Time Will Reveal Jay R Mp3 Download
THE LION KING: THE GIFT (2019)
- Buy Now
-
Everything you see exist together in a delicate balance
You need to understand that balance
And respect all the creatures
From the crawling ant
To the leaping antelope
We are all connected in the great circle of lifePERFORMED BY JAMES EARL JONES / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ARRANGEMENT AND ORCHESTRATION BY DEREK DIXIE / CO-ARRANGEMENT BY STEPHANIE MATTHEWS / STRINGS PERFORMED BY STEPHANIE MATTHEWS, STEPHANIE YU, CRYSTAL ALFORQUE, BIANCA MCCLURE, MARTA HONER, RHEA HOSANNY, TAHIRAH WHITTINGTON, ADRIENNE WOODS, CHELSEA STEVENS, JONATHAN RICHARDS / ADDITIONAL SOUNDS BY TYLER SCOTT / MIXED BY TYLER SCOTT, LESTER MENDOZA AT NRG RECODING STUDIOS NORTH HOLLYWOOD, CA / STRINGS RECORDED BY DANIEL PAMPURI AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: Beyoncé
If you feel insignificant
You better think again
Bettter wake up Because
Youʼre part of something way bigger
Youʼre part of something way bigger
Not just a spec in the universe
Not just some words in a bible verse
You are the living word
Oh youʼre part of something way bigger
Bigger than you
Bigger than we
Bigger than the picture they framed us to see
But now we see it
And it ainʼt no secret nooVerse 2: Beyoncé
Understand that the truth about that question in your soul
Look up donʼt look down
Then watch the answers unfold
Life is your birth right
They hid that in da fine print
Take the pen and rewrite it
Step out your estimate
Step in your essence and
Know that youʼre excellent
Rise
The spirit is teaching
No Iʼm not just preaching
I'm taking my own advice
Let mama let you know
Mama's still trying
I canʼt get no days off
I donʼt get no days off
Truly I'm feeling it
I had to say that thing twice
Trying to be a good wife
Still really hard I canʼt lie
But I promised you I would fight
So I fightVerse 3: Beyoncé
If you feeling frustrated and
You sinking, I'm jumping in
Forgiveness is key
Because weʼre fighting something way bigger
You'll never lose
We are winners
Iʼll be the roots
You be the tree
Pass on the fruit that was given to me
Legacy
Uh
We part of something way bigger
Bigger
You're part of something way bigger
Bigger than you
Bigger than we
Bigger than the picture they framed us to see
Legacy ooo
You're part of something way biggerBridge: Beyoncé
Let love be the Water
I pour in you
And you pour into me
There ainʼt no drought here bloom into our
Actual powers
Iʼll be your sanctuary
You just know it yet
You just know it yet
No matter how hard it gets You got my blood in ya
And youʼre gonna RiseChorus: Beyoncé
Youʼre part of something way bigger
Youʼre part of something way bigger
Bigger than you
Bigger than me
Bigger than the picture they paint us to be
Yeah oooo
Youʼre part of something way bigger
Understand that the truth About that question in your soul Look up donʼt look down
Then watch the answers unfold Life is your birth right
They hid that in da fine print Take the pen and rewrite it
Step out your estimate
Step in your essence and
Know that youʼre excellent
Rise
The spirit is teaching
No Iʼm not just preaching
Im taking my own advice
If you feel insignificant
You better think again
bettter wake up Because
Youʼre part of something way bigger
Youʼre part of something way bigger
Iʼll be the roots
You be the tree
Pass on the fruit that was given to me
Legacy
Uh
We're part of something way biggerPERFORMED BY BEYONCÉ/WRITTEN BY BEYONCÉ, DEREK JAMES DIXIE,STACY BARTHE, RACHEL "RAYE" KEEN, AKIL "FRESH" KING, RICHARD LAWSON / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PROKIZUM MUZIK PUBLISHING (SESAC), STACY SONG/UNIVERSAL MUSIC PUBLISHING (ASCAP), WARNER CHAPPELL MUSIC LTD (PRS), 3M PUBLISHING/BMG RIGHTS/(ASCAP), RICHARD LAWSON PUB DESIGNEE (ASCAP)/PRODUCED BY BEYONCÉ, DEREK DIXIE /ARRANGEMENT AND ORCHESTRATION BY DEREK DIXIE / CO-ARRANGEMENT BY STEPHANIE MATTHEWS/COPYIST: CHELSEA STEVENS / STRINGS PERFORMED BY STEPHANIE MATTHEWS, STEPHANIE YU, CRYSTAL ALFORQUE, BIANCA MCCLURE, MARTA HONER, RHEA HOSANNY, TAHIRAH WHITTINGTON, ADRIENNE WOODS, CHELSEA STEVENS, JONATHAN RICHARDS /ADDITIONAL VOCALS BY RACHEL "RAYE" KEEN RECORDED AT PARKWOOD WEST LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DANIEL PAMPURI, LESTER MENDOZA /ASSISTANT MIX ENGINEER: JOHN CRANFIELD, TYLER SCOTT / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / ASSISTANT RECORDING ENGINEER FOR STRINGS: ANDREA ROBERTS / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
-
Let me tell you something my father told me
Look at the stars
The great kings of the past look down on us from those stars
So whenever you feel alone
Just remember those kings will always be up there to guide you
And so will IPERFORMED BY JAMES EARL JONES/WRITTEN BY JEFF NATHANSON/SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: Beyoncé
Daddy used to take me walkin down the street
Daddy used to take my hand say follow me...
Daddy used to lead me back home all the time
I got big enough to run around daddy left me outsideHook: Beyoncé
He said find your way back
Big big world but you got it baby...
Find your back....
Don't let this life drive you crazy
Find your way back...
Come back home before the streets lights on
Find your way back...
Find your way back...Verse 2: Beyoncé
Daddy used to tell me look up at the stars
Been a long time but remember who you are...
Circle of life and one day I might not make it
Circle of life and one day I might not make itHook: Beyoncé
But you just gotta find your way back
Big big world but you got it baby...
Find your back....
Don't let this life drive you crazy
Find your way back...
Come back home before the streets lights on
find your way back...
Find your way back...
Bridge: Beyoncé
Daddy used to teach me all my moves
Running round wild had to tie my shoes
Itty bitty child with a smile like you...
Wild wild child look a lot like you..
Daddy used to teach me all my tricks
Running round wild had to get my fix
Daddy used to teach me all my plays
On a marathon told me run my raceHook: Beyoncé
Find your way back
Big big world but you got it baby...
Find your back....
Don't let this life drive you crazy
Find your way back...
Come back home before the streets lights on
Find your way back...
Find your way back...Bridge: Beyoncé
Daddy used to teach me all my moves
Running round wild had to tie my shoes
Itty bitty child with a smile like you...
Wild wild child look a lot like you..
Daddy used to teach me all my tricks
Running round wild had to get my fix
Daddy used to teach me all my plays
On a marathon told me run my racePERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, BRITTANY "STARRAH" HAZZARD, BUBELE BOOI, ROBERT MAGWENZI, ABISAGBOOLA "BANKULLI" OLUSEUN, OSARETIN OSABUOHIEN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PEOPLE OVER PLANES (ASCAP)/THESE ARE SONGS OF PULSE, UNIVERSAL MUSIC PUBLISHING (SAMRO), ROBERT MAGWENZI PUB DESIGNEE (SAMRO), ABISAGBOOLA OLUSEUN PUB DESIGNEE, OSARETIN OSABOUHIEN PUB DESIGNEE / PRODUCED BY BEYONCÉ, BUBELE BOOI, ROBERT MAGWENZI /ADDITIONAL PRODUCTION BY GUILTYBEATZ, DEREK DIXIE / VOCAL PRODUCTION BY BANKULLI, DEREK DIXIE /ADDITIONAL VOCALS BY BANKULLI RECORDED AT PARKWOOD WEST LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY STUART WHITE AT NRG STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DEREK DIXIE / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
CONTAINS ELEMENTS OF "MARADONA" WRITTEN BY OSARETIN OSABUOHIEN AND PERFORMED BY NINIOLA
-
Go back to your den simba
I dont babysitPERFORMED BY CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: Tekno
Suzuki no be chang jiang
(Suzuki is no chang jiang)
Jet li no be liu kang
(Jet li is no liu kang)
You know me i no be pretend
(You know me i dont pretend)
From start of the week to the weekend
I no de hide for corner
(You won't see me hiding in no corner)
Foot work like pogba
If you get my ton ton ton
(If you get on my vibe)
Me I want to get on your don don don
(I can get on your vibe)Pre: Nana
Sheep don't run with lion Snake don't swing monkey
I can't talk for too long
got too much gold to try onSheep don't run with lion Snake don't swing monkey
I can't talk for too long
got too much gold to try onHook: Nana
Jealousy
Don't you jealous me
That's that jealousy
Don't you jealous me
That's that jealousy
Don't you jealous me
That's that jealousy
Don't you come for meMr Eazi
Baako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaBaako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaBaako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaBaako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaVerse 2: Yemi Alade
O O Odogwu
(Great Man)
aBeg make them talk I go give them the action
(please let them talk , I'll give them action)
I be the grand master
Salute the commander
Otunba
Oga
Saidi
Chairman
Mansa
Oba
(Titles of African Leaders)
Yaro
(Small boy/youngin)
Clear Road
(Make way)Pre: Nana
Sheep don't run lion
Snake don't swing with monkey
I can't talk for too long
got too much gold to try onSheep don't run lion
Snake don't swing with monkey
I can't talk for too long
got too much gold to try onHook: Nana
Jealousy
Don't you jealous me
That's that jealousy
Don't you jealous me
That's that jealousy
Don't you jealous me
That's that jealousy
Don't you come for meMr Eazi
Baako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaBaako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaBaako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaBaako – "one"
Mienu – "two"
Yenko – "let's go"
AahbaaaPERFORMED BY TEKNO, LORD AFRIXANA, MR EAZI, YEMI ALADE/WRITTEN BY BEYONCÉ, AUGUSTINE MILES KELECHUKWU, NANA O. AFRIYIE, OLUWATOSIN OLUWOLE AJIBADE, YEMI ALADE, ARIOWA IROSOGIE, EARL PATRICK TAYLOR/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TEKNO PUB DESIGNEE, EPIPHANY S WRITING GROUP (BMI)/PRIMARY WAVE BEATS (BMI)/BMG PLATINUM SONGS (BMI), SONY/ATV UK (PRS), EFFYZZIE MUSIC LTD (PRS),WARNER/CHAPPELL MUSIC LTD (ASCAP), BELLA'S MONEY/THESE ARE SONGS OF PULSE (ASCAP)/ PRODUCED BY BEYONCÉ,P2J/ADDITIONAL PRODUCTION BY DEREK DIXIE/ADDITIONAL VOCALS BY JOZZY RECORDED AT PARKWOOD WEST LOS ANGELES, CA/MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA/RECORDED BY P2J, ARI PENSMITH AT PARKWOOD WEST STUDIOS WEST HOLLYWOOD, CA/MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
TEKNO APPEARS COURTESY OF ISLAND RECORDS UK UMG AFRICA
LORD AFRIXANA APPEARS COURTESY OF BULLISH ENETERTAINMENT
YEMI ALADE APPEARS COURTESY OF EFFYZZIE MUSIC LTD
MR EAZI APPEARS COURTESY OF EMPAWA AFRICA LTD -
This must be it
C'mon
Simba get down it could be dangerous
Danger? Ha I laugh in the face of dangerPERFORMED BY JD MCCRARY, SHAHADI WRIGHT JOSEPH / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: Burna Boy
Your body go rest o
(you will calm down)
Papa tell piken
(A father told child)
Your body go resto
Your body go restoPre: Burna Boy
Your tongue go confess o
(you will speak the truth)
Your head will correcto
(Your mind will be focused)
You no forgeto
(You won't forget)
She you get the concept
(Do you understand)Chorus: Burna Boy
Dem no day tell person
(Nobody will tell you)
Ja Ara é Ja Ara é
You go learn your own lesson
(You will learn our own lessons)
Ja Ara é Ja Ara é
Everybody keeps on searching
Ja Ara é Ja Ara é
For miraculous blessings
Ja Ara é Ja Ara éVerse 1: Burna Boy
You go bow for Lagos
(You will be confused Lagos) (back home)
Ja Ara
If you no know yourself you go lost
(if you don't know yourself you will get lost)
Ja Ara
If you get money you be bros
(I you have money you will be respected)
Ja Ara
Omo nobody holy no apostles
(Nobody is holy there are no apostles)
Ja AraPre: Burna Boy
Your tongue go confesso
(you will speak the truth)
Your head will correcto
(Your mind will be focused)
You no forget o
(You won't forget)
Shey you get the concept
(Do you understand)Chorus: Burna Boy
Dem go tell you watch out when you go
(They will tel you to watch out)
Watch out pon de road
Watch out for them hyenas
Watch out when you go
Watch out pon de road
Watch outBridge: Burna Boy
Look around in all the places you go to
Stand your ground and stay solid like ogun (God of iron (strength))
Watch your back and just do what you're supposed to
Take care of family and people your close toChorus: Burna Boy
Dem no day tell person
(Nobody will tell you)
Ja Ara é Ja Ara é
You go learn your own lesson
(You will learn your own lessons) Ja Ara é Ja Ara é
Everybody keeps on searching
Ja Ara é Ja Ara é
For miraculous blessings
Ja Ara é Ja Ara éPERFORMED BY BURNA BOY / WRITTEN BY BEYONCÉ, DAMINI OGULU, RICHARD ISONG / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC PUBLISHING GROUP (ASCAP), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP) / PRODUCED BY BEYONCÉ, P2J / ADDITIONAL PRODUCTION BY DEREK DIXIE / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDED BY P2J AT RED ROOM, MILOCO STUDIOS LONDON, UK AND CECIL BERNARDY AT RECORD PLANT RECORDING STUDIOS LOS ANGELES, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
BURNA BOY APPEARS COURTESY OF BAD HABIT/ON A SPACESHIP/ATLANTIC RECORDS
-
PERFORMED BY JD MCCRARY, CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY LESTER MENDOZA/MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: Beyoncé and Kendrick
One time I took a swim in the Nile
I swam the whole way I didn't turn around
Man I swear
It made me relax when I came downI felt liberated like free birds
I'm stimulated now
Plunging away unless my body on topAll of these current might cost me my life
Right nowWhen danger finds me it follow with tides
Many miles ahead of me still I'm in stride
She saidBridge: Beyoncé
Hey little buddy where you going
I'm not sure but I know I'm still in motion
This ain't regular I seen regular
These streams may take me out to the oceanVerse: Kendrick
Told myself if I dive in it without precaution of a life jacket
Then I'll dive in until I'm exhausted and I'm type lackin'
Waste line on 4 deep
Senses on 4 deep
Feel like there's 4 meChorus: Beyoncé and Kendrick
One time I took a swim in the Nile
(one time I took a swim)
I swam the whole way I didn't turn around
Man I swear
(I swear)
It made me relax when I came down
(when I came down)
I felt liberated like free birds
I'm stimulated now
(stimulated) Plungin away unless my body on top
(Stimulated now)
All of these currents might cost me my life
Right now
(right now)
When danger finds me it follows with tides
(stimulated right now)
Many miles ahead of me still I'm in strideThat's some good
Verse: Beyoncé
Got the Nile running through my body
Look at my natural
I'm so exotic
Darker than berry
Sweeter than fruit
Deeper the wounded
Deeper the roots
Nubian doused in brown
Boy I'm lounging in it
Fountain of you, I said I'm drowning in it
I'm in the Nile, deep in denial
I'm in the Nile, deep in denialPERFORMED BY BEYONCÉ, KENDRICK LAMAR / WRITTEN BY BEYONCÉ, KENDRICK DUCKWORTH, MARK SPEARS, HYKEEM CARTER, KEANU DEAN TORRES, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, HARD WORKING BLACK FOLKS INC (ASCAP)/TOP DAWG MUSIC (ASCAP)/WB MUSIC CORP (ASCAP), PUSHY PUBLISHING (ASCAP), TDE MUSIC LLC (BMI), HYKEEM CARTER PUB DESIGNEE (BMI) , KEANU DEAN TORRES PUB DESIGNEE (APRA), 114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI)/ PRODUCED BY BEYONCÉ, SOUNWAVE, HYKEEM CARTER, KEANU BEATS / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/KENDRICK VOCALS RECORDED BY MATT SCHAFFER AT INTERSCOPE RECORDS LOS ANGELES, CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT ENGINEER: JOHNNY KOSICH, JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
KENDRICK LAMAR APPEARS COURTESY OF TOP DAWG ENT/AFTERMATH RECORDS/INTERSCOPE RECORDS
NEW LESSON (TIMON, PUMBAA, & YOUNG SIMBA INTERLUDE)
PERFORMED BY BILLY EICHNER, SETH ROGEN, JD MCCRARY / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, LUDWIG GORANSSON / MIXED BY LESTER MENDOZA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
PERFORMED BY BILLY EICHNER, SETH ROGEN, JD MCCRARY / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, LUDWIG GORANSSON / MIXED BY LESTER MENDOZA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: Beyoncé
I know my enemies prey on me
So pray for me
Tick tick wait on it
I'm keeping down my body count
I'm finessing like a trap bounce, trap bounce
Cause everyday above ground is a blessing
I done leveled up
Now my view Panoramic
None of my fears can't go where I'm headed
Had to cut em loose
Now I'm loose break the levee
I'm bout flood on em flood on a killa
They ran it down, I'm ___, go Mutombo, no no killa
You can't dim my light
Cause When we walk up in the club
I need them sirens going off
Then we look up in the sky
The tears cry let us know that we're alive, yeah yeah
I get goosebumps every time
I throw up my diamond
Together we big timing
Don't make me have to remind yaChorus: Beyoncé
I got my cup to the heavens
Another night I won't remember
Promise this my mood foreva
Promise this my mood foreva
Treasures dancing on the bezel
The kinda feeling unforgettable
Promise this my mood foreva
Promise this my mood foreva
Foreva and evaVerse 2: Jay-Z
You heard that
That's the sound of the price going up
Forever and eva eva
And Eva Eva
At the Saxon in the Madiba suite
Like Mandela
Bumping Fela on the puma jet
Like we from Lagos man
Mansa Musa reincarnated
We on our levels that's a Billi
A thousand Milli
First one to see a B
Out these housing buildings
I be feeling like Prince in 94
Mike in 79
Biggie in 97
94 Nas
Ali bumaye no Kumbaya
Just give me the Somale
I'm on lataj
Helmet on the Jet Ski
You know the vibes
Hit my head, figured out me
Oh my God without the God in the XY
I'm afraid whole the game will be colonized
The marathon will be televised for NIP
Cause true kings don't die, we multiply
PeaceSub Verse (Verse 1.2): Beyoncé
I'm so unbothered , I'm so unbothered
Y'all be so pressed while I'm raising daughters
Sons of empires y'all make me chuckle
Stay in your struggle
Crystal blue water
Piña colada and you stay ramada inn
My baby father blood line Rwanda
Why would you try me
Why would you bother
I am Beyoncé
Giselle Knowles-Carter
I am the Nala
Sister of Naruba
Oshun Queen Sheeba
I am the mother , ankh on my gold chain
I sold my whole chain
I be like soul food
I am a whole moodWhen we walk up in the club
I need the sirens going off
Then we look up in the sky
The tears cry let us know that we're alive, yeah yeah
I give goosebumps every time
I throw up my diamond
Together we big timing
The children are our reminderChorus: Beyoncé
I got my cup to the heavens
Another night I won't remember
Promise this my mood foreva
Promise this my mood foreva
Treasures dancing on the bezel
The kinda feeling unforgettable
Promise this my mood foreva
Promise this my mood foreva
Foreva and eva
Eva , Eva
Forever and evaBridge: Beyoncé
No shade no shade I got that lime light
No trade no trade I wont't give-up my pride
I'm focused so get your mind right
Cloud 9 cloud 9 I couldn't ever tell you what's going downTime to break it down now
Woo..yeah
Woo…yeah
Woo…yeahChorus: Beyoncé
I got my cup to the heavens
Another night I won't remember
Promise this my mood foreva
Promise this my mood foreva
Treasures dancing on the bezel
The kinda feeling unforgettable
Promise this my mood foreva
Promise this my mood foreva
Foreva and eva
Forever and eva
Eva eva eva eva eva
Foreva and eva
eva and
eva and eva (reapet)PERFORMED BY BEYONCÉ, JAY-Z, CHILDISH GAMBINO, OUMOU SANGARÉ / WRITTEN BY BEYONCÉ, S. CARTER, DONALD GLOVER, KHALED KHALED, FLOYD NATHANIEL HILLS, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV, ANATHI BHONGO MNYANGO,ANT CLEMONS, MICHAEL UZOWURU,TEO HALM, JEFF KLEINMAN, OUMOU SANGARE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), CHILDISH INDUSTRIES(BMI),BMG PLATINUM SONGS US (BMI)/GIVE THANKS PUBLISHING (BMI),DANJAHANDZ MUZIK (SESAC),114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI), GOLD TEA PRODUCTIONS (SAMRO), A. BLESSING PUBLISHING (BMI)/SONG OF UNIVERSAL (BMI), BEYOND CATEGORY LLC/UNIVERSAL MUISC PUBLISHING GROUP,SONGS OF UNIVERSAL, INC(BMI), UNIVERSAL MUSIC PUBLISHING (ASCAP),OUMU SANGARE PUB DESIGNEE / PRODUCED BY BEYONCÉ,DJ KHALED, DANJA/ADDITIONAL PRODUCTION BY MICHAEL UZOWURU, TEO HALM, JEFF KLEINMAN /BEYONCÉ VOCALS RECORDED BY STUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/ JAY-Z VOCALS RECORDED BYSTUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/CHILDISH GAMBINO VOCALSRECORDED BY RILEY MACKIN AT THE TEMPLE LOS ANGELES, CA/MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL /MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
CONTAINS ELEMENTS OF "DIARABY NENE" WRITTEN AND PERFORMED BY OUMOU SANGARE
CONTAINS AN INTERPOLATION OF "SWEET GREEN FIELDS" WRITTEN BY JIMMY SEALS, PUBLISHED BY SONY/ATV ACUFF ROSE MUSIC (BMI).
CONTAINS AN INTERPOLATION OF "(THINK) ABOUT IT" WRITTEN BY JAMES BROWN, PUBLISHED BY UNICHAPPELL MUSIC INC./DYNATONE PUBLISHING CO. (BMI).JAY-Z APPEARS COURTESY OF ROCNATION
CHILDISH GAMBINO APPEARS COURTESY OF WOLF & ROTHSTEIN / RCA RECORDS -
PERFORMED BY BEYONCÉ KNOWLES-CARTER, DONALD GLOVER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®/©2019 DISNEY ENTERPRISES, INC.
-
Hook: Salatiel
Baby Oh I'm not much of a talker
Baby Oh can I drink from your water
Baby Oh meet me down by the river
We can dance to the rhythmPost: Pharrell
Yes we can make it far
Don't need inflatables
That's what the waves are for
What are you waiting forYes we can make it far
Don't need inflatables
That's what the waves are for
What are you waiting forVerse: Pharrell
Oh darling if you leave
I'll go whereve you go
I'll where your heart on my sleeve
So everybody here knows
But if you tell me to stay
You'll never be on your own
So baby , don't wait too longHook: Pharrell
Baby oh
I'm not much of a talker
Baby oh
Can I drink from your water
Baby oh
Meet me down by the river
We can dance to the rhythm
Till the sun is high and the water runs dryPost: Pharrell
Yes we can make it far
Don't need inflatables
That's what the waves are for
What are you waiting forYes we can make it far
Don't need inflatables
That's what the waves are for
What are you waiting forVerse 2: Beyoncé
I'll bring you back the moon
Just so we got all night
I'll bring the sun down too
So I can show you the light
Trust me if you ever leave
I'll be right by your side oh
For you, I'll rideHook: Pharrell and Beyoncé
Baby oh
I'm not much of a talker
Baby oh
Can I drink from your water
Baby oh
Meet me down by the river
We can dance to the rhythm
Till the sun is high and the water runs dryPost: Pharrell
Yes we can make it far
Don't need inflatables
That's what the waves are for
What are you waiting forYes we can make it far
Don't need inflatables
That's what the waves are for
What are you waiting forHook: Pharrell and Beyoncé
Baby oh
I'm not much of a talker
Baby oh
Can I drink from your water
Baby oh
Meet me down by the river
We can dance to the rhythm
Till the sun is high and the water runs dryPERFORMED BY SALATIEL,PHARRELL, BEYONCÉ/WRITTEN BY BEYONCÉ, NANA O. AFRIYIE , NIJA CHARLES PKA NIJA, PHARRELL WILLIAMS, RICHARD ISONG, ALASTAIR O'DONNELL/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EPIPHANY S WRITING GROUP (BMI)/PRIMARY WAVE BEATS (BMI)/BMG PLATINUM SONGS (BMI), SONGS OF UNIVERSAL, INC. AND SONGS BY AMNIJA. ALL RIGHTS FOR SONGS BY AMNIJA CONTROLLED AND ADMINISTERED BY SONGS OF UNIVERSAL, INC, MORE WATER FROM NAZARETH (GMR), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP), NEO SONGS/BMG/PRODUCED BY BEYONCÉ, P2J/ADDITIONAL VOCALS BY MOONCHILD SANELLY / BEYONCÉ VOCALS RECORDEDBYSTUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/SALATIEL VOCALS SELF RECORDED/ PHARRELL VOCALS RECORDED BY MIKE CARSONBY RECORDING ENGINEER AT MOTORBASS RECORDING STUDIO PARIS, FR/MIXED BY LESLIE BRATHWAITE AT MEANS STREET STUDIOS IN ATLANTA, GA /ASSISTANT ENGINEER: JENNA FELSENTHAL, ANTOINE POYETON / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
SALATIEL APPEARS COURTESY OF ALPHA BETTER RECORDS
PHARRELL APPEARS COURTESY OF IIAMOTHER/COLUMBIA RECORDS -
Intro (Chorus): Blue Ivy Carter, SAINt JHN
Brown skin girl
Ya skin just like pearls
The best thing in the world
I never trade you for anybody else baby
Brown skin girl
Ya skin just like pearls
The best thing in the world
I never trade you for anybody else, singin'Verse 1: WizKid
She say she really grew up just like me
Don't believe in nothing but the almighty
Just a little jeans and a pure white tee
She never dream for ever be nobody wifey
She Wilhemina pretty but she heart is a maze
Play ya like a villain 'cause she caught in a wave
Tonight I am walking away
9 to 5 mind on the grind ya yaPre: WizKid
Tonight I might fall in love
Depending on how you hold me
Iʼm glad that Iʼm calming down
Can't let no one come control me
Keep dancing and call it love
She fights it but falling slowly
If ever you are in doubt
Remember what Mama told meChorus: WizKid
Brown skin girl
Ya skin just like pearls
Your back against the world
I never trade you for anybody else yeahBrown skin girl Ya skin just like pearls The best thing inna di world
I never trade you for anybody else yeahVerse 2: Beyoncé
Pose like a trophy when Naomi's walking
She need a Oscar for that pretty dark skin
Pretty like Lupita when the cameras close in
Drip broke the levee when my Kelly's Rowland
I think tonight she might braid her braids
Melanin too dark to throw her shade
She minds her business and whines her waist
Gold like 24K, OK
Pre: WizKid and Beyoncé
Tonight I might fall in love
Depending on how you hold me
Iʼm glad that Iʼm calming down
Can't let no one come control me
Keep dancing and call it love
She fights it but falling slowly
If ever you are in doubt
Remember what Mama told meBrown skin girl
Ya skin just like pearls
Ya back against the world
I never trade you for anybody else yeah
Brown skin girl
Ya skin just like pearls
The best thing about di world
I never trade you for anybody else yeahBridge: Beyoncé
Oh oh, have you looked in the mirror lately
Wish you could trade eyes with me
'Cause there's complexities
In complexion
But your skin
It glows like diamonds
Pigment like the earth
You be giving birth
To everything alive
Baby know your worth
I love everything about you
From your nappy curls
To every single curve
Your body natural
Same skin that was broken
Be the same skin taking over
Most things out of focus view
But when you're in the room
They notice you
'Cause you're beautiful
Yeah you're beautiful
The men them gon' fall in love
With you and all of your glory
Your skin is not only dark
It shines and it tells your story
Keep dancing
They can't control you
They watching
They all adore you
If ever you are in doubt
Remember what Mama told youChorus: WizKid and Beyoncé
Brown skin girl
Ya skin just like pearls
Your back against the world
I never trade you for anybody else
Brown skin girl
Ya skin just like pearls
The best thing in the world
I never trade you for anybody else, sayChorus: Blue Ivy Carter
Brown skin girl
Ya skin just like pearls
The best thing in the world
I never trade you for anybody else, singin'PERFORMED BY BLUE IVY CARTER, SAINt JHN, BEYONCÉ, WIZKID/WRITTEN BY BEYONC&Ereg;, CARLOS ST. JOHN, ADIO MARCHANT, S. CARTER, STACY BARTHE, ANATHI BHONGO MNYANGO, MICHAEL UZOWURU, RICHARD ISONG/ PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, THE ST. JOHN PORTFOLIO/BMG PLATINUM, BLACK BUTTER MUSIC PUBLISHING LTD/BMG RIGHTS MANAGEMENT (UK) LTD,CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), STACY SONGS/UNIVERSAL MUSIC PUBLISHING (ASCAP), GOLD TEA PRODUCTION LLC (SAMRO),BEYOND CATEGORY LLC/UNIVERSAL MUSIC PUBLISHING GROUP, P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP)/PRODUCED BY BEYONC&Ereg;, P2J / ADDITIONAL PRODUCTION BY DEREK DIXIE/BASS BY PINO PALLADINO/ BLUE IVY VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/SAINt JHN VOCALS RECORDED BY P2J AT GEE JAM STUDIO PORT ANTONIO, JAMAICA / WIZKID VOCALS RECORDED BY ENGINEER SAM HARPER AT RECORDING STUDIOTHE RED ROOM MILOCO STUDIOSLONDON,UK/ BEYONC&Ereg; VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA/RECORDING ENGINEER: LESTER MENDOZA,DANIEL PAMPURI, CHRISOTHPER ULRICH/MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA/ MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
SAINT JHN APPEARS COURTESY OF HITCO
WIZKID APPEARS COURTESY OF RCA -
PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY ZACHARY ACOSTA / MIXED BY ZACHARY ACOSTA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: Tiwa Savage
See how the sun and the moon bow for you
But you won't open your eyesOmo oba ma gba gbe (Son of the king don't you forget)
Run ti oruko Baba re (Remember your father's name)Pre: Tiwa Savage
Tick tock pretty baby
You can get it back don't you waste it
To grow from your past gotta face it
Ahh, yeahChorus: Tiwa Savage
Ooh you are the remedy
Don't know what's inside
But you're the key to the kingdomOoh you are the remedy
Don't know what's inside
But you're the key to the kingdom So believe
Even if you can't see I'll never leave
Cause You're the key to the kingdom (2x)You're the key to the kingdom
Oh you are the remedy
Don't know what's inside
But you're the key to the kingdom
You're the key to the kingdom
Hey, so believe even if you can't see I'll never leave
You're the key to the kingdom
You're the key to the kingdomVerse 2: Mr Eazi
Zagadat
Just like the tree, just like the Chinese bamboo tree
See eyes might not see the greatness inside you, that lies withinOya come sit pon your throne,
you know you no go stay down for long,
whenever in doubt and alone
Just remember, you're the king inna the kingdomBridge: Tiwa Savage
You're the key to the kingdom
Oh you are the remedy
Don't know what's inside
But you're the key to the kingdom
You're the key to the kingdom
Hey, so believe even if you can't see I'll never leave
You're the key to the kingdom
You're the key to the kingdomPost: Tiwa Savage
Here's some things you have to know it go rough for man to grow
When you feel you had enough You gotta breathe
Just remember who you are
If you forget look to the stars
Even the strong get weak
But you're the key , you're the keyVerse 2: Tiwa Savage
Baby you're the key
It cost my life to pave the way
You get it for free
(Call on me when you need)
It's obvious to me
Bloodline is royalty passed to you when I leave But
(Call on me when you need)Pre Hook: Tiwa Savage
Tick tock pretty baby
You can't get it back don't you waste it
To grow from your pastPERFORMED BY TIWA SAVAGE, MR EAZI / WRITTEN BY BEYONCÉ, KIM KRYSIUK PKA "KAYDENCE", RICKIE TICE PKA "CASO", AKIL "FRESH" KING, TIWATOPE SAVAGE, GERALD "MIXEDBYGWHITE" WHITE, ARIOWA IROSOGIE, RICH KING, OLUWATOSIN OLUWOLE AJIBADE, RONALD BANFUL, DEREK JAMES DIXIE, RICHARD ISONG/ PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SEVEN CORNERS/BMG (BMI), PEN PIPER PUBLISHING(BMI), 3M PUBLISHING/BMG RIGHTS, SONYATV/TIWASAVAGE PUBLISHING (ASCAP), GERALD WHITE PUB DESIGNEE (BMI), WARNER/CHAPPEL MUSIC LTD, HILLTOP AVENUE PUBLISHING (ASCAP), SONYATV UK (PRS), RONALD BANFUL COPYRIGHT CONTROL (PRS), PROKIZUM MUZIK PUBLISHING (SESAC), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP) / PRODUCED BY BEYONCÉ, NORTHBOI ORACLE / CO-PRODUCED BY GUILTYBEATZ, P2J, DEREK DIXIE / ADDITIONAL VOCALS BY ARI PENSMITH / BASS BY COURTNEY LEONARD / GUITAR BY ROD CASTRO / MIXED BY CHRIS GODBEY AT TIKI HILL STUDIOS DALLAS, TX AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / RECORDING ENGINEERS: ARI PENSITH, DANIEL PAMPURI / MIX ASSISTANT: TYLER SCOTT, LESTER MENDOZA / ASSISTANT ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
TIWA SAVAGE APPEARS COURTESY OF UNIVERSAL MUSIC GROUP
MR EAZI APPEARS COURTESY OF EMPAWA AFRICA LTD -
PERFORMED BY DONALD GLOVER, JOHN KANI / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY LESTER MENDOZA / MIXED BY LESTER MENDOZA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Hook: Beyoncé
Long live the king
You a king you know it
King already..
Already you know it
Top everything, everything you know it…
King already
Already you know itVerse 1: Beyoncé
Mind body soul
Got a king body…
Body gon shine
Bling bling body…
Callin all the shots
Ring ring body..
Crown on ya head
Got a king body….Hook: Beyoncé
Long live the king
You a king you know it
King already…
My baby you know it…
Top everything
Everything you know it…
King already…
Already you know itPost: Beyoncé
Shine already…
It's time already
In line already
It's time already
Shine already…
It's time already
In line already
It's time alreadyVerse 2: Beyoncé
Tried to stop it me say no, no, no
Royalty say don't you know
Know, know, know
Tried to stop it me say go, go, go
Bubble up and watch it
Grow, grow, growVerse 3: Shatta Wale
Every king Be Ruler,
Be ruler yea
Every warrior they conquer yea
Every king be stronger yea
King Dey rule them long yea.
Osh Remember who you are ooh oh oh Osh Real king always win ooh oh.
Osh You for be brave ooh oh oh.
Osh And show your people more love ooh oh Osh
It's time already,
I say it's time already,
In line already
I say in line already.
Only You got the remedy
I say you got the remedy
Shine your body
Shine your body.
Ha Ha HAahh......
Be your own king Make nobody come rule your world.Yo Yo Yo......
Be your own king Make nobody come rule your world.
Ha Ha HAahh......
Be your own king Make nobody come rule your world.
Yo Yo Yo......
Be your own king Make nobody come rule your world.
Long Live the king
You are a king and you know it
Top everything, everything you know it Show them the way, you know it
You know it, know itBridge: Beyoncé
Diamonds on my fist
Fighting demons y'all
Come and rest your head
Take your crown off oh
Woke up in a foreign
Need to take it slow
He said I'm moving too fast
Said I need to take it too slow
Take it slow take it slow
Trying to take my baby home
Take it slowww take it slowwVerse 4: Shatta Wale
Osh remember who you are ooh oh oh
Osh real king always win ooh oh
Osh you for be brave ooh oh oh
Osh and show your people more love
Ooh oh Osh
It's time already
I say it's time already
In line already
I say in line already
Only you got the remedy
I say you got the remedy
Shine your body
Shine your body
Ha Ha Haah… Be your own king
Make nobody come rule your world
Yo yo yo..
Be your own king make nobody comeHook: Shatta Wale
Long live the king
You a king you know it
Top everything, everything you know it…
Show them the world
You know it
You know it
You know itPERFORMED BY BEYONCÉ, SHATTA WALE, MAJOR LAZER / WRITTEN BY BEYONCÉ, BRITTANY "STARRAH" HAZZARD, TOUMANI DIABATE, CLÉMENT PICARD, MAXIME PICARD, THOMAS WESLEY PENTZ, CHARLES NII ARMAH MENSAH, RONALD BANFUL / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PEOPLE OVER PLANES (ASCAP)/THESE ARE SONGS OF PULSE, TOUMANI DIABATE PUB DESIGNEE (BMI), CLÉMENT PICARD PUB DESIGNEE (SACEM), MAXIME PICARD PUB DESIGNEE (SACEM), I LIKE TURTLES MUSIC (ASCAP), CHARLES NII ARMAH MENSAH PUB DESIGNEE (BMI), BANFUL COPYRIGHT CONTROL (PRS) / PRODUCED BY BEYONCÉ, DIPLO, PICARD BROTHERS / CO-PRODUCED BY GUILTYBEATZ / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY CHRIS GODBEY AT TIKI HILL STUDIOS DALLAS, TX AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
SHATTA WALE APPEARS COURTESY OF FANTASY ENTERTAINMENT GROUP
MAJOR LAZER APPEARS COURTESY OF MAD DECENT -
As King I was most proud of one thing
Having you as my son
I never left you
I never will
Remember who you are
RememberPERFORMED BY JAMES EARL JONES / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE /ADDITIONAL VOCALS BY ERYN ALLEN KANE / MIXED BY LESTER MENDOZA, AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
If the storm comes
If we burn up
If the wells run dry
You're my reason
To believe in
Another lifeIf it all ends
And it's over
If the sky falls fire
Best believe me
You will see me
On the other sideIf we wake up
Lose our patience
Or eben lose our lives
I'll feel lucky
To say that you've been
A friend of mineBest believe me
You will see me
On the other sideBankuli Swahili Chants
B Swahili ChantsPERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, SYDNEY BENNETT, DAVE ROSSER, NICK GREEN, ABISAGBOOLA "BANKULLI" OLUSEUN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF KOBALT MUSIC PUBLISHING (BMI), DAVE ROSSER MUSIC (BMI)/THESE ARE PULSE SONGS (BMI), SONGS FOR DON (BMI)/THESE ARE PULSE SONGS (BMI), ABISAGBOOLA OLUSEUN PUB DESIGNEE / PRODUCED BY BEYONCÉ, NICKY DAVEY / ADDITIONAL PRODUCTION BY DEREK DIXIE, SYDNEY BENNETT / ADDITIONAL VOCALS BY BANKULLI RECORDED AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLASNDING LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DEREK DIXIE, LESTER MENDOZA, DANIEL PAMPURI / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
WAR (NALA INTERLUDE)
PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Your reign is over Scar
If you want to get him, you'll have to get through us
Are you with me lions?PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Hook: Nija
They'll never take my power
My power, my power
They'll never take my power
My power, my power
They feel a way Oh wow
They feel a way Oh wowThey'll never take my power
My power, my power
They'll never take my power
My power, my power
They feel a way Oh wow
They feel a way Oh wowVerse 1: Tierra Whack
I was always in the lead
Who ya wanna be?
I'm who they wanna be?
B E A U T Y
Never seen so much rage from a Queen
Rage from a Queen
Rage from a Queen
Queen so strong
Thought she was a machine
Girl of ya dreams
Synclaire Regine
Turned to the max
Can't forget MaxineRefer to me as a Goddess!
I'm tired of being modest
100 degrees the hottest
Ebony and Ebonics
Black people win
They say we being demonic
Angel in disguise
I hate I have to disguise it
Why you gotta despise it
Rich in the mind, That's why I'm making deposits
I carry all the power
Time to realize it!Hook: Nija
They'll never take my power
My power, my power
They'll never take my power
My power, my power
They feel a way Oh wow
They feel a way Oh wowThey'll never take my power
My power, my power
They'll never take my power
My power, my power
They feel a way Oh wow
They feel a way Oh wowVerse 2: Beyoncé
This that Rhythm
This that lightening
This that burn
This ain't no Perm
This that Nappy
This that herb
This that Kinfolk
This that Skinfolk
This that war
This that bloodline
On the frontline
Ready for war
Where you gon run
Ima get loose get loose
Get low get low
Ima get loose get loose
Get low get low
Gotta protect my grace
Keep it locked in a safe
Don't make me get back to my ways
My power they'll never takeHook: Nija
They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way Oh wow
They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way
Oh wowVumani bo! (Do you agree/Are you with me?)
Syavuma!!! (We agree/ We are with you)
Selingenile iKumkani (The King has arrived)
Ningangabazi amandi' ami (Do not doubt my power)
Ngizo gobis' abanenkani (I will persuade those who are stubborn)Thulani bo! (Be Quiet)
Senghleli!!! (We are still)
Selivukil' iDimoni lami (My inner-demons have awakened)Nibabuzil' abaziyo ngam (Have you asked those who know of me)
There will be peace when I'm doneJongani bo! (Look here)
Syabona!!! (We See)
Ndim neSkeem sami (It is me & my 'squad')
Sizilethile Izikhali (We have prepared weapons)
La amagwal awahlangani (Cowards have no place here)Hlalani bo (Sit! *plural*)
Ibamb'Umthetho (be still & obedient)
Niyabon' iyinkinga lento (can you see we have a challenge/predicament?)
Soy'lungisa (We will resolve it)
Themba Mina (Put your trust in me)
Qoq amaqhawe! Soy'qeda manje! (Gather the Troops! We will finish it now!)Hook: Nija
They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way Oh wow
They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way
Oh wowBridge: Yemi Alade
You no fit to touch am O
You no fit to touch am OVerse 5: Moonchild
Boom Boom check you later
I roll with the danger
Andoyiki n'inja
(I'm not even scared of dogs)
Mina ndili ninja
(Because I'm a ninja)Boom Boom check you later
I roll with the danger
Andoyiki n'inja
(I'm not even scared of dogs)
Mina ndili ninja
(Because I'm a ninja)PERFORMED BY NIJA, BEYONCÉ, BUSISWA, YEMI ALADE, TIERRA WHACK, MOONCHILD SANELLY, DJ LAG / WRITTEN BY BEYONCÉ, BUSISWA GQULU, YEMI ALADE, TIERRA WHACK, SANELISIWE TWISHA ,NIJA CHARLES PKA NIJA, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVAWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV, LWAZI ASANDA GWALA/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SON/ATV MUSIC PUBLISHING (SAMRO), EFFYZZIE MUSIC LTD (PRS), TIERRA WHACK PUB DESIGNEE UNIVERSAL MUSIC PUBLISHING GROUP (ASCAP), MOONCHILD SANELLY PUB DESIGNEE (SAMRO), SONGS OF UNIVERSAL, INC. AND SONGS BY AMNIJA. ALL RIGHTS FOR SONGS BY AMNIJA CONTROLLED AND ADMINISTERED BY SONGS OF UNIVERSAL, 114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI), DJ LAG PUB DESGINEE / PRODUCED BY BEYONCÉ, DJ LAG / ADDITIONAL PRODUCTION BY DEREK DIXIE / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / BUSISWA VOCALS RECORDED BY GUILTYBEATZ AT EIGHT MUSIC STUDIOS IN JOBURG, SA / YEMI ALADE VOCALS RECORDED BY P2J AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / TIERRA WHACK VOCALS RECORDED BY KENETE SIMMS AT NAKED PEOPLE STUDIOS PHILADELPHIA, PA / MOONHILD SANELLY VOCALS RECORDED BY XIVONAKI MANZINI AT THE COUSINS X AQUANOTE PRODUCTIONS SOUTH AFRICA AND ZAIN VALLY AT MAD COW STUDIO (ZA) / NIJA VOCALS RECORDED BY NIJA AT PARKWOOD WEST STUDIOS LOS ANGELES,CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: JENNA FELSENTHAL, DANIEL PAMPURI / MIX ASSISTANT: JOHN CRANGIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
NIJA APPEARS COURTESY OF LEGION
BUSISWA APPEARS COURTESY OF BUSISWA ENTERTAINMENT
YEMI ALADE APPEARS COURTESY OF EFFYZZIE MUSIC LTD
TIERRA WHACK APPEARS COURTESY INTERSCOPE RECORDS
MOONCHILD SANELLY APPEARS COURTESY OF BAND OF WOLVES
DJ LAG APPEARS COURTESY OF HYPERDUB -
Give me one good reason why I shouldn't rip you apart
I can give you more than onePERFORMED BY DONALD GLOVER, CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, P2J / MIXED BY ZACHARY ACOSTA, AND JOHN CRANFIELD AT NRG STUDIOS IN NORTH HOLLYWOOD, CA/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1: 070 Shake
I wonder
How and why it went so wrong
It's been so dark yea
I wanna say my last goodbyes and Iʼll be gone For good left you guys behind oh
Iʼm so lonelyVerse 1: Jessie Reyez
In the jungle
Aint no bible
Show time show time
No recital
Show no fear boy
Where's your spinal
Where's your back bone
Where's your pyro
I had to be everything you couldn't be for my survival
My own idol
Skipped my trial
And took my rightful
Rightful titleNo remorse
The sin is final
I found all my
Own disciples
I'm too far gone
Down this spiral
No white angels
Just albinos
Check my eyes man, they're all white man, rolling back now
where'd the light go
Guess it died so
Cold like kryo
Crack my kneck back like in the chiro eeeeeeeHook: Jessie Reyez
I've waited too long for this
I need this like oxygen
I've waited too long for this
I need this like oxygen
I've waited too long for this
I need this like oxygen
Dark side is fine by meVerse 2: 070 Shake
Sorry
Sorry
My own family
I slayed you
Betrayed you
Donʼt you grow to be like me Iʼm under
Sinking to the darkest sea The darkest seaPERFORMED BY 070 SHAKE, JESSIE REYEZ / WRITTEN BY BEYONCÉ, DANIELLE BALBUENA, JESSIE REYEZ, RICHARD ISONG, TIM SUBY, DAVE HAMELIN, ARIOWA IROSOGIE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DANIELLE BALBUENA MUSIC (BMI), FMLY USA/BMG GOLD SONGS (SOCAN), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP), NYIAN KING / EMI POP MUSIC PUBLISHING(GMR), ELECTRONIC BONGO PRODUCTIONS / SOUTHERN MUSIC PUBLISHING CO CANADA LTD., WARNER/CHAPPELL MUSIC LTD (ASCAP) / PRODUCED BY BEYONCÉ, P2J, TIM SUBY, DAVE HAMELIN / CO-PRODUCED BY ARI PENSMITH / ADDITIONAL PRODUCTION BY DEREK DIXIE, MIKE DEAN / ADDITIONAL KEYS BY ARI PENSMITH / RECORDING ENGINEER: DANIEL PAMPURI / 070 SHAKE VOCALS RECORDED BY JENNA FELSENTHAL AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / JESSIE REYEZ VOCALS RECORDED BY SPENCER "MOOSE" MUSCIO AT LEFT FIELD STUDIOS TORONTO,CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
070 SHAKE APPEARS COURTESY OF DEF JAM RECORDINGS
JESSIE REYEZ APPEARS COURTESY OF ISLAND RECORDS -
The kings time as ruler rises and falls like the sun
One day Simba The sun will set on my time here and will rise with you as the new king
Simba
Im here mother. Im home.PERFORMED BY JAMES EARL JONES, ALFRE WOODARD, DONALD GLOVER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL VOCALS BY MZANSI YOUTH CHOIR (SOUTH AFRICA) / MZANSI YOUTH CHOIR RECORDED BY JAMES BASSINGWAIGHTE / MIXED BY ZACHARY ACOSTA AT NRG STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.
-
Verse 1:
Yeah and the wind is talking
Yeah for the very first time
Will the melody that pulls you towards it
Paint in pictures of paradise
SayingPre:
Rise up, to the light in the
Sky yeah, watch the light lift your
Heart up, burn your flame through the night
Wooo
Chorus:
Spirit
Watch the heavens open (open) yeah
Spirit
Can you hear it calling (calling) yeah
Verse 2:
Yeah and the waters crashing
Trying to keep your head up high
While you're trembling
That's when the magic happens
And the stars gather by
By your side, side yeah
Pre:
Rise up, to the light in the
Sky yeah, let the light lift your
Heart up burn your flame through the night
Woooo
Chorus:
Spirit
Watch the heavens open (open) yeah
Spirit
Can you hear it calling (calling) yeah
Post:
Your destiny is coming close
Stand up and fight
Ohhhh
Bridge:
So go into that far off land
And be one with the great I am
I am boy becomes a man
Wooo
Chorus:
Spirit
Watch the heavens open (open) yeah
Spirit
Can you hear it calling (calling) yeah
Chorus:
Spirit
Watch the heavens open (open) yeah
Spirit
Can you hear it calling (calling) yeah
Your destiny is coming close
Stand up and fight
OhhhhSo go into that far off land
And be one with the great I amPERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TIMOTHY MCKENZIE, ILYA SALMANZADEH / PRODUCED BY BEYONCÉ, TIMOTHY MCKENZIE, ILYA FOR MXM PRODUCTIONS, LABRINTH / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MXM ADMINISTERED BY KOBALT (ASCAP)/WOLF COUSINS (STIM)/WARNER CHAPPELL MUSIC SAND (STIM) / BMG PLATINUM SONGS (BMI), ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC., / PRODUCED BY BEYONCÉ, ILYA FOR MXM PRODUCTIONS, LABRINTH / VOCAL PRODUCTION BY BEYONCÉ / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / DRUMS BY LABRINTH, ILYA, DEREK DIXIE / PROGRAMMING AND ARRANGEMENT BY LABRINTH, ILYA, BEYONCÉ / CHOIR PRODUCED BY DEREK DIXIE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / CHOIR RECORDED BY DANIEL PAMPURI AND LESTER MENDOZA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIXED BY STUART WHITE AT NRG STUDIOS NORTH HOLLYWOOD, CA / ASSISTANT ENGINEER CORY BICE, JEREMY LERTOLA, SAM HOLLAND, ANDREA ROBERTS, STEVEN XAI / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®
Homecoming (2019)
- Buy Now
-
Slater Thorpe:
Ladies and Gentleman welcome to Beyoncé Homecoming 2018PERFORMED BY BEYONCÉ / ANNOUNCER: SLATER THORPE / WRITTEN BY BEYONCÉ, QUINCY JONES, CHARLES EMANUEL SMALLS, MICHAEL COOPER, ASHETON TERRENCE O'NIEL HOGAN, KENDRICK LAMAR, ANTHONY TIFFITH, MICHAEL WILLIAMS, SHAWN C. CARTER, ELBERNITA CLARK, AND ERNEST DION WILSON / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, YELLOWBRICK ROAD MUSIC (ASCAP), WB MUSIC CORP (ASCAP) KIDADA MUSIC (BMI), WARNER-TAMERLANE PUB (BMI), BRAVO AND ENCORE MUSIC (BMI), WARNER -TAMERLANE PUBLISHING CORP (BMI), HARD WORKING BLACK FOLKS INC (ASCAP), TOP DAWG MUSIC (ASCAP), WB MUSIC CORP (ASCAP), SONGS OF KOBALT MUSIC PUBLISHING (BMI), SOUNDS FROM EARDRUMMERS (ASCAP), CARTER BOYS MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. SONGS BY TWINKIE MUSIC PUBLISHING (BMI), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, LET THE STORY BEGIN PUBLISHING (ASCAP) AND BMG MONARCH (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Intro: Beyoncé Coachella.You ready? Let's go get 'em
JAY-Z Background Vocals:
Yes, so crazy right now
It's so crazy right now
Most incredibly, it's ya girl, B
History in the making
Part two, so crazy right nowVerse 1: Beyoncé
I look and stare so deep in your eyes
I touch on you more and more every time
When you leave, I'm begging you not to go
Call your name two, three times in a row
Such a funny thing for me to try to explain
How I'm feeling and my pride is the one to blame
I still don't understand
Just how your love can do what no one else canChorus: Beyoncé
Got me lookin' so crazy right now, your love's
Got me lookin' so crazy right now your love
Got me lookin' so crazy right now, your touch
Got me lookin' so crazy right now your touc)
Got me hopin' you'll page me right now, your kiss
Got me hopin' you'll save me right now
Lookin' so crazy in love's
Got me lookin', got me lookin'
Lookin' so
Lookin' so
Lookin' soBig Sean: Drop it
Bridge: Beyoncé
Uh oh, uh oh, uh oh, oh, no, no
Uh oh, uh oh, uh oh, oh, no, no
Uh oh, uh oh, uh oh, oh, no, no
Uh oh, uh oh, uh oh, oh, no, noVerse 2: Beyoncé
When I talk to my friends so quietly
Who he think he is? Look at what you did to me
Tennis shoes, don't even need to buy a new dress
If you ain't there, ain't nobody else to impress
It's the way that you know what I thought I knew
It's the beat in my heart skips when I'm with you
I still don't understand
Just how your love can do what no one else canChorus: Beyoncé
Got me lookin' so crazy right now
Got me lookin' so crazy right now
Got me lookin' so crazy right now
Crazy right now
Crazy right now
Got me lookin' so crazy right now
Got me lookin' so crazy right now
Crazy right now
Crazy right nowBeyoncé: Coachella, Y'all dance with me, Come on.
JAY-Z Background Vocals:
N---a ask
N---a N---a ask about me
N---a ask
N---a N---a ask about me
N---a ask
N---a ask
N---a N---a ask about me
N---a askPERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, SHAWN CARTER, RICHARD HARRISON, EUGENE RECORD, DWAYNE CARTER, TERIUS GRAY, BYRON O. THOMAS, TIM MOSLEY, SEAN MICHAEL ANDERSON, STANLEY KIRK BURRELL, ERNEST CLARK, JAMES JOHNSON, ALONZO MILLER, MARCOS PALACIOS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), CARTER BOYS PUBLISHING (ASCAP), LIL LU LU PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), UNICHAPPEL MUSIC INC (BMI), MONEY MACK MUSIC (BMI), BREKA MUSIC (BMI) AND FRESH IS THE WORD (BMI), PUBLISHED BY SEAN MICHAEL ANDERSON MUSIC LLC (BMI), BUST IT PUBLISHING (BMI), TWO WORKS (ASCAP), SONY/ATV TUNES LLC (ASCAP), JOBETE MUSIC CO INC (ASCAP), FF TO DEF PUBLISHING LLC (BMI), SONGS OF UNIVERSAL INC (BMI), STONE DIAMOND MUSIC CORPORATION (BMI) AND VIVA PANAMA (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Verse 1: Beyoncé
Trying to reign
Trying to rain on the thunder
Tell the storm I'm new
I'ma walk
I'ma march
On the regular
Painting white flags blue
Lord forgive me I've been running
Running blind in truth
I'ma rain
I'ma reign
On this bitter love
Tell the sweet I'm newI'm telling these tears gonna fall away fall away… oooh
May the last one burn into flamesChorus: Beyoncé
Freedom
Freedom
I can't move
Freedom cut me loose
Freedom
Freedom
Where are you?
Cause I need freedom too
I break chains all by myself
Won't let my freedom rot in hell
I'ma keep running cause a winner don't quit on themselvesKendrick Lamar Background Vocals:
Huh what you want from me is it true you see uh oh father can you hear me?
Huh what you want from me is it true you see uh oh father can you hear me?
Hear me?PERFORMED BY BEYONCÉ / WRITTEN BY JONATHAN COFFER, BEYONCÉ, CARLA WILLIAMS, ARROW BENJAMIN, KENDRICK DUCKWORTH, FRANK TIRADO, ALAN LOMAX, JOHN LOMAX SR, CALVIN BROADUS, AWOOD JOHNSON, CRAIG LAWSON, COREY MILLER / PUBLISHED BY B-UNIQUE MUSIC LIMITED/KOBALT PUBLISHING AMERICA INC (BMI), WB MUSIC CORP (ASCAP), OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EMI BLACKWOOD MUSIC INC (BMI), SONY/ATV SONGS (BMI) OWN CHIT PUBLISHING (BMI), ULTRA EMPIRE MUSIC (BMI), BLOCK OFF BROAD PUBLISHING (BMI) AND L P BOYZ MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Beyoncè:
Lift every voice and sing
Till earth and heaven ring
Ring with the harmonies of Liberty
Let our rejoicing rise
High as the list'ning skies
Let us march on till victory is wonPERFORMED BY BEYONCÉ / WRITTEN BY JAMES WELDON JOHNSON
-
Intro: Big Freedia
Baby, I'm back by popular demand
B----, I'm back by popular demand
I did not come to play with you h---
I came to slay b----Refrain: Beyoncé
Ya'll haters corny with that illuminati mess
Paparazzi catch my fly and my cocky fresh
I'm so reckless when I rock my givenchy dress
I'm so possessive so I rock his roc necklaces
My daddy Alabama
Mama Louisiana
You mix that negro with that creole make a Texas-bama
I like my baby hair with baby hair and afros
I like my negro nose with Jackson 5 nostrils
I earned all this money but they never take the country out me
I got hot sauce in my bag… swagChorus: Beyoncé
I see it I want it
I stunt yellow hornet
I dream it I work hard I grind till own it
I twirl on them haters
Albino alligators
El camino with the seat low sipping cuervo with no chaser
Sometimes I go off
I go hard
Get what's mine
I'm a star
Cause I slay… I slay I slay I slay
I slay I slay I slay I slay
I'm gon' slay I slay I slay I slay
All day I slay I slay okay okayOk ladies now let's get in formation
Ok ladies now let's get in formation
Prove to me you got some co-ordination
Slay trick or you get eliminated
When he f--- me good i take his ass to red lobster
when he f--- me good i take his ass to red lobster
If he hit it right I might take him on a flight on my chopper
Drop him off at the mall let him buy some j's let him shoppaI might get your song played on the radio station
I might get your song played on the radio station
You just might be a black bill gates in the making
I just might be a black bill gates in the makingChorus: Beyoncé
I see it I want it
I stunt yellow hornet
I dream it I work hard I grind till I own it
I twirl on my haters
Albino Alligators
El camino with the seat low sipping cuervo with no chaser
Sometimes i go off
I go hard
Take what's mine
I'm a star
Cause I slay… I slay I slay I slay
I slay I slay I slay I slay
We gon' slay gon' slay we slay i slay
I slay okay I slay okay okay okayOk ladies now let's get in formation
Ok ladies now let's get in formation
Prove to me you got some co-ordination
Slay trick or you get eliminated
Ok ladies now let's get in formation
Ok ladies now let's get in formation
You know you that b---- when you cause all this conversation
Always stay gracious
Best revenge is your paperOutro: Nina Simone
I think what you are trying to ask is why am I so insistent upon giving out to them that blackness that black power that black…pushing them to identify with black culture.
I think that's what you're asking. It's…I have no choice over it in the first place.
To me we are the most beautiful creatures in the whole world. black people.
My job is to somehow make them curious enough or persuade them by hook or crook to get more aware of themselves and where they came from and what they are into and what is already there and just to bring it out. This is what compels me to compel them. And I will do it by whatever means necessary.PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, MICHAEL L. WILLIAMS II, KHALIF BROWN, ASHETON HOGAN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP OBO ITSELF AND OAKLAND 13 MUSIC, SOUND FROM EARDRUMMERS LLC ASHETON HOGAN BMI PUB DESIGNEE, WARNER-TAMERLANE PUBLISHING CORP (BMI) OBO ITSELF EARDRUMMERS MUSIC PUBLISHING LLC (BMI) AND KHALIF BROWN BMI PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT OF NINA SIMONE'S "THAT BLACKNESS" SPEECH, "NINA SIMONE: THAT BLACKNESS", FEBRUARY 2013. EXCERPT COPYRIGHT © 2013 BY NINA SIMONE
-
I grew up in Houston, Texas and visiting Prairie View
We rehearsed at TSU for many years in Third Ward
And I always dreamed of going to an HBCU
My college was Destiny's Child
My college was traveling around the world and life was my teacher
I wanted a black orchestra, I wanted the steppers, I needed the vocalists
I wanted different characters, I didn't want us all doing the same thing
The amount of swag is just limitless, like the things that these young people can do with their bodies and the music they can play and the drumrolls, and the haircuts and the bodies.
It's just not right, it's just so much d--- swagPERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP OBO ITSELF AND OAKLAND 13 MUSIC
-
Beyoncé: Let me hear you sing
Intro: Beyoncé
I ain't sorry
I ain't sorry
I ain't sorry
N---- nah
I ain't sorry
I ain't sorry
I ain't sorryYou trying to roll me up I ain't sorry
I ain't picking up I ain't sorry
I'm headed to the club I ain't sorry
I ain't thinking 'bout you I ain't sorryMe and my ladies sip my D'ussé cups
I don't give a f---- chucking my deuces up
Suck on my b--- pauseBeyoncé: Bug A Boos.
I need a good laugh
You Make me laugh
Bug A Boo 1: Bug a Boos!
Bug A Boos: ooooooooahhhhhhhh
Beyoncé and Bug A Boos: laughing
Beyoncé: Did that make us laugh?
Audience: no!
Beyoncé: Think about it.
Bug A Boo 1: Bug a Boos!nBuuzzzzzzzzzz
Beyoncé: Fall in line.
Ladies. Ladies. Ladies.
Are we smart?
Audience: yes!
Beyoncé: Are we strong?
Audience: yes!
Beyoncé: Have we had enough of the bullshit?
Audience: yes!
Beyoncé: Show em.
Beyoncé + Performers:
Suck on my b----
Suck on my b----pauseSuck on my b----
Suck on my b----
Suck on my b----
Suck on my b----pauseHell na
Hell na
Middle Fingers up
Middle Fingers up
Put em hands high
Put em hands high
Wave it in his face
Wave it in his face
Tell him boy bye
Tell him, tell him boy bye
Tell him boy bye
Tell him, tell him boy bye
Tell him boy bye
Tell him, tell him boy bye
Tell him boy bye
Tell him, tell him boy bye
I ain't think about you.
UghVerse 2: Beyoncé
Middle fingers up
Put them hands high
Wave it in his face
Tell 'em boy bye
Tell 'em boy bye
Boy bye
Middle fingers up
Iain't thinking 'bout youI ain't sorry
Iain't sorry
Iain't sorry
I ain't thinking 'bout you
I ain't sorry
I ain't sorry
I ain't sorry
No No , hell nahNow you want to say you're sorry
Now you want to call me crying
Now you gotta see me wilding
Now I'm the one that's lying
And I don't feel bad about it
It's exactly what you get
Stop interrupting my grindingBridge: Beyoncé
I can't believe I believed everything we had would last
So young and naive for me to think she was from your past
Silly of me to dream of one day havin' your kids
Love is so blind it feels right when it's wrong
I can't believe I fell for your schemes, I'm smarter than that
So dumb and naive to believe that with me you're a changed man
Foolish of me to compete when you cheat with loose women
It took me some time, but now I am strong
Because I realized I got
Me, myself, and I, that's all I got in the end
That's what I found out
And it ain't no need to cryBeyoncé:I see you, how did you do that so fast?
She has on my outfit y'allSing it
Sing it
Sing it LadiesFrom now on I'ma be my own bestfriend
Right Ladies?Verse 3: Beyoncé
I left a note in the hallway
By the time you read it, I'll be far away
I'm far away
But I ain't f------with nobody
Let's have a toast to the good life
Suicide before you see this tear fall down my eyes
Me and my baby, we gon' be alright
We gon' live a good life
Big homie better grow up
Me and my whoadies 'bout to stroll up
I see them boppers in the corner
They sneaking out the back door
He only want me when I'm not there
He better call Becky with the good hair
You better call Becky with the good hairPERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ, SCOTT STORCH AND ROBERT WALLER / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13M (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), NOTTING DALE SONGS INC (ASCAP), RESERVOIR MEDIA MUSIC (ASCAP) AND BLACK OWNED MUSIK (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Verse: Beyoncé
Rock diamonds on my neck, got diamonds on my records
Since fifteen coming down reppin' Texas
How you gon' neglect this? You is just a hot mess
You can call Tyrone, you ain'tgots to lie Craig
What about my body, body?
You don't want my body, body?
Acting like I'm nobody
You gon' make me call somebodyLet's go little Kitty Kat
I think it's time to go
Let's go little Kitty Kat
He don't want no more
Let's go little Kitty KatOutro: Beyoncé
He better call Becky with the good hairWRITTEN BY PHARRELL WILLIAMS, S. CARTER, BEYONCÉ / PUBLISHED BY EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR), B DAY PUBLISHING (ASCAP) AND WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Call Becky with the good hair
Beyoncé: Coachella!
Thank y'all so much for having us once again.
I'm so honored to be on this stage tonight.
This next song is for all of my queens.
Do we have any beautiful queens in the house tonight?
I want y'all to sing along if y'all know the lyrics.
It's called Bow Down.Verse 1: Beyoncé
I know when you were little girls
You dreamt of being in my world
Don't forget it, don't forget it
Respect that, bow down b----
I took some time to live my life
But don't think I'm just his little wife
Don't get it twisted, get it twisted
This my s---, bow down b----Bridge: Background track
Bow down b----, bow bow down b----
Bow down b----, bow bow down b----
H-town vicious, H H-town vicious
I'm so crown, bow bow down bitchesI'm out that H-Town
Coming, coming down
I'm coming down dripping candy on the ground
H, H-town, town, I'm coming down
Coming down dripping candy on the groundPERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ , SHAWN C. CARTER, KIRK ANDRE BENNETT, MIGUEL COLLINS, MIKE DEAN, BOBBY DIXON, EBONY NAOMI OSHUNRINDE, JACQUES WEBSTER, DEMACIO CASTELLON, CHRIS GODBEY, LESLIE JEROME HARMON, GARLAND WAVERLY MOSLEY JR. AND TIMOTHY MOSLEY / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (BMI), DUB PLATE MUSIC PUBLISHERS LTD (ASCAP), ZABOGAUBHI MUSIC (ASCAP), PAPA GEORGE MUSIC (BMI), SONGS OF STB (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI),BMG GOLD SONGS (ASCAP), TRAVIS SCOTT MUSIC (BMI), SONY/ATV BALLAD, DEMOLITION CREW PUBLISHING (ASCAP), SONY/ATV BALLAD (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI), 757 MUSIC (ASCAP) AND VB RISING PUBLISHING (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Intro:
Coming coming down
Dripping candy on the ground
Coming coming down
Dripping candy on the groundBeyoncé:Listen
Verse: Beyoncé
I been on, I been on, I been on
Tell me who gon' take me off
Take me off, take me off, take me off
I been on, I been on, I been on
Tell me who gon' take me off
Take me off, take me off, take me offRolling high, leather and wood
Keep it trill, that's what good
Kiss my momma, show that love
Pop them bottles in that club
I heard your boo was talking lip
I told my crew to smack that trick
Smack that trick, smack that trick
Guess what they did, smack that trick
Gold everything, gold a-- chains
Gold a-- rings, gold a-- fangs
You can see me stunt when you turn on ya screen
You can see me stunt when you turn on ya screen
I'm bigger than life, my name in the lights
I'm the capital B, I don't need no hype
The capital B means, I'm 'bout that life
The capital B means, I'm 'bout that life b----PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÈ, POLOW DA DON, TIMOTHY MOSLEY, JONATAN "ANONYMOUS" SOLONNE-MYVETT, THERON THOMAS, TIMOTHY THOMAS, SONNY COREY UWAEZUOKE, CRAIG BAZILE, PERCY MILLER AND MIA YOUNG / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MY DIET STARTS TOMORROW INC/SONGS OF UNIVERSAL INC (BMI), VB RISING MUSIC PUBLISHING/OLE MEDIA MANAGEMENT LP II (ASCAP), I LOVE BELIZE PUB, U CAN'T TEACH BEIN THE SHH INC (BMI), T-N-T EXPLOSIVE MUSIC PUBLISHING/ UNIVERSAL MUSIC CORPORATION(ASCAP), SONY DIGITAL MUSIC GROUP/BANG VILLAGE 247 PUBLISHING LLC/IRVING MUSIC (BMI), BLOCK OFF ROAD PUBLISHING (BMI) AND LP BOYZ MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Verse 1: Beyoncé
I've been drinkin', I've been drinkin'
I get filthy when that liquor get into me
I've been thinkin', I've been thinkin'
Why can't I keep my fingers off it, baby I want you, nana
Why can't I keep my fingers off it, baby I want you, nanaBeyoncé: Coachella I wanna hear y'all sing
Cigars on ice, cigars on ice
Feeling like an animal with these cameras all in my grill
Flashing lights, flashing lights
You got me faded, faded, faded
Baby, I want you, nana
Can't keep your eyes off my fatty
Daddy, I want you
Drunk in love,Beyoncé: How y'all doing over here.
I want you
We woke up in the kitchen saying
"How the hell did this shit happen?" Oh babyBeyoncé: I can see you all the way, all the way back there.
Drunk in love
We be all night
Last thing I remember is our beautiful bodies grinding off in that club
Drunk in loveBeyoncé: Sing it y'all
We be all night
Sing!
Come on sing!We be all night
Sing!
Hey!We be all night, and everything alright
No complaints for my body, so fluorescent under these lights
Boy, I'm drinking, park it in my lot, 7-11
I'm rubbing on it, rub-rubbin'
If you scared, call that reverend
Boy I'm drinking, get my brain right
I'm on the Armand de Brignac, yeah gangsta wife
Louis sheets, he sweat it out, like washrags, he wet it up
Boy, I'm drinking, I'm singin' on the mic to my boy's toys
Then I fill the tub up halfway
Then ride with my surfboard
Surfboard, surfboard
Grindin' on that wood, grindin', grindin' on that wood
I'm swervin' on that, swerving-swervin' on that
Big body been swervin' all this
Surfs up
Good goodBridge: Nina Simone
I lost myself on a cool damp night
Gave myself in that misty light
Was hypnotized by a strange delight
Under a lilac tree
I made wine from the lilac tree
Put my heart in its recipe
It makes me see what I want to see
And be what I want to be
When I think more than I want to think
Do things I never should do
I drink much more that I ought to drink
Because I brings me back youLast thing I remember is our beautiful bodies grinding off in that club
Drunk in love
We be all nightSing it!
Hey!We be all night
Riding with my surfboard
Surfboard, surfboardGrindin' on that wood, grindin', grindin' on that wood
I'm swervin' on that, swerve-swervin' on his big body
Ahhh! You!!Surfboard, surfboard, surfboard
Grindin' on that wood, grindin', grindin' on that wood
Swervin' on that, swerve-swervin' on his big body
Been Surfin on all his
Surf Surfin on all his good good!Outro: Beyoncè
To the left, to the left
Everything you own in the box to the left
Sing it!
To the left, to the left
Everything you own in the box to the left
Say I'ma a Diva
Sing it!
I'ma a Diva
Say I'ma a Diva
Sing it!
Louder
I'ma a Diva
Louder
I'ma a Diva
Can't hear you
I'ma a Diva
Sing it!
Come on!PERFORMED BY BEYONCÉ / WRITTEN BY SHAWN C. CARTER, RASOOL DIAZ, NOEL FISHER, JEROME HARMON, BEYONCÉ, TIMOTHY MOSLEY, ANDRE PROCTOR, BRIAN SOKO, JAMES EDWARD FAUNTLEROY II, CHRIS GODBEY, MIGUEL JONTEL PIMENTEL AND JUSTIN R. TIMBERLAKE, JAMES H. SHELTON, ALVITICUS BRYANT, KEVIN MICHAEL ERONDU, MICHAEL GORDON, JARED RICE, SEDARIUS SPEARMAN, KEISHAUN PATRICK WATTS, AMUND BJORKLUND, MIKKEL ERIKSEN, TOR HERMANSEN, ESPEN LIND AND SHAFFER SMITH
PUBLISHED BY CARTER BOYS MUSIC (ASCAP) RASOOL DIAZ BMI PUB DESIGNEE, EMI BLACKWOOD MUSIC INC (BMI) IF YOU NEED ME DON'T LEAVE ME (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI) OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP) OLE MEDIA MANAGEMENT LP II (ASCAP), VB RISING PUBLISHING (ASCAP) ANDRE PROCTOR BMI PUB DESIGNEE, BRIAN SOKO PUB DESIGNEE, FAUNTLEROY MUSIC (ASCAP), ALMO MUSIC CORPORTATION (ASCAP), UNDERDOG WEST SONGS (ASCAP), SONY/ATV BALLAD (ASCAP), WARNER-TAMERLANE PUBLISHING CORP (BMI), ART DEALER CHIC (ASCAP), UNIVERSAL MUSIC CORPORATION (ASCAP) AND TENNMAN TUNES (ASCAP), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP), CHAPPEL-CO INC (ASCAP), 1000 WATTS PUBLISHING COMPANY (ASCAP), MAKING MOVES MUSIC GROUP (ASCAP), ON DEBBIE PUBLISHING LLC (ASCAP), POWER ALLIANCE MUSIC (ASCAP) AND UNIVERSAL MUSIC CORPORATION (ASCAP), STELLAR SONGS LIMITED (BMI), EMI MUSIC PUBLISHING LTD (ASCAP), SONY/ATV MUSIC PUBLISHING (UK) LIMITED (ASCAP), B DAY PUBLISHING (ASCAP), SUPER SAYIN PUBLISHING (BMI) AND UNIVERSAL MUSIC Z SONGS (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE -
I'm-a diva
i'm-a, i'm-a a diva
I'm-a, i'm-a a diva
I'm-a, i'm-a a diva
I'm-a, i'm-a a diva
I'm-a, i'm-a a diva
I'm-a, i'm-a a diva
i'm-a, i'm-aNa, na, na, diva is a female version of a hustla
Of a hustla, of a, of a hustlaNa, na, na, diva is a female version of a hustla
Of a hustla, of a, of a hustlaStop the track
Let me state factsI told you gimme a minute and i'll be right back
Fifty million 'round the world and they said that i couldn't get it
I done got so sick and filthy with benji'si can't spend it
Tell me somethin' where ya boss at
Where my ladies up in here that like to talk back
I wanna see ha
I'd like to meet ya
What you said
she ain't no diva
No, no, noBeyoncé: Diva's y'all help me sing this next verse
Since 15 in my stilettos
Been struttin' in this game
What's your age was the question they ask when i hit the stage
I'm a diva best believe-a, you see her, she's gettin' paid
She ain't calling him a greeter
Don't need him, her bed's madeThis is a stick up, stick up
I need them bags or that money
I'm-a stick up, stick up, you see the mask, where that moneyAll my ladies gettin' up
I see you, i do the same
Take you to another level
no passengers on my planeI need them bags or that money
I'm-a stick up, stick up, you see the mask, where that moneyOutro: Everybody Mad
I be getting to the money, everybody mad
I think I'm getting too much money, everybody mad
The same old nigga from the block
The same old nigga with the pot
The same old nigga from the trap
Everybody hated on him, then he bounced right backI be getting to the money, everybody mad
I think I'm getting too much money, everybody mad
The same old nigga from the block
The same old nigga with the pot
The same old nigga from the trap
Everybody hated on him, then he bounced right backI be getting to the money
PERFORMED BY BEYONCÉ / WRITTEN BY SHONDRAE CRAWFORD, SEAN GARRET HAMLER, BEYONCÉ, AUBREY GRAHAM, ANTHONY PALMAN, MATTHEW SAMUELS, NOAH SHEBIB, JEREME ALERTA, ODIS FLORES, SHAWN C. CARTER AND TIM MOSLEY / PUBLISHED BY SONGS OF UNIVERSAL INC (BMI) TEAM S DOT PUBLISHING (BMI), B DAY PUBLISHING (ASCAP) EMI APRIL MUSIC INC (ASCAP), LEVEGAS PUBLISHING COMPANY INC (ASCAP), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, PARMA NINJA MUSIC (ASCAP), EMI APRIL MUSIC INC (ASCAP), RONCESVALLES MUSIC PUBLISHING (ASCAP), 1DAMENTIONAL PUBLISHING (ASCAP), SONY/ATV TUNES LLC (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), LIVE WRITE LLC (BMI), NOAH SHEBIB SOCAN PUB DESIGNEE, JEREME BMI PUB DESIGNEE , SONY/ATV BALLAD (BMI), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (ASCAP), ECAF MUSIC (BMI), SONY/ATV SONGS LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
It's that Yoncé, your Yoncé
In that lingerie, on that chardonnay
Scoring touchdowns on your runway
I'm Texas forever, like Bun B
And I'm Redbonedyo
I'm really rit' like Donjae
I'm camo in here yo
These thots can't clock me nowadays
You wish I was your pound cake
Boy, you know I look good as f---
Wish I was your baby momma
Want me to come around and give you good karma
But no, we escalating, up in this b----, like elevators
Of course sometime s--- goes down
When it's a billion dollars on an elevatorMomma taught me good home training
My Daddy taught me how to love my haters
My sister taught me I should speak my mind
My man made me feel so God damn fine
I'm flawlessOf course some s--- goes down when there's a billion dollars on the elevator
You wake up, flawless
Post up, flawless
Ride round in it, flawless
Flossin on that, flawless
This diamond, flawless
My diamonds, flawless
This rock, flawless
My rock, flawless
Sing!
I woke up like this
I woke up like this
We flawless, ladies tell 'em
I woke up like this
I woke up like this
We flawless, twins tell 'em
Say I, look so good tonight
G—d---, G—d---,
Say I, look so good tonight
G—d---, G—d---,G—d---How y'all feeling?
Coachella how did you wake up this morning?Woke up to n---- looking like me
Woke up to n----- talking like meAlight, I want y'all to repeat after me.
I'm feelin myself.
SayI'm feelin' myself, I'm feelin' myself
I'm feelin' my, feelin' myself
I'm feelin' myself, I'm feelin' my, feelin' my, feelin' myself
I'm feelin' myself, I'm feelin' my, feelin' myself
I'm feelin' myself, I'm feelin' myI'm feelin' myself, I'm feelin' myself
I'm feelin' my, feelin' myself
I'm feelin' myself, I'm feelin' my, feelin' my, feelin' myself
I'm feelin' myself, I'm feelin' my, feelin' myself
I'm feelin' myself, I'm feelin' myChanged the game with that digital drop
Know where you was when that digital popped
I stopped the world
Male or female, it make no difference
I stop the world, world, stopPERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, CHAUNCEY HOLLIS, BEYONCÉ, RAYMOND MARTIN, RASHAD MUHAMMAD, TERIUS NASH, ONIKA MARAJ, SOLÁNA ROWE SHAWN C. CARTER, KIRK ANDRE BENNETT, MIGUEL COLLINS, MIKE DEAN, BOBBY DIXON, EBONY NAOMI OSHUNRINDE, JACQUES WEBSTER, SHARON KAYE ABSHIRE, AUBREY GRAHAM, BERNARD JOSEPH GERARD, CHAUNCEY HOLLIS, RAYMOND MARTIN, NOAH SHEBIB, MARVIN THOMAS, JUSTIN GARNER, ANTOINE MCCOLISTER, WILLIAM ROBERTS, NAYVADIUS WILBURN, MICHAEL WILLIAMS, JORDAN CARTER, JORDAN JENKS, SYMERE WOODS, MARQUIS KING,MANUEL ALVARENGA, ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON / PUBLISHED BY U CAN'T TEACH BEIN THE SHHH INC (BMI), SONY/ATV BALLAD (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL INC (BMI), HAZEBANGA PUBLISHING (ASCAP), SEVEN PEAKS MUSIC (ASCAP) AND 2082 MUSIC PUBLISHING (ASCAP), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (BMI), DUB PLATE MUSIC PUBLISHERS LTD (ASCAP), ZABOGAUBHI MUSIC (ASCAP), PAPA GEORGE MUSIC (BMI), SONGS OF STB (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI),BMG GOLD SONGS (ASCAP), TRAVIS SCOTT MUSIC (BMI), SONY/ATV BALLAD, SHARON KAYE ABSHIRE SACEM PUB DESIGNEE, AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, BERNARD JOSPEH GERARD SACEM PUB DESIGNEE, U CAN'T TEACH BEIN THE SHH INC (BMI), SONGS OF UNIVERSAL INC (BMI) SONY/ATV BALLAD (BMI), NOAH SHEBIB SOCAN PUB DESIGNEE, MARVIN THOMAS SOCAN PUB DESIGNEE, SONGS OF UNIVERSAL INC (BMI), IRVING MUSIC (BMI),MONEY MACK MUSIC (BMI), 4 BLUNTS LIT AT ONCE PUBLISHING (BMI), EMI BLACKWOOD MUSIC INC (BMI), NAYVADIUS MAXIMUS MUSIC (BMI), FIRST AND GOLD PUBLISHING (BMI), MR CASH FLOW PUBLISHING (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), WE THE BEST MUSIC (BMI) AND SOUNDS FROM EARDRUMMERS (ASCAP), JORDAN CARTER ASCAP PUB DESIGNEE, WARNER-TAMERLANE PUBLISHING CORP (BMI) AND SYMERE WOODS ASCAP PUB DESIGNEE, GLIZZY GANG PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), EAMUZIK (BMI), BMG MONARCH (ASCAP), GNAT BOOTY MUSIC (ASCAP), HITCO MUSIC (BMI) AND ORGANIZED NOIZE MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
DJ Khaled: Check this out
After Beyoncé performs.
After she done the dance.
Coachella gotta rename Coachella to Beychella.New name alert!
Beychella!Beyoncé:
I'm the only lady here, still the realest n---- in the room
I break the internet, top two and I ain't number two
My body, my ice, my cash, all real, I'm a triple threat
F--- it up and then leave, come back, f--- it up and then leave again
Top off the coupe and it look like Freaknik
In the hood, hollerin' "Freek Meek"
Two deep, it's just me and JAY
Just posted in them courtside seats
Woo! I'm like hol'up
Woo! I might roll up
If they tryna party with the queen
They gon' have to sign a non-disclosure, ayyI took the top off the Maybach, yeah
I took the top off the Maybach, yeah
I took the top off the Maybach, yeah
Ayy, I took the top off of my Maybach b----
I took the top off of my Maybach b----PERFORMED BY BEYONCÉ / WRITTEN BY S. CARTER, NAYVADIUS DEMUN, DENISIA ANDREWS, BRITTANY CONEY, KHALED KHALED, BEYONCÉ, JOE ZARILLO / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), WARNER CHAPPEL NORTH AMERICA LIMITED (ASCAP), NAYVADIUS MAXIMUS MUSIC (BMI), 1114 SOUNDS (SESAC), WBM MUSIC (SESAC), CONEY COSMOS MUSIC PUBLISHING, WARNER-TAMERLANE PUBLISHING CORP (BMI), DJ KHALED PUBLISHING (BMI) , OAKLAND 13 MUSIC (ASCAP) WB MUSIC CORP (ASCAP) AND JOE ZARILLO PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
G—d---
G—d---
G—d---I know you care
Smack it, smack it in the airWave your hands side to side, put it in the air
Clap, clap, clap like you don't care
Smack that, clap, clap, clap like you don't care
I know you careClap, it clap, clap, clap it
Foot up, my foot up
Hold up now my foot up
I'm spinnin' my foot up
Foot up yeah my foot up
I'm spinnin' my foot up
Put my foot down
Yeah my hands upHold that cup like alcohol
Hold that cup like alcohol
Hold that cup like alcohol
Don't you drop that alcohol
Never drop that alcohol, never drop that alcohol
I know I'm thinkin' bout that alcohol
I know I'm thinkin' bout that alcoholMan this here like rollin' dice, d---this feel like rollin' dice
Seven eleven, seven eleven, seven twice, man seven twice
Man it feel like rollin' dice, d---this feel like rollin' dice
Man it feel like rollin' dice
Seven twice, seven twiceMan I'm tryna kick it with you
Damn I wanna kick it wit you
Man I wanna kick it with youI spin' around and I kick it with you
Shoulders sideways, smack it, smack it in the air
Legs movin' side to side, smack it in the air
Legs movin' side to side, smack it in in the air
Shoulders move side to side smack it in the air
Smack it in the air, smack it, smack it the in the air
Smack it in the air, smack it, smack it in the airI know you care
Wave your hands side to side
Wave your hands side to side
Wave your hands side to side
Wave your hands side to side
Ooh we Bey be freaky deaky
Then you see she pink bikini
Rock out that groovy dye dashiki
Nefertiti edges kinky
Sweatin' out my blow out
Sweatin' on my press
This trick about to go off
Mad 'cause I'm so fresh
Fresher than you
I'm fresher than you
Fresher than you
Fresher than you, oh!PERFORMED BY BEYONCÉ / WRITTEN BY ADRIAN BRUESCH, NOEL C FISHER, BEYONCÉ, SWIFT SIDNEY, AUBREY GRAHAM, LELAND TYLER WAYNE AND NAYVADIUS WILBURN / PUBLISHED BY HIP HOPVILLE USA MUSIC (BMI), SONGS OF CROWD CONTROL PUBLISHING (BMI), IF YOU NEED ME DON'T LEAVE ME (BMI), EMI BLACKWOOD MUSIC INC (BMI), , IF YOU NEED ME DON'T LEAVE ME (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF KOBALT MUSIC PUBLISHING (BMI), AND SONGS OF SWIFT SONGS (BMI), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, IRVING MUSIC (BMI), NAYVADIUS MAXIMUS MUSIC (BMI) AND PLUTO MARS MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Bug-A-Boo 1: I'm Bug A Boo daddyAKA me, myself
Yo let's take a group pic bro– and I. Ha haha.Bug-A-Boo 2: I'm Bug A Boo Up–Grade–You. Also known as Shinin, ShininShinin Yea,
Bug-A-Boo 3: I'm Bug A … I'm Bug A Boo sweet dreams also known as blow.
Bug-A-Boo 4: I'm Bug A Boo Up disappear also known as *sings* Ave Maria
Bug-A-Boo 5: I'm Bug A Boo Rocket. Also known as*sings* If I were a Boy.
Bug-A-Boo 6: I'm Bug A Boo *sings* We gotta work it out hey.
Also known as we like to party ay, ay, ay, ay.Bug-A-Boos: Lets go huh
Bug-A-Boo 1: Bug A Boos
Bug-A-Boos: All together now.
PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÈ, BURT BACHARACH, JAHRON BRATHWAITE, INGRID BURLEY, SHAWN C. CARTER, HAL DAVID, FLOYD NATHANIEL HILLS, KHALED KHALED, IAN DENCH, MIKKEL ERIKSEN, AMANDA GHOST, TOR HERMANSEN, MAKEBA RIDDICK , CHAD HUGO, AND PHARRELL L. WILLIAMS / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP) BMG RIGHTS MANAGEMENT (UK) LTD (HAL DAVID) (ASCAP), CARTER BOYS MUSIC (ASCAP) , JA PUBLISHING GROUP INC (ASCAP), LOVE VIVIAN MUSIC (ASCAP), NEW HIDDEN VALLEY MUSIC CO (ASCAP), SONGS OF FUJIMUSIC (ASCAP),SONY/ATV ALLEGRO (ASCAP),BMG PLATINUM SONGS US (BMI), GIVE THANKS PUBLISHING (BMI), BC JEAN PUBLISHING (BMI), SONGS OF UNIVERSAL INC (BMI), BMG RUBY SONGS, GAD SONGS, LIEDELA MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), SONY/ATV MUSIC PUBLISHING (UK) LIMITED (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), JANICE COMBS MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), YOGA FLAMES PUBLISHING (BMI), EMI BLACKWOOD MUSIC INC (BMI) AND EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR)
-
I may be young, but I'm ready
To give you all my love
I told my girls you can get it
Don't slow it down, just let it goSo in love
I'll give it all away
Just don't tell nobody tomorrow
So tonight,
I'll do it every way
Speakers knockin' til the morning lightCause we like to party hey, hey, hey, hey, hey, hey
Cause we like to party hey, hey, hey, hey, hey, hey
Cause we like to partyhey, hey, hey, hey, hey, hey
You a bad girl and your friends bad too, oh
We got the swag sauce, she drippin' swagu
You a bad girl and your friends bad too, oh
We got the swag sauce, she drippin' swaguOutro: Beyoncé
As a black woman
I used to feel like the world wanted me to stay in my little box
And black women often feel underestimated
I wanted us to feel proud of not only the show but the process
Proud of the struggle
Thankful for the beauty that comes with a painful history and rejoice in the pain
Rejoice in the imperfections and the wrongs that are so damn right
And I wanted everyone to be grateful for their curves , their sas, their honesty
Thankful for their freedomPERFORMED BY BEYONCÉ / WRITTEN BY ANDRÉ BENJAMIN, JEFFREY BHASKER, DOUGLAS DAVIS, BEYONCÉ, DEXTER MILLS, RICKY WALTERS AND KANYE WEST / PUBLISHED BY WEDONTPLAYEVENWHENWEREPLAYING SONGS LLC (ASCAP), BMG MONARCH (ASCAP), EMI APRIL MUSIC INC (ASCAP), WAY ABOVE MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), GET YA FROG ON PUBLISHING (BMI), ULTRA EMPIRE MUSIC (BMI), ENTERTAINING MUSIC (BMI), EMI BLACKWOOD MUSIC INC (BMI), SONY/ATV SONGS LLC (BMI) AND PLEASE GIMME MY PUBLISHING INC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Who the f--- do you think i is
You ain't married to no average b---- boy
You can watch my fat a-- twist boy
As I bounce to the next d--- boyAnd keep your money
I got my own
Keep a bigger smile on my face
Being alone
Bad mutha f---er
God complex
I motivate your a--
call me malcolm x
Your operator
Innovator
F--- you hater
You can't recreate her no
You'll never recreate her noYou just gotta let it be
let it be
let it be
let it be babyYou just gotta let it be
let it be
let it be
let it be babyYou hurt yourself
Don't hurt yourselfWhen you play me, you play yourself
Don't play yourself
When you lie to me, you lie to yourself
You only lying to yourself
When you hurt me, you hurt yourself
Don't hurt yourselfYou just gotta let it be
let it be
let it be
let it be
let it be babyWho the f--- do you think I is
I smell that fragrance on your louis knit boy
Just give my fat a--a big kiss boy
Tonight i'm f------ up all your s---- boyThe most disrespected person in America is the black woman
I am the dragon breathing fire
The most unprotected person in America is the black woman
Beautiful mane I'm the lion
The most neglected person in America is the black woman.
Beautiful man I know you're lyingThis is your final warning
You know I give you life
If you try this shit again
You gonna lose your wifePERFORMED BY BEYONCÉ / WRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM
PUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP); ALL RIGHTS ADMINISTERED OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED
PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT FROM MALCOLM X SPEECH, "WHO TAUGHT YOU TO HATE YOURSELF," MAY 5, 1962, LOS ANGELES, CA -
I told you how you hurt me baby,
But you don't care
Now I'm crying and deserted baby, but you don't care
Ain't nobody tell me this is love, when you're immune to all my pain
I need you to tell me this is love, you don't care well that's okWell I care
I know you don't care too much
But I still care, la, la, la… baby, la, la, la…
Oh I care
I know you don't care too much
But I still care, la, la, baby, la, la, la… ohhhEver since you knew your power, you made me cry
And now every time our love goes sour, you won't sympathize
You see these tears falling down to my ears, i swear you like when i'm in pain
I try to tell you all my fears, you still don't care, well that's ok
ListenWell I care
I know you don't care too much
But I still care, la, la, la… baby, la, la, la…
Oh I care
I know you don't care too much
But I still care, la, la, baby, la, la, la… ohhhBoy maybe if you cared enough,
I wouldn't have to care so much
What happened to our trust?
Now you're just givin' up
You used to be so in love,
Now you don't care no moreOoooooooooo…
Well I care
I know you don't care too much
But I still care, la, la, la… baby, la, la, la…
Oh I care
I know you don't care too much
But I still care, la, la, baby, la, la, la… ohhh
I still care la, la, la…. I still care la, la, la…. I still care la, la, la….PERFORMED BY BEYONCÉ / WRITTEN BY JEFFREY BHASKER, CHAD HUGO, BEYONCÉ / PUBLISHED BY WAY ABOVE MUSIC (BMI), SONY/ATV SONGS LLC (BMI), UNIVERSAL MUSIC CAREERS (BMI), B DAY PUBLISHING (ASCAP) AND EMI APRIL MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Driver roll up the partition please
Driver roll up the partition please
Driver roll up the partition please
I don't need you seeing yoncé on her knees
Took 45 minutes to get all dressed up
We ain't even gonna make it to this club
Now my mascara runnin red lipstick smudged
Ah he so horny yeah he want to f---
He popped all my buttons and he ripped my blouse
He monicaluwinski'd all on my gown
Whoa dere daddy daddy didn't bring a towel
Whoa baby baby better slow it down
Took 45 minutes to get all dressed up
And we ain't even gonna make it to this clubTake all of me
I just wanna be the girl you like
The kinda girl you like
Take all of me
I just wanna be the girl you like
The kinda girl you like is right here with me
Right here with me
Right here with me
Right here with mePERFORMED BY BEYONCÉ / WRITTEN BY MIKE DEAN, BEYONCÉ, TIMOTHY MOSLEY, TERIUS NASH, JUSTIN TIMBERLAKE, JEROME HARMON AND DWANE WEIR / PUBLISHED BY PAPA GEORGE MUSIC (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13, VB RISING PUBLISHING (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), TENNMAN TUNES (ASCAP), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP), WARNER-TAMERLANE PUBLISHING CORP (BMI), WANE COUNTY (BMI) AND SEAN MICHAEL ANDERSON MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
See me up in the club with fifty of them girls
Posted in the back, diamond fangs in my grill
Brooklyn brim with my eyes sittin' low
And every girl in here with me got that smoke
And every girl in here gotta look me up and down
All on Instagram, cake by the pound
Circulate the image every time I come around
G's up, tell me how it'slookin' babeDrop the bass, mane, the bass get lower
Radio say speed it up I just go slower
High like treble, puffin on themids
The man ain't never seen a booty like this
And why you think ya keep my name rollin' off your tongue
'Cause when you want a smash, I'll just write another one
I sneezed on the beat and the beat got sicker
Yoncé all on his mouth like liquor
Yoncé all on his mouth like liquor
Yoncé all on his mouth like liquor
Yoncé all on his mouth like liquor
Like like liquor, like likelike liquorPERFORMED BY BEYONCÉ / WRITTEN BY MIKE DEAN, LESLIE JERMON HARMON, BEYONCÉ, TIMOTHY MOSLEY, TERIUS NASH, JUSTIN TIMBERLAKE / PUBLISHED BY PAPA GEORGE MUSIC (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP), VB RISING PUBLISHING (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), TENNMAN TUNES (ASCAP), SEAN MICHAEL ANDERSON MUSIC LLC (BMI), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Are y'all ready Coachella?
I wanna see everybody from the front to the back put your hand up
Sing it now hey!
Jump, jump!
Yeah, let me see you jump.Ladies and gentleman please give it up for J Balvin
J Balvin:
Si el ritmo te lleva a mover la cabeza ya empezamos como es
Mi música no discrimina a nadie así que vamos a romper
Y toda mi gente se mueve
Mira el ritmo cómo los tiene
Hago música que entretiene
El mundo nos quiere, nos quiere, y me quiere a mí
Toda mi gente se mueve
Mira el ritmo cómo los tiene
Hago música que entretiene
Mi música los tiene fuerte bailando y se baila asíBeyoncè
Give it up y'all
Yeah, yeah, yeah
Here we goHe say my body stay wetter than the ocean
And he say that Creole in my body's like a potion
I can be a beast or I can give you emotion
But please don't question my devotion
I've been giving birth on these haters 'cause I'm fertile
See these double Cs on this bag, murda
Want my double Ds in his bed, Serta
If you really love me make an album about me, word upSoon as I walk in
Boys start they talkin
Right as that booty sway (Freeze)
Slay
Lift up your people
From Texas, Puerto Rico
Dem' isalnds to Mexico (Freeze)¿Y dónde está mi gente?
Yeah, yeah , yeah
Mais fais bouger la tête
Yeah, yeah, yeah
Azul, are you with me
Say yeah, yeah, yeah
Un, dos, tres, here we go
Oh, yeah, yeah, yeah
Oh, yeah, yeah, yeahUn, dos, tres, cuarto
Outro
Know know you wanna roll with a good girl, good girl
Know know you wanna roll with a good girl, good girl
Know know you wanna roll with a good girl, good girl
One time
Knowyou wanna roll with a good girl
One time
Do it big do it all for a good girl
One time...
This is a song for the good girl
And I still keep it hood, still treat you like I should
What's up?
Good girl
Good girl
Good girlPERFORMED BY BEYONCÉ FEAT J BALVIN / WRITTEN BY ASHADALLY ADAM, BEYONCÉ, MOHOMBI MOUPONDO, TERIUS NASH, JOSE ALVARO BALVIN, SUAREZ RAMIREZ, ECHAVARRIA ANDRES RESTREPO, WILLY WILLIAM, SIDNEY BROWN, AUBREY GRAHAM, BEYONCÉ, NOAH SHEBIB, JORDAN ULLMAN, DWANE WEIR II, RASOOL RICARDO DIAZ, NOEL FISHER, SIA FURLER, BEYONCÉ, GREGORY KURSTIN, ANDRE ERIC PROCTOR AND BRIAN SOKO / PUBLISHED BY ASHADALLY ADAM SACEM PUB DESIGNEE, OAKLAND 13 MUSIC (ASCAP) WB MUSIC CORP (ASCAP), MOHOMBI MOUPONDO BMI PUB DESIGNEE 2082 MUSIC PUBLISHING (ASCAP), UNIVERSAL MUSICA UNICA PUBLISHING (BMI), DYNASTY PUBLISHING GROUP (ASCAP), BLACK KOI ENTERTAINMENT LLC (ASCAP), UNIVERSAL MUSICA INC (ASCAP), CAN'T STOP MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), WILLY WILLIAM FAUADE BMI PUB DESIGNEE , DOWNTOWN DMP SONGS (BMI), OVERDOSE OF LIFE PUBLISHING (BMI), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, NOAH SHEBIB SOCAN PUB DESIGNEE, RONCESVALLES MUSIC PUBLISHING (ASCAP), JORDAN ULLMAN SOCAN PUB DESIGNEE, SEAN MICHAEL ANDERSON MUSIC LLC (BMI), WANE COUNTY (BMI) AND WARNER-TAMERLANE PUBLISHING CORP (BMI), EMI BLACKWOOD MUSIC INC (BMI), IF YOU NEED ME DON'T LEAVE ME (BMI), WARNER-TAMERLANE PUUBLISHING CORP (BMI), EMI APRIL MUSIC INC (ASCAP), EMI MUSIC PUBLISHING LTD , KURSTIN MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Certified quality
A dat da girl dem need and dem not stop cry without apology
Buck dem da right way – dat my policy
Sean paul alongside Beyoncé – now hear what da man say
Dutty yeah, duttyya, dutty yeah, duttyya
Beyoncé sing it now girlSing it y'all!
Baby boy you stay on my mind
Fulfill my fantasies
I think about you all the time
I see you in my dreams
Baby boy not a day goes by
Without my fantasies
I think about you all the time
I see you in my dreamsAh oh my baby's fly baby go
Yes no hurt me so good baby oh
I'm so wrapped up in your love let me go
Let me breathe stay out my fantasiesBaby boy you stay on my mind
Baby boy you are so damn fine
Baby boy won't you be mine
Baby boy let's conceive an angelTop top – girl
me and you together is a wrap dat – girl
driving around da town in your drop top – girl
you no stop shock – girl
little more da dutty, we'll rock dat world
little more da dutty,
little more da dutty,
little more da dutty, we'll rock dat world
little more da dutty
little more da dutty
little more da duttyPERFORMED BY BEYONCÉ / WRITTEN BY SHAWN CARTER, SEAN HENRIQUES, INI KAMOZE, BEYONCÉ, SCOTT STORCH, ROBERT WALLER, MARIO ANTONIO DUNWELL, ADIDJA PALMER, LINTON WHITE, DOUGLAS DAVIS AND QUAME RILEY / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), EMI MUSIC PUBLISHING LTD (ASCAP), HOTTIS MUSIC GROUP (BMI), IRVING MUSIC (BMI), BEYONCÈ PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP) AND NOTTING DALE SONGS INC (ASCAP), MARIO ANTONIO PUB DESIGNEE, NW COLLECTIONS (BMI), MUSIC BY GREENSLEEVES (BMI), DON VICIOUS MUSIC (BMI), ENTERTAINING MUSIC (BMI) AND JIMMY ROLLINS ENTERTAINMENT GROUP PUBLISHING (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
No nono
You don't love me
This I know boy
The people, the people
The people!
No nono
You don't love me
This I know boy
The people, the people
If you ask me baby
I'll do anything you say you boy
I'm talking to youPERFORMED BY BEYONCÉ / WRITTEN BY EUWART ASMAN BECKFORD, JOSHUA BISHOP KELLEY, WILLIE C COBBS, WINSTON DELANO RILEY AND OPHLIN RUSSELL-MEYERS / PUBLISHED BY EUWART ASMAN BECKFORD PUB DESIGNEE, WESTBURY MUSIC LTD (ASCAP) AND EMBASSY MUSIC CORPORATION (BMI), WESTBURY MUSIC LTD (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Beyoncé: I see y'all in the front row
Hold up, they don't love you like I love you
Slow down, they don't love you like I love you
Back up, they don't love you like I love you
Step down, they don't love you like I love you
Can't you see there's no other man above you
What a wicked way to treat the girl that loves you
Hold up, they don't love you like I love you
slow downIt's such a shame
You let this good love go to waste
I always give that top tier 5 star
Back seat lovin in the car
Like make that wood
Make that wood
Holly like the boulevardPERFORMED BY BEYONCÉ / WRITTEN BY THOMAS WESLEY PENTZ, EZRA KOENIG, BEYONCÉ, EMILE HAYNIE, JOSHUA TILLMAN, UZOECHI EMENIKE, SEAN RHODEN P/K/A MELO-X, DOC POMUS, MORT SCHUMAN, DEANDRE WAY, ANTONIO RANDOLPH, KELVIN MCCONNELL, BRAIN CHASE, KAREN ORZOLEK, NICK ZINNER / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, WB MUSIC CORP (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./HEAVYCRATE PUBLISHING (ASCAP), NEON REGGAE CO-OP CITY SUGAR POP MEOW MEOW (ASCAP), WARNER/CHAPPELL MUSIC LTD. (PRS) MELOXTRA PUBLISHING (BMI), UNICHAPPELL MUSIC, INC. (BMI), SOULJA BOY TELL'EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI), CHRYSALIS MUSIC LTD/BMG BLUE (BMI), ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Oh, killing me softly and I'm still falling
Still the one I need, I will always be with you
Oh, you got me all gone, don't ever let me go
Say it real loud if you fly
If you leave me you're out of your mindMy baby is a ten
We dressing to the nine
He pick me up, we eight
Make me feel so lucky seven
He kiss me in his six
We be making love in five
Still the one I do this four
I'm trying to make us three
From that 2
He still the 1There's ups and downs in this love
Got a lot to learn in it's love
Through the good and the bad, still got love
Dedicated to the one of love, heyStill love the way he talk, still love the way I sing
Still love the way he rock them black diamonds in that chain
Still all up on each other, ain't a damn thing change
My girls can't tell me nothing, I'm gone in the brainMe and my boo in my boo's coup riding
All up in that black with his chick right beside him
Ladies, if you love your man show you the fliest
Grind up on it, girl, (girl, girl) show him how you ride itMe and my boo and my boo lip locking
All up in the back because the chicks keep flocking
All that gossip in 10 years stop it
London speed it up, Houston rock itPERFORMED BY BEYONCÉ / WRITTEN BY MICHAEL BIVINS, ESTHER DEAN, JULIE FROST, BEYONCÉ, CAINON LAMB, NATHAN MORRIS, WANYA MORRIS, TERIUS NASH, ROBERT SHEA TAYLOR, KARL RUBIN BRUTUS, ROGET CHAHAYED, JULIAN GRAMMA, SHELLEY MASSENBURG-SMITH AND MILES PARKS MCCOLLUM / PUBLISHED BY BIV TEN PUBLISHING (ASCAP), AYNAW PUBLISHING (BMI), DAT DAMN DEAN MUSIC (BMI), B DAY PUBLISHING (ASCAP), CAINON'S LAND MUSIC PUBLISHING (ASCAP), PEERMUSIC III LTD (BMI), VANDERPOOL PUBLISHING (BMI) DOWNTOWN DLJ SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP) TOTALLY FAMOUS MUSIC (ASCAP), UNIVERSAL MUSIC CORPORATION (ASCAP) , WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), BMG PLATINUM SONGS US (BMI), SONGS OF UNIVERSAL INC (BMI), JULIAN GRAMMA SOCAN PUB DESIGNEE, THESE ARE SONGS OF PULSE (ASCAP),BOAT BOY S PUBLISHING (BMI), AMERICAN SONGS ALPHA (ASCAP), BMG GOLD SONGS (ASCAP), HIP-HOP ANONYMOUS (ASCAP), SON OF SAM PRODUCTIONS (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Beyoncé: Can I take this back?
Sing it yall
Chorus: Beyoncé
Ooo Boy you lookin' like you like what you see
Won't you come over and check up on it, I might let you work up on it
Ladies let em check up on it, watch it while he check up on it
Dip it, pop it, twerk it, stop it, check on me tonightVerse 1: Beyoncé
If you got it flaunt it, boy I know you want it
While I turn around you watch me check up on it
Ou you watchin' me shake it, I see it in ya face
Ya can't take it, it's blazin', you watch me in amazement
You can look at it, as long as you don't grab it
If you don't go braggin', I might let you have it
You think that I'm teasin', but I ain't got no reason
I'm sure that I can please you, but first I gotta read youChorus: Background Singers
Ooo Boy you lookin' like you like what you see
Won't you come over and check up on it, I might let you work up on it
Ladies let em check up on it, watch it while he check up on it
Dip it, pop it, twerk it, stop it, check on me tonightBeyoncé: I wanna see y'all do the dance
You ready? I'm watching
I wanna see if y'all know it.Chorus: Background Singers
Ooo Boy you lookin' like you like what you see
Won't you come over and check up on it, I might let you work up on it
Ladies let em check up on it, watch it while he check up on it
Dip it, pop it, twerk it, stop it, check on me tonight10, 9, 8, 7, 6, 5, 4, 3, 2, 1
PERFORMED BY BEYONCÉ / WRITTEN BY ANGELA BEYINCE, KASSEEM DEAN, GARRETT HAMLER, BEYONCÉ, STAYVE THOMAS / PUBLISHED BY ANGELA BEYINCE MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), KASSEEM DEAN SESAC PUB DESIGNEE HITCO SOUTH (ASCAP), BEYONCÉ PUBLISHING (ASCAP) WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Jay-Z
Coachella, if you havin a good time tonight– make some noise.Beyoncé
Give it up for Hova.Jay-Z
Come on
I used to run base like Juan Pierre
Now I run the bass, hi hat, and the snare
I used to bag girls like Birkin Bags
Now I bag B (Boy, you hurtin' that)
Brooklyn Baby where they birthed me at
Now I be everywhere, the nerve of rap
The audacity to have me with them curtains back
Me and B, she about to sting
Stand backBeyoncé
Baby, seems like everywhere I go
I see you, from your eyes, your smile
It's like I breathe you; helplessly I reminisce
Don't want to compare nobody to youBoy, I try to catch myself
But I'm out of control
Your sexiness is so appealing
I can't let it go, ohYou know that I can't get over you
'Cause everything I see is you
And I don't want no substitute
Baby, I swear it's déjà vuKnow that I can't get over you
'Cause everything I see is you
And I don't want no substitute
Baby, I swear it's déjà vuHova's flow so unusual
Baby girl, you should already know
It's H-O, light up the dro'
'Cause you gon' need help tryin' to study my bounce
Flow, blow--what's the difference?
One you take in vein while the other you sniffin'
It's still dough--po-po try to convict him
That's a no-go; my flow keep the dough tipping
Like four-fours, like I'm from the H-O-U-S-T-O-N
Blow, wind so Chicago of him
Is he the best ever? That's the argument
I don't make the list; don't be mad at me
I just make the hits like a factory
I'm just one-to-one, nothin' after me
No déjà vu, just me and my, ohBaby, I can't go anywhere
Without thinking that you're there
Seems like you're everywhere, it's true
Gotta be having déjà vu
'Cause in my mind I want you here
Get on the next plane; I don't care
Is it because I'm missing you
That I'm having déjà vu?
Boy, I try to catch myself
But I'm out of control
Your sexiness is so appealing
I can't let it goBaby, I swear it's déjà vu
You know that I can't get over you
'Cause everything I see is you
And I don't want no substitute
Baby, I swear it's déjà vu
Know that I can't get over you
'Cause everything I see is you
And I don't want no substitute
Baby, I swear it's déjà vuBoy, I try to catch myself
But I'm out of control
Your sexiness is so appealing
I can't let it go, ohGo gogogoooo
Go gogogoooo
Go gogogoooo
Go go RED LIGHT (ah) GREEN LIGHT!PERFORMED BY BEYONCÉ, JAY-Z / WRITTEN BY S. CARTER, RODNEY JERKINS, BEYONCÉ, KELLIE PRICE, MAKEBA RIDDICK, DELISHA THOMAS, JOHN WEBB JR., FELA ANIKULAPO KUTI, MANU DIBANGO, THOMAS R. BRENNECK, SHAWN C. CARTER, SEAN COMBS, LEVAR COPPIN, MICHAEL JOSEPH DELLER, DAVID ANTHONY GUY, DELENO MATTHEWS, LEON MICHELS, GABRIEL ROTH, HOMER STEINWEISS, SEAN GARRETT, AND PHARRELL L. WILLIAMS / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), 23K MUSIC PUBLISHING (BMI), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), JANICE COMBS MUSIC (BMI), YOGA FLAMES PUBLISHING (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), KELLIE PRICE SESAC PUB DESIGNEE, DELISHA THOMAS SOCAN PUB DESIGNEE, JOHN WEBB SESAC PUB DESIGNEE, INTERSONG USA INC (ASCAP), FANTASIA EDITIONS MUSICALES (ASCAP), CARTER BOYS MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP), EXTRAORDINAIRE SONGS (ASCAP), FOR MY SON PUBLISHING (ASCAP), JUSTIN COMBS PUBLISHING (ASCAP), SONGS OF BIG DEAL (ASCAP), BOSCOSOUND MUSIC (BMI), EXTRAORDINAIRE MUSIC LLC (BMI), WAIT THAT'S MINE (BMI), BMG PLATINUM SONGS US (BMI), EMI BLACKWOOD MUSIC INC (BMI), HITCO MUSIC (BMI), B DAY PUBLISHING (ASCAP) AND EMI APRIL MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Slater Thorpe:
We got snares, cymbals, quads, and base. it's time for you to get a little taste of the only drumline certified by the Queen Bee, guaranteed to show up and show out on your ass any time any place anywhere, introducing the Buzz.We Ready
We Ready
We Ready
We Ready
We Ready
We Ready
We ReadyHey, We ready
Hey, We ready
Hey, We ready
Hey, We readyHorns
PERFORMED BY BEYONCÉ / ANNOUNCER: SLATER THORPE / WRITTEN BY BEYONCÉ, DEREK DIXIE, BZZZZ DRUMLINE, HAROLD LILLY JR., ELVIS WILLIAMS, PASTOR TROY, GEORGE CLINTON JR., GRACE COOK HAZEL, COREY J. JOHNSON, MARRICO D. KING, RALPH LEVERSTON, MARTIN WONDOSAS AND DEMETRIUS HUBERT / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DEREK DIXIE PUB DESIGNEE, B DAY PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), UNCLE BOBBY MUSIC (BMI) , PASTOR TROY PUB DESIGNEE, GEORGE CLINTON SESAC PUB DESIGNEE, BRIDGEPORT MUSIC INC (BMI), FLICT PUBLISHING (BMI), SALLAP MUSIC PUBLISHING (BMI) AND DEMETRIUS HUBERT PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Coachella thank you for allowing me to be the first black woman to headline Coachella.
Ain't that bout a b----?
This song is dedicated to all the incredible women that opened up the doors for me. Thank you so much ladies. Do we have any strong women out there tonight? Sing along.
Girls, we run this motha, yeah
Girls, we run this motha, yeah
Girls, we run this motha, yeah
Girls we run this motha,Here we go.
Who run the world?
Girls
Who run the world?
Girls
Who run the world?
Girls
Who run the world?
GirlsWho run this motha?
Girls
Who run this motha?
Girls
Who run this motha?
Girls
Who run this motha?
GirlsWho run the world?
Girls
Who run the world?
Girls
Who run the world?
Girls
Who run the world?
GirlsSome of them men think
They freak this like we do
But no they don't
Make your check come at they neck
Disrespect us no they won'tThis goes out to all my girls
That's in the club rocking the latest
Who will buy it for themselves
And get more money laterI think I need a barber
None of these n----- can fight me
I'm so good with this,
I remind you I'm so hood with thisBoy I'm just playing
Come here baby
Hope you still like me
"F" you pay meMy persuasion can build a nation
Endless power
With our love we can devour
You'll do anything for meWho run the world?
Girls
Who run the world?
Girls
Who run the world?
Girls
Who run the world?
Girls
Who run the world?
GirlsWho run this motha?
Girls
Who run this motha?
Girls
Who run this motha?
Girls
Who run this motha?
GirlsWho run the world?
Girls
Who run the world?
Girls
Who run the world?
Girls
Who run the world?
GirlsWho are we? Who are we?
What we run? What we run?
The world (who run this motha')Who are we? Who are we?
What we run? What we run?
The world (who run this motha')Who are we? Who are we?
What do we run? What do we run?
We run the world (We run this motha')Who are we?
What we run?
We run the world.Who run the world?
GirlsChimamanda
We teach girls to shrink themselves, to make themselves smaller
We say to girls: "You can have ambition, but not too much"
You should aim to be successful, but not too successful otherwise you will threaten the man
We raise girls to see each other as competitors
Not for jobs or for accomplishments but for the attention of men
Feminist: a person who believes in the social, political and economic equality of the sexesPERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TERIUS YOUNGDELL NASH, ADIDJA AZIM PALMER, THOMAS WESLEY PENTZ, DAVID JAMES ANDREW TAYLOR , NICK VAN DE WALL, ANGELA RENEE BEYINCE , SOLANGE KNOWLES, JESSE RANKINS, EDDIE SMITH III, JONATHAN WELLS, DAVE TAYLOR, SHEA TAYLOR, JACKIE JACKSON AND MICHAEL JACKSON / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), EMI APRIL MUSIC INC (ASCAP), 2082 MUSIC PUBLISHING (BMI), BMG PLATINUM SONGS US (BMI), NW COLLECTIONS (BMI), I LIKE TURTLES MUSIC (ASCAP), KMR MUSIC ROYALTIES II SCSP, SWITCH WERD MUSIC (ASCAP), REBEL YARD PUBLISHING (BUMA), ANGELA BEYINCE MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), SOLANGE MW PUBLISHING, WB MUSIC CORP (ASCAP), CHILDREN NEED EXERCISE MUSIC (BMI), RESERVOIR 416 (BMI), WELLS PLAYED MUSIC (BMI), DOWNTOWN DLJ SONGS (ASCAP) AND KOBALT SONGS MUSIC PUBLISHING (ASCAP), MIJA MUSIC (BMI) AND SIGGY MUSIC INC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT FROM CHIMAMANDA NGOZI ADICHE'S SPEECH, "WE SHOULD ALL BE FEMINISTS", DECEMBER 2012. EXCERPT COPYRIGHT © 2012 BY CHIMAMANDA NGOZI ADICHIE"
-
All
Lose My Breath
Can you keep up
Babyboy
Make me lose my breath
Bring the noise
Make me lose my breath
Hit me hard make
Me lose my breath (ah ah)
Can you keep up
Babyboy
Make me lose my breath
Bring tha noise
Make me lose my breath
Hit me hard
Make me lose my breath (ah ah)Michelle
If you can't make me say ooo
Like the beat of this drum
Why you ask for some
you ain't really want none
If you can't make me say ooo
Like the beat of this grooveAll
You don't have no business in this here's your papers
Baby you are dismissedBeyoncé
Everybody give it up for the beautiful Kelly, and the beautiful Michelle.Michelle
We love you.Kelly
My girl B is killin it tonight.Beyoncé
I'm so happy y'all are here tonight.
Do y'all remember this song?PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS / WRITTEN BY BEYONCÉ, FRED JERKINS III, KELLY ROWLAND, LASHAWN DANIELS, MICHELLE WILLIAMS, RODNEY JERKINS, SEAN GARRETT, SHAWN C, CARTER, ANGELA RENEE BEYINCE, DON DAVIS, PATRICK DENARD DOUTHIT, SEAN GARRETT AND EDDIE C. ROBINSON / PUBLISHED BY BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP),FRED JERKINS PUBLISHING (BMI), SONY/ATV MELODY (BMI), KELENDRIA ROWLAND PUB DESIGNEE (ASCAP), EMI APRIL MUSIC INC (ASCAP), SONY/ATV MELODY (BMI), SONY/ATV TUNES LLC (ASCAP), TMWILLIAMS PUBLISHING (ASCAP), HITCO SOUTH (ASCAP), EMI BLACKWOOD MUSIC INC (BMI) AND CARTER BOYS MUSIC (ASCAP), ANGELA BEYINCE MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), EMI FULL KEEP MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Say my name, say my name
If no one is around you
Say baby I love you
If you ain'trunnin' game
Say my name, say my name
You actin' kinda shady
Ain'tcallin' me baby
Why the sudden changeSay my name, say my name
If no one is around you
Say baby I love you
If you ain'trunnin' gameSay my name, say my name
You actin' kinda shady
Ain'tcallin' me baby
Why the sudden changeAny other day
I would call and you would say
Baby how's your day
But today, it ain't the sameEvery other word
Is "uh-huh" yeah "okay"
Could it be that you
Are at the crib with another ladyI know you say that I am assuming things
Something's going down that's the way it seems
Shouldn't be the reason why you're acting strange
If nobody's holding you back from me
Cause I know how you usually do
When you say everything to me times two
Why can't you just tell the truth
If somebody's there then tell me whoSay my name, say my name
Boy say my name
Say baby I love you
If you ain'trunnin' game
Say my name, say my name
You actin' kinda shady
Ain'tcallin' me baby
Why the sudden changeSay my name
Say my name
Say my, say my, say my name
Say my, say my, say my name
Boy say my name
Hey sayYou better say my name
Cus something feels strange
I'm filing a complaint
I'm just asking you to say my name,PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS / WRITTEN BY BEYONCÉ, FRED JERKINS III, KELENDRIA ROWLAND, LASHAWN DANIELS, LATAVIA ROBERSON, LETOYA LUCKETT, RODNEY JERKINS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP) EMI APRIL MUSIC INC (ASCAP), FRED JERKINS PUBLISHING (BMI) KELENDRIA MUSIC PULISHING (ASCAP), LATIVIA MUSIC PUBLISHING (ASCAP) LETOYA MUSIC PUBLISHING (ASCAP), SONY/ATV TUNES LLC (ASCAP) WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
T.I
Shot it witChelle and kick it wit Kelly or holla at Bey
Ya, gotta be g's you way outta your leagueBeyoncé
We like them boys up top from the BK (BK)Michelle
I like them boys over there they looking strong tonight (strong tonight)Kelly
We like dem boys that be in them lac's leanin' (Leanin')
Open their mouth their grill gleamin' (Gleamin')
Candy paint, keep that whip clean and (Clean and)
Sing it yall
(They always be talkin that country slang, we like)We keep that beat that be in the back beatin' (Beatin')
Eyes be so low from there chiefin (chiefin)
I love how he keep my body screamin' (Screamin')
A rude boy that's good to me, with street credibilityIf his status ain't hood
I ain'tcheckin' for him
Betta be street if he lookin' at me
I need a soldier
That ain't scared to stand up for me
Known to carry big things
If you know what I meanThere's some soldiers in here (Where they at, where they at)
They want to take care of me (Where they at)
I know some soldiers in here (Where they at, where they at)
Don't mind takin one for me (Where they at)
I know some soldiers in here (Where they at, where they at)
They want to spend that on me (Where they at)
I know some soldiers in here (Where they at, where they at)
Wouldn't mind puttin' that on me (Where they at)I need a soldier
Beyoncé
Please give it up for Destiny's ChildGive it up one more time for my best friend
That's my best friend .
Michelle
MakidadaPERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS
WRITTEN BY BEYONCÉ, CLIFFORD HARRIS, DWAYNE CARTER, KELLY ROWLAND, MICHELLE WILLIAMS, RICH HARRISON, DEAN GARRETT , BOBBY BYRD, SHAWN CARTER, JUSTIN GREGORY SMITH, JOHN COCKER, WOODROW CUNNINGHAM, NORMAN DURHAM, MIKEL HOOKS, RONALD HUDSON, CHRISTOPHER STAINTON, LARRY TROUTMAN, ROGER TROUTMAN, HAL DAVIS, DONALD FLETCHER AND WELDON PARKS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), BMG GOLD SONGS (ASCAP), MONEY MACK MUSIC (BMI), KELENDRIA MUSIC PULISHING (ASCAP), TMWILLIAMS PUBLISHING (ASCAP), DOMANI AND YA MAJESTY'S MUSIC (ASCAP), SONY/ATV TUNES LLC (ASCAP), WB MUSIC CORP (ASCAP), DYNATONE PUBLISHING CO (BMI), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (ASCAP), JUSTIN GREGORY ASCAP PUB DESIGNEE, ESSEX MUSIC INTERNATIONAL INC (ASCAP), H&R LASTRADA MUSIC (ASCAP), ONWARD MUSIC LTD, STONSEE MUSIC (ASCAP), EMBASSY MUSIC CORPORATION (BMI), R2M MUSIC (BMI), SONGS OF LASTRADA (BMI), JOBETE MUSIC CO INC (ASCAP), WELDON DEAN PARKS BMI PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE -
Everybody say hey Miss Carter.
I'm just checking to make sure yall still out there.
All the way in the back, say Hey Miss Carter.
Okay.
To my right, say hey Miss Carter
To my left, say hey Miss CarterEverybody put your hands together like this.
Everybody put your hands together like this. Yea
Now everybody say, Hey, Hey, Hey
Even louder, hey, hey, heySay
I ain't worried, doing me tonight
I ain't worried, doing me tonight
Louder
A little sweat ain't never hurt nobody
Sing
A little sweat ain't never hurt nobody
While y'allstandin' on the wall
Sing
While y'allstandin' on the wall
I'm the one tonight gettin' bodied
I'm the one tonight gettin' bodied
Say
Get me bodied
Sing
Get me bodied
Get me bodied
Get me bodied
You want my body
Sing
You want my body
Get me bodiedBaby, all I want
Is to let it go
Ain't no worries, no
We can dance all night
Get me bodied
That means come closer to me
While we grind to the beat
And your body
Baby all I need
Is to let it be
Ain't no worries, no
Boy, dance with me
Feel my body
That means come closer to me
While we grind to the beat
And your bodyI ain't worried, doing me tonight
Ain't no shame 'cause I gotta get mine
I swing my hair and kick off my shoes
Come here, boy, and let me work on you
I ain't worried, doing me tonight
A little sweat ain't never hurt nobody
While y'allstandin' on the wall
I'm the one tonight gettin' bodied
I'm the one tonight gettin' bodied
I'm the one tonight gettin' bodied
I'm the one tonight gettin' bodied
I'm the one tonight gettin' bodied
You want my body (getting' bodied)
Won't you get me bodied? (getting' bodied)
HeyLadies and gentlemen, please give it up for Solange.
Drop down low and sweep the floor wit it
Drop drop down low and sweep the floor wit it
Go Solange!
Drop down low and sweep the floor wit it
Drop drop down low and sweep the floor wit it
oh no noPat your weaves ladies
Pat patpat your weaves ladies
Watch it while he check up on it
Pat your weaves ladies
Pat patpat your weaves ladies
Watch it while he check up on itTick tickticktick fight
Now tick tickticktickticktick fight
Now tick tickticktick fight
Now tick tickticktickticktick fightNow pose for the camera now flick flickflick
Pose for the camera now flick flickflick
Pose for the camera now flick flickflick
Pose for the camera now flick flickflickDo an old school dance an old school dance
An old school dance do an old school
Do an old school dance an old school dance
An old school dance get old schoolStop now cool off cool off, cool off cool off
Drop and cool off cool off cool off cool offWind it back girl, wind it back girl
Make your hair touch the floor wine it back
Wind it back girl, wind it back girl
Make your hair touch the floor wine it backDo the scissor leg, touch ya heels touch ya toes
Do the scissor leg, touch ya heels touch ya toes
Do the scissor leg, touch ya heels touch ya toes
Do the scissor leg, touch ya heels touch ya toesDo the naomicampbell walk, naomicampbell walk
Walk across the room like naomicampbell
Do the naomicampbell walk, naomicampbell walk
Walk across the room like naomicampbellSnap for the kids, snap for the kids
Snap in a circle three times
Snap for the kids, snap for the kids
Snap in a circle three timesI touch ya body, while ya touch my body
We touching bodies tonight
We getting bodied
I touch ya body, while ya touch my body
We touching bodies tonight
We getting bodiedPERFORMED BY BEYONCÉ / WRITTEN BY ANGELA BEYINCE, KASSEEM DEAN, GARRETT HAMLER, BEYONCÉ, SOLANGE KNOWLES, MAKEBA RIDDICK, JEOME TEMPLE, ORVILLE ERWIN HALL, PHILLIP GLEN PRICE, CHADRON MOORE, JASIEL ROBINSON , KING SOLOMON LOGAN, LESLIE JEROME HARMON / PUBLISHED BY ANGELA BEYINCE MUSIC (ASCAP), KASSEEM DEAN SESAC PUB DESIGNEE, EMI APRIL MUSIC INC (ASCAP), B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), SOLANGE MW PUBLISHING (ASCAP), MAKEBA RIDDICK BMI PUB DESIGNEE, TAKE FO' PUBLISHING (BMI), PROTOONS INC (ASCAP), CHADRON MOORE ASCAP PUB DESIGNEE, BASEMENT FUNK SOUTH (BMI), GRANNY MAN PUBLISHING (BMI), MALIK AND MEKHI MUSIC (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI) AND ROYAL COURT MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Give it up for my sister!
Alright now.
Everybody put your hands together.
Do we have any single ladies in the house tonight?Now put your hands up.
All the single ladies
All the single ladies
All the single ladies
All the single ladies
All the single ladies
All the single ladies
All the single ladies
now put your hands upUp in the club
we just broke up
i'mdoin' my own lil' thing
you decided to dip
and now you wanna trip
'cause another brother noticed me
i'm up on him
he up on me
don't pay him any attention
kept crying my tears
for 3 good years
you can't be mad at me'cause if you like it
then you should've put a ring on it
if you like it
then you should've put a ring on it
don't be mad once you see that he want it
'cause if you like it
then you should've put a ring on itUh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, ohIf you like it
then you should've put a ring on it
if you like it
then you should've put a ring on it
don't be mad once you see that he want it
if you like it
then you should've put a ring on itNow wait.
I want yall to get nice and stanky with me.
Where I'm from, we do things nice and stanky.
We do things nice and funky.
Can y'all repeat after me? You ready?Say, hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
hey ay hey ay.
Hey, hey, ya
Hey, hey, ya
hey ay hey ay.
hey ay hey ay.Now wait.
You still ain'tstanky enough for me.Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, ohSay uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Put your hands up
Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
Where my ring at
uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, ohSing
If you like it
then you should've put a ring on it
if you like it
then you should've put a ring on it
don't be mad once you see that he want it
I see you
if you like it
then you should've put a ring on it
Where my ring at
If you like it
then you should've put a ring on it
if you like it
then you should've put a ring on it
don't be mad once you see that he want it
If you like it
Then you should've put a ring on it.
Uh, oh, oh.I love y'all
PERFORMED BY BEYONCÉ / WRITTEN BY THADDIS HARRELL, BEYONCÉ, TERIUS NASH, CHRISTOPHER STEWART / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), MARCHNINENTH MUSIC (ASCAP), SONGS OF PEER LTD (ASCAP), SONY ATV HARMONY (ASCAP), SUGA WUGA MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Blue Ivy:
Let our rejoicing rise
high as the listening skies
let us march on till victory is won.Beyoncé
Yay! Beautiful job, Baba. You sound so pretty.Blue Ivy:
I want to do that again.Beyoncé:
Oh you want to do it again, you're like mommy, huh?Blue Ivy:
Yes. I want to do that again. It feels good!Beyoncé:
It feels good?
(Laughs)
Ok you want to
Go
Lift your voice and sing.Beyoncé:
I feel we made something that made my daughter proud, made my mother proud, my father proud and all of the people that are my brothers and sisters around the world. That's why I live. I'm so lucky and grateful that I'm able to take all these crazy ideas and actually make them into something that heals peoples that may spark vision in people. That shows them to dream big, that shows them that they are limitless. If my country ass can do it, they can do itPERFORMED BY BLUE IVY, BEYONCÉ / WRITTEN BY JAMES WELDON JOHNSON / PUBLISHED BY JAMES WELDON JOHNSON PUB DESIGNEE
-
I wanna sing this last song to all my incredible, beautiful fans.
Loyal fans.
Ride or dies.
It's dedicated to my incrediblebeyhive.Honey, honey
I can see the stars all the way from here
Can't you see the glow on the window pane
And I can feel the stars whenever you're near, you're near
Every time you touch me I just melt awayEverybody ask me why I'm smiling out from ear to ear
(They say love hurts)
But I know (it's gonna take the real work)
Nothing's perfect but it's worth it
After fighting through my tears and you finally could put me first
Sing it y'all.Baby it's you
You're the one I love
You're the one I need
You're the only thing I see
Come on baby it's you
You're the one that gives your all
You're the one I can always call
When I need you make everything stop
Finally you put my love on topBaby cus you're the one that I love,
Baby you're all I need
You're the only thing I see
Come on baby it's you
You're the one that gives your all
You're the one I can always call
When I need to make everything stop
Finally you put my love on topBaby, it's your turn
Sing it–
Louder–
You're the –
Come on baby it's you
You're the one that gives your all
You're the one I can always call
When I need to make everything stop
Finally you put my love on topBaby cus you're the one that I love,
Baby you're all I need
You're the only thing I see
Come on baby it's you
You're the one that gives your all
You're the one I can always call
When I need you baby everything stops
Finally you put my love on topBaby cus you're the one that I love,
Baby you're all I need
You're the only thing I see
Come on baby it's you
You're the one that gives your all
You're the one that always calls
When I need to you baby everything stop
Finally you put my love on topPERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TERIUS NASH, ROBERT SHEA TAYLOR AND MICHAEL COOPER / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), DOWNTOWN DLJ SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP), BRAVO AND ENCORE MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE
-
Beyoncé:
Please give it up for my incredible incredible crew on this stage
My female dancers
Give it up now
Come on ladies
Give it up for my male dancers
Please give it up for Larry and Laurent, Les twins
Please give it up for my incredible background singers
Please give it up for my beautiful orchestra
Please give it up for my drumline
Please give it up for my crew
That is everyone behind the scenes that worked tirelessly to put this show together
We love you
Thank you to my family that's here tonight
Have a beautiful night
I love you from the bottom of my heart
God bless you
Good nightPERFORMED BY BEYONCÉ / WRITTEN BY BURT BACHARACH, JAHRON ANTHONY BRATHWAITE, INGRID BURLEY, SHAWN CARTER, HAL DAVID, FLOYD NATHANIEL HILLS, KHALED KHALED, BEYONCÈ / PUBLISHED BYBMG RIGHTS MANAGEMENT (UK) LTD (HAL DAVID) (ASCAP), CARTER BOYS MUSIC (ASCAP) , JA PUBLISHING GROUP INC (ASCAP), LOVE VIVIAN MUSIC (ASCAP), NEW HIDDEN VALLEY MUSIC CO (ASCAP), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP), SONGS OF FUJIMUSIC (ASCAP),SONY/ATV ALLEGRO (ASCAP),BMG PLATINUM SONGS US (BMI), GIVE THANKS PUBLISHING (BMI)
PRODUCED BY BEYONCÉ AND DEREK DIXIE -
You make me happy
This you can bet
You split right beside me yea
And I won't forget
And I really love you
You should know
I wanna make sure I'm right boy
Before I let goNow we had our good time
That we can say
We hurting each other yea
And boy it's a shame
Now I won't be foolish no
I wanna know
I wanna make sure I'm right boy
Before I let goYou know I thank god
Sun rises and shines on you
You know there's nothing
Nothing
Nothing
I would not do
Before I let you go
I would never never never never never never never never
Let you go
Before I goI…. Pull up to Coachella
Boots with the ghost feathers
I brought the squad wit' me
Black on black bandanas
D'ussé and champagne
I did the damn thang
Dirty Diana
Singing and dancing all in the rain
Ooh ooh
I just wanna have a good time
Turn around dip and slide
And twirl that ass to the right now
Ooh ooh
Bunny hop
Bunny hop
Drop
Pop
Cross your legs
Turn around and clap
Shuffle to the left
Let's glide now
Ooh ooh
Drop it down
Drop it down
Low
Low
Low low low to the flo'
Bring it up
Clap
Then roll
Roll
Step on em
Step on em
Step on em
Step
Step on em
Kick on em
Stomp on them step
Swag the right
Surf the left
Work the middle
Till it hurt a littleBefore I let
Before I let
Before I let goBefore I let
Before I let
Before I let goPERFORMED BY BEYONCÉ / WRITTEN BY FRANKIE BEVERLY, LARRY BLACKMON, TOMI JENKINS / PUBLISHED BY AMAZEMENT MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), TAKE FO' PUBLISHING (BMI), UNIVERSAL POLYGRAM INT., PUBLISHING, INC. (ASCAP) O/B/O UNIVERSAL MUSIC PUBLISHING INT B.V. AND UNIVERSAL SONGS OF POLYGRAM INT., INC. (BMI) O/B/O UNIVERSAL MUSIC PUBLISHING INT B.V. / PRODUCED BY TAY KEITH AND BEYONCÉ / ADDITIONAL PRODUCTION BY DEREK DIXIE / CONTAINS A SAMPLE OF "GET READY READY" PERFORMED BY DJ JUBILEE COURTESY OF TAKE FO' RECORDS. / CONTAINS A SAMPLE OF "BEFORE I LET GO" PERFORMED BY MAZE FEATURING FRANKIE BEVERLY COURTESY OF CAPITOL RECORDS, A DIVISION OF UMG RECORDINGS, INC., UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED. / CONTAINS AN INTERPOLATION OF "CANDY" WRITTEN BY L. BLACKMON AND T. JENKINS
-
I Been On
BeyoncèI been on, I been on, I been on
Tell me who gon' take me off
Take me off, take me off, take me off
I been on, I been on, I been on
Tell me who gon' take me off
Take me off, take me off, take me offRolling high, leather and wood
Keep it trill, that's what good
Kiss my momma, show that love
Pop them bottles in that club
I heard your boo was talking lip
I told my crew to smack that trick
Smack that trick, smack that trick
Guess what they did, smack that trick
Gold everything, gold a-- chain
Gold a-- rings, gold a--fangs
You can see me stunt when you turn on ya screen
You can see me stunt when you turn on ya screen
I'm bigger than life, my name in the lights
I'm the number one chick, I don't need no hype
The capital B means, I'm 'bout that life
The capital B means, I'm 'bout that lifeI been on, I been on, I been on
Tell me who gon' take me off
Take me off, take me off, take me off
Cause I been onI remember my baby hair with my dookie braids
Frenchy's, Boudin in the parking lot
Shout out to Willie D
I was in that Willie D video when I was about fourteen, looking crazy
Shout out Pimp C
You know we used to sneak and listen to that UGK
Didn't do your girl but your sister was alright, damn
In ya homeboy's Caddy last night man, haha
Hold up, Texas trill
H-Town going down, manPERFORMED BY BEYONCÈ / WRITTEN BY BEYONCÉ, JAMAL JONES, TIMOTHY MOSLEY, JONATHAN "ANONYMOUS" SOLONNE-MYVETT, THERON THOMAS, TIMOTHY THOMAS, SONNY COREY UWAEZUOKE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MY DIET STARTS TOMORROW INC, SONGS OF UNIVERSAL INC (BMI), VB RISING MUSIC PUBLISHING, OLE MEDIA MANAGEMENT LP II (ASCAP), I LOVE BELIZE PUB, U CAN'T TEACH BEIN THE SHH INC(BMI), T-N-T EXPLOSIVE MUSIC PUBLISHING, UNIVERSAL MUSIC CORPORATION(ASCAP, SONNY DIGITAL MUSIC GROUP/BANG VILLAGE 247 PUBLISHING LLC/IRVING MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS AND BEYONCÉ / CO-PRODUCED BY JEROME HARMON FOR BRONZE AND BRAINZ PRODUCTIONS, TIMBALAND PRODUCTIONS
EVERYTHING IS LOVE (2018)
- Buy Now
-
Happily in love
Haters please forgive me
I let my wife write the will I pray my children outlive me
I give my daughter my custom dress and she gon' be litty
Vintage pieces by the time she hit the city yeah
Vintage frames I see nobody f------ with him
Pretty thug out that third ward , gimme
Sir acid, like his dad's sh-- is trippy
Twinning, Blue and Rumi
Me and Solo how fitting
Sitting, doc at the bay with a big yacht
Sipping Yamazaki on the rocks
He went to Jared I went to JAR out in Paris
Yeah you f----- up the first stone
We had to get remarried
(Yo, chill man)
We keeping it real with these people right?
Lucky I ain't kill you when I met that b..
(Nah, aight, aight)
Ya know how I met her
We broke up and got back together
To get her back, I had to sweat her
Ya could make up with a bag
I had to change the weather
Move the whole family West
But it's whatever
In a glass house, still throwing stones
Hova, Beyzus
Watch the throneYou did some thangs to me
Boy you do some thangs to me
But love is deeper than your pain
And I believe you can change baby
The ups and downs are worth it
Long way to go but we're working
We're flawed but we're still perfect for each other yeah yeahyeahSometimes I thought we'd never see the light
We went through hell with heaven on our side
This beach ain't always been no paradise
But nightmares only last one nightNo more clubs and Cali curfews
Just private affairs and a tighter circle
Large format wines in small settings
Just hood a-- n----- in designer suits
Follow my moves, I'm the truth inAlaia boots
Amelia Earhart flyer than who
Fake newsy'all choose, we no like
No photoshop this real lifeYou did some thangs to me
Boy you do some thangs to me
But love is deeper than your pain
And I believe you can change baby
The ups and downs are worth it
Long way to go but we're working
We're flawed but we're still perfect for each other yeah, yeah, yeahSometimes I thought we'd never see the light
We went through hell with heaven on our side
This beach ain't always been no paradise
But nightmares only last one nightLook at us now
Pray….
Pray for the vows
Way..
Up now
It's a long way ..
A long way downWe came and
We saw and we
Conquered it all
We came and
We conquered, now we
Happy in LoveWRITTEN BY BEYONCé, S. CARTER, DAVID ANDREW SITEK, NIJA CHARLES, DENISIA ANDREWS, BRITTANY CONEY, EDDIE CAMPBELL, ERNIE JOHNSON, PETE JAMES, BILL LASWELL, JEAN TOUITOU, THIERRY PLANELLE, L. LYNN, R. OZUNA, J. POYSER, R. SAADIQ, G. STANDRIDGE, E. WRIGHT, LARRY GRAHAM / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), BMG MONARCH/SONGS OF BIG DEAL/THE FANTASY CONTINUES MUSIC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI);1114 SOUNDS/W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP) / PRODUCED BY BEYONCé, JAY-Z AND DAVID ANDREW SITEK / ADDITIONAL PRODUCTION BY: NOVA WAV / MIXED BY TONY MASERATI AND STUART WHITE AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE, GIMEL "YOUNG GURU" KEATON AND ZEPH SOWERS AT THE U ARENA PARIS, FRANCE / ASSISTANT MIX ENGINEER: TYLER SCOTT / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING, ATLANTA, GA USING SING TECHNOLOGY®
CONTAINS A SAMPLE OF "YOU MAKE MY LIFE A SUNNY DAY" WRITTEN BY EDDIE CAMPBELL, ERNIE JOHNSON AND PETE JAMES AND PERFORMED BY EDDIE & ERNIE
CONTAINS ELEMENTS OF "VICTORY IS CERTAIN" FROM APC TRACKS VOL 1 WRITTEN BY BILL LASWELL, JEAN TOUITOU AND THIERRY PLANELLE
CONTAINS AN INTERPOLATION OF "LOVE OF MY LIFE" WRITTEN BY L. LYNN, R. OZUNA, J.POYSER, R. SAADIQ, G. STANDRIDGE AND E. WRIGHT PERFORMED BY ERYKAH BADU AND COMMON
PUBLISHED BY FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP)FEATURING SAMPLES FROM THE GRAHAM CENTRAL STATION RECORDING "THE JAM" WRITTEN BY LARRY GRAHAM. PRODUCED UNDER LICENSE FROM WARNER MUSIC BROS. RECORDS INC. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY
-
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeah
Yeah, yeah, yeah, yeahStack my money fast and go fast, fast, go
Fast like a Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going heyI can't believe we made it this is what we made, made
This is why we thankful this is why we thank, thank
I can't believe we made it this a different angle
Have you ever seen a crowd goin' ape ape? Rah!Give me my check
Put some respeck on my check
Or pay me in equitypay me in equity
Watch me reverse out of debt skrrt
He got a bad chick bad chick
We living lavish lavish
I got expensive fabrics
I got expensive habitsHe wanna' go with me go with me
He like to roll with meroll with me
He want to be with mebe with me
He wanna' give me that vitamin DD!
Ice ornaments
Ice style tournaments
You ain't on to thisno
Don't think they on to this no
Yeah, yeah, yeah, yeahBought him a jet Yeah, yeah, yeah, yeah
Shut down Colette Yeah, yeah, yeah, yeah
Philippe PatekYeah, yeah, yeah, yeah
Get off my ouu uh, heyGimme da ball
Gimme the ball
Take a top shiftball
Call my girls and put 'em all on a spaceshipbrr
Hang one night with Yoncè I'll make you famoushey
Have you ever seen a stage goin' ape sh--?Rah!Stack my money fast and go fast, fast, go
Fast like my Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going heyI can't believe we made it this is what we made, made
This is what we thankful forthis is what we thank, thank
I can't believe we made it this a different angle
Have you ever seen a crowd goin' apesh--? Rah!I'm a Gorilla in a f------ coupe
Finna pull up in the zoo
I'm like Chief Keef meet Rafiki who been lyin King to you
Pocket watching like kangaroos
Tell these clowns we ain't amused
'Nana clips for that monkey business
4-5 got change for you
Motorcades when we came through
Presidential with the planes too
Wouldn't bet against you with the residential
Undefeated with the cane too
I said no to the super bowl
You need me, I don't need you
Every night we in the end zone
Tell the NFL we in stadiums too
Last night was a f------ zoo
Stage diving in a pool of people
Ran through Liverpool like a f------Beatle
Smoking gorilla glue like it's f------ legal
Tell the Grammys f---- that 0-8 sh--
Have you ever seen a crowd going ape sh--?Rah!Stack my money fast and go fast, fast, go
Fast like my Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going heyI can't believe we made it this is what we made, made
This is what we thankful for this is what we thank, thank
I can't believe we made it this a different angle
Have you ever seen a crowd goin' apesh--? Rah!Haters in danger
Whole lot of gangin' (gang)
35 chains
I don't give a d---'bout the fame (nope)
G8 planes (tshh)
Alexander Wang (woo!)
She a thot that you claim (woo!)
Can't be tapping my reign oh ahPoppin', I'm poppin' my bitches all poppin'
And we go to the dealer and cop it all (cop it all)
Sipping my favorite alcohol (alcohol)
Got me so lit I need Tylenol
All of my people I free 'em all (free 'em all)
Hop in my whip wanna' see the stars, uh
Sending the missiles off
Drinking my inhibitions off
Two hundred fifty for the Richard Mille
Yeah yeah
Live in your feels
My body make Jigga go kneel
My man, my mama, my lawyer, my shield
Look at my jewelry I'm lethal (lethal)
These diamonds on me they see-through
I'm a Martian they wishing they equal (equal)
I got M's like the back EvisuGimme da ball
Gimme the ball
Take a top shift (she went crazy)
Call my girls and put 'em all on a spaceship
Hang one night with Yoncè I'll make you famous
Have you ever seen a crowd going ape sh--? Rah!Stack my money fast and go fast, fast, go
Fast like a Lambo skrrt, skrrt, skrrt
I be jumping off the stage oh jumping, jumping, hey, hey
Crowd better save her crowd going heyI can't believe we made it this is what we made, made
This is what we're thankful forthis is what we thank, thank
I can't believe we made it this a different angle
Have you ever seen a crowd goin' apesh--? Rah!Written by Pharrell Williams, Beyoncé, S. Carter, QuaviousKeyate Marshall, Kiari Kendrell Cephus
Published byEMI Pop Music Publishing/More Water From Nazareth (GMR); Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC;Huncho YRN Music (ASCAP/ 1479 QC Music/Universal Corp (ASCAP); YRN Piped Up ENT (ASCAP)/JPL QC Music, Reservoir Media Music (ASCAP)
Produced byPharrell, Beyoncè and JAY-Z
Additional vocals by Offset &Quavo of Migos
Mixed by Stuart White
Recorded by Stuart White
Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
Offset &Quavo appear courtesy of Quality Control MusicContains elements of A$AP Rocky Non- Music YouTube Video
-
Mm , mmm
Ain't nothin' to it
Real one
Ain't nothin' to it
Boss
Ain't nothin' to it
Real one
Ain't nothin' to it
Boss
I pay the cost
Ohh, gon' take it off
Take it off
I record then I ball
Then I ball
I ignored a lot of calls
Click, click
You ain't talkin' bout nothin'
I ain't got no time
Got that dinero on my mind
Ohh… I got real problems just like you
Ohh I got real problems just like you
Tell that trick I don't like you
I don't f--- witchu'Ain't nothin' to it
Real one
Ain't nothin' to it
Boss
Ain't nothin' to it
Real one
Ain't nothin' to it
I BossOohh, real one
BossOh oh oh oh
Oh, yeahLet me go B
100 million crib
3 million watch
All facts
No cap, false
N---- you not a boss
You got a boss
N----- getting jerked
That sh-- hurts
I take it personally
N----- rather work for the man
Than to work with me
Just so they can pretend they on my level
That sh-- is irking to me
Pride always goeth before the fall
Almost certainly
It's disturbing what I gross
(What I gross)
Survey says you not even close
(Not even close)
Everybody's bosses' till it's time to pay for the office
Till them invoices separate the men from the boys
Over here we measure success by how many people successful next to you
Here we say you broke if everybody is broke except for you
Boss!Ain't nothin' to it
Real one
Ain't nothin' to it
Boss
Ain't nothin' to it
Real one
Ain't nothin' to it
I BossOohh, real one
BossOh oh oh oh
Oh, yeahAin't nothin' to it I Boss
I bought my momma a whip
My great great grandchildren already rich
That's alotta' brown chil'ren on your Forbes list
Frolicking around my compound on my fortressBoss
Oh, I be riding around with my seat reclining
Dropping my daughter off at school every morning
We slamming car doors
I be troooollingggon these bum boys
You ain't talking about nothin' I ain't got no time
Boss
Chill…, tell them paps they gotta relaxyou tried it
Toes in the sandMomma getting fat
SnackNothin' to it, real one
Ain't nothin' to it
Boss
Ain't nothin' to it
Real one
Ain't nothin' to it
BossOhh, Real one
I'm a BossOh oh oh oh
Oh, yeahOhh, ohh
I'm a BossShout out to Rumi and Sir
Love BlueWritten by Beyoncé, S. Carter, Tyrone "Ty Dolla $ign" Griffin Jr, Dernst "D'Mile" Emile II
Published by Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Its Drugs Publishing, EMI Blackwood Music (BMI); Tailored 4U Music (BMI)
Produced byBeyoncé, JAY-Z and D'Mile for Medinah Entertainment
Additional production by Mike Dean, Melo-X and Derek Dixie
Additional horn arrangement by Derek Dixie
Horns by Christopher Gray, Peter Ortega, Randy Ellis, Richard Lucchese, Corbin Jones
Christopher Johnson, Lessie Vonner, Arnetta Johnson, Crystal Torres
Additional Vocals by Ty Dolla $ign
Mixed by Tony Maserati
Recorded by Stuart White
Assistant Mix Engineer: Tyler Scott
Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
Ty Dolla $ign appears courtesy of Atlantic Records -
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nahYeah,
F--- your subpoenas and your misdemeanors
Was too busy touring out all your arenas
My passport is tatted
It looks like it's active
I play on these planes
Y'all catch me in traffic
Y'all drag me in court for that sh--
Y'all backwards
After all of these years of drug trafficking, huh?
Time to remind me I'm black again, huh?
All this talking back, I'm too arrogant, huh?
What would you do you knew you couldn't fail
I have no fear of anything, do everything well
I have no fear of jail, I was born in the trap
I have no fear of death, we all born to do that
It's just life
I'm just nice
Tonight I might
Raise my price
Great advice
D--- you Hov
Jesus Christ!I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah& I'm nice, nice, nice, nice, nice, nice, nice
Up all night, night, night, night, night, night, night
Running from the lights, lights, lights, lights, lights, lights, lights
Covered in ice, ice, ice, ice,ice, ice, icePatiently waiting for my demise
Cause my success can't be quantified
If I gave two fs two fs 'bout streaming numbers
Would've put Lemonade up on Spotify
F--- you
And you
Your cool
And you
I'm out
I ain't never seen a ceiling in my whole life
That's word to Blue
Free stylin' life
Blueprint from my Jigga who never writes
I'm so na-a-a ice
I'm everybody type
G-- d--- right
I'm so nice
Jesus Christ
I'm better than the hype
I give you lifeI can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah& I'm nice, nice, nice, nice, nice, nice, nice
Up all night, night, night, night, night, night, night
Running from the lights, lights, lights, lights, lights, lights, lights
Covered in ice, ice, ice, ice,ice, ice, iceLast name gon' be here foreva'
Now we finna' float like feathas'
Me and Hova do it like rebels
Most of ya chicks got pebbles
I got the Rocs and the Fella
Ice like 'dem wells from the heavens
Ya gon' have to watch us eat
Stocked up like the doomsday prepers
Anybody ever had a era
When things coulda' been better
Feelin' like you was on a stretcher
And all you remember was the hecklers
But the universe lifts that weight
Then you shine like a new feather
Blessings on blessings, etcetera
Feeling like the best year ever
D--- it's nice!I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah
I can do anything…, yeah
Hell nah, hell nah, hell nah, hell nah& I'm nice, nice, nice, nice, nice, nice, nice
Up all night, night, night, night, night, night, night
Running from the lights, lights, lights, lights, lights, lights, lights
Covered in ice, ice, ice, ice,ice, ice, iceWRITTEN BY PHARRELL WILLIAMS, BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY
PUBLISHED BY EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR);OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) / PRODUCED BY PHARRELL / VOCAL PRODUCTION BY BEYONCé AND JAY-Z / ADDITIONAL VOCALS BY PHARRELL / RECORDED BY STUART WHITE, MIKE LARSON AND TYLER SCOTT AT THE U ARENA, PARIS, FRANCE AND THE CHURCH STUDIOS, LONDON, UK / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®PHARRELL APPEARS COURTESY OF COLUMBIA RECORDS
-
Cash in deposits, 24 carrot faucets
Louis V and Goyard trunks all in the closet
Ain't sh-- changed the streets is still watchin'
And my lil' baby Blue is like who gon' stop us, huhAin't no way to stop this love…
Ain't no space if everything… is loveI'm representin' for the hustlers all across the world
Still
Still dippin' in my lo-lo's girl
Still
I put it down for the 7(Sem') 1 3
And we still got love for the streetsWe playedit cool at the pool in Cancun VMA
Confidence you exude make the fools stay away
Me I play my room let the fools have they say
Fate, had me sitting next you on a plane
And I knew straight away
The next time we would speak
Was like two years away
You had a man
You shut it down
Until you two had a break
I bet that dude ruled the day
You kept me up on the phone
While you were away
You came back , I let you set the date
NOBU on the plate
I brought my dude to play it cool
My first foolish mistakeCash in deposits, 24 carrot faucets
Louis V and Goyard trunks all in the closet
Ain't sh-- changed the streets is still watching
And my little baby Blue is like who gon' stop us, huhAin't no way to stop this love…
Ain't no space if everything… is loveI'm representing for the hustlers all across the world
Still
Still dippin' in my lo-lo's girl
Still
I put it down for the 7(Sem') 1 3
And we still got love for the streetsI never knew a love, love, love, love like this
Gotta be special for me to write this
Queen, I ain't mean no disrespect
But the way I network is hard for me to connect
My first time in the ocean went exactly how you would expect
Meanwhile you going hard jumping off the top deck
A leap of faith I knew I was up next
I never told you but I told a few people we'd wed
Me, I'm off to Rome, you going back home instead
My first time in my life a live n---- felt dead
You came back I had to act like it was cool in my head
Thoughts of jumping the broom a player never been sweptCash in deposits, 24 carrot faucets
Louis V and Goyard trunks all in the closet
Ain't sh-- changed the streets is still watching
And my little baby Blue is like who gon' stop us, huhI'm representing for the hustlers all across the world
Still
Still dippin' in my lo-lo's girl
Still
I put it down for the 7(Sem') 1 3
And we still got love for the streetsTo all the good girls that love hustlers
To the mothers that put up with us
To all the babies that suffer cause us
We only know love because of ya
America is a motherf----- to us
Lock us up shoot us
Shoot our self esteem down we don't deserve true love
Black queen
You
Rescued us
You rescued us
Rescued usMASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®
CONTAINS AN INTERPOLATION OF STILL D.R.E WRITTEN BY MELVIN CHARLES BRADFORD, S. CARTER, SCOTT STORCH AND ANDRE ROMELL YOUNG PERFORMED BY DR. DRE AND SNOOP DOG
PUBLISHED BY AIN'T NOTHING BUT FUNKIN' MUSIC (ASCAP); HARD WORKING BLACK FOLKS INC (ASCAP); LIL LU LU PUBLISHING (ASCAP); RESERVOIR MEDIA MUSIC (ASCAP); SCOTT STORCH MUSIC (ASCAP); WB MUSIC CORP (ASCAP)CONTAINS SAMPLES FROM "SPHINX GATE" AND "THE WORLD IT SOFTLY LULLS"
WRITTEN BY P. BENDER, S. MARVIN, P. MOSS AND N. SAALFIELD AND PERFORMED BY HIATUS KAIYOTE
PUBLISHED BY P.BENDER PUB DESIGNEE, S. MARVIN PUB DESIGNEE, P.MOSS PUB DESIGNEE, AND N.SAALFIELD PUB DESIGNEECONTAINS AN INTERPOLATION OF "THE LIGHT"
WRITTEN BY ROBERT CALDWELL, NOMAN HARRIS, LONNIE RASHID LYNN, BRUCE A MALAMENT, JAMES DEWITT YANCEY AND PERFORMED BY COMMON
PUBLISHED BY BENDAN MUSIC (ASCAP); E P H C Y PUBLISHING (ASCAP) -
My friends, real friends
Better than yo' friends
That's how we keep poppin' out that Benz, yeah
No foes, real friends
We ain't even gotta pretend, yeah
Get bands, get bands
Spend it all on my friends
Gon' pull me up, pull me up, pull me up
& never let me down Never let me down
Gon' pull me up, pull me up, pull me up
& never let me drown Never let me drown
Gon' pull me up, pull me up, pull me up
& never let me drownNever let me drown
Gon' pull me up, pull me up, pull me up
I'll never hit the ground
Never let me drown
Never let me drownMy friends, real friends
Better than yo' friends, yeah
That's how we keep poppin' out that Benz, yeah
Faux friends, real friends
Better than yo' friends, yeah
Ask them, ask them
They know all my biness'
I don't know what I would do
Without all of my crew, yeah
I ain't making no room, yeah
I ain't making no new friends
I don't make no moves, yeah
Without telling my crew, yeah
That's just how it do, yeah
That's just how it do… oh
D----it I love my life
Styrofoam cups no ice
Party before we go inside
Never let 'em out my sight
They're right by my side
They're my ride or dies
They're my ride or diesMy friends are goals
Your friends are foes
We fly, why cry
Our souls exposed, yeah
We smoke, we laugh
Your stress, my stress
Closer than kin
I'm blessed, you blessedUh
10 toes
10 toes
We was out in that road, uh
Looking for love in wrong places
We were posed to a stove, yeah
Share jewels, share clothes
That's how deep this sh-- goes, yeah
Every week ya got bros, yeah
All of ya fake clothes, yeah
Ya switching sides like NBA teams just after half time
I'm pulling up on my dog make sure he ok, I don't even have time
And cop me a Porsche with butterscotch seats, this before they had meals
Live better than rappers and they don't even have deals
It's that real
Bought Emory a BM as soon as he came home
We hopped on a plane headed straight to the Bay
That's how we turned the game on
It's game on
Ty momma died, I was there
My nephew died, he was there
He at my house more than I be there
More than B there
Ty Ty there
E there
Breezy there
Juan there
High here
Chaka there
Law there
They all here
Oh yeah
Des there
Kwanna here
Sh-- feel like nirvana here
Crib like the Soho house
I might stay in and grow out my hair
Tight circle no squares
I'm geometrically opposed to you
Ya like to try angles
Ya like to troll, do you?
Ya talk around h---, do you?
Ya don't follow codes, do you?
We know everything you say from n----- close to you
You emotional
When I say free the dogs, I free 'em
That's how Meek got his freedom
Ya put n----- on a t-shirt
It hurts you ain't ever meet 'em
You got n---- in the feds
You ain't even trying to feed 'em
I'm trying to free the world
That's how deep I'm in
I ain't going to nobody nothing
If me and my wife beefin'
I don't care if the house on fire
I'm dying n---- I ain't leaving
Ty Ty take care of my kids
After he done grieving
If y'all don't understand that
We ain't meant to be friendsPull me up, pull me up, pull me up
Don't ever let me down They never let me down
Gon' pull me up, pull me up, pull me up
Don't ever let me drown Never let me drown
Gon' pull me up, pull me up, pull me up
Them never let me downNever let me down
Gon' pull me up, pull me up, pull me up
Don't ever let me down
Never let me down
Never let me downThey pray pray for me
They pray pray for me
See better things for me
Want better days for me
Unselfishly
They pray pray for me
They pray pray for me
Whenever I'm in need
They in the backseat
With the AUX bumping B
They ain't no pride involved
They ain't no pride involved
In my heart, heart, heart
You know 444
That's my dog, dog, dog
See your dogs, dogs, dogs,
Point em' out, out, out
Point em' out, out, out
What would I be without my friends?What would I be without my friends?
I ain't got no understandingI ain't got no understanding
'Bout them you might just catch these hands
We fall out and we make amends
Yeah, yeah my friendsYour friends are foes
My friends are goals
Closer than kin
Our souls exposed, yeah
Your friends are frauds
All they want is applauds, yeah
And my friends, real friends
Closer than kinThem pull me up, pull me up, pull me up
Them never let me drown
Them pull me up, pull me up, pull me up
Them never let me down
Them pull me up, pull me up, pull me up
Them never let me down
Them pull me up, pull me up, pull me up
Them pull me up, pull me up, pull me up
Them pull me up, pull me up, pull me up
Them pull me up, pull me up, pull me upWRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, JAHAAN SWEET, DENISIA ANDREWS, BRITTANY CONEY, TAVOR JAVON HOLINS, AMIR "CASH" ESMAILIAN, NAVRAJ GORAYA, RUPERT THOMAS JR. / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP);SONGS OF KOBALT MUSIC PUBLISHING (BMI); 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); TAVOR JAVON HOLLINS BMI PUB DESIGNEE; AMIR "CASH" ESMAILIAN SOCAN PUB DESIGNEE; BMG GOLD SONGS (ASCAP), RUPERT THOMAS JR PUB DESIGNEE (SOCAN) SHAY NOELLE PUBLISHING, SONY/ATV TUNES LLC (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA AND JAHAAN SWEET / CO-PRODUCED BY NAV AND SEVN THOMAS / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA /ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®
-
Ain't no need to ask, you heard about us
No need to ask, you heard about us
Already know you know about… usNo need to ask, you heard about us
No need to ask, you heard about us
Watch yo' mouth when you around… usPull up, hop out, wreck. Got
No time, but we got Pateks. I
Come around stepping on necks. My
Jigga got n----- upset, Why?Oh why these b------ so mad for?
They don't want Yoncé on their door
Louie Slugger to your 4 door
Careful, you'll get what you ask for
We go
GoGo to Cuba, then Aruba in the middle of the winter
Oh
Skrrt, skrrt, brand new Sprinter
We laugh to the bank, but we ain't no joke, yeah
You better act like you know, yeahAin't no need to ask, you heard about us
No need to ask, you heard about us
Already know you know about… usAin't no need to ask, you heard about us
No need to ask, you heard about us
Watch yo' mouth when you around usIf you don't know, now you know people…
We smoke & we drank
D'USSÉ to the face
YeahAnd if don't know, now you know people…
Put you in your place
B---- stay in yo' laneTalk that talk B
Billy Jean in his prime
For the thousand time the kid ain't mine
Online they call me dad kiddingly
You're not supposed to take this dad thing literally
That's too famous, we don't even really do famous
I'm cool on that, chunk the two fingers
Everyday I'm getting sued famous
I show up to court without a suit famous
Your every move is on the news, ain't it ?
Sh-- has its perks too, ain't it?
Shooting videos in the Louvre, ain't it ?
It could be far worse for you, can't it?
Pain comes with Penthouse views, ain't it?
B---- know me, I been me since the cocaine
B---- know B, she don't even need a whole name
(It's Beyoncè)
(Oh My God)Ain't no need to ask, you heard about us
No need to ask, you heard about us
Already know you know about usNo need to ask, you heard about us
No need to ask, you heard about us
Watch yo mouth when you around usAnd if you don't know, now you know people…
We smoke & we drank
D'USSÉ to the faceAnd if don't know, now you know people…
Put you in your place
B---- stay in yo laneYeah, we the ones that y'all heard about
Make big noise, big noise
We don't need no voucher
We them ones y'all worried about
We good we good
Keep us out yo' mouth
If you don't know, now you know people…
If you don't know, now you know people…WRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, NIJA CHARLES, JAHAAN SWEET, ANDERSON "VINYLZ" HERNANDEZ, RAMON "!LLMIND" IBANGA JR., SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP),; 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI); THE SWEET LIFE, LLC ADMINISTERED BY SONGS OF KOBALT MUSIC PUBLISHING (BMI); VINYLZ MUSIC GROUP (ASCAP); SONY/ATV TUNES LLC (ASCAP); BIG TROUBLE LITTLE CHINA/ EMPIRE SF (ASCAP); JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA, JAHAAN SWEET, VINYLZ AND !LLMIND / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY STUART WHITE AT RAK STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT THE U ARENA, PARIS, FRANCE / ASSISTANT / MIX ENGINEER: DAN EWINS / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®
CONTAINS AN INTERPOLATION OF "JUICY" BY THE NOTORIOUS B.I.G
WRITTEN BY SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE
PUBLISHED BY JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP) -
Can you tell us about love?
Hmm
Well there is love of children, love of self, love of God ,love of a partner
All of dem have a different shape , but all of dem is the same in the end
It's about sensitivity, it's about passion
It's about unconditional giving of self to another person
And there's love of humanity
That's the love that is right now needed most
Love of humanity
But in everything , in all of that love there is a soul
It's like when you take some eggs and break them
And you take the shells and you mix them up
Trying to find the one's that match
When you find the perfect match
That comparity results in passion
Results in unconditional giving of self
I hope I can say that againYeah
I'm good on any MLK Boulevard
I'm good on any MLK Boulevard
See my vision with a tech, b---- I'm Malcolm X
Haters dreading my effect, they want that Das EFX
Get your hands up high like a false arrest
Let me see 'em up high this is not a test
Yes
Put 'em up this is not a test
Now hands where I can see 'em
F--- a false arrestThis off white fit that I rock sh-- permanent, hmm
The 'fro that I grow got no perm in it, hmm
A n---- late but he best dressed
Got slowed down by the weight of my necklaces
Park the Lex in projects
B---- I'm reckless
Extra magazine, hopped on the jet with my Ebony chick
Blacker than the Essence Fest
The behind the back pass is so effortless
Lebron James to you Amber Roses
Dapper Dan at 4 am, sh-- I am the culture
I made my own wave so now they anti Tidal
I'm living a no sock life to spite you
Since the Kalief doc they been at my neck
Ya' could tell 'em Trayvon is coming next
The SEC, the FBI or the IRS
I pass the alphabet boys like a eye testI'm good on any MLK Boulevard, (I'm good)
I'm good on any MLK Boulevard, (He good)
See my vision with a tech, b---- I'm Malcolm X, (I'm Malcolm X)
Haters dreading my effect, they want that Das EFX
YeahGet yo' hands up high like a false arrest put your hands up high
Let me see 'em up high this is not a test, yeslet me see 'em up high
Yes, put 'em up this is not a testput 'em up, put 'em up, put 'em up
Put your hands where I can see 'em
What's a false arrest !
Higher
Higher
Higher
Higher
Higher
Higher
Higher
HigherI'm good anywhere I go, anywhere I go (go)
I pull up like the Freedom riders
Hop out on Rodeo
Stunt with your curls your lips
Sarah Baartman hips
Gotta' hop into my jeans
Like I hop into my whip, yeah
Mobbing in a hoodie like Melo
Come up out that pretty motherf-----' like hello, hello
I will never let you shoot the nose off my Pharaoh
Yeah..I like purple and purple rain
Tryna' put red and blue together b---- that's all game
These people tryna' get me out the paint
Cause I cook collard greens and yams better than ya' aunt
Man
We started with a mustard seed
Now we in the grey 911 with the mustard seats
Sheesh
Matte black puma jet
Shining my light on the world just like Umi said
Got the Richard Mille all colors
Might hit you with the rose gold all summer
For the culture
They even biting cornrows
Put your scarecrows up
I come from the finest crop
Tell 'em the gods on road
Watch 'em line the block
The Chitlin' Circuit has stopped
Now we in stadiums
80 thou' a WOP, yeah
WatchI'm good on any MLK Boulevard, (He good)
I'm good on any MLK Boulevard, (He good )
See my vision with a tech, b---- I'm Malcolm X, (I'm Malcom X)
Haters dreading my effect, they want that Das EFX
Get your hands up high like a false arrest
Let me see 'em up high this is not a test
Yes
Put 'em up this is not a test
Now hands where I can see 'em
F--- a false arrestI know, I only got 'pon the the way
But look in the mirror, I see him holding me
Not realizing all that your expect passed away
But I know, I only got 'pon my wayWRITTEN BY BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY, MARCELLO VALENZANO, ANDRE CHRISTOPHER LYON, RAYSHON COBBS JR, ALEXANDER SMITH, JAN KOZUKI / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP) / 1114 SOUNDS (SESAC); W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); 808-RAY BEATS (ASCAP); SMITTY BEATS (BMI) / PRODUCED BY BEYONCé, JAY-Z AND COOL & DRE FOR EPIDEMIC MUSIC INC / ADDITIONAL VOCALS BY DR. LENORA ANTOINETTE STINES / MIXED BY TONY MASERATI AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA / ASSISTANT MIX ENGINEER: TYLER SCOTT AND HENRI DAVIES / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®
CONTAINS A SAMPLE OF "BROKEN STRINGS" WRITTEN BY JAN KOZUKI AND PERFORMED BY FLOWER TRAVELLIN' BAND
-
Put it on ice
Celebrate that we made it
I put it on Christ
That's on God, yeah
Lord knows it takes hella' patience
When your name is a verb
And these comments absurd
And they swear they know you better than you know yourself
Could you control yourself?
Cheers to me and youSalud….
Look me in my eye
Nigga cheers to you and I
Cheers to you…
Look me in the eye
Make a cheers to you and ISalud!
Mazel Tov
Gold bottle, tall
Wife got a model walk
House all glass
Slide the doors, you ain'tgotta wall
And to top it off
Got another one in Montauk
Trifecta down in Tribeca
Bonjour
French crib in the French Quarters
Champagne in the glass
Toast to the importers
Spill some out for the pastPut it on ice
Let's celebrate that we made it
I put it on Christ
That's on God, yeah
Lord knows it takes hella' patience
When your name is a verb
And these comments absurd
And they swear they know you better than you know yourself
Could you control yourself?Cheers to me and you
Salud…
Baby me in my eye
Take acheers to you and I
Cheers to you….
Baby look me in the eye
Take acheers to you and ISalud!
Hola
Thank the most high for the coca
Salud!
God protect babies and fools
I was both
It's just not a popular trope
The wind comes and I'm just a flute
The winds come and I'm not a fluke
I'm convinced that I'm truly the G.O.A.T
Sosa
The Elohimintervene like boy you the truth
Don't die
Angels on both sides, toast with mimosas
Your President'stweetin' about Hov like he know us
My road to the top was the take what you owed us
I give a f--- what that man find vulgar
Just look in my eyes when you toast usPut it on ice
Let's celebrate that we made it
I put it on Christ
That's on God
Lord knows it takes hella patience
When your name is a verb
And these comments are absurd
And they swear they know you better than you know yourself
Could you control yourself?Cheers to me and you!
Salud…
Baby look me in my eye
Take acheers to you and I
Cheers to you…
Baby look me in the eye
Take acheers to you and ISalud!
Mazel Tov
Put up your glass
Put up your glass
Put up your bag
Throw up a light
So that we bright
Blow money fast, yeah
This what we came for
Look out the window
Nigga , oh no
This what we ball forShoutout to Rumi and Sir
Love BlueWritten by Beyoncé, S. Carter, Marcello Valenzano, Andre Christopher Lyon, E. Dubok
Published by Oakland 13 Music (ASCAP) All Rights Administered by WB Music Corp. OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Z Songs/Dade Co. Project Music Inc. (BMI) OBO Universal Music ; Fruit of the Loominati Music (BMI)
Produced by Beyoncé, JAY-Z and Cool & Dre for Epidemic Music Inc
Co-produced by Beat Butcha
Additional programming by 808-Ray
Additional vocals by Dre from Cool &Dre
Mixed by Chris Godbey
Recorded by Stuart White
Assistant Mix Engineer: Tyler Scott
Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®A&R Executive: Teresa LaBarbera
LEMONADE (2016)
- Buy Now
-
YOU CAN TASTE THE DISHONESTY, IT'S ALL OVER YOUR BREATH
AS YOU PASS IT OFF SO CAVALIER, BUT EVEN THAT'S A TEST
CONSTANTLY AWARE OF IT ALL, MY LONELY EAR
PRESSED AGAINST THE WALLS OF YOUR WORLDPRAY TO CATCH YOU WHISPERING
I PRAY YOU CATCH ME LISTENING
I'M PRAYING TO CATCH YOU WHISPERING
I PRAY YOU CATCH MEI'M PRAYING TO CATCH YOU WHISPERING
I PRAY YOU CATCH ME LISTENING
I PRAY YOU CATCH MENOTHING ELSE EVER SEEMS TO HURT LIKE THE SMILE ON YOUR FACE
WHEN IT'S ONLY IN MY MEMORY, IT DON'T HIT ME QUITE THE SAME
MAYBE IT'S A CAUSE FOR CONCERN, BUT I'M NOT AT EASE
KEEPING MY HEAD TO THE CURBPRAY TO CATCH YOU WHISPERING
I PRAY YOU CATCH ME LISTENING
I PRAY TO CATCH YOU WHISPERING
I PRAY YOU CATCH ME
I PRAY YOU CATCH ME
I PRAY YOU CATCH ME
I'M PRAYING YOU CATCH MEWRITTEN BY KEVIN GARRETT, BEYONCÉ, JAMES BLAKE / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF, ROC NATION MUSIC AND KEVIN GARRETT MUSIC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONY/ATV / PRODUCED BY KEVIN GARRETT, BEYONCÉ AND JEREMY MCDONALD / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / PIANO BY KEVIN GARRETT / JUPITER BASS BY JAMES BLAKE / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS AND KEYBOARDS ENGINEERED BY GREG KOLLER / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS, LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
-
HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOUSOMETHING DON'T FEEL RIGHT
BECAUSE IT AIN'T RIGHT
ESPECIALLY COMING UP AFTER MIDNIGHT
I SMELL YOUR SECRETS
AND I'M NOT TOO PERFECT
TO EVER FEEL THIS WORTHLESS
HOW DID IT COME DOWN TO THIS
SCROLLING THRU YOUR CALL LIST
I DON'T WANT TO LOSE MY PRIDE BUT I'MA F---- ME UP A BITCH
KNOW THAT I KEPT IT SEXY
YOU KNOW I KEPT IT FUN
IS THERE SOMETHING THAT I'M MISSING? MAYBE MY HEAD FOR ONE
WHAT'S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZY
OR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELY
I'D RATHER BE CRAZYHOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOULET'S IMAGINE FOR A MOMENT
THAT YOU NEVER MADE A NAME
FOR YOURSELF MASTER WEALTH THEY HAD YOU LABELED AS A KING
NEVER MADE IT OUT THE CASE
STILL OUT THERE MOVING IN THEM STREETS
NEVER HAD THE BADDEST WOMEN IN THE GAME UP IN YOUR SHEETS
WOULD THEY BE DOWN TO RIDE, NO
THEY USED TO HIDE FROM LIE TO YA
BUT Y'ALL KNOW WE WERE MADE FOR EACH OTHER
SO I FIND YOU AND HOLD YOU DOWNHOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOUBABE IT'S SUCH A SHAME
YOU LET THIS GOOD LOVE GO TO WASTE
I ALWAYS GIVE THAT TOP TIER 5 STAR
BACK SEAT LOVIN IN THE CAR
LIKE MAKE THAT WOOD HOLLY LIKE A BOULEVARDWHAT'S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZY
OR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELY
I'D RATHER BE CRAZYHOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOUI HOP UP OFF MY BED
AND GET MY SWAG ON
I LOOK IN THE MIRROR SAY WASSUP
WASSUP WASSUP WASSUPWRITTEN BY THOMAS WESLEY PENTZ, EZRA KOENIG, BEYONCÉ, EMILE HAYNIE, JOSHUA TILLMAN, UZOECHI EMENIKE, SEAN RHODEN P/K/A MELO-X, DOC POMUS, MORT SCHUMAN, DEANDRE WAY, ANTONIO RANDOLPH, KELVIN MCCONNELL, BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, NEON REGGAE CO-OP CITY, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./HEAVYCRATE PUBLISHING (ASCAP), SUGAR POP MEOW MEOW (ASCAP), WARNER/CHAPPELL MUSIC LTD. (PRS), MELOXTRA PUBLISHING (BMI) , UNICHAPPELL MUSIC, INC. (BMI), 456 MUSIC ASSOCIATES (BMI) ALL RIGHTS ADMINISTERED BY UNICHAPPELL MUSIC, INC. (BMI), SOULJA BOY TELL'EM MUSIC (BMI) EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI) CHRYSALIS MUSIC LTD/BMG BLUE (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY DIPLO, BEYONCÉ AND EZRA KOENIG / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY MELO-X / GUITAR BY JR BLENDER / DRUM PROGRAMMING BY DIPLO AND JR BLENDER / MIXED AND RECORDED BY STUART WHITE / ASSISTED BY JON SHACTER / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT RECORD PLANT STUDIOS IN LOS ANGELES, CA AND MAD DECENT STUDIOS IN BURBANK, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
CONTAINS ELEMENTS OF "CAN'T GET USED TO LOSING YOU" WRITTEN BY DOC POMUS AND MORT SHUMAN. PUBLISHED BY UNICHAPPELL MUSIC, INC. (BMI) AND 456 MUSIC ASSOCIATES (BMI) ALL RIGHTS ADMINISTERED BY UNICHAPPELL MUSIC, INC. (BMI).
THIS COMPOSITION EMBODIES PORTION OF "TURN MY SWAG ON" WRITTEN BY DEANDRE WAY, ANTONIO RANDOLPH AND KELVIN MCCONNELL. PUBLISHED BY SOULJA BOY TELL'EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI)
CONTAINS ELEMENTS OF "MAPS" WRITTEN BY BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER, PUBLISHED BY CHRYSALIS MUSIC LTD/BMG BLUE (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.
-
DON'T HURT YOURSELF
DON'T HURT YOURSELFWHO THE F--- DO YOU THINK I IS
YOU AIN'T MARRIED TO NO AVERAGE B---- BOY
YOU CAN WATCH MY FAT ASS TWIST BOY
AS I BOUNCE TO THE NEXT D--- BOYAND KEEP YOUR MONEY
I GOT MY OWN
KEEP A BIGGER SMILE ON MY FACE
BEING ALONE
BAD MUTHA F----ER
GOD COMPLEX
MOTIVATE YOUR ASS
CALL ME MALCOLM X
YOUR OPERATOR
INNOVATOR
FUCK YOU HATER
YOU CAN'T RECREATE HER NO
YOU NEVER RECREATE HER NOWE JUST GOTTA LET IT BE
LET IT BE
LET IT BE
LET IT BE BABYYOU JUST GOTTA LET IT BE
LET IT BE
LET IT BE
LET IT BE BABYWHEN YOU HURT ME
YOU HURT YOURSELF
DON'T HURT YOURSELFWHEN YOU DIS ME
YOU DIS YOURSELF
DON'T HURT YOURSELFWHEN YOU HURT ME
YOU HURT YOURSELF
DON'T HURT YOURSELFWHEN YOU LOVE ME
YOU LOVE YOURSELF
LOVE GOD HERSELF
I AM THE DRAGON BREATHING FIRE
BEAUTIFUL MANE I'M THE LION
BEAUTIFUL MAN I KNOW YOU'RE LYING
I AM NOT BROKE AND I'M NOT CRYING
I'M NOT CRYING, YOU AIN'T TRYING HARD ENOUGH
YOU AIN'T LOVING HARD ENOUGH
YOU DON'T LOVE ME DEEP ENOUGH
WE NOT REACHING PEAKS ENOUGHBLINDLY IN LOVE
I FUCKS WITH YOU, TILL I REALIZE
I'M JUST TOO MUCH FOR YOU
I'M JUST TOO MUCH FOR YOUYOU JUST GOTTA LET IT BE
LET IT BE
LET IT BE
LET IT BE BABYHEY BABY
WHO THE FUCK DO YOU THINK I IS
I SMELL THAT FRAGRANCE ON YOUR LOUIS KNIT BOY
JUST GIVE MY FAT ASS A BIG KISS BOY
TONIGHT I'M FUCKING UP ALL YOUR SHIT BOYWHEN YOU HURT ME
YOU HURT YOURSELF
TRY NOT TO HURT YOURSELF
WHEN YOU PLAY ME, YOU PLAY YOURSELF
DON'T PLAY YOURSELF
WHEN YOU LIE TO ME, YOU LIE TO YOURSELF
YOU ONLY LYING TO YOURSELF
WHEN YOU LOVE ME, YOU LOVE YOURSELF
LOVE GOD HERSELFWE JUST GOTTA LET IT BE
LET IT BE
LET IT BE
LET IT BE
LET IT BE BABYTHIS IS YOUR FINAL WARNING
YOU KNOW I GIVE YOU LIFE
IF YOU TRY THIS SHIT AGAIN
YOU GONNA LOSE YOUR WIFEWRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM
PUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED. / PRODUCED BY JACK WHITE AND BEYONCÉ / CO-PRODUCED BY DEREK DIXIE / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY RUBY AMANFU / RECORDED BY STUART WHITE, VANCE POWELL AND JOSHUA V. SMITH / ADDITIONAL OVERDUBS BY JOSHUA V. SMITH / SECOND ENGINEERING BY RAMON RIVAS / BASS GUITAR BY JACK WHITE / DRUMS BY PATRICK KEELER / HAMMOND ORGAN BY MARK WATROUS / MIXED BY STUART WHITE / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA, MARK WATROUS, FATS KAPLAN, LINDSEY SMITH-TRESTLE / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS ENGINEERED BY GREG KOLLER / ADDITIONAL DRUM PROGRAMMING BY DEREK DIXIE / PROTOOLS EDITING/RECORDING BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND JOSHUA V. SMITH / ADDITIONAL INSTRUMENTATION RECORDING BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / ADDITIONAL STUDIO ASSISTING BY ED SPEAR / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CAFEATURES SAMPLE FROM THE LED ZEPPELIN RECORDING "WHEN THE LEVEE BREAKS," PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY. WRITTEN BY JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM, PUBLISHED BY FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED.
-
I AIN'T SORRY
I AIN'T SORRY
I AIN'T SORRY
N---- NAH
I AIN'T SORRY
I AIN'T SORRY
I AIN'T SORRYHE TRYING TO ROLL ME UP (I AIN'T SORRY)
I AIN'T PICKING UP (I AIN'T SORRY)
HEADED TO THE CLUB (I AIN'T SORRY)
I AIN'T THINKING 'BOUT YOU (I AIN'T SORRY)ME AND MY LADIES SIP MY D'USSÉ CUPS
I DON'T GIVE A F--- CHUCKING MY DEUCES UP
SUCK ON MY BALLS PAUSE
I HAD ENOUGH
I AIN'T THINKING 'BOUT YOU
I AIN'T THINKING 'BOUTMIDDLE FINGERS UP
PUT THEM HANDS HIGH
WAVE IT IN HIS FACE
TELL 'EM BOY BYE
TELL 'EM BOY BYE
BOY BYE
MIDDLE FINGERS UP
I AIN'T THINKING 'BOUT YOUI AIN'T SORRY
I AIN'T SORRY
I AIN'T SORRY
N---- NAH
I AIN'T SORRY
I AIN'T SORRY
I AIN'T SORRY
NO NO HELL NAHNOW YOU WANT TO SAY YOU'RE SORRY
NOW YOU WANT TO CALL ME CRYING
NOW YOU GOTTA SEE ME WILDIN'
NOW I'M THE ONE THAT'S LYING
AND I DON'T FEEL BAD ABOUT IT
IT'S EXACTLY WHAT YOU GET
STOP INDIRECTING MY GRINDINGI AIN'T THINKING BOUT YOU
I AIN'T THINKING BOUT YOU
I AIN'T THINKING BOUT YOU
I AIN'T THINKING BOUT YOU
I AIN'T THINKING BOUT YOUMIDDLE FINGERS UP
PUT THEM HANDS HIGH
WAVE IT IN HIS FACE
TELL 'EM BOY BYE
TELL 'EM BOY BYE
BOY BYE
MIDDLE FINGERS UP
I AIN'T THINKING BOUT YOUI AIN'T SORRY
I AIN'T SORRY
I AIN'T SORRY
N---- NAH
I AIN'T SORRY
I AIN'T SORRY
I AIN'T SORRY
NO NO HELL NAHLOOKING AT MY WATCH HE SHOULD'VE BEEN HOME
TODAY I REGRET THE NIGHT I PUT THAT RING ON
HE ALWAYS GOT THEM FUCKING EXCUSES
I PRAY TO THE LORD YOU REVEAL WHAT HIS TRUTH ISI LEFT A NOTE IN THE HALLWAY
BY THE TIME YOU READ IT I'LL BE FAR AWAY
I'M FAR AWAY
BUT I AIN'T FUCKING WITH NOBODY
LET'S HAVE A TOAST TO THE GOOD LIFE
SUICIDE BEFORE YOU SEE THIS TEAR FALL DOWN MY EYES
ME AND MY BABY WE GONE BE ALRIGHT
WE GON' LIVE A GOOD LIFE
BIG HOMIE BETTER GROW UP
ME AND MY WHOADIES 'BOUT TO STROLL UP
I SEE THEM BOPPERS IN THE CORNER
THEY SNEAKING OUT THE BACK DOOR
HE ONLY WANT ME WHEN I'M NOT THERE
HE BETTER CALL BECKY WITH THE GOOD HAIR
HE BETTER CALL BECKY WITH THE GOOD HAIR
WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MELO-X, BEYONCÉ AND DIANA GORDON / CO-PRODUCED BY HIT-BOY FOR HITS SINCE '87 AND HAZEBANGA FOR HAZEBANGA MUSIC / ADDITIONAL PRODUCTION BY STUART WHITE / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PROGRAMMING BY B. CARR / BACKGROUND VOCALS BY CHRISSY COLLINS / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
-
6 INCH HEELS
SHE WALKED IN THE CLUB
LIKE NOBODY'S BUSINESS
GOT DAMN
SHE MURDERED EVERYBODY AND I WAS HER WITNESS(THE WEEKND)
STACKIN' MONEY MONEY EVERYWHERE SHE GO… (WHERE SHE GO)
YOU-KNOW…
PESOS OUT OF MEXICO… (MEXICO)
THEM UNOS… COMMAS AND THEM DECIMALS… (DECIMALS)
SHE DON'T GOTTA GIVE IT UP SHE PROFESSIONAL… OHSHE MIXING UP THAT ACE WITH THE HENNESSY… (HENNESSY)
SHE LOVE THE WAY IT TASTE THAT'S THE RECIPE.. (RECIPE)
RUSHING THROUGH HER VEINS LIKE IT'S ECSTASY.. OH NO
SHE ALREADY MADE ENOUGH BUT SHE'LL NEVER LEAVE…6 INCH HEELS
SHE WALKED IN THE CLUB
LIKE NOBODY'S BUSINESS
GOT DAMN
SHE MURDERED EVERYBODY AND I WAS HER WITNESS
SHE WORKS FOR THE MONEY
SHE WORK FOR THE MONEY
FROM THE START TO FINISH
AND SHE WORTH EVERY DOLLAR
SHE WORTH EVERY DOLLAR
AND SHE WORTH EVERY MINUTESHE STACK HER MONEY MONEY EVERYWHERE SHE GO
HER YAMAZAKI STRAIGHT FROM TOKYO
SHE GOT THEM COMMAS AND THEM DECIMALS
SHE DON'T GOTTA GIVE IT UP CUZ SHE PROFESSIONAL6 INCH HEELS
SHE WALKED IN THE CLUB
LIKE NOBODY'S BUSINESS
GOT DAMN
SHE MURDERED EVERYBODY AND I WAS HER WITNESS
SHE WORKS FOR THE MONEY
SHE WORK FOR THE MONEY
FROM THE START TO FINISH
AND SHE WORTH EVERY DOLLAR
SHE WORTH EVERY DOLLAR
AND SHE WORTH EVERY MINUTESTARS IN HER EYES
SHE FIGHTS FOR THE POWER
KEEP IN TIME
SHE GRINDS
DAY AND NIGHT
SHE GRINDS FROM MONDAY TO FRIDAY
WORK FROM FRIDAY TO SUNDAY
SHE GONE SLAY
SHE'S TOO SMART TO CRAVE MATERIAL THINGS
SHE PUSHING HERSELF
DAY AND NIGHT
SHE GRINDS FROM MONDAY TO FRIDAY
WORK FROM FRIDAY TO SUNDAY
STARS IN HER EYES
SHE FIGHTS AND SHE SWEATS THRU SLEEPLESS NIGHTS
BUT SHE DON'T MIND
SHE LOVES THE GRIND
SHE GRINDS FROM MONDAY TO FRIDAY
WORKS FROM FRIDAY TO SUNDAY
SHE GONE SLAY
TOO SMART TO CRAVE MATERIAL THINGS
STACKING HER PAPER
STACKING HER PAPER
SHE GRINDS FROM MONDAY TO FRIDAY
WORK FROM FRIDAY TO SUNDAY6 INCH HEELS
SHE WALKED IN THE CLUB
LIKE NOBODY'S BUSINESS
GOT DAMN
SHE MURDERED EVERYBODY AND I WAS HER WITNESS
SHE WORKS FOR THE MONEY
SHE WORK FOR THE MONEY (KNOW JUST WHAT TO DO)
FROM THE START TO FINISH (TO MAKE YOU LOVE ME)
AND SHE WORTH EVERY DOLLAR (LOVE ME)
SHE WORTH EVERY DOLLAR (LOVE ME)
AND SHE WORTH EVERY MINUTENOW YOU KNOW I MAKE YOU FEEL YOU'LL ALWAYS COME BACK TO ME…..
COME BACK
COME BACK
COME BACK
COME BACK
COME BACKWRITTEN BY ABEL "THE WEEKND" TESFAYE, BEYONCÉ, DANNY SCHOFIELD, BEN DIEHL, TERIUS "THE-DREAM" NASH, AHMAD "BELLY" BALSHE, BOOTS, DAVE PORTNER, NOAH LENNOX, BRIAN WEITZ, BURT BACHARACH, HAL DAVID / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC OBO SONGS OF SMP (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./SAL&CO INC. (ASCAP), BENJAMIN DIEHL PUBLISHING DESIGNEE (BMI), 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP)/SAL&CO INC. (ASCAP), WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI) AND IN SOULS (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), ROUGH TRADE PUBLISHING LTD (PRS), BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) / PRODUCED BY DANNYBOYSTYLES, BEN BILLIONS, BEYONCÉ AND BOOTS / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PRODUCTION BY DEREK DIXIE / ADDITIONAL INSTRUMENTATION BY DEREK DIXIE / ADDITIONAL VOCALS BY BELLY / RECORDED BY STUART WHITE AT RECORD PLANT STUDIOS IN LOS ANGELES, CA / SECOND ENGINEERING BY RAMON RIVAS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY TYLER SCOTT AND JAMES KRAUSSE / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA
THIS COMPOSITION EMBODIES PORTIONS OF "MY GIRLS" WRITTEN BY DAVID PORTNER, NOAH LENNOX, AND BRIAN WEITZ. PUBLISHED BY ROUGH TRADE PUBLISHING LTD (PRS).
CONTAINS SAMPLES FROM "WALK ON BY" WRITTEN BY BURT BACHARACH AND HAL DAVID, PUBLISHED BY BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) AND PERFORMED BY ISAAC HAYES. USED COURTESY OF STAX RECORDS CONCORD MUSIC GROUP, INC. ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.
THE WEEKND APPEARS COURTESY OF THE WEEKND XO, INC./REPUBLIC RECORDS
-
YEE HAW
TEXAS
TEXAS
TEXASCAME INTO THIS WORLD
DADDY'S LITTLE GIRL
DADDY MADE A SOLDIER OUT OF ME
DADDY MADE ME DANCE
DADDY HELD MY HAND
BUT DADDY LIKED HIS WHISKY WITH HIS TEAAND WE ROLLED MOTORCYCLES
BLACK JACK CLASSIC VINYL
TOUGH GIRL IS WHAT I HAD TO BE
HE SAID TAKE CARE OF YOUR MOTHER
WATCH OUT FOR YOUR SISTER
AND OH THAT'S WHEN HE GAVE TO MEWITH HIS GUN AND HIS HEAD HELD HIGH
HE TOLD ME NOT TO CRY
OH MY DADDY SAID SHOOT
OH MY DADDY SAID SHOOT
WITH HIS RIGHT HAND ON HIS RIFLE
HE SWORE IT ON THE BIBLE
MY DADDY SHOOT
OH MY DADDY SAID SHOOTHE HELD ME IN HIS ARMS
AND HE TAUGHT ME TO BE STRONG
HE TOLD ME WHEN HE'S GONE HERE'S WHAT TO DO
WHEN TROUBLE COMES TO TOWN
AND MEN LIKE ME COME AROUND
OH MY DADDY SAID SHOOT
OH MY DADDY SAID SHOOTDADDY MADE ME FIGHT
IT WASN'T ALWAYS RIGHT
BUT HE SAID GIRL IT'S YOUR 2ND AMENDMENT
HE ALWAYS PLAYED IT COOL
BUT DADDY WAS NO FOOL
AND RIGHT BEFORE HE DIED HE SAID REMEMBERHE SAID TAKE CARE OF YOUR MOTHER
WATCH OUT FOR YOUR SISTER
THAT'S WHEN DADDY LOOKED AT MEWITH HIS GUN
WITH HIS HEAD HELD HIGH
HE TOLD ME NOT TO CRY
OH MY DADDY SAID SHOOT
OH MY DADDY SAID SHOOT
WITH HIS RIGHT HAND ON HIS RIFLE
HE SWORE IT ON THE BIBLE
MY DADDY SHOOT,
OH MY DADDY SAID SHOOTHE HELD ME IN HIS ARMS
AND HE TAUGHT ME TO BE STRONG
AND HE TOLD ME WHEN HE'S GONE HERE'S WHAT TO DO
WHEN TROUBLE COMES TO TOWN
AND MEN LIKE ME COME AROUND
OH MY DADDY SAID SHOOT
OH MY DADDY SAID SHOOTMY DADDY WARNED ME ABOUT MEN LIKE YOU
HE SAID BABY GIRL HE'S PLAYING YOU
HE'S PLAYING YOU
MY DADDY WARNED ME ABOUT MEN LIKE YOU
HE SAID BABY GIRL HE'S PLAYING YOU
HE'S PLAYING YOUCAUSE WHEN TROUBLE COMES TO TOWN AND MEN LIKE ME COME AROUND
OH MY DADDY SAID SHOOT
OH MY DADDY SAID SHOOT
CAUSE WHEN TROUBLE COMES TO TOWN AND MEN LIKE ME COME AROUND
OH MY DADDY SAID SHOOT
OH MY DADDY SAID SHOOTGOOD JOB B! (BLUE)
WRITTEN BY DIANA GORDON, BEYONCÉ, KEVIN COSSUM, ALEX DELICATA / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND YRP MUSIC PUBLISHING (BMI) ALL RIGHTS ON BEHALF OF ITSELF AN YRP MUSIC PUBLISHING ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DELICATA MUSIC/NUMBERS NEVER LIE (BMI) ADMINISTERED BY SONGS OF KOBALT MUSIC PUBLISHING / PRODUCED BY BEYONCÉ / CO-PRODUCED BY DEREK DIXIE AND ALEX DELICATA FOR DELICATA MUSIC PRODUCTIONS / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / BASS BY COURTNEY LEONARD / GUITAR BY ERIC WALLS / HORNS BY RANDOLPH ELLIS, PETER ORTEGA, CHRISTOPHER GRAY, RICHARD LUCCHESE / HARMONICA BY PATRICK WILLIAMS / ADDITIONAL INSTRUMENTATION BY TOO MANY ZOOZ / DRUMS AND DRUM PROGRAMMING BY DEREK DIXIE / BAND SESSION LEADER: DEREK DIXIE / BAND RECORDING ENGINEERING BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / ASSISTANT RECORDING ENGINEERING BY DEREK DIXIE / RECORDED IN THE BEEHIVE IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
-
10 TIMES OUT OF 9 I KNOW YOU LYIN'
BUT 9 TIMES OUTTA 10 I KNOW YOU TRYING
SO I'M TRYING TO BE FAIR
AND YOU'RE TRYING TO BE THERE
AND TO CARE
BUT YOU'RE CAUGHT UP IN YOUR PERMANENT EMOTIONS
AND ALL THE LOVE I'M GIVING IS UNNOTICED
JUST FLOATING IN THE AIR
LOOKIE THERE...
ARE YOU AWARE?
YOU'RE MY LIFELINE, ARE YOU TRYNA KILL ME?
IF I WASN'T ME WOULD YOU STILL FEEL ME?
LIKE ON MY WORST DAY?
OR AM I NOT THIRSTY?
ENOUGH…
I DON'T CARE ABOUT THE LIGHTS OR THE BEAM
I'D SPEND MY LIFE IN THE DARK
FOR THE SAKE OF YOU AND ME
THE ONLY WAY TO GO IS UP
SKIN THICK
TOO TOUGHYOU YOU YOU YOU AND ME COULD MOVE A MOUNTAIN
YOU YOU YOU YOU AND ME COULD CALM A WAR DOWN
YOU YOU YOU YOU AND ME COULD MAKE IT RAIN NOW
YOU YOU YOU AND ME COULD STOP THIS LOVE DROUGHT9 TIMES OUTTA 10 I'M IN MY FEELINGS
BUT 10 TIMES OUTTA 9 I'M ONLY HUMAN
TELL ME WHAT DID I DO WRONG?
FEEL LIKE THAT QUESTION HAS BEEN POSED... I'M MOVING ON
I'VE ALWAYS BEEN COMMITTED I BEEN FOCUSED
I ALWAYS PAID ATTENTION, BEEN DEVOTED
TELL ME WHAT DID I DO WRONG?
OH I ALREADY ASKED THAT...
MY BAD
BUT YOU'RE MY LIFELINE THINK YOU TRYNA KILL ME?
IF I WASN'T BEY WOULD YOU STILL FEEL ME?
LIKE ON MY WORST DAY?
OR AM I NOT THIRSTY?
ENOUGH…
I DON'T CARE ABOUT THE LIGHTS OR THE BEAMS
I'D SPEND MY LIFE IN THE DARK
FOR THE SAKE OF YOU AND ME
THE ONLY WAY TO GO IS UP
THEM OLE BITCHES SO WACK
I'M SO TOUGH, WHAT'S UP?YOU YOU YOU YOU AND ME COULD MOVE A MOUNTAIN
YOU YOU YOU YOU AND ME COULD CALM A WAR DOWN
YOU YOU YOU YOU AND ME COULD MAKE IT RAIN NOW
YOU YOU YOU AND ME COULD STOP THIS LOVE DROUGHTWRITTEN BY MIKE DEAN, INGRID BURLEY, BEYONCÉ / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI)/PAPA GEORGE MUSIC (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., LOVE VIVIAN MUSIC/SONY/ATV TUNES/EMI APRIL MUSIC (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / KEYBOARDS AND DRUM PROGRAMMING BY MIKE DEAN / TRACK ENGINEERED BY MIKE DEAN / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
-
WE BUILD SAND CASTLES
THAT WASHED AWAY
I MADE YOU CRY
WHEN I WALKED AWAY
AND ALTHOUGH I PROMISED
THAT I COULDN'T STAY
EVERY PROMISE DON'T WORK OUT THAT WAY
EVERY PROMISE DON'T WORK OUT THAT WAYDISHES SMASHED ON MY COUNTER
FROM OUR LAST ENCOUNTER
PICTURES SNATCHED OUT THE FRAME
BITCH I SCRATCHED OUT YOUR NAME
AND YOUR FACE
WHAT IS IT ABOUT YOU?
THAT I CAN'T ERASE BABY
WHEN EVERY PROMISE DON'T WORK OUT THAT WAY
NO NO BABY
WHEN EVERY PROMISE DON'T WORK OUT THAT WAYAND YOUR HEART IS BROKEN
CAUSE I WALKED AWAY
SHOW ME YOUR SCARS
AND I WON'T WALK AWAY
AND I KNOW I PROMISED THAT I COULDN'T STAY
EVERY PROMISE DON'T WORK OUT THAT WAY
EVERY PROMISE DON'T WORK OUT THAT WAY
WRITTEN BY VINCENT BERRY II, BEYONCÉ, MALIK YUSEF, MIDIAN MATHERS / PUBLISHED BY CLEFTONE MUSIC (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./JABRIEL IZ MYNE (ASCAP), MIDIAN MATHERS BMG PLATINUM SONGS US OBO MABLE JEAN MUSIC (BMI) / PRODUCED BY BEYONCÉ AND VINCENT BERRY II / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY VINCENT BERRY II / SYNTHS BY JACK CHAMBAZYAN / SYNTH ARRANGEMENT BY BOOTS / RECORDED BY STUART WHITE IN THE BEEHIVE, LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY MILES COMASKEY / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PIANO RECORDED BY JORDAN STILWELL
-
FORWARD
BEST FOOT FORWARD JUST IN CASE
WHEN WE MADE OUR WAY TO NOW
IT'S TIME TO LISTEN
IT'S TIME TO FIGHT
FORWARD
NOW WE'RE GOING TO HOLD DOORS OPEN FOR A WHILE
NOW WE CAN BE OPEN FOR A WHILE
FORWARD
I LOVE YOU MORE THAN THIS JOB PLEASE DON'T WORK FOR ME
FORWARD
GO BACK TO YOUR SLEEP IN YOUR FAVORITE SPOT JUST NEXT TO ME
FORWARD
WRITTEN BY JAMES BLAKE AND BEYONCÉ / PUBLISHED BY SONY/ATV, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY JAMES BLAKE AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY JAMES BLAKE / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORD ENGINEERING BY JOHN CRANFIELD / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
JAMES BLAKE APPEARS COURTESY OF POLYDOR LIMITED
-
TRYING TO REIGN
TRYING TO RAIN ON THE THUNDER
TELL THE STORM I'M NEW
I'MA WALK
I'MA MARCH
ON THE REGULAR
PAINTING WHITE FLAGS BLUE
LOVE FORGIVE ME I'VE BEEN RUNNING
RUNNING BLIND IN TRUTH
I'MA RAIN
I'MA REIGN
ON THIS BITTER LOVE
TELL THE SWEET I'M NEWI'M TELLING THESE TEARS GONNA FALL AWAY FALL AWAY… OOOH
MAY THE LAST ONE BURN INTO FLAMESFREEDOM
FREEDOM
I CAN'T MOVE
FREEDOM CUT ME LOOSE
FREEDOM
FREEDOM
WHERE ARE YOU?
CAUSE I NEED FREEDOM TOO
I BREAK CHAINS ALL BY MYSELF
WON'T LET MY FREEDOM ROT IN HELL
I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVESI'M A WADE
I'M A WAVE THROUGH THE WATERS
TIL THE TIDE DON'T MOVE
I'M A RIOT I'M A RIOT THROUGH YOUR BORDERS
CALL ME BULLET PROOF
LOVE FORGIVE ME I'VE BEEN RUNNING, RUNNING BLIND IN TRUTH
I'M A WADE
I'M A WAVE THROUGH YOUR SHALLOW LOVE
TELL THE DEEP I'M NEWI'M TELLING THESE TEARS GONNA FALL AWAY FALL AWAY… OOOH
MAY THE LAST ONE BURN INTO FLAMESFREEDOM
FREEDOM
I CAN'T MOVE
FREEDOM CUT ME LOOSE
FREEDOM
FREEDOM
WHERE ARE YOU?
CAUSE I NEED FREEDOM TOO
I BREAK CHAINS ALL BY MYSELF
WON'T LET MY FREEDOM ROT IN HELL HEY
I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVES(KENDRICK LAMAR)
TEN HAIL MARY'S I MEDITATE FOR PRACTICE (ONE, TWO)
CHANNEL 9 NEWS TELL ME I'M MOVING BACKWARDS (ACHACHA)
8 BLACKS LEFT DEATH IS AROUND THE CORNER (HAH)SEVEN MISLEADING STATEMENTS BY MY PERSONA (UH WOO)
SIX HEAD LIGHTS WAVING IN MY DIRECTION (COME ON)
FIVE-O ASKING ME WHAT'S IN MY POSSESSION… YEAH
I KEEP RUNNING JUMP IN THE AQUA DUCTS
FIRE HYDRANTS AND HAZARDOUS
SMOKE ALARMS ON THE BACK OF US
BUT MAMA DON'T CRY FOR ME RIDE FOR ME
TRY FOR ME LIVE FOR ME
BREATH FOR ME SING FOR ME
HONESTY GUIDING ME I CAN BE ME MORE THAN I GOTTA BE
STOLE FROM ME LIED TO ME NATION HYPOCRISY
COLD ON ME DRIVING ME WICKED
MY SPIRIT INSPIRE ME LIKE… YEAHOPEN CORRECTIONAL GATES IN HIGH DESERTS … YEAH
OPEN OUR MIND AS WE CAST AWAY OPPRESSION… YEAH
OPEN THE STREETS AND WATCH OUR BELIEFS AND WHEN THEY CARVE MY NAME INSIDE THE CONCRETE I PRAY IT FOREVER READS...FREEDOM
FREEDOM
I CAN'T MOVE
FREEDOM CUT ME LOOSE
FREEDOM
FREEDOM
WHERE ARE YOU?
CAUSE I NEED FREEDOM TOO
I BREAK CHAINS ALL BY MYSELF
WON'T LET MY FREEDOM ROT IN HELL HEY
I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVESHUH WHAT YOU WANT FROM ME IS IT TRUE YOU SEE UH OH FATHER CAN YOU HEAR ME?
HUH WHAT YOU WANT FROM ME IS IT TRUE YOU SEE UH OH FATHER CAN YOU HEAR ME?
HEAR ME?
WRITTEN BY JONATHAN COFFER, BEYONCÉ, CARLA WILLIAMS, ARROW BENJAMIN, KENDRICK DUCKWORTH, FRANK TIRADO, ALAN LOMAX, JOHN LOMAX SR. / PUBLISHED BY B-UNIQUE MUSIC LIMITED/KOBALT PUBLISHING AMERICA, INC. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EMI BLACKWOOD MUSIC INC. (BMI), SONY/ATV SONGS (BMI), WB MUSIC CORP. (ASCAP), HARD WORKING BLACK FOLKS INC. (ASCAP) AND TOP DAWG MUSIC (ASCAP) OBO KENDRICK DUCKWORTH PKA KENDRICK LAMAR, NOW-AGAIN RECORDS, GLOBAL JUKEBOX PUBLISHING (BMI), LUDLOW MUSIC INC. (BMI) / PRODUCED BY JONNY COFFER, BEYONCÉ AND JUST BLAZE / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / BACKGROUND VOCALS BY ARROW BENJAMIN / PROGRAMMING AND KEYBOARDS BY JONNY COFFER / ADDITIONAL PROGRAMMING BY BOOTS AND MYLES WILLIAM / BASS BY MARCUS MILLER / ADDITIONAL PIANO BY CANEI FINCH / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
CONTAINS A SAMPLE OF "LET ME TRY," WRITTEN BY FRANK TIRADO AND PERFORMED BY KALEIDOSCOPE. USED COURTESY OF NOW-AGAIN RECORDS, WITH THANKS TO THOMAS HARTLAGE AND SHADOKS MUSIC.
CONTAINS A SAMPLE OF "COLLECTION SPEECH/UNIDENTIFIED LINING HYMN," PERFORMED BY REVEREND R.C. CRENSHAW. RECORDED BY ALAN LOMAX IN 1959. USED COURTESY OF GLOBAL JUKEBOX PUBLISHING (BMI) AND THE ALAN LOMAX COLLECTION, AMERICAN FOLKLIFE CENTER, LIBRARY OF CONGRESS, COURTESY OF ODYSSEY PRODUCTIONS, INC.
CONTAINS A SAMPLE OF "STEWBALL," PERFORMED BY PRISONER "22" AT MISSISSIPPI STATE PENITENTIARY AT PARCHMAN, RECORDED IN 1947 BY ALAN LOMAX AND JOHN LOMAX SR. USED COURTESY OF LUDLOW MUSIC INC. (BMI)/GLOBAL JUKEBOX PUBLISHING (BMI) AND THE ALAN LOMAX COLLECTION, AMERICAN FOLKLIFE CENTER, LIBRARY OF CONGRESS, COURTESY OF ODYSSEY PRODUCTIONS, INC.
KENDRICK LAMAR APPEARS COURTESY OF TOP DAWG ENT./AFTERMATH RECORDS/INTERSCOPE RECORDS
-
I FOUND THE TRUTH BENEATH YOUR LIES
AND TRUE LOVE NEVER HAS TO HIDE
TRADE YOUR BROKEN WINGS FOR MINE
I'VE SEEN YOUR SCARS AND KISSED YOUR CRIMESSO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
KISS UP AND RUB UP AND FEEL UP
KISS UP AND RUB UP AND FEEL UP ON YA
GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
I'M GONNA KISS UP AND RUB UP AND FEEL UP
KISS UP AND RUB UP AND FEEL UP ON YAALL NIGHT LONG....
(ALL NIGHT YEAH )GOOD LOVE
ALL NIGHT LONG......
(ALL NIGHT YEAH )SWEET LOVE
ALL NIGHT LONG.....
(ALL NIGHT YEAH )ALL I WANNA
BE NO OTHER
BE TOGETHER
I REMEMBER
SWEET LOVE
ALL NIGHT LONG…MY LOVE WAS STRONGER THAN YOUR PRIDE
BEYOND YOUR DARKNESS I'M YOUR LIGHT
YOU GET DEEP YOU TOUCH MY MIND
BAPTIZE YOUR TEARS AND DRY YOUR EYESSO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
KISS UP AND RUB UP AND FEEL UP
KISS UP AND RUB UP AND FEEL UP ON YA
GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
I'M GONNA KISS UP AND RUB UP AND FEEL UP
KISS UP AND RUB UP AND FEEL UP ON YAALL NIGHT LONG....
(ALL NIGHT YEAH )GOOD LOVE
ALL NIGHT LONG......
(ALL NIGHT YEAH)SWEET LOVE
ALL NIGHT LONG.....
(ALL NIGHT YEAH)ALL I WANNA
BE NO OTHER
BE TOGETHER
I REMEMBER
SWEET LOVE
ALL NIGHT LONG…THEY SAY TRUE LOVE'S THE GREATEST WEAPON
TO WIN THE WAR CAUSED BY PAIN
BUT EVERY DIAMOND HAS IMPERFECTIONS
BUT MY LOVE'S TOO PURE TO WATCH IT CHIP AWAYBOY NOTHING REAL CAN BE THREATENED
TRUE LOVE BREATHES SALVATION BACK INTO ME
WITH EVERY TEAR CAME REDEMPTION
AND MY TORTURER BECAME MY REMEDYSO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
KISS UP AND RUB UP AND FEEL UP
KISS UP AND RUB UP AND FEEL UP ON YA
GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
I'M GONNA KISS UP AND RUB UP AND FEEL UP
KISS UP AND RUB UP AND FEEL UP ON YAALL NIGHT LONG....
(ALL NIGHT YEAH)GOOD LOVE
ALL NIGHT LONG......
(ALL NIGHT YEAH)SWEET LOVE
ALL NIGHT LONG.....
(ALL NIGHT YEAH)ALL I WANNA
BE NO OTHER
BE TOGETHER
I REMEMBER
SWEET LOVE
ALL NIGHT LONG…YOU KNOW I MISSED YOU MY LOVE
WRITTEN BY THOMAS WESLEY PENTZ, BEYONCÉ, HENRY ALLEN, TIMOTHY AND THERON THOMAS, ILSEY JUBER, AKIL KING, JARAMYE DANIELS, ANDRE BENJAMIN, PATRICK BROWN, ANTWAN PATTON / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS MUSIC PUBLISHING, LLC OBO DUKE CITY MUSIC (SESAC), SONGS MUSIC PUBLISHING (SESAC), TNT EXPLOSIVE PUBLISHING/UMPG (ASCAP), SONY/ATV SONGS LLC / SPARKO PHONE MUSIC (BMI), AKIL C. KING/M PUBLISHING/BMG RIGHTS MANAGEMENT (BMI), JARAMYE DANIELS MUSIC/WARNER TAMERLANE (ASCAP), BMG MONARCH (ASCAP)/GNAT BOOTY MUSIC (ASCAP), SONGS OF WINDSWEPT (BMI)/HITCO MUSIC (BMI) / ORGANIZED NOIZE MUSIC (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY DIPLO AND BEYONCÉ / CO-PRODUCED BY KING HENRY / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY DIPLO AND KING HENRY / HORNS BY RANDOLPH ELLIS, PETER ORTEGA, CHRISTOPHER GRAY, RICHARD LUCCHESE / HORNS ARRANGED BY DEREK DIXIE / HORNS RECORDED BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS, KEYBOARDS AND BASS ENGINEERED BY GREG KOLLER / GUITAR BY KING HENRY / BASS BY MARCUS MILLER / DRUM PROGRAMMING BY DEREK DIXIE, DIPLO AND KING HENRY / ADDITIONAL INSTRUMENTATION BY DEREK DIXIE / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / RECORDED AT JUNGLE CITY STUDIOS IN NEW YORK CITY, CONWAY STUDIOS IN LOS ANGELES, CA AND MAD DECENT STUDIOS IN BURBANK, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY TYLER SCOTT / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA
CONTAINS ELEMENTS OF "SPOTTIEOTTIEDOPALISCIOUS" WRITTEN BY ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON. PUBLISHED BY BMG MONARCH (ASCAP)/GNAT BOOTY MUSIC (ASCAP), SONGS OF WINDSWEPT (BMI)/HITCO MUSIC (BMI) / ORGANIZED NOIZE MUSIC (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.
-
YA'LL HATERS CORNY WITH THAT ILLUMINATI MESS
PAPARAZZI CATCH MY FLY AND MY COCKY FRESH
I'M SO RECKLESS WHEN I ROCK MY GIVENCHY DRESS
I'M SO POSSESSIVE SO I ROCK HIS ROC NECKLACESMY DADDY ALABAMA
MY MAMA LOUISIANA
YOU MIX THAT NEGRO WITH THAT CREOLE MAKE A TEXAS-BAMAVERSE-1
I LIKE MY BABY HAIR WITH BABY HAIR AND AFROS
I LIKE MY NEGRO NOSE WITH JACKSON 5 NOSTRILS
I EARNED ALL THIS MONEY BUT THEY NEVER TAKE THE COUNTRY OUT ME
I GOT HOT SAUCE IN MY BAG… SWAGPRE-1
I SEE IT I WANT IT
I STUNT YELLOW HORNET
I DREAM IT I WORK HARD I GRIND TILL I OWN IT
I TWIRL ON THEM HATERS
ALBINO ALLIGATORS
EL CAMINO WITH THE SEAT LOW SIPPING CUERVO WITH NO CHASERSOMETIMES I GO OFF
I GO HARD
GET WHATS MINE
IM A STAR
CAUSE I SLAY… I SLAY I SLAY I SLAY
I SLAY I SLAY I SLAY I SLAY
IM GON' SLAY I SLAY I SLAY I SLAY
ALL DAY I SLAY I SLAY OKAY OKAYHOOK-1
OK LADIES NOW LETS GET IN FORMATION
OK LADIES NOW LETS GET IN FORMATION
PROVE TO ME YOU GOT SOME CO-ORDINATION
SLAY TRICK OR YOU GET ELIMINATEDWHEN HE FUCK ME GOOD I TAKE HIS ASS TO RED LOBSTER
WHEN HE FUCK ME GOOD I TAKE HIS ASS TO RED LOBSTER
IF HE HIT IT RIGHT I MIGHT TAKE HIM ON A FLIGHT ON MY CHOPPER
DROP HIM OFF AT THE MALL LET HIM BUY SOME J'S LET HIM SHOPPAVERSE-2
I MIGHT GET YOUR SONG PLAYED ON THE RADIO STATION
I MIGHT GET YOUR SONG PLAYED ON THE RADIO STATION
YOU JUST MIGHT BE A BLACK BILL GATES IN THE MAKING
YOU JUST MIGHT BE A BLACK BILL GATES IN THE MAKINGPRE-2
I SEE IT I WANT IT
I STUNT YELLOW HORNET
I DREAM IT I WORK HARD I GRIND TILL I OWN IT
I TWIRL ON MY HATERS
ALBINO ALLIGATORS
EL CAMINO WITH THE SEAT LOW SIPPING CUERVO WITH NO CHASERSOMETIMES I GO OFF
I GO HARD
TAKE WHATS MINE
IM A STAR
CAUSE I SLAY… I SLAY I SLAY I SLAY
I SLAY I SLAY I SLAY I SLAY
WE GON' SLAY GON' SLAY WE SLAY I SLAY
I SLAY OKAY I SLAY OKAY OKAY OKAYHOOK-2
OK LADIES NOW LETS GET IN FORMATION
OK LADIES NOW LETS GET IN FORMATION
PROVE TO ME YOU GOT SOME CO-ORDINATION
SLAY TRICK OR YOU GET ELIMINATEDOK LADIES NOW LETS GET IN FORMATION
OK LADIES NOW LETS GET IN FORMATION
YOU KNOW YOU THAT BITCH WHEN YOU CAUSE ALL THIS CONVERSATION
ALWAYS STAY GRACIOUS
BEST REVENGE IS YOUR PAPER
WRITTEN BY MICHAEL L. WILLIAMS II, BEYONCÉ, KHALIF BROWN, AAQUIL BROWN, ASHETON HOGAN / PUBLISHED BY WB MUSIC CORP (ASCAP) OBO ITSELF, SOUNDS FROM EARDRUMMERS LLC, WARNER-TAMERLANE PUBLISHING CORP (BMI) OBO ITSELF, EARDRUMMERS MUSIC PUBLISHING LLC, (BMI), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP., KHALIF BROWN BMI PUB DESIGNEE, AAQUIL BROWN BMI PUB DESIGNEE, ASHETON HOGAN BMI PUB DESIGNEE, AND WB MUSIC CORP. (ASCAP). OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MIKE WILL MADE-IT AND BEYONCÉ / CO-PRODUCED BY PLUSS FOR EARDRUMMERS ENTERTAINMENT LLC / VOCAL PRODUCTION BY BEYONCÉ / ADLIBS BY SWAE LEE OF RAE SREMMURD / ADDITIONAL BACKGROUND ADLIBS BY BIG FREEDIA / TRUMPET BY MATT DOE / HORN ARRANGEMENT BY DEREK DIXIE / RECORDED BY STUART WHITE IN THE BEEHIVE IN LOS ANGELES, CA / MIXED BY JAYCEN JOSHUA FOR THE PENUA PROJECT/INNERSOUND MGMT AT LARRABEE SOUND STUDIOS, NORTH HOLLYWOOD CA AND STUART WHITE AT PACIFIQUE STUDIO IN LOS ANGELES, CA / ASSISTANT MIX ENGINEERING BY MADDOX CHHIM, DAVID NAKAJI, AND ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE IN NEW YORK CITY
-
A VISUAL ALBUM BY
BEYONCÉFILM ADAPTATION AND POETRY BY
WARSAN SHIREDIRECTORS
KAHLIL JOSEPH
BEYONCÉ KNOWLES CARTERADDITIONAL DIRECTORS
MELINA MATSOUKAS
TODD TOURSO
DIKAYL RIMMASCH
JONAS ÅKERLUND
MARK ROMANEKEXECUTIVE PRODUCER
BEYONCÉ KNOWLES CARTEREXECUTIVE PRODUCERS
TODD TOURSO
ERINN WILLIAMS
DORA MELISSA VARGAS
STEVE PAMON
ED BURKEPRODUCERS
ONYE ANYANWU
JONATHAN LIA
KEENAN FLYNN
NATHAN SCHERRER
SCOTT HORAN
KIRA CARSTENSEN
THOMAS BENSKI
DANYI DEATS
THOMAS MARTIN
VIOLAINE ETIENNE
MICHAEL GARZACINEMATOGRAPHERS
CHAYSE IRVIN
KHALIK ALLAH
PÄR EKBERG
SANTIAGO GONZALEZ
MALIK SAYEED
DIKAYL RIMMASCH
REED MORANOEDITOR
BILL YUKICHADDITIONAL EDITING BY
LUKE LYNCH
ALEXANDRE MOORS
ALEXANDER HAMMER
MICHAEL HELDMAN
JEFF SELIS
PAUL ROGERS
ARMEN HAROOTUNMUSICAL SCORE
MELO-XSOUND DESIGN AND MIX
ERIC HOFFMAN
ALBUM SONGS MIX AND RECORD
STUART WHITE
TONY MASERATIMUSIC SUPERVISOR
TERESA LABARBERA WHITESSTYLING
MARNI SENOFONTEGLAM
HAIR: KIM KIMBLE
MAKE UP: SIR JOHN BARNETT
NAILS: LISA LOGANPRODUCTION DESIGNERS
HANNAH BEACHLER
ETHAN TOBMAN
TOM FODEN
JASON HOUGAARD
JC MOLINACHOREOGRAPHERS
CHRIS GRANT
JAQUEL KNIGHT
ANTHONY BURRELL
DANA FOGLIA
MICHAELA DEPRINCE
ASHLEY EVERETT**START SCROLL**
WITH APPEARANCES BY
BEYONCÉ
BRITTANI ALEXANDER
JASMINE "JB" BADIE
FULANI BAHATI
CHLOE BAILEY
HALLE BAILEY
DENEÉ BAPTISTE
AVA BERNSTINE
KENDRA BRACY
BIANCA BREWTON
MONIQUE BROGAN
LATASHA BRYANT
SIFARE BURRELL
INGRID BURLEY
GWENDOLYN CARR
BLUE IVY CARTER
SHAWN "JAY Z" CARTER
TANESHA "KSYN" CASON
LEAH CHASE
DENZEL CHISOLM
AVA CLARK
J'ATINA CLARK
KENITIA COLEMAN
ZENDAYA COLEMAN
ZORA GRACE DAVIS
MICHAELA DEPRINCE
DESIREE DIXON
HANNAH DOUGLASS
GAILY EDGERSON
ASHLEY EVERETT
HAJIBA FAHMY
AMANDY FERNANDEZ
SYBRINA FULTON
KIMMIE GEE
WINNIE HARLOW
JASMINE HARPER
ALEX HARRIS
LE'ANA "LEVI" HILL
TAMIKA JETT
WANDA JOHNSON
MATHEW KNOWLES
RICHARD LAWSON
TINA KNOWLES LAWSON
SABINA LUNDGREN
LEZLEY MCSPADDEN
MARIAH MENDEZ
RON MYLES
SAIDAH NAIROBI
KHADIJA NICHOLAS
CHRISTIAN OWENS
AHSIA PETTIGREW
JIAN PIERRE-LOUIS
KAYLA PITTMAN
FERLY PRADO
DEJA RILEY
TAJA RILEY
LISA ROSENTHAL
REBECCA "REBBIE" ROSIE
ABRIELLE SANDERS
DIAMOND SMITH
DANIELLE STAMPER
AMANDLA STENBERG
CHINA TAYLOR
JANA THOMPKINS
QUVENZHANÉ WALLIS
MARQUITA WASHINGTON
CHRISTINA WEBBER
HATTIE WHITE
EBONY WILLIAMS
FAITHE WILLIAMS
SERENA WILLIAMS
TAJANA WILLIAMS
QUINETTA WILMINGTON
KHADIJA WILSON
QUEEN YAYA
JACQUELINE YORK
EBBONI YOUNG
LISA KAINDE DIAZ ZAYAS
NAOMI LUCIE DIAZ ZAYASADDITIONAL CAST
LOUISA ABERNATHY
MEL AGCAOLI
JERMAINE ALPHONSE
CONSUELLO ANDERSON
JOVAN ARMAND
EVELYN BRINSON
HERMAN BROCKS III
MARK BROGDEN
ZOIE BROGDEN
CHARLES BROWN
GEORGE BROWN
GLORIA BROWN
HENRY BROWN
MIEKO CLARK
DARRELL CROOKS
GARRETT DAVIS
RODERICK DAVIS
GABE DE GUZMAN
LANA DANIELYAN
GABRIEL DERRICKS
LAWRENCE DUNBAR
TATIANA EASLEY
JOE EVANS
SHANTELL FINLEY
JAYDEN FLOWERS
GM FORD
GABBY
MELVIN GALIEN
MICHAEL GILBEAUX
LATANYA GRINSTEAD
LESLA GRINSTEAD
HUNTER HA
DARRELL HARDY
SHARRELL HARDY
PATRICIA HARRIS
ALIJAH JETT
CHRIS JOHNSON
TYE HALE JOHNSON
ELOISE JONES
KNOCKAZ BRASS BAND
ROCHELLE LEBLANC
LEVYSTEIN LOCKETT
MICHAEL LONDON
ODELL MACK
CHARLENA MATHEWS
JOURNI MCGEE
ORLANDO MILLENDER
DORIS MOLIZONE
HENRY NGUYEN
MILES O'MALLEY
CHASE OTUBUAH
ANITA OUBRE
ISABEL PATEAN-VILLA
GERALD PLATENBURG
LINDA T. PORTER
REVERT POWELL
RAHEAN
NYLA RAHMAN
ISA RAHMAN
BARBARA J. RAINEY
LEONARD RAYMOND
MADDIE RAYMOND
HERMOINE REED
JOSHUA REESE
BILL ROPER
RICARDO ROUSE
MONTRELL SAYLES
JESSE SHARPS
KEENON SHUFFORD
ALEXANDRIA SILVA
DESMOND SONIAT
MICAAL STEVENS
TYSAIAH STUTTS
KIERAN TAMONDONG
NICOLE TATE
LOUIS TAYLOR
JENNIFER TRAMUTA
NHAN VO
BASAI WADE
PERCY WARD
ASHTEN WARE
MORGAN WESTBROOKS
FAITH WILLIAMS
HERMAN WILLIAMS IV
JEDIDIAH WINSLOW
COREY WOODS
JOHN YOUNGPRODUCTION
PULSE FILMS
EXECUTIVE PRODUCER: KIRA CARSTENSEN
EXECUTIVE PRODUCER: THOMAS BENSKI
PRODUCER: ONYE ANYANWU
EXECUTIVE PRODUCER: LAURA TUNSTALL
EXECUTIVE PRODUCER: MAURY STRONG
PRINCIPAL MANAGER: CARRIE BORNSTEIN
PRINCIPAL COORDINATOR: NOAH TRIVIER
LINE PRODUCER: DANYI DEATS
PRODUCER'S ASSISTANT: REILY VALENTINE
PRODUCTION SUPERVISOR: TRACY KELLER
ASSISTANT PRODUCTION SUPERVISOR: ANNY POIRIER
L.A. POC: ANNA ALEXANDER
PRODUCTION SECRETARY: CLAIRE OHLSENANONYMOUS CONTENT
MANAGING DIRECTOR: ERIC STERN
EXECUTIVE PRODUCER: SUEELLEN CLAIR
HEAD OF PRODUCTION: KERRY HAYNIE
PRODUCER: THOMAS MARTIN
ASSOCIATE PRODUCER: KRISTA WORBY
PRODUCTION SUPERVISOR: MAHLIN DIAMOND
PRODUCTION COORDINATOR: JARED PLOTINGOOD COMPANY
EXECUTIVE PRODUCER: JONATHAN LIA
EXECUTIVE PRODUCER: BRIAN WELSH
EXECUTIVE PRODUCER: RYAN HEIFERMAN
PRODUCTION SUPERVISOR: RACHEL STRAUS
PRODUCTION SUPERVISOR: PEPPER CARLSON
ASSISTANT PRODUCTION SUPERVISOR: CORI RUBIO
OFFICE ASSISTANT: MICHAEL HERNANDEZPRETTY BIRD
EXECUTIVE PRODUCER: NATHAN SHERRER
PRODUCTION MANAGER: BEN PIETY
PRODUCTION COORDINATOR: JEFF KOPCHIA
ASSISTANT PRODUCTION COORDINATOR: LAUREN CIELL
PRODUCTION COORDINATOR: IAN MENZIESSERIAL PICTURES
EXECUTIVE PRODUCER: VIOLAINE ETIENNE
PRODUCER: MICHAEL GARZA
PRODUCTION SUPERVISOR: MATT AYRISS
COMMUNICATIONS COORDINATOR: AMANDA ANDREWS
TALENT COORDINATOR: STEPHANIE MACHADO2ND UNIT DIRECTORS
KHALIK ALLAH
MALIK SAYEED
LILY KEBER
NICOLE OTERO1ST ADS
JONAS MORALES
ROB JACKSON
PIERRE CAILLIAREC
SEAN HORNER
CRAIG PINCKES
ANDY COFFING
JP WETZEL
JEY WADA2ND ADS
MARK CHRISTOPHER
SHANNON TROLL
ERIC TOPPER
DEAN PERATSAKIS
PATRICK CUNNINGHAM
JIMMY BRAYL
PAUL SCHNEIDER
LILY GARCIA2ND 2ND ADS
ANGEL DE LAVIÑA
AMAN SEGAL
GERALD HICKMAN
PAUL SCHNEIDER
GEORGE HARKNESSDIRECTOR'S ASSISTANTS
DIRECTOR'S ASSISTANT: JEANA SULLIVAN
DIRECTOR'S ASSISTANT: DENIESE DAVIS
DIRECTOR'S ASSISTANT: WILL KANERSCRIPT SUPERVISORS
SCRIPT SUPERVISOR: MARY FRANCIS ELGIN
SCRIPT SUPERVISOR: SARAH DART
SCRIPT SUPERVISOR: TARA RIDDELLART DEPARTMENT
ART DIRECTORS
CHRIS BRITT
REBECA PEREZ
MIKE MANSON
NATHAN W. BAILEY
PAUL RICEART COORDINATOR: JESSICA LEE
ART COORDINATOR: RAYELLE HACHÉ
ART COORDINATOR: ANGIE MCCRILLIS
ART COORDINATOR: MIRANDA CRISTOFANI
ART COORDINATOR: LISA MEDINA
ASSISTANT ART DIRECTOR: LAURA DEROSA
ASSISTANT ART DIRECTOR: NICHOAS RUIZ KELLEY
LEADMAN: VINNY LEBLANC
LEADMAN: CLOVIS CHAMBARET
LEADMAN: SCOTT MACDONALD
LEADMAN: ANDRE PRICE
LEADMAN: JEFF MYRON
LEADMAN: MIKE STARBIRD
SET DECORATOR: KIM MURPHY
SET DECORATOR: JENNA CRAIG
SET DECORATOR: PELÉ KUDREN
SET DECORATOR BUYER: JESSICA TAYLOR
DECORATOR: ALEX WINTERSTELLER
DECORATOR: REBECCA PEREZ
SET DRESSER: JOHN TALBOT
SET DRESSER: TORY DUCOTE
SET DRESSER: MARTIN ORCHARD
SET DRESSER: GEOFFREY TURNEY
SET DRESSER: LARRY KETCHUM
SET DRESSER: TOZAR SIMICH
SET DRESSER: BOBBY LITE GIBSON
SET DRESSER: HENRIK PELLICER
SET DRESSER: RONI LEVI
SET DRESSER: MATT KELLY
SET DRESSER: GEORGE MARSALAS
SET DRESSER: ANDRE PRICE
SET DRESSER: ROGER LAPLANT
SET DRESSER: RONNIE PRICE
SET DRESSER: TRISTAN DEDE
SET DRESSER: PAOLO MARIANO
SET DRESSER: DINO ROBINSON
SET DRESSER: ANDY VAN SCHOIACK
SET DRESSER: OSCAR ABEL
DRESSER/DRIVER: KC UZOH
SET DRESSER/DRIVER: JOHN LYNN
DRESSER: JOSE CASTILLO
DRESSER: KEEF LEASURE
ON SET DRESSER: JOHN LAMKIN
SCENIC: JAMES HAWORTH
PROP MASTER: MIKE SCHERSCHEL
PROP MASTER: VINCE PEARSON
PROP MASTER: THOMAS BRY
PROP MASTER: MARI YUI
PROPS ASSISTANT: STUART OKATA
PROPS ASSISTANT: JASON HOLMAN
ARMORER: CLAYTON BEISNER
SHOPPER: ERIN THIELE
ACCURATE STAGING: JOHNNY
ARCHITECTURAL ENGINEER: MATT TIMMERS
SPFX COORDINATOR: SUSAN MILLIKEN
SPFX COORDINATOR: BOB GARRIGUS
SPFX FOREMAN: JIM GILL
SPFX FOREMAN: NEIL SMITH
SPFX ASSISTANT: ADAM FORSTER
SPFX ASSISTANT: BRIAN WEILAND
SPFX: RANDY KROHMER
SPFX: RENE DIAMANTE
SPFX: SUSAN MILLIKEN
PYROTECHNICIAN: STEVEN NEWQUIST
PYROTECHNICIAN: ROCKY GEHR
SPFX TECHNICIAN: RICHARD JACOBS
SPFX TECHNICIAN: SCOTT ADLER
SPFX TECHNICIAN: RICHARD HOGUE
SPFX TECHNICIAN: TAYLOR ESTEVES
SPFX TECHNICIAN: TOM RINEHART
WATER TRUCK: JOSEPH LAVOIE
WATER TRUCK: BRAIN EASTVELD
WATER TRUCK: STEVE MARTINEZ
SHOWER TRUCK: MIKE MARR
HORSE WRANGLER: SCARLET WALKER
HORSE WRANGLER: STEPHEN BENDER
ENTOMOLOGY CONSULTANT: STEVEN KUTCHER
BACKGROUND WRANGLER: JAZMYN BOODRAN
PA: JASON NORTH
PA: ANNIE HOLSTEIN
PA: JEANINE RINGER
PA: BRIGITTE HUFF
PA: ASHLEY KINSER
ADDITIONAL: EVERETTE EGLIN
ADDITIONAL: JASON WILSONADDITIONAL STYLING
STYLISTS
NEWHEART OHANIAN
TIM WHITE
ZERINA AKERS
SHIONA TURINI
B ÅKERLUND
KAREN LANGLEY
ARMINA MUSSA
KELLY WILLIAMS OF JAK
JESSICA LORIA OF JAK
WARDROBE SUPERVISOR: JILLIAN KREINER
WARDROBE SUPERVISOR: JESSICA LAW
BACKGROUND STYLIST: NATASHA NEWMAN-THOMAS
STYLIST ASSISTANT: LAUREN BOTT
STYLIST ASSISTANT:JOAN REIDY
STYLIST ASSISTANT: EYOB YOHANNES
STYLIST ASSISTANT: JOHN ANGELO DE PERALTA
STYLIST ASSISTANT: COURTNEY MADISON
STYLIST ASSISTANT: ERIC ARCHIBALD
STYLIST ASSISTANT: JASMIN ROSS
STYLIST ASSISTANT: TONYA LOMBARDO
STYLIST ASSISTANT: GENEVIEVE TATE
STYLIST ASSISTANT: DEREK BULGER
STYLIST ASSISTANT: KENNY P PAUL
STYLIST ASSISTANT: BOBBY WESLEY WILLIAMS
STYLIST ASSISTANT: JANELLE LOPEZ
STYLIST ASSISTANT: DANIELE LOCKE
STYLIST ASSISTANT: JAMES CARROLL
STYLIST ASSISTANT: ANTHONY GULLA
STYLIST ASSISTANT: ZOE ZHOU
STYLIST ASSISTANT: RACHEL GRUBBS
STYLIST ASSISTANT: ADE SAMUEL
SEAMSTRESS: SALLY SMITH
WARDROBE PA: CAITLIN WELLS
KEY COSTUMER: CAMILLE A GARMENDIA
2ND COSTUMER: KATINA DANABASSIS
2ND COSTUMER: TIM CHERNYAEVADDITIONAL HAIR
KENDRA GARVEY
KIMBERLY 'KIMMI' MCALLISTER
GODFREY STEWARD
NEAL FARINAH
PAULA ASHBY
ERVETTE MAHAN
SEAN SMITH
ERVETTE MAHAN
SHAWNTE ELLIS
HAIR ASSISTANTS: ASHLEY KING
HAIR ASSISTANTS: SHANTELL MALLARD
HAIR ASSISTANTS: BRANDI JACKSON
HAIR ASSISTANTS: TATER PAZON
HAIR ASSISTANTS: MELVION SMITH
HAIR ASSISTANTS: CEDRIC GARNER
HAIR ASSISTANTS: SHENDRA COLEMAN
HAIR ASSISTANTS: HELENA JONES
HAIR ASSISTANTS: KRISTA JEE
HAIR ASSISTANTS: MATILDE CAMPOS
HAIR ASSISTANTS: CHRIS GEES
HAIR ASSISTANTS: QUAN PIERCE
HAIR ASSISTANTS: SEAN SMITH
HAIR ASSISTANTS: EVETTE MAHANN
HAIR ASSISTANTS: SHAWN ELLISADDITIONAL MAKE UP
FRANCESCA TOLOT
DANA DELANEY
RACHEL HOKE
LEAH CARMICHAEL
SALLY WANG
OLIVE MEYER
MEL DANIEL
MAKE UP ASSISTANTS: ELLY QUIROS
MAKE UP ASSISTANTS: TINA MARTINEZ
MAKE UP ASSISTANTS: KEIRA ROWLAND
MAKE UP ASSISTANTS: NATHAN HEIJL
MAKE UP ASSISTANTS: MELISSA TOLENTINO
MAKE UP ASSISTANTS: DANA DELANEY
MAKE UP ASSISTANTS: DAWN NICOLE
MAKE UP ASSISTANTS: SARAH GRAHAM
MAKE UP ASSISTANTS: ALLISON LACOUR
MAKE UP ASSISTANTS: JAVETTA WHITE
MAKE UP ASSISTANTS: KATALINA MITCHELL
MAKE UP ASSISTANTS: MEGUMI ASAI
BODY PAINT MAKE UP: KARINA KONUPEK
BODY PAINT MAKE UP: HAYLEY TASSAADDITIONAL NAILS
MIHO OKAWARA
SARAH BLANDCAMERA
ADDITIONAL CINEMATOGRAPHERS
STEVEN CHIVERS
ALLENDRA FREEMAN
AARON PLATTB-CAM OPERATOR: ARTHUR JAFFE
STEADICAM OPERATOR: BRIAN FREESH
STEADICAM OPERATOR: MANOLO ROJAS
STEADICAM OPERATOR: MARK "CHIEF" MYERS
STEADICAM OPERATOR: WILLIAM DEMERRIT
STEADICAM OPERATOR: CHRIS CUNNIGHAM
STEADICAM OPERATOR: TWOJAY DHILLONDRONE CAMERA
DRONE CAMERA OPERATOR: ZACK HASKELL
DRONE PILOT: COREY GINERIS
DRONE FOCUS PULLER: IAN CONGDON
DRONE VISUAL OBSERVER: DANIEL TARTRE1ST ACS
DAVE EDSALL
ROBBY HART
ALEX PAYNE
RICHARD LACY
WAYNE GORING
GREG WILLIAMS
KEVIN AKERS
REED KOPPEN
LAURA DIFIGLIO
JEFF LYNN
RYAN RAYNER
NICK FISCHER
MARC COLICCI
GORDON YOULD2ND AC
ROME JULIAN
PAUL RAHFIELD
NICK RAMEY
STEVE VICARI
PAT ROMERO
DOM JONES
ANDREW DICKIESON
JENNIFER LAI
MAGNUS PERSSON
PATRICK ROMERO
SELYN PRICE
JAMES JERMYN
NATE LEWISLOADERS
LEE DE ARAKAL
ZACH BLOSSER
MIKE GENTILE
LISA GUERRIERO
SELE PRICE
KATE STEINHEBELD.I.T.S
WILSON CHUNG
MCKAY JOHNSON
AARON PICOT
DANIEL SATINOFFADDITIONAL
CRANE OPERATOR: MIKE RYAN
CRANE TECH: HILTON GARRETT
CRANE TECH: MICHAEL MONTEZ
OCULUS TECH: SHAWN FOSSEN
PHANTOM TECH: BRANNON BROWN
MOVI TECH: RICHARD CARD
CAM PA: TRISTAN HILLELECTRIC
GAFFERS:
BENJAMIN AGEE
ALBERTO ALONSO
MAREK B
BRAD CAMPBELL
MICHAEL CRUZ
JEFF FERRERO
KASEY FOREMAN
CARLOS FREGOSO
TODD HEATER
JARROD HETTLER
TOMAS MAGANA
MAZI MITCHELL
PETER SHIRER
KENT TRAMEL
RAMIAN WILLIAMSBB ELECTRIC:
RYAN CLEMMONS
DOUG EDNIE
GONZALO GONZALEZ
BRIAN MUNDELL
DEAN PELUSO
KENT TRAMELELECTRIC:
JIM BARKER
JOEY BROWN
KYLE BRYSON
RICK CARILLO
RYAN CLEMMONS
DAVID GORDON
BRIAN HICKMAN
DANNY JIMENEZ
KARRON JOHNSON
DAN KERNS
BOB KING
GREG LADWIG
BRYAN LANE
RUDY MARTINEZ
JUSTIN MCMAHON
JONATHAN MORRILL
ANTHONY PELUSO
MICKEY PETERSON
JIMMY RESSE
PEDRO ROJAS
TODD SATER
KENNY SOLOMON
SERGIO VILLEGASADDITIONAL
FIXTURES TECH: JOSH ANDERSON
BEEBE LIGHT: BRAD CAMPBELL
DIMMER OP: JOSH THATCHERGRIP
KEY GRIPS
DERRICK ARMAND
GERALD AUTIN
BILL BUCKINGHAM
OTIS BURKES
CHRIS EKSTROM
DANON JOHNSON
JOSH LINKEYBB GRIPS:
OTIS BURKES
TOULOUSE HOLLIDAY
KING LANAUX
CHRIS LINDSAY
MIKE ORR
ADAM SHEEDY
COLIN STOYE
DEREK WELLSGRIPS:
RICK ANTONETTE
JEFF BAKER
MICHAEL 'ROCCO' BELLANTONI
IAIN BROOK
JOEL BYSTROM
MIKE CARTER
BRENT CASE
BILL COLINO
MIKE DIGIOVANNI
GREGORY FREEMAN
DEVON HOLMES
CARLTON HUDSON
TIM JONES
MASON MALONE
JASON MARCUS
DAISUKE MIYAKE
SCOT PARENT
PAUL PARSONS
WADSWORTH PETERS
ROBERTO PIERSON
JOEL PRESCOTT
RAUL RIVERA
JASEN ROLFE
GREG SUITS
VASSILY THOMSONSOUND AND PLAYBACK
SOUND: RACHEL GRISSOM
SOUND: PETER KITINSKI
BOOM: CARLOS WILKERSON
BOOM: GREG KITINSKI
VTR: STEVE SINGERMAN
VTR ASSISTANT: CHRIS PAULINA
VTR: H. SANDY MATTICE
VTR: K.I.S.M.
VTR: MARK POLISCHECK
VTR: EVAN JOHNSON
VTR: KATHERINE MARTINEZ
VTR: ROBERT MORALES
ASSISTANT VTR: ROBBIE JOHNSON
PLAYBACK: MONTY BUCKLES
PLAYBACK: IGNACIO MARTINEZ
PLAYBACK: MONTY BUCKLES
PLAYBACK OPERATOR: CHARLES E. BARNHART
EARWIGS: JAMES BERRYSTUNTS
STUNTS: SEAN GRAHAM
STUNT COORDINATOR: SEAN GRAHAM
STUNT COORDINATOR: DAMIEN BRAY
STUNT COORDINATOR: VLADIMIR TEVLOVSKI
STUNT COORDINATOR: SEAN GRAHAM
ARTIST STAND IN: JUSTINE HERRON
STUNT JUMP: BETHANY LEVY
STUNT DOUBLE: ANGELA MERYL
STUNTS RIGGER: DUANE BURKHART
STUNTS RIGGER 2: RICO BURGOS
RIGGING GRIP: GREG FREEMAN
RIGGING GRIP: DARYL ST. JUSTE
RIGGING GRIP: RUSTY SAVAGE
RIGGING ELECTRIC: KENT TRAMEL
RIGGING ELECTRIC: RAYMIAN WILLIAMS
RIGGING ELECTRIC: BRYAN LANE
MARINE SAFTEY: WILLIAM HALL
DRIVER: CHRIS PAPAJOHN
DRIVER: JAKE HICKS
DRIVER: GLEN YRIGOYEN
DRIVER: MIKE BRADY
BOAT OPERATOR: CHUCK HOSAK
BOAT OPERATOR: CHRIS BRILHART
BOAT OPERATOR: NICK HANNEMAN
DOCK HAND: LANCE KEENEBEHIND THE SCENES VIDEOGRAPHERS AND PHOTOGRAPHERS
ROBIN HARPER
MASON POOLE
DEREK MILTON
MIKE MARASCO
PATRICK O'BRIEN-SMITH
DEANNA LAWSONPRODUCTION ASSISTANTS
LEONELA ALBERTO
AMBER ALEXANDER
TERRELL AMEZCUA
DENISE APPLIN
ANGELINE ARMSTRONG
BARBARA BABBS
ALEXANDRA BANKS
ROSS BARINGER
KELLI BATES
SCOT BELSKY
AUSTIN BENNET
LUCAS BOFFIN
GABE BORQUEZ
AARON BRADLEY
MELISSA CARPENTER
JONAH CASTILLO
JASON CHANDLER
CHRISTIAN CLARK
KIT CONNERS
BONNIE COOK
BRYON COTTON
JUSTIN CRISAFULLI
JOSH DANCU
LESLY DASHIELL
ALEXXA DE PAZ
ALICIA DEAN
MARIA DESI
LIZZY DEVAN
KEVIN DIX
SHANETTA DRAKE
RICARDO EQUIHUALEMUS
BRIANNA ERKMAN
CAMBRIA FODEN
AARON GARCIA
TANYA GARR
APRIL GARZA
ISMAEL GRANADOS
JOE GRAVIER
CAITLIN GUTENBERGER
MAXX HAAS
CHRIS HANNAFORD
GEORGE HARKNESS
GREGG HATTON
COLBY HENKENS
MICAH HERNDON
MEGAN HUGUET
SUMMER JONES
MIRANDA KELLEY
SAM KING
BRETT KOPEL
TONY LOVE
CESAR MACHADO
STEPHEN MAFFEI
ANDRE MARTIN
MATT MARTINEZ
LUIS MARTINEZ
OSCAR MATUTE
JOHN MCCARTHY
JEFF MCCARTHY
MISTY MCCLURE
WANYA MCCUIEN
MATT MCKULSKY
JESSIE MEEHAN
CESAR MOJICA
DON MOORE
TONY MOORE
RYAN MORGAN
JESSE NAVARRO
CAMERON NAWAZ
EVAN NELSON
KELVIN DON NELSON JR
YULE OWENS
FRANKIE PEDANO
AMANDA PETRONE
TIM RAMSEY
LEWIS RANGAL
ROBERT RICHARDSON
KATIE RITTER
ANGELICA RIVERA
SHABBIR RIZVI
TAMARA ROBERTSON
ALFIE RODRIGUEZ
PETER ROOME
DREA SAAVEDRA
PETER SANCHEZ
LEIGH SANTORA
JORDAN SHAFER
WAYNE SHARP
PATRICK SIMMONS
RYAN SIMPSON
TERENCE SIMS
JASON SMITH
EJ SMITH
IRIE SPIVAK
JIMMY STANNARD
MEGAN STEWART
TIFFANY SUH
RYA THOMAS
STEPHEN THOMAS
KEILON THOMPSON
KILO THOMPSON
AMAN UMA
WARREN UPSON
BETH VAN DAM
PAOLO VITERI
JIMMY WALTRIP
JASON WELSH
MICHELLE WESTFORD
CUTTER WHITE
JAMES WOODS
GEOFF YONGLOCATION
LOCATION MANAGER: WILL O'BRIEN
LOCATION MANAGER: BRUCE BOEHNER
LOCATION MANAGER: JENNY CALOCA
LOCATION MANAGER: STEVE BENEZRA
LOCATION MANAGER: FRED JOVE
SITE REP: MEGAN ADAMS
ASSISTANT LOCATION MANAGER: DAVID P HEBERT
ASSISTANT LOCATION MANAGER: ELI EASTLUND
LOCATION ASSISTANT: JORDAN MCVEY
GANG BOSS: JAMES IVANOVICH
GANG BOSS: CHRIS MACHADO
GANG BOSS: CHRIS MACHADO
GANG BOSS: JAMES IVANOVICH
SET TEACHER: TOM O'FLAHERTY
STUDIO TEACHER: SAENA YI
STUDIO TEACHER: MARK ALKOFER
TRUCK PARKING: JAMES IVANOVICH
WELFARE WORKER: MARA MARK
FSO: WILLIAM REYNOLDS
SECURITY: SULLYCRAFT SERVICES
CHEF: HUGO CORTEZ
CHEF: FRANCK PELLUCHON
CHEF: RUBEN RUELAS
CATERING: CAYMAN SINCLAIR
CATERER: LISA HEMMAT
CATERER: ROSA SANDOVAL
CATERER: JENGHIZ AFSHAR
CATERER: DONALD MCKILLIP-LOPEZ
CATERER: CATHY OLAZABAL
CRAFT SERVICE: DAVID GUILBEAU
CRAFT SERVICE: RONDA JOHNSON
CRAFT SERVICE: DAVE BULLEN
CRAFT SERVICE: MAURIUS SOLIS
CRAFTIE: CHAREMON MORRISMEDICS
MIKE SMITH
JONATHAN FORD
ROBERT CYMBAL
JOSHUA HUMPHREY
JOHN EDMMONDS
CHRIS SNOW
AXEL MONTOYA
LAURA GREENETRANSPORTATION
STEVE ALTAMARANO
RICK ANTONETTE
ALFONSO "PONCHO" ARELLANO
GERARD ARNOULT
KENYA BENNETT
LUKE BLUSKE
MICHAEL BONEY
ADAM BRAZY
BRADFORD CAMPBELL
EDUARDO CAMPOS
DON CLARKE
DAN DOWLING
BRIAN EASTVELV
JOHNNY ESCOBEDO
GREG FRISCH
ARTIE FUENTES
TERRY GLENN
DARREN GOLDBERG
JOHNNY HANRAHAN
NIKITA HART
LAUREL HITCHEN
DERIK HIXON
CHRIS HIXON
RAFE JOHNSON
MICHAEL KING
SAM KOGOSOV
JOSEPH LAVOIE
JIMMY LEMUS
JAMES ERNESTO LEMUS
DEL "TACO" LIGHTCSY
JOE MAG
TOMAS MAGANA
STEVE MARTINEZ
MARVIN MEJADA
ED MELENDEZ
ANDREW MORGAN
PETER PETROSYAN
STEVE POLLOCK
JOHN PURRUCI
MIKE RODRIGUEZ
KIONDRAE SHEPPARD
TERENCE SIMS
TERRY SMITH
SAM SOULAGHEH
GREG SUITS
MATTHEW SULLIVAN
EDUARDO TERRY
REYNARD THIBODEAUX
JEFF THOMAS
DANNY THOMAS
SHAHEED VEAL
TANNIS WARD
CHARLES WOODS
DON WOTHERSPOON
STANLEY YAMAUCHI
MARK "WOODY" YOUNGPOST PRODUCTION - FINISHING
EXECUTIVE PRODUCER: ERINN WILLIAMS
EXECUTIVE PRODUCER: DORA MELISSA VARGAS
EXECUTIVE PRODUCER: JONATHAN LIA FOR GOOD COMPANY
PRODUCER: KEENAN FLYNN
PRODUCER: JEFF WEIDERMAN
POST SUPERVISOR: MATT LOWE
POST SUPERVISOR: BILL KIRSTEIN
POST SUPERVISOR: GRAHAM ZELLER
POST PRODUCTION COORDINATOR: STACEY THIEL1ST ASSISTANT EDITORS
BEN LOMELI
ALEX TEDESCOASSISTANT EDITORS
TAYLOR WARD
ANDREW MORROW
REED PURVIS
RUSS SENZATIMORE
JEFFREY ROVINELLIDIGITAL INTERMEDIATE PROVIDED BY COMPANY 3
COLORIST: JAMIE O'BRADOVICH
SENIOR PRODUCER: KATIE ANDREWS
COLORIST ASSISTANT: KENT BUENO
DI MANAGER: TOM GEHRING"FORMATION" DIGITAL INTERMEDIATE PROVIDED BY ETC
COLORIST: AUBREY WOODIWISSVFX SUPERVISORS
DORA MELISSA VARGAS
TONY RIVASVFX
KROMA
TONY HUNTER RIVAS
LOIC MAES
ROSS VINCENT
NUNO XICO
THE BRIGADE
DRIVE STUDIOS
CHIMNEY POT
ETCADDITIONAL MUSIC
BOOTS
JON BRIONALBUM SONGS ASSISTANT AUDIO ENGINEER
RAMON RIVASTITLE DESIGN
SARAH W. LEE
ANDREW MAKADSIPOST PRODUCTION ASSISTANTS
PETER SANCHEZ
JOSH HORNEADDITIONAL FOOTAGE COURTESY OF
MATHEW KNOWLES
STEPHEN LOCKE
ABTEEN BAGHERI
RALPH MADISON
NEW AMERICAN NOISE
KARR HIGH SCHOOL
MAIRZY DOATS PRODUCTIONS
ELES, CA / MIXED BY JAYCEN JOSHUA FOR THE PENUA PROJECT/INNERSOUND MGMT AT LARRABEE SOUND STUDIOS, NORTH HOLLYWOOD CA AND STUART WHITE AT PACIFIQUE STUDIO IN LOS ANGELES, CA / ASSISTANT MIX ENGINEERING BY MADDOX CHHIM, DAVID NAKAJI, AND ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE IN NEW YORK CITY"THE LOOK OF LOVE" PERFORMED BY NINA SIMONE, WRITTEN BY B. BACHARACH AND H. DAVID, USED COURTESY OF SONY MUSIC ENTERTAINMENT AND COLGEMS-EMI MUSIC INC. (ASCAP)
A&R EXECUTIVE: TERESA LABARBERA WHITES
ENGINEERED BY: STUART WHITEPARKWOOD ENTERTAINMENT
PRESIDENT & CEO: BEYONCÉ KNOWLES CARTER
CHIEF OPERATING OFFICER: STEVE PAMON
EVP, ARTIST MANAGEMENT & LABEL: PETER THEA
GENERAL COUNSEL: ALI DE ROSA
BRAND MANAGER: DORA MELISSA VARGAS
EXECUTIVE PRODUCER: ERINN WILLIAMS
CREATIVE DIRECTOR: TODD TOURSO
VISUAL DIRECTOR: ED BURKE
HEAD OF DIGITAL: DAN GHOSH-ROY
DIRECTOR OF HUMAN RESOURCES: YAZMIN RAMIREZ
DIRECTOR OF PHILANTHROPY & CORPORATE RELATIONSHIPS: IVY MCGREGOR
ART DIRECTOR: ANDREW MAKADSI
VFX SUPERVISOR: TONY RIVAS
ASSOCIATE ART DIRECTOR: KWASI FORDJOUR
ASSISTANT EDITOR: ANDREW MORROW
DIGITAL DESIGN MANAGER: DANIELA VESCO
DESIGN MANAGER: KELLY SHAMI
ONLINE CONTENT MANAGER: RACHEL HISLOP
PROJECT MANAGER: SOPHIE ASH
PROJECT MANAGER, ARTIST MANAGEMENT & LABEL: VALENTINA ZUBERI
COORDINATOR, ARTIST MANAGEMENT & LABEL: BENJAMIN KLEIN
PARALEGAL: MARY SCULLY
ARCHIVE DIRECTOR: BRITTAN DUNHAM
COLLECTION ARCHIVIST: SAMANTHA LOSBEN
SPECIAL PROJECT MANAGER: CARLINE BALAN
IT CONSULTANT: MATTHEW VANOMMEREN
EXECUTIVE ASSISTANT TO BEYONCÉ: KALEB STEELE
EXECUTIVE ASSISTANT TO BEYONCÉ: SAM GREENBERG
PERSONAL ASSISTANT TO BEYONCÉ: MANUEL MENDEZ
EXECUTIVE ASSISTANT TO COO: CHELSEA STAPLES
ADMINISTRATIVE ASSISTANT: SHEAN ENGLAND
OFFICE SUPPORT STAFF: LIDIA CARRASQUILLOPUBLICITY
YVETTE NOEL-SCHURE SCHURE MEDIA GROUP
CARL FYSH PURPLE PR - UNITED KINGDOMPERSONAL SERVICES
PERSONAL CHEF: BRANDON CROWE
PERSONAL STYLIST: ZERINA AKERS
PHYSICAL THERAPIST: RORY CORDIAL
PHYSICAL THERAPIST: AMY VUONG
PHYSICAL THERAPIST: ESTHER LEE
PERSONAL DRIVER: CURTIS DENNIS
PERSONAL DRIVER: THOMAS BURCH
PERSONAL DRIVER: ALEC WILLIAMS
PERSONAL DRIVER: CLAUDE A. FLOT JR.SECURITY
CHIEF SECURITY OFFICER (CSO): JULIUS DE BOER
PERSONAL SECURITY: PETER MILES
PERSONAL SECURITY: MARK WILLIAMS
PERSONAL SECURITY: JIM BENSON
PERSONAL SECURITY: JOE TURCHI
PERSONAL SECURITY: TOM LANGWISENER
PERSONAL SECURITY ADVANCED: CHRIS SANCHEZSPECIAL THANKS
TINA KNOWLES LAWSON
RICHARD LAWSON
THE CITY OF NEW ORLEANS
SMG AND THE NEW ORLEANS SAINTS
TAMPA BAY BUCCANEERS
THE FORMATION WORLD TOUR CREW
THE ESTATE OF MALCOLM X
THE ESTATE OF NINA SIMONE
ERIC WEISSMAN MUSIC LICENSING INC.
CASSANDRA BARBER
BERT AND AMY YUKICH
MESSY MYA
BIG FREEDIA
AND ALL THE INCREDIBLY TALENTED PEOPLE WHO CAME TOGETHER TO MAKE THIS A REALITY© COPYRIGHT PARKWOOD ENTERTAINMENT
BEYONCÉ (2013)
- Buy Now
-
HARVEY KEITEL: MS. THIRD WARD, YOUR FIRST QUESTION - WHAT IS YOUR ASPIRATION IN LIFE?
BEYONCÉ: OH…MY ASPIRATION IN LIFE…WOULD BE…TO BE HAPPY.MAMA SAID
YOU'RE A PRETTY GIRL
WHAT'S IN YOUR HEAD
IT DOESN'T MATTER
BRUSH YOUR HAIR
FIX YOUR TEETH
WHAT YOU WEAR
IS ALL THAT MATTERS
JUST ANOTHER STAGE
PAGEANT THE PAIN AWAY
THIS TIME I'M GONNA TAKE THE CROWN
WITHOUT FALLING DOWN DOWN DOWNPRETTY HURTS
WE SHINE THE LIGHT ON WHATEVER'S WORST
PERFECTION IS A DISEASE OF A NATION
PRETTY HURTS, PRETTY HURTS
PRETTY HURTS
WE SHINE THE LIGHT ON WHATEVER'S WORST
WE TRY TO FIX SOMETHING
BUT YA CAN'T FIX WHATCHA CAN'T SEE
IT'S THE SOUL THAT NEEDS SURGERYBLONDER HAIR
FLAT CHEST
TV SAYS
BIGGER IS BETTER
SOUTH BEACH
SUGAR FREE
VOGUE SAYS
THINNER IS BETTERJUST ANOTHER STAGE
PAGEANT THE PAIN AWAY
THIS TIME I'M GONNA TAKE THE CROWN
WITHOUT FALLING DOWN DOWN DOWNPRETTY HURTS
WE SHINE THE LIGHT ON WHATEVER'S WORST
PERFECTION IS A DISEASE OF A NATION
PRETTY HURTS, PRETTY HURTS
PRETTY HURTS
WE SHINE THE LIGHT ON WHATEVER'S WORST
WE TRY TO FIX SOMETHING
BUT YA CAN'T FIX WHATCHA CAN'T SEE
IT'S THE SOUL THAT NEEDS A SURGERYBRIDGE
AIN'T GOT NO DOCTOR OR PILL THAT CAN TAKE THE PAIN AWAY
THE PAINS INSIDE AND NOBODY FREES YOU FROM YOUR BODY
IT'S MY SOUL IT'S MY SOUL THAT NEEDS SURGERY
IT'S MY SOUL THAT NEEDS SURGERY
PLASTIC SMILES AND DENIAL CAN ONLY TAKE YOU SO FAR
THEN YOU BREAK WHEN THE FAKE FACADE LEAVES YOU IN THE DARK
LEFT WITH SHATTERED MIRRORS AND THE SHARDS
OF A BEAUTIFUL PAST
PRETTY HURTS
WE SHINE THE LIGHT ON WHATEVER'S WORST
PERFECTION IS A DISEASE OF A NATION
PRETTY HURTS, PRETTY HURTS
PRETTY HURTS
WE SHINE THE LIGHT ON WHATEVER'S WORST
WE TRY TO FIX SOMETHING
BUT YA CAN'T FIX WHATCHA CAN'T SEE
IT'S THE SOUL THAT NEEDS SURGERYPRETTY HURTS, PRETTY HURTS…….
WHEN YOU ARE ALONE ALL BY YOURSELF
WHEN YOU'RE LYING IN YOUR BED
REFLECTION STARES RIGHT INTO YOU
ARE YOU HAPPY WITH YOURSELF?
STRIPPED AWAY THE MASQUERADE
THE ILLUSION HAS BEEN SHED
ARE YOU HAPPY WITH YOURSELF?
YES
WRITTEN BY JOSHUA COLEMAN, SIA FURLER, BEYONCÉ KNOWLES / PUBLISHED BY EACH NOTE COUNTS/PRESCRIPTION SONGS (ASCAP) ADMINISTERED BY KOBALT SONGS MUSIC PUBLISHING, INC. (ASCAP), EMI MUSIC PUBLISHING, LTD. (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY AMMO FOR PRESCRIPTION SONGS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / INTRO ADDITIONAL SYNTH AND SFX BY DEREK DIXIE / MASTERED BY JAMES KRAUSSE
-
AND I'VE BEEN DRIFTING OFF OF KNOWLEDGE
CAT-CALLS ON CAT-WALKS, MAN THESE WOMEN GETTING SOLEMN
I COULD SING A PSALM FOR A SOLOMON OR SALAMANDER
WE TOOK A FLIGHT AT MIDNIGHT AND NOW MY MIND CAN'T HELP BUT WANDER
HOW COME?
SPOON-FED PLURALIZED EYES TO FIND THE BEACHES IN THE FOREST
WHEN I'M LOOKING OFF THE EDGE, I PREACH MY GUT IT CAN'T HELP IGNORE IT
I'M CLIMBING UP THE WALLS CUZ ALL THE SH-- I HEAR IS BORING
ALL THE SH-- I DO IS BORING
ALL THESE RECORD LABELS BORING
I DON'T TRUST THESE RECORD LABELS, I'M TOURING
ALL THESE PEOPLE ON THE PLANET WORKING 9 TO 5 JUST TO STAY ALIVE
THE 9 TO 5 JUST TO STAY ALIVE….
ALL THE PEOPLE ON THE PLANET WORKING 9 TO 5 JUST TO STAY ALIVE
HOW COME?WHAT GOES UP
GHOST AROUND
GHOST AROUNDWHAT GOES UP
GHOST AROUND
GHOST AROUND…SOUL NOT FOR SALE
PROB'LY WON'T MAKE NO MONEY OFF THIS, OH WELL
REAP WHAT YOU SOW
PERFECTION IS SO…UMHIT'S WHAT YOU DO
IT'S WHAT YOU SEE
I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
IT'S WHERE WE GO
IT'S WHERE WE'LL BE
I KNOW IF I'M ON TO YOU, I'M ON TO YOU
ON TO YOU, YOU MUST BE ON TO MEMY HAUNTED LUNGS
GHOST IN THE SHEETS
I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
MY WICKED TONGUE, WHERE WILL IT BE?
I KNOW IF I'M ON TO YOU, I'M ON TO YOU
ON TO YOU, I'M ON TO YOU
ON TO YOU, YOU MUST BE ON TO MEYOU WANT ME?
I WALK DOWN THE HALLWAY
YOU LUCKY?
THE BEDROOM'S THE WRONG WAY
SLAP ME, I'M PINNED TO THE DOORWAY
KISS, BITE, FOREPLAYMY HAUNTED LUNGS
GHOST IN THE SHEETS
I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
MY WICKED TONGUE, WHERE WILL IT BE?
I KNOW IF I'M ON TO YOU, YOU MUST BE ON TO MEIT'S WHAT WE SEE
I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
IT'S WHERE WE GO
IT'S WHERE WE'LL BE
I KNOW IF I'M ON TO YOU, I'M ON TO YOU
ON TO YOU, I'M ON TO YOU
ON TO YOU, YOU MUST BE ON TO ME
YOU MUST BE ON TO ME
YOU MUST BE ON TO ME
YOU MUST BE ON TO ME, ME, ME, ME, ME, ME
WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL DRUM PROGRAMMING BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87 / BACKGROUND VOCALS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY KWANE WYATT / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC / ASSISTANT ENGINEERS JAMES KRAUSSE AND JUSTIN HERGETT
-
I'VE BEEN DRINKIN'
I'VE BEEN DRINKIN'
I GET FILTHY WHEN THAT LIQUOR GET INTO ME
I'VE BEEN THINKIN'
I'VE BEEN THINKIN'
WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH
WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAHCIGARS ON ICE, CIGARS ON ICE
FEELIN' LIKE AN ANIMAL WITH THESE CAMERAS ALL IN MY GRILL
FLASHING LIGHTS, FLASHING LIGHTS
YOU GOT ME FADED, FADED, FADED
BABY I WANT YOU, NA-NAH
CAN'T KEEP YOUR EYES OFF OF MY FATTY
DADDY I WANT YOU, NA-NAH
DRUNK IN LOVE
I WANT YOUWE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
DRUNK IN LOVE
WE BE ALL NIGHT
LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
DRUNK IN LOVE
WE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVEWE BE ALL NIGHT
AND EVERYTHIN' ALL RIGHT
NO COMPLAINTS FROM MY BODY SO FLORESCENT UNDER THESE LIGHTS
BOY I'M DRINKIN'
PARK IT IN MY LOT 7-11
I'M RUBBING ON IT, RU-RUBBIN' IT
IF YOU SCARED CALL THAT REVREN
BOY I'M DRINKIN'GET MY BRAIN RIGHT
ARMAND DE BRIGNAC GANGSTER WIFE
LOUIE SHEETS HE SWEAT IT OUT, LIKE WASH RAGS HE WEAR IT OUT
BOY I'M DRINKIN', I'M SINGIN'
ON THE MIC TO MY BOY TOYS
THEN I FILL THE TUB UP HALF WAY THEN RIDE IT WITH MY SURFBOARD, SURFBOARD, SURFBOARD
GRAININ' ON THAT WOOD, GRAININ', GRAININ' ON THAT WOOD
I'M SWERVIN' ON THAT, SWERVIN', SWERVIN' ON THAT
BIG BODY BEEN SERVIN' ALL THIS, SWERVE, SURFIN' IN ALL THIS GOOD, GOODWE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
DRUNK IN LOVE
WE BE ALL NIGHT
LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
DRUNK IN LOVE
WE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVERAP:
THAT D'USSE IS THE SH--
IF I DO SAY SO MYSELF
IF I DO SAY SO MYSELF
IF I DO SAY SO MYSELFSTUMBLED ALL IN THE HOUSE TIME TO BACK UP ALL OF THAT MOUTH
THAT YOU HAD IN THE CAR
TALKING BOUT YOU THE BADDEST ----- THUS FAR
TALKING BOUT YOU BE REPPIN' THAT 3RD(WARD)
I WANNA SEE ALL THE SH-- THAT I HEARD
YOU KNOW I SLING CLINT EASTWOOD
I HOPE THAT YOU CAN HANDLE THIS CURVEFOREPLAY IN THE FOYER
------ UP MY WARHLOL
SLIP THE PANTIES RIGHT TO THE SIDE AINT GOT THE TIME TO TAKE DRAWS OFFON SITE
CATCH A CHARGE I MIGHT
BEAT THE BOX UP LIKE MIKE IN '97 I'LL BITE
I'M IKE, TURNER, TURN UP
BABY NO I DON'T PLAY
NOW EAT THE CAKE ANNA MAE I SAID EAT THE CAKE ANNA MAE
IM NICE
FOR YA'LL TO REACH THESE HEIGHTSYOU GONNA NEED G3
4, 5, 6 FLIGHTS SLEEP TIGHT
WE SEX AGAIN IN THA MORNIN' YO BREASTASES IS MY BREAKFAST
WE GOIN IN WE BE ALL NIGHTWE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVEI'M NEVER TIRED, WE NEVER TIRED
I'VE BEEN SIPPIN', IT'S THE ONLY THING THAT'S BEEN KEEPING ME ON FIRE, WE ON FIRE
DIDN'T MEAN TO SPILL THAT LIQUOR ALL ON MY ATTIRE
I'VE BEEN DRINKIN', WATERMELON
I WANT YOUR BODY RIGHT HERE
DADDY I WANT YOU RIGHT NOW
CAN'T KEEP YOUR EYES OFF MY FATTY
DADDY I WANT YOUWE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVE
WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, SHAWN CARTER, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, T.MOSLEY, J.HARMON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) AND CARTER BOYS MUSIC (ASCAP) ALL RIGHTS OBO ITSELF AND CARTER BOYS MUSIC ADMINISTERED, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC., JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, AND BOOTS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY BOOTS / ADDITIONAL SYNTH SOUNDS BY DEREK DIXIE / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
I LOVE YOUR FACE
YOU LOVE THE TASTE
THAT SUGAR BABE
IT MELTS AWAYI KISS YOU AND YOU LICK YOUR LIPS (I KISS YOU AND YOU LICK YOUR LIPS
YOU LIKE IT WET AND SO DO I (YOU LIKE IT WET AND SO DO I)
NO YOU NEVER WASTE A DRIP (NO YOU NEVER WASTE A DRIP )
I WONDER HOW IT FEELS SOMETIMES
MUST BE GOOD TO YOU(KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
(KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
(NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
(NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-OCAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
I'MA LEAN BACK, DON'T WORRY IT'S NOTHING MAJOR
MAKE SURE YOU CLEAN THAT, IT'S THE ONLY WAY TO GET THE FLAVOR, OOO-BOYWHEN YOU'RE THIRSTY AND NEED LOVE
I GIVE IT UP TILL I'M EMPTY BABY
MUST BE GOOD TO YOU
IF YOU'RE LONELY IN YOUR BED
I'LL FILL IT UP TO THE TOP, BABY
MUST BE GOOD TO YOU(KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
(KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
(NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
(NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-OCAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
I'MA LEAN BACK, DON'T WORRY IT'S NOTHING MAJOR
MAKE SURE YOU CLEAN THAT, IT'S THE ONLY WAY TO GET THE FLAVOR, OOO-BOYI'M ABOUT TO GET INTO THIS GIRLS,
THIS IS FOR ALL MY GROWN WOMEN OUT THEREI CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)OOH I HAD A NAUGHTY THOUGHT TODAY BABY
EVERY TIME I CLOSE MY EYES.
OOH GET A GLIMPSE OF THIS CANDY PAINT
DON'T SLIP OFF WHEN IT DRIP OFF ON TOP OF YOUR RIDE
I KNOW YOU SEE IT HERE LIFT IT UP TOSS IT BABE
I KNOW EVERYTHING YOU WANT, I'MA SHOW YOU HOW I STROKE (STROKE IT)
BRING YOUR WORK HOME ON TOP OF ME, I'MA LET YOU BE THE BOSS OF ME
I KNOW EVERYTHING YOU WANT, GIVE ME THAT DADDY LONG STROKEI CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)(KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
(KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
(NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
(NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-OCAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
WRITTEN BY PHARRELL WILLIAMS, BEYONCÉ KNOWLES, JAMES FAUNTLEROY, T.MOSLEY, J.HARMON, JUSTIN TIMBERLAKE, TERIUS NASH / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI), 2082 MUSIC PUBLISHING (ASCAP) / WB MUSIC CORP., ADMINISTERED BY WB MUSIC CORP., TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP) / PRODUCED BY PHARRELL WILLIAMS AND BEYONCÉ KNOWLES / CO-PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., BART SCHOUDEL, AND ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY PHARRELL WILLIAMS AND TIMBALAND / HORNS BY KATTY RODRIGUEZ, ADISON EVANS AND CRYSTAL TORRES AND ARRANGED BY DEREK DIXIE / MIXED BY STUART WHITE AT THE MIX ROOM, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT, ASSISTED BY JAMES KRAUSSE, PAUL PAVAO AND EDWARD VALLDEJULI / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
BABY PUT YOUR ARMS AROUND ME
TELL ME I'M THE PROBLEM
NO I'M NOT THE GIRL YOU THOUGHT YOU
KNEW AND THOUGHT YOU WANTED
UNDERNEATH THAT PRETTY FACE IS SOMETHING COMPLICATED
I COME WITH A SIDE A TROUBLE
BUT I KNOW THAT'S WHY YOU'RE STAYIN'BECAUSE YOU'RE NO ANGEL EITHER BABY
CAUSE YOU'RE NO ANGEL EITHER BABY
YOU'RE NOT AN ANGEL EITHER
BUT AT LEAST I'M TRYING
I KNOW I DRIVE YOU CRAZY
BUT WOULD YOU RATHER THAT I BE A MACHINE
WHO DOESN'T NOTICE WHEN YOU'RE LATE OR WHEN YOU'RE LYIN'
I LOVE YOU EVEN MORE THAN WHO I THOUGHT YOU WERE BEFORE
CAUSE YOU'RE NO ANGEL EITHER BABY
CAUSE YOU'RE NO ANGEL EITHER BABY
CAUSE YOU'RE NO ANGEL EITHER BABY
CAUSE YOU'RE NO ANGEL EITHER BABY, OHHHOHHH, OHH, OHH, (REPEAT)
TELL ME DO YOU WANNA RIDE… RIDE, RIDE, RIDE
TELL ME DO YOU WANNA RIDE…RIDE AROUND
RIDE AROUND
RIDE AROUND
WE RIDE AROUND IN THAT H-TOWNTHOSE CANDLES IN YOUR BED, NO NEED FOR THE SPELL
STOP ACTIN' SO SCARED, JUST DO WHAT I TELL
FIRST BOTH MY LEGS GO BACK ON YOUR HEAD
AND WHATEVER YOU WANT, YEAH BABY I BET IT COMES TRUEBABY PUT YOUR ARMS AROUND ME
TELL ME I'M THE PROBLEM
NO I'M NOT THE GIRL YOU THOUGHT YOU
KNEW AND THOUGHT YOU WANTED
UNDERNEATH THAT PRETTY FACE IS SOMETHING COMPLICATED
I COME WITH A SIDE A TROUBLE
BUT I KNOW THAT'S WHY YOU'RE STAYIN'
BECAUSE YOU'RE NO ANGEL EITHER BABY
CAUSE YOU'RE NO ANGEL EITHER BABY
YOU'RE NO ANGEL EITHER BABY
WRITTEN BY CAROLINE POLACHEK, BEYONCÉ KNOWLES, CO-PRODUCED BY PATRICK WIMBERLY, JAMES FAUNTLEROY / PUBLISHED BY AVANT-GARCON (SESAC), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP) / PRODUCED BY CAROLINE POLACHEK AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / RECORDED BY CAROLINE POLACHEK AT RUSSELL'S OF CLAPTON, LONDON AND FETALMAUS STUDIO, NYC AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / SYNTHS AND DRUM PROGRAMMING BY CAROLINE POLACHEK / MIXED BY ANDREW SCHEPS AT PUNKER PAD WEST, VAN NUYS, CA / ADDITIONAL MIXING BY STUART WHITE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
SEE ME UP IN THE CLUB WITH FIFTY OF THEM GIRLS
POSTED IN THE BACK, GOT MY THINGS IN MY GRILL
BROOKLYN BRIM, WITH MY EYES SITTIN LOW
EVERY BOY IN HERE WITH ME GOT THAT SMOKE
AND EVERY GIRL IN HERE GOTTA LOOK ME UP AND DOWN
ALL ON INSTAGRAM CAKE BY THE POUND
CIRCULATE THE IMAGE EVERY TIME I COME AROUND
G'S UP, TELL ME HOW I'M LOOKING BABEBROUGHT THIS ALL FOR YOU, JUST WALK MY WAY
JUST TELL ME HOW IT'S LOOKING BABE
JUST TELL ME HOW IT'S LOOKING BABE
I DO THIS ALL FOR YOU, BABY JUST TAKE AIM
TELL ME HOW I LOOKING BABE
TELL ME HOW I LOOKING BABEDROP THE BASS, MAN THE BASS, GET LOWER
RADIO, SAY SPEED IT UP, I JUST GO SLOWER
HIGH LIKE TREBLE, PUFFIN ON THE MIDS
THE MAN AIN'T EVER SEEN A BOOTY LIKE THIS
WHY DO YOU THINK YOU KEEP UP MY NAME ROLLIN OFF THE TONGUE
CAUSE WHEN YOU WANNA SMASH, I JUST WRITE ANOTHER ONE
I SNEEZED ON THE BEAT AND THE BEAT GOT SICKER
YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
LIKE LIKE LIQUOR LIKE LIKE LIKE LIQUOR
YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
LIKE LIKE LIQUOR, LIKE LIKE LIKE LIQUORDRIVER ROLL UP THE PARTITION PLEASE
DRIVER ROLL UP THE PARTITION PLEASE
I DON'T NEED YOU SEEING YONCE ON HER KNEES
TOOK 45 MINUTES TO GET ALL DRESSED UP
WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB
NOW MY MASCARA RUNNIN RED LIPSTICK SMUDGED
AH HE SO HORNY YEAH HE WANT TO FU
HE POPPED ALL MY BUTTONS AND HE RIPPED MY BLOUSE
HE MONICA LUWINSKI'D ALL ON MY GOWN
WHOA DERE DADDY DADDY DIDN'T BRING A TOWEL
WHOA BABY BABY BETTER SLOW IT DOWN
TOOK 45 MINUTES TO GET ALL DRESSED UP
AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUBTAKE ALL OF ME
I JUST WANNA BE THE GIRL YOU LIKE
THE KINDA GIRL YOU LIKE
TAKE ALL OF ME
I JUST WANNA BE THE GIRL YOU LIKE
THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH MEDRIVER ROLL UP THE PARTITION FAST
DRIVER ROLL UP THE PARTITION FAST
OVER DERE I SWEAR I SAW THEM CAMERAS FLASH
HAND PRINTS AND FOOT PRINTS ON MY GLASS
HAND PRINTS AND GOOD GRIPS ALL ON MY ASS
PRIVATE SHOW WITH THE MUSIC BLASTIN
HE LIKE TO CALL ME PEACHES WHEN WE GET THIS NASTY
RED WINE DRIP FILTH TALK THAT TRASH
CHAUFFEUR EASE DROPPIN TRYING NOT TO CRASH
WHOA DERE DADDY DADDY NOW YOU RIPPED MY FUR
WHOA BABY BABY BE SWEATIN ON MY HAIR
TOOK 45 MINUTES TO GET ALL DRESSED UP
AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUBTAKE ALL OF ME
I JUST WANNA BE THE GIRL YOU LIKE
THE KINDA GIRL YOU LIKE
TAKE ALL OF ME
I JUST WANNA BE THE GIRL YOU LIKE
THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH METAKE ALL OF ME
I JUST WANNA BE THE GIRL YOU LIKE
THE KINDA GIRL YOU LIKE
TAKE ALL OF ME
I JUST WANNA BE THE GIRL YOU LIKE
THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH ME
WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, JUSTIN TIMBERLAKE, T.MOSLEY, J.HARMON, DWANE WEIR P/K/A KEY WAYNE, MIKE DEAN / PUBLISHING BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI), PAPA GEORGE MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, JUSTIN TIMBERLAKE, BEYONCÉ KNOWLES, AND KEY WANE / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS AND BOOTS / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ANN MINCIELI AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE AND TERIUS "THE-DREAM" NASH / ADDITIONAL SYNTH SOUNDS BY NILES HOLLOWELL-DHAR (THE CATARACS) AND DEREK DIXIE / SPOKEN WORDS RECORDING BY HAJIBA FAHMY / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERING BY JAMES KRAUSSE / ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT, CHRIS TABRON, AND MATT WIGGERS / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
I'M IN MY PENTHOUSE HALF NAKED
I COOKED THIS MEAL FOR YOU NAKED
SO WHERE THE HELL YOU AT
THERE'S JUST ONE SHOT LEFT OF THIS DRINK
IN THIS GLASS DON'T MAKE ME BREAK IT
WISH THAT YOU WERE ME
SO YOU COULD FEEL THIS FEELINGI NEVER BROKE ONE PROMISE
AND I KNOW THAT I'M NOT HONEST
NOW YOU GOT ME YELLING
THATS BECAUSE I'M JEALOUSIF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
OOO I'M JEALOUS
IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
OOO I'M JEALOUSSOMETIMES I WANNA WALK IN YOUR SHOES
DO THE TYPE OF THINGS THAT I NEVER EVER DO
SO I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELF
BABY GIRL YOU CAN'T SURVIVE LIKE THISTAKE IT ONE STEP FURTHER
FREAKUM DRESS OUT OF MY CLOSET
YONCE FILLING OUT THIS SKIRT
I LOOK DAMN GOOD I AINT LOST IT
AND I AINT MISSED A BEAT
BOY YOU BEEN HANGING OUT AT NIGHT
I'M STAYIN OUT UNTIL TOMORROW
DANCIN ON THEM TABLES
AINT GOT NO CARES NO SARROWSI RAN INTO MY EX
SAY WHAT'S UP TO HIS BESTEST
NOW WE REMINISCING
HOW WE USED TO FLEX IN TEXAS
DON'T BE JEALOUSIF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
OOO I'M JEALOUS
IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINESOMETIMES I WANNA WALK IN YOUR SHOES
DO THE TYPE OF THINGS THAT I'LL NEVER EVER DO
I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELF
BABY GIRL YOU CAN'T SURVIVE LIKE THIS, NOAND I HATE YOU FOR YOUR LIES AND YOUR COVERS
AND I HATE US FOR MAKING GOOD LOVE TO EACH OTHER
AND I LOVE MAKING YOU JEALOUS BUT DON'T JUDGE ME
AND I KNOW THAT I'M BEING HATEFUL
BUT THAT AINT NOTHING
THAT AINT' NOTHING
I'M JUST JEALOUS
I'M JUST HUMAN
DON'T JUDGE MEIF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
OOO I'M JEALOUS
IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MIN
WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, BOOTS, LYRICA ANDERSON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), REACH MUSIC PUBLISHING INC. (ASCAP) / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS, HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, HAZEBANGA MUSIC FOR HITS SINCE 87, AND ANDRE PROCTOR / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTED BY CARLOS PEREZDEANDA / BACKGROUND VOCALS BY BOOTS / INSTRUMENTS PLAYED BY BOOTS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY STUART WHITE, JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
LET ME SIT THIS BACK ON YOU…
SHOW YOU HOW I FEEL…
LET ME TAKE THIS OFF…
WILL YOU WATCH ME?..
THAT'S MASS APPEAL…
DON'T TAKE YOUR EYES… DON'T TAKE YOUR EYES OFF IT
WATCH IT.. BABE..
IF YOU LIKE, YOU CAN TOUCH IT BABE…
DO YOU WANNA TOUCH IT BABY...
OOO GRAB A HOLD, DON'T LET GO, LET ME KNOW…
THAT YOU ARE READY…
I JUST WANNA SHOW YOU NOW, SLOW IT DOWN, GO AROUND…
YOU ROCK HARD, I ROCK STEADYAND ROCK RIGHT UP TO SIDE OF MY MOUNTAIN
CLIMB UNTIL YOU REACH MY PEAK BABY, PEAK BABY, PEAK
AND REACH RIGHT INTO THE BOTTOM OF MY FOUNTAIN
I WANT TO PLAY IN YOUR DEEP BABY, DEEP BABY, DEEP
THEN DIP ME UNDER WHERE YOU CAN
FEEL MY RIVER FLOW AND FLOW
HOLD ME TILL I SCREAM FOR AIR TO BREATHE
WASH ME OVER UNTIL MY WELL RUNS DRY
SEND ALL YOUR SINS ALL OVER ME BABY, ME BABY, MEROCK IT TILL WATER FALLS…
ROCK IT TILL WATER FALLS...
ROCK IT TILL WATER FALLS...
BATHE IN THESE WATERFALLS…I DO IT LIKE ITS MY PROFESSION..
I GOTTA MAKE A CONFESSION…
I'M PROUD OF ALL THIS BASS..
BABY I'LL PUT IT IN YOUR FACE..
BY THE WAY IF YOU NEED A PERSONAL TRAINER…
OR A THERAPIST… I CAN BE YOUR PIECE OF SUNSHINE..
INNER PEACE, ENTERTAINER…
ANYTHING ELSE THAT YOU MAY READ BETWEEN THE LINES YOU AND I CREATE
ROCK IT TILL WATER FALLSSO ROCK RIGHT UP TO SIDE OF MY MOUNTAIN
CLIMB UNTIL YOU REACH MY PEAK BABY, PEAK BABY, PEAK
AND REACH RIGHT INTO THE BOTTOM OF MY FOUNTAIN
I WANT TO PLAY IN YOUR DEEP BABY, DEEP BABY, DEEP
THEN DIP ME UNDER WHERE YOU CAN
FEEL MY RIVER FLOW AND FLOW
HOLD ME TILL I SCREAM FOR AIR TO BREATHE
WASH ME OVER UNTIL MY WELL RUNS DRY
SEND ALL YOUR SINS ALL OVER ME BABY, ME BABY, MEHARD, ROCK STEADY, ROCK HARD, ROCK STEADY, ROCK HARD, ROCK STEADY, ROCK HARD, ROCK STEADY
DON'T YOU KNOW THAT I GIVE YOU GOOD LOVIN'
IF YOU NEED IT
I GIVE YOU MY WORD YOU CAN BELIEVE IT
YOUR LOVE FEELS LIKE ALL FOUR SEASONS
GROWING INSIDE ME
LIFE HAS A REASON
SWIMMING IN MY LOVE
YOUR LOVE LIFTING
HIGHER HARDER
GOT ME SCREAMING TO THE LORD
BOY KISS ME
PRAY WE DON'T OVERFLOW
BABY I KNOW YOU CAN FEEL IT PULSE?
DEEP IN THE PEAK OF MY WATERFALLS
ROCK IT BABY, ROCK IT BABY, ROCK IT TILL THE WATER FALLSDAMN
WRITTEN BY MIGUEL JONTEL PIMENTEL, BEYONCÉ KNOWLES, JUSTIN TIMBERLAKE, T.MOSLEY, J.HARMON, JAMES FAUNTLEROY / PUBLISHED BY ART DEALER CHIC (ASCAP)/UNIVERSAL MUSIC CORP. (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP), FLAUNTLEROY MUSIC/ALMO MUSIC CORP. (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND BEYONCÉ KNOWLES / CO-PRODUCED BY JEROME HARMON FOR BRONZE AND BRAINZ PRODUCTIONS/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES/ RECORDED BY STUART WHITE AND CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT. AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE / GUITAR BY MIKE SCOTT / BASS BY DWAYNE WRIGHT / MIXED BY CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ASSISTANT MIX ENGINEERING BY CHRIS CANNON / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
I BEEN WATCHING FOR THE SIGNS
TOOK A TRIP TO CLEAR MY MIND, OH
NOW I'M EVEN MORE LOST
YOU'RE STILL SO FINE
ALL MINE..
ALL MINE..
BEEN HAVING CONVERSATIONS ABOUT BREAK-UPS AND SEPARATIONS
I'M NOT FEELING LIKE MYSELF SINCE THE BABY
ARE WE GONNA EVEN MAKE IT? OHCAUSE IF WE ARE
WE'RE TAKING THIS A LITTLE TOO FAR...
IF WE ARE ...
WE'RE TAKING THIS A LITTLE TOO FAR...
BABY IF WE ARE...
WE'RE TAKING THIS A LITTLE TOO FAR...WITH ME BEING WHERE EVER I'M AT
WORRYING ABOUT WHERE EVER YOU ARE
WE'RE TAKING THIS A LITTLE TOO...
FAR...
WE'RE TAKING THIS A LITTLE TOO...
FAR...
WE'RE TAKING THIS A LITTLE TOO...
FAR...KNOW YOU WANNA ROLL WITH A GOOD GIRL
DO IT BIG DO IT ALL FOR A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
WANNA ROLL WANNA ROLL WITH A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
WHAT'S UPON MY MIND, I PASS MY BED TIME
NO REST AT THE KINGDOM...
ALONE IN MY PLACE, MY HEART IS AWAY
ALL THAT I CAN THINK OF IS…
WE SHOULD GET MARRIED, WE SHOULD GET MARRIED
LET'S STOP HOLDING BACK ON THIS AND LETS GET CARRIED AWAYSTOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
CAUSE I GOT BIG DEALS AND I GOT LITTLE THINGS
I GOT EVERYTHING I'M ASKING FOR BUT YOU…
STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
LET'S GET CARRIED AWAY…
COME RIGHT NOW YOU KNOW WHERE I STAY…I JUST WANNA SAY YOUR MINE, YOUR MINE
I JUST WANNA SAY YOUR MINE, YOUR MINE
---- WHAT THEY HEARD YOUR MINE, YOUR MINE
ALL I'M REALLY ASKING FOR IS YOU…
YOUR MINE, YOUR MINE
I JUST WANNA SAY YOUR MINE, YOUR MINE
---- WHAT THEY HEARD YOUR MINE, YOUR MINE
LONG AS YOU KNOW WHO YOU BELONG TO…KNOW YOU WANNA ROLL WITH A GOOD GIRL
DO IT BIG DO IT ALL FOR A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
WANNA ROLL WANNA ROLL WITH A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
WHAT'S UPOH… FROM 8 UNTIL LATE I THINK BOUT YOU
YOU'RE ON MY NIGHTS I DON'T KNOW WHAT TO DO
I CAN'T GET NO REST, CAN'T GET NO SLEEP
THIS WHOLE THING GOT WAY TO DEEP AND WE SHOULDSTOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
CAUSE I GOT BIG DEALS AND I GOT LITTLE THINGS
I GOT EVERYTHING IM ASKING FOR BUT YOU…
STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
LET'S GET CARRIED AWAY…
COME RIGHT NOW YOU KNOW WHERE I STAY…I JUST WANNA SAY YOUR MINE, YOUR MINE
I JUST WANNA SAY YOUR MINE, YOUR MINE
---- WHAT THEY HEARD YOUR MINE, YOUR MINE
ALL I'M REALLY ASKING FOR IS YOU…
YOUR MINE, YOUR MINE
I JUST WANNA SAY YOUR MINE, YOUR MINE
---- WHAT THEY HEARD YOUR MINE, YOUR MINE
LONG AS YOU KNOW WHO YOU BELONG TO…
KNOW YOU WANNA ROLL WITH A GOOD GIRL
DO IT BIG DO IT ALL FOR A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
WANNA ROLL WANNA ROLL WITH A GOOD GIRL
ONE TIME…
THIS IS A SONG FOR THE GOOD GIRL
AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
WHAT'S UPYO YO YO
I GOTTA PULL UP ON YA
YOU GONE MAKE ME HAVE TO PULL UP ON YA
DONT GO GHOST ON ME IMA GO THRILLER ON YA
IMA JUST
IMA LET MY HANDS DO THE TALKIN WHEN I SEE YOU
BABY GIRL I MISS FEELIN ON YA
I MISS EVERYTHING THATS REAL ABOUT YA
AND THATS EVERYTHING ABOUT YA
THATS JUST HOW I FEEL ABOUT YA
BEEN ABOUT CHA AND IM STILL ABOUT CHA
BUT
WE AINT FINISHED TALKIN
I TOLD YA YOU DONT NEEDA WORRY ABOUT DEM -------
ALL DEM FIVES NEEDA LISTEN WHEN THE 10 IS TALKIN
CAUSE THEY DONT WANNA SEE YOU HAPPIER THAN THEM
AND GIRL YOU SWEAR THEY ALL YOUR FRIENDS AND THATS BEEN A PROBLEM
YOU THE ONE THEY HATE THIS COME WITH THAT
I KNOW YOU THINK ITS FUNNY THAT YOUR EX IS NOT A RUNNIN BACK
BUT THAT ----- CAME RUNNIN BACK
YOU TELL ME YOU DONE WITH THAT
AND I BELIEVE ITS TRUE
LONG AS YOU KNOW WHO YOU BELONG TO…
WRITTEN BY NOAH SHEBIB, AUBREY DRAKE GRAHAM, BEYONCÉ KNOWLES, JORDAN KENNETH COOKE ULLMAN, SIDNEY "OMEN" BROWN, DWANE WEIR P/K/A KEY WANE / PUBLISHED BY MAVOR & MOSES LLC (ASCAP) ALL RIGHTS ADMINISTERED BY KOBALT SONGS MUSIC PUBLISHING, INC., EMI BLACKWOOD MUSIC INC. OBO ITSELF AND LIVE WRITE LLC (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. OBO ITSELF AND OTEK PUBLISHING (ASCAP), MISSING LINK MUSIC OBO ELABORATE MUZIK WORKSHOP (ASCAP), DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI) / PRODUCED BY NOAH "40" SHEBIB FOR EVDON MUSIC, INC. / ADDITIONAL PRODUCTION BY MAJID JORDAN AND SIDNEY "OMEN" BROWN / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL VOCALS BY SAMPHA SISAY / RECORDED BY NOAH "40" SHEBIB AND NOEL CADASTRE FOR EVDON MUSIC INC. AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / ADDITIONAL DRUM PROGRAMMING BY OMEN / INTRO KEYS AND INTRO PROGRAMMING BY KEY WANE / MIXED BY NOEL "GADGET" CAMPBELL FOR T.O. MUSIC GROUP AT STUDIO 306, TORONTO, CANADA / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
DRAKE APPEARS COURTESY OF YOUNG MONEY/CASH MONEY RECORDS
-
YOUR LOVE IS BRIGHT AS EVER
EVEN IN THE SHADOWS
BABY KISS ME
BEFORE THEY TURN THE LIGHTS OUT
YOUR HEART IS GLOWING
AND I'M CRASHING INTO YOU
BABY KISS ME, BEFORE THEY TURN THE LIGHTS OUT
BEFORE THEY TURN THE LIGHTS OUT
BABY LOVE ME LIGHTS OUTIN THE DARKEST NIGHT HOUR (GANG REPEAT)
SEARCH THROUGH THE CROWD (GANG REPEAT)
YOUR FACE IS ALL THAT I SEE
I'VE GIVEN YOU EVERYTHING
BABY LOVE ME LIGHTS OUT
BABY LOVE ME LIGHTS OUT
XO YOU CAN TURN MY LIGHTS OUTWE DON'T HAVE FOREVER
OHHHH, BABY THE DAYLIGHTS WASTING
YOU BETTA KISS ME... BEFORE OUR TIME HAS RUN OUT
MMMMM, YEA--A-AAA-AAAA
NOBODY SEES WHAT WE SEE
THEY'RE JUST HOPELESSLY GAZING
AHH BABY TAKE ME, BEFORE THEY TURN THE LIGHTS OUT,
BEFORE OUR TIME HAS RUN OUT
BABY LOVE ME LIGHTS OUTIN THE DARKEST NIGHT HOUR (GANG REPEAT)
SEARCH THROUGH THE CROWD (GANG REPEAT)
YOUR FACE IS ALL THAT I SEE
I'VE GIVEN YOU EVERYTHING
BABY LOVE ME LIGHTS OUT
BABY LOVE ME LIGHTS OUT
XO YOU CAN TURN MY LIGHTS OUTOUR LOVE IS LIKE XO
YOU LOVE ME LIKE XO
YOU KILL ME BOY XO
YOUR LOVE IS LIKE XO- OOOAAHH
YOU'RE ALL THAT I SEE
GIMME EVERYTHING,
BABY LOVE MY LIGHTS OUT
BABY LOVE ME LIGHTS OUT
YOU CAN TURN MY LIGHTS OUTIN THE DARKEST NIGHT HOUR (GANG REPEAT)
SEARCH THROUGH THE CROWD (GANG REPEAT)
YOUR FACE IS ALL THAT I SEE
I'VE GIVEN YOU EVERYTHING
BABY LOVE ME LIGHTS OUT
BABY LOVE ME LIGHTS OUT
XO YOU CAN TURN MY LIGHTS OUT
WRITTEN BY TERIUS NASH, RYAN TEDDER, BEYONCÉ KNOWLES / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WRITE 2 LIVE (ASCAP) ADMINISTERED WORLDWIDE BY KOBALT MUSIC PUBLISHING AMERICA INC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977, RYAN TEDDER, AND BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, AND HAZEBANGA MUSIC FOR HITS SINCE 87 / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY RYAN TEDDER AT TRACKDOWN STUDIOS, SYDNEY, AUSTRALIA & TRITONUS STUDIOS, BERLIN, GERMANY AND STUART WHITE AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY JUSTIN HERGETT / ALL INSTRUMENTS AND PROGRAMMING BY RYAN TEDDER / ADDITIONAL PIANO BY TERIUS "THE-DREAM" NASH / BACKGROUND VOCALS BY RYAN TEDDER AND THE-DREAM / MIXED BY ANDREW SCHEPS AT PUNKERPAD WEST, VAN NUYS, CA / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
I'M OUT THAT H-TOWN
COMING, COMING DOWN
I'M COMING DOWN DRIPPING CANDY ON THE GROUND
H, H-TOWN, TOWN, I'M COMING DOWN
COMING DOWN DRIPPING CANDY ON THE GROUNDI KNOW WHEN YOU WERE LITTLE GIRLS
YOU DREAMT OF BEING IN MY WORLD
DON'T FORGET IT, DON'T FORGET IT
RESPECT THAT, BOW DOWN, BOW DOWN CROWN
I TOOK SOME TIME TO LIVE MY LIFE
BUT DON'T THINK I'M JUST HIS LITTLE WIFE
DON'T GET IT TWISTED, GET IT TWISTED
THIS MY SH, BOW DOWN
BOW DOWN CROWN, BOW BOW DOWN CROWN
BOW DOWN CROWN, BOW BOW DOWN
H-TOWN VICIOUS, H-H-TOWN VICIOUS
I'M SO CROWN, BOW DOWNI'M OUT THAT H-TOWN
COMING, COMING DOWN
I'M COMING DOWN DRIPPING CANDY ON THE GROUND
H, H-TOWN, TOWN, I'M COMING DOWN
COMING DOWN DRIPPING CANDY ON THE GROUNDCHIMAMANDA NGOZI ADICHIE:
WE TEACH GIRLS TO SHRINK THEMSELVES
TO MAKE THEMSELVES SMALLER
WE SAY TO GIRLS, YOU CAN HAVE AMBITION
BUT NOT TOO MUCH
YOU SHOULD AIM TO BE SUCCESSFUL BUT NOT TOO SUCCESSFUL
OTHERWISE YOU WILL THREATEN THE MAN
BECAUSE I AM FEMALE I AM EXPECTED TO ASPIRE TO MARRIAGE
I'M EXPECTED TO MAKE MY LIFE CHOICES ALWAYS KEEPING IN MIND
THAT MARRIAGE IS THE MOST IMPORTANT
MARRIAGE CAN BE A SOURCE OF JOY AND LOVE AND MUTUAL SUPPORT
BUT WHY DO WE TEACH GIRLS TO ASPIRE TO MARRIAGE AND WE DON'T TEACH BOYS THE SAME
WE RAISE GIRLS TO SEE EACH OTHER AS COMPETITORS, NOT FOR JOBS OR ACCOMPLISHMENTS
WHICH I THINK CAN BE A GOOD THING
BUT FOR THE ATTENTION OF MEN
WE TEACH GIRLS THAT THEY CANNOT BE SEXUAL BEINGS IN THE WAY THAT BOYS ARE
FEMINIST: A PERSON WHO BELIEVES IN THE SOCIAL POLITICAL AND ECONOMIC EQUALITY OF THE SEXESYOU WAKE UP
FLAWLESS
POST UP
FLAWLESS
RIDIN ROUND IN THAT
FLAWLESS
FLOSSING ON THAT
FLAWLESS
THIS DIAMOND
FLAWLESS
MY DIAMOND
FLAWLESS
THIS ROCK
FLAWLESS
MY ROCK
FLAWLESSI WOKE UP LIKE 'DIS
I WOKE UP LIKE 'DIS
WE FLAWLESS
LADIES TELL 'EM,
I WOKE UP LIKE DIS
I WOKE UP LIKE DIS
WE FLAWLESS
LADIES TELL 'EM,
SAY
I LOOK SO GOOD TONIGHT
AW DAMN, AW DAMN
SAY
I LOOK SO GOOD TONIGHT
AW DAMN, AW DAMN, AW DAMNMY MAMA TAUGHT ME GOOD HOME TRAINING
MY DADDY TAUGHT ME HOW TO LOVE MY HATERS
MY SISTER TOLD ME I SHOULD SPEAK MY MIND
MY MAN MADE ME FEEL SO COTDAMN FINE
I'M FLAWLESSWAKE UP
FLAWLESS
POST UP
FLAWLESS
RIDIN ROUND IN 'DAT
FLAWLESS
FLOSSING ON 'DAT
FLAWLESS
THIS DIAMOND
FLAWLESS
MY DIAMOND
FLAWLESS
THIS ROCK
FLAWLESS
MY ROCK
FLAWLESSI WOKE UP LIKE 'DIS
I WOKE UP LIKE 'DIS
WE FLAWLESS
LADIES, TELL 'EM,
I WOKE UP LIKE DIS
I WOKE UP LIKE DIS
WE FLAWLESS
LADIES, TELL 'EM,
SAY
I LOOK SO GOOD TONIGHT
AW DAMN, AW DAMN
SAY
I LOOK SO GOOD TONIGHT
AW DAMN
WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, CHAUNCEY HOLLIS, REY REEL MUSIC, RASHAD "HAZEBANGA" MUHAMMAD / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL, INC./U CAN'T TEACH BEIN' THE SHHH (BMI), REY REEL MUSIC, HAZEBANGA MUSIC (ASCAP) / PRODUCED BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87 AND BEYONCÉ KNOWLES / CO-PRODUCED BY REY REEL MUSIC FOR HITS SINCE 87 AND RASHAD "HAZEBANGA" MUHAMMAD / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / ADDITIONAL ARRANGING BY BOOTS / RECORDED BY STUART WHITE AND JORDAN "DJ SWIVEL" YOUNG AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTANT ENGINEERING BY TYLER SCOTT / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT AND JAMES KRAUSSE / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
STAR SEARCH FOOTAGE EXCERPT COURTESY OF CBS TELEVISION DISTRIBUTION AND THE ED MCMAHON ESTATE, "WE SHOULD ALL BE FEMINISTS" WRITTEN AND SPOKEN BY CHIMAMANDA NGOZI ADICHIE
-
WHEN THE PALM OF MY TWO HANDS
HOLD EACH OTHER
THAT FEELS DIFFERENT FROM WHEN YOUR HANDS
ARE IN MINE
THAT'S JUST THE WAY IT ISAND WHEN MY VOICE IS SCREAMING OUT
TO MY OWN EARS
THAT FEELS DIFFERENT
FROM WHEN I HEAR YOURS
NOW THAT'S JUST THE WAY IT ISAND WHEN I'M STANDING IN THIS MIRROR
AFTER ALL THESE YEARS
WHAT I'M VIEWING'S A LITTLE DIFFERENT
FROM WHAT YOUR EYES SHOW YA
I GUESS I DONE SEEN MYSELF BEFORE YA
MOVING FORWARD (SUPERPOWER)A SUBTLE POWER (SUPERPOWER)
A TOUGH LOVE (SUPERPOWER)
OH, LIKE A SHARK (SUPERPOWER)
OOO, LIKE A BEAR
A TOUGH LOVE(AND I THOUGHT THE WORLD WOULD REVOLVE)
I THOUGHT THE WORLD WOULD REVOLVE
(WITHOUT US)
WITHOUT US, WITHOUT US, WITHOUT US
(BUT NOTHIN I KNOW)
COULD SLOW US DOWN
COULDN'T SLOW US DOWN
AND I THOUGHT I COULD LIVE WITHOUT YA, HEY, HEY
BUT NOTHIN I KNOW CAN BREAK US DOWN
THEY CAN'T BREAK US DOWNAND JUST LIKE YOU I CAN'T BE SCARED
AND JUST LIKE YOU I HOPE I'M SPARED
BUT IT'S TOUGH LOVE
I KNOW YOU FEEL IT IN THE AIR
EVEN THE BABIES KNOW IT'S THERE
A TOUGH LOVE (SUPERPOWER)THE LAWS OF THE WORLD TELL US WHAT GOES SKY AND WHAT FALLS
IT'S A SUPERPOWER (SUPERPOWER)
THE LAWS OF THE WORLD NEVER STOPPED US ONCE
CAUSE TOGETHER WE GOT PLENTY SUPERPOWER (SUPERPOWER)A SUBTLE POWER (SUPERPOWER)
A TOUGH LOVE (SUPERPOWER)
OH, LIKE A SHARK (SUPERPOWER)
OOO, TOO MUCH TO BARE (SUPERPOWER)(AND I THOUGHT THE WORLD WOULD REVOLVE)
I THOUGHT THE WORLD WOULD REVOLVE
(WITHOUT US)
WITHOUT US, WITHOUT US, WITHOUT US
(BUT NOTHIN I KNOW)
COULD SLOW US DOWN
COULDN'T SLOW US DOWN
AND I THOUGHT I COULD LIVE WITHOUT YA, HEY, HEY
BUT TOGETHER WE GOT PLENTY POWER
BUT, NOTHIN I KNOW COULDN'T BREAK US DOWN
THEY CAN'T BREAK US DOWN (SUPERPOWER)YES WE CAN
COULDN'T BREAK US DOWN
THEY CAN'T BREAK US DOWN
REPEAT
WRITTEN BY PHARRELL WILLIAMS, FRANK OCEAN, BEYONCÉ KNOWLES / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), HEAVENS RESEARCH / BMG BUMBLEBEE (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY PHARRELL WILLIAMS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / RECORDED BY STUART WHITE, ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT, MIKE LARSON AND JAMES KRAUSSE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC AND MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA / ASSISTANT ENGINEERING BY RAMON RIVAS, MATT WEBER, AND JON CASTELLI / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY KELLY ROWLAND, MICHELLE WILLIAMS, STEFAN SKARBEK, AND BOOTS / VIOLINS ARRANGED AND PERFORMED BY MARGOT / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA AND CLOCKWORKS STUDIOS, BROOKLYN, NY, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND CHRIS TABRON / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
FRANK OCEAN APPEARS COURTESY OF ISLAND DEF JAM MUSIC GROUP
-
OHHH…
I FOUGHT FOR YOU THE HARDEST
YOU MADE ME THE STRONGEST
SO TELL ME, YOUR SECRETS
I JUST CAN'T STAND TO SEE YOU LEAVINGBUT HEAVEN COULDN'T WAIT FOR YOU
NO HEAVEN COULDN'T WAIT FOR YOU
HEAVEN COULDN'T WAIT FOR YOU
NO HEAVEN COULDN'T WAIT FOR YOU
SO GO ON, GO HOMEWE LAUGHED AT THE DARKNESS
SO SCARED THAT WE LOST IT
WE STOOD ON THE CEILINGS
YOU SHOWED ME LOVE WAS ALL YOU NEEDEDHEAVEN COULDN'T WAIT FOR YOU
HEAVEN COULDN'T WAIT FOR YOU
OH, HEAVEN COULDN'T WAIT FOR YOU
NO HEAVEN COULDN'T WAIT FOR YOU, YOU, YOU, YOU…
NO HEAVEN COULDN'T WAIT FOR YOU
NO! HEAVEN COULDN'T WAIT FOR YOU
NO! HEAVEN COULDN'T WAIT FOR YOU
OHH, HEAVEN COULDN'T WAIT FOR YOU
SO GO ON, GO HOME
SO GO ON, GO HOME
WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS, STUART WHITE AND ROB COHEN AT WESTLAKE RECORDING STUDIOS, WEST HOLLYWOOD, CA AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY CHRISTIAN HUMPHREYS / ALL INSTRUMENTS PERFORMED BY BOOTS / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT ENGINEERING BY JUSTIN HERGETT / "THE LORD'S PRAYER" RECITED BY MELISSA VARGAS / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
SOMETIMES THESE WALLS SEEM TO CAVE IN ON ME
BUT WHEN I LOOK INTO YOUR EYES
I FEEL ALIVE
SOME DAYS WE SAY WORDS THAT DON'T MEAN A THING
BUT WHEN YOU'RE HOLDING ME TIGHT
I FEEL ALIVEMAKE IT LAST FOREVER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
YOU AND I TOGETHER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO MEEACH DAY I FEEL SO BLESSED TO BE LOOKIN AT YOU
CUZ WHEN YOU OPEN YOUR EYES
I FEEL ALIVE
MY HEART BEATS SO DAMN QUICK WHEN YOU SAY MY NAME
AND WHEN I'M HOLDING YOU TIGHT
I'M SO ALIVE
SO NOW LET'S JUST LIVE IT UPMAKE IT LAST FOREVER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
YOU AND I TOGETHER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO MEMAKE IT LAST FOREVER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
YOU AND I TOGETHER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO MEWE'VE GOTTA HOLD ON
I'VE GOTTA HOLD ON
YOU'VE GOT TO HOLD ON
YOU'VE GOT A HOLD ON, A HOLD ONTO ME
WE'VE GOTTA HOLD ON
I'VE GOTTA HOLD ON
YOU'VE GOT A HOLD ON
YOU'VE GOT A HOLD ON, A HOLD ONTO MEMAKE IT LAST FOREVER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
YOU AND I TOGETHER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO MEMAKE IT LAST FOREVER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
YOU AND I TOGETHER
COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME, BLUE
WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS, STUART WHITE AND JONATHAN LEE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY JUSTIN HERGETT AND JAMES KRAUSSE / PIANO, DRUMS, GUITAR, KEYBOARDS PLAYED BY BOOTS / LIVE DRUMS PLAYED BY STEVEN WOLF / VIOLINS ARRANGED AND PERFORMED BY MARGOT / ADDITIONAL VOCALS BY BLUE IVY / MIXED BY TONY MASERATI AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC AND CLOCKWORKS STUDIOS, BROOKLYN, NY/ MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
-
SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR
LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR
SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
SMACK IT, SMACK IT IN THE AIR
LEGS MOVING SIDE TO SIDE, SMACK IT, SMACK IT IN THE AIR
SMACK IT, SMACK IT IN THE AIRWAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (IN THE AIR)
WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (TO SIDE TO SIDE)
CLAP, CLAP, CLAP LIKE YOU DON'T CARE (TO SIDE TO SIDE)
SMACK THAT CLAP, CLAP, CLAP LIKE YOU DON'T CARE (I KNOW YOU CARE)
CLAP, CLAP, CLAP, CLAP, CLAP ITFOOT UP, MY FOOT UP, HOLD UP NOW MY FOOT UP (SPINNING)
I'M SPINNING, MY FOOT UP, FOOT UP, YEAH MY FOOT UP (SPINNING)
I'M SPINNING, MY FOOT UP, PUT MY FOOT UP, YEAH MY HANDS UP
MY HANDS UP, MY HANDS UP FLEXIN', FLEXIN' WHILE MY HANDS UP
MY HANDS UP, MY HANDS UP, I STAND UP WITH MY HANDS UP
THEN I PUT UP, MY HANDS UP, I PUT UP, MY HANDS UP
I PUT UP, MY HANDS UP, I PUT UP, MY HANDS UP
I PUT UP, MY HANDS UP, THEN I'M SPINNING WITH MY HANDS UP (SPINNING)SPINNING WHILE MY HANDS UP, SPINNING WHILE MY HANDS UP (SPINNING)
SPINNING WHILE MY HANDS UP, THEN I'M TIPPING ALL MY HANDS UP (TIPPING)
SPINNING, I'M SPINNING, I'M SPINNING WHILE MY HANDS UP (SPINNING)
I'M SPINNING, I'M SPINNING, I'M SPINNING WHILE MY HANDS UP (DRANK)HOLD THAT CUP LIKE ALCOHOL
HOLD THAT CUP LIKE ALCOHOL (DRANK)
HOLD THAT CUP LIKE ALCOHOL
DON'T YOU DROP THAT ALCOHOL (DRANK)
NEVER DROP THAT ALCOHOL
NEVER DROP THAT ALCOHOL
I KNOW YA THINKING 'BOUT ALCOHOL
I KNOW YA THINKING 'BOUT THAT ALCOHOLMAN THIS HERE LIKE ROLLING DICE
MAN THIS HERE LIKE ROLLING DICE
SEVEN-ELEVEN
SEVEN-ELEVEN
SEVEN TWICE, MAN SEVEN TWICEMAN IT FEEL LIKE ROLLING DICE
MAN THIS FEEL LIKE ROLLING DICE
MAN IT FEEL LIKE ROLLING DICE
SEVEN TWICE, SEVEN TWICE (KICK IT)GIRL I'M TRYING TO KICK IT WITH YOU (GIRL)
GIRL I'M TRYING TO KICK IT WITH YOU (MAN)
MAN I'M TRYING TO KICK IT WITH YOU
MY FEET UP, I KICK IT WITH YOU (MAN)
MAN I SWEAR I'D KICK IT WITH YOU (GIRL)
GIRL I WANNA KICK IT WITH YOU (MAN)
MAN I KNOW I'LL KICK IT WITH YOU
YEAH I'LL SPIN AROUND AND KICK IT WITH YOUSHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR (TO SIDE TO SIDE)
LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR (TO SIDE TO SIDE)
SHOULDERS MOVING SIDE TO SIDE SMACK IT IN THE AIR
SMACK IT IN THE AIR, SMACK IT, SMACK IT IN THE AIR
SMACK IT IN THE AIR, SMACK IT, SMACK IT IN THE AIWAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (IN THE AIR)
WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (TO SIDE TO SIDE)
CLAP, CLAP, CLAP LIKE YOU DON'T CARE (TO SIDE TO SIDE)
SMACK THAT, CLAP, CLAP, CLAP LIKE YOU DON'T CARE (I KNOW YOU CARE)YOU CARE...I KNOW...YOU CARE...
WAVE YOUR HANDS SIDE TO SIDE
WAVE YOUR HANDS SIDE TO SIDE
WAVE YOUR HANDS SIDE TO SIDE
WAVE YOUR HANDS SIDE TO SIDEOH WE BB
FREAKY DEAKY
THINK ME SEE SHE
PINK BIKINI
ROCK THAT KUFI
DYE DASHIKI
NEFERTITI
EDGES KINKYSWEATIN' OUT MY BLOW OUT
SWEATIN' OUT MY PRESS
THIS TICK ABOUT TO GO OFF
MAD CAUSE I'M SO FRESH
FRESHER THAN YOU
I'M FRESHER THAN YOU
FRESHER THAN YOU OH
WRITTEN BY BOBBY JOHNSON, NOEL FISHER, BEYONCÉ KNOWLES AND SIDNEY SWIFT/ PUBLISHED BY SONGS OF CROWD CONTROL/HIP HOP VILLE, USA ADMINISTERED BY SONGS OF KOBALT MUSIC GROUP LTD (GEMA), EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BEYONCÉ KNOWLES AND BOBBY JOHNSON / CO-PRODUCED BY DETAIL AND SIDNEY SWIFT / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION AND ARRANGING BY DEREK DIXIE / RECORDED BY STUART WHITE AT RECORD PLANT IN LOS ANGELES, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT ENGINEERING BY RAMON RIVAS AND JON SCHACTER / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / ASSISTANT MIXING BY JAMES KRAUSE AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC
-
BEYONCE:
IT'S THAT YONCÉ, YOUR YONCÉ
IN THAT LINGERIE, ON THAT CHARDONNAY
SCORING TOUCHDOWNS ON YOUR RUNWAY
I'M TEXAS FOREVER LIKE BUN B
AND I'M REDBONED YO
I'M REALLY RIT LIKE DONJAE
I'M CAMO IN HERE YO
THESE THOTS CAN'T CLOCK ME NOWADAYS
YOU WISH I WAS YOU POUNDCAKE
BOY YOU KNOW I LOOK GOOD AS F---
WISH I WAS YOUR BABY MOMMA
WANT ME TO COME 'ROUND AND GIVE YOU GOOD KARMA, BUT NO
WE ESCALATING, UP IN THIS BITCH LIKE ELEVATORS
OF COURSE SOMETIMES S--- GO DOWN
WHEN IT'S A BILLION DOLLARS ON AN ELEVATOR
OF COURSE SOMETIMES S--- GO DOWN
WHEN IT'S A BILLION DOLLARS ON AN ELEVATOR
GODDAMN, GODDAMN, GODDAMN!MOMMA TAUGHT ME GOOD HOME TRAINING
MY DADDY TAUGHT ME HOW TO LOVE MY HATERS
MY SISTER TAUGHT ME I SHOULD SPEAK MY MIND
MY MAN MADE ME FEEL SO GODDAMN FINE
I'M FLAWLESSYOU WAKE UP, FLAWLESS
POST UP, FLAWLESS
RIDIN' AROUND IN IT, FLAWLESS
FLOSSIN' ON THAT, FLAWLESS
THIS DIAMOND, FLAWLESS
MY DIAMOND, FLAWLESS
THIS ROCK, FLAWLESS
MY ROC, FLAWLESS
I WOKE UP LIKE THIS, I WOKE UP LIKE THIS
WE FLAWLESS, LADIES, TELL 'EM
I WOKE UP LIKE THIS, I WOKE UP LIKE THIS
WE FLAWLESS, LADIES, TELL 'EM
SAY "I LOOK SO GOOD TONIGHT"
GODDAMN, GODDAMN
SAY "I LOOK SO GOOD TONIGHT"
GODDAMN, GODDAMN, GODDAMNI WAKE UP LOOKING THIS GOOD
AND I WOULDN'T CHANGE IT IF I COULD
(IF I COULD, IF I, IF I COULD)
AND YOU CAN SAY WHAT YOU WANT, I'M THE S---
(WHAT YOU WANT I'M THE S---, I'M THE S---)
I WANT EVERYONE TO FEEL LIKE THIS TONIGHT
GODDAMN, GODDAMN, GODDAMN(ONIKA...)
NICKI MINAJ:
LOOKING TRINIDADIAN, JAPANESE, AND INDIAN
GOT MALAYSIAN, GOT THAT YAKI, THAT WAVY BRAZILIAN
(THEM B------ THIRSTY, I'M HUNGARIAN)
(NICKI, BB, BE EATING, DIAMOND FANGS, BARBARIAN)
LIKE MJ'S DOCTOR, THEY KILLIN' ME
PROPOFOL, I KNOW THEY HOPE I FALL
BUT TELL 'EM WINNING IS MY MOTHER------ PROTOCOL
'CAUSE I SCORE BEFORE I EVER THROW THE BALL
THESE B------ WASHED UP AND AIN'T NO F----- SOAP INVOLVED
EVERY HOOD N---- DREAM FANTASIZING 'BOUT NICKI AND BEY
CURVALICIOUS P---- SERVED DELICIOUS
MAYDAY, MAYDAY, EARTH TO B------
SLAP THESE H--- ON THEY ASS LIKE WE BIRTHING B------
THE QUEEN OF RAP, SLAYIN' WITH QUEEN BEY
IF YOU AIN'T ON THE TEAM, YOU PLAYING FOR TEAM D
CAUSE WE A-LISTERS, WE PAID SISTERS
THIS WATCH RIGHT HERE DONE PHASED BLIZZARDS
I CONFESS, I WOKE UP LIKE THIS
ALL THIS DRANK IN MY CUP LIKE THIS
ALL THIS ASS ON THAT FLAWLESS DICK
INSTAGRAM ANOTHER FLAWLESS PIC
FLAWLESS CITY WITH THESE FLAWLESS T------
I GOT ALL THESE HUNDRED, YOU GOT ALL THEM FIFTIES
I'M WITH SOME FLAWLESS B------ CAUSE THEY MORE THAN PRETTY
CAUSE N----- LOVE BAD B------ THAT BE ON THEY GRIZZLY
THROW THAT ASS BACK I BE ON MY FRISBEE
PRINCESS CUT DIAMOND ON MY DISNEY
HE WANT MONSTER NICKI IN SRI LANKA
I TOLD HIM MEET ME AT THE TRUMP, IVANKA
I SAID COME HERE, LET ME SHOW YOU HOW THAT COOKIE TASTE
THIS THAT "YEAH N----, EAT THAT COOKIE" FACEWRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, CHAUNCEY HOLLIS, REY REEL MUSIC, RASHAD "HAZEBANGA" MUHAMMAD, ONIKA MARAJ / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL, INC./U CAN'T TEACH BEIN' THE SHHH (BMI), REY REEL MUSIC, HAZEBANGA MUSIC (ASCAP), O. MARAJ PUBLISHING CO: HARAJUKU BARBIE MUSIC/MONEY MACK MUSIC/SONGS OF UNIVERSAL, INC. (BMI) / PRODUCED BY BEYONCÉ KNOWLES, HIT-BOY, REY REEL MUSIC AND HAZEBANGA FOR HITS SINCE 87, AND TERIUS "THE-DREAM" NASH FOR WWW.CONTRA-PARIS.COM / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL SOUNDS AND REMIX PRODUCTION BY DEREK DIXIE / ADDITIONAL PRODUCTION AND ARRANGING BY BOOTS / RECORDED BY STUART WHITE, RAMON RIVAS, AUBRY "BIG JUICE" DELAINE, AND BART SCHOUDEL AT JUNGLE CITY STUDIOS, NYC / ASSISTANT ENGINEERING BY BRENDAN MORAWSKI AND TODD BERGMAN / MIXED BY STUART WHITE AT MONK STUDIOS, EAST HAMPTON, NY / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC
CONTAINS A PORTION OF THE COMPOSITION "SPOTTIEOTTIEDOPALISCIOUS" WRITTEN BY ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON, PUBLISHED BY BMG CHRYSALIS MUSIC (BMI)
NICKI MINAJ APPEARS COURTESY OF YOUNG MONEY ENTERTAINMENT/CASH MONEY RECORDS
-
KANYE WEST:
YOU WILL NEVER NEED ANOTHER LOVER
CAUSE YOU A MILF AND I'M A MOTHER------
TOLD YOU GIVE THE DRUMMER SOME NOW THE DRUMMER C-----
I'M PA RUM PA PUM PUMIN' ALL ON YOUR STOMACH
YEAH TONIGHT I SEE SOME SUPER FREAKY HOES
THAT COULD GO FROM BEIN' A STRIPPER TO A SUPER C.E.O.
I DON'T KNOW THE WAY YOU DO IT, BUT YOU DO IT TO ME THOUGH
AND YOU ALWAYS TOLD YOUR GIRLFRIENDS YOU NEED A TV SHOW
NOW YOU GOT YOUR OWN MONEY, YOU DON'T NEED NOBODY ELSE
BUT AS FAR AS HANDLIN' ALL THAT ASS, I THINK YOU GONNA NEED SOME HELP
LET ME REMIND YOU, YOU GOT A, YOU GOT A GREAT FUTURE BEHIND YOU
YOU GOTTA TELL ME WHAT WE TRYNA DO
I AIN'T NO PASTOR, DON'T DO MISSIONARY
I KNOW GOOD P---- WHEN I SEE IT, I'M A VISIONARY
I KNOW THEM HATERS TALKIN, ALWAYS HAD US VERY WARY
YUP ON THE 35TH OF NEVUARY
YUP YOU LOVE THE WAY I'M TURNT
AFTER ALL THE MONEY YOU EARNED, STILL SHOW DADDY WHAT YOU LEARNT
THAT COWGIRL, YOU REVERSE THAT COWGIRL
YOU REVERSE, YOU REVERSE, AND I IMPREGNATED YOUR MOUTH GIRL, OH
THAT'S WHEN I KNOW YOU COULD BE MY SPOUSE, GIRL
WE F----- ALL OVER THE HOUSE, GIRL, WE JUST MESSED UP A BRAND NEW COUCH, GIRL
YOU AINT ON SITE THEN YOU YOU ON SKYPE
I PUT YOU ON THAT BIKE, YOU BOUND, GIRL
WE TOO WILD WON'T TURN DOWN
WE DRUNK IN LOVE, F--- THEMBEYONCE:
I'VE BEEN DRINKIN'
I'VE BEEN DRINKIN'
I GET FILTHY WHEN THAT LIQUOR GET INTO ME
I'VE BEEN THINKIN'
I'VE BEEN THINKIN'
WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH
WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAHCIGARS ON ICE, CIGARS ON ICE
FEELIN' LIKE AN ANIMAL WITH THESE CAMERAS ALL IN MY GRILL
FLASHING LIGHTS, FLASHING LIGHTS
YOU GOT ME FADED, FADED, FADED
BABY I WANT YOU, NA-NAH
CAN'T KEEP YOUR EYES OFF OF MY FATTY
DADDY I WANT YOU, NA-NAH
DRUNK IN LOVE
I WANT YOUWE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
DRUNK IN LOVE
WE BE ALL NIGHT
LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
DRUNK IN LOVE
WE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVEWE BE ALL NIGHT
AND EVERYTHIN' ALL RIGHT
NO COMPLAINTS FROM MY BODY SO FLORESCENT UNDER THESE LIGHTS
BOY I'M DRINKIN'
PARK IT IN MY LOT 7-11
I'M RUBBING ON IT, RU-RUBBIN' IT
IF YOU SCARED CALL THAT REVREN
BOY I'M DRINKIN'GET MY BRAIN RIGHT
ARMAND DE BRIGNAC GANGSTER WIFE
LOUIE SHEETS HE SWEAT IT OUT, LIKE WASH RAGS HE WEAR IT OUT
BOY I'M DRINKIN', I'M SINGIN'
ON THE MIC TO MY BOY TOYS
THEN I FILL THE TUB UP HALF WAY THEN RIDE IT WITH MY SURFBOARD, SURFBOARD, SURFBOARD
GRAININ' ON THAT WOOD, GRAININ', GRAININ' ON THAT WOOD
I'M SWERVIN' ON THAT, SWERVIN', SWERVIN' ON THAT
BIG BODY BEEN SERVIN' ALL THIS, SWERVE, SURFIN' IN ALL THIS GOOD, GOODWE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
DRUNK IN LOVE
WE BE ALL NIGHT
LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
DRUNK IN LOVE
WE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVEJAY Z:
THAT D'USSE IS THE SH--
IF I DO SAY SO MYSELF
IF I DO SAY SO MYSELF
IF I DO SAY SO MYSELFSTUMBLED ALL IN THE HOUSE TIME TO BACK UP ALL OF THAT MOUTH
THAT YOU HAD IN THE CAR
TALKING BOUT YOU THE BADDEST B---- THUS FAR
TALKING BOUT YOU BE REPPIN' THAT 3RD(WARD)
I WANNA SEE ALL THE SH-- THAT I HEARD
YOU KNOW I SLING CLINT EASTWOOD
I HOPE THAT YOU CAN HANDLE THIS CURVEFOREPLAY IN THE FOYER
F----- UP MY WARHLOL
SLIP THE PANTIES RIGHT TO THE SIDE AINT GOT THE TIME TO TAKE DRAWS OFFON SITE
CATCH A CHARGE I MIGHT
BEAT THE BOX UP LIKE MIKE IN '97 I'LL BITE
I'M IKE, TURNER, TURN UP
BABY NO I DON'T PLAY
NOW EAT THE CAKE ANNA MAE I SAID EAT THE CAKE ANNA MAE
IM NICE
FOR YA'LL TO REACH THESE HEIGHTSYOU GONNA NEED G3
4, 5, 6 FLIGHTS SLEEP TIGHT
WE SEX AGAIN IN THA MORNIN' YO BREASTASES IS MY BREAKFAST
WE GOIN IN WE BE ALL NIGHTBEYONCE:
WE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVEI'M NEVER TIRED, WE NEVER TIRED
I'VE BEEN SIPPIN', IT'S THE ONLY THING THAT'S BEEN KEEPING ME ON FIRE, WE ON FIRE
DIDN'T MEAN TO SPILL THAT LIQUOR ALL ON MY ATTIRE
I'VE BEEN DRINKIN', WATERMELON
I WANT YOUR BODY RIGHT HERE
DADDY I WANT YOU RIGHT NOW
CAN'T KEEP YOUR EYES OFF MY FATTY
DADDY I WANT YOUWE BE ALL NIGHT, LOVE, LOVE
WE BE ALL NIGHT, LOVE, LOVE
WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, SHAWN CARTER, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, T.MOSLEY, J.HARMON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) AND CARTER BOYS MUSIC (ASCAP) ALL RIGHTS OBO ITSELF AND CARTER BOYS MUSIC ADMINISTERED, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / REMIX PRODUCED BY KANYE WEST AND MIKE DEAN / REMIX CONTRIBUTIONS BY KANYE WEST, CYDEL YOUNG, MALIK YUSEF, J. SAKIYA SANDIFER, MIKE DEAN AND NOAH GOLDSTEIN / ADDITIONAL PRODUCTION BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC., JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, BOOTS, AND NOAH GOLDSTEIN / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY BOOTS / ADDITIONAL SYNTH SOUNDS BY DEREK DIXIE / REMIX RECORDED BY NOAH GOLDSTEIN / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / REMIX MIXED BY NOAH GOLDSTEIN, TONY MASERATI, AND STUART WHITE AT NO NAME STUDIOS, MALIBU, CA / ASSISTANT REMIX ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / MASTERED BY MIKE DEAN AT DEAN'S LIST HOUSE OF HITS, SOHO, NYC
CONTAINS A SAMPLE FROM "FLASHING LIGHTS" AS PERFORMED BY KANYE WEST USED COURTESY OF DEF JAM RECORDS UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES
JAY Z APPEARS COURTESY OF ROC NATION / KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS/DEF JAM RECORDINGS
-
MAMA, I UNDERSTAND YOUR MANY SLEEPLESS NIGHTS
WHEN YOU SIT AND YOU THINK ABOUT FATHER
HOW YOU TRIED TO BE THE PERFECT WIFE
YOU USED TO DRESS AND FIX YOU HAIR
THEN YOU'D SMILE THROUGH YOUR TEARS
IN THE MIRROR YOU WOULD STARE
AND SAY A PRAYERLIKE I WISH HE SAID I'M BEAUTIFUL
I WISH IT DIDN'T HURT AT ALL
I DON'T KNOW HOW I GOT HERE
I WAS ONCE THE ONE WHO HAD HIS HEART
UNTIL YOU HAD ENOUGH THAN YOUTOOK THAT RING OFF
YOU TOOK THAT RING OFF
SO TIRED OF THE LIES, TRYING AND FIGHTING AND CRYING
TOOK THAT RING OFF
OH NOW THE FUN BEINGS
DUST YOURSELF OFF AND YOU'LL LOVE AGAIN
FIND A NEW MAN
NOW YOU SINE, AND YOU'RE FINE LIKE IT'S MY TIME
YOU TOOK THAT RING OFFMAMA YOU LIVE AND LEARN, THAT'S JUST THE WAY LOVE GOES
ALWAYS KNOW THAT YOU GOT A DAUGHTER
THAT'S OH SO PROUD YOU TOOK THE HIGH ROADYOU USED TO DRESS AND FIX YOUR HAIR
YOU'D ALWAYS SMILE THROUGH YOUR TEARS
IN THE MIRROR YOU WOULD STARE
AND SAY A PRAYERLIKE I WISH HE SAID I'M BEAUTIFUL
I WISH THIS DIDN'T HURT AT ALL
I DON'T KNOW HOW I GOT HERE
I WAS ONCE THE ONE WHO HAD HIS HEART
AND THEN YOU HAD ENOUGH AND YOUTOOK THAT RING OFF
YOU TOOK THAT RING OFF
SO TIRED OF THE LIES AND TRYING, CRYING AND FIGHTING
TOOK THAT RING OFF
OH NOW THE FUN BEGINS
DUST YOURSELF OFF AND YOU'LL LOVE AGAIN
FIND A NEW MAN
NOW YOU SHINE, AND YOU'RE FINE LIKE IT'S MY TIME
YOU TOOK THAT RING OFFAFTER ALL YOUR TEARS
AFTER ALL THAT PAIN'S ALL CLEARED
AFTER ALL THEM YEARS
WE CAN START ALL OVER AGAIN MAMA
NOW IT ALL MAKES SENSE
LETTING GO IS NEVER THE END MAMA
WE CAN LOVE AGAIN
THIS IS WHERE FREEDOM BEGINS MAMASO PUT YOUR LOVE ON TOP
KEEP ON SHINNING, PUT YOUR LOVE ON TOP
IT'S YOUR TIME TO PUT YOUR LOVE ON TOP
EVERYBODY PUT YOUR LOVE ON TOPHEY, LOVE ON TOP
HEY, LOVE ON TOP
IT'S YOUR TIME TO PUT YOUR LOVE ON TOP, GIRL
YOU SO FINE, PUT YOUR LOVE ON TOPMS. TINA:
IF YOU'RE GOING THROUGH IT JUST KNOW IT'S CALLED GOING THROUGH IT.
YOU'RE NOT GOING TO GET STUCK THERE.
YOU'RE NOT GOING TO DIE, YOU'RE GOING TO SURVIVE.WRITTEN BY MICHAEL CAREN, BEYONCÉ KNOWLES, WILLIAM LOBBAN-BEAN, GEOFF EARLY, CHARLES HINSHAW, ADAM AMEZAGA, DEREK DIXIE, STEPHEN BISHOP, HIT-BOY, AND MIKE DEAN / SERIOUS SCRIPTURES/ARTIST PUBLISHING WEST (ASCAP), COOK CLASSICS, ARTIST 101 PUBLISHING GROUP (BMI), HINSHAW PRODUCTIONS/RONDOR MUSIC (ASCAP), STRAIGHT TRIPPIN PUBLISHING (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DEREK DIXIE PUB INFO, DOWNTOWN MUSIC PUBLISHING (ASCAP) / PRODUCED BY MIKE CAREN AND BEYONCÉ KNOWLES / CO-PRODUCED BY COOK CLASSICS FOR WILL COOK FOR DOUGH / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY HS87 (HIT-BOY, HAZEBANGA, PREACH BAL4), MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS, ARIEL RECHTSHAID AND DEREK DIXIE / RECORDED BY MIKE CAREN AT MIKE'S HOUSE, LOS ANGELES, CA, AND COOK CLASSICS AT THE CARLYLE, LOS ANGELES, CA / VOCALS RECORDED BY STUART WHITE AT THE RECORD PLANT, LOS ANGELES, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT ENGINEERING BY RAMON RIVAS AND JON SCHACTER / ASSISTANT VOCAL ENGINEERING BY RAMON RIVAS AND JON SCHACTER/ MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT MIXING BY JAMES KRAUSE AND JUSTIN HERGETT / MIX CONSULTING BY DEREK DIXIE / DRUM PROGRAMMING BY MIKE CAREN AND COOK CLASSICS / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC
CONTAINS A PORTION OF A SPEECH BY TINA KNOWLES FROM THE 2014 TEXAS WOMEN'S EMPOWERMENT FOUNDATION LEADERSHIP LUNCHEON
-
WRITTEN BY PHARRELL WILLIAMS, BEYONCÉ KNOWLES, JAMES FAUNTLEROY, T.MOSLEY, J.HARMON, JUSTIN TIMBERLAKE, TERIUS NASH / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI), ADMINISTERED BY WB MUSIC CORP., TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), 2082 MUSIC PUBLISHING (ASCAP) / WB MUSIC CORP. / PRODUCED BY PHARRELL WILLIAMS AND BEYONCÉ KNOWLES / CO-PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., BART SCHOUDEL, AND ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / PHARRELL'S VOCALS RECORDED BY MIKE LARSON / ASSISTANT ENGINEERING BY RAMON RIVAS, ROