ME BABY, ME BABY, ME

  ROCK IT TILL WATER FALLS…
  ROCK IT TILL WATER FALLS...
  ROCK IT TILL WATER FALLS...
  BATHE IN THESE WATERFALLS…

  I DO IT LIKE ITS MY PROFESSION..
  I GOTTA MAKE A CONFESSION…
  I'M PROUD OF ALL THIS BASS..
  BABY I'LL PUT IT IN YOUR FACE..
  BY THE WAY IF YOU NEED A PERSONAL TRAINER…
  OR A THERAPIST… I CAN BE YOUR PIECE OF SUNSHINE..
  INNER PEACE, ENTERTAINER…
  ANYTHING ELSE THAT YOU MAY READ BETWEEN THE LINES YOU AND I CREATE
  ROCK IT TILL WATER FALLS

  SO ROCK RIGHT UP TO SIDE OF MY MOUNTAIN
  CLIMB UNTIL YOU REACH MY PEAK BABY, PEAK BABY, PEAK
  AND REACH RIGHT INTO THE BOTTOM OF MY FOUNTAIN
  I WANT TO PLAY IN YOUR DEEP BABY, DEEP BABY, DEEP
  THEN DIP ME UNDER WHERE YOU CAN
  FEEL MY RIVER FLOW AND FLOW
  HOLD ME TILL I SCREAM FOR AIR TO BREATHE
  WASH ME OVER UNTIL MY WELL RUNS DRY
  SEND ALL YOUR SINS ALL OVER ME BABY, ME BABY, ME

  HARD, ROCK STEADY, ROCK HARD, ROCK STEADY, ROCK HARD, ROCK STEADY, ROCK HARD, ROCK STEADY

  DON'T YOU KNOW THAT I GIVE YOU GOOD LOVIN'
  IF YOU NEED IT
  I GIVE YOU MY WORD YOU CAN BELIEVE IT
  YOUR LOVE FEELS LIKE ALL FOUR SEASONS
  GROWING INSIDE ME
  LIFE HAS A REASON
  SWIMMING IN MY LOVE
  YOUR LOVE LIFTING
  HIGHER HARDER
  GOT ME SCREAMING TO THE LORD
  BOY KISS ME
  PRAY WE DON'T OVERFLOW
  BABY I KNOW YOU CAN FEEL IT PULSE?
  DEEP IN THE PEAK OF MY WATERFALLS
  ROCK IT BABY, ROCK IT BABY, ROCK IT TILL THE WATER FALLS

  DAMN
  

  WRITTEN BY MIGUEL JONTEL PIMENTEL, BEYONCÉ KNOWLES, JUSTIN TIMBERLAKE, T.MOSLEY, J.HARMON, JAMES FAUNTLEROY / PUBLISHED BY ART DEALER CHIC (ASCAP)/UNIVERSAL MUSIC CORP. (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP), FLAUNTLEROY MUSIC/ALMO MUSIC CORP. (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND BEYONCÉ KNOWLES / CO-PRODUCED BY JEROME HARMON FOR BRONZE AND BRAINZ PRODUCTIONS/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES/ RECORDED BY STUART WHITE AND CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT. AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE / GUITAR BY MIKE SCOTT / BASS BY DWAYNE WRIGHT / MIXED BY CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ASSISTANT MIX ENGINEERING BY CHRIS CANNON / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• I BEEN WATCHING FOR THE SIGNS
  TOOK A TRIP TO CLEAR MY MIND, OH
  NOW I'M EVEN MORE LOST
  YOU'RE STILL SO FINE
  ALL MINE..
  ALL MINE..
  BEEN HAVING CONVERSATIONS ABOUT BREAK-UPS AND SEPARATIONS
  I'M NOT FEELING LIKE MYSELF SINCE THE BABY
  ARE WE GONNA EVEN MAKE IT? OH

  CAUSE IF WE ARE
  WE'RE TAKING THIS A LITTLE TOO FAR...
  IF WE ARE ...
  WE'RE TAKING THIS A LITTLE TOO FAR...
  BABY IF WE ARE...
  WE'RE TAKING THIS A LITTLE TOO FAR...

  WITH ME BEING WHERE EVER I'M AT
  WORRYING ABOUT WHERE EVER YOU ARE
  WE'RE TAKING THIS A LITTLE TOO...
  FAR...
  WE'RE TAKING THIS A LITTLE TOO...
  FAR...
  WE'RE TAKING THIS A LITTLE TOO...
  FAR...

  KNOW YOU WANNA ROLL WITH A GOOD GIRL
  DO IT BIG DO IT ALL FOR A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  WANNA ROLL WANNA ROLL WITH A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
  WHAT'S UP

  ON MY MIND, I PASS MY BED TIME
  NO REST AT THE KINGDOM...
  ALONE IN MY PLACE, MY HEART IS AWAY
  ALL THAT I CAN THINK OF IS…
  WE SHOULD GET MARRIED, WE SHOULD GET MARRIED
  LET'S STOP HOLDING BACK ON THIS AND LETS GET CARRIED AWAY

  STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
  CAUSE I GOT BIG DEALS AND I GOT LITTLE THINGS
  I GOT EVERYTHING I'M ASKING FOR BUT YOU…
  STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
  LET'S GET CARRIED AWAY…
  COME RIGHT NOW YOU KNOW WHERE I STAY…

  I JUST WANNA SAY YOUR MINE, YOUR MINE
  I JUST WANNA SAY YOUR MINE, YOUR MINE
  ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
  ALL I'M REALLY ASKING FOR IS YOU…
  YOUR MINE, YOUR MINE
  I JUST WANNA SAY YOUR MINE, YOUR MINE
  ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
  LONG AS YOU KNOW WHO YOU BELONG TO…

  KNOW YOU WANNA ROLL WITH A GOOD GIRL
  DO IT BIG DO IT ALL FOR A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  WANNA ROLL WANNA ROLL WITH A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
  WHAT'S UP

  OH… FROM 8 UNTIL LATE I THINK BOUT YOU
  YOU'RE ON MY NIGHTS I DON'T KNOW WHAT TO DO
  I CAN'T GET NO REST, CAN'T GET NO SLEEP
  THIS WHOLE THING GOT WAY TO DEEP AND WE SHOULD

  STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
  CAUSE I GOT BIG DEALS AND I GOT LITTLE THINGS
  I GOT EVERYTHING IM ASKING FOR BUT YOU…
  STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
  LET'S GET CARRIED AWAY…
  COME RIGHT NOW YOU KNOW WHERE I STAY…

  I JUST WANNA SAY YOUR MINE, YOUR MINE
  I JUST WANNA SAY YOUR MINE, YOUR MINE
  ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
  ALL I'M REALLY ASKING FOR IS YOU…
  YOUR MINE, YOUR MINE
  I JUST WANNA SAY YOUR MINE, YOUR MINE
  ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
  LONG AS YOU KNOW WHO YOU BELONG TO…
  KNOW YOU WANNA ROLL WITH A GOOD GIRL
  DO IT BIG DO IT ALL FOR A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  WANNA ROLL WANNA ROLL WITH A GOOD GIRL
  ONE TIME…
  THIS IS A SONG FOR THE GOOD GIRL
  AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
  WHAT'S UP

  YO YO YO
  I GOTTA PULL UP ON YA
  YOU GONE MAKE ME HAVE TO PULL UP ON YA
  DONT GO GHOST ON ME IMA GO THRILLER ON YA
  IMA JUST
  IMA LET MY HANDS DO THE TALKIN WHEN I SEE YOU
  BABY GIRL I MISS FEELIN ON YA
  I MISS EVERYTHING THATS REAL ABOUT YA
  AND THATS EVERYTHING ABOUT YA
  THATS JUST HOW I FEEL ABOUT YA
  BEEN ABOUT CHA AND IM STILL ABOUT CHA
  BUT
  WE AINT FINISHED TALKIN
  I TOLD YA YOU DONT NEEDA WORRY ABOUT DEM -------
  ALL DEM FIVES NEEDA LISTEN WHEN THE 10 IS TALKIN
  CAUSE THEY DONT WANNA SEE YOU HAPPIER THAN THEM
  AND GIRL YOU SWEAR THEY ALL YOUR FRIENDS AND THATS BEEN A PROBLEM
  YOU THE ONE THEY HATE THIS COME WITH THAT
  I KNOW YOU THINK ITS FUNNY THAT YOUR EX IS NOT A RUNNIN BACK
  BUT THAT ----- CAME RUNNIN BACK
  YOU TELL ME YOU DONE WITH THAT
  AND I BELIEVE ITS TRUE
  LONG AS YOU KNOW WHO YOU BELONG TO…
  

  WRITTEN BY NOAH SHEBIB, AUBREY DRAKE GRAHAM, BEYONCÉ KNOWLES, JORDAN KENNETH COOKE ULLMAN, SIDNEY "OMEN" BROWN, DWANE WEIR P/K/A KEY WANE / PUBLISHED BY MAVOR & MOSES LLC (ASCAP) ALL RIGHTS ADMINISTERED BY KOBALT SONGS MUSIC PUBLISHING, INC., EMI BLACKWOOD MUSIC INC. OBO ITSELF AND LIVE WRITE LLC (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. OBO ITSELF AND OTEK PUBLISHING (ASCAP), MISSING LINK MUSIC OBO ELABORATE MUZIK WORKSHOP (ASCAP), DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI) / PRODUCED BY NOAH "40" SHEBIB FOR EVDON MUSIC, INC. / ADDITIONAL PRODUCTION BY MAJID JORDAN AND SIDNEY "OMEN" BROWN / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL VOCALS BY SAMPHA SISAY / RECORDED BY NOAH "40" SHEBIB AND NOEL CADASTRE FOR EVDON MUSIC INC. AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / ADDITIONAL DRUM PROGRAMMING BY OMEN / INTRO KEYS AND INTRO PROGRAMMING BY KEY WANE / MIXED BY NOEL "GADGET" CAMPBELL FOR T.O. MUSIC GROUP AT STUDIO 306, TORONTO, CANADA / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  DRAKE APPEARS COURTESY OF YOUNG MONEY/CASH MONEY RECORDS

• YOUR LOVE IS BRIGHT AS EVER
  EVEN IN THE SHADOWS
  BABY KISS ME
  BEFORE THEY TURN THE LIGHTS OUT
  YOUR HEART IS GLOWING
  AND I'M CRASHING INTO YOU
  BABY KISS ME, BEFORE THEY TURN THE LIGHTS OUT
  BEFORE THEY TURN THE LIGHTS OUT
  BABY LOVE ME LIGHTS OUT

  IN THE DARKEST NIGHT HOUR (GANG REPEAT)
  SEARCH THROUGH THE CROWD (GANG REPEAT)
  YOUR FACE IS ALL THAT I SEE
  I'VE GIVEN YOU EVERYTHING
  BABY LOVE ME LIGHTS OUT
  BABY LOVE ME LIGHTS OUT
  XO YOU CAN TURN MY LIGHTS OUT

  WE DON'T HAVE FOREVER
  OHHHH, BABY THE DAYLIGHTS WASTING
  YOU BETTA KISS ME... BEFORE OUR TIME HAS RUN OUT
  MMMMM, YEA--A-AAA-AAAA
  NOBODY SEES WHAT WE SEE
  THEY'RE JUST HOPELESSLY GAZING
  AHH BABY TAKE ME, BEFORE THEY TURN THE LIGHTS OUT,
  BEFORE OUR TIME HAS RUN OUT
  BABY LOVE ME LIGHTS OUT

  IN THE DARKEST NIGHT HOUR (GANG REPEAT)
  SEARCH THROUGH THE CROWD (GANG REPEAT)
  YOUR FACE IS ALL THAT I SEE
  I'VE GIVEN YOU EVERYTHING
  BABY LOVE ME LIGHTS OUT
  BABY LOVE ME LIGHTS OUT
  XO YOU CAN TURN MY LIGHTS OUT

  OUR LOVE IS LIKE XO
  YOU LOVE ME LIKE XO
  YOU KILL ME BOY XO
  YOUR LOVE IS LIKE XO- OOOAAHH
  YOU'RE ALL THAT I SEE
  GIMME EVERYTHING,
  BABY LOVE MY LIGHTS OUT
  BABY LOVE ME LIGHTS OUT
  YOU CAN TURN MY LIGHTS OUT

  IN THE DARKEST NIGHT HOUR (GANG REPEAT)
  SEARCH THROUGH THE CROWD (GANG REPEAT)
  YOUR FACE IS ALL THAT I SEE
  I'VE GIVEN YOU EVERYTHING
  BABY LOVE ME LIGHTS OUT
  BABY LOVE ME LIGHTS OUT
  XO YOU CAN TURN MY LIGHTS OUT
  

  WRITTEN BY TERIUS NASH, RYAN TEDDER, BEYONCÉ KNOWLES / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WRITE 2 LIVE (ASCAP) ADMINISTERED WORLDWIDE BY KOBALT MUSIC PUBLISHING AMERICA INC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977, RYAN TEDDER, AND BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, AND HAZEBANGA MUSIC FOR HITS SINCE 87 / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY RYAN TEDDER AT TRACKDOWN STUDIOS, SYDNEY, AUSTRALIA & TRITONUS STUDIOS, BERLIN, GERMANY AND STUART WHITE AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY JUSTIN HERGETT / ALL INSTRUMENTS AND PROGRAMMING BY RYAN TEDDER / ADDITIONAL PIANO BY TERIUS "THE-DREAM" NASH / BACKGROUND VOCALS BY RYAN TEDDER AND THE-DREAM / MIXED BY ANDREW SCHEPS AT PUNKERPAD WEST, VAN NUYS, CA / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• I'M OUT THAT H-TOWN
  COMING, COMING DOWN
  I'M COMING DOWN DRIPPING CANDY ON THE GROUND
  H, H-TOWN, TOWN, I'M COMING DOWN
  COMING DOWN DRIPPING CANDY ON THE GROUND

  I KNOW WHEN YOU WERE LITTLE GIRLS
  YOU DREAMT OF BEING IN MY WORLD
  DON'T FORGET IT, DON'T FORGET IT
  RESPECT THAT, BOW DOWN, BOW DOWN CROWN
  I TOOK SOME TIME TO LIVE MY LIFE
  BUT DON'T THINK I'M JUST HIS LITTLE WIFE
  DON'T GET IT TWISTED, GET IT TWISTED
  THIS MY SH, BOW DOWN
  BOW DOWN CROWN, BOW BOW DOWN CROWN
  BOW DOWN CROWN, BOW BOW DOWN
  H-TOWN VICIOUS, H-H-TOWN VICIOUS
  I'M SO CROWN, BOW DOWN

  I'M OUT THAT H-TOWN
  COMING, COMING DOWN
  I'M COMING DOWN DRIPPING CANDY ON THE GROUND
  H, H-TOWN, TOWN, I'M COMING DOWN
  COMING DOWN DRIPPING CANDY ON THE GROUND

  CHIMAMANDA NGOZI ADICHIE:
  WE TEACH GIRLS TO SHRINK THEMSELVES
  TO MAKE THEMSELVES SMALLER
  WE SAY TO GIRLS, YOU CAN HAVE AMBITION
  BUT NOT TOO MUCH
  YOU SHOULD AIM TO BE SUCCESSFUL BUT NOT TOO SUCCESSFUL
  OTHERWISE YOU WILL THREATEN THE MAN
  BECAUSE I AM FEMALE I AM EXPECTED TO ASPIRE TO MARRIAGE
  I'M EXPECTED TO MAKE MY LIFE CHOICES ALWAYS KEEPING IN MIND
  THAT MARRIAGE IS THE MOST IMPORTANT
  MARRIAGE CAN BE A SOURCE OF JOY AND LOVE AND MUTUAL SUPPORT
  BUT WHY DO WE TEACH GIRLS TO ASPIRE TO MARRIAGE AND WE DON'T TEACH BOYS THE SAME
  WE RAISE GIRLS TO SEE EACH OTHER AS COMPETITORS, NOT FOR JOBS OR ACCOMPLISHMENTS
  WHICH I THINK CAN BE A GOOD THING
  BUT FOR THE ATTENTION OF MEN
  WE TEACH GIRLS THAT THEY CANNOT BE SEXUAL BEINGS IN THE WAY THAT BOYS ARE
  FEMINIST: A PERSON WHO BELIEVES IN THE SOCIAL POLITICAL AND ECONOMIC EQUALITY OF THE SEXES

  YOU WAKE UP
  FLAWLESS
  POST UP
  FLAWLESS
  RIDIN ROUND IN THAT
  FLAWLESS
  FLOSSING ON THAT
  FLAWLESS
  THIS DIAMOND
  FLAWLESS
  MY DIAMOND
  FLAWLESS
  THIS ROCK
  FLAWLESS
  MY ROCK
  FLAWLESS

  I WOKE UP LIKE 'DIS
  I WOKE UP LIKE 'DIS
  WE FLAWLESS
  LADIES TELL 'EM,
  I WOKE UP LIKE DIS
  I WOKE UP LIKE DIS
  WE FLAWLESS
  LADIES TELL 'EM,
  SAY
  I LOOK SO GOOD TONIGHT
  AW DAMN, AW DAMN
  SAY
  I LOOK SO GOOD TONIGHT
  AW DAMN, AW DAMN, AW DAMN

  MY MAMA TAUGHT ME GOOD HOME TRAINING
  MY DADDY TAUGHT ME HOW TO LOVE MY HATERS
  MY SISTER TOLD ME I SHOULD SPEAK MY MIND
  MY MAN MADE ME FEEL SO COTDAMN FINE
  I'M FLAWLESS

  WAKE UP
  FLAWLESS
  POST UP
  FLAWLESS
  RIDIN ROUND IN 'DAT
  FLAWLESS
  FLOSSING ON 'DAT
  FLAWLESS
  THIS DIAMOND
  FLAWLESS
  MY DIAMOND
  FLAWLESS
  THIS ROCK
  FLAWLESS
  MY ROCK
  FLAWLESS

  I WOKE UP LIKE 'DIS
  I WOKE UP LIKE 'DIS
  WE FLAWLESS
  LADIES, TELL 'EM,
  I WOKE UP LIKE DIS
  I WOKE UP LIKE DIS
  WE FLAWLESS
  LADIES, TELL 'EM,
  SAY
  I LOOK SO GOOD TONIGHT
  AW DAMN, AW DAMN
  SAY
  I LOOK SO GOOD TONIGHT
  AW DAMN
  

  WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, CHAUNCEY HOLLIS, REY REEL MUSIC, RASHAD "HAZEBANGA" MUHAMMAD / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL, INC./U CAN'T TEACH BEIN' THE SHHH (BMI), REY REEL MUSIC, HAZEBANGA MUSIC (ASCAP) / PRODUCED BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87 AND BEYONCÉ KNOWLES / CO-PRODUCED BY REY REEL MUSIC FOR HITS SINCE 87 AND RASHAD "HAZEBANGA" MUHAMMAD / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / ADDITIONAL ARRANGING BY BOOTS / RECORDED BY STUART WHITE AND JORDAN "DJ SWIVEL" YOUNG AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTANT ENGINEERING BY TYLER SCOTT / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT AND JAMES KRAUSSE / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  STAR SEARCH FOOTAGE EXCERPT COURTESY OF CBS TELEVISION DISTRIBUTION AND THE ED MCMAHON ESTATE, "WE SHOULD ALL BE FEMINISTS" WRITTEN AND SPOKEN BY CHIMAMANDA NGOZI ADICHIE

• WHEN THE PALM OF MY TWO HANDS
  HOLD EACH OTHER
  THAT FEELS DIFFERENT FROM WHEN YOUR HANDS
  ARE IN MINE
  THAT'S JUST THE WAY IT IS

  AND WHEN MY VOICE IS SCREAMING OUT
  TO MY OWN EARS
  THAT FEELS DIFFERENT
  FROM WHEN I HEAR YOURS
  NOW THAT'S JUST THE WAY IT IS

  AND WHEN I'M STANDING IN THIS MIRROR
  AFTER ALL THESE YEARS
  WHAT I'M VIEWING'S A LITTLE DIFFERENT
  FROM WHAT YOUR EYES SHOW YA
  I GUESS I DONE SEEN MYSELF BEFORE YA
  MOVING FORWARD (SUPERPOWER)

  A SUBTLE POWER (SUPERPOWER)
  A TOUGH LOVE (SUPERPOWER)
  OH, LIKE A SHARK (SUPERPOWER)
  OOO, LIKE A BEAR
  A TOUGH LOVE

  (AND I THOUGHT THE WORLD WOULD REVOLVE)
  I THOUGHT THE WORLD WOULD REVOLVE
  (WITHOUT US)
  WITHOUT US, WITHOUT US, WITHOUT US
  (BUT NOTHIN I KNOW)
  COULD SLOW US DOWN
  COULDN'T SLOW US DOWN
  AND I THOUGHT I COULD LIVE WITHOUT YA, HEY, HEY
  BUT NOTHIN I KNOW CAN BREAK US DOWN
  THEY CAN'T BREAK US DOWN

  AND JUST LIKE YOU I CAN'T BE SCARED
  AND JUST LIKE YOU I HOPE I'M SPARED
  BUT IT'S TOUGH LOVE
  I KNOW YOU FEEL IT IN THE AIR
  EVEN THE BABIES KNOW IT'S THERE
  A TOUGH LOVE (SUPERPOWER)

  THE LAWS OF THE WORLD TELL US WHAT GOES SKY AND WHAT FALLS
  IT'S A SUPERPOWER (SUPERPOWER)
  THE LAWS OF THE WORLD NEVER STOPPED US ONCE
  CAUSE TOGETHER WE GOT PLENTY SUPERPOWER (SUPERPOWER)

  A SUBTLE POWER (SUPERPOWER)
  A TOUGH LOVE (SUPERPOWER)
  OH, LIKE A SHARK (SUPERPOWER)
  OOO, TOO MUCH TO BARE (SUPERPOWER)

  (AND I THOUGHT THE WORLD WOULD REVOLVE)
  I THOUGHT THE WORLD WOULD REVOLVE
  (WITHOUT US)
  WITHOUT US, WITHOUT US, WITHOUT US
  (BUT NOTHIN I KNOW)
  COULD SLOW US DOWN
  COULDN'T SLOW US DOWN
  AND I THOUGHT I COULD LIVE WITHOUT YA, HEY, HEY
  BUT TOGETHER WE GOT PLENTY POWER
  BUT, NOTHIN I KNOW COULDN'T BREAK US DOWN
  THEY CAN'T BREAK US DOWN (SUPERPOWER)

  YES WE CAN
  COULDN'T BREAK US DOWN
  THEY CAN'T BREAK US DOWN
  REPEAT
  

  WRITTEN BY PHARRELL WILLIAMS, FRANK OCEAN, BEYONCÉ KNOWLES / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), HEAVENS RESEARCH / BMG BUMBLEBEE (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY PHARRELL WILLIAMS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / RECORDED BY STUART WHITE, ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT, MIKE LARSON AND JAMES KRAUSSE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC AND MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA / ASSISTANT ENGINEERING BY RAMON RIVAS, MATT WEBER, AND JON CASTELLI / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY KELLY ROWLAND, MICHELLE WILLIAMS, STEFAN SKARBEK, AND BOOTS / VIOLINS ARRANGED AND PERFORMED BY MARGOT / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA AND CLOCKWORKS STUDIOS, BROOKLYN, NY, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND CHRIS TABRON / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  FRANK OCEAN APPEARS COURTESY OF ISLAND DEF JAM MUSIC GROUP

• OHHH…
  I FOUGHT FOR YOU THE HARDEST
  YOU MADE ME THE STRONGEST
  SO TELL ME, YOUR SECRETS
  I JUST CAN'T STAND TO SEE YOU LEAVING

  BUT HEAVEN COULDN'T WAIT FOR YOU
  NO HEAVEN COULDN'T WAIT FOR YOU
  HEAVEN COULDN'T WAIT FOR YOU
  NO HEAVEN COULDN'T WAIT FOR YOU
  SO GO ON, GO HOME

  WE LAUGHED AT THE DARKNESS
  SO SCARED THAT WE LOST IT
  WE STOOD ON THE CEILINGS
  YOU SHOWED ME LOVE WAS ALL YOU NEEDED

  HEAVEN COULDN'T WAIT FOR YOU
  HEAVEN COULDN'T WAIT FOR YOU
  OH, HEAVEN COULDN'T WAIT FOR YOU
  NO HEAVEN COULDN'T WAIT FOR YOU, YOU, YOU, YOU…
  NO HEAVEN COULDN'T WAIT FOR YOU
  NO! HEAVEN COULDN'T WAIT FOR YOU
  NO! HEAVEN COULDN'T WAIT FOR YOU
  OHH, HEAVEN COULDN'T WAIT FOR YOU
  SO GO ON, GO HOME
  SO GO ON, GO HOME
  

  WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS, STUART WHITE AND ROB COHEN AT WESTLAKE RECORDING STUDIOS, WEST HOLLYWOOD, CA AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY CHRISTIAN HUMPHREYS / ALL INSTRUMENTS PERFORMED BY BOOTS / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT ENGINEERING BY JUSTIN HERGETT / "THE LORD'S PRAYER" RECITED BY MELISSA VARGAS / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• SOMETIMES THESE WALLS SEEM TO CAVE IN ON ME
  BUT WHEN I LOOK INTO YOUR EYES
  I FEEL ALIVE
  SOME DAYS WE SAY WORDS THAT DON'T MEAN A THING
  BUT WHEN YOU'RE HOLDING ME TIGHT
  I FEEL ALIVE

  MAKE IT LAST FOREVER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
  YOU AND I TOGETHER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

  EACH DAY I FEEL SO BLESSED TO BE LOOKIN AT YOU
  CUZ WHEN YOU OPEN YOUR EYES
  I FEEL ALIVE
  MY HEART BEATS SO DAMN QUICK WHEN YOU SAY MY NAME
  AND WHEN I'M HOLDING YOU TIGHT
  I'M SO ALIVE
  SO NOW LET'S JUST LIVE IT UP

  MAKE IT LAST FOREVER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
  YOU AND I TOGETHER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

  MAKE IT LAST FOREVER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
  YOU AND I TOGETHER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

  WE'VE GOTTA HOLD ON
  I'VE GOTTA HOLD ON
  YOU'VE GOT TO HOLD ON
  YOU'VE GOT A HOLD ON, A HOLD ONTO ME
  WE'VE GOTTA HOLD ON
  I'VE GOTTA HOLD ON
  YOU'VE GOT A HOLD ON
  YOU'VE GOT A HOLD ON, A HOLD ONTO ME

  MAKE IT LAST FOREVER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
  YOU AND I TOGETHER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

  MAKE IT LAST FOREVER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
  YOU AND I TOGETHER
  COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME, BLUE
  

  WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS, STUART WHITE AND JONATHAN LEE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY JUSTIN HERGETT AND JAMES KRAUSSE / PIANO, DRUMS, GUITAR, KEYBOARDS PLAYED BY BOOTS / LIVE DRUMS PLAYED BY STEVEN WOLF / VIOLINS ARRANGED AND PERFORMED BY MARGOT / ADDITIONAL VOCALS BY BLUE IVY / MIXED BY TONY MASERATI AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC AND CLOCKWORKS STUDIOS, BROOKLYN, NY/ MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

• SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
  LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR
  LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR
  SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
  SMACK IT, SMACK IT IN THE AIR
  LEGS MOVING SIDE TO SIDE, SMACK IT, SMACK IT IN THE AIR
  SMACK IT, SMACK IT IN THE AIR

  WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (IN THE AIR)
  WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (TO SIDE TO SIDE)
  CLAP, CLAP, CLAP LIKE YOU DON'T CARE (TO SIDE TO SIDE)
  SMACK THAT CLAP, CLAP, CLAP LIKE YOU DON'T CARE (I KNOW YOU CARE)
  CLAP, CLAP, CLAP, CLAP, CLAP IT

  FOOT UP, MY FOOT UP, HOLD UP NOW MY FOOT UP (SPINNING)
  I'M SPINNING, MY FOOT UP, FOOT UP, YEAH MY FOOT UP (SPINNING)
  I'M SPINNING, MY FOOT UP, PUT MY FOOT UP, YEAH MY HANDS UP
  MY HANDS UP, MY HANDS UP FLEXIN', FLEXIN' WHILE MY HANDS UP
  MY HANDS UP, MY HANDS UP, I STAND UP WITH MY HANDS UP
  THEN I PUT UP, MY HANDS UP, I PUT UP, MY HANDS UP
  I PUT UP, MY HANDS UP, I PUT UP, MY HANDS UP
  I PUT UP, MY HANDS UP, THEN I'M SPINNING WITH MY HANDS UP (SPINNING)

  SPINNING WHILE MY HANDS UP, SPINNING WHILE MY HANDS UP (SPINNING)
  SPINNING WHILE MY HANDS UP, THEN I'M TIPPING ALL MY HANDS UP (TIPPING)
  SPINNING, I'M SPINNING, I'M SPINNING WHILE MY HANDS UP (SPINNING)
  I'M SPINNING, I'M SPINNING, I'M SPINNING WHILE MY HANDS UP (DRANK)

  HOLD THAT CUP LIKE ALCOHOL
  HOLD THAT CUP LIKE ALCOHOL (DRANK)
  HOLD THAT CUP LIKE ALCOHOL
  DON'T YOU DROP THAT ALCOHOL (DRANK)
  NEVER DROP THAT ALCOHOL
  NEVER DROP THAT ALCOHOL
  I KNOW YA THINKING 'BOUT ALCOHOL
  I KNOW YA THINKING 'BOUT THAT ALCOHOL

  MAN THIS HERE LIKE ROLLING DICE
  MAN THIS HERE LIKE ROLLING DICE
  SEVEN-ELEVEN
  SEVEN-ELEVEN
  SEVEN TWICE, MAN SEVEN TWICE

  MAN IT FEEL LIKE ROLLING DICE
  MAN THIS FEEL LIKE ROLLING DICE
  MAN IT FEEL LIKE ROLLING DICE
  SEVEN TWICE, SEVEN TWICE (KICK IT)

  GIRL I'M TRYING TO KICK IT WITH YOU (GIRL)
  GIRL I'M TRYING TO KICK IT WITH YOU (MAN)
  MAN I'M TRYING TO KICK IT WITH YOU
  MY FEET UP, I KICK IT WITH YOU (MAN)
  MAN I SWEAR I'D KICK IT WITH YOU (GIRL)
  GIRL I WANNA KICK IT WITH YOU (MAN)
  MAN I KNOW I'LL KICK IT WITH YOU
  YEAH I'LL SPIN AROUND AND KICK IT WITH YOU

  SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
  LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR (TO SIDE TO SIDE)
  LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR (TO SIDE TO SIDE)
  SHOULDERS MOVING SIDE TO SIDE SMACK IT IN THE AIR
  SMACK IT IN THE AIR, SMACK IT, SMACK IT IN THE AIR
  SMACK IT IN THE AIR, SMACK IT, SMACK IT IN THE AI

  WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (IN THE AIR)
  WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (TO SIDE TO SIDE)
  CLAP, CLAP, CLAP LIKE YOU DON'T CARE (TO SIDE TO SIDE)
  SMACK THAT, CLAP, CLAP, CLAP LIKE YOU DON'T CARE (I KNOW YOU CARE)

  YOU CARE...I KNOW...YOU CARE...
  WAVE YOUR HANDS SIDE TO SIDE
  WAVE YOUR HANDS SIDE TO SIDE
  WAVE YOUR HANDS SIDE TO SIDE
  WAVE YOUR HANDS SIDE TO SIDE

  OH WE BB
  FREAKY DEAKY
  THINK ME SEE SHE
  PINK BIKINI
  ROCK THAT KUFI
  DYE DASHIKI
  NEFERTITI
  EDGES KINKY

  SWEATIN' OUT MY BLOW OUT
  SWEATIN' OUT MY PRESS
  THIS TICK ABOUT TO GO OFF
  MAD CAUSE I'M SO FRESH
  FRESHER THAN YOU
  I'M FRESHER THAN YOU
  FRESHER THAN YOU OH
  

  WRITTEN BY BOBBY JOHNSON, NOEL FISHER, BEYONCÉ KNOWLES AND SIDNEY SWIFT/ PUBLISHED BY SONGS OF CROWD CONTROL/HIP HOP VILLE, USA ADMINISTERED BY SONGS OF KOBALT MUSIC GROUP LTD (GEMA), EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BEYONCÉ KNOWLES AND BOBBY JOHNSON / CO-PRODUCED BY DETAIL AND SIDNEY SWIFT / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION AND ARRANGING BY DEREK DIXIE / RECORDED BY STUART WHITE AT RECORD PLANT IN LOS ANGELES, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT ENGINEERING BY RAMON RIVAS AND JON SCHACTER / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / ASSISTANT MIXING BY JAMES KRAUSE AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC

• BEYONCE:
  IT'S THAT YONCÉ, YOUR YONCÉ
  IN THAT LINGERIE, ON THAT CHARDONNAY
  SCORING TOUCHDOWNS ON YOUR RUNWAY
  I'M TEXAS FOREVER LIKE BUN B
  AND I'M REDBONED YO
  I'M REALLY RIT LIKE DONJAE
  I'M CAMO IN HERE YO
  THESE THOTS CAN'T CLOCK ME NOWADAYS
  YOU WISH I WAS YOU POUNDCAKE
  BOY YOU KNOW I LOOK GOOD AS F---
  WISH I WAS YOUR BABY MOMMA
  WANT ME TO COME 'ROUND AND GIVE YOU GOOD KARMA, BUT NO
  WE ESCALATING, UP IN THIS BITCH LIKE ELEVATORS
  OF COURSE SOMETIMES S--- GO DOWN
  WHEN IT'S A BILLION DOLLARS ON AN ELEVATOR
  OF COURSE SOMETIMES S--- GO DOWN
  WHEN IT'S A BILLION DOLLARS ON AN ELEVATOR
  GODDAMN, GODDAMN, GODDAMN!

  MOMMA TAUGHT ME GOOD HOME TRAINING
  MY DADDY TAUGHT ME HOW TO LOVE MY HATERS
  MY SISTER TAUGHT ME I SHOULD SPEAK MY MIND
  MY MAN MADE ME FEEL SO GODDAMN FINE
  I'M FLAWLESS

  YOU WAKE UP, FLAWLESS
  POST UP, FLAWLESS
  RIDIN' AROUND IN IT, FLAWLESS
  FLOSSIN' ON THAT, FLAWLESS
  THIS DIAMOND, FLAWLESS
  MY DIAMOND, FLAWLESS
  THIS ROCK, FLAWLESS
  MY ROC, FLAWLESS
  I WOKE UP LIKE THIS, I WOKE UP LIKE THIS
  WE FLAWLESS, LADIES, TELL 'EM
  I WOKE UP LIKE THIS, I WOKE UP LIKE THIS
  WE FLAWLESS, LADIES, TELL 'EM
  SAY "I LOOK SO GOOD TONIGHT"
  GODDAMN, GODDAMN
  SAY "I LOOK SO GOOD TONIGHT"
  GODDAMN, GODDAMN, GODDAMN

  I WAKE UP LOOKING THIS GOOD
  AND I WOULDN'T CHANGE IT IF I COULD
  (IF I COULD, IF I, IF I COULD)
  AND YOU CAN SAY WHAT YOU WANT, I'M THE S---
  (WHAT YOU WANT I'M THE S---, I'M THE S---)
  I WANT EVERYONE TO FEEL LIKE THIS TONIGHT
  GODDAMN, GODDAMN, GODDAMN

  (ONIKA...)

  NICKI MINAJ:
  LOOKING TRINIDADIAN, JAPANESE, AND INDIAN
  GOT MALAYSIAN, GOT THAT YAKI, THAT WAVY BRAZILIAN
  (THEM B------ THIRSTY, I'M HUNGARIAN)
  (NICKI, BB, BE EATING, DIAMOND FANGS, BARBARIAN)
  LIKE MJ'S DOCTOR, THEY KILLIN' ME
  PROPOFOL, I KNOW THEY HOPE I FALL
  BUT TELL 'EM WINNING IS MY MOTHER------ PROTOCOL
  'CAUSE I SCORE BEFORE I EVER THROW THE BALL
  THESE B------ WASHED UP AND AIN'T NO F----- SOAP INVOLVED
  EVERY HOOD N---- DREAM FANTASIZING 'BOUT NICKI AND BEY
  CURVALICIOUS P---- SERVED DELICIOUS
  MAYDAY, MAYDAY, EARTH TO B------
  SLAP THESE H--- ON THEY ASS LIKE WE BIRTHING B------
  THE QUEEN OF RAP, SLAYIN' WITH QUEEN BEY
  IF YOU AIN'T ON THE TEAM, YOU PLAYING FOR TEAM D
  CAUSE WE A-LISTERS, WE PAID SISTERS
  THIS WATCH RIGHT HERE DONE PHASED BLIZZARDS
  I CONFESS, I WOKE UP LIKE THIS
  ALL THIS DRANK IN MY CUP LIKE THIS
  ALL THIS ASS ON THAT FLAWLESS DICK
  INSTAGRAM ANOTHER FLAWLESS PIC
  FLAWLESS CITY WITH THESE FLAWLESS T------
  I GOT ALL THESE HUNDRED, YOU GOT ALL THEM FIFTIES
  I'M WITH SOME FLAWLESS B------ CAUSE THEY MORE THAN PRETTY
  CAUSE N----- LOVE BAD B------ THAT BE ON THEY GRIZZLY
  THROW THAT ASS BACK I BE ON MY FRISBEE
  PRINCESS CUT DIAMOND ON MY DISNEY
  HE WANT MONSTER NICKI IN SRI LANKA
  I TOLD HIM MEET ME AT THE TRUMP, IVANKA
  I SAID COME HERE, LET ME SHOW YOU HOW THAT COOKIE TASTE
  THIS THAT "YEAH N----, EAT THAT COOKIE" FACE

  WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, CHAUNCEY HOLLIS, REY REEL MUSIC, RASHAD "HAZEBANGA" MUHAMMAD, ONIKA MARAJ / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL, INC./U CAN'T TEACH BEIN' THE SHHH (BMI), REY REEL MUSIC, HAZEBANGA MUSIC (ASCAP), O. MARAJ PUBLISHING CO: HARAJUKU BARBIE MUSIC/MONEY MACK MUSIC/SONGS OF UNIVERSAL, INC. (BMI) / PRODUCED BY BEYONCÉ KNOWLES, HIT-BOY, REY REEL MUSIC AND HAZEBANGA FOR HITS SINCE 87, AND TERIUS "THE-DREAM" NASH FOR WWW.CONTRA-PARIS.COM / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL SOUNDS AND REMIX PRODUCTION BY DEREK DIXIE / ADDITIONAL PRODUCTION AND ARRANGING BY BOOTS / RECORDED BY STUART WHITE, RAMON RIVAS, AUBRY "BIG JUICE" DELAINE, AND BART SCHOUDEL AT JUNGLE CITY STUDIOS, NYC / ASSISTANT ENGINEERING BY BRENDAN MORAWSKI AND TODD BERGMAN / MIXED BY STUART WHITE AT MONK STUDIOS, EAST HAMPTON, NY / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC

  CONTAINS A PORTION OF THE COMPOSITION "SPOTTIEOTTIEDOPALISCIOUS" WRITTEN BY ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON, PUBLISHED BY BMG CHRYSALIS MUSIC (BMI)

  NICKI MINAJ APPEARS COURTESY OF YOUNG MONEY ENTERTAINMENT/CASH MONEY RECORDS

• KANYE WEST:
  YOU WILL NEVER NEED ANOTHER LOVER
  CAUSE YOU A MILF AND I'M A MOTHER------
  TOLD YOU GIVE THE DRUMMER SOME NOW THE DRUMMER C-----
  I'M PA RUM PA PUM PUMIN' ALL ON YOUR STOMACH
  YEAH TONIGHT I SEE SOME SUPER FREAKY HOES
  THAT COULD GO FROM BEIN' A STRIPPER TO A SUPER C.E.O.
  I DON'T KNOW THE WAY YOU DO IT, BUT YOU DO IT TO ME THOUGH
  AND YOU ALWAYS TOLD YOUR GIRLFRIENDS YOU NEED A TV SHOW
  NOW YOU GOT YOUR OWN MONEY, YOU DON'T NEED NOBODY ELSE
  BUT AS FAR AS HANDLIN' ALL THAT ASS, I THINK YOU GONNA NEED SOME HELP
  LET ME REMIND YOU, YOU GOT A, YOU GOT A GREAT FUTURE BEHIND YOU
  YOU GOTTA TELL ME WHAT WE TRYNA DO
  I AIN'T NO PASTOR, DON'T DO MISSIONARY
  I KNOW GOOD P---- WHEN I SEE IT, I'M A VISIONARY
  I KNOW THEM HATERS TALKIN, ALWAYS HAD US VERY WARY
  YUP ON THE 35TH OF NEVUARY
  YUP YOU LOVE THE WAY I'M TURNT
  AFTER ALL THE MONEY YOU EARNED, STILL SHOW DADDY WHAT YOU LEARNT
  THAT COWGIRL, YOU REVERSE THAT COWGIRL
  YOU REVERSE, YOU REVERSE, AND I IMPREGNATED YOUR MOUTH GIRL, OH
  THAT'S WHEN I KNOW YOU COULD BE MY SPOUSE, GIRL
  WE F----- ALL OVER THE HOUSE, GIRL, WE JUST MESSED UP A BRAND NEW COUCH, GIRL
  YOU AINT ON SITE THEN YOU YOU ON SKYPE
  I PUT YOU ON THAT BIKE, YOU BOUND, GIRL
  WE TOO WILD WON'T TURN DOWN
  WE DRUNK IN LOVE, F--- THEM

  BEYONCE:
  I'VE BEEN DRINKIN'
  I'VE BEEN DRINKIN'
  I GET FILTHY WHEN THAT LIQUOR GET INTO ME
  I'VE BEEN THINKIN'
  I'VE BEEN THINKIN'
  WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH
  WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH

  CIGARS ON ICE, CIGARS ON ICE
  FEELIN' LIKE AN ANIMAL WITH THESE CAMERAS ALL IN MY GRILL
  FLASHING LIGHTS, FLASHING LIGHTS
  YOU GOT ME FADED, FADED, FADED
  BABY I WANT YOU, NA-NAH
  CAN'T KEEP YOUR EYES OFF OF MY FATTY
  DADDY I WANT YOU, NA-NAH
  DRUNK IN LOVE
  I WANT YOU

  WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
  DRUNK IN LOVE
  WE BE ALL NIGHT
  LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
  DRUNK IN LOVE
  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE

  WE BE ALL NIGHT
  AND EVERYTHIN' ALL RIGHT
  NO COMPLAINTS FROM MY BODY SO FLORESCENT UNDER THESE LIGHTS
  BOY I'M DRINKIN'
  PARK IT IN MY LOT 7-11
  I'M RUBBING ON IT, RU-RUBBIN' IT
  IF YOU SCARED CALL THAT REVREN
  BOY I'M DRINKIN'

  GET MY BRAIN RIGHT
  ARMAND DE BRIGNAC GANGSTER WIFE
  LOUIE SHEETS HE SWEAT IT OUT, LIKE WASH RAGS HE WEAR IT OUT
  BOY I'M DRINKIN', I'M SINGIN'
  ON THE MIC TO MY BOY TOYS
  THEN I FILL THE TUB UP HALF WAY THEN RIDE IT WITH MY SURFBOARD, SURFBOARD, SURFBOARD
  GRAININ' ON THAT WOOD, GRAININ', GRAININ' ON THAT WOOD
  I'M SWERVIN' ON THAT, SWERVIN', SWERVIN' ON THAT
  BIG BODY BEEN SERVIN' ALL THIS, SWERVE, SURFIN' IN ALL THIS GOOD, GOOD

  WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
  DRUNK IN LOVE
  WE BE ALL NIGHT
  LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
  DRUNK IN LOVE
  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE

  JAY Z:
  THAT D'USSE IS THE SH--
  IF I DO SAY SO MYSELF
  IF I DO SAY SO MYSELF
  IF I DO SAY SO MYSELF

  STUMBLED ALL IN THE HOUSE TIME TO BACK UP ALL OF THAT MOUTH
  THAT YOU HAD IN THE CAR
  TALKING BOUT YOU THE BADDEST B---- THUS FAR
  TALKING BOUT YOU BE REPPIN' THAT 3RD(WARD)
  I WANNA SEE ALL THE SH-- THAT I HEARD
  YOU KNOW I SLING CLINT EASTWOOD
  I HOPE THAT YOU CAN HANDLE THIS CURVE

  FOREPLAY IN THE FOYER
  F----- UP MY WARHLOL
  SLIP THE PANTIES RIGHT TO THE SIDE AINT GOT THE TIME TO TAKE DRAWS OFF

  ON SITE
  CATCH A CHARGE I MIGHT
  BEAT THE BOX UP LIKE MIKE IN '97 I'LL BITE
  I'M IKE, TURNER, TURN UP
  BABY NO I DON'T PLAY
  NOW EAT THE CAKE ANNA MAE I SAID EAT THE CAKE ANNA MAE
  IM NICE
  FOR YA'LL TO REACH THESE HEIGHTS

  YOU GONNA NEED G3
  4, 5, 6 FLIGHTS SLEEP TIGHT
  WE SEX AGAIN IN THA MORNIN' YO BREASTASES IS MY BREAKFAST
  WE GOIN IN WE BE ALL NIGHT

  BEYONCE:
  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE

  I'M NEVER TIRED, WE NEVER TIRED
  I'VE BEEN SIPPIN', IT'S THE ONLY THING THAT'S BEEN KEEPING ME ON FIRE, WE ON FIRE
  DIDN'T MEAN TO SPILL THAT LIQUOR ALL ON MY ATTIRE
  I'VE BEEN DRINKIN', WATERMELON
  I WANT YOUR BODY RIGHT HERE
  DADDY I WANT YOU RIGHT NOW
  CAN'T KEEP YOUR EYES OFF MY FATTY
  DADDY I WANT YOU

  WE BE ALL NIGHT, LOVE, LOVE
  WE BE ALL NIGHT, LOVE, LOVE
  

  WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, SHAWN CARTER, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, T.MOSLEY, J.HARMON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) AND CARTER BOYS MUSIC (ASCAP) ALL RIGHTS OBO ITSELF AND CARTER BOYS MUSIC ADMINISTERED, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / REMIX PRODUCED BY KANYE WEST AND MIKE DEAN / REMIX CONTRIBUTIONS BY KANYE WEST, CYDEL YOUNG, MALIK YUSEF, J. SAKIYA SANDIFER, MIKE DEAN AND NOAH GOLDSTEIN / ADDITIONAL PRODUCTION BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC., JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, BOOTS, AND NOAH GOLDSTEIN / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY BOOTS / ADDITIONAL SYNTH SOUNDS BY DEREK DIXIE / REMIX RECORDED BY NOAH GOLDSTEIN / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / REMIX MIXED BY NOAH GOLDSTEIN, TONY MASERATI, AND STUART WHITE AT NO NAME STUDIOS, MALIBU, CA / ASSISTANT REMIX ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / MASTERED BY MIKE DEAN AT DEAN'S LIST HOUSE OF HITS, SOHO, NYC

  CONTAINS A SAMPLE FROM "FLASHING LIGHTS" AS PERFORMED BY KANYE WEST USED COURTESY OF DEF JAM RECORDS UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES

  JAY Z APPEARS COURTESY OF ROC NATION / KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS/DEF JAM RECORDINGS

• MAMA, I UNDERSTAND YOUR MANY SLEEPLESS NIGHTS
  WHEN YOU SIT AND YOU THINK ABOUT FATHER
  HOW YOU TRIED TO BE THE PERFECT WIFE
  YOU USED TO DRESS AND FIX YOU HAIR
  THEN YOU'D SMILE THROUGH YOUR TEARS
  IN THE MIRROR YOU WOULD STARE
  AND SAY A PRAYER

  LIKE I WISH HE SAID I'M BEAUTIFUL
  I WISH IT DIDN'T HURT AT ALL
  I DON'T KNOW HOW I GOT HERE
  I WAS ONCE THE ONE WHO HAD HIS HEART
  UNTIL YOU HAD ENOUGH THAN YOU

  TOOK THAT RING OFF
  YOU TOOK THAT RING OFF
  SO TIRED OF THE LIES, TRYING AND FIGHTING AND CRYING
  TOOK THAT RING OFF
  OH NOW THE FUN BEINGS
  DUST YOURSELF OFF AND YOU'LL LOVE AGAIN
  FIND A NEW MAN
  NOW YOU SINE, AND YOU'RE FINE LIKE IT'S MY TIME
  YOU TOOK THAT RING OFF

  MAMA YOU LIVE AND LEARN, THAT'S JUST THE WAY LOVE GOES
  ALWAYS KNOW THAT YOU GOT A DAUGHTER
  THAT'S OH SO PROUD YOU TOOK THE HIGH ROAD

  YOU USED TO DRESS AND FIX YOUR HAIR
  YOU'D ALWAYS SMILE THROUGH YOUR TEARS
  IN THE MIRROR YOU WOULD STARE
  AND SAY A PRAYER

  LIKE I WISH HE SAID I'M BEAUTIFUL
  I WISH THIS DIDN'T HURT AT ALL
  I DON'T KNOW HOW I GOT HERE
  I WAS ONCE THE ONE WHO HAD HIS HEART
  AND THEN YOU HAD ENOUGH AND YOU

  TOOK THAT RING OFF
  YOU TOOK THAT RING OFF
  SO TIRED OF THE LIES AND TRYING, CRYING AND FIGHTING
  TOOK THAT RING OFF
  OH NOW THE FUN BEGINS
  DUST YOURSELF OFF AND YOU'LL LOVE AGAIN
  FIND A NEW MAN
  NOW YOU SHINE, AND YOU'RE FINE LIKE IT'S MY TIME
  YOU TOOK THAT RING OFF

  AFTER ALL YOUR TEARS
  AFTER ALL THAT PAIN'S ALL CLEARED
  AFTER ALL THEM YEARS
  WE CAN START ALL OVER AGAIN MAMA
  NOW IT ALL MAKES SENSE
  LETTING GO IS NEVER THE END MAMA
  WE CAN LOVE AGAIN
  THIS IS WHERE FREEDOM BEGINS MAMA

  SO PUT YOUR LOVE ON TOP
  KEEP ON SHINNING, PUT YOUR LOVE ON TOP
  IT'S YOUR TIME TO PUT YOUR LOVE ON TOP
  EVERYBODY PUT YOUR LOVE ON TOP

  HEY, LOVE ON TOP
  HEY, LOVE ON TOP
  IT'S YOUR TIME TO PUT YOUR LOVE ON TOP, GIRL
  YOU SO FINE, PUT YOUR LOVE ON TOP

  MS. TINA:
  IF YOU'RE GOING THROUGH IT JUST KNOW IT'S CALLED GOING THROUGH IT.
  YOU'RE NOT GOING TO GET STUCK THERE.
  YOU'RE NOT GOING TO DIE, YOU'RE GOING TO SURVIVE.

  WRITTEN BY MICHAEL CAREN, BEYONCÉ KNOWLES, WILLIAM LOBBAN-BEAN, GEOFF EARLY, CHARLES HINSHAW, ADAM AMEZAGA, DEREK DIXIE, STEPHEN BISHOP, HIT-BOY, AND MIKE DEAN / SERIOUS SCRIPTURES/ARTIST PUBLISHING WEST (ASCAP), COOK CLASSICS, ARTIST 101 PUBLISHING GROUP (BMI), HINSHAW PRODUCTIONS/RONDOR MUSIC (ASCAP), STRAIGHT TRIPPIN PUBLISHING (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DEREK DIXIE PUB INFO, DOWNTOWN MUSIC PUBLISHING (ASCAP) / PRODUCED BY MIKE CAREN AND BEYONCÉ KNOWLES / CO-PRODUCED BY COOK CLASSICS FOR WILL COOK FOR DOUGH / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY HS87 (HIT-BOY, HAZEBANGA, PREACH BAL4), MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS, ARIEL RECHTSHAID AND DEREK DIXIE / RECORDED BY MIKE CAREN AT MIKE'S HOUSE, LOS ANGELES, CA, AND COOK CLASSICS AT THE CARLYLE, LOS ANGELES, CA / VOCALS RECORDED BY STUART WHITE AT THE RECORD PLANT, LOS ANGELES, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT ENGINEERING BY RAMON RIVAS AND JON SCHACTER / ASSISTANT VOCAL ENGINEERING BY RAMON RIVAS AND JON SCHACTER/ MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT MIXING BY JAMES KRAUSE AND JUSTIN HERGETT / MIX CONSULTING BY DEREK DIXIE / DRUM PROGRAMMING BY MIKE CAREN AND COOK CLASSICS / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC

  CONTAINS A PORTION OF A SPEECH BY TINA KNOWLES FROM THE 2014 TEXAS WOMEN'S EMPOWERMENT FOUNDATION LEADERSHIP LUNCHEON

• WRITTEN BY PHARRELL WILLIAMS, BEYONCÉ KNOWLES, JAMES FAUNTLEROY, T.MOSLEY, J.HARMON, JUSTIN TIMBERLAKE, TERIUS NASH / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI), ADMINISTERED BY WB MUSIC CORP., TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), 2082 MUSIC PUBLISHING (ASCAP) / WB MUSIC CORP. / PRODUCED BY PHARRELL WILLIAMS AND BEYONCÉ KNOWLES / CO-PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., BART SCHOUDEL, AND ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / PHARRELL'S VOCALS RECORDED BY MIKE LARSON / ASSISTANT ENGINEERING BY RAMON RIVAS, ROB SUCHECKI, AND MATT WEBER / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY PHARRELL WILLIAMS AND TIMBALAND / HORNS BY KATTY RODRIGUEZ, ADISON EVANS AND CRYSTAL TORRES AND ARRANGED BY DEREK DIXIE / MIXED BY STUART WHITE AT THE MIX ROOM, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT, ASSISTED BY JAMES KRAUSSE, PAUL PAVAO AND EDWARD VALLDEJULI / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  PHARRELL WILLIAMS APPEARS COURTESY OF COLUMBIA RECORDS A DIVISION OF SONY MUSIC ENTERTAINMENT

• WRITTEN BY GREG KURSTIN, SIA FURLER, BEYONCÉ KNOWLES, NOEL FISHER, ANDRE ERIC PROCTOR, RASOOL DIAZ AND BRIAN SOKO / PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND KURSTIN MUSIC (ASCAP) / EMI MUSIC PUBLISHING, INC. (ASCAP) / WB MUSIC CORP. O/B/O ITSELF AND OAKLAND 13 MUSIC (ASCAP) / EMI BLACKWOOD MUSIC INC. O/B/O ITSELF AND IF YOU NEED ME, DON'T LEAVE ME (BMI) / WARNER-TAMERLANE PUBLISHING CORP. O/B/O ITSELF AND THE ORDER MUSIC (BMI) / PRODUCED BY GREG KURSTIN / VOCALS PRODUCED BY BEYONCÉ / ADDITIONAL PRODUCTION BY BEYONCÉ KNOWLES AND PHARRELL WILLIAMS / RECORDED BY GREG KURSTIN AT KINGS LANDING, BRIDGEHAMPTON, NY / ASSISTANT ENGINEERING BY ALEX PASCO/ VOCALS RECORDED BY STUART WHITE AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT VOCAL ENGINEERING BY ROB SUCHECKI AND RAMON RIVAS / ALL INSTRUMENTS BY GREG KURSTIN / ADDITIONAL VOCALS BY MR. VEGAS / BACKGROUND VOCALS BY SIA FURLER / MIXED BY CHRIS TABRON / REMIX RECORDED BY STUART WHITE, ROHAN DWYER, AND DEREK DIXIE / ASSISTANT REMIX ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / MASTERED BY TOM COYNE & AYA MERRILL AT STERLING SOUND, NYC

  REMIX BY CLIFFORD SMITH . CLEVELAND BROWNE . DANNY BROWNE O/B/O MV MUSIC

4 (2011)

• Buy Now

• BA BA BADA (X7)

  BRING THE BEAT IN

  HONEY HONEY, I CAN SEE THE STARS ALL THE WAY FROM HERE CAN'T YOU SEE THE GLOW ON THE WINDOW PANE I CAN FEEL THE SUN WHENEVER YOU'RE NEAR EVERY TIME YOU TOUCH ME I JUST MELT AWAY

  NOW EVERYBODY ASKS ME WHY I'M SMILING OUT FROM EAR TO EAR THEY SAY LOVE HURTS BUT I KNOW, IT'S GONNA' TAKE A LITTLE WORK OHH, NOTHING'S PERFECT, BUT IT'S WORTH IT AFTER FIGHTIN' THROUGH MY TEARS_AND FINALLY YOU PUT ME FIRST

  BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY ONE I SEE
  COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE I CAN ALWAYS CALL WHEN I NEED YOU MAKE EVERYTHING STOP FINALLY, YOU PUT MY LOVE ON TOP

  OHHH, COME ON BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP YOU PUT MY LOVE ON TOP OHH OHHH, COME ON BABY YOU PUT MY LOVE TOP, TOP, TOP, TOP, TOP PUT MY LOVE ON TOP, PUT MY LOVE ON TOP

  BABY BABY I CAN HEAR THE WIND WHIPPING PAST MY FACE AS WE DANCE THE NIGHT AWAY BOY YOUR LIPS TASTE LIKE A NIGHT OF CHAMPAGNE AS I KISS YOU AGAIN AND AGAIN AND AGAIN AND AGAIN

  NOW EVERYBODY ASKS ME WHY I'M SMILING OUT FROM EAR TO EAR THEY SAY LOVE HURTS BUT I KNOW, IT'S GONNA TAKE A LITTLE WORK OHHH, NOTHINGS PERFECT, BUT IT'S WORTH IT AFTER FIGHTIN' THROUGH MY TEARS AND FINALLY YOU PUT ME FIRST

  BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY ONE I SEE
  COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT I CAN ALWAYS CALL WHEN I NEED TO MAKE EVERYTHING STOP FINALLY, YOU PUT MY LOVE ON TOP

  OHHH, BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP YOU PUT MY LOVE ON TOP OHH OHHH, COME ON BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP PUT MY LOVE ON TOP

  BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY THING I SEE
  COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU BABY EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP
  BABY YOU'RE THE ONE THAT I LOVE BABY YOU'RE ALL I NEED YOU'RE THE ONLY ONE I SEE COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP

  BABY 'CAUSE YOU'RE THE ONE THAT I LOVE BABY YOU'RE THE ONE THAT I NEED YOU'RE THE ONLY MAN I SEE

  BABY, BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP

  BABY 'CAUSE YOU'RE THE ONE THAT I LOVE BABY YOU'RE THE ONE THAT I NEED YOU'RE THE ONLY ONE I SEE

  BABY, BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP
  

  WRITTEN BY BEYONCÉ KNOWLES, TERIUS NASH AND SHEA TAYLOR
PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP)

  PHOTOGRAPHY BY ELLEN VON UNWERTH

  PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR
  RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC AND REAL WORLD STUDIOS, UK

  ASSISTANT ENGINEER: PETE WOLFORD AND SCOTT BARNETT
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
  ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
  "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)
  ALTO SAXOPHONE BY SHEA TAYLOR
  GUITARS BY ROBERT "R.T." TAYLOR AND PAT THRALL
  DRUMS BY NIKKI GALLESPI
  

• YOU A BAD GIRL AND YOUR FRIEND'S BAD TOO, OOH
WE GOT THE SWAG SAUCE, SHE DRIPPIN SWAGU YOU A BAD GIRL AND YOUR FRIEND'S BAD TOO, OOH WE GOT THE SWAG SAUCE, SHE DRIPPIN SWAGU OOH
  I MAY BE YOUNG, BUT I'M READY TO GIVE YOU ALL MY LOVE I TOLD MY GIRLS YOU CAN GET IT DON'T SLOW IT DOWN, JUST LET IT GO

  SO IN LOVE, I'LL GIVE IT ALL AWAY JUST DON'T TELL NOBODY TOMORROW SO TONIGHT, I'LL DO IT EVERY WAY SPEAKERS KNOCKIN' TILL THE MORNING LIGHT
  'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…)'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY

  YOUR TOUCH IS DRIVIN' ME CRAZY, I CAN'T EXPLAIN THE WAY I FEEL TOP DOWN WITH THE RADIO ON AND THE NIGHT BELONGS TO US JUST HOLD ME CLOSE, DON'T LET ME GO
  SO IN LOVE, I DON'T CARE WHAT THEY SAY I DON'T CARE IF THEY TALKIN' TOMORROW 'CAUSE TONIGHT'S THE NIGHT, OH OH OH OH THAT I'LL GIVE YOU EVERYTHING MUSIC KNOCKIN' TILL THE MORNING LIGHT 'CAUSE WE LIKE TO PARTY

  SET THE SCENE ... 3000 DEGREES I AIN'T WORRIED 'BOUT THEM OVER THERE BUT THEY WORRIED 'BOUT ME I GOTTA HOMEBOY NAMED BUTTER AND ANOTHER HOMEBOY THIS NAMED CHEESE WIT' ME BABY, I'LL MAKE IT MILK TILL IT DRIP DOWN YOUR KNEES SPIT THAT ISH FOR REAL-LO
BRAIN BRILLO'D KIDDO SAYS HE LOOKS UP TO ME THIS JUST MAKES ME FEEL OLD NEVER THOUGHT THAT WE COULD BECOME SOMEONE ELSE'S HERO MAN, WE WERE JUST IN THE FOOD COURT EATING OUR GYROS YESTERDAY THAT'S THE WAY EVERY SINGLE MORNING I TRY TO PRAY GRANDMAMMA 'DEM THEY NEVER FORGOT NOTHING ELSE REALLY MEAN NOTHING TO ME I AIN'T STUDDIN' THE BEAT TALKIN' TO ME? GIRL, WHY YOU WIT' ME? MOVE ON AIN'T NUTTIN TO SEE SHHH ALWAYS SUM'N TO SAW I'M THE RAW OF THE RIP 'CAUSE OF HIM ALL OF THEM WILL REMEMBER THE MIN
NUTE THEY FELL IN LOVE WITH RAP BLACK LIKE HAVING YO' COUSIN BACK BLUE LIKE WHEN THEY RENT IS DUE CREAM LIKE WHEN I'M LOVIN' YOU, YEEAAH

  SO IN LOVE, I'LL GIVE IT ALL AWAY JUST DON'T TELL NOBODY TOMORROW 'CAUSE TONIGHT'S THE NIGHT, OH OH OH OH THAT I'LL GIVE YOU EVERYTHING MUSIC KNOCKIN' TILL THE MORNING LIGHT 'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY

  YOU A BAD GIRL AND YOUR FRIENDS' BAD TOO, OOH WE GOT THE SWAG SAUCE SHE DRIPPIN SWAGU YOU A BAD GIRL AND YOUR FRIENDS' BAD TOO, OOH WE GOT THE SWAG SAUCE SHE DRIPPIN SWAGU OOH
  

  WRITTEN BY K. WEST, JEFF BHASKER, BEYONCÉ KNOWLES, ANDRÉ 3000, DEXTER R. MILLS, DOUGLAS DAVIS AND RICKY WALTERS.
PUBLISHED BY PLEASE GIMME MY PUBLISHING, INC. (BMI) / EMI BLACKWOOD / WAY ABOVE MUSIC (BMI) / SONY/ATV SONGS LLC (BMI) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) / CHRYSALIS MUSIC / WEDONTPLAYEVENWHENWEREPLAYINSONGS (ASCAP) / GET YA FROG ON PUBLISHING (BMI) / JTC ATLANTIC PACIFIC PARTNERS (BMI) / SLICK RICK MUSIC CORP. (BMI)

  PHOTOGRAPHY BY ELLEN VON UNWERTH

  PRODUCED BY BEYONCÉ KNOWLES AND KANYE WEST
  CO-PRODUCED BY JEFF BHASKER

  RECORDED BY ANDREW DAWSON AT AVEX HONOLULU STUDIOS - HONOLULU, HI
VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT KMA STUDIOS AND ROC THE MIC, NYC
  ASSISTANT ENGINEERS: GAYLORD HOLOMALIA, CHRISTIAN MOCHIZUKI, SERGE NUDEL AND EDWIN DELAHOZ
  ANDRÉ 3000'S RAP VERSE RECORDED AT SLUMDRUM AT STRONG MOUNTAIN STUDIO
STONE MOUNTAIN, GA 30087
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
  BACKGROUND VOCALS BY KANYE WEST AND CONSEQUENCE
  "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE), MORGAN PRICE (TENOR AND BARITONE SAXOPHONE)

  THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "LA DI DA DI" PERFORMED BY DOUG E. FRESH AND THE GET FRESH CREW. WRITTEN BY D. DAVIS AND R. WALTERS, PUBLISHED BY JTC ATLANTIC PACIFIC PARTNERS (BMI)/SLICK RICK MUSIC CORP. (BMI). COURTESY OF DANYA RECORDS LTD.

  KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS, LLC / ISLAND DEF JAM
ANDRÉ 3000 APPEARS COURTESY OF LAFACE RECORDS.
  

• THIS IS FOR THEM TWENTY-SOMETHIN'S
 TIME REALLY MOVES FAST YOU WERE JUST SIXTEEN

  THIS IS FOR THEM THIRTY-SOMETHIN'S 
THAT DIDN'T TURN OUT EXACTLY HOW YOUR MOM AND DAD WANTED YOU TO BE

  THIS IS FOR THEM FORTY-SOMETHIN'S 
WELL RAISE UP YOUR GLASS AND LAUGH LIKE A MUTHA

  THIS IS FOR THEM FIFTY-SOMETHIN'S
 HELL YOU'RE HALFWAY THERE BABY TAKE IT TO THE HEAD

  MOM AND DAD TRIED TO HIDE THE WORLD
 SAID THE WORLD'S JUST TOO BIG FOR A LITTLE GIRL
EYES WIDE OPEN, CAN'T YOU SEE 
I HAD MY FIRST HEELS BY THE AGE OF THIRTEEN

  MOM AND DAD TRIED TO HIDE THE BOYS 
I SWEAR THAT JUST MADE 'EM WANT ME MORE
AT FOURTEEN THEY ASKED ME WHAT I WANT TO BE
 I SAID BABY TWENTY-ONE, SO I GET ME A DRINK

  I'M NOT A TEACHER, BABE BUT, I CAN TEACH YOU SOMETHING
 I'M NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA
 AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER 
BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS

  I'M A FREAK ALL DAY, A-A-ALL NIGHT 
HOT TOP FLIGHT, BOY YOU'RE OUTTA SIGHT
 AND I'M CRAZY ALL DAY, A-A-ALL NIGHT 
WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

  OH OH, OH OH, OH-OH OHH OHH
OH OH, OH OH, OH-OH OHH OHH 
SCHOOLIN' LIFE
 OH OH, OH OH, OH-OH OHH OHH
OH OH, OH OH, OH-OH OHH OHH
 SCHOOLIN' LIFE

  THIS IS FOR THEM PRETTY-SOMETHIN'S 
LIVIN IN THE FAST LANE, SEE YOU WHEN YOU CRASH BABE

  THIS IS FOR THEM SEXY-SOMETHIN'S 
THAT BODY AIN'T GON' ALWAYS GET YOU OUT OF EVERYTHING
  THIS IS FOR THEM BITTER-SOMETHIN'S 
STOP LIVIN' IN REGRET, BABY IT'S NOT OVER YET

  THIS IS FOR THEM CHIPPER-SOMETHIN'S 
THAT'S HIGH ON LIFE, BABY PUT ME ON YOUR FLIGHT

  I'M NOT A TEACHER, BABY BUT, I CAN TEACH YOU SOMETHING 
NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA
 AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER
 BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS

  I'M A FREAK ALL DAY, A-A-ALL NIGHT 
HOT TOP TIGHT, BOY I'M OUTTA SIGHT
 AND I'M CRAZY ALL DAY, A-A-ALL NIGHT
 WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

  OH OH, OH OH, OH-OH OHH OHH
 OH OH, OH OH, OH-OH OHH OHH 
SCHOOLIN' LIFE
 OH OH, OH OH, OH-OH OHH OHH
 OH OH, OH OH, OH-OH OHH OHH 
SCHOOLIN' LIFE

  YOU KNOW IT COST TO BE THE BOSS, ONE DAY YOU'LL RUN THE TOWN
 FOR NOT MAKIN' LIFE THAT YOU DECIDE
 BABY PARTY TILL THE FIRE MARSHALL SHUT THIS SUCKA DOWN

  I'M NOT A TEACHER, BABY BUT, I CAN TEACH YOU SOMETHING
 NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA 
AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER
 BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS

  I'M A FREAK ALL DAY, A-A-ALL NIGHT
 HOT TOP TIGHT, BOY I'M OUTTA SIGHT
 AND I'M CRAZY ALL DAY, A-A-ALL NIGHT
WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

  OH OH, OH OH, OH-OH OHH OHH
 OH OH, OH OH, OH-OH OHH OHH
 WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE 
OH OH, OH OH, OH-OH OHH OHH 
OH OH, OH OH, OH-OH OHH OHH 
WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

  THERE'S NOT A REAL WAY TO LIVE THIS, FOR REAL 
JUST REMEMBER TO STAY RELENTLESS, OH YEAH, OH YEAH
 DON'T STOP RUNNING UNTIL IT'S FINISHED, YEAH YEAH YEAH
IT'S UP TO YOU THE REST IS UNWRITTEN, YEAH, YEAH, YEAH
  

  WRITTEN BY TERIUS NASH, CARLOS MCKINNEY AND BEYONCÉ KNOWLES, PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING / SONY/ATV MELODY (BMI)

  PRODUCED BY TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
  CO-PRODUCED BY BEYONCÉ KNOWLES AND LOS DA MYSTRO FOR DA MYSTRO MUSIC/MUSIC LINE ENTERTAINMENT, LLC

  RECORDED BY PAT THRALL AND SCOTT NAUGHTON AT THE STUDIO AT THE PALMS, LAS VEGAS, NV
  VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT JUNGLE CITY STUDIOS, NYC
  ASSISTANT ENGINEERS: JASON PATTERSON AND RAMON RIVAS
  MIXED BY JORDAN "DJ SWIVEL" YOUNG AT JUNGLE CITY STUDIOS, NYC
  ASSISTANT ENGINEER: RAMON RIVAS
  

• BOY, OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU

  WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU LEAVE ME YOU OUTTA YOUR MIND

  MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE

  THERE'S UPS AND DOWNS IN THIS LOVE GOT A LOT TO LEARN IN THIS LOVE THROUGH THE GOOD AND THE BAD STILL GOT LOVE DEDICATED TO THE ONE I LOVE, HEY

  STILL LOVE THE WAY HE TALKS STILL LOVE THE WAY I SANG STILL LOVE THE WAY HE ROCK THEM BLACK DIAMONDS IN THAT CHAIN STILL ALL UP ON EACH OTHER, AIN'T A DAMN THING CHANGED MY GIRLS CAN'T TELL ME NOTHING I'M A GONE IN THE BRAIN I'M ALL UP UNDER HIM LIKE IT'S COLD, WINTER TIME ALL UP IN THE KITCHEN IN MY HEELS, DINNER TIME DO WHATEVER THAT IT TAKES, YOU GOTTA WIN HIS MIND GIVE IT ALL TO HIM, AND MEET HIM AT THE FINISH LINE

  ME AND MY BOO, AND MY BOO, BOO, RIDIN' ALL UP IN THE BLACK WITH HIS CHICK RIGHT BESIDE HIM LADIES IF YOU LOVE YOUR MAN, SHOW HIM YOU'RE THE FLYEST GRIND UP ON IT GIRL, SHOW HIM HOW YOU RIDE IT (2X)

  OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU

  WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU EVER LEAVE ME YOU'RE OUTTA YOUR MIND

  MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE
  YEP I PUT IT ON 'EM, IT AIN'T NOTHING THAT I CAN'T DO YEP I BUY MY OWN, IF HE DESERVE IT BUY HIS SHIT TOO ALL UP IN THE STORE SHAWTY TRICKIN' IF I WANT TO ALL UP IN THE STORE SHAWTY FLY AS WE WANT TO OOOO, DAMN I THINK I LOVE THAT BOY, DO ANYTHING FOR THAT BOY OOOO, NOW I'LL NEVER BE THE SAME, IT'S YOU AND ME UNTIL THE END

  ME AND MY BOO, AND MY BOO, BOO, RIDIN' ALL UP IN THE BLACK WITH HIS CHICK RIGHT BESIDE HIM LADIES IF YOU LOVE YOUR MAN SHOW HIM YOU'RE THE FLYEST GRIND UP ON IT GIRL, SHOW HIM HOW YOU RIDE IT ME AND MY BOO, AND MY BOO LIP LOCKIN' ALL UP IN THE BACK 'CAUSE THE CHICKS KEEP BLOCKIN' ALL THAT GOSSIP BEEN TEN YEARS STOP IT LONDON SPEED IT UP, HOUSTON ROCK IT

  OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU

  WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU EVER LEAVE ME YOU'RE OUTTA YOUR MIND

  MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE
  

  WRITTEN BY TERIUS NASH, SHEA TAYLOR, BEYONCÉ KNOWLES, E. DEAN, CAINON LAMB, JULIE FROST, MICHAEL BIVINS, NATHAN MORRIS AND WANYA MORRIS
PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND CAINON'S LAND MUSIC PUBLISHING (ASCAP) AND TOTALLY FAMOUS MUSIC (ASCAP) / PEERMUSIC III, LTD. / 2412 LLC / DAT DAMN DEAN MUSIC (ASCAP) ADMINISTERED BY PEERMUSIC III, LTD. / UNIVERSAL MUSIC CORP. O/B/O ITSELF AND BIV TEN PUBLISHING (ASCAP) / MIKE TEN PUBLISHING INC. (BMI)

  PHOTOGRAPHY BY ELLEN VON UNWERTH

  PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR
CO-PRODUCED BY LAMB FOR LAMTRAK PRODUCTIONS INC.

  RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
  ASSISTANT ENGINEERS: PETE WOLFORD AND RYAN KELLY
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
  ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
"THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)

  THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "UHH AHH" AS PERFORMED BY BOYZ II MEN. WRITTEN BY MICHAEL BIVINS, NATHAN B. MORRIS AND WANYA J. MORRIS, PUBLISHED BY UNIVERSAL MUSIC CORP. O/B/O ITSELF AND BIV TEN PUBLISHING (ASCAP)/MIKE TEN PUBLISHING INC. (BMI). COURTESY OF MOTOWN RECORDS, UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.

• I THOUGHT THAT THINGS LIKE THIS GET BETTER WITH TIME
BUT I STILL NEED YOU, WHY IS THAT
YOU'RE THE ONLY IMAGE IN MY MIND
SO I STILL SEE YOU, AROUND

  I MISS YOU, LIKE EVERYDAY
WANNA BE WITH YOU, BUT YOU'RE AWAY
SAID I MISS YOU, MISSING YOU INSANE
BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME

  THE WORDS DON'T EVER SEEM TO COME OUT RIGHT
BUT I STILL MEAN 'EM, WHY IS THAT
IT HURTS MY PRIDE TO TELL YOU HOW I FEEL
BUT I STILL NEED TO, WHY IS THAT

  I MISS YOU, LIKE EVERYDAY
WANNA BE WITH YOU, BUT YOU'RE AWAY
SAID I MISS YOU, MISSING YOU INSANE
BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME

  IT DON'T MATTER WHO YOU ARE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING
NO MATTER WHO YOU LOVE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING

  I MISS YOU, LIKE EVERYDAY
WANNA BE WITH YOU, BUT YOU'RE AWAY
SAID I MISS YOU, MISSING YOU INSANE
BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME

  IT DON'T MATTER WHO YOU ARE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING
NO MATTER WHO YOU LOVE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING
  

  WRITTEN BY FRANK OCEAN, SHEA TAYLOR AND BEYONCÉ KNOWLES PUBLISHED BY HEAVENS RESEARCH (BMI) / BUG MUSIC (BMI) ADMINISTERED BY BUG / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

  PHOTOGRAPHY BY ELLEN VON UNWERTH

  PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR

  RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
  ASSISTANT ENGINEER: GLORIA KABA
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
  

• I JUST WANNA SHOW YOU HOW MUCH I APPRECIATE YOU (YES)
WANNA SHOW YOU HOW MUCH I'M DEDICATED TO YOU (YES) 
WANNA SHOW YOU HOW MUCH I WILL FOREVER BE TRUE (YES) 
WANNA SHOW YOU HOW MUCH YOU GOT YOUR GIRL FEELING GOOD (OH YES)

  WANNA SHOW YOU HOW MUCH, HOW MUCH YOU'RE UNDERSTOOD (OH YES)
WANNA SHOW YOU HOW MUCH I VALUE WHAT YOU SAY
 NOT ONLY ARE YOU LOYAL, YOU'RE PATIENT WITH ME BABE (OH YES)
I WANNA SHOW YOU HOW MUCH I REALLY CARE ABOUT YOUR HEART 
I WANNA SHOW YOU HOW MUCH I HATE BEING APART (OH YES) 
SHOW YA, SHOW YA, SHOW YA TILL YOU'RE THROUGH WITH ME 
I WANNA KEEP IT HOW IT IS, SO YOU COULD NEVER SAY HOW IT USED TO BE

  LOVING YOU, IS REALLY ALL THAT'S ON MY MIND 
AND I CAN'T HELP BUT TO THINK ABOUT IT DAY AND NIGHT 
I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

  TONIGHT I'M GONNA DANCE FOR YOU (OHHH)
 TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT'S GOIN' DOWN

  I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE
 SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON MY BABE
 BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY
 'CAUSE IT'S BOUT TO GO DOWN

  
YOU'LL NEVER NEED TWO, 'CAUSE I WILL BE YOUR NUMBER ONE 
THEM OTHER CHICKS ARE SUPERFICIAL, GLAD I KNOW YOU KNOW I'M THE ONE
 THAT'S WHY I'M ALL INTO YOU, 'CAUSE I CAN RECOGNIZE THAT YOU KNOW THAT
THAT'S WHY I'M BACKIN' THIS THING BACK 
POP, POPPIN' THIS THING BACK, DROP, DROP, DROPPING THIS THING BACK

  THIS IS FOR THE TIME YOU GAVE ME FLOWERS, FOR THE WORLD THAT IS OURS 
FOR THE MOOLAH, FOR THE POWER OF LOVE 
AND NO I WON'T NEVER, EVER, EH, EVER GIVE YOU UP
AND I WANNA SAY THANK YOU IN CASE I DON'T THANK YOU ENOUGH

  A WOMAN IN THE STREET AND A FREAK IN THE YOU KNOW WHAT
 SIT BACK, SIT BACK IT'S THE PRE-GAME SHOW, DADDY YOU KNOW WHAT'S UP

  LOVING YOU, IS REALLY ALL THAT'S ON MY MIND 
AND I CAN'T HELP BUT TO THINK ABOUT IT DAY AND NIGHT
I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

  TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT'S GOIN' DOWN

  I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE 
I'LL BE SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON YOU BABE
 BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY
'CAUSE IT'S ABOUT TO GO DOWN

  I'M GONNA TAKE THIS TIME TO SHOW YOU HOW MUCH YOU MEAN TO ME 
'CAUSE YOU ARE ALL I NEED 
NO MONEY CAN EMPHASIZE OR DESCRIBE THE LOVE THAT'S IN BETWEEN THE LINES
 BOY LOOK INTO MY EYES

  WHILE I'M GRINDING ON YOU, THIS IS BEYOND SEX, I'M HIGH ON YOU 
IF IT'S REAL THEN YOU KNOW HOW I FEEL
 ROCKIN' ON YOU BABE, ROCKIN', ROCKIN' ON YOU BABE, SWIRLIN' ON YOU BABE 
IN MY MIND ALL I CAN THINK ABOUT IS A FRAME FOR OUR FUTURE AND THE PICTURES OF THE PAST 
AND THE CHANCE TO MAKE THIS LOVE LAST, OHHH

  TONIGHT I'M GONNA DANCE FOR YOU (OHHH)
 TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT'S GOIN' DOWN

  I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE 
I'LL BE SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON YOU BABE
I WANNA PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY 
'CAUSE IT'S ABOUT TO GO DOWN

  WATCH ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY
 DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY
 WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY
 WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

  ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY 
DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY
 WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY
 WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

  (OHHH….OHHH…..)
 YES, YES, YES, OH YES, OH YES, YES, YES, OH YES
  

  WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES
PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

  PRODUCED BY BEYONCÉ KNOWLES, TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. "TRICKY" STEWART FOR REDZONE ENTERTAINMENT

  RECORDED BY BRIAN "B- LUV" THOMAS AND PAT THRALL AT TRIANGLE SOUND STUDIOS IN ATLANTA, GA

  VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
  ASSISTANT ENGINEERS: CHRIS SOPER, NICK BANNS, JASON SHERWOOD AND STEVEN DENNIS
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
  ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
  GUITARS BY MICHAEL THOMPSON
BASS BY ALEX A1

  PROGRAMMING AND SEQUENCING BY TRICKY STEWART AND TERIUS "THE DREAM" NASH
  

• I TOLD YOU HOW YOU HURT ME BABY, BUT YOU DON'T CARE
 NOW I'M CRYING AND DESERTED BABY, BUT YOU DON'T CARE
 AIN'T NOBODY TELL ME THIS IS LOVE, WHEN YOU'RE IMMUNE TO ALL MY PAIN 
I NEED YOU TO TELL ME THIS IS LOVE, YOU DON'T CARE WELL THAT'S OK

  WELL I CARE
 I KNOW YOU DON'T CARE TOO MUCH 
BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…

  OH I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH

  EVER SINCE YOU KNEW YOUR POWER, YOU MADE ME CRY 
AND NOW EVERY TIME OUR LOVE GOES SOUR, YOU WON'T SYMPATHIZE
 YOU SEE THESE TEARS FALLING DOWN TO MY EARS, I SWEAR YOU LIKE WHEN I'M IN PAIN
 I TRY TO TELL YOU ALL MY FEARS, YOU STILL DON'T CARE, THAT'S OK

  WELL I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…

  OH I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH

  BOY MAYBE IF YOU CARED ENOUGH, I WOULDN'T HAVE TO CARE SO MUCH 
WHAT HAPPENED TO OUR TRUST, NOW YOU'RE JUST GIVIN' UP 
YOU USED TO BE SO IN LOVE, NOW YOU DON'T CARE NO MORE

  OOOOOOOOOOO…

  WELL I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…

  OH I CARE 
I KNOW YOU DON'T CARE TOO MUCH 
BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH

  I STILL CARE (LA, LA, LA….)
 I STILL CARE (LA, LA, LA….)
 I STILL CARE (LA, LA, LA….)

  WRITTEN BY JEFF BHASKER, CHAD HUGO AND BEYONCÉ KNOWLES
PUBLISHED BY SONY/ATV SONGS LLC / WAY ABOVE MUSIC (BMI) / UNIVERSAL MUSIC - CAREERS / RAYNCHASER MUSIC (BMI) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

  PHOTOGRAPHY BY GREG GEX

  PRODUCED BY JEFF BHASKER
  CO-PRODUCED BY BEYONCÉ KNOWLES

  RECORDED BY MITCH KENNY AND JEFF BHASKER AT RECORD PLANT AND ENORMOUS STUDIOS, LA
  VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
  ASSISTANT ENGINEER: RYAN KELLY
  MIXED BY: JORDAN" DJ SWIVEL" YOUNG AT KMA STUDIOS NYC.
  ASSISTED BY: SERGE NUDEL
  DRUMS BY NIKKI GALLESPI
  BARITONE BY DREW SAYERS
  RHYTHM GUITAR BY CHAD HUGO
  BACKGROUND VOCALS BY BILLY KRAVEN
  KEYBOARDS, GUITAR SOLO AND DRUM PROGRAMMING BY JEFF BHASKER
  

• BOY YOU'LL BE THE DEATH OF ME
 YOU'RE MY JAMES DEAN
 YOU MAKE ME FEEL LIKE I'M 17
 YOU DRIVE TOO FAST
 YOU SMOKE TOO MUCH 
BUT THAT DON'T MEAN A THING 
CAUSE I'M ADDICTED TO THE RUSH

  'CAUSE I'D RATHER DIE YOUNG 
THAN LIVE MY LIFE WITHOUT YOU
 I'D RATHER NOT LIVE AT ALL
 THAN LIVE MY LIFE WITHOUT YOU
(2X)

  YOU KNOW I'VE BEEN IN LOVE BEFORE
 YOU'RE THE FIRST ONE I EVER SEEN THAT BURNS LIKE GASOLINE
 SO LIGHT A MATCH, TURN OFF THE LIGHTS 
I'M HOLDING ONTO YOU, 'CAUSE THIS MIGHT BE OUR LAST NIGHT

  'CAUSE I'D RATHER DIE YOUNG
 THAN LIVE MY LIFE WITHOUT YOU 
I'D RATHER NOT LIVE AT ALL
 THAN LIVE MY LIFE WITHOUT YOU 
(2X)

  WHAT I'M TELLING YOU 
I'M GIVING YOU MY LIFE, IT'S IN YOUR HANDS 
AND WHAT I'M GONNA DO
 IS BE A WOMAN AND YOU CAN BE A MAN 
AND I WANNA SAY
 NOBODY UNDERSTANDS WHAT WE'VE BEEN THROUGH 
I'D RATHER GIVE UP EVERYTHING
 THAN TO LIVE MY, LIVE MY LIFE WITHOUT YOU, OHHH, OHHH

  'CAUSE I'D RATHER DIE YOUNG
 THAN LIVE MY LIFE WITHOUT YOU 
I'D RATHER NOT LIVE AT ALL 
THAN LIVE MY LIFE WITHOUT YOU
 (2X)
  

  WRITTEN BY JEFF BHASKER, LUKE STEELE AND BEYONCÉ KNOWLES
PUBLISHED BY SONY/ATV SONGS LLC (BMI) / WAY ABOVE MUSIC (BMI) / SONY/ATV MUSIC PUBLISHING / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

  PHOTOGRAPHY BY TONY DURAN

  PRODUCED BY JEFF BHASKER
  CO-PRODUCED BY BEYONCÉ KNOWLES AND LUKE STEELE

  RECORDED BY JEFF BHASKER AT ENORMOUS STUDIOS, LA
VOCALS
  RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND KMA STUDIOS, NYC
  ASSISTANT ENGINEERS: PETE WOLFORD , RYAN KELLY AND SERGE NUDEL
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC
  ASSISTANT ENGINEER: JUSTIN HERGETT AND JON CASTELLI
  MIXED AT RMC STUDIO, LOS ANGELES
  "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)
  HORNS ARRANGED BY: SHEA TAYLOR
  GUITAR BY LUKE STEELE
  BACKGROUND VOCALS BY LUKE STEELE AND BILLY KRAVEN
  KEYBOARDS AND DRUM PROGRAMMING BY JEFF BHASKER

• IF I AIN'T GOT NOTHING, I GOT YOU
IF I AIN'T GOT SOMETHING I DON'T GIVE A DAMN, 'CAUSE I GOT IT WITH YOU 
I DON'T KNOW MUCH ABOUT ALGEBRA, BUT I KNOW ONE PLUS ONE EQUALS TWO 
AND IT'S ME AND YOU, THAT'S ALL WE'LL HAVE WHEN THE WORLD IS THROUGH

  'CAUSE BABY WE AIN'T GOT NOTHING WITHOUT LOVE
 DARLING YOU GOT ENOUGH FOR THE BOTH OF US 
SO COME ON BABY
MAKE LOVE TO ME
 WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON'T LET ME GO 
MAKE LOVE TO ME
SO WHEN THE WORLD'S AT WAR, LET OUR LOVE HEAL US ALL
 RIGHT NOW BABY
 MAKE LOVE TO ME, ME, ME, ME, ME
 OHHHH OHHH, MAKE LOVE TO ME

  HEY, I DON'T KNOW MUCH ABOUT GUNS BUT I, I'VE BEEN SHOT BY YOU 
HEY, AND I DON'T KNOW WHEN I'M GON' DIE, BUT I HOPE THAT I'M GON' DIE BY YOU
 HEY, AND I DON'T KNOW MUCH ABOUT FIGHTING BUT I, I KNOW I WILL FIGHT FOR YOU 
HEY, AND JUST WHEN I BALL UP MY FIST I REALIZE THAT I'M LAYING RIGHT NEXT TO YOU

  BABY WE AIN'T GOT NOTHING BUT LOVE 
AND DARLING YOU GOT ENOUGH FOR THE BOTH OF US
 OHHHH MAKE LOVE TO ME
 WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON'T LET ME GO
MAKE LOVE TO ME 
SO WHEN THE WORLD'S AT WAR, LET OUR LOVE HEAL US ALL 
HELP ME LET DOWN MY GUARD 
MAKE LOVE TO ME, ME, ME, ME, ME
 OHHH OHHH, MAKE LOVE TO ME, ME, ME, ME
  

  WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES
PUBLISHED BY: 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP)

  PHOTOGRAPHY BY TONY DURAN

  PRODUCED BY BEYONCÉ KNOWLES, TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. "TRICKY" STEWART FOR REDZONE ENTERTAINMENT

  RECORDED BY PAT THRALL AND BRIAN "B- LUV" THOMAS AT THE STUDIO AT THE PALMS, LAS VEGAS, NV AND TRIANGLE SOUND STUDIOS IN ATLANTA, GA
  VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
  ASSISTANT ENGINEERS: MARK GRAY, JASON SHERWOOD, STEVEN DENNIS AND PETE WOLFORD
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC AT JUNGLE CITY STUDIOS, NYC
  ASSISTANT MIX ENGINEER: VAL BRATHWAITE
  GUITARS BY PETE WOLFORD
  DRUMS BY NIKKI GALLESPI
  STRINGS BY LEE BLASKE
  

• COME TAKE MY HAND, I WON'T LET YOU GO 
I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY 
I WILL BE THE ONE TO KISS YOU AT NIGHT 
I WILL LOVE YOU UNTIL THE END OF TIME

  I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO 
LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO

  TAKE YOU AWAY FROM HERE
 THERE'S NOTHING BETWEEN US, BUT SPACE AND TIME 
I'LL BE YOUR OWN LITTLE STAR, LET ME SHINE IN YOUR WORLD 
I'LL BE YOUR OWN LITTLE UNIVERSE, MAKE ME YOUR GIRL

  COME TAKE MY TAKE MY HAND, I WON'T LET YOU GO 
I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY
I WILL BE THE ONE TO KISS YOU AT NIGHT 
I WILL LOVE YOU UNTIL THE END OF TIME

  I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO 
LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO
 SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO

  BABY COME ON GET UP ON IT, SHOW ME THAT YOU REALLY WANT IT 
I WANNA BE THE ONE TO LOVE YOU BABY LET'S GO, LET'S GO 
I WANNA PROVIDE THIS LOVIN' THAT YOUR GIVIN', I AIN'T FRONTIN' IN THIS LOVE OH
 CAN YOU LET ME LOVE YOU FROM YOUR HEAD TO TOE, BABY LET'S GO

  BOY COME TO ME (COME TO ME)
LET ME TURN YOUR RAIN INTO SUN (COME TO ME BABY)
 YOU DON'T HAVE TO WORRY BABY (OH NO)
 I PROMISE I'LL SET YOUR HEART FREE
LET MY LOVE INTO YOUR SOUL, YOU GO, I GO, WE GO, THAT'S ALL SHE WROTE

  SAY, SAY YOU'LL NEV, NEVER…..
CAN'T YOU SEE 
I JUST WANNA LOVE YOU
CAN'T YOU FEEL ME BABE
 I JUST WANNA BE WITH YOU 
I JUST WANT LIVE FOR YOU 
I'LL NEVER LET YOU GO
BRING YOUR LOVE TO ME

  COME TAKE MY TAKE MY HAND, I WON'T LET YOU GO 
I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY 
I WILL BE THE ONE TO KISS YOU AT NIGHT 
I WILL LOVE YOU UNTIL THE END OF TIME

  I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO 
LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO
 SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO
  

  WRITTEN BY BEYONCÉ KNOWLES, TERIUS NASH, SHEA TAYLOR, DAVID TAYLOR AND WESLEY PENTZ
PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP)

  PHOTOGRAPHY BY ELLEN VON UNWERTH

  PRODUCED BY BEYONCÉ KNOWLES AND TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
  ADDITIONAL PRODUCTION BY SWITCH AND DIPLO

  RECORDED BY PAT THRALL AT MSR STUDIOS, NYC
  VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
  ASSISTANT ENGINEERS: CHRIS SOPER AND PETE WOLFORD
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
  ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
  "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE), JOHNNY BUTLER (TENOR SAXOPHONE)
  BASS GUITAR BY JACK DALEYDALEY

• GIRLS, WE RUN THIS MUTHA, YEAH (X3)
GIRLS, WE RUN THIS MUTHA, GIRLS 
WHO RUN THE WORLD, GIRLS, (X4)
WHO RUN THIS MUTHA, GIRLS, (X4)
WHO RUN THE WORLD, GIRLS (X4)

  SOME OF THEM MEN THINK THEY FREAK THIS LIKE WE DO BUT NO THEY DON'T 
MAKE YO CHECK COME AT THEY NECK, DISRESPECT US NO THEY WON'T
BOY DON'T EVEN TRY TO TOUCH THIS, BOY THIS BEAT IS CRAZY
THIS IS HOW THEY MADE ME, HOUSTON TEXAS BABY

  THIS GOES OUT TO ALL MY GIRLS THAT'S IN THE CLUB ROCKIN' THE LATEST
 WHO WILL BUY IT FOR THEMSELVES AND GET MORE MONEY LATER

  I THINK I NEED A BARBER, NONE OF THESE CAN FADE ME 
I'M SO GOOD WITH THIS, I REMIND YOU I'M SO HOOD WITH THIS

  BOY I'M JUST PLAYIN'
COME HERE BABY 
HOPE YOU STILL LIKE ME
F U PAY ME

  MY PERSUASION CAN BUILD A NATION
 ENDLESS POWER WITH OUR LOVE WE CAN DEVOUR
YOU'LL DO ANYTHING FOR ME

  WHO RUN THE WORLD, GIRLS (X5) 
WHO RUN THIS MUTHA, GIRLS (X4)
WHO RUN THE WORLD, GIRLS (X4)

  IT'S HOT UP IN HERE DJ DON'T BE SCARED TO RUN THIS RUN THIS BACK 
I'M REPPIN' FOR THE GIRLS WHO TAKIN' OVER THE WORLD
HELP ME RAISE A GLASS FOR THE COLLEGE GRADS

  41 ROLLIN' TO LET YOU KNOW WHAT TIME IT IS, CHECK
 YOU CAN'T HOLD ME I WORK MY 9 TO 5 BETTA CUT MY CHECK

  THIS GOES OUT TO ALL THE WOMEN GETTIN' IT IN YOU ON YO GRIND 
TO ALL THE MEN THAT RESPECT WHAT I DO PLEASE ACCEPT MY SHINE

  BOY YOU KNOW YOU LOVE IT HOW WE SMART ENOUGH TO MAKE THESE MILLIONS, STRONG ENOUGH TO BARE THE CHILDREN, THEN GET BACK TO BUSINESS

  SEE, YOU BETTER NOT PLAY ME
OH COME HERE BABY
 HOPE YOU STILL LIKE ME
F U PAY ME

  MY PERSUASION CAN BUILD A NATION
EN DLESS POWER WITH OUR LOVE WE CAN DEVOUR
YOU'LL DO ANYTHING FOR ME

  WHO RUN THE WORLD, GIRLS (X5) 
WHO RUN THIS MUTHA, GIRLS (X4)
 WHO RUN THE WORLD, GIRLS (X4)

  WHO ARE WE, WHAT WE RUN, THE WORLD
 WHO RUN THIS MUTHA, YEAH 
WHO ARE WE, WHAT WE RUN, THE WORLD
 WHO RUN THIS MUTHA, YEAH
 WHO ARE WE, WHAT DO WE RUN, WE RUN THE WORLD
 WHO RUN THIS MUTHA, YEAH
 WHO ARE WE, WHAT WE RUN, WE RUN THE WORLD 
WHO RUN THE WORLD....GIRLS

  WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, WESLEY PENTZ, DAVID TAYLOR, ADIDJA PALMER AND NICK VAN DE WALL
PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING O/B/O / I LIKE TURTLES (ASCAP) / MUSIC BY TAFARI, INC. (BMI) O/B/O JACK RUSSELL MUSIC / THE ROYALTY NETWORK, INC. O/B/O TALPA MUSIC C/O TENYOR MUSIC (BMI)

  PHOTOGRAPHY BY GREG GEX

  PRODUCED BY SWITCH AND TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
  CO-PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR

  RECORDED BY JORDAN "DJ SWIVEL" YOUNG AND PAT THRALL AT MSR STUDIOS, NEW YORK, NY
  ASSISTANT ENGINEER: PETE WOLFORD
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
  ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD

  THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "PON DE FLOOR," AS PERFORMED BY MAJOR LAZER. WRITTEN BY NICK VAN DE WALL, ADIDJA PALMER, WESLEY PENTZ, AND DAVID TAYLOR. PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND SWITCH WERD MUSIC (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING OBO I LIKE TURTLES MUSIC (ASCAP) / MUSIC BY TAFARI, INC. (BMI) O/B/O JACK RUSSELL MUSIC LTD. (PRS) / TENYOR MUSIC (BMI). COURTESY OF DOWNTOWN RECORDS, LLC AND INTERSCOPE RECORDS, UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.
  

• WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY
 WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY, I SAY
 WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY 
WHAT GOES AROUND, COMES BACK AROUND

  THERE WAS A TIME I THOUGHT, THOUGHT YOU DID EVERYTHING RIGHT
 NO LIES, NO WRONG, BOY I, MUST HAVE BEEN OUTTA MY MIND 
SO WHEN I THINK OF THE TIME THAT I ALMOST LOVED YOU 
YOU SHOWED YOUR ASS AND I, I SAW THE REAL YOU 
THANK GOD YOU BLEW IT, THANK GOD I DODGED A BULLET 
I'M SO OVER YOU, SO BABY GOOD LOOKIN' OUT

  I WANTED YOU BAD, I'M SO THROUGH WITH THAT 
'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
YOU TURNED OUT TO BE THE BEST THING I NEVER HAD
 AND I'M GON' ALWAYS BE THE BEST THING YOU NEVER HAD
 OH YEAH, I BET IT SUCKS TO BE YOU RIGHT NOW

  SO SAD, YOU'RE HURT, BOO HOO, OH DID YOU EXPECT ME TO CARE
 YOU DON'T DESERVE MY TEARS, I GUESS THAT'S WHY THEY AIN'T THERE 
WHEN I THINK THAT THERE WAS A TIME THAT I ALMOST LOVED YOU
YOU SHOWED YOUR ASS AND BABY YES I SAW THE REAL YOU
 THANK GOD YOU BLEW IT, THANK GOD I DODGED A BULLET 
I'M SO OVER YOU, BABY GOOD LOOKIN' OUT

  I WANTED YOU BAD, I'M SO THROUGH WITH THAT
 'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
I SAID YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
AND I'LL NEVER BE THE BEST THING YOU NEVER HAD 
OH BABY I BET IT SUCKS TO BE YOU RIGHT NOW

  I KNOW YOU WANT ME BACK
 IT'S TIME TO FACE THE FACTS THAT I'M THE ONE THAT GOT AWAY 
LORD KNOWS THAT IT WILL TAKE ANOTHER PLACE, ANOTHER TIME, ANOTHER WORLD, ANOTHER LIFE
 THANK GOD I FOUND THE GOOD IN GOODBYE

  I USED TO WANT YOU SO BAD, I'M SO THROUGH WITH THAT 
'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
OH YOU TURNED OUT TO BE THE BEST THING I NEVER HAD
 AND I WILL ALWAYS BE THE BEST THING YOU NEVER HAD 
OOOH BEST THING YOU NEVER HAD

  I USED TO WANT YOU SO BAD, I'M SO THROUGH WITH THAT 
'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
OH YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
OOOH I WILL NEVER BE THE BEST THING YOU NEVER HAD
 OH BABY, I BET IT SUCKS TO BE YOU RIGHT NOW

  WHAT GOES AROUND, COMES BACK AROUND
 WHAT GOES AROUND, COMES BACK AROUND
 BET IT SUCKS TO BE YOU RIGHT NOW
 WHAT GOES AROUND, COMES BACK AROUND 
I BET IT SUCKS TO BE YOU RIGHT NOW
 WHAT GOES AROUND, COMES BACK AROUND 
I BET IT SUCKS TO BE YOU RIGHT NOW

  WRITTEN BY KENNY "BABYFACE" EDMONDS, ANTONIO DIXON, PATRICK "J.QUE" SMITH, BEYONCÉ KNOWLES, SHEA TAYLOR, LARRY GRIFFIN, JR. AND CALEB MCCAMPBELL
PUBLISHED BY FAZE 2 MUSIC ADMINISTERED BY SONGS OF UNIVERSAL, INC. (BMI) / MUZIK / EMI APRIL MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND / B-DAY PUBLISHING (ASCAP) / CHRISTOPHER MATTHEW MUSIC / HITCO MUSIC PUBLISHING (BMI) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / ROC NATION MUSIC O/B/O VOHNDEE'S SOUL PUBLISHING ADMINISTERED BY / EMI APRIL MUSIC INC. (ASCAP)

  PHOTOGRAPHY BY ELLEN VON UNWERTH

  PRODUCED BY BEYONCÉ KNOWLES, BABYFACE, ANTONIO DIXON, SHEA TAYLOR AND S1 AND CALEB FOR SOUL KONTROLLAZ PRODUCTIONS, INC. / VERY GOOD BEATS, INC.

  RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND KMA STUDIOS, NYC
  ASSISTANT ENGINEERS: PETE WOLFORD, SERGE NUDEL AND GLORIA KABA
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC
  ASSISTANT MIX ENGINEER: VAL BRATHWAITE
  MIXED AT JUNGLE CITY STUDIOS, NYC
  GUITAR BY ROB SUCHECKI
  

• I FEEL WEAK
WE'VE BEEN HERE BEFORE 
'CAUSE I FEEL WE KEEP GOIN' BACK AND FORTH 
MAYBE IT'S OVER, MAYBE WE'RE THROUGH
BUT I HONESTLY CAN SAY I STILL LOVE YOU

  MAYBE WE'VE REACHED THE MOUNTAIN PEAK
 AND THERE'S NO MORE LEFT TO CLIMB 
AND MAYBE WE LOST THE MAGIC PIECE
AND WE'RE BOTH TOO BLIND TO FIND

  LET'S START OVER
LET'S GIVE LOVE THEIR WINGS 
LET'S START OVER
 STOP FIGHTING 'BOUT THE SAME OLD THING

  LET'S START OVER
WE CAN'T LET OUR GOOD LOVE DIE
 MAYBE WE CAN START ALL OVER
 GIVE LOVE ANOTHER LIFE

  I CAN SEE THAT WE'RE NOT HAPPY HERE
 SO WHY WOULD WE KEEP PRETENDING WHEN THERE'S NOTHING THERE
 MAYBE YOU LIKE IT, WELL I DON'T
 AND MAYBE YOU'LL SETTLE, WELL I WON'T

  MAYBE WE'VE REACHED THE MOUNTAIN PEAK
 AND THERE'S NO MORE LEFT TO CLIMB
 AND MAYBE WE LOST THE MAGIC PIECE 
AND WE'RE BOTH TOO BLIND TO FIND

  LET'S START OVER 
LET'S GIVE LOVE THEIR WINGS 
LET'S START OVER
 STOP FIGHTING 'BOUT THE SAME OLD THING

  LET'S START OVER 
WE CAN'T LET OUR GOOD LOVE DIE
 MAYBE WE CAN START ALL OVER 
AND GIVE LOVE ANOTHER LIFE

  I KNOW THAT THIS WILL HURT YOU, I KNOW YOU'LL CRY
 I KNOW I CALLED YOU SELFISH, BUT THAT'S A LIE
I FEEL I KNOW WHAT'S BEST FOR US
 LET'S

  START OVER 
AND LET'S GIVE LOVE THEIR WINGS
 LET'S START OVER
 I'M TIRED OF FIGHTING 'BOUT THE SAME OLD THING

  LET'S START OVER
 WE BOTH KNOW THAT THIS LOVE WON'T DIE
 MAYBE WE CAN START ALL OVER
 AND GIVE LOVE ANOTHER LIFE
  

  WRITTEN BY SHEA TAYLOR, BEYONCÉ KNOWLES AND E. DEAN
PUBLISHED BY DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) PEERMUSIC III, LTD. / 2412 LLC / DAT DAMN DEAN MUSIC (ASCAP) ADMINISTERED BY PEERMUSIC III, LTD.

  PHOTOGRAPHY BY TONY DURAN

  PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR

  RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND JUNGLE CITY STUDIOS, NYC
  ASSISTANT ENGINEER: PETE WOLFORD AND RAMON RIVAS
  MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
  ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
  

• I WANNA LEAVE MY FOOTPRINTS ON THE SANDS OF TIME
 KNOW THERE WAS SOMETHIN' THAT, SOMETHIN' THAT I LEFT BEHIND 
WHEN I LEAVE THIS WORLD, I'LL LEAVE NO REGRETS
 LEAVE SOMETHIN' TO REMEMBER, SO THEY WON'T FORGET

  I WAS HERE, I LIVED, I LOVED
 I WAS HERE, I DID, I'VE DONE
 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WILL LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE

  I WANNA SAY I LIVED EACH DAY UNTIL I DIE 
AND KNOW THAT I MEANT SOMETHIN' IN SOMEBODY'S LIFE
 THE HEARTS I HAVE TOUCHED, WILL BE THE PROOF THAT I LEAVE
 THAT I MADE A DIFFERENCE AND THIS WORLD WILL SEE

  I WAS HERE, I LIVED, I LOVED 
I WAS HERE, I DID, I'VE DONE
 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WILL LEAVE MY MARK SO EVERYONE WILL KNOW 
I WAS HERE, I LIVED, I LOVED 
I WAS HERE, I DID, I'VE DONE

 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WILL LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE

  I JUST WANT THEM TO KNOW, THAT I GAVE MY ALL, DID MY BEST
 BROUGHT SOMEONE SOME HAPPINESS
LEFT THIS WORLD A LITTLE BETTER JUST BECAUSE I WAS HERE

  I WAS HERE, I LIVED, I LOVED 
I WAS HERE, I DID, I'VE DONE
 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WANNA LEAVE MY MARK SO EVERYONE WILL KNOW 
I WAS HERE, I LIVED, (I LIVED), I LOVED 
I WAS HERE, I DID, (I DID), I'VE DONE 
I WAS HERE, I LIVED, (I LIVED), I LOVED (I LOVED)
 I WAS HERE, I DID, I'VE DONE, I WAS HERE
  

  WRITTEN BY DIANE WARREN
  PUBLISHED BY REALSONGS (ASCAP)

  PHOTOGRAPHY BY GREG GEX

  PRODUCED BY RYAN TEDDER AND BRENT KUTZLE FOR PATRIOT ENTERTAINMENT, LLC
  VOCAL PRODUCED BY BEYONCÉ KNOWLES AND KUK HARRELL

  RECORDED BY RYAN TEDDER AND BRENT KUTZLE AT PATRIOT STUDIOS (DENVER, CO), BOSTON HARBOR HOTEL (BOSTON, MA) AND LEAR 60/G2 STUDIOS
  VOCALS RECORDED BY KUK HARRELL AT CONWAY RECORDING STUDIOS, HOLLYWOOD, CA
  ASSISTANT ENGINEERS: SMITH CARLSON, ERIC AYLANDS AND JON SHER
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
  ENGINEER FOR MIX: JOHN HANES
  ASSISTANT MIX ENGINEER: PHIL SEAFORD
  DRUMS BY RYAN TEDDER
  CELLO AND GUITAR BY BRENT KUTZLE
  PIANO AND ALL ADDITIONAL PROGRAMMING BY RYAN TEDDER AND BRENT KUTZLE
  BACKGROUND VOCALS BY BEYONCÉ KNOWLES AND RYAN TEDDER
  

I Am... Sasha Fierce (2008)

• Buy Now

• IF I WERE A BOY
  EVEN JUST FOR A DAY
  I'D ROLL OUTTA BED IN THE MORNING
  AND THROW ON WHAT I WANTED THEN GO
  DRINK BEER WITH THE GUYS
  AND CHASE AFTER GIRLS
  I'D KICK IT WITH WHO I WANTED
  AND I'D NEVER GET CONFRONTED FOR IT
  'CAUSE THEY'D STICK UP FOR ME

  IF I WERE A BOY
  I THINK I COULD UNDERSTAND
  HOW IT FEELS TO LOVE A GIRL
  I SWEAR I'D BE A BETTER MAN
  I'D LISTEN TO HER
  'CAUSE I KNOW HOW IT HURTS
  WHEN YOU LOSE THE ONE YOU WANTED
  'CAUSE HE'S TAKEN YOU FOR GRANTED
  AND EVERYTHING YOU HAD GOT DESTROYED

  IF I WERE A BOY
  I WOULD TURN OFF MY PHONE
  TELL EVERYONE IT'S BROKEN
  SO THEY'D THINK THAT I WAS SLEEPIN' ALONE
  I'D PUT MYSELF FIRST AND MAKE THE RULES AS I GO
  'CAUSE I KNOW THAT SHE'D BE FAITHFUL
  WAITIN' FOR ME TO COME HOME (TO COME HOME)

  IF I WERE A BOY
  I THINK I COULD UNDERSTAND
  HOW IT FEELS TO LOVE A GIRL
  I SWEAR I'D BE A BETTER MAN
  I'D LISTEN TO HER
  'CAUSE I KNOW HOW IT HURTS
  WHEN YOU LOSE THE ONE YOU WANTED (WANTED)
  'CAUSE HE'S TAKEN YOU FOR GRANTED (GRANTED)
  AND EVERYTHING YOU HAD GOT DESTROYED

  IT'S A LITTLE TOO LATE FOR YOU TO COME BACK
  SAY IT'S JUST A MISTAKE
  THINK I'D FORGIVE YOU LIKE THAT
  IF YOU THOUGHT I WOULD WAIT FOR YOU
  YOU THOUGHT WRONG

  BUT YOU'RE JUST A BOY
  YOU DON'T UNDERSTAND
  YEAH YOU DON'T UNDERSTAND (OHH)
  HOW IT FEELS TO LOVE A GIRL SOMEDAY
  YOU'LL WISH YOU WERE A BETTER MAN
  YOU DON'T LISTEN TO HER
  YOU DON'T CARE HOW IT HURTS
  UNTIL YOU LOSE THE ONE YOU WANTED
  'CAUSE YOU'VE TAKEN HER FOR GRANTED
  AND EVERYTHING YOU HAVE GOT DESTROYED
  BUT YOU'RE JUST A BOY

  WRITTEN BY TOBY GAD, BC JEAN
  PUBLISHED BY CHERRY LANE ON BEHALF OF GAD SONGS AND LIEDELA MUSIC (ASCAP), BC JEAN (BMI)

  PRODUCED BY TOBY GAD AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY TOBY GAD AT ROC THE MIC STUDIOS, NEW YORK, NY, STRAWBERRYBEE PRODUCTIONS, NEW YORK, NY AND AT GAD STUDIOS, IBIZA, SPAIN.
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  ALL INSTRUMENTS AND ARRANGEMENT BY TOBY GAD
  LIVE DRUMS BY JENS GAD
  ADDITIONAL DRUMS AND GUITAR BY SYIENCE FOR STAYFRESH MUSIC/ROKKWORLD MUSIC GROUP
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• REMEMBER THOSE WALLS I BUILT
  WELL BABY THEY'RE TUMBLING DOWN
  AND THEY DIDN'T EVEN PUT UP A FIGHT
  THEY DIDN'T EVEN MAKE A SOUND
  I FOUND A WAY TO LET YOU IN
  BUT I NEVER REALLY HAD A DOUBT
  STANDING IN THE LIGHT OF YOUR HALO
  I GOT MY ANGEL NOW

  IT'S LIKE I'VE BEEN AWAKENED
  EVERY RULE I HAD YOU BREAKIN'
  IT'S THE RISK THAT I'M TAKIN'
  I AIN'T EVER GONNA SHUT YOU OUT

  EVERYWHERE I'M LOOKING NOW
  I'M SURROUNDED BY YOUR EMBRACE
  BABY I CAN SEE YOUR HALO
  YOU KNOW YOU'RE MY SAVING GRACE
  YOU'RE EVERYTHING I NEED AND MORE
  IT'S WRITTEN ALL OVER YOUR FACE
  BABY I CAN FEEL YOUR HALO
  PRAY IT WON'T FADE AWAY

  I CAN FEEL YOUR HALO (HALO, HALO)
  I CAN SEE YOUR HALO (HALO, HALO)
  I CAN FEEL YOUR HALO (HALO, HALO)
  I CAN SEE YOUR HALO (HALO, HALO)

  HIT ME LIKE A RAY OF SUN
  BURNING THROUGH MY DARKEST NIGHT
  YOU'RE THE ONLY ONE THAT I WANT
  THINK I'M ADDICTED TO YOUR LIGHT
  I SWORE I'D NEVER FALL AGAIN
  BUT THIS DON'T EVEN FEEL LIKE FALLING
  GRAVITY CAN'T BEGIN
  TO PULL ME BACK TO THE GROUND AGAIN

  IT'S LIKE I'VE BEEN AWAKENED
  EVERY RULE I HAD YOU BREAKIN'
  IT'S THE RISK THAT I'M TAKIN'
  I AIN'T EVER GONNA SHUT YOU OUT

  EVERYWHERE I'M LOOKING NOW
  I'M SURROUNDED BY YOUR EMBRACE
  BABY I CAN SEE YOUR HALO
  YOU KNOW YOU'RE MY SAVING GRACE
  YOU'RE EVERYTHING I NEED AND MORE
  IT'S WRITTEN ALL OVER YOUR FACE
  BABY I CAN FEEL YOUR HALO
  PRAY IT WON'T FADE AWAY

  I CAN FEEL YOUR HALO (HALO, HALO)
  I CAN SEE YOUR HALO (HALO, HALO)
  I CAN FEEL YOUR HALO (HALO, HALO)
  I CAN SEE YOUR HALO (HALO, HALO)
  (2X)

  HALO, OHHH…

  EVERYWHERE I'M LOOKING NOW
  I'M SURROUNDED BY YOUR EMBRACE
  BABY I CAN SEE YOUR HALO
  YOU KNOW YOU'RE MY SAVING GRACE
  YOU'RE EVERYTHING I NEED AND MORE
  IT'S WRITTEN ALL OVER YOUR FACE
  BABY I CAN FEEL YOUR HALO
  PRAY IT WON'T FADE AWAY

  I CAN FEEL YOUR HALO (HALO, HALO)
  I CAN SEE YOUR HALO (HALO, HALO)
  I CAN FEEL YOUR HALO (HALO, HALO)
  I CAN SEE YOUR HALO (HALO, HALO)
  (2X)

  HALO, OHHH…
  

  WRITTEN BY BEYONCÉ KNOWLES, RYAN TEDDER, E. KIDD BOGART
  PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), WRITE 2 LIVE (ASCAP) ADMINISTERED WORLDWIDE BY KOBALT MUSIC PUBLISHING, HERE'S LOOKIN' AT YOU KIDD MUSIC (BMI) ADMIN. BY SONY ATV/SONGS, MUSIC LLC (BMI)

  PRODUCED BY RYAN TEDDER AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  ARRANGEMENT BY RYAN TEDDER

  RECORDED BY RYAN TEDDER, ASSISTED BY CHRISTIAN BAKER AT MANSFIELD STUDIOS, LOS ANGELES, CA, GERMANO STUDIOS, NEW YORK, NY AND ROC THE MIC STUDIOS, NEW YORK, NY
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  ALL INSTRUMENTS BY RYAN TEDDER
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• IF I BEGGED AND IF I CRIED
  WOULD IT CHANGE THE SKY TONIGHT
  WOULD IT GIVE ME SOME LIGHT
  SHOULD I WAIT FOR YOU TO CALL
  IS THERE ANY HOPE AT ALL
  ARE YOU DRIFTING BY

  WHEN I THINK ABOUT IT
  I KNOW THAT I WAS NEVER THERE
  OR EVEN CARED
  THE MORE I THINK ABOUT IT
  THE LESS THAT I WAS ABLE TO SHARE
  WITH YOU
  I TRY TO REACH YOU I
  CAN ALMOST FEEL YOU
  YOU'RE NEARLY HERE AND THEN
  YOU DISAPPEAR, YOU DISAPPEAR

  AND WHEN I LIE ALL BY MYSELF
  I SEE YOUR FACE AND I HEAR YOUR VOICE
  MY HEART STAYS FAITHFUL
  AND TIME HAS COME AND TIME HAS PASSED
  IF IT'S GOOD IT'S GOT TO LAST
  IT FELT SO RIGHT

  WHEN I THINK ABOUT IT
  I KNOW THAT I WAS NEVER THERE
  OR EVEN CARED
  THE MORE I THINK ABOUT IT
  THE LESS THAT I WAS ABLE TO SHARE
  WITH YOU
  I TRY TO REACH YOU I
  CAN ALMOST FEEL YOU
  YOU'RE NEARLY HERE AND THEN
  YOU DISAPPEAR, YOU DISAPPEAR

  I MISSED ALL THE SIGNS
  ONE AT A TIME
  YOU WERE READY
  WHAT DID I KNOW
  STARTING OUR LIVES
  NOW MY LOVE I'M READY TO SHOW

  WHEN I THINK ABOUT IT
  I KNOW THAT I WAS NEVER THERE
  OR EVEN CARED
  THE MORE I THINK ABOUT IT
  THE LESS THAT I WAS ABLE TO SHARE
  WITH YOU
  I TRY TO REACH YOU I
  CAN ALMOST FEEL YOU
  YOU'RE NEARLY HERE AND THEN
  YOU DISAPPEAR, YOU DISAPPEAR

  YOU DISAPPEAR
  YOU DISAPPEAR
  DISAPPEAR
  

  WRITTEN BY AMANDA GHOST , HUGO CHAKRABONGSE, DAVE MCCRACKEN, IAN DENCH, BEYONCÉ KNOWLES
  PUBLISHED BY AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY THE ROYALTY NETWORK (BMI), DAVID PLATZ MUSIC ADMIN. BY THE ROYALTY NETWORK (BMI), UNIVERSAL MUSIC PUBLISHING ON BEHALF OF MGB LIMITED (ASCAP), IAN DENCH MUSIC ADMIN. BY SONGS OF KOBALT MUSIC PUBLISHING (BMI), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY AMANDA GHOST, DAVE MCCRACKEN AND IAN DENCH FOR GHOST PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY MARCOS TOVAR AND JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• YOU'RE EVERYTHING I THOUGHT YOU NEVER WERE
  AND NOTHING LIKE I THOUGHT YOU COULD HAVE BEEN
  BUT STILL YOU LIVE INSIDE OF ME
  SO TELL ME HOW IS THAT
  YOU'RE THE ONLY ONE I WISH I COULD FORGET
  THE ONLY ONE I LOVE TO NOT FORGIVE
  AND THOUGH YOU BREAK MY HEART
  YOU'RE THE ONLY ONE
  AND THOUGH THERE ARE TIMES WHEN I HATE YOU
  'CAUSE I CAN'T ERASE
  THE TIMES THAT YOU HURT ME AND PUT TEARS ON MY FACE
  AND EVEN NOW WHILE I HATE YOU IT PAINS ME TO SAY
  I KNOW I'LL BE THERE AT THE END OF THE DAY

  I DON'T WANNA BE WITHOUT YOU BABE
  I DON'T WANT A BROKEN HEART
  DON'T WANNA TAKE A BREATH WITHOUT YOU BABE
  I DON'T WANNA PLAY THAT PART
  I KNOW THAT I LOVE YOU
  BUT LET ME JUST SAY
  I DON'T WANNA LOVE YOU IN NO KINDA WAY
  NO NO
  I DON'T WANT A BROKEN HEART
  AND I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
  NO NO
  NO BROKEN-HEARTED GIRL
  I'M NO BROKEN-HEARTED GIRL

  THERE'S SOMETHING THAT I FEEL I NEED TO SAY
  UP 'TIL NOW I'VE ALWAYS BEEN AFRAID
  THAT YOU WOULD NEVER COME AROUND
  AND STILL I WANNA PUT THIS OUT
  YOU SAY YOU GOT THE MOST RESPECT FOR ME
  BUT SOMETIMES I FEEL YOUR NOT DESERVING OF ME
  AND STILL YOU'RE IN MY HEART
  BUT YOU'RE THE ONLY ONE

  AND YES THERE ARE TIMES WHEN I HATE YOU BUT I DON'T COMPLAIN
  'CAUSE I'VE BEEN AFRAID THAT YOU WOULD WALK AWAY
  OH BUT NOW I DON'T HATE YOU
  I'M HAPPY TO SAY
  THAT I WILL BE THERE AT THE END OF THE DAY

  I DON'T WANNA BE WITHOUT YOU BABE
  I DON'T WANT A BROKEN HEART
  DON'T WANNA TAKE A BREATH WITHOUT YOU BABE
  I DON'T WANNA PLAY THAT PART
  I KNOW THAT I LOVE YOU
  BUT LET ME JUST SAY
  I DON'T WANNA LOVE YOU IN NO KINDA WAY
  NO NO
  I DON'T WANT A BROKEN HEART
  AND I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
  NO NO
  NO BROKEN-HEARTED GIRL

  NOW I'M AT A PLACE I THOUGHT I'D NEVER BE (OOH)
  I'M LIVING IN A WORLD THAT ALL ABOUT YOU AND ME (YEAH)
  AIN'T GOTTA BE AFRAID MY BROKEN HEART IS FREE
  TO SPREAD MY WINGS AND FLY AWAY
  AWAY WITH YOU
  YEAH YEAH YEAH

  I DON'T WANNA BE WITHOUT MY BABY
  I DON'T WANT A BROKEN HEART
  DON'T WANNA TAKE A BREATH WITHOUT MY BABY
  I DON'T WANNA PLAY THAT PART
  I KNOW THAT I LOVE YOU
  BUT LET ME JUST SAY
  I DON'T WANNA LOVE YOU IN NO KINDA WAY
  NO NO
  I DON'T WANT A BROKEN HEART
  I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
  NO NO
  NO BROKEN-HEARTED GIRL

  BROKEN-HEARTED GIRL
  NO NO
  NO BROKEN-HEARTED GIRL
  NO BROKEN-HEARTED GIRL
  

  WRITTEN BY KENNETH "BABYFACE" EDMONDS, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, BEYONCÉ KNOWLES
  PUBLISHED BY SONGS OF UNIVERSAL, INC ON BEHALF OF FAZE 2 MUSIC (BMI), SONY/ATV TUNES LLC (ASCAP) ON BEHALF OF SONY ATV MUSIC PUBLISHING UK (PRS), EMI APRIL MUSIC, INC. ON BEHALF OF EMI MUSIC PUBLISHING LTD. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC STUDIOS, NEW YORK, NY
  ADDITIONAL VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC, NEW YORK, NY
  ALL INSTRUMENTS BY MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
  STARGATE MANAGEMENT TIM BLACKSMITH AND DANNY D
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

• SHE WAS LOST
  IN SO MANY DIFFERENT WAYS
  OUT IN THE DARKNESS WITH NO GUIDE
  I KNOW THE COST OF A LOSING HAND
  NEVER FOR THE GRACE OF GOD

  OH I, I FOUND HEAVEN ON EARTH
  YOU ARE MY LAST MY FIRST
  AND THEN I HEAR THIS VOICE INSIDE
  AVE MARIA

  I'VE BEEN ALONE
  WHEN I'M SURROUNDED BY FRIENDS
  HOW COULD THE SILENCE BE SO LOUD
  BUT I STILL GO ON, KNOWING THAT I'VE GOT YOU
  THERE'S ONLY US WHEN THE LIGHTS GO DOWN

  YOU ARE MY HEAVEN ON EARTH
  YOU ARE MY HUNGER MY THIRST
  I ALWAYS HEAR THIS VOICE INSIDE
  SAYING AVE MARIA

  SOMETIMES LOVE CAN COME AND PASS YOU BY
  WHILE YOU'RE BUSY MAKING PLANS
  SUDDENLY HITS YOU AND THEN YOU REALIZE
  IT'S OUT OF YOUR HANDS
  BABY YOU GOT TO UNDERSTAND

  YOU ARE MY HEAVEN ON EARTH
  YOU ARE MY LAST MY FIRST
  AND THEN I HEAR THIS VOICE INSIDE
  AVE MARIA, AVE MARIA, AVE MARIA
  

  WRITTEN BY BEYONCÉ KNOWLES, AMANDA GHOST, IAN DENCH, MAKEBA, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
  B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), IAN DENCH MUSIC ADMIN. BY / SONGS OF KOBALT MUSIC PUBLISHING (BMI), YOGA FLAMES MUSIC (BMI) AND JANICE COMBS PUBLISHING, INC.(BMI) ADMINISTERED BY EMI BLACKWOOD MUSIC, INC. (BMI), SONY/ATV TUNES LLC (ASCAP), ON BEHALF OF SONY/ATV MUSIC PUBLISHING UK (PRS), EMI APRIL MUSIC, INC. ON BEHALF OF EMI MUSIC PUBLISHING LTD. (ASCAP)

  PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC STUDIOS, NEW YORK, NY
  GUITAR BY IAN DENCH
  ALL OTHER INSTRUMENTS BY MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
  STARGATE MANAGEMENT TIM BLACKSMITH AND DANNY D
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• HEAD DOWN
  AS I WATCH MY FEET TAKE TURNS HITTING THE GROUND
  EYES SHUT
  I FIND MYSELF IN LOVE RACING THE EARTH

  AND I'M
  SOAKED IN YOUR LOVE, OH
  AND LOVE
  WAS RIGHT IN MY PATH, IN MY GRASP
  AND ME AND YOU BELONG

  I WANNA RUN (RUN) AND SMASH INTO YOU
  I WANNA RUN (RUN) AND SMASH INTO YOU

  EARS CLOSED
  WHAT I HEAR NO ONE ELSE HAS TO KNOW
  'CAUSE I KNOW THAT WHAT WE HAVE
  IS WORTH FIRST PLACE AND GOLD

  AND I'M
  SOAKED IN YOUR LOVE, OH
  AND LOVE
  WAS RIGHT IN MY PATH, IN MY GRASP
  AND ME AND YOU BELONG

  I WANNA RUN (RUN), SMASH INTO YOU
  I WANNA RUN (RUN), SMASH INTO YOU

  SMASH INTO YOU
  OHH…

  HEAD DOWN AS I WATCH MY FEET TAKE TURNS HITTING THE GROUND
  EYES SHUT
  I'M IN LOVE AND I'M RACING THE EARTH

  AND I'M
  SOAKED IN YOUR LOVE (YOUR LOVE)
  AND LOVE, WAS RIGHT IN MY PATH, IN MY GRASP
  AND ME AND YOU BELONG

  I WANNA RUN, SMASH INTO YOU
  I'M WILLING TO RUN (RUN), SMASH INTO YOU
  I'M WILLING TO RUN RUN RUN RUN
  OOH OOH OOH
  I'M WILLING TO RUN RUN RUN RUN
  OOH OOH OOH

  I WANNA RUN (RUN) AND SMASH INTO YOU
  I'M WILLING TO RUN (RUN), SMASH INTO YOU

  WRITTEN BY CHRISTOPHER STEWART, TERIUS NASH, BEYONCÉ KNOWLES
  PUBLISHED BY MARCH NINTH MUSIC PUB. (ASCAP) ADMIN, BY SONGS OF PEER, LTD., 2082 MUSIC ADMIN. BY WB MUSIC PUBLISHING (ASCAP), B-DAY PUBLISHING ADMIN BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY C. "TRICKY" STEWART AND TERIUS "THEDREAM" NASH FOR REDZONE ENTERTAINMENT/RADIO KILLA AND BY BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  VOCALS PRODUCED BY BEYONCÉ KNOWLES

  RECORDED BY KUK HARRELL AND BRIAN "B-LUV" THOMAS FOR REDZONE ENTERTAINMENT/RADIO KILLA AT THE BOOM BOOM ROOM, BURBANK, CA AND BY JIM CARUANA AT GERMANO STUDIOS, NEW YORK, NY
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  LIVE DRUMS BY STEVE JORDAN
  MIXED BY DAVE PENSADO AND JAYCEN JOSHUA FOR THE PENUA PROJECT, ASSISTED BY ANDREW WUEPPER AND RANDY URBANSKI AT LARRABEE NORTH, HOLLYWOOD, CA
  

• SATELLITES
  FLASHING BY
  IT'S A BEAUTIFUL STATE WE'RE IN
  BUT HOW CAN WE LOVE IN ISOLATION
  THINK HOW HAPPY WE CAN BE, WHEN WE JUST TRY
  WE'RE NOTHING LIKE WE SEEM
  PASSIONATE WORDS ARE NEVER SPOKEN
  YOU DON'T KNOW HOW I BLEED
  WHEN I LEAVE YOUR SIDE

  IN YOUR EYES
  LOVE'S ALIVE
  WE'VE COME UNTIED
  'CAUSE WE'RE FLASHING BY
  LIKE SATELLITES
  SATELLITES

  TAKE ALL THE RULES AWAY
  HOW CAN WE LIVE IF WE DON'T CHANGE
  WE'RE ALWAYS ON DISPLAY, LET'S RUN AND HIDE

  IN OUR EYES
  LOVE'S ALIVE
  WE'VE COME UNTIED
  'CAUSE WE'RE FLASHING BY
  LIKE SATELLITES
  SATELLITES

  IF WE DON'T COMMUNICATE
  WE'LL EXIST IN OUR OWN SPACE
  WE HAVE ALL THE LOVE WE NEED
  WHEN WE'RE APART I CANNOT BREATHE

  SATELLITES FLASHING BY
  SATELLITES
  

  WRITTEN BY AMANDA GHOST, DAVE MCCRACKEN, IAN DENCH, BEYONCÉ KNOWLES
  PUBLISHED BY AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY THE ROYALTY NETWORK, UNIVERSAL MUSIC PUBLISHING ON BEHALF OF MGB LIMITED (ASCAP), IAN DENCH MUSIC ADMIN. BY THE ROYALTY NETWORK, B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY AMANDA GHOST, DAVE MCCRACKEN AND IAN DENCH FOR GHOST PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY MARCOS TOVAR AND JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• DIAMONDS USED TO BE COAL
  LOOK YOUNG 'CAUSE THEY GOT SOUL
  THAT'S WHY THEY'RE BEAUTIFUL
  AND MY HEART USED TO BE COLD
  'TIL YOUR HANDS LAID ON MY SOUL, BABY
  AND THAT'S WHY YOU'RE BEAUTIFUL

  I'M NOT WONDERING WHY
  THE SKY'S BLUE
  THAT'S NOT MY BUSINESS
  ALL I KNOW IS I
  LOOK UP AND TELL MYSELF
  BE PATIENT LOVE
  IT COULD BE US

  LOVERS USED TO MAKE LOVE
  DIED JUST TO GIVE US
  THEIR PIECE OF THE BEAUTIFUL
  REMEMBER WHEN WE MADE LOVE
  LOVE, WASN'T IT BEAUTIFUL

  DON'T ASK ME WHY
  THE SKY'S BLUE
  THAT'S NOT MY BUSINESS
  ALL I KNOW IS I
  LOOK UP AND TELL MYSELF
  BE PATIENT LOVE
  IT COULD BE US

  DIAMONDS USED TO BE COAL
  LOOK YOUNG 'CAUSE GOT THEY GOT SOUL
  AND MY HEART USED TO BE COLD
  'TIL YOUR HANDS LAID ON MY SOUL
  SOMEBODY'S GOT TO STAY DEEP IN LOVE
  THAT COULD BE US
  THAT'S WHY WE'RE BEAUTIFUL

  THAT'S WHY YOU'RE BEAUTIFUL
  THAT'S WHY YOU'RE BEAUTIFUL
  THAT'S WHY YOU'RE BEAUTIFUL
  THAT'S WHY YOU'RE BEAUTIFUL
  

  WRITTEN BY ANDREW HEY, JAMES FAUNTLEROY II, BEYONCÉ KNOWLES
  PUBLISHED BY SLANGFORHELLO (ASCAP), FAUNTLEROY MUSIC AND UNDERDOG SONGS ADMIN. BY ALMO MUSIC (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY ANDREW HEY AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  ALL MUSIC BY ANDREW HEY

  RECORDED BY ANDREW HEY, ASSISTED BY DAVID BOYD AT ROC THE MIC STUDIOS, NEW YORK, NY
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  ALL MUSIC BY ANDREW HEY
  

• ALL THE SINGLE LADIES (7X)
  NOW PUT YOUR HANDS UP

  UP IN THE CLUB
  WE JUST BROKE UP
  I'M DOIN' MY OWN LIL' THING
  YOU DECIDED TO DIP
  AND NOW YOU WANNA TRIP
  'CAUSE ANOTHER BROTHER NOTICED ME
  I'M UP ON HIM
  HE UP ON ME
  DON'T PAY HIM ANY ATTENTION
  KEPT CRYING MY TEARS
  FOR 3 GOOD YEARS
  YOU CAN'T BE MAD AT ME

  'CAUSE IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
  'CAUSE IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT

  UH, OH, OH, OH, OH, OH, OH, OH, OH
  UH, OH, OH, OH, OH, OH, OH, OH, OH

  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT

  I GOT GLOSS ON MY LIPS
  A MAN ON MY HIPS
  ON ME TIGHTER THAN MY DEREON JEANS
  ACTIN UP, DRINK IN MY CUP
  I CAN CARE LESS WHAT YOU THINK
  I NEED NO PERMISSION
  DID I MENTION
  DON'T PAY HIM ANY ATTENTION
  'CAUSE YOU HAD YOUR TURN
  AND NOW YOU GON' LEARN
  WHAT IT REALLY FEELS LIKE TO MISS B

  'CAUSE IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
  'CAUSE IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT

  UH, OH, OH, OH, OH, OH, OH, OH, OH
  UH, OH, OH, OH, OH, OH, OH, OH, OH

  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT

  UH, OH, OH, OH, OH, OH, OH, OH, OH
  UH, OH, OH, OH, OH, OH, OH, OH, OH

  DON'T TREAT ME TO THESE THINGS OF THE WORLD
  I'M NOT THAT KIND OF GIRL
  YOUR LOVE IS WHAT I PREFER, WHAT I DESERVE
  HERE'S A MAN THAT MAKES ME
  THEN TAKES ME AND DELIVERS ME
  TO A DESTINY, TO INFINITY AND BEYOND
  PULL ME INTO YOUR ARMS
  SAY I'M THE ONE YOU WANT
  IF YOU DON'T, YOU'LL BE ALONE
  AND LIKE A GHOST, I'LL BE GONE

  ALL THE SINGLE LADIES (7X)
  NOW PUT YOUR HANDS UP

  UH, OH, OH, OH, OH, OH, OH, OH, OH
  UH, OH, OH, OH, OH, OH, OH, OH, OH

  'CAUSE IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
  IF YOU LIKE IT
  THEN YOU SHOULD'VE PUT A RING ON IT
  (2X)

  UH, OH, OH

  WRITTEN BY CHRISTOPHER STEWART, TERIUS NASH, THADDIS HARRELL, BEYONCÉ KNOWLES
  PUBLISHED BY MARCH NINTH MUSIC PUB. (ASCAP) ADMIN, BY SONGS OF PEER, LTD., 2082 MUSIC ADMIN. BY WB MUSIC PUBLISHING (ASCAP), SONY/ATV HARMONY (ASCAP) ON BEHALF OF SUGA WUGA MUSIC (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY C. "TRICKY" STEWART AND TERIUS "THE DREAM" NASH FOR REDZONE
  ENTERTAINMENT/RADIO KILLA AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  VOCALS PRODUCED BY BEYONCÉ KNOWLES
  RECORDED BY KUK HARRELL AND BRIAN "B-LUV" THOMAS FOR REDZONE ENTERTAINMENT/RADIO KILLA AT THE BOOM BOOM ROOM, BURBANK, CA
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY DAVE PENSADO AND JAYCEN JOSHUA FOR THE PENUA PROJECT, ASSISTED BY ANDREW WUEPPER AND RANDY URBANSKI AT LARRABEE NORTH, HOLLYWOOD, CA
  

• I BE ON THE HOTLINE LIKE EVERYDAY
  MAKING SURE THE DJ KNOW WHAT I WANT HIM TO PLAY
  YOU KNOW I GOT MY TOP BACK AND MY BEAT LOW
  ROCKIN' MY STUNNA' SHADES AND TURNIN' UP MY RADIO
  TURN UP MY RADIO

  I THINK I'M IN LOVE WITH MY RADIO
  'CAUSE IT NEVER LETS ME DOWN
  AND I FALL IN LOVE WITH MY STEREO
  WHENEVER I HEAR THAT SOUND
  OHH OHH OHH OHH
  WHENEVER I HEAR THE SOUND
  OHH OHH OHH OHH
  WHENEVER I HEAR THE SOUND

  HE'S THE ONLY ONE MY PAPA ALLOWS TO
  HANG OUT IN MY ROOM
  WITH THE DOORS CLOSED (WE BE ALONE)
  AND MAMA NEVER FREAKED OUT
  WHEN SHE HEARD IT GO BOOM
  'CAUSE SHE KNEW WE WERE IN THE ZONE
  HOLD HIM IN MY ARMS AND LOOK OUT OF MY WINDOW
  UNDER THE MOONLIGHT
  AND HE'D BE KEEPIN' ME CALM, SO I'D NEVER LET HIM GO
  HE'S GOT A PLACE IN MY HEART

  I THINK I'M IN LOVE WITH MY RADIO
  'CAUSE IT NEVER LETS ME DOWN
  AND I FALL IN LOVE WITH MY STEREO
  WHENEVER I HEAR THAT SOUND
  OHH OHH OHH OHH…
  WHENEVER I HEAR THE SOUND
  OHH OHH OHH OHH…
  WHENEVER I HEAR THE SOUND

  WHEN I GET INTO MY CAR, TURN IT UP
  THEN I HEAR VIBRATIONS ALL UP IN MY TRUNK
  AND THE BASS LINE BE RATTLING THROUGH MY SEAT
  AND THAT CRAZY FEELING STARTS HAPPENING
  I GET BUTTERFLIES WHEN I HEAR THE DJ, PLAYING THE STUFF I LIKE
  AND I FALL DEEPER IN LOVE WITH EVERY SONG HE PLAYS
  HE'S GOT A PLACE IN MY HEART

  I THINK I'M IN LOVE WITH MY RADIO
  'CAUSE IT NEVER LETS ME DOWN
  AND I FALL IN LOVE WITH MY STEREO
  WHENEVER I HEAR THAT SOUND
  OHH OHH OHH OHH…
  WHENEVER I HEAR THE SOUND
  OHH OHH OHH OHH…
  WHENEVER I HEAR THE SOUND

  I BE ON THE HOTLINE, LIKE EVERYDAY
  MAKIN' SURE THE DJ KNOW WHAT I WANT HIM TO PLAY
  YOU KNOW I GOT MY TOP BACK AND MY BEAT LOW
  ROCKIN' MY STUNNA' SHADES AND TURNIN' UP MY RADIO
  TURN UP MY RADIO

  I THINK I'M IN LOVE WITH MY RADIO
  'CAUSE IT NEVER LETS ME DOWN
  AND I FALL IN LOVE WITH MY STEREO
  WHENEVER I HEAR THAT SOUND
  OHH OHH OHH OHH…
  WHENEVER I HEAR THE SOUND
  OHH OHH OHH OHH…
  WHENEVER I HEAR THE SOUND
  OHH OHH OHH OHH…
  

  WRITTEN BY JAMES SCHEFFER, RICO LOVE, DWAYNE NESMITH, BEYONCÉ KNOWLES
  PUBLISHED BY JIMIPUB MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC (SESAC), NUJEREZ MUSIC ADMIN. BY WARNER CHAPPELL MUSIC (BMI), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY JIM JONSIN FOR REBEL ROCK PRODUCTIONS, D-TOWN AND RICO LOVE FOR 353 MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  VOCAL PRODUCTION BY RICO LOVE FOR DIVISION ONE

  RECORDED BY JIM JONSIN AND JIM CARUANA AT THE BOOM BOOM ROOM, LOS ANGELES, CA
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• I'M-A DIVA
  I'M-A, I'M-A A DIVA (6X)
  I'M-A, I'M-A

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  STOP THE TRACK

  LET ME STATE FACTS
  I TOLD YOU GIMME A MINUTE AND I'LL BE RIGHT BACK

  FIFTY MILLION 'ROUND THE WORLD AND THEY SAID THAT I COULDN'T GET IT

  I DONE GOT SO SICK AND FILTHY WITH BENJI'S I CAN'T SPEND IT

  HOW YOU GON' BE TALKING SHIT

  YOU ACT LIKE I JUST GOT UP IN IT

  BEEN THE NUMBER ONE DIVA IN THIS GAME FOR A MINUTE

  I KNOW YOU READ THE PAPER THE ONE THAT THEY CALL THE QUEEN

  EVERY RADIO 'ROUND THE WORLD KNOW ME 'CAUSE THAT'S WHERE I BE

  I'M A DIVA

  I'M-A, I'M-A A DIVA (7X)

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  WHEN HE PULL UP, WANNA POP MY HOOD UP

  BET HE BETTER HAVE A SIX PACK IN THE COOLER

  GETTIN' MONEY, DIVAS GETTIN' MONEY

  IF YOU AIN'T GETTIN' MONEY, THEN YOU AIN'T GOT NOTHIN' FOR ME

  TELL ME SOMETHIN' WHERE YA BOSS AT
  WHERE MY LADIES UP IN HERE THAT LIKE TO TALK BACK

  I WANNA SEE YA
  I'D LIKE TO MEET YA

  WHAT YOU SAID (NOT TO ME)
  SHE AIN'T NO DIVA

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  SINCE 15 IN MY STILETTOS

  BEEN STRUTTIN' IN THIS GAME

  WHAT'S YOUR AGE WAS THE QUESTION THEY ASK WHEN I HIT THE STAGE

  I'M A DIVA BEST BELIEVE-A, YOU SEE HER, SHE'S GETTIN' PAID

  SHE AIN'T CALLING HIM A GREETER

  DON'T NEED HIM, HER BED'S MADE

  THIS IS A STICK UP, STICK UP

  I NEED THEM BAGS OR THAT MONEY

  I'M-A STICK UP, STICK UP, YOU SEE THE MASK, WHERE THAT MONEY

  ALL MY LADIES GETTIN' UP

  I SEE YOU, I DO THE SAME

  TAKE YOU TO ANOTHER LEVEL
  NO PASSENGERS ON MY PLANE

  I'M-A DIVA
  I'M-A, I'M-A A DIVA (3X)

  THIS IS A STICK UP, STICK UP

  I NEED THEM BAGS OR THE MONEY

  STICK UP, STICK UP, YOU SEE THE MASK, WHERE THAT MONEY

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
  OF A HUSTLA, OF A, OF A HUSTLA

  I'M-A DIVA
  I'M-A, I'M-A A DIVA (15X)
  

  WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT
  PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI)

  PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY MILES WALKER FOR MILK MONEY ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA. PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• EVERY NIGHT I RUSH TO MY BED
  WITH HOPES THAT MAYBE
  I'LL GET A CHANCE TO SEE YOU
  WHEN I CLOSE MY EYES
  I'M GOING OUT OF MY HEAD
  LOST IN THE FAIRYTALE
  CAN YOU HOLD MY HAND
  AND BE MY GUIDE
  CLOUDS FILLED WITH STARS COVER YOUR SKIES
  AND I HOPE IT RAINS
  YOU'RE THE PERFECT LULLABY
  WHAT KIND OF DREAM IS THIS

  YOU CAN BE A SWEET DREAM
  OR A BEAUTIFUL NIGHTMARE
  EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
  SWEET DREAM OR A BEAUTIFUL NIGHTMARE
  SOMEBODY PINCH ME
  YOUR LOVE'S TO GOOD TO BE TRUE
  MY GUILTY PLEASURE, I AIN'T GOING NOWHERE
  BABY LONG AS YOU'RE HERE
  I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
  YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
  EITHER WAY I, DON'T WANNA WAKE UP FROM YOU

  I MENTION YOU WHEN I SAY MY PRAYERS
  I WRAP YOU AROUND ALL IN MY THOUGHTS
  BOY YOU MY TEMPORARY HIGH
  I WISH THAT WHEN I WAKE UP YOU'RE THERE
  TO WRAP YOUR ARMS AROUND ME FOR REAL
  AND TELL ME YOU'LL STAY BY MY SIDE
  CLOUDS FILLED WITH STARS COVER THE SKY
  AND I HOPE IT RAINS
  YOU'RE THE PERFECT LULLABY
  WHAT KIND OF DREAM IS THIS

  YOU CAN BE A SWEET DREAM
  OR A BEAUTIFUL NIGHTMARE
  EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
  SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
  SOMEBODY PINCH ME
  YOUR LOVE'S TO GOOD TO BE TRUE
  MY GUILTY PLEASURE, I AIN'T GOING NOWHERE
  BABY LONG AS YOU'RE HERE
  I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
  YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
  EITHER WAY I, DON'T WANNA WAKE UP FROM YOU

  TATTOO YOUR NAME ACROSS MY HEART
  SO IT WILL REMAIN
  NOT EVEN DEATH COULD MAKE US PART
  WHAT KIND OF DREAM IS THIS

  YOU CAN BE A SWEET DREAM
  OR A BEAUTIFUL NIGHTMARE
  EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
  SWEET DREAM OR A BEAUTIFUL NIGHTMARE
  SOMEBODY PINCH ME
  YOUR LOVE'S TO GOOD TO BE TRUE
  MY GUILTY PLEASURE, I AINT GOING NOWHERE
  BABY LONG AS YOU'RE HERE
  I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
  YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
  EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
  

  WRITTEN BY BEYONCÉ KNOWLES, JAMES SCHEFFER, WAYNE WILKINS, RICO LOVE
  PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), JIMIPUB MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), BLOW THE SPEAKERS ADMIN. BY SONY/ATV SONGS LLC (MCPS), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC (SESAC)

  PRODUCED BY JIM JONSIN FOR REBEL ROCK PRODUCTIONS, WAYNE WILKINS, AND RICO LOVE FOR DIVISION ONE AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  VOCAL PRODUCTION BY RICO LOVE FOR DIVISION ONE
  ADDITIONAL VOCALS BY RICO LOVE

  RECORDED BY JIM CAURANA AT SOUTH BEAT STUDIOS, MIAMI BEACH, FL
  MIXED BY WAYNE WILKINS AND JIM JONSIN AT HENSON STUDIOS, LOS ANGELES, CA
  

• SHAWTY, WHAT YOUR NAME IS

  THEM HUSTLAS KEEP ON TALKIN'
  THEY LIKE THE WAY I'M WALKIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  SO PRESS RECORD, I'LL LET YOU FILM ME
  ON YOUR VIDEO PHONE
  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  ON YOUR VIDEO, VIDEO
  IF YOU WANT ME YOU CAN WATCH ME
  ON YOUR VIDEO PHONE

  I LOVE HOW YOU APPROACH ME
  FRESH WHITE WITH YOUR PANTS HANGIN' GROWN MAN LOW
  EVERYTHING YOU SAYIN' SOUNDIN' GOOD TO ME
  NO NEED TO CONVINCE ME ANYMORE
  SWAG UP IS RIGHT, ONE BLADE IS TIGHT
  AND I THE SMELL YOUR COLOGNE IN THE AIR
  BABY YOU DOIN' SOMETHIN' RIGHT
  YOU JUST CANCELLED EVERY OTHER MAN HERE

  YA SAY YOU LIKE MY BAG
  AND THE COLOR OF MY NAILS
  YOU CAN SEE THAT I GOT IT GOIN' ON
  I WANNA MAKE SURE YOU REMEMBER ME
  SO I'M-A LEAVE MY NUMBER ON YOUR VIDEO PHONE

  I GOT NO TIME FOR FRONTIN'
  I KNOW JUST WHAT I'M WANTIN'
  IF IT'S GONNA BE YOU AND ME
  WHEN I CALL THEY BETTER SEE ME ON YOUR VIDEO SCREEN

  THEM HUSTLAS KEEP ON TALKIN'
  THEY LIKE THE WAY I'M WALKIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  SO PRESS RECORD, I'LL LET YOU FILM ME
  ON YOUR VIDEO PHONE

  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  ON YOUR VIDEO, VIDEO
  IF YOU WANT ME YOU CAN WATCH ME
  ON YOUR VIDEO PHONE

  YOU A CUTIE
  YOU SHOULD LET ME PUT YOU IN MY MOVIES
  YOU DO A SHOOT INTO A STAR OR YOUR OWN HIT SONG
  WE CAN SHOOT THE VIDEO RIGHT HERE
  ON MY CELL PHONE

  I NEVER SEEN A SMILE SO PRETTY
  I NEED TO KNOW I'LL ALWAYS HAVE YOU WITH ME
  SO TAKE YOUR PICTURE ON MY VIDEO PHONE
  YOU COULD PICK YOUR OWN SONG
  AND YOU COULD BE THE ONLY ONE
  I KNOW YOU LIKE THAT
  TURN YOU INTO A STAR, I GOT IT LIKE THAT
  BABY DON'T FIGHT IT
  'CAUSE WHEN I MISS YOUR CALL, I HIT YOU RIGHT BACK
  ON MY VIDEO PHONE

  THEM HUSTLAS KEEP ON TALKIN'
  THEY LIKE THE WAY I'M WALKIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  SO PRESS RECORD, I'LL LET YOU FILM ME
  ON YOUR VIDEO PHONE

  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  ON YOUR VIDEO, VIDEO
  IF YOU WANT ME YOU CAN WATCH ME
  ON YOUR VIDEO PHONE

  YOU KNOW THE G'S THEY BE HOLLERIN'
  ESPECIALLY THEM HOT ONES
  BROOKLYN, ATLANTA, HOUSTON TO NEW ORLEANS
  WHEN THEY SEE ME, THEY BE LIKE YO B, LET ME CALL YOU
  YOU BREAKIN' MY FOCUS BOY, YOU CUTE AND YOU BALLIN'

  YOU LIKE IT WHEN I SHAKE IT
  SHORTY ON A MISSION
  WHAT YOUR NAME IS
  WHAT
  YOU WANT ME NAKED
  IF YOU LIKIN' THIS POSITION YOU CAN TAPE IT
  ON YOUR VIDEO PHONE

  HUSTLA KEEP ON TALKING
  YOU LIKE THE WAY IT'S POPPIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  PRESS RECORD, BABY FILM ME
  ON YOUR VIDEO PHONE
  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  I'M YOUR VIDEO, VIDEO
  IF YOU WANT ME, YOU CAN WATCH ME ON YOUR VIDEO PHONE
  

  WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT, ANGELA BEYINCE
  PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI), ANGELA BEYINCE MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY MILES WALKER FOR MILK MONEY, ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA, PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• OHH…
  I LOVE TO SEE YOU WALK INTO THE ROOM
  BODY'S SHINING, LIGHTING UP THE PLACE
  AND WHEN YOU TALK, EVERYBODY STOP
  'CAUSE THEY KNOW, YOU KNOW JUST WHAT TO SAY
  THE WAY THAT YOU PROTECT YOUR FRIENDS
  BABY I RESPECT YOU FOR THAT
  WHEN YOU GROW, YOU TAKE EVERYONE YOU LOVE ALONG
  I LOVE THAT

  DON'T FLY ME AWAY
  DON'T NEED TO BUY A DIAMOND KEY
  TO UNLOCK MY HEART
  YOU SHELTER MY SOUL
  YOU'RE MY FIRE WHEN I'M COLD
  I WANT YOU TO KNOW

  YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)
  YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)
  IT WAS MANY YEARS AGO
  BABY WHEN YOU, STOLE MY COOL
  'CAUSE YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)

  I GET SO EXCITED WHEN YOU TRAVEL WITH ME
  BABY WHILE I'M ON MY GRIND
  AND NEVER WOULD I EVER LET MY HUSTLE
  COME BETWEEN ME AND MY FAMILY TIME AND
  YOU KEEP ME HUMBLE OUT OF THIS HYPE
  'CAUSE YOU KNOW THERE'S MORE TO LIFE
  AND IF I NEED YOU, YOU WOULD BE HERE
  YOU WOULD MAKE THE SACRIFICE

  DON'T FLY ME AWAY
  DON'T NEED TO BUY A DIAMOND KEY
  TO UNLOCK MY HEART
  YOU SHELTER MY SOUL
  YOU'RE MY FIRE WHEN I'M COLD
  I WANT YOU TO KNOW

  YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)
  YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)
  IT WAS MANY YEARS AGO
  BABY WHEN YOU, STOLE MY COOL
  'CAUSE YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)

  GOTTA FEEL YOU AND BE NEAR YOU
  YOU'RE THE AIR THAT I BREATHE TO SURVIVE
  GOTTA HOLD YOU
  WANNA SHOW YOU
  THAT WITHOUT YOU MY SUN DOESN'T SHINE
  YOU DON'T HAVE TO TRY SO, HARD FOR ME TO LOVE YOU
  BOY WITHOUT YOU MY LIFE JUST AIN'T THE SAME
  YOU DON'T HAVE TO TRY SO, HARD FOR ME TO LOVE YOU

  YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)
  YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)
  IT WAS MANY YEARS AGO
  WHEN YOU, STOLE MY COOL
  YOU HAD ME AT HELLO (HELLO)
  HELLO (HELLO), HELLO (HELLO)

  IT WAS MANY YEARS AGO
  BABY WHEN YOU, STOLE MY COOL
  YOU HAD ME AT HELLO, HELLO, HELLO
  

  WRITTEN BY BEYONCÉ KNOWLES, RAMON OWEN, DAVID QUINONES, E. KIDD BOGART
  PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), SOUNDKILLERS PUBLISHING (BMI) ADMIN. BY WB MUSIC CORP., EMI APRIL MUSIC, INC. ON BEHALF OF QUDA MUSIC (ASCAP), HERE'S LOOKIN AT YOU KIDD MUSIC (BMI) ADMIN. BY SONY/ATV SONGS LLC (BMI)

  PRODUCED BY REO FOR THE SOUNDKILLERS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY DAVID "DQ" QUINONES AT THE CAMPGROUND, LOS ANGELES, CA
  VOCALS RECORDED BY JIM CARUANA AT ELECTRIC LADY STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• AW BABY HOW YOU DOIN'
  YOU KNOW I'M GONNA CUT RIGHT TO THE CHASE
  SOME WOMEN WERE MADE
  BUT ME, MYSELF, I LIKE TO THINK THAT I WAS CREATED
  FOR A SPECIAL PURPOSE
  NOW, WHAT'S MORE SPECIAL THAN YOU
  YA FEEL ME

  IT'S ON, BABY LET'S GET LOST
  YOU DON'T NEED TO CALL INTO WORK 'CAUSE YOU THE BOSS
  FOR REAL WANT YOU TO SHOW ME HOW YOU FEEL
  I CONSIDER MYSELF LUCKY, THAT'S A BIG DEAL
  WHY
  WELL, YOU GOT THE KEY TO MY HEART
  BUT YOU AIN'T GONNA NEED IT
  I'D RATHER YOU OPEN UP MY BODY
  AND SOME ME SECRETS, YOU DIDN'T KNOW WAS INSIDE
  NO NEED FOR ME TO LIE

  IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
  IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
  HE GOT A BIG EGO, SUCH A HUGE EGO
  I LOVE HIS BIG EGO
  IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

  USUALLY I'M HUMBLE, RIGHT NOW I DON'T CHOOSE
  YOU CAN LEAVE WIT' ME, OR YOU CAN HAVE THE BLUES
  SOME CALL IT ARROGANT, I CALL IT CONFIDENT
  YOU DECIDE WHEN YOU FIND, I'M WHAT I'M WORKING WITH
  DAMN
  I KNOW, I'M KILLING YOU WITH THEM LEGS, BETTER YET THEM THIGHS
  MATTER OF FACT ,IT'S MY SMILE, OR MAYBE MY EYES
  BOY YOU A SIGHT TO SEE, KINDA SOMETHING LIKE ME

  IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
  IT'S TOO MUCH, IT'S TOO TOUGH, I TALK LIKE THIS 'CAUSE I CAN BACK IT UP
  I GOT A BIG EGO, SUCH A HUGE EGO
  BUT, HE LOVE MY BIG EGO
  IT'S TOO MUCH, I WALK LIKE THIS 'CAUSE I CAN BACK IT UP

  I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP
  I TALK LIKE THIS, 'CAUSE I CAN BACK IT UP
  I CAN BACK IT UP, I CAN BACK IT UP
  I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP

  IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
  IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
  HE GOT A BIG EGO, SUCH A HUGE EGO
  I LOVE HIS BIG EGO
  IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

  EGO SO BIG, YOU MUST ADMIT
  I GOT EVERY REASON TO FEEL LIKE I'M THAT BITCH
  EGO SO STRONG, IF YOU AIN'T KNOW
  I DON'T NEED NO BEAT, I CAN SING IT WITH PIANO
  OHHH…
  

  WRITTEN BY ELVIS WILLIAMS, HAROLD LILLY, BEYONCÉ KNOWLES
  PUBLISHED BY ELVIS LEE MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), UNCLE BOBBY MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY ELVIS "BLACELVIS" WILLIAMS AND HAROLD LILLY FOR MUSICPAYOUT.COM, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  HORNS BY PHILIP MARGIZIOTIS
  SAXOPHONE BY DONALD HAYES
  TRUMPET BY DONTAE WINSLOW

  RECORDED BY MACK WOODARD AT TREE SOUND STUDIOS, ATLANTA, GA
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  

• I'M IN THIS FIGHT AND I'M SWINGING
  AND MY ARMS ARE GETTING TIRED
  I'M TRYING TO BEAT THIS EMPTINESS
  BUT I'M RUNNING OUT OF TIME
  I'M SINKING IN THE SAND
  AND I CAN BARELY STAND
  AND I'M LOST IN THIS DREAM
  I NEED YOU TO HOLD ME

  I'M SCARED OF LONELY

  I TRY TO BE PATIENT
  BUT I'M HURTING DEEP INSIDE
  AND I CAN'T KEEP WAITING
  I NEED COMFORT LATE AT NIGHT
  AND I CAN'T FIND MY WAY
  WHY WON'T YOU LEAD ME HOME
  'CAUSE I'M LOST IN THIS DREAM
  I NEED YOU TO HOLD ME

  I'M SCARED OF LONELY

  AND I'M SCARED OF BEING THE ONLY
  SHADOW I SEE ALONG THE WALL
  AND I'M SCARED THE ONLY HEART BEAT
  I HEAR BEATING IS MY OWN
  AND I'M SCARED OF BEING ALONE
  I CAN'T SEEM TO BREATHE WHEN I AM LOST
  IN THIS DREAM I NEED YOU TO HOLD ME

  I'M SCARED OF LONELY
  I'M SCARED OF LONELY

  I CRY AT NIGHT
  'CAUSE MY BABY'S
  TOO FAR TO BE BY MY SIDE
  TO WIPE AWAY THESE TEARS OF MINE
  SO I HOLD MY PILLOW TIGHT
  TO IMAGINE YOU
  OUTSTRETCH YOUR HAND
  LOOKING FOR MINE
  'CAUSE I'M LOST IN THIS DREAM
  I NEED YOU TO HOLD ME

  I'M SCARED OF LONELY

  AND I'M SCARED OF BEING THE ONLY
  SHADOW I SEE ALONG THE WALL
  AND I'M SCARED THE ONLY HEART BEAT
  I HEAR BEATING IS MY OWN
  AND I'M SCARED OF BEING ALONE
  I CAN'T SEEM TO BREATHE WHEN I AM LOST
  IN THIS DREAM I NEED YOU TO HOLD ME

  I NEED YOUR STRENGTH
  WHEN NOBODY'S AROUND
  'CAUSE I'M TIRED OF THIS EMPTINESS
  I THINK I'M DROWNING
  I CAN'T BE LONELY NO MORE
  WHEN I'M LOST IN THIS DREAM
  I NEED YOU TO HOLD ME

  I'M SCARED OF LONELY

  AND I'M SCARED OF BEING THE ONLY
  SHADOW I SEE ALONG THE WALL
  AND I'M SCARED THE ONLY HEART BEAT
  I HEAR BEATING IS MY OWN
  AND I'M SCARED OF BEING ALONE
  I CAN'T SEEM TO BREATHE WHEN I AM LOST
  IN THIS DREAM I NEED YOU TO HOLD ME
  (2X)

  I'M SCARED OF LONELY
  I'M SCARED OF LONELY
  

  WRITTEN BY RODNEY JERKINS, LASHAWN DANIELS, CRISTYLE JOHNSON, RICO LOVE, SOLANGE KNOWLES, BEYONCÉ KNOWLES
  PUBLISHED BY EMI BLACKWOOD MUSIC, INC. (BMI), EMI APRIL MUSIC, INC. (BMI), CSTYLE INK MUSIC AND / SLIDETHAT ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC, INC. (SESAC), EMI APRIL MUSIC, INC. ON BEHALF OF SOLANGE MW PUBLISHING (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY RODNEY "DARKCHILD" JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  ALL MUSIC BY RODNEY "DARKCHILD" JERKINS
  ALL VOCALS BY BEYONCÉ

  RECORDED BY ROBERTO "TITO" VASQUEZ AND MIKE "HANDZ" DONALDSON AT 2ND FLOOR STUDIOS, ORLANDO, FL.
  VOCALS RECORDED BY JIM CARUANA AT ELECTRIC LADY STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT AND RODNEY "DARKCHILD" JERKINS, ASSISTED BY MATT GREEN AT CHALICE STUDIOS, LOS ANGELES, CA
  

• I GOT A BIG EGO (HAHAHA)
I'M SUCH A BIG EGO (HAHAHA)
I GOT A BIG (HAHAHA) EGO
SHE LOVE MY BIG (HAHAHA) EGO
SO STROKE MY BIG (HAHAHA) EGO
I LIKE TO JOKE AROUND A LITTLE BIT BUT HERE WE GO

WELCOME TO THE WONDERFUL WORLD
OF GO PLAY THE EARL 'CAUSE
EVERYTHING I THROW UP, BLOW UP
TALKING TO THE GIRL
SHE SAID, KNOW WHAT, GROW UP, YOU NASTY
I DON'T UNDERSTAND WHY THEY TRIPPIN' IF YOU ASK ME
FLOW JUST AS NICE AS
I ADMIT THE PROPANE
I JUST SPIT, PROBABLY
JUST RAISE THE GAS PRICES
EVERYBODY IN THE CLUB 
TRY AND GET AS FRESH AS ME
WHAT YOU WANT DOG
TRYING TO STAY RECESSION FREE
AND SPIT REFRESHINGLY
WHEN I ROCK THE STADIUM
YOU PROBABLY GET SWEATY
YOU SHOULD BRING AN EXTRA TEE
NOW I'M STANDING NEXT TO JAY
WHO STANDING NEXT TO B
YOU COULDA BEEN ANYWHERE IN THE WORLD
BUT YOU'RE HERE WITH ME
THAT'S GOOD FOR EGO
ME AND MY EGO
AND IT GO WHEREVER WE GO
MY EGO IS MY IMAGINARY FRIEND
HE WAS WITH ME WHEN I WAS ONLY IMAGINING
I HAD DREAMS OF THE LEAGUE
ONE DAY I PLAY KOBE
OR WALK UP TO PUFF AND HE ALREADY KNOW ME
COULDA LET THE DREAM KILLERS KILL MY SELF ESTEEM
OR USE THE ARROGANCE AS A STEAM THAT POWER MY DREAMS
AND MY EGO

  AW BABY HOW YOU DOIN'
  YOU KNOW I'M GONNA CUT RIGHT TO THE CHASE
  SOME WOMEN WERE MADE
  BUT ME, MYSELF, I LIKE TO THINK THAT I WAS CREATED
  FOR A SPECIAL PURPOSE
  NOW, WHAT'S MORE SPECIAL THAN YOU
  YA FEEL ME

  IT'S ON, BABY LET'S GET LOST
  YOU DON'T NEED TO CALL INTO WORK 'CAUSE YOU THE BOSS
  FOR REAL WANT YOU TO SHOW ME HOW YOU FEEL
  I CONSIDER MYSELF LUCKY, THAT'S A BIG DEAL
  WHY
  WELL, YOU GOT THE KEY TO MY HEART
  BUT YOU AIN'T GONNA NEED IT
  I'D RATHER YOU OPEN UP MY BODY
  AND SOME ME SECRETS, YOU DIDN'T KNOW WAS INSIDE
  NO NEED FOR ME TO LIE

  IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
  IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
  HE GOT A BIG EGO, SUCH A HUGE EGO
  I LOVE HIS BIG EGO
  IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

  USUALLY I'M HUMBLE, RIGHT NOW I DON'T CHOOSE
  YOU CAN LEAVE WIT' ME, OR YOU CAN HAVE THE BLUES
  SOME CALL IT ARROGANT, I CALL IT CONFIDENT
  YOU DECIDE WHEN YOU FIND, I'M WHAT I'M WORKING WITH
  DAMN
  I KNOW, I'M KILLING YOU WITH THEM LEGS, BETTER YET THEM THIGHS
  MATTER OF FACT ,IT'S MY SMILE, OR MAYBE MY EYES
  BOY YOU A SIGHT TO SEE, KINDA SOMETHING LIKE ME

  IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
  IT'S TOO MUCH, IT'S TOO TOUGH, I TALK LIKE THIS 'CAUSE I CAN BACK IT UP
  I GOT A BIG EGO, SUCH A HUGE EGO
  BUT, HE LOVE MY BIG EGO
  IT'S TOO MUCH, I WALK LIKE THIS 'CAUSE I CAN BACK IT UP

  I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP
  I TALK LIKE THIS, 'CAUSE I CAN BACK IT UP
  I CAN BACK IT UP, I CAN BACK IT UP
  I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP

  IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
  IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
  HE GOT A BIG EGO, SUCH A HUGE EGO
  I LOVE HIS BIG EGO
  IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

  EGO SO BIG, YOU MUST ADMIT
  I GOT EVERY REASON TO FEEL LIKE I'M THAT BITCH
  EGO SO STRONG, IF YOU AIN'T KNOW
  I DON'T NEED NO BEAT, I CAN SING IT WITH PIANO
  OHHH…
  

  WRITTEN BY ELVIS WILLIAMS, HAROLD LILLY, BEYONCÉ KNOWLES
  PUBLISHED BY ELVIS LEE MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), UNCLE BOBBY MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

  PRODUCED BY ELVIS "BLACELVIS" WILLIAMS AND HAROLD LILLY FOR MUSICPAYOUT.COM, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  SAXOPHONE BY DONALD HAYES
  TRUMPET BY DONTAE WINSLOW
  HORNS BY PHILIP MARGIZIOTIS
  RECORDED BY MACK WOODARD AT TREE SOUND STUDIOS, ATLANTA, GA
  BEYONCE'S VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  KANYE'S VOCALS RECORDED BY ANTHONY KILHOFFER AT NA CENA STUDIOS, SAN PAULO, CA
  MIXED BY MARK "SPIKE" STENT ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  MASTERED BY TOM COYNE AT STERLING SOUND STUDIOS, NEW YORK, NY

  KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS
  

• YOU'RE BAD FOR ME, I CLEARLY GET IT
  I DON'T SEE HOW SOMETHING GOOD COULD COME FROM LOVING YOU
  THE DEATH OF ME, MUST BE YOUR MISSION
  'CAUSE WITH EVERY HUG AND KISS, YOU'RE SNATCHING EVERY BIT OF STRENGTH
  THAT I'M GON' NEED, TO FIGHT OFF THE INEVITABLE
  AND IT'S A HEART-BREAKING SITUATION I'M UP IN, BUT I CAN'T CONTROL

  YOU'RE JUST LIKE POISON
  SLOWLY MOVING THROUGH MY SYSTEM
  BREAKING ALL OF MY DEFENSES WITH TIME
  YOU'RE JUST LIKE POISON AND I JUST DON'T GET IT
  HOW CAN SOMETHING SO DEADLY FEEL SO RIGHT
  I'M NOT SURE OF WHAT TO DO, IT'S A CATCH 22
  'CAUSE THE CURE IS FOUND IN YOU, I DON'T WANT IT BUT I DO
  YOU'RE JUST LIKE POISON
  MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
  KISS ME ONE MORE TIME BEFORE I DIE

  YOU AIN'T RIGHT, TAKE ME HIGH
  THEN THAT HIGH IT SUBSIDES
  AND MY BODY FLAT LINES
  THEN YOU COME TO REVIVE
  WAIT, WAIT, WAIT I'M ALIVE
  BUT HOW LONG WILL IT LAST
  WILL IT ALL COME CRASHING DOWN
  HOW MANY DOSES AM I NEEDING NOW
  WHAT'S THE PROGNOSIS, WILL YOU BE AROUND
  OR AM I JUST ANOTHER VICTIM OF AN ASSASSIN THAT BROKE MY HEART DOWN

  BABY YOU'RE JUST LIKE POISON
  SLOWLY MOVING THROUGH MY SYSTEM
  BREAKING ALL OF MY DEFENSES WITH TIME
  YOU'RE JUST LIKE POISON
  AND I JUST DON'T GET IT
  HOW CAN SOMETHING SO DEADLY
  FEEL SO RIGHT
  I'M NOT SURE OF WHAT TO DO
  IT'S A CATCH 22
  'CAUSE THE CURE IS FOUND IN YOU
  I DON'T WANT IT BUT I DO
  YOU'RE JUST LIKE POISON
  MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
  KISS ME ONE MORE TIME BEFORE I DIE

  IT'S JUST NOT MY BODY (NO)
  IT'S MY MIND, YOU DON'T KNOW
  HOW MANY TIMES I TOLD MYSELF
  THIS CAN'T DO (CAN'T DO)
  AND THAT I DON'T NEED YOU (NO I DON'T NEED YOU, NO)
  IT'S SO UNFAIR, THAT I FIND MYSELF RIGHT BACK IN YOUR CARE
  AND WHAT'S GOOD IS THAT WHEN YOU'RE NOT ALWAYS THERE (THERE, THERE)
  YOU KNOW THAT FOR MY HEALTH (MY HEALTH)

  YOU'RE JUST LIKE POISON (WHOA, WHOA, WHOA)
  YOU'RE JUST LIKE POISON (WHOA, WHOA, WHOA)

  YOU'RE JUST LIKE POISON
  SLOWLY MOVING THROUGH MY SYSTEM
  BREAKING ALL OF MY DEFENSES WITH TIME
  YOU'RE JUST LIKE POISON
  AND I JUST DON'T GET IT
  HOW CAN SOMETHING SO DEADLY
  FEEL SO RIGHT
  I'M NOT SURE OF WHAT TO DO
  IT'S A CATCH 22
  'CAUSE THE CURE IS FOUND IN YOU
  I DON'T WANT IT BUT I DO
  YOU'RE JUST LIKE POISON
  MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
  BABY KISS ME ONE MORE TIME
  (2X)
  

  WRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, JOHNTA AUSTIN
  PUBLISHED BY B-DAY PUBLISHING ADMINISTERED BY EMI APRIL MUSIC, INC. (ASCAP), SONY/ATV MUSIC PUBLISHING (ASCAP), EMI MUSIC PUBLISHING (ASCAP), NAKED UNDER MY CLOTHES / CHRYSALIS MUSIC (ASCAP)

  PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
  ALL INSTRUMENTS BY MIKKEL S. ERIKSEN & TOR ERIK HERMANSEN

  RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC, NEW YORK, NY
  ADDITIONAL VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC, NEW YORK, NY
  MIXED BY PHIL TAN ASSISTED BY JOSH HOUGHKIRK WITH ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS AT SOAPBOX STUDIOS, ATLANTA GA
  STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D.
  

• SHAWTY, WHAT YOUR NAME IS

  THEM HUSTLAS KEEP ON TALKIN'
  THEY LIKE THE WAY I'M WALKIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  SO PRESS RECORD, I'LL LET YOU FILM ME
  ON YOUR VIDEO PHONE
  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  ON YOUR VIDEO, VIDEO
  IF YOU WANT ME YOU CAN WATCH ME
  ON YOUR VIDEO PHONE

  I LOVE HOW YOU APPROACH ME
  FRESH WHITE WITH YOUR PANTS HANGIN' GROWN MAN LOW
  EVERYTHING YOU SAYIN' SOUNDIN' GOOD TO ME
  NO NEED TO CONVINCE ME ANYMORE
  SWAG UP IS RIGHT, ONE BLADE IS TIGHT
  AND I THE SMELL YOUR COLOGNE IN THE AIR
  BABY YOU DOIN' SOMETHIN' RIGHT
  YOU JUST CANCELLED EVERY OTHER MAN HERE

  YA SAY YOU LIKE MY BAG
  AND THE COLOR OF MY NAILS
  YOU CAN SEE THAT I GOT IT GOIN' ON
  I WANNA MAKE SURE YOU REMEMBER ME
  SO I'M-A LEAVE MY NUMBER ON YOUR VIDEO PHONE

  I GOT NO TIME FOR FRONTIN'
  I KNOW JUST WHAT I'M WANTIN'
  IF IT'S GONNA BE YOU AND ME
  WHEN I CALL THEY BETTER SEE ME ON YOUR VIDEO SCREEN

  THEM HUSTLAS KEEP ON TALKIN'
  THEY LIKE THE WAY I'M WALKIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  SO PRESS RECORD, I'LL LET YOU FILM ME
  ON YOUR VIDEO PHONE

  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  ON YOUR VIDEO, VIDEO
  IF YOU WANT ME YOU CAN WATCH ME
  ON YOUR VIDEO PHONE

  YOU MY PHONE STAR
  AND I'M HAPPY WHEN MY LIGHTS FLASHIN'
  'CAUSE YOU ON MY RECEIVER
  HUBBA, HUBBA
  HONEY, BABY YOU SO SEXY THAT YOU SHOULD WIN AN OSCAR
  AND WHEN YOU MISS ME, JUST REMEMBER THAT I ALWAYS GOT YOU WITH ME
  I'LL BE YOUR GENE, YOU'LL BE MY BRANDO
  I'M-A PUT YOU IN MY MOVIE IF YOU THINK THAT YOU CAN HANDLE (CAN YOU HANDLE IT)

  I KNOW YOU LIKE THAT
  TURN YOU INTO A STAR, I GOT IT LIKE THAT
  BABY DON'T FIGHT IT
  'CAUSE WHEN I MISS YOUR CALL, I HIT YOU RIGHT BACK
  ON MY VIDEO PHONE

  THEM HUSTLAS KEEP ON TALKIN'
  THEY LIKE THE WAY I'M WALKIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  SO PRESS RECORD, I'LL LET YOU FILM ME
  ON YOUR VIDEO PHONE

  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  ON YOUR VIDEO, VIDEO
  IF YOU WANT ME YOU CAN WATCH ME
  ON YOUR VIDEO PHONE

  CAN YOU HANDLE IT
  CAN YOU HANDLE IT (TELL 'EM B)
  CAN YOU HANDLE IT
  CAN YOU HANDLE IT
  YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
  YOU WANNA VIDEO ME (CAN YOU HANDLE IT)
  YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
  YOU WANNA VIDEO ME (CAN YOU HANDLE IT)
  YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
  YOU WANNA VIDEO ME

  YOU KNOW THE G'S THEY BE HOLLERIN'
  ESPECIALLY THEM HOT ONES
  BROOKLYN, ATLANTA, HOUSTON TO NEW ORLEANS
  WHEN THEY SEE ME, THEY BE LIKE YO B, LET ME CALL YOU
  YOU BREAKIN' MY FOCUS BOY, YOU CUTE AND YOU BALLIN'

  YOU LIKE IT WHEN I SHAKE IT
  SHORTY ON A MISSION
  WHAT YOUR NAME IS
  WHAT, YOU WANT ME NAKED
  IF YOU LIKIN' THIS POSITION YOU CAN TAPE IT
  ON YOUR VIDEO PHONE

  HUSTLA KEEP ON TALKING
  YOU LIKE THE WAY IT'S POPPIN'
  YOU'RE SAYIN' THAT YOU WANT ME
  PRESS RECORD, BABY FILM ME
  ON YOUR VIDEO PHONE
  MAKE A CAMEO
  TAPE ME ON YOUR VIDEO PHONE
  I CAN HANDLE YOU
  WATCH ME ON YOUR VIDEO PHONE
  I'M YOUR VIDEO, VIDEO
  IF YOU WANT ME, YOU CAN WATCH ME ON YOUR VIDEO PHONE
  

  WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT, ANGELA BEYINCE, LADY GAGA
  PUBLISHED BY B-DAY PUBLISHING/EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI), EMI APRIL MUSIC, INC. O/B/O ITSELF AND ANGELA BEYINCE MUSIC (ASCAP), STEFANI GERMANOTTA P/K/A LADY GAGA (BMI) / SONY ATV SONGS LLC / HOUSE OF GAGA PUBLISHING, INC. / GLOJOE MUSIC INC. (BMI)

  PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

  RECORDED BY MILES WALKER FOR MILK MONEY ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA. PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
  LADY GAGA'S VOCAL RECORDED BY DAVID RUSSELL ASSISTED BY JOSH SHULTZ AT CHUNG KING STUDIOS, NYC
  VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
  MIXED BY MARK "SPIKE" STENT ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
  LADY GAGA APPEARS COURTESY OF STREAMLINE / KON LIVE / CHERRYTREE / INTERSCOPE RECORDS
  EXTENDED REMIX EDIT BY BEYONCÉ KNOWLES AND KIM BURSE
  EXTENDED REMIX ADDITIONAL INTRO ORCHESTRATION BY SCOTT TIBBS
  EXTENDED REMIX BY WILLIAM BURKE AT VYBE CHYLE STUDIOS, ATLANTA, GA
  EXTENDED REMIX MASTERED BY EDDIE SCHREYER AT OASIS MASTERING, BURBANK, CA
  

B'Day (2006)

• Buy Now

• AY, AY, AY
  NOBODY LIKES BEING PLAYED
  BEYONCÉ, BEYONCÉ
  SHAKIRA, SHAKIRA (HEY)

  HE SAID I'M WORTH IT, HIS ONE DESIRE
  I KNOW THINGS ABOUT 'EM THAT YOU WOULDN'T WANNA READ ABOUT
  HE KISSED ME, HIS ONE AND ONLY, (YES) BEAUTIFUL LIAR
  TELL ME HOW YOU TOLERATE THE THINGS THAT YOU JUST FOUND OUT ABOUT

  YOU NEVER KNOW
  WHY ARE WE THE ONES WHO SUFFER
  I HAVE TO LET GO
  HE WON'T BE THE ONE TO CRY

  (AY) LET'S NOT KILL THE KARMA
  (AY) LET'S NOT START A FIGHT
  (AY) IT'S NOT WORTH THE DRAMA
  FOR A BEAUTIFUL LIAR
  CAN'T WE LAUGH ABOUT IT (HA HA HA)
  (OH) IT'S NOT WORTH OUR TIME
  (OH) WE CAN LIVE WITHOUT 'EM
  JUST A BEAUTIFUL LIAR

  I TRUSTED HIM, BUT WHEN I FOLLOWED YOU, I SAW YOU TOGETHER
  I DIDN'T KNOW ABOUT YOU THEN 'TILL I SAW YOU WITH HIM AGAIN
  I WALKED IN ON YOUR LOVE SCENE, SLOW DANCING
  YOU STOLE EVERYTHING, HOW CAN YOU SAY I DID YOU WRONG

  WE'LL NEVER KNOW
  WHEN THE PAIN AND HEARTBREAK'S OVER
  I HAVE TO LET GO
  THE INNOCENCE IS GONE

  (AY) LET'S NOT KILL THE KARMA
  (AY) LET'S NOT START A FIGHT
  (AY) IT'S NOT WORTH THE DRAMA
  FOR A BEAUTIFUL LIAR
  CAN'T WE LAUGH ABOUT IT (HA HA HA)
  (OH) IT'S NOT WORTH OUR TIME
  (OH) WE CAN LIVE WITHOUT 'EM
  JUST A BEAUTIFUL LIAR

  TELL ME HOW TO FORGIVE YOU
  WHEN IT'S ME WHO'S ASHAMED
  AND I WISH COULD FREE YOU
  OF THE HURT AND THE PAIN
  BUT THE ANSWER IS SIMPLE
  HE'S THE ONE TO BLAME

  BEYONCÉ BEYONCÉ
  SHAKIRA SHAKIRA
  BEYONCÉ BEYONCÉ
  SHAKIRA SHAKIRA
  (HEY)

  (AY) LET'S NOT KILL THE KARMA
  (AY) LET'S NOT START A FIGHT
  (AY) IT'S NOT WORTH THE DRAMA
  FOR A BEAUTIFUL LIAR
  CAN'T WE LAUGH ABOUT IT (HA HA HA)
  (OH) IT'S NOT WORTH OUR TIME
  (OH) WE CAN LIVE WITHOUT 'EM
  JUST A BEAUTIFUL LIAR

  WRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, AMANDA GHOST AND IAN DENCH. PUBLISHED BY B'DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED (ASCAP)

  PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  A&R BY MAX GOUSSE AND MATHEW KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  ADDITIONAL PRODUCTION BY SHAKIRA FOR LIGHT PRODUCTIONS AND EDUARDO CABRA
  ARRANGEMENT BY SHAKIRA AND STARGATE
  VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC., RUDY PEREZ, SHAKIRA AND OLGUI CHIRINO
  RECORDING ENGINEERS: JIM CARUANA, STARGATE, GUSTAVO CELIS, ROBERTO ALMODOVAR AND JOHN WESTON
  ASSISTED BY ROB KINELSKI AND DAVID STEARNS
  DIGITAL EDITING (STRINGS): JOHN WESTON
  PROGRAMMING: STARGATE, DENAUN PORTER AND VISITANTE
  VIOLIN ARRANGEMENT: SHAKIRA AND KAREEM ROUSTOM
  ADDITIONAL STRING ARRANGEMENTS: KAREEM ROUSTOM, NASER MUSA
  VIOLIN AND VIOLA: HANNA KHOURY
  NAY: BOUJEMAA RAZGUI
  ARABIC PERCUSSION: OMAR AL MUSFI
  OTHER INSTRUMENTS: MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
  RECORDED AT SONY MUSIC STUDIOS, NYC; BATTERY STUDIOS, NYC; LA MARIMONDA, NASSAU, BAHAMAS; FUTURA PRODUCTIONS, ROSLINDALE, MA AND THE HIT FACTORY, MIAMI, FL
  MIXED BY JEAN-MARIE HORVAT AT CHALICE STUDIOS, LOS ANGELES, CA; OZ RECORDING STUDIOS, LOS ANGELES, CA; GUSTAVO CELIS AT SUPERSONIC STUDIOS, MIAMI, FL
  ASSISTED BY COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT

  EVERYTHING YOU OWN IN THE BOX TO THE LEFT
  IN THE CLOSET THAT'S MY STUFF
  YES, IF I BOUGHT IT, PLEASE DON'T TOUCH
  AND KEEP TALKING THAT MESS THAT'S FINE
  BUT COULD YOU WALK AND TALK AT THE SAME TIME
  AND, IT'S MY NAME THAT'S ON THAT JAG
  SO COME MOVE YOUR BAGS, LET ME CALL YOU A CAB

  STANDING IN THE FRONT YARD
  TELLIN' ME, HOW I'M SUCH A FOOL
  TALKIN' 'BOUT, I'LL NEVER EVER FIND A MAN LIKE YOU
  YOU GOT ME TWISTED

  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER YOU IN A MINUTE
  MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I CAN HAVE ANOTHER YOU BY TOMORROW
  SO DON'T YOU EVER FOR A SECOND GET TO THINKING
  YOU'RE IRREPLACEABLE

  SO GO AHEAD AND GET GONE
  CALL UP THAT CHICK AND SEE IF SHE'S HOME
  OOPS, I BET YOU THOUGHT, THAT I DIDN'T KNOW
  WHAT DID YOU THINK I WAS PUTTING YOU OUT FOR
  BECAUSE YOU WAS UNTRUE
  ROLLIN' HER AROUND IN THE CAR THAT I BOUGHT YOU
  BABY DROP THEM KEYS
  HURRY UP BEFORE YOUR TAXI LEAVES

  STANDING IN THE FRONT YARD
  TELLIN' ME, HOW I'M SUCH A FOOL
  TALKIN' BOUT, I'LL NEVER EVER FIND A MAN LIKE YOU
  YOU GOT ME TWISTED

  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER YOU IN A MINUTE
  MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I CAN HAVE ANOTHER YOU BY TOMORROW
  SO DON'T YOU EVER FOR A SECOND GET TO THINKING
  YOU'RE IRREPLACEABLE

  SO SINCE I'M NOT YOUR EVERYTHING
  HOW ABOUT I'LL BE NOTHING
  NOTHING AT ALL TO YOU
  BABY I WON'T SHED A TEAR FOR YOU
  I WON'T LOSE A WINK OF SLEEP
  'CAUSE THE TRUTH OF THE MATTER IS
  REPLACING YOU IS SO EASY

  TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT
  TO THE LEFT, TO THE LEFT
  EVERYTHING YOU OWN IN THE BOX TO THE LEFT
  TO THE LEFT, TO THE LEFT
  DON'T YOU EVER FOR A SECOND GET TO THINKING
  YOU'RE IRREPLACEABLE

  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER YOU IN A MINUTE
  MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I CAN HAVE ANOTHER YOU BY TOMORROW
  SO DON'T YOU EVER FOR A SECOND GET TO THINKING (BABY)
  YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
  I COULD HAVE ANOTHER U IN A MINUTE
  MATTER OF FACT, HE'LL BE HERE IN A MINUTE
  YOU CAN PACK ALL YOUR BAGS
  WE'RE FINISHED
  'CAUSE YOU MADE YOUR BED
  NOW LAY IN IT
  I CAN HAVE ANOTHER YOU BY TOMORROW
  DON'T YOU EVER FOR A SECOND GET TO THINKING
  YOU'RE IRREPLACEABLE

  WRITTEN BY S. SMITH , BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK
  HERMANSEN, E. LIND, A. BJØRKLUND
  PUBLISHED BY STELLAR SONGS LTD. ADMIN. BY EMI MUSIC PUBLISHING, BEYONCÉ
  PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING, EMI MUSIC PUBLISHING,
  SUPERSAYING (BMI)/ZOMBA MUSIC PUBLISHING, ZOMBA MUSIC PUBLISHING

  PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ
  KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY S. SMITH FOR COMPOUND ENT.

  RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AT SONY MUSIC
  STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  GUITARS: ESPEN LIND
  ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN & TOR ERIK HERMANSEN
  STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D

  RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC. ASSISTED BY STEVE TOLLE
  GUITARS: ESPEN LIND
  ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
  STARGATE MANAGEMENT: TIM BLACKSMITH AND DANNY D
  

• GIVE IT TO MAMA
  GIVE IT GIVE IT
  GIVE IT TO MAMA MAMA
  GIVE IT
  GIVE IT TO MAMA MAMA

  FOR SOME STRANGE REASON (HUH)
  YOU DONE PLEASING ME LIKE IT'S OK
  LIKE A PERM THAT'S BEEN LEFT TOO LONG
  IT'S STARTS TO BURN
  THE RESULT IS IT JUST WON'T TAKE
  I CAN SEE
  NOW IT'S ALL COMING SO CLEAR TO ME NOW
  I CAN SEE
  MISINTERPRETED ALL OF MY NAIVENESS
  WAS JUST THINKING IF I HAD NO YOU
  THAN I CAN'T DO
  MY STOCK JUST WENT UP OVER 2 MILLION

  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  GIVE IT TO MAMA

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT (AH) GREEN LIGHT

  SOME SEE ME SAY I SHOULD BE TROPHIED
  'CAUSE IT GETS NO STRONGER
  LADIES Y'ALL KNOW (YEA GIRL Y'ALL KNOW)
  THIS PIMP ISH GETS NO OLDER
  IS THAT A THREAT (WHAT'S ANOTHER THREAT)
  YEP (THAT'S ANOTHER THREAT)
  I'M IMMUNE, YOU CAN'T GET NO COLDER
  YOU GOT THE GREEN LIGHT (WHOA)
  YOU'RE THE KING, RIGHT (WHOA)
  YOU HOLDING UP TRAFFIC
  GREEN MEANS GO

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT
  I SAID YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO
  GREEN LIGHT

  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  GIVE IT TO MAMA

  OH NO PROBLEM, YOU CAN GO
  I'M GONNA FIND SOMEBODY ELSE
  IT'S ALRIGHT I'LL MOVE ALONG
  GREEN LIGHT SO YOU CAN
  GO…

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT (AH) GREEN LIGHT

  I GAVE ALL I COULD GIVE
  MY LOVE, MY HEART (MY HEART)
  NOW WE'RE FACING THE END (THE END) OF WHAT YOU DID FROM THE START
  MY LOVE

  YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO

  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  SO IF YOU WANT TO
  YOU GOT THE GREEN LIGHT
  GIVE IT TO MAMA

  OH NO PROBLEM, YOU CAN GO
  I'LL GO FIND SOMEBODY ELSE
  IT'S ALRIGHT I'LL MOVE ALONG
  GREEN LIGHT SO YOU CAN
  GO…

  GO GO GO GO
  GO GO GO GO
  GO GO GO GO
  GO GO RED LIGHT (AH) GREEN LIGHT
  

  WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS AND SEAN GARRETT
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S. DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

  PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• YOU KNOW I HATE SLEEPIN' ALONE
  BUT YOU SAID THAT YOU WOULD SOON BE HOME
  BUT BABY THAT WAS ALONG TIME AGO
  I'M NOT FEELIN' IT
  I'M NOT FEELIN' IT

  ON TOP OF YOU NOT CALLIN ME BACK
  YOU SEE, I BET YOU THINK IT'S ALL ON TRACK
  AND YOU ACTIN' LIKE ITS ALL OF THAT
  I'M NOT FEELIN' IT
  I'M NOT FEELIN' IT

  LET'S GO
  LET'S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET'S GO LITTLE KITTY KAT
  HE DON'T WANT NO MORE
  LET'S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN' IT
  I'M NOT FEELIN IT

  IT'S LIKE WE AT TWO PLACES, BUT DIFFERENT PACES
  WE IN TROUBLE BUT YOU WON'T MEET ME AT THE BRIDGE
  IT HURTS, IT, FEELS DESERTED
  DID YOU FORGET WHERE YOUR HEART LIVES

  WHAT ABOUT MY BODY, BODY
  YOU DON'T WANT MY BODY, BODY
  ACTIN' LIKE YOU DON'T KNOW NOBODY
  YOU GON' MAKE ME CALL SOMEBODY
  WHAT ABOUT MY BODY, BODY
  WHAT ABOUT MY BODY, BODY
  YOU WOULD RATHER GO AND PARTY
  SOMEHOW, SOMEWHERE, I'LL BE NAUGHTY

  YOU KNOW I HATE SLEEPIN' ALONE
  BUT YOU SAID THAT YOU WOULD SOON BE HOME
  BUT BABY THAT WAS A LONG TIME AGO
  I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

  ON TOP OF YOU NOT CALLIN' ME BACK
  YOU SEE, I BET YOU THINK IT'S ALL ON TRACK
  AND YOU ACTIN' LIKE ITS ALL OF THAT
  I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

  LET'S GO
  LET'S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET'S GO LITTLE KITTY KAT
  HE DON'T WANT NO MORE
  LET'S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN' IT
  I'M NOT FEELIN' IT

  MAKE A LEFT TO COMPASSION
  THE LIGHTS REALLY FLASHING
  KEEP STRAIGHT, AND YOU'LL SEE THE SIGN RIGHT THERE
  AFFECTION, IN THE WRONG DIRECTION
  IF I GET CAUGHT, SEE IT JUST SEEMS THAT YOU DON'T CARE

  WHAT ABOUT MY BODY, BODY
  YOU DON'T WANT MY BODY, BODY
  ACTIN' LIKE YOU DON'T KNOW NOBODY
  YOU GON' MAKE ME CALL SOMEBODY
  WHAT ABOUT MY BODY, BODY
  WHAT ABOUT MY BODY, BODY
  YOU WOULD RATHER GO AND PARTY
  SOMEHOW, SOMEWHERE, I'LL BE NAUGHTY

  YOU KNOW I HATE SLEEPIN' ALONE
  BUT YOU SAID THAT YOU WOULD SOON BE HOME
  BUT BABY THAT WAS A LONG TIME AGO
  I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

  ON TOP OF YOU NOT CALLIN' ME BACK
  YOU SEE I BET YOU THINK IT'S ALL ON TRACK
  AND YOU ACTIN' LIKE ITS ALL OF THAT
  YOUR SEX AIN'T ALL THAT
  I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

  LET'S GO
  LET'S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET'S GO LITTLE KITTY KAT
  HE DON'T WANT NO MORE
  LET'S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN' IT
  I'M NOT FEELIN' IT

  I'M TAKIN' BACK THE THINGS I GOT FROM YOU, YOU
  AND THAT INCLUDES MY SWEET LITTLE NOOKIE TOO, TOO
  LET'S GO, LET'S GO, LET'S GO LIL KITTY KAT, (KITTY KAT) HE DON'T WANT YOU ANYMORE (NO)
  LET'S GO, LET'S GO, LET'S GO LIL KITTY KAT, (KITTY KAT) HE DON'T WANT YOU ANYMORE (NO)

  ROCK DIAMONDS ON MY NECK, GOT DIAMONDS ON MY RECORDS
  SINCE SIXTEEN, I WAS COMIN' DOWN RIDIN' LEXUS
  HOW YOU GONNA NEGLECT THIS, YOU WAS JUST A HOT MESS
  YOU CAN CALL TYRONE, YOU AIN'T GOTS TO LIE CRAIG

  WHAT ABOUT MY BODY, BODY
  YOU DON'T WANT MY BODY, BODY
  I'M IN THE HOUSE ALL ALONE
  YOU'D RATHER GO AND PARTY
  WHAT ABOUT MY BODY, BODY
  YOU DON'T WANT MY BODY, BODY
  ACTIN' LIKE I'M NOBODY
  YOU GON' NEED TO CALL SOMEBODY

  LET'S GO
  LET'S GO LITTLE KITTY KAT
  I THINK ITS TIME TO GO
  LET'S GO LITTLE KITTY KAT
  HE DON'T WANT NO MORE
  LET'S GO LITTLE KITTY KAT
  QUITE FRANKLY
  NO MORE GETTIN' IT
  I'M NOT FEELIN' IT
  

  WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS, SHAWN CARTER AND MAKEBA
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING/EMI BLACKWOOD MUSIC, INC. (BMI)

  PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AND GEOFF RICE AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• IT AIN'T FOR EVERYBODY (UH)
  WELCOME TO HOLLYWOOD BABY (TAKE A PICTURE)
  UH HUH
  YOU'RE COMING WITH (LET'S NOT EVEN TALK ABOUT IT)
  LET'S DO IT (LET'S GO)

  I SEE YOUR JEALOUSY AS YOU'RE WATCHING
  YOU'RE WATCHING
  IT'S KINDA SEXY TO ME HOW YOU'RE WATCHING
  YOU'RE WATCHING

  I SEE YOUR FACE (I SEE YOUR FACE)
  YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
  COME TO MY PLACE (COME TO MY PLACE)
  AND LET'S DISCUSS IT (LET'S CHOP IT UP)
  TONIGHT YOU'LL BE
  A SUPERSTAR
  COME LET ME SIGN YOU UP

  LET'S GET INTO IT

  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  ACTION (YOU NEED THAT)
  HOLLYWOOD
  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  SATISFACTION (YOU NEED THAT)
  HOLLYWOOD

  YOU GOTSTA TO GET IT
  OH OH OH OH
  OH OH OH
  DO YOU WANT IT
  OH OH OH OH
  OH OH OH
  BUT YOU DON'T NEED IT
  OH OH OH OH
  OH OH OH
  WHAT DO YOU DO
  OH OH OH
  WHAT DO YOU DO
  OH OH OH
  HEY

  I SEE YOUR FACE (I SEE YOUR FACE)
  YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
  COME TO MY PLACE (COME TO MY PLACE)
  AND LET'S DISCUSS IT (LET'S CHOP IT UP)
  TONIGHT YOU'LL BE
  A SUPERSTAR
  COME LET ME SIGN YOU UP

  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  ACTION (YOU NEED THAT)
  HOLLYWOOD
  OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
  SATISFACTION (YOU NEED THAT)
  HOLLYWOOD

  COME ON, COME ON, COME ON
  YOU HEAR IT SCREAMING
  OH OH OH OH
  OH OH OH
  CAMERA'S ROLLING
  OH OH OH OH
  OH OH OH
  YOU SO ADDICTIVE
  OH OH OH OH
  OH OH OH
  LIKE HOLLYWOOD (NOTHING LIKE HOLLYWOOD)
  OH OH OH OH
  OH OH OH

  AND EVERYBODY'S WARNING YOU ABOUT IT
  AND ONCE YOU TASTE IT, YOU CAN'T LIVE WITHOUT IT
  NOT 'CAUSE YOU CHOOSE TO NOT LIVE WITHOUT IT
  IT'S NOW A PART OF YOU (IT'S NOW A PART OF YOU)
  AND EVERYBODY'S WARNING YOU ABOUT IT
  AND ONCE YOU TASTE IT, YOU CAN'T LIVE

  OOH IT'S THE LIGHTS (IT'S THE LIGHTS)
  ACTION (ACTION)
  HOLLYWOOD (HOLLYWOOD)
  OOH IT'S THE LIGHTS (SATISFACTION)
  SATISFACTION (SO ADDICTIVE)
  (HEY) HOLLYWOOD

  NOW YOU WANNA BE SEEN
  MALE GROUPIES
  NOW YOU BECOME WHAT YOU ONCE DESPISED
  JAMES DEAN
  DON BELUSHI
  BLOW YOUR WHOLE LIFE
  TRYNA LIVE IN THE LIGHTS
  HEROIN'S FOLLOWING MARILYN
  HOPPIN' OVER THE EDGES
  JUST LIKE JANICE JOPLIN
  RIVER PHOENIX
  JIMI HENDRIX
  JAMIE MORRISON
  ALL OF THEM ENDED BY
  HOLLYWOOD

  I SEE YOUR FACE AND A YOU WANNA TOUCH IT, YEAH
  COME TO MY PLACE AND WE CAN DISCUSS IT

  HOLLYWOOD, WELCOME TO HOLLYWOOD

  WRITTEN BY SHAWN CARTER, R. PERRY, S. SMITH AND BEYONCÉ KNOWLES
  PUBLISHED BY 2006 CARTER BOYS MUSIC (ASCAP), REGGIE PERRY MUSIC (ASCAP), SUPER SAYIN PUBLISHING (BMI). ADMINISTERED BY ZOMBA MUSIC PUBLISHING, B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP

  PRODUCED BY SYIENCE FOR STAYFRESH MUSIC, INC./ROKKWORLD MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY GIMEL "YOUNG GURU" KEATON FOR LOREAL INC. AT SONY STUDIOS, NYC
  ASSISTED BY JASON AGEL AND LB FOR MUSIC WORLD PRODUCTIONS, INC. AT ROC THE MIC STUDIOS, NYC
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• YEAH B
  TALK YO' SHIT (PARTNER LET ME UPGRADE, UPGRADE YOU)
  HOW YOU GONNA UPGRADE ME
  WHAT'S HIGHER THAN NUMBER ONE
  YOU KNOW I USED TO BEAT THAT BLOCK
  NOW I BE'S THE BLOCK

  PARTNER LET ME UPGRADE (UPGRADE)

  I HEAR YOU BE THE BLOCK
  BUT I'M THE LIGHTS THAT KEEP THE STREETS ON
  NOTICE YOU THE TYPE THAT LIKE TO KEEP 'EM ON A LEASH THOUGH
  I'M KNOWN TO WALK ALONE
  BUT I'M ALONE FOR A REASON
  SENDING ME A DRINK AIN'T APPEASIN'
  BELIEVE ME
  COME HARDER, THIS WON'T BE EASY
  DON'T DOUBT YOURSELF, TRUST ME YOU NEED ME
  THIS AIN'T NO SHOULDER WITH A CHIP OR A EGO
  WHAT YOU THINK THEY ALL MAD AT ME FOR

  YOU NEED A REAL WOMAN IN YOUR LIFE
  THAT'S A GOOD LOOK
  TAKING CARE, HOME IS STILL FLY
  THAT'S A GOOD LOOK
  I'M-A HELP YOU BUILD UP YOUR ACCOUNT
  THAT'S A GOOD LOOK
  BETTER YET A HOOD LOOK (BELIEVE ME)
  LADIES THAT'S A GOOD LOOK
  WHEN YOU IN THEM BIG MEETINGS FOR THE MILLS
  TAKE ME JUST TO COMPLIMENT THE DEAL
  THAT'S A GOOD LOOK
  ANYTHING YOU COP I'LL SPLIT THE BILL
  THAT'S A GOOD LOOK
  BETTER YET A HOOD LOOK (BELIEVE ME)
  LADIES THAT'S A GOOD LOOK

  PARTNER LET ME UPGRADE YA
  AUDEMARS PIGUET YA
  SWITCH YOUR NECKTIES TO PURPLE LABELS
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  FLIP A NEW PAGE
  INTRODUCE YOU TO SOME NEW THINGS AND
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU
  I CAN DO FOR YOU WHAT MARTIN DID FOR THE PEOPLE
  RAN BY THE MEN, BUT THE WOMEN KEEP THE TEMPO
  IT'S VERY SELDOM THAT YOU'RE BLESSED TO FIND YOUR EQUAL
  STILL PLAY MY PART AND LET YOU TAKE THE LEAD ROLE, BELIEVE ME
  I'LL FOLLOW, THIS COULD BE EASY
  I'LL BE THE HELP WHENEVER YOU NEED ME
  I SEE YOU ON YOUR HUSTLE, WITH MY HUSTLE I CAN KEEP YOU
  FOCUSED ON YOUR FOCUS, I CAN FEED YOU

  YOU NEED A REAL WOMAN IN YOUR LIFE
  THAT'S A GOOD LOOK
  TAKING CARE, HOME IS STILL FLY
  THAT'S A GOOD LOOK
  I CAN HELP YOU BUILD UP YOUR ACCOUNT
  THAT'S A GOOD LOOK
  BETTER YET A HOOD LOOK
  LADIES THAT'S A GOOD LOOK
  WHEN YOU IN THE BIG MEETINGS FOR THE MILLS
  TAKE ME JUST TO COMPLIMENT THE DEAL
  THAT'S A GOOD LOOK
  ANYTHING YOU COP, I'LL SPLIT THE BILL
  THAT'S A GOOD LOOK
  BETTER YET A HOOD LOOK
  LADIES THAT'S A GOOD LOOK
  BELIEVE ME I CAN UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  AUDEMARS PIGUET
  YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  FLIP A NEW PAGE, INTRODUCE YOU TO SOME NEW THINGS AND
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  I BE'S THE D BOY WHO INFILTRATED ALL THE CORPORATE DUDES
  THEY CALL SHOTS, I CALL AUDIBLES
  JACOB THE JEWELER BAUBLES
  LORRAINE SCHWARTZ SORTA DUDE
  IT'S BIG BALLIN' BABY WHEN I'M COURTIN' YOU
  I'M TALKIN' SPA BAGS AND FLY PADS AND
  ROOMS AT THE BLOOMBERG
  AND RUMORS YOU ON THE VERGE OF A NEW MARRIAGE
  'CAUSE THAT ROCK ON YA FINGER'S LIKE A TUMOR
  YOU CAN'T FIT YA HAND IN YA NEW PURSE
  IT'S HUMOROUS TO ME THEY WATCHIN' AND WE JUST YATCHIN'
  ISLAND HOPPING OFF THE ALMAFI COAST
  MAFIOSO, OH BABY YOU EVER SEEN SATURN
  NO, NOT THE CAR BUT EVERYWHERE WE ARE
  YOU SURE TO SEE STARS, THIS IS HIGH LEVEL, NOT EYE LEVEL
  MY BEZEL, COURTESY OF AUDEMARS
  I ORDER YOURS TOMORROW
  NOW LOOK AT THE TIME I SAVED YA
  MAMA LET ME UPGRADE YA
  JUST WHEN YOU THINK YOU HAD IT ALL
  BIG ENDS, CONDOS, COLLECTING CARS
  PICTURE YOUR LIFE ELEVATED WITH ME
  YOU MY PROJECT CELEBRITY
  I KEEP YA NAME HOT IN THOSE STREETS
  THAT LITTLE GLIMPSE OF LIFE
  THAT MAKES THAT DIAMOND REALLY SHINE
  AND YOU ALREADY IS A STAR
  UNLESS YOU'RE FLAWLESS
  THEN YA DYNASTY WITHOUT A CHIEF LIKE ME

  PARTNER LET ME UPGRADE YA
  BOTTOM OF THE PAGE
  YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  PARTNER LET ME UPGRADE YA
  FLIP A NEW PAGE
  INTRODUCE YOU TO SOME NEW THINGS AND
  UPGRADE YA
  I CAN UP, CAN I UP
  LET ME UPGRADE YA
  PARTNER LET ME UPGRADE YOU

  AUDEMARS PIGUET WATCH
  DIMPLES IN YA NECK TIE
  HERMES BRIEFCASE
  CARTIER TOP CLIPS
  SILK LINED BLAZERS
  DIAMOND CREAMED FACIALS
  VVS CUFF LINKS
  6 STAR PENT SUITES
  PARTNER LET ME UPGRADE YA, GRADE YA
  PARTNER, PARTNER LET ME UPGRADE YA, GRADE YA
  LET ME, LET ME, LET ME UPGRADE YA, GRADE YA
  PARTNER, PARTNER, PARTNER LET ME UPGRADE YA
  

  WRITTEN BY BEYONCÉ KNOWLES, SOLANGE KNOWLES, MK, MAKEBA, SEAN GARRETT, ANGELA BEYINCE, JAY-Z, WILLIE CLARKE AND CLARENCE REID
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SOLANGE MWP PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC/MUSIC WORLD PUBLISHING (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI), JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), CARTER BOYS PUBLISHING (ASCAP) EMI LONGITUDE MUSIC (BMI)

  PRODUCED BY CAMERON WALLACE FOR BACK BLOCK PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  ADDITIONAL PRODUCTION BY KASSEEM "SWIZZ BEATZ" DEAN FOR SWIZZ BEATZ PRODUCTIONS, INC.

  RAP PERFORMED BY JAY-Z
  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  CONTAINS SAMPLES FROM THE COMPOSITION "GIRLS CAN'T DO WHAT THE GUYS DO" WRITTEN BY WILLIE CLARKE AND CLARENCE REID
  FEATURING SAMPLES FROM THE BETTY WRIGHT RECORDING "GIRLS CAN'T DO WHAT THE GUYS DO (AND STILL BE A LADY)" PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT, A WARNER MUSIC GROUP COMPANY
  

• I'M A TRAIN WRECK IN THE MORNING
  I'M A BITCH IN THE AFTERNOON
  EVERY NOW AND THEN WITHOUT WARNING
  I CAN BE REALLY MEAN TOWARDS YOU

  I'M A PUZZLE YES IN DEED
  EVER COMPLEX IN EVERY WAY
  AND ALL THE PIECES AREN'T EVEN IN THE BOX
  AND YET, YOU SEE THE PICTURE CLEAR AS DAY

  I DON'T KNOW WHY YOU LOVE ME
  AND THAT'S WHY I LOVE YOU
  CATCH ME WHEN I FALL
  ACCEPT ME FLAWS AND ALL
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU

  I NEGLECT YOU WHEN I'M WORKING
  WHEN I NEED ATTENTION, I TEND TO NAG
  I'M A HOST OF IMPERFECTION
  AND YOU SEE PAST ALL THAT
  I'M A PEASANT BY SOME STANDARDS
  BUT IN YOUR EYES, I'M A QUEEN
  YOU SEE POTENTIAL IN ALL MY FLAWS
  AND THAT'S EXACTLY WHAT I MEAN

  I DON'T KNOW WHY YOU LOVE ME
  AND THAT'S WHY I LOVE YOU
  YOU CATCH ME WHEN I FALL
  ACCEPT ME FLAWS AND ALL
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU

  I DON'T KNOW WHY YOU LOVE ME
  AND THAT'S WHY I LOVE YOU
  CATCH ME WHEN I FALL
  ACCEPT ME FLAWS AND ALL
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  AND THAT'S WHY I LOVE YOU
  

  WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
  PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

  PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

  RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  DIGITAL PREP ENGINEER: COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• 9 – 4 – 8 – 1
  B'DAY

  MISSION ONE
  I'M-A PUT THIS ON
  WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

  MISSION TWO
  GOTTA MAKE THAT CALL
  TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

  MISSION THREE
  GOT MY THREE BEST FRIENDS
  LIKE WE DO IT ALL THE TIME, WE GON' DO IT AGAIN (HEY)

  MISSION FOUR
  GOT THE VINTAGE ROLLS
  DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y'ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  MISSION FIVE
  SKIP TO THE FRONT OF THE LINE
  LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

  MISSION SIX
  GOTTA CHECK THESE CHICKS
  'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

  MISSION SEVEN
  GOTTA MAKE MY ROUNDS
  GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
  MISSION EIGHT
  NOW WE CONVERSATIN'
  WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y'ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  YOU SHOULD SEE MY BODY
  I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
  I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
  I WANNA LET IT OUT TONIGHT
  WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  BABY ALL I WANT IS TO LET IT GO
  AIN'T NO WORRIES, OH
  WE CAN DANCE ALL NIGHT
  GET ME BODIED
  THAT MEANS COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  AND YOUR BODY'S TOUCHING MY BODY
  ALL I NEED IS TO LET IT BE
  AIN'T NO WORRY, NO
  BOY DANCE WITH ME
  FEEL MY BODY
  STOP JUST COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  WITH YOUR BODY TOUCHING MY BODY

  GETTIN' BODIED
  AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
  I SWING MY HAIR, KICK OFF MY SHOES
  COME HER BOY LET ME WORK ON YOU

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y'ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  LADIES ON THE FLOOR, ALL MY LADIES ON THE FLOOR
  IF YOU READY, GET IT READY
  LETS GET IT AND DROP IT
  DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
  DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
  DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
  DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
  DO THE UH OH, DO THE UH OH, DO THE UH OH UH OH UH OH OH NO NO
  UH OH DO THE UH OH DO THE UH OH UH OH UH OH OH NO NO
  PAT YOUR WEAVES LADIES
  PAT PAT PAT YOUR WEAVES LADIES
  WATCH IT WHILE HE CHECK UP ON IT
  PAT YOUR WEAVES LADIES
  PAT PAT YOUR WEAVES LADIES
  WATCH IT WHILE HE CHECK UP ON IT
  TICK TICK TICK TICK FIGHT
  NOW TICK TICK TICK TICK TICK TICK FIGHT
  NOW TICK TICK TICK TICK FIGHT
  NOW TICK TICK TICK TICK TICK TICK FIGHT
  NOW POSE FOR THE CAMERA NOW, FLICK FLICK
  POSE FOR THE CAMERA NOW, FLICK FLICK
  POSE FOR THE CAMERA NOW FLICK FLICK
  POSE FOR THE CAMERA NOW FLICK FLICK
  DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, DO AN OLD SCHOOL
  DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, GET OLD SCHOOL
  STOP NOW, COOL OFF, COOL OFF, COOL OFF, COOL OFF
  DROP AND COOL OFF, COOL OFF, COOL OFF, COOL OFF
  WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
  WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
  DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
  DROP DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
  SHAKE YA DERRIERE IN THEM DERÉON'S
  SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
  SHAKE YA DERRIERE IN THEM DERÉON'S
  SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
  DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
  WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
  DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
  WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
  SNAP FOR THE KIDS, SNAP FOR THE KIDS
  SNAP IN A CIRCLE THREE TIMES
  SNAP FOR THE KIDS, SNAP FOR THE KIDS
  SNAP IN A CIRCLE THREE TIMES
  I TOUCH YA BODY, WHILE YA TOUCH MY BODY
  WE TOUCHIN' BODIES TONIGHT
  WE GETTIN' BODIED
  I TOUCH YA BODY, WHILE YA TOUCH MY BODY
  WE TOUCHIN' BODIES TONIGHT
  WE GETTIN' BODIED
  GETTIN' BODIED (GETTIN' BODIED)
  GETTIN' BODIED (GETTIN' BODIED)
  GETTIN' BODIED (I'M THE ONLY ONE TONIGHT)
  GETTIN' BODIED (GETTIN' BODIED)
  WANT MY BODY (GET ME BODY)
  WON'T YA GET ME BODY (GET ME BODY)
  YOU WANT MY BODY (I'M THE ONLY ONE TONIGHT)
  WON'T YA GET ME BODIED (GET ME BODIED)
  HEY

  WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
  PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

  PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

  RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  DIGITAL PREP ENGINEER: COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• TO BE OR NOT TO BE
  NOT
  HOLD UP
  BRING THE BEAT BACK
  STOP, I AIN'T READY YET
  WAIT, LET ME FIX MY HAIR (YES, YES)
  YES MA'AM (YES MA'AM)
  YES

  I THINK I'M READY
  BEEN LOCKED UP IN THE HOUSE WAY TOO LONG
  IT'S TIME TO GET IT
  'CAUSE ONCE AGAIN HE'S OUT DOING WRONG
  AND MY GIRLS ARE SO REAL
  SAID IT'S BEEN A MINUTE SINCE I HAD SOME
  HE'S BEEN ACTIN' UP
  BUT HE WON'T BE THE ONLY ONE

  'CAUSE WHEN THEY ACT WRONG
  THAT'S WHEN YOU PUT IT ON
  GET 'EM UPTIGHT, THIS IS YOUR SONG
  POKE OUT YA BACK, TIME TO IMPRESS
  PULL OUT YOUR FREAKUM DRESS

  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON

  EVERY WOMAN GOT ONE
  SHUT IT DOWN WHEN THE TIME COMES
  SO PULL OUT THE BIG GUNS
  AND PUT YOUR FREAKUM DRESS ON

  SOON AS HE SAW ME
  TURNED ON BY HOW THE DRESS WAS FITTIN' RIGHT
  SHORT AND BACKLESS (BACKLESS)
  SEE MY SILHOUETTE IN THE MOONLIGHT
  SUCH AN ATTRACTION
  KEEP TELLING ME HOW MY OUTFIT'S SO NICE
  LITTLE DID HE KNOW
  MY MAN GON' TAKE IT OFF TONIGHT

  'CAUSE WHEN THEY ACT WRONG
  THAT'S WHEN YOU PUT IT ON
  GET 'EM UPTIGHT, THIS IS YOUR SONG
  POKE OUT YA BACK, TIME TO IMPRESS
  PULL OUT YOUR FREAKUM DRESS

  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON

  EVERY WOMAN GOT ONE
  SHUT IT DOWN WHEN THE TIME COMES
  SO PULL OUT THE BIG GUNS
  AND PUT YOUR FREAKUM DRESS ON

  ALL THE LADIES
  YOUR WEAVES DID
  ALL DRESSED UP IN YOUR DRESSES
  AND YOUR BESTEST FOR NO REASON
  GET READY TO FREAKUM FREAKUM

  BEFORE YOU PUT IT ON, IT'S AN INVITATION
  WHEN I PLAY A SONG, GET ON UP AND SHAKE IT
  POKIN' OUT YOUR BACK, YOU DON'T HAVE TO WASTE IT
  SPINNIN' ALL AROUND, THEN TAKE IT TO THE GROUND AND…
  (2X)

  'CAUSE WHEN THEY ACT WRONG
  THAT'S WHEN YOU PUT IT ON
  GET 'EM UPTIGHT, THIS IS YOUR SONG
  POKE OUT YA BACK, TIME TO IMPRESS
  PULL OUT YOUR FREAKUM DRESS

  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON
  PUT YOUR FREAKUM DRESS ON

  EVERY WOMAN GOT ONE
  SHUT IT DOWN WHEN THE TIME COMES
  SO PULL OUT THE BIG GUNS
  AND PUT YOUR FREAKUM DRESS ON

  LADIES LOOK IT HERE
  WHEN YOU BEEN WITH YOUR MAN FOR A LONG TIME
  EVERY NOW AND THEN YOU GOTTA GO BACK IN THE CLOSET AND PULL OUT THAT FREAKUM DRESS

  I GOT MY FREAKUM DRESS ON
  I GOT MY FREAKUM DRESS ON
  I GOT MY FREAKUM DRESS ON
  I GOT MY FREAKUM DRESS ON

  WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE AND MAKEBA
  PUBLISHED BY B-DAY PUBLISHING/WMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI)

  PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND JAMIE ROSENBERG AT GREAT DIVIDE STUDIOS, ASPEN, CO
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• DAMN THAT WAS SO GOOD
  I WANNA BUY HIM A SHORT SET

  I'M-A BE LIKE A JOLLY RANCHER
  THAT YOU GET FROM THE CORNER STORE
  OR I'M-A BE LIKE A WAFFLE CONE
  THAT'S DRIPPIN' DOWN TO THE FLOOR
  THE WAY YOU DO IT FOR ME, I CAN'T LIE (LIE)
  'BOUT TO BE UP IN THE MALL ALL NIGHT (YES)
  WHATEVER I GET, YA PUTTIN' IT ON (YES)
  DON'T GIVE ME NO LIP, LET MAMA DO IT ALL

  LET ME BE, I WANTS TO BE, GOTSTA BE
  YOUR SUGA, GIVE MAMA SOME SUGA MAMA
  SUGA MA, MA, MA, MA
  I'M YOUR (SUGA MAMA) SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
  NEW WHIP, NEW HEAVY ON THE WRIST
  'CAUSE IM-A…
  SUGA MA, MA, MA, MA
  I'M YOUR, SUGA MAMA (SUGA MAMA)

  HEY, HEY, SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  HEY, COME SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP

  IT'S SO GOOD TO THE POINT THAT I'D DO ANYTHING TO KEEP YOU HOME
  BABY WHAT YOU WANT ME TO BUY
  MY ACCOUNTANT'S WAITING ON THE PHONE (ON THE PHONE)
  JUST THE THOUGHT OF MAKIN' LOVE TO YOU (YOU)
  DROPPIN' EVERYTHING, THAT'S WHAT I'LL DO (I'LL DO)
  WHATEVER I GET, YA PUTTING IT ON (BOY)
  NOW TAKE IT OFF, WHILE I WATCH YOU PERFORM

  LET ME BE, I WANTS TO BE, GOTSTA BE
  YOUR SUGA, GIVE MAMA SOME SUGA MAMA
  SUGA MA, MA, MA, MA
  I'M YOUR (SUGA MAMA) SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
  NEW WHIP, NEW HEAVY ON THE WRIST
  'CAUSE IM-A…
  SUGA MA, MA, MA, MA
  I'M YOUR, SUGA MAMA (SUGA MAMA)

  SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  HEY, COME SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP

  AND I, ALWAYS BEEN THE TYPE TO TAKE CARE OF MINE
  I KNOW JUST WHAT I'M DOING
  DON'T YOU WORRY IT'S COOL AND EVERYTHING IS STEADY
  CLAIMED YOU ON MY TAXES ALREADY, YEAH YEAH YEAH
  I PROMISE I WON'T LET NO BILLS GET BEHIND
  'CAUSE EVERY TOUCH, EVERY KISS, AND HUG
  BEST BELIEVE IT'LL BE ON TIME
  SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE
  YOUR SUGA, GIVE MAMA SOME SUGA MAMA
  SUGA MA, MA, MA, MA
  I'M YOUR (SUGA MAMA) SUGA MAMA

  LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
  NEW WHIP, NEW HEAVY ON THE WRIST
  'CAUSE IM-A…
  SUGA MA, MA, MA, MA
  I'M YOUR, SUGA MAMA (SUGA MAMA)

  SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  HEY, COME SIT ON MAMA LAP
  HEY, HEY, COME SIT ON MAMA LAP
  (2X)

  WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, MAKEBA AND CHUCK MIDDLETON
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI)/MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), MUTT MUSIC (BMI)

  PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NY C
  ASSISTED BY STEVE TOLLE
  CONTAINS EXCERPTS FROM "SEARCHING FOR SOUL" WRITTEN BY CHUCK MIDDLETON, PUBLISHED BY MUTT MUSIC (BMI) AND RECORDED BY J. WADE AND THE SOUL SEARCHERS. COURTESY OF UBIQUITY RECORDS. USED BY PERMISSION.
  

• BASS (UGH)
  HIGH HAT (UGH)
  808 (UGH)
  JAY (AH HA … READY … AH HA …)
  LET'S GO GET 'EM (AH HA … C'MON)

  I USE TO RUN BASS BY LIKE JUAN PIERRE
  BUT NOW I RUN THE BASS, HIGH HAT AND THE SNARE
  I USE TO BAG GIRLS LIKE BIRKIN BAGS
  NOW I BAG B (BOY YOU HURTIN' THAT)
  BROOKLYN BE WHERE THEY BIRTH ME AT
  NOW I BE EVERYWHERE – THE NERVE OF RAP
  THE AUDACITY TO HAVE ME WITH THEM CURTAINS BACK
  ME AND B, SHE ABOUT TO STEAM, STAND BACK

  BABY
  SEEMS LIKE EVERYWHERE I GO, I SEE YOU
  FROM YOUR EYES I SMILE, IT'S LIKE I BREATHE YOU
  HELPLESSLY I REMINISCE, DON'T WANT TO
  COMPARE NOBODY TO YOU

  BOY I TRY TO CATCH MYSELF
  BUT I'M OUTTA CONTROL
  YOUR SEXINESS IS SO APPEALING
  I CAN'T LET IT GO

  YOU KNOW THAT I CAN'T GET OVER YOU
  'CAUSE EVERYTHING I SEE IS YOU
  AND I DON'T WANT NO SUBSTITUTE
  BABY I SWEAR IT'S DEJA VU

  YOU KNOW THAT I CAN'T GET OVER YOU
  'CAUSE EVERYTHING I SEE IS YOU
  AND I DON'T WANT NO SUBSTITUTE
  BABY I SWEAR IT'S DEJA VU

  I'M SEEING
  THINGS THAT I KNOW CAN'T BE
  AM I DREAMING
  WHEN I SAW YOU WALKING PAST ME
  ALMOST CALLED YOUR NAME
  GOT A BETTER GLIMPSE AND THEN I LOOKED AWAY
  IT'S LIKE I'M LOSING IT

  BOY I TRY TO CATCH MYSELF
  BUT I'M OUTTA CONTROL
  YOUR SEXINESS IS SO APPEALING
  I CAN'T LET IT GO

  YOU KNOW THAT I CAN'T GET OVER YOU
  'CAUSE EVERYTHING I SEE IS YOU
  AND I DON'T WANT NO SUBSTITUTE
  BABY I SWEAR IT'S DEJA VU

  YOU KNOW THAT I CAN'T GET OVER YOU
  'CAUSE EVERYTHING I SEE IS YOU
  AND I DON'T WANT NO SUBSTITUTE
  BABY I SWEAR IT'S DEJA VU

  YES
  HOVA'S FLOW
  SO UNUSUAL
  BABY GIRL YOU SHOULD ALREADY KNOW
  IT'S H – O
  LIGHT UP THE DRO
  'CAUSE YOU GONNA NEED HELP TRYNA STUDY MY
  BOUNCE
  FLOW BLOW
  WHAT THE DIFFERENCE
  ONE YOU TAKE IN VEIN
  WHILE THE OTHER YOU SNIFFIN'
  IT'S STILL DOPE
  PO-PO TYRNA CONVICT 'EM
  THAT A NO-GO
  MY DOUGH KEEPS THE SCALES TIPPIN'
  LIKE 4 4'S
  LIKE I'M FROM THE H-O-U-S-T-O-N
  BLOW – WIND – SO CHICAGO OF HIM
  IS HE THE BEST EVER
  THAT THE ARGU-A-MENT
  I DON'T MAKE THE LIST
  DON'T BE MAD AT ME
  I JUST MAKE THE HITS LIKE A FACTORY
  I'M JUST ONE TO ONE
  NOTHIN' AFTER ME
  NO DEJA VU
  JUST ME AND MY (OHH)

  BABY I CAN'T GO ANYWHERE
  WITHOUT THINKING THAT YOU'RE THERE
  SEEMS LIKE YOUR EVERYWHERE IT'S TRUE
  GOTTA BE HAVING DEJA VU
  'CAUSE IN MY MIND, I WANT YOU HERE
  GET ON THE NEXT PLANE, I DON'T CARE
  IS IT BECAUSE I'M MISSING YOU
  THAT I'M HAVING DEJA VU

  BOY I TRY TO CATCH MYSELF
  BUT I'M OUTTA CONTROL
  YOUR SEXINESS IS SO APPEALING
  I CAN'T LET IT GO

  YOU KNOW THAT I CAN'T GET OVER YOU
  'CAUSE EVERYTHING I SEE IS YOU
  AND I DON'T WANT NO SUBSTITUTE
  BABY I SWEAR IT'S DEJA VU
  (3X)
  

  WRITTEN BY BEYONCÉ KNOWLES, RODNEY JERKINS, DELISHA THOMAS, MAKEBA, KELI NICOLE PRICE AND SHAWN CARTER
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/EMI BLACKWOOD MUSIC, INC. (BMI)/23000 MUSIC PUBLISHING (SOCAN/BMI), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC (BMI), PRICE TAG (SESAC). ADMINISTERED BY INTERNATIONAL MUSIC PUBLISHING (SESAC), EMI APRIL MUSIC, INC. (ASCAP)/CARTER BOYS PUBLISHING

  PRODUCED BY RODNEY "DARKCHILD" JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. ASSISTED BY JON JON

  RECORDED BY JEFF VILLANUEVA AND JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND JUN ISHIZEKI AT THE RECORD PLANT, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT, RODNEY JERKINS AND BEYONCÉ KNOWLES AT SONY MUSIC STUDIOS
  ALL MUSIC BY RODNEY "DARKCHILD" JERKINS
  RAP PERFORMED BY JAY-Z
  BASS: JON JON
  HORNS ARRANGED BY RODNEY "DARKCHILD" JERKINS
  HORNS BY RONALD JUDGE, ALLEN "AL GEEZ" ARTHUR AND AARON "GOODY" GOODE
  

• RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
  WON'T YOU RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  TELL ME HOW SHOULD I FEEL
  WHEN I KNOW WHAT I KNOW
  AND MY FEMALE INTUITION
  TELLING ME YOU A DOG
  PEOPLE TOLD ME 'BOUT THE FLAMES
  I COULDN'T SEE THROUGH THE SMOKE
  WHEN I NEED ANSWERS, ACCUSATIONS
  WHAT YOU MEAN YOU GON' CHOKE

  YOU CAN'T STAY, YOU GOTTA GO
  AIN'T NO OTHER CHICKS SPENDING YOUR DOUGH
  THIS IS TAKING A TOLL, THE WAY THE STORY UNFOLDS
  NOT THE PICTURE PERFECT MOVIE EVERYONE WOULD'VE SAW

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
  WON'T YOU RING THE ALARM
  I BEEN THROUGH THIS TOO LONG
  BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

  TELL ME HOW SHOULD I FEEL
  WHEN YOU MADE ME BELONG
  AND THE THOUGHT OF YOU JUST TOUCHING HER
  IS WHAT I HATE MOST
  I DON'T WANT YOU BUT I WANT IT
  AND I CAN'T LET IT GO
  TO KNOW YOU GIVE IT TO HER LIKE YOU GAVE IT TO ME, COME ON

  HE'S SO ARROGANT AND BOLD (OH)
  SHE GON' LOVE THAT SHIT, I KNOW
  I DONE PUT IN A CALL, TIME TO RING THE ALARM
  'CAUSE YOU AIN'T NEVER SEEN A FIRE LIKE THE ONE I'M-A 'CAUSE

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  HOW CAN YOU LOOK AT ME
  AND NOT SEE ALL THE THINGS THAT I KEPT ONLY JUST FOR YOU
  WHY WOULD YOU RISK IT BABY
  IS THAT THE PRICE THAT I PAY
  BUT THIS IS MY SHOW AND I WON'T LET YOU GO
  ALL HAS BEEN PAID FOR, AND IT'S MINE
  HOW COULD YOU LOOK AT ME
  AND NOT SEE ALL THE THINGS (SEE ALL THE THINGS)

  SHE GON' BE ROCKIN' CHINCHILLA COATS
  IF I LET YOU GO
  PENT IN THE HOUSE OFF THE COAST
  IF I LET YOU GO
  SHE GON' TAKE EVERYTHING I OWN
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO

  SHE GON' ROCK THEM VVS STONES
  IF I LET YOU GO
  COUPED IN THE 'BACH OR THE ROLLS
  IF I LET YOU GO
  SHE GON' PROFIT EVERYTHING I TAUGHT
  IF I LET YOU GO
  I CAN'T LET YOU GO
  DAMN, IF I LET YOU GO
  

  WRITTEN BY BEYONCÉ KNOWLES, KASSEEM "SWISS BEATZ" DEAN AND SEAN GARRETT
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

  PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  

• I WISH I COULD BELIEVE YOU
  THEN I'LL BE ALRIGHT
  BUT NOW EVERYTHING YOU TOLD ME
  REALLY DON'T APPLY
  TO THE WAY I FEEL INSIDE
  LOVING YOU WAS EASY
  ONCE UPON A TIME
  BUT NOW MY SUSPICIONS OF YOU
  HAVE MULTIPLIED
  AND IT'S ALL BECAUSE YOU LIED

  I ONLY GIVE YOU A HARD TIME
  'CAUSE I CAN'T GO ON AND PRETEND LIKE
  I HAVEN'T TRIED TO FORGIVE THIS
  BUT I'M MUCH TOO FULL OF RESENTMENT
  JUST CAN'T SEEM TO GET OVER
  THE WAY YOU HURT ME
  DON'T KNOW HOW YOU GAVE ANOTHER
  WHO DIDN'T MEAN A THING, NO
  THE VERY THING YOU GAVE TO ME

  I THOUGHT I COULD FORGIVE YOU
  AND I KNOW YOU'VE CHANGED
  AS MUCH AS I WANNA TRUST YOU
  I KNOW IT AIN'T THE SAME
  AND IT'S ALL BECAUSE YOU LIED

  I ONLY GIVE YOU A HARD TIME
  'CAUSE I CAN'T GO ON AND PRETEND LIKE
  I HAVEN'T TRIED TO FORGIVE THIS
  BUT I'M MUCH TOO FULL OF RESENTMENT

  I MAY NEVER UNDERSTAND WHY
  I'M DOING THE BEST THAT I CAN
  I TRIED AND I TRIED TO FORGIVE THIS
  BUT I'M MUCH TOO FULL OF RESENTMENT

  I ALWAYS REMEMBER FEELIN'
  LIKE I WAS NO GOOD
  LIKE I COULDN'T DO IT FOR YOU
  LIKE YOUR MISTRESS COULD
  AND IT'S ALL BECAUSE YOU LIED

  LOVED YOU MORE THAN EVER
  MORE THAN MY OWN LIFE
  THE BEST PART OF ME I GAVE YOU
  IT WAS SACRIFICED
  AND IT'S ALL BECAUSE YOU LIED

  I ONLY GIVE YOU A HARD TIME
  'CAUSE I CAN'T GO ON AND PRETEND LIKE
  I TRIED AND I TRIED TO FORGIVE THIS
  BUT I'M MUCH TOO DAMN FULL OF RESENTMENT

  I KNOW SHE WAS ATTRACTIVE
  BUT I WAS HERE FIRST
  BEEN RIDING WITH YOU FOR 6 YEARS
  WHY DID I DESERVE
  TO BE TREATED THIS WAY BY YOU
  I KNOW YOU'RE PROBABLY THINKING
  WHAT'S UP WITH B
  I'VE BEEN CRYING FOR TOO LONG
  WHAT DID YOU DO TO ME
  I USED TO BE SO STRONG
  NOW YOU TOOK MY SOUL
  I'M CRYING
  CAN'T STOP CRYING
  CAN'T STOP CRYING
  YOU COULD'VE TOLD ME
  YOU WASN'T HAPPY
  I KNOW YOU DIDN'T WANT TO HURT ME
  LOOK AT WHAT YOU'VE DONE TO ME NOW
  I GOTTA LOOK AT HER IN HER EYES
  AND SEE SHE'S HAD HALF OF ME
  YOU LIED
  HOW COULD YOU LIE
  YOU LIED

  WRITTEN BY BEYONCÉ KNOWLES, WALTER W. MILLSAP III, CANDICE C. NELSON AND C. MAYFIELD
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), CONJUNCTION MUSIC/EMI APRIL MUSIC, INC. (ASCAP), UNIVERSAL MUSIC CORP. (ASCAP) ON BEHALF OF BOOTLEGGERS STOP (ASCAP)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI), ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI)

  PRODUCED BY WALTER "LIL WALT" MILLSAP III FOR CONJUNCTION PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
  CO-PRODUCED BY CANDICE "G.G" NELSON FOR CONJUNCTION PRODUCTIONS, LLC
  VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  ALL MUSIC BY WALTER "LIL WALT" MILLSAP III AND CANDICE "G.G" NELSON FOR CONJUNCTION PRODUCTIONS, LLC
  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI AND DAVE "D-LO" LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
  PRO TOOLS EDITING BY DAVE "D-LO" LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
  MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE
  CONTAINS ELEMENTS OF "THINK" (C. MAYFIELD) WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI). ALL RIGHTS RESERVED.
  

• LISTEN TO THE SONG HERE IN MY HEART
  A MELODY I START BUT CAN'T COMPLETE

  LISTEN, TO THE SOUND FROM DEEP WITHIN
  IT'S ONLY BEGINNING
  TO FIND RELEASE

  OH, THE TIME HAS COME
  FOR MY DREAMS TO BE HEARD
  THEY WILL NOT BE PUSHED ASIDE AND TURNED
  INTO YOUR OWN
  ALL CAUSE YOU WON'T
  LISTEN

  LISTEN, I AM ALONE AT A CROSSROADS
  I'M NOT AT HOME, IN MY OWN HOME
  AND I'VE TRIED AND TRIED
  TO SAY WHAT'S ON MY MIND
  YOU SHOULD HAVE KNOWN

  OH, NOW I'M DONE BELIEVING YOU
  YOU DON'T KNOW WHAT I'M FEELING
  I'M MORE THAN WHAT YOU MADE OF ME
  I FOLLOWED THE VOICE YOU GAVE TO ME
  BUT NOW I GOTTA FIND MY OWN

  YOU SHOULD HAVE LISTENED
  THERE IS SOMEONE HERE INSIDE
  SOMEONE I'D THOUGHT HAD DIED
  SO LONG AGO

  OH, I'M SCREAMING OUT, AND MY DREAMS WILL BE HEARD
  THEY WILL NOT BE PUSHED ASIDE ON WORDS
  INTO YOUR OWN
  ALL CAUSE YOU WON'T
  LISTEN

  LISTEN, I AM ALONE AT A CROSSROADS
  I'M NOT AT HOME, IN MY OWN HOME
  AND I'VE TRIED AND TRIED
  TO SAY WHAT'S ON MY MIND
  YOU SHOULD HAVE KNOWN

  OH, NOW I'M DONE BELIEVING YOU
  YOU DON'T KNOW WHAT I'M FEELING
  I'M MORE THAN WHAT YOU MADE OF ME
  I FOLLOWED THE VOICE YOU GAVE TO ME
  BUT NOW I GOTTA FIND MY OWN

  I DON'T KNOW WHERE I BELONG
  BUT I'LL BE MOVING ON
  IF YOU DON'T
  IF YOU WON'T

  LISTEN TO THE SONG HERE IN MY HEART
  A MELODY I START
  BUT I WILL COMPLETE

  OH, NOW I'M DONE BELIEVING YOU
  YOU DON'T KNOW WHAT I'M FEELING
  I'M MORE THAN WHAT YOU'VE MADE OF ME
  I FOLLOWED THE VOICE YOU THINK YOU GAVE TO ME
  BUT NOW I GOTTA FIND MY OWN
  MY OWN

  WRITTEN BY BEYONCÉ KNOWLES, HENRY KRIEGER, SCOTT CUTLER AND ANNIE PREVEN
  PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), MIROKU MUSIC (ASCAP), SCOTTA ROCK MUSIC (ASCAP). ADMIN. BY KOBALT, SHIGSHAG MUSIC (BMI) ADMIN. BY KOBALT, SKG SONGS (ASCAP) AND SONGS OF SKG (BMI)

  PRODUCED BY THE UNDERDOGS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  ALL VOCALS PRODUCED BY RUDY PEREZ
  SPANISH LYRICS WRITTEN BY RUDY PEREZ
  BACKGROUND VOCALS: JASMIN CRUZ AND RUDY PEREZ
  LEAD VOCAL ENGINEER: ANDRES BERMUDEZ AND JIM CARUANA
  ASSISTED BY ROB KINELSKI, GEOFFREY RICE AND STEVE TOLLE
  RECORDED AT SONY MUSIC STUDIOS, NYC AND THE BEACH HOUSE STUDIOS, MIAMI BEACH, FL
  BACKGROUND VOCAL ENGINEER: ANDRES BERMUDEZ
  ASSISTANT ENGINEER: DAVID LOPEZ
  PRO TOOLS ENGINEER/EDITING: CLAY PERRY
  MIXED BY BRUCE WEEDEN
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

• 9 – 4 – 8 – 1
  B'DAY

  MISSION ONE
  I'M-A PUT THIS ON
  WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

  MISSION TWO
  GOTTA MAKE THAT CALL
  TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

  MISSION THREE
  GOT MY THREE BEST FRIENDS
  LIKE WE DO IT ALL THE TIME, WE GON' DO IT AGAIN (HEY)

  MISSION FOUR
  GOT THE VINTAGE ROLLS
  DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y'ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  MISSION FIVE
  SKIP TO THE FRONT OF THE LINE
  LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

  MISSION SIX
  GOTTA CHECK THESE CHICKS
  'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

  MISSION SEVEN
  GOTTA MAKE MY ROUNDS
  GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
  MISSION EIGHT
  NOW WE CONVERSATIN'
  WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y'ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  YOU SHOULD SEE MY BODY
  I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
  I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
  I WANNA LET IT OUT TONIGHT
  WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  CAN YOU GET ME BODIED
  I WANNA BE MYSELF TONIGHT
  WON'T YOU SING MY BODY
  I WANT TO LET IT OUT TONIGHT
  WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

  BABY ALL I WANT IS TO LET IT GO
  AIN'T NO WORRIES, OH
  WE CAN DANCE ALL NIGHT
  GET ME BODIED
  THAT MEANS COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  AND YOUR BODY'S TOUCHING MY BODY
  ALL I NEED IS TO LET IT BE
  AIN'T NO WORRY, NO
  BOY DANCE WITH ME
  FEEL MY BODY
  STOP JUST COME CLOSER TO ME
  WHILE WE GRIND TO THE BEAT
  WITH YOUR BODY TOUCHING MY BODY

  GETTIN' BODIED
  AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
  I SWING MY HAIR, KICK OFF MY SHOES
  COME HER BOY LET ME WORK ON YOU

  I AIN'T WORRIED DOING ME TONIGHT
  A LITTLE SWEAT AIN'T NEVER HURT NOBODY
  WHILE Y'ALL STANDIN' ON THE WALL
  I'M THE ONE TONIGHT
  GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
  WANT MY BODY
  WON'T YOU GET ME BODIED
  YOU WANT MY BODY
  WON'T YOU GET ME BODIED (HEY)

  WRITTEN BY BEYONCÉ KNOWLES, KASSEEM "SWIZZ BEATZ" DEAN, SEAN GARRETT,
  MAKEBA, ANGELA BEYINCE, SOLANGE KNOWLES
  PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF
  SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC
  (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), MAKEBA YOGA FLAMES MUSIC
  (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC INC. (BMI),
  ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), SOLANGE MWP
  PUBLISHING (ASCAP) ADMINISTERED BY MUSIC WORLD, LLC

  PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES
  FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

  RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
  ASSISTED BY ROB KINELSKI
  MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AND SWIZZ BEATZ AT
  SONY MUSIC STUDIOS, NYC
  ASSISTED BY STEVE TOLLE

  RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
  MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
  DIGITAL PREP ENGINEER: COLIN MILLER
  MASTERED BY TOM COYNE AT STERLING SOUND, NYC
  

Dangerously in Love (2003)

• Buy Now

• YES, SO CRAZY RIGHT NOW
  MOST INCREDIBLY, IT'S YOUR GIRL B
  IT'S YOUR BOY, YOUNG
  HISTORY IN THE MAKIN' PART 2
  SO CRAZY RIGHT NOW

  I LOOK AND STARE SO DEEP IN YOUR EYES
  I TOUCH ON YOU MORE AND MORE EVERY TIME
  WHEN YOU LEAVE I'M BEGGIN' YOU NOT TO GO
  CALL YOUR NAME TWO, THREE TIMES IN A ROW

  SUCH A FUNNY THING FOR ME TO TRY TO EXPLAIN
  HOW I'M FEELING AND MY PRIDE IS THE ONE TO BLAME
  YEAH, 'CAUSE I KNOW I DON'T UNDERSTAND
  JUST HOW YOUR LOVE CAN DO WHAT NO ONE ELSE CAN

  GOT ME LOOKIN' SO CRAZY RIGHT NOW
  YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
  GOT ME LOOKIN' SO CRAZY RIGHT NOW
  YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOW

  GOT ME HOPIN' YOU PAGE ME RIGHT NOW
  YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
  LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVE

  WHEN I TALK TO MY FRIENDS SO QUIETLY
  WHO HE THINK HE IS
  LOOK AT WHAT YOU DID TO ME
  TENNIS SHOES DON'T EVEN NEED TO BUY A NEW DRESS
  IF YOU AIN'T THERE, AIN'T NOBODY ELSE TO IMPRESS

  IT'S THE WAY THAT YOU KNOW WHAT I THOUGHT I KNEW
  IT'S THE BEAT THAT MY HEART SKIPS WHEN I'M WITH YOU
  BUT I STILL DON'T UNDERSTAND
  JUST HOW YOUR LOVE CAN DO WHAT NO ONE ELSE CAN

  GOT ME LOOKIN' SO CRAZY RIGHT NOW
  YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
  GOT ME LOOKIN' SO CRAZY RIGHT NOW
  YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOW

  GOT ME HOPIN' YOU PAGE ME RIGHT NOW
  YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
  LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVE

  I'M WARMED UP NOW, LET'S GO
  YOUNG HOV, Y'ALL KNOW WHEN THE FLOW IS LOCO
  YOUNG B AND THE R O C, UH OH
  OG, BIG HOMIE THE ONE AND ONLY
  STICK BONEY BUT THE POCKETS ARE FAT LIKE TONY
  SOPRANO THE ROC HANDLE LIKE VAN EXEL
  I SHAKE PHONIES MAN, YOU CAN'T GET NEXT TO
  A GENUINE ARTICLE, I DO NOT SING THO
  I SLING THOUGH, IF ANYTHING I BLING YO
  STARR LIKE RINGO, WAR LIKE A GREEN BERET
  YOU'RE CRAZY, BRING YOUR WHOLE SET
  JAY-Z IN THE RANGE, CRAZY AND DERANGED
  THEY CAN'T FIGURE HIM OUT, THEY'RE LIKE, HEY IS HE INSANE
  YES SIR I'M CUT FROM A DIFFERENT CLOTH
  MY TEXTURE IS THE BEST FUR, I'M CHINCHILLA
  I BEEN ILLER THEN CHAIN SMOKERS
  HOW YOU THINK I GOT THE NAME HOVA
  I'VE BEEN REALER, THE GAME'S OVA
  FALL BACK YOUNG
  EVER SINCE I MADE THE CHANGE OVER TO PLATINUM
  THE GAME'S BEEN A WRAP - ONE

  GOT ME LOOKIN' SO CRAZY, MY BABY
  I'M NOT MYSELF, LATELY I'M FOOLISH, I DON'T DO THIS
  I'VE BEEN PLAYIN' MYSELF, BABY I DON'T CARE
  'CAUSE YOUR LOVE GOT THE BEST OF ME
  AND BABY YOU'RE MAKING A FOOL OF ME
  YOU GOT ME SPRUNG AND I DON'T CARE WHO SEES
  'CAUSE BABY YOU GOT ME, YOU GOT ME SO CRAZY

  GOT ME LOOKIN' SO CRAZY RIGHT NOW
  YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
  GOT ME LOOKIN' SO CRAZY RIGHT NOW
  YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOW

  GOT ME HOPIN' YOU PAGE ME RIGHT NOW
  YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
  LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVE
  

  BEYONCÉ KNOWLES, RICH HARRISON, SHAWN CARTER, EUGENE RECORD
  BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/ EMI BLACKWOOD MUSIC INC. OBO ITSELF AND DAM RICH MUSIC (BMI)/ EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP) UNICHAPPELL MUSIC INC. (BMI)

  PRODUCED BY RICH HARRISON FOR RICHCRAFT INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED AT SONY STUDIOS, NYC
  ENGINEERED BY JIM CARUANA
  ADDITIONAL VOCALS RECORDED AT THE HIT FACTORY, NYC
  RECORDED BY PAT THRALL
  ALL INSTRUMENTS PLAYED BY RICH HARRISON
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
  CONTAINS SAMPLES FROM "ARE YOU MY WOMAN" WRITTEN BY EUGENE RECORD AND PUBLISHED BY UNICHAPPELL MUSIC INC. (BMI) PERFORMED BY THE CHI-LITES COURTESY OF BRUNSWICK RECORDS
  

• I LOVE TO LOVE YOU BABY
  I LOVE TO LOVE YOU BABY

  I'M FEELING SEXY
  I WANNA HEAR YOU SAY MY NAME, BOY
  IF YOU CAN REACH ME
  YOU CAN FEEL MY BURNING FLAME
  FEELING KINDA NASTY
  I JUST MIGHT TAKE YOU HOME WITH ME

  BABY, THE MINUTE I FEEL YOUR ENERGY
  YOUR VIBE HAS JUST TAKEN OVER ME
  START FEELING SO CRAZY, BABE

  LATELY, I FEEL THE FUNK COMING OVER ME
  I DON'T KNOW WHAT'S GOTTEN INTO ME
  THE RHYTHM'S GOT ME FEELING SO CRAZY, BABE

  TONIGHT I'LL BE YOUR NAUGHTY GIRL
  I'M CALLING ALL MY GIRLS
  WE'RE GONNA TURN THIS PARTY OUT
  I KNOW YOU WANT MY BODY

  TONIGHT I'LL BE YOUR NAUGHTY GIRL
  I'M CALLING ALL MY GIRLS
  I SEE YOU LOOK ME UP AND DOWN
  AND I THINK ABOUT IT

  YOU'RE SO SEXY
  TONIGHT I AM ALL YOURS, BOY
  THE WAY YOUR BODY
  MOVES ACROSS THE FLOOR
  FEELING KINDA NASTY
  I JUST MIGHT TAKE YOU HOME WITH ME

  BABY, THE MINUTE I FEEL YOUR ENERGY
  YOUR VIBE HAS JUST TAKEN OVER ME
  START FEELING SO CRAZY, BABE

  LATELY, I FEEL THE FUNK COMING OVER ME
  I DON'T KNOW WHAT'S GOTTEN INTO ME
  THE RHYTHM'S GOT ME FEELING SO CRAZY, BABE

  TONIGHT I'LL BE YOUR NAUGHTY GIRL
  I'M CALLING ALL MY GIRLS
  WE'RE GONNA TURN THIS PARTY OUT
  I KNOW YOU WANT MY BODY

  TONIGHT I'LL BE YOUR NAUGHTY GIRL
  I'M CALLING ALL MY GIRLS
  I SEE YOU LOOK ME UP AND DOWN
  AND I THINK ABOUT IT

  I LOVE TO LOVE YOU BABY
  I LOVE TO LOVE YOU BABY
  I LOVE TO LOVE YOU BABY
  I LOVE TO LOVE YOU BABY

  TONIGHT I'LL BE YOUR NAUGHTY GIRL
  I'M CALLING ALL MY GIRLS
  WE'RE GONNA TURN THIS PARTY OUT
  I KNOW YOU WANT MY BODY

  TONIGHT I'LL BE YOUR NAUGHTY GIRL
  I'M CALLING ALL MY GIRLS
  I SEE YOU LOOK ME UP AND DOWN
  AND I THINK ABOUT IT
  (2X)

  BEYONCÉ KNOWLES, SCOTT STORCH, ROBERT WALKER, ANGELA BEYINCE, PETE BELOTTE, GIORGIO MORODER, DONNA SUMMER
  BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT/TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/ BLACK OWNED MUSIK/ ANGELA BEYINCE MUSIC/ WB MUSIC CORP. (ASCAP) SUMMER NIGHT MUSIC (BMI)

  PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED AT SOUTH BEACH STUDIOS, MIAMI
  ENGINEERED BY CARLOS BEDOYA
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: GREG PRICE AND LUZ VASQUEZ
  CONTAINS INTERPOLATIONS FROM "LOVE TO LOVE YOU BABY" WRITTEN BY P. BELLOTT, G. MORODER AND D. SUMMER AND PUBLISHED BY WB MUSIC CORP. (ASCAP) AND SWEET SUMMER NIGHT MUSIC (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
  

• CERTIFIED QUALITY
  A DAT DA GIRL DEM NEED AND DEM NOT STOP CRY WITHOUT APOLOGY
  BUCK DEM DA RIGHT WAY – DAT MY POLICY
  SEAN PAUL ALONGSIDE BEYONCÉ – NOW HEAR WHAT DA MAN SAY
  DUTTY YEAH, DUTTY YA, DUTTY YEAH, DUTTY YA
  BEYONCE SING IT NOW GIRL

  BABY BOY YOU STAY ON MY MIND
  FULFILL MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS

  BABY BOY NOT A DAY GOES BY
  WITHOUT MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS

  AH OH MY BABY'S FLY BABY GO
  YES NO HURT ME SO GOOD BABY OH
  I'M SO WRAPPED UP IN YOUR LOVE LET ME GO
  LET ME BREATHE STAY OUT MY FANTASIES

  YA READY GIMME DA TING DAT YA READY GET YA LIVE
  AND TELL ME ALL ABOUT DA TINGS THAT YOU WILL FANTASIZE
  I KNOW YOU DIG DA WAY ME STEP DA WAY ME MAKE MY STRIDE
  FOLLOW YOUR FEELINGS BABY GIRL BECAUSE THEY CANNOT BE DENIED
  COME CHECK ME IN A NIGHT AND MAKE WE GET IT AMPLIFIED
  ME HAVE DA TING TO RUN DA SHIP 'CAUSE I'M GO SLIP AND I'M GO SLIDE
  AND IN THE WORDS OF LOVE I GOT TA GET IT CERTIFIED
  BUT I GIVE YOU DA TOUGHEST LONGEST KINDA RIDE – GIRL

  BABY BOY YOU STAY ON MY MIND
  FULFILL MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS

  BABY BOY NOT A DAY GOES BY
  WITHOUT MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS

  PICTURE US DANCIN' REAL CLOSE IN A DARK DARK CORNER OF A BASEMENT PARTY
  EVERY TIME I CLOSE MY EYES IT'S LIKE EVERYONE LEFT BUT YOU AND ME
  IN OUR OWN LITTLE WORLD
  THE MUSIC IS THE SUN
  THE DANCE FLOOR BECOMES THE SEA
  FEELS LIKE TRUE PARADISE TO ME

  BABY BOY YOU STAY ON MY MIND
  FULFILL MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS

  BABY BOY NOT A DAY GOES BY
  WITHOUT MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS

  BABY BOY YOU STAY ON MY MIND
  BABY BOY YOU ARE SO DAMN FINE
  BABY BOY WON'T YOU BE MINE
  BABY BOY LET'S CONCEIVE AN ANGEL
  (2X)

  TOP TOP – GIRL
  ME AND YOU TOGETHER IS A WRAP DAT – GIRL
  DRIVING AROUND DA TOWN IN YOUR DROP TOP – GIRL
  YOU NO STOP SHOCK – GIRL
  LITTLE MORE DA DUTTY, WE'LL ROCK DAT WORLD
  (2X)

  BABY BOY YOU STAY ON MY MIND
  FULFILL MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS
  BABY BOY NOT A DAY GOES BY
  WITHOUT MY FANTASIES
  I THINK ABOUT YOU ALL THE TIME
  I SEE YOU IN MY DREAMS

  WE STEPPIN' IN HOTTER THIS YEAR
  WE STEPPIN' IN HOTTER THIS YEAR
  I KNOW YOU GON' LIKE IT
  I KNOW YOU GON' LIKE IT
  I'M STEPPIN' UP HOTTER THIS YEAR
  I'M STEPPIN' UP HOTTER THIS YEAR
  SO DON'T YOU FIGHT IT
  SO DON'T YOU FIGHT IT
  

  BEYONCÉ KNOWLES, SCOTT STORCH, SEAN PAUL HENRIQUES, ROBERT WALKER, SHAWN CARTER
  BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT/ TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/ EMI APRIL MUSIC INC. OBO EMI MUSIC PUBLISHING LTD/ BLACK OWNED MUSIK/ EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)

  PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED AT SOUTH BEACH STUDIOS, MIAMI
  ADDITIONAL VOCALS RECORDED AT THE HIT FACTORY, NYC
  RECORDED BY PAT THRALL
  ENGINEERED BY CARLOS BEDOYA
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: GREG PRICE AND LUZ VASQUEZ
  

• PURE PLAYERS
  PURE PLAYERS
  SLOWLY AS SIR LUSCIOUS STEP UP LIKE A Q-DAWG
  A-TOWN'S UP, DEUCES DOWN, IT'S THE NEW CALL
  AND YOU CAN DIAL 1-888, CUT SOME
  I'M YOUR KINKY OPERATOR WHEN YOU WANNA CUT SOME
  AIN'T NO DIAL TONES JUST MILESTONES OF PLEASURE TO REACH
  TO EACH HIS OWN, I'M A STONE COLD AQUARIAN FREAK
  HUMANITARIAN, BARBARIAN BUT UNDER THE SHEETS
  IT'S THE PLAYER FROM THE POINT AND YOUR GIRL FROM THE D

  ARE YOU INFATUATED WITH ME
  I COULD END YOUR CURIOSITY
  IF YOU DON'T THINK I'M TOO RUDE
  HERE'S YOUR CHANCE TO MAKE YOUR MOVE

  I SIT AND WAIT FOR NOBODY
  PEOPLE SAY THAT MY

  MY STYLE IS SO CRAZY
  I THINK YOU LIKE IT BABY
  DO YOU WANT TO GET NASTY
  I DARE YOU TO UNDRESS ME

  BABY LET ME KNOW IF YOU WANNA ROLL
  WITH THIS HIP HOP STAR
  BAD BOOTS ON PANTS DOWN LOW
  I'M A HIP HOP STAR

  BABY LET ME KNOW IF YOU WANNA RIDE
  WITH THIS HIP HOP STAR
  I'M A ROCK STAR

  DO I BLOW YOU AWAY
  DO I STIMULATE YOUR MIND
  WOULD YOU TASTE MY LOVE IF I GIVE YOU TIME
  I HAVE NONE TO WASTE WITH YOU
  I GUESS YOU CAN SAY

  MY STYLE IS SO CRAZY
  I THINK YOU LIKE IT BABY
  DO YOU WANT TO GET MESSY
  I DARE YOU TO UNDRESS ME

  BABY LET ME KNOW IF YOU WANNA ROLL
  WITH THIS HIP HOP STAR
  BAD BOOTS ON PANTS DOWN LOW
  I'M A HIP HOP STAR
  BABY LET ME KNOW IF YOU WANNA RIDE
  WITH THIS HIP HOP STAR
  I'M A ROCK STAR

  UNDRESS ME, UNDRESS ME
  COME
  COME BABY, UNDRESS ME

  TAKE OFF THAT TANK TOP AND PULL OFF THEM DRAWERS
  THE GIRLS ALL PAUSE, GOT THEM DRIPPIN' DOWN THEY SUGAR WALLS
  AW NAW! GETTING TO THE NAPPY ROOT
  KNOCKING BOOTS AND STILETTOS, DAMN I KEEP IT GHETTO
  A COOL TYPE OF FELLOW, MELLOW GOT THE GOLD MEDAL
  NEVER SETTLE FOR LESS MY ROSE PETAL
  TOOEY, TOOEY, TOOEY, TOOEY! SPIT GAME
  VENOM TO GET IT UP IN 'EM, LET ME P POP THAT THANG
  FIRST CHECK HER BRAIN TO SEE IF SHE'S SANE
  DERANGED OR STRANGE OR CRAZY AS HELL
  YOU NEVER CAN TELL THESE DAYS
  EVERYBODY GOT A LITTLE RICK JAMES IN THEY VEINS, MAN

  THE WAY I FEEL, OH GIRL, I KNOW IT'S 'BOUT TO BE
  ME ALL ON YOU AND DAMN GIRL, YOU ALL OVER ME

  BABY LET ME KNOW IF YOU WANNA ROLL
  WITH THIS HIP HOP STAR
  BAD BOOTS ON PANTS DOWN LOW
  I'M A ROCK STAR

  BABY LET ME KNOW IF YOU WANNA RIDE
  WITH THIS HIP HOP STAR
  I'M A ROCK STAR
  

  BEYONCÉ KNOWLES, BRYCE WILSON, MAKEDA DAVIS, ANTWAN PATTON, SHAWN CARTER
  BEYONCÉ PUBLISHING / HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT/NOTTING DALE SONGS, INC. OBO ITSELF AND GROOVE 78 MUSIC/MAKEDA DAVIS PUBLISHING DESIGNEE/CHRYSALIS MUSIC INC./GNAT BOOTY MUSIC/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)

  PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND BRYCE WILSON FOR CZAR/ 1ST AND 15TH PRODUCTIONS, INC.
  ADDITIONAL VOCAL PRODUCTION BY BIG BOI FOR BOOM BOOM ROOM PRODUCTIONS

  RECORDED BY GURU AT BASELINE STUDIOS, NYC
  ADDITIONAL RECORDING BY CHRIS CARMOUCHE AND VINCENT ALEXANDER AT STANKONIA STUDIOS, ATLANTA
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
  

• OH BABY
  OH BABY
  OH YEAH…

  I LOVE THE WAY YOU MAKE ME FEEL
  IT SLOWS DOWN TIME
  COME IN MY BEDROOM
  AND TURN OFF THE LIGHTS

  YOU WHISPER SOFTLY IN MY EAR
  MAKES ME UNWIND
  THE WAY YOU TOUCH ME
  LETS ME KNOW YOU'RE MINE

  I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
  YOU SCREAM MY NAME
  AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
  AND MAKES ME FEEL THIS WAY

  I'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
  TO TAKE CARE OF ME
  I'D RATHER BE WITH YOU
  I KNOW, I'D RATHER BE WITH YOU

  I LOVE THE WAY YOU LOOK AT ME
  STARE INTO MY EYES
  WHAT DO THEY SAY TO YOU
  BOY DON'T BE SHY

  TONIGHT'S THE NIGHT YOUR FANTASIES
  WILL ALL COME TRUE
  I AM YOUR WOMAN
  I BELONG TO YOU

  THERE IS NOTHING, I WON'T DO FOR YOU
  I KNOW MY SOUL CONNECTED ME TO YOU
  I FEEL SO SAFE WHEN I'M ALONE WITH YOU

  I'M HOLDING BACK NOTHING, SAVING IT ALL FOR YOU
  BABY I LOVE MAKING LOVE TO YOU
  IT'S LIKE A HIGH I CAN'T COME DOWN FROM YOU

  I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
  YOU SCREAM MY NAME
  AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
  AND MAKES ME FEEL THIS WAY

  I'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
  TO TAKE CARE OF ME
  I'D RATHER BE WITH YOU
  BOY I'D RATHER BE WITH YOU
  I'D RATHER BE WITH YOU
  BOY I'D RATHER BE WITH YOU

  I'D RATHER BE WITH YOU, YEAH
  BOY I RATHER BE WITH YOU
  I'D RATHER BE WITH YOU, YEAH
  BOY I RATHER BE WITH YOU

  I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
  YOU SCREAM MY NAME
  AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
  AND MAKES ME FEEL THIS WAY

  I'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
  TO TAKE CARE OF ME
  I'D RATHER BE WITH YOU
  BOY I'D RATHER BE WITH YOU
  I KNOW, I'D RATHER BE WITH YOU

  I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
  YOU SCREAM MY NAME (I AIN'T GOIN' NOWHERE, I'M HAPPY WITH YOU)
  AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
  AND MAKES ME FEEL THIS WAY
  I AIN'T THINKIN' 'BOUT NOBODY BUT YOU BABY
  I'D RATHER BE WITH YOU
  'CAUSE YOU HUSTLE HARD TO TAKE CARE OF ME
  I'D RATHER BE WITH YOU
  BOY I'D RATHER BE WITH YOU
  BOY I'D RATHER BE WITH YOU
  

  BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE, SHUGGIE OTIS, GEORGE CLINTON JR., WILLIAM COLLINS, GARY COOPER
  BEYONCÉ PUBLISHING / HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/EMI BLACKWOOD MUSIC INC. OBO ITSELF AND DAM RICH MUSIC (BMI)/ANGELA BEYINCE MUSIC (ASCAP)/KIDADA MUSIC INC./SHUGITERIUS MUSIC ADMIN BY WARNER-TAMERLANE PUBLISHING CORP./RUBBER BAND MUSIC, INC. ADMIN. BY UNIVERSAL – SONGS OF POLYGRAM INT. INC. (BMI)

  PRODUCED BY RICH HARRISON FOR RICH CRAFT INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED AT SONY STUDIOS, NYC
  ENGINEERED BY JIM CARUANA
  ALL INSTRUMENTS PLAYED BY RICH HARRISON
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
  SHUGGIE OTIS "STRAWBERRY LETTER 23" UNDER LICENSE FROM SONY.
  CONTAINS INTERPOLATIONS FROM "I'D RATHER BE WITH YOU" WRITTEN BY GEORGE CLINTON JR., WILLIAMS COLLINS AND GARY COOPER AND PUBLISHED BY RUBBER BAND MUSIC. UNIVERSAL SONGS OF POLYGRAM (BMI).
  CONTAINS EXCERPTS FROM "STRAWBERRY LETTER 23" WRITTEN BY SHUGGIE OTIS AND PUBLISHED BY WARNER-TAMERLANE PUB CORP (BMI) PERFORMED BY SHUGGIE OTIS COURTESY OF SONY MUSIC ENTERTAINMENT
  

• ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT

  I CAN'T BELIEVE I BELIEVED EVERYTHING WE HAD WOULD LAST
  SO YOUNG AND NAIVE OF ME TO THINK SHE WAS FROM YOUR PAST
  SILLY OF ME TO DREAM OF ONE DAY HAVING YOUR KIDS
  LOVE IS SO BLIND IT FEELS RIGHT WHEN IT'S WRONG

  I CAN'T BELIEVE I FELL FOR YOUR SCHEMES; I'M SMARTER THAN THAT
  SO DUMB AND NAIVE TO BELIEVE THAT WITH ME, YOU'RE A CHANGED MAN
  FOOLISH OF ME TO COMPETE WHEN YOU CHEAT WITH LOOSE WOMEN
  IT TOOK ME SOME TIME BUT NOW I MOVED ON
  BECAUSE I REALIZED I'VE GOT

  ME, MYSELF AND I
  THAT'S ALL I GOT IN THE END
  THAT'S WHAT I FOUND OUT

  AND IT AIN'T NO NEED TO CRY
  I TOOK A VOW THAT FROM NOW ON
  I'M GON' BE MY OWN BEST FRIEND
  (2X)

  SO CONTROLLING TO SAY THAT YOU LOVE ME BUT YOU DON'T
  YOUR FAMILY TOLD ME ONE DAY I WOULD SEE IT ON MY OWN
  NEXT THING I KNOW I'M DEALING WITH YOUR THREE KIDS IN MY HOME
  LOVE IS SO BLIND IT FEELS RIGHT WHEN IT'S WRONG

  NOW THAT IT'S OVER, STOP CALLING ME
  COME PICK UP YOUR CLOTHES
  AIN'T NO NEED TO FRONT LIKE YOU'RE STILL WITH ME
  ALL YOUR HOMIES KNOW
  EVEN YOUR VERY BEST FRIEND TRIED TO WARN ME ON THE LOW
  TOOK ME SOME TIME BUT NOW I AM STRONG
  BECAUSE I REALIZED I'VE GOT

  ME, MYSELF AND I
  THAT'S ALL I GOT IN THE END
  THAT'S WHAT I FOUND OUT

  AND IT AIN'T NO NEED TO CRY
  I TOOK A VOW THAT FROM NOW ON
  I'M GON' BE MY OWN BEST FRIEND
  (2X)

  I GOT ME, MYSELF AND I
  (I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
  I MUST HAVE CRIED A THOUSAND TIMES
  (ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT)

  I CAN'T REGRET TIME SPENT WITH YOU
  (YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
  SO I HAVE VOWED TO MAKE IT THROUGH
  (AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN)

  NOW I GOT ME, MYSELF AND I
  (I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
  I MUST HAVE CRIED A THOUSAND TIMES
  (I'VE CRIED)
  (ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT)

  I CAN'T REGRET TIME SPENT WITH YOU
  (YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
  SO I HAVE VOWED TO MAKE IT THROUGH
  (AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN, YEAH)

  I'VE GOT ME, MYSELF AND I
  (ME, MYSELF AND I)
  I MUST HAVE CRIED A THOUSAND TIMES
  (I HAVE CRIED SO MANY TIMES)

  I CAN'T REGRET TIME SPENT WITH YOU
  (I CAN'T REGRET TIME SPENT WITH YOU)
  SO I HAVE VOWED TO MAKE IT THROUGH
  (AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN)

  NOW I'VE GOT ME, MYSELF AND I
  (I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
  I MUST HAVE CRIED A THOUSAND TIMES
  (IF YOU CRIED A THOUSAND TIMES, LADIES, YOU WILL SURVIVE)

  I CAN'T REGRET TIME SPENT WITH YOU
  (YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
  SO I HAVE VOWED TO MAKE IT THROUGH
  (I CAN SEE THE SUNSHINE; I'VE GOT ME, MYSELF AND I)
  

  BEYONCÉ KNOWLES, SCOTT STORCH, ROBERT WALKER
  BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT/TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/BLACK OWNED MUSIK (ASCAP)

  PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED AT SOUTH BEACH STUDIOS, MIAMI
  ENGINEERED BY CARLOS BEDOYA
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: PAT WOODWARD, GREG PRICE AND LUZ VASQUEZ
  

• I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
  YES WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
  THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
  (IT'S LIKE I NEVER SAY YES)

  I SAID YES, WE CAN BE TOGETHER
  YES, YOU CAN STAY WITH ME
  BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
  THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
  (IT'S LIKE I NEVER SAY YES)

  YOU WAS ON THE WALL
  I WAS WITH MY CREW
  YOU WAS WATCHING ME BABY
  I WAS WATCHING YOU

  SLOWLY YOU WALKED OVER
  I MAINTAINED MY COOL
  YOU SAID HELLO TO ME
  I SAID HELLO TO YOU

  YOU ASKED ME WHERE I'M FROM
  I ASKED YOU WHAT YOU DO
  YOU SOMEHOW INTRIGUED ME
  I THOUGHT YOU WERE SO COOL

  SOMEWHERE BETWEEN HI AND GOODBYE, I FELT SO COMFORTABLE
  I FELT LIKE WE COULD TALK ALL NIGHT, SO I GAVE MY NUMBER TO YOU

  I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
  YES WE CAN BE TOGETHER, BUT YOU GOTTA WAIT FOR ME
  THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
  (IT'S LIKE I NEVER SAY YES)

  I SAID YES WE CAN BE TOGETHER
  YES, YOU CAN STAY WITH ME
  BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
  THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
  (IT'S LIKE I NEVER SAY YES)

  CERTAINLY YOU CAN CALL ME BABY
  I LOVE TO HEAR FROM YOU
  YES OF COURSE, YOU CAN COME AND SEE ME BOY
  WANNA GET TO KNOW YOU MORE, SURE I'M FEELING YOU
  NO BABY, NOT YET, WE CAN'T TAKE THAT NEXT STEP
  WHY YOU GETTING SO UPSET, BOY YOU
  ACT AS THOUGH I NEVER TOLD YOU YES BEFORE, YOU ARE SO UNGRATEFUL

  YOU WAS AT MY HOUSE
  I WAS SITTING ON MY COUCH
  YOU WAS REALLY BUGGING, SO I TOLD YOU TO GET OUT
  I HAVE BEEN MISJUDGING YOU, YOU HAD A LOT OF NERVE - YOU
  TOO DAMN OLD TO BE SO IMMATURE, I HOPE YOU LEARNED

  YOU SAID I MOVE TOO SLOW, I SHOWED YOU TO THE DOOR
  YOU SAID YOU'D CALL ME LATER, I SAID DON'T CALL NO MORE
  BUT IT'S COOL IF YOU CAN'T WAIT FOR ME, I'M GLAD YOU LET ME KNOW
  'CAUSE YOU SHOWED ME YOUR TRUE FACE BABY, THE FIRST TIME I SAID NO

  I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
  YES, WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
  THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
  (IT'S LIKE I NEVER SAY YES)

  I SAID YES, WE CAN BE TOGETHER
  YES, YOU CAN STAY WITH ME
  BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
  THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
  (IT'S LIKE I NEVER SAID YES)

  I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
  YES, WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
  THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
  (IT'S LIKE I NEVER SAID YES)
  

  BEYONCÉ KNOWLES, BERNARD EDWARDS JR., SHAWN CARTER
  BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT/3RDI MUSIC WORKS/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)

  PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND FOCUS… FOR A-FOC.ALIPTIC MUSICWORKS, COURTESY OF AFTERMATH RECORDS

  RECORDED BY FOCUS… AT COE.BE.3 STUDIOS, STONE MOUNTAIN, GA
  VOCALS RECORDED BY CARLOS BEDOYA AT SOUTH BEACH STUDIOS, MIAMI
  ALL INSTRUMENTS BY FOCUS…
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEER: JASON DALE
  

• IN DECEMBER EVERY SIGN HAS IT'S OWN MODE
  I WAS IN LOVE WITH A SAGITTARIUS
  SEE THE EMOTIONS HE PUT ME THROUGH
  FROM CAPRICORNS TO AQUARIUS
  THEY ALL GOT THEIR DIFFERENT MINDS
  THE AFFECTION OF A VIRGO
  WHICH SIGN MATCHES GOOD WITH MINE

  I WAS IN LOVE WITH A SAGITTARIUS, HE BLEW MY MIND
  HE ALSO HAD A FLIP SIDE, TOO MUCH LIKE A GEMINI
  HE WAS FREAKY LIKE A TAURUS, THE WAY HE HANDLED ME, YEAH
  FLIRTATIOUS LIKE AN ARIES, WHICH SIGN IS BEST FOR ME

  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

  I WISH HE WAS A VIRGO, THE SAME SIGN AS ME
  AND KNOW HOW TO SHOW ME LOVE, 'CAUSE I'VE BEEN HURT BY A PISCES

  REWIND

  I WISH HE WAS A VIRGO, THE SAME SIGN AS ME
  AND KNOW HOW TO SHOW ME LOVE, 'CAUSE I'VE BEEN HURT BY A PISCES

  I WANT HIM SEXY LIKE A SCORPIO
  THE WAY HE HOLDS ME CLOSE, YEAH
  SENSITIVE AS A CANCER
  EVERY SIGN FROM COAST TO COAST

  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

  I CAN'T EXPLAIN WHY I LOVE HIM
  BOSSY LIKE LEO'S DO
  GOT GAME LIKE AN AQUARIUS
  SWITCH MOVES AFTER HE BEEN WITH YOU

  FUN LIKE A LIBRA
  HE STAYS ON MY MIND
  HE'S SO UNPREDICTABLE
  HE REMINDS ME OF EVERY SIGN

  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

  EVERY SIGN FROM THE FIRST TO THE LAST
  EVERYDAY OF THE MONTH HAS ITS GOOD AND ITS BAD
  I LOVE YOU ALL, ALL 12 SIGNS

  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
  CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH

  EVERY ONE OF THESE SIGNS, YOU KNOW YOU'RE BLOWING ME AWAY
  NO MATTER WHEN YOU'RE BORN FOR SURE WITH ME, YOU'RE OKAY

  I LOVE EVERY ONE OF Y'ALL, NO MATTER WHAT SIGN YOU ARE
  JANUARY TO DECEMBER, HERE'S MY OPEN ARMS

  I WAS IN LOVE WITH A SAGITTARIUS
  I WAS IN LOVE WITH A SAGITTARIUS
  I WAS IN LOVE WITH A SAGITTARIUS
  I WAS IN LOVE WITH A SAGITTARIUS
  

  MISSY ELLIOTT, NISAN STEWART, CRAIG BROCKMAN
  MASS CONFUSION PRODUCTIONS ADMIN BY WB MUSIC CORP./UNIVERSAL MUSIC CORP. ON BEHALF OF NISAN'S MUSIC/CHERRY LANE MUSIC PUBLISHING CO., INC. ON BEHALF OF CRAIGMAN MUSIC (ASCAP)

  PRODUCED BY MISSY ELLIOTT FOR MASS CONFUSION PRODUCTIONS, INC.
  CO-PRODUCED BY CRAIG BROCKMAN FOR NEW EVERY MORNING MUSIC, INC. AND NISAN STEWART FOR NCS ENTERTAINMENT, INC.
  VOCALS PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY JIM CARUANA AT SONY STUDIOS, NYC
  ADDITIONAL RECORDING AT THE HIT FACTORY CRITERIA, MIAMI
  MIXED BY SCOTT KIEKLAK AT THE HIT FACTORY CRITERIA, MIAMI
  ASSISTANT MIX ENGINEER: DEMACIO "DEMO" CASTELLON
  

• YOU'VE GOT ME
  YOU'VE GOT ME
  YOU'VE GOT ME
  YOU'VE GOT ME SPEECHLESS

  WHERE YOU BEEN LATELY
  WAITED FOR YOU ALL DAY
  WAITING FOR YOU TO USE THE KEY
  THAT OPENS MY PLACE

  MY HEART STARTS TREMBLING
  AS I HEAR YOUR FOOTSTEPS PACE
  LOCK OPENED, DOORKNOB TURNED
  THERE APPEARS YOUR FACE

  GOING OUT MY HEAD I THINK I'M LOSING ALL MY MIND
  DRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHT
  FEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLD
  IN YOUR ARMS, LOST FOR WORDS, YOU'VE GOT ME

  YOU'VE GOT ME, YOU'VE GOT ME
  YOU'VE GOT ME, YOU'VE GOT ME
  YOU'VE GOT ME, YOU'VE GOT ME
  YOU'VE GOT ME
  SPEECHLESS

  LAYING SO CLOSELY
  I FEEL YOUR SKIN RUBBING AND TOUCHING ME
  ONLY SWEAT BETWEEN US
  FEELING YOU KISSING AND PLEASING ME

  I RUB YOUR BACK
  I KISS YOUR NECK
  I KNOW THAT YOU LOVE WHEN WE TOUCH LIKE THAT
  I CAN FEEL YOU NEED ME
  FEEL SO GOOD TO ME, FEEL SO GOOD TO ME

  GOING OUT MY HEAD I THINK I'M LOSING ALL MY MIND
  DRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHT
  FEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLD
  IN YOUR ARMS LOST FOR WORDS YOU'VE GOT ME

  YOU'VE GOT ME, YOU'VE GOT ME
  YOU'VE GOT ME, YOU'VE GOT ME
  YOU'VE GOT ME
  SPEECHLESS
  YES, YES, YES, YES, YES, YES
  SPEECHLESS
  ALL I CAN SAY IS…YES, YES, YES,
  ALL I CAN SAY IS…YES, YES, YES

  KISS ME
  HOLD ME
  YOU'VE GOT ME
  SPEECHLESS

  BEYONCÉ KNOWLES, ANDREAO HEARD, SHERROD BARNES, ANGELA BEYINCE
  BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT/6TH BORO MUSIC/ LIC SPIFFY MUSIC/ANGELA BEYINCE MUSIC (ASCAP)

  PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND ANDREAO "FANATIC" HEARD AND SHERROD BARNES FOR SIXTH BORO ENTERTAINMENT INC.

  RECORDED AT SOHO STUDIOS, NYC
  VOCALS RECORDED AT PATCHWERK STUDIOS, ATLANTA AND SOUTH BEACH STUDIOS, MIAMI
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: DAN BUCCHI AND MATT SNEDECOR
  

• THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW I LIKE IT BABY
  (4X)

  I NEED A THUG THAT'LL HAVE MY BACK
  DO-RAG, NIKE AIRS TO MATCH
  AIN'T NOTHIN' WRONG WITH THAT
  THAT'S HOW I LIKE IT, BABY

  WHERE MY THUGS AT
  WHITE T-SHIRT, I LOVE THAT
  TIMBERLAND BOOTS, YOU DOES THAT, IT'S A FACT
  THAT'S HOW I LIKE IT, BABY

  I LIKE THE WAY YOU WALK
  THE WAY YOU TALK
  THE WAY YOU DRESS
  THE WAY YOU SMILE

  I LIKE THE WAY YOU ARE
  THE WAY YOU AIN'T
  I LIKE YOUR HONESTY, INTEGRITY, IT LEVELS ME
  SO PLEASE DON'T EVER CHANGE

  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW I LIKE IT BABY
  (4X)

  I LIKE THE WAY YOU BRUSH YOUR HAIR
  I LIKE THE STYLISH CLOTHES YOU WEAR
  IT'S JUST THE REAL THINGS YOU DO
  THAT'S WHY I WANNA STICK WITH YOU

  WHERE MY GIRLS AT
  LET THEM KNOW WE LOVE THAT
  SEXY WAY THEY DOES THAT
  THAT'S HOW I LIKE IT BABY

  I HOPE YOU LIKE MY STYLE
  THE WAY I DRESS
  THE WAY I FLIRT
  SAY YES

  I HOPE YOU LIKE MY MIND
  THE THINGS I SAY
  IF I'M WITH YOU, THEN I'M WITH ONLY YOU
  MY LOYALTY WILL NEVER, EVER CHANGE

  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW I LIKE IT BABY
  (4X)

  I KNOW YOU'VE HEARD I'M A GANGSTA
  THEY SAY STAY AWAY FROM THEM GANGSTAS
  THEY NEVER CHANGE UP, OR PULL THEY PANTS UP
  WELL, BABY GIRL, PUT YA FOOT DOWN
  DON'T LET 'EM PUSH YOU AROUND, YOU KNOW WHAT YOU LIKE
  BABY THUG, YOU KNOW WRONG FROM RIGHT
  YOU DONE FELT WRONG BEFORE
  THIS CAN'T BE WHAT IT FEEL LIKE
  AND THEY DON'T REALLY KNOW WHATCHA FEEL LIKE, FOR INSTANCE
  THEY DON'T KNOW THE DIFFERENCE BETWEEN REAL LIFE
  AND THE MUSIC VIDEOS AND THE RAGGEDY MAGAZINES
  THEY HAVE IT BADDER THAN HE SEEMS
  ALL THEY SEE IS MY BAGGY JEANS, MY ATTITUDE
  I AIN'T MAD AT YOU, IT'S JUST MY CLYDE
  WAY I WEAR MY HAT TO THE SIDE
  WAY I LEAN REAL LOW WHEN I RIDE
  THAT'S WHY MY MINDS, THEY LIKE MY WALK
  MY ACCENT FROM NEW YORK
  MY WAY OF THINKING IS SLIGHTLY OFF
  THEY LIKE THE WAY HE FLOSS
  LEAVE THE BLOCK ON A BIKE, HE COME BACK ON A PORSCHE
  BUT OF COURSE
  MOST OF ALL, THEY LIKE MY HONESTY, INTEGRITY, MY LOYALTY
  YOUNG HOV AND THE LETTER B
  HOW YOU LIKE THAT, HUH?

  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW YOU LIKE IT, HUH
  THAT'S HOW I LIKE IT BABY
  (4X)

  D. ANDREWS, B. BRIDGEMAN, BEYONCÉ KNOWLES, SHAWN CARTER, RANDY DEBARGE, ELDRA DEBARGE, ETTERLENE JORDAN
  DNOMYANR/BOBBY EARL MUSIC (SESAC)/HITCO SOUTH/BEYONCÉ PUBLISHING ADMIN. BY MUSIC OF WINDSWEPT/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING/JOBETE MUSIC CO., INC. (ASCAP)

  PRODUCED BY D-ROY AND MR. B FOR ART AND LIFE/HEAT ROC MANAGEMENT, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED BY GURU AT BASELINE STUDIOS, NYC
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTOR, NYC
  ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
  CONTAINS RESUNG LYRICS FROM "I LIKE IT" WRITTEN BY RANDY DEBARGE, ELDRA DEBARGE, ETTERLENE JORDAN AND PUBLISHED BY JOBETE MUSIC (ASCAP)
  USED BY PERMISSION.
  

• THE CLOSER I GET TO YOU
  THE MORE YOU MAKE ME SEE
  BY GIVING ME ALL YOU'VE GOT (TELL ME MORE)
  YOUR LOVE HAS CAPTURED ME

  OVER AND OVER AGAIN
  I TRIED TO TELL MYSELF THAT WE
  COULD NEVER BE MORE THAN FRIENDS
  BUT ALL THE WHILE INSIDE I KNEW IT WAS REAL
  THE WAY YOU MAKE ME FEEL

  LYING HERE NEXT TO YOU
  TIME JUST SEEMS TO FLY
  NEEDING YOU MORE AND MORE (MORE AND MORE)
  LET'S GIVE LOVE A TRY (LET'S GIVE LOVE A TRY)

  SWEETER AND SWEETER LOVE GROWS
  AND HEAVEN'S THERE FOR THOSE
  WHO FOOL THE TRICKS OF TIME
  WITH HEARTS OF LOVE WE'LL FIND
  TRUE LOVE
  IN A SPECIAL WAY

  THE CLOSER I GET (THE CLOSER I GET TO YOU BABY)
  THE MORE YOU MAKE ME SEE (THE MORE YOU MAKE ME SEE)
  BY GIVING ME WHAT YOU'VE GOT
  YOUR LOVE CAPTURES ME

  OVER AND OVER AGAIN
  I TRY TO TELL MYSELF THAT WE
  COULD NEVER BE MORE THAN FRIENDS
  AND ALL THE WHILE INSIDE I KNEW THIS WAS REAL (GOT TO BE, GOT TO BE REAL)
  THE WAY YOU MAKE ME FEEL
  MY BABY, MY BABY, MY BABY, MY LOVE (MY LOVE, MY LOVE)

  COME A LITTLE CLOSER SO THAT WE CAN SEE INTO THE EYES OF LOVE (I WANNA SEE INTO THOSE EYES OF LOVE)
  JUST A LITTLE CLOSER LET ME SPEAK TO YOU, I WANT TO SOFTLY TELL YOU SOMETHING (HERE I AM, HERE'S MY LOVE, I JUST WANT YOU TOO…COME CLOSER LOVE)
  COME A LITTLE CLOSER LET ME WHISPER IN YOUR EAR 'CAUSE I WANNA TELL YOU SOMETHING (I WANNA WHISPER IN YOUR EAR SO SOFT, SO COME CLOSER LOVE)
  MOVE ON IN REAL CLOSE SO WE CAN CELEBRATE THE WAY WE FEEL ABOUT EACH OTHER'S LOVING (WANNA TO TELL YOU WORDS, WORDS OF LOVE, WORDS THAT MAKE YOU WANNA)
  

  J. MTUME, R. LUCAS
  SCARAB PUBLISHING CORP./ENSIGN MUSIC CORP. (BMI)

  PRODUCED BY NAT ADDERLEY JR.
  VOCAL ARRANGEMENT BY LUTHER VANDROSS
  ARRANGED BY NAT ADDERLEY JR. AND SKIP ANDERSON

  DRUMS: IVAN HAMPDEN
  BASS: BYRON MILLER
  GUITAR: PHIL HAMILTON
  PERFCUSSION: BASHIRI JOHNSON
  ELECTRIC PIANO: NAT ADDERLEY JR.
  SOUND PROGRAMMING AND ADDITIONAL KEYBOARDS: SKIP ANDERSON
  STRINGS CONTRACTED BY AL BROWN
  CONCERT MASTER: SANFORD ALLEN
  STRINGS ARRANGED BY NAT ADDERLEY JR
  STRINGS RECORDED BY RAY BARDANI AT RIGHT TRACK STUDIOS, NYC
  BACKGROUND VOCALS: CISSY HOUSTON, TAWATH AGEE, BRENDA WHITE-KING, AND CANDACE THOMAS
  RECORDED BY STAN WALLACE
  MIXED BY RAY BARDANI AT THE HIT FACTORY, NYC
  

• I LOVE YOU
  I LOVE YOU
  I LOVE YOU

  BABY I LOVE YOU
  YOU ARE MY LIFE
  MY HAPPIEST MOMENTS WEREN'T COMPLETE
  IF YOU WEREN'T BY MY SIDE

  YOU'RE MY RELATION
  IN CONNECTION TO THE SUN
  WITH YOU NEXT TO ME
  THERE'S NO DARKNESS I CAN'T OVERCOME

  YOU ARE MY RAINDROP
  I AM THE SEED
  WITH YOU AND GOD, WHO'S MY SUNLIGHT
  I BLOOM AND GROW SO BEAUTIFULLY

  BABY, I'M SO PROUD
  SO PROUD TO BE YOUR GIRL
  YOU MAKE THE CONFUSION
  GO ALL AWAY
  FROM THIS COLD AND MIXED UP WORLD

  I AM IN LOVE WITH YOU
  YOU SET ME FREE
  I CAN'T DO THIS THING
  CALLED LIFE WITHOUT YOU HERE WITH ME

  'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
  I'LL NEVER LEAVE
  JUST KEEP LOVING ME
  THE WAY I LOVE, YOU LOVING ME
  (2X)

  AND I KNOW YOU LOVE ME
  LOVE ME FOR WHO I AM
  CAUSE YEARS BEFORE I BECAME WHO I AM
  BABY YOU WERE MY MAN

  I KNOW IT AIN'T EASY
  EASY LOVING ME
  I APPRECIATE THE LOVE AND DEDICATION
  FROM YOU TO ME

  LATER ON IN MY DESTINY
  I SEE MYSELF HAVING YOUR CHILD
  I SEE MYSELF BEING YOUR WIFE
  AND I SEE MY WHOLE FUTURE IN YOUR EYES

  THOUGHT OF ALL MY LOVE FOR YOU
  SOMETIMES MAKE ME WANNA CRY
  REALIZE ALL MY BLESSINGS
  I'M GRATEFUL TO HAVE YOU BY MY SIDE

  I AM IN LOVE WITH YOU
  YOU SET ME FREE
  I CAN'T DO THIS THING
  CALLED LIFE WITHOUT YOU HERE WITH ME

  'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
  I'LL NEVER LEAVE
  JUST KEEP LOVING ME
  THE WAY I LOVE, YOU LOVING ME
  (2X)

  EVERY TIME I SEE YOUR FACE
  MY HEART SMILES
  EVERY TIME IT FEELS SO GOOD
  IT HURTS SOMETIMES
  CREATED IN THIS WORLD
  TO LOVE
  TO HOLD
  TO FEEL
  TO BREATHE
  TO LOVE YOU

  I AM IN LOVE WITH YOU
  YOU SET ME FREE
  I CAN'T DO THIS THING
  CALLED LIFE WITHOUT YOU HERE WITH ME

  'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
  I'LL NEVER LEAVE
  JUST KEEP LOVING ME
  THE WAY I LOVE, YOU LOVING ME
  (2X)
  

  BEYONCÉ KNOWLES, ERROL MCCALLA JR.
  BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT (ASCAP)/FORAY MUSIC OBO ITSELF AND EWM PUBLISHING (SESAC)

  PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND ERROL "POPPI" MCCALLA JR. FOR MUSIC WORLD PRODUCTIONS, INC.

  GUITARS: DAN WORKMAN
  ADDITIONAL GUITARS: JOHN "JAB" BROUSSARD
  RECORDED AT SUGARHILL STUDIOS, HOUSTON
  ENGINEER: DAN WORKMAN
  VOCALS RECORDED AT THE ENTERPRISE, BURBANK, CA
  ENGINEER: BRIAN SPRINGER
  MIXED BY DEXTER SIMMONS AT THE ENTERPRISE, BURBANK, CA
  

• I BELIEVE THAT HARMONIES ARE COLORS
  EVERY TIME I PAINT, IT SHARPENS MY HARMONY
  YESTERDAY I TRIED TO PAINT YOU, BUT THE COLORS WEREN'T BEAUTIFUL ENOUGH
  YOUR LOVE GOES BEYOND WHAT I CAN SAY
  LOVE BEYONCÉ
  

  BEYONCÉ KNOWLES
  BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)

  PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  ENGINEER: CARLOS BEDOYA
  RECORDED AT SOUTH BEACH STUDIOS, MIAMI, FL
  

• A GIFT, A GIFT FROM VIRGO

  I WISH I COULD LOOK IN YOUR EYES
  AND TELL YOU HOW I FEEL
  RIGHT NOW INSIDE
  BABY I KNOW THAT IT'S REAL
  SO REAL, SO REAL, SO REAL
  HOW I WISH I COULD BE WITH YOU
  HOW I WISH, HOW I WISH, HOW I WISH I COULD BE WITH YOU RIGHT NOW

  EVERY MORNING, EVERY AFTERNOON, EVERY NIGHT
  I WANNA BE WITH YOU
  IT DON'T MATTER IF WE GO TO THE PARK OR WATCH A PLAY
  STAY IN THE HOTEL ROOM ALL DAY
  I JUST WANNA BE WITH YOU

  I LOVE EVERYTHING ABOUT YOU
  FROM YOUR OLD SCHOOL TENNIS SHOES
  TO THE WAY YOU MOVE WHEN YOU'RE DANCING WITH ME

  DO YOU REMEMBER OUR FIRST KISS
  IT WASN'T LONG ENOUGH
  REMEMBER THE FIRST TIME
  WE SPENT THOSE WEEKS TOGETHER
  THEY WERE NOT LONG ENOUGH

  ALL OF OUR CONVERSATIONS
  ALL OF YOUR SWEET PAGES
  THEY'RE NEVER LONG ENOUGH

  WHEN IT'S TIME FOR ME TO LEAVE
  IT'S SO HARD TO SAY GOOD-BYE
  I NEVER WANT TO SAY GOOD-BYE
  I NEVER EVER WANT TO SAY GOOD-BYE

  ONE DAY, ONE DAY WE'LL MAKE LOVE
  FINALLY I'LL BE YOURS
  ONLY YOU, ONLY YOU
  I COULD LOVE YOU
  IT'S TOO LATE
  I ALREADY LOVE YOU
  I LOVE YOU
  I LOVE YOU
  I LOVE YOU
  

  BEYONCÉ KNOWLES, SHUGGIE OTIS
  BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/OFF THE WALL MUSIC ADMIN. BY BUG MUSIC (BMI)

  PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

  RECORDED AT PATCHWERK STUDIOS, ATLANTA, GA
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
  ASSISTANT MIX ENGINEERS: MATT SNEDECOR AND BRENDAN KUNTZ
  INSPIRED BY THE ORIGINAL MUSICAL COMPOSITION "RAINY DAY," WRITTEN BY SHUGGIE OTIS AND PUBLISHED BY OFF THE WALL MUSIC (BMI)/ADMINISTERED BY BUG MUSIC
  

• I REMEMBER WHEN YOU USE TO TAKE ME ON A BIKE RIDE EVERYDAY ON THE BAYOU
  (YOU REMEMBER THAT? WE WERE INSEPARABLE)
  AND I REMEMBER WHEN YOU COULD DO NO WRONG
  YOU'D COME HOME FROM WORK AND I JUMPED IN YOUR ARMS WHEN I SAW YOU
  I WAS SO HAPPY TO SEE YOU (I WAS SO EXCITED, SO HAPPY TO SEE YOU)

  BECAUSE YOU LOVED ME I OVERCOME
  AND I'M SO PROUD OF WHAT YOU'VE BECOME
  YOU'VE GIVEN ME SUCH SECURITY
  NO MATTER WHAT MISTAKES I MAKE, YOU'RE THERE FOR ME
  YOU CURE MY DISAPPOINTMENTS AND YOU HEAL MY PAIN
  YOU UNDERSTOOD MY FEARS AND YOU PROTECTED ME
  TREASURE EVERY IRREPLACEABLE MEMORY AND THAT'S WHY…

  I WANT MY UNBORN SON TO BE LIKE MY DADDY
  I WANT MY HUSBAND TO BE LIKE MY DADDY
  THERE IS NO ONE ELSE LIKE MY DADDY
  AND I THANK YOU FOR LOVING ME

  I STILL REMEMBER THE EXPRESSION ON YOUR FACE
  WHEN YOU FOUND OUT I'D BEEN ON A DATE AND HAD A BOYFRIEND
  (MY FIRST BOYFRIEND, YOU SHOULD HAVE SEEN YOUR FACE)
  I STILL REMEMBER I CAUGHT YOU CRYING 'CAUSE OF MY TATTOO
  COULD HAVE SAID BEYONCE I TOLD YOU SO
  INSTEAD YOU SAID YOU'D GET ONE TOO
  (EVEN MY MAMA SAID Y'ALL GET ONE JUST LIKE MINE)

  WORDS CAN'T EXPRESS MY BOUNDLESS GRATITUDE FOR YOU
  I APPRECIATE WHAT YOU DO
  YOU'VE GIVEN ME SUCH SECURITY
  NO MATTER WHAT MISTAKES, I KNOW YOU'RE THERE FOR ME
  YOU CURE MY DISAPPOINTMENTS AND YOU HEAL MY PAIN
  YOU UNDERSTAND MY FEARS AND YOU PROTECTED ME
  TREASURE EVERY EXTRAORDINARY MEMORY AND THAT'S WHY…

  I WANT MY UNBORN SON TO BE LIKE MY DADDY
  I WANT MY HUSBAND TO BE LIKE MY DADDY
  THERE IS NO ONE ELSE LIKE MY DADDY
  AND I THANK YOU FOR LOVING ME

  EVEN IF MY MAN BROKE MY HEART TODAY
  NO MATTER HOW MUCH PAIN I'M IN, I WILL BE OKAY
  CAUSE I GOT A MAN IN MY LIFE THAT CAN'T BE REPLACED
  FOR THIS LOVE IS UNCONDITIONAL IT WON'T GO AWAY

  I KNOW I'M LUCKY
  KNOW IT AIN'T EASY
  FOR MEN WHO TAKE CARE OF THEIR RESPONSIBILITIES
  LOVE IS OVERWHELMING
  LORD WHY DID YOU PICK ME
  CAN'T STOP MY TEARS FROM FALLING
  I LOVE YOU SO MUCH DADDY

  THANK YOU, YOU'VE DONE SO MUCH FOR ME.
  I LOVE YOU DADDY.

  I GET SO EMOTIONAL DADDY, EVERY TIME I THINK OF YOU
  I GET SO EMOTIONAL DADDY, EVERY TIME I THINK OF YOU
  THERE IS NO ONE ELSE LIKE MY DADDY
  NO ONE ELSE REPLACE MY DADDY...
  

  BEYONCÉ KNOWLES, MARK BATSON
  BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/BAT FUTURE MUSIC (BMI)

  PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND MARK BATSON FOR LIVING LOOP PRODUCTIONS, INC.

  VOCALS RECORDED AT SILENT SOUND STUDIO, NYC
  BASS, DRUMS AND KEYBOARDS: MARK BATSON
  RECORDED AT ALLUSTRIOUS STUDIOS, NYC
  ENGINEERED BY MARK BATSON
  STRINGS ARRANGED AND CONDUCTED BY MARK BATSON
  VIOLIN: MARLENE RICE
  VIOLA: JUDITH INSELL-STAACK
  CELLO: NIOKA WORKMAN
  RECORDED AT THE HIT FACTORY, NYC
  ENGINEER: MICHAEL MCCOY
  ASSISTANT ENGINEER: JON BELEC
  MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NY C
  ASSISTANT MIX ENGINEERS: DAN BUCCHI AND MATT SNEDECOR
  

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Source: https://www.beyonce.com/track/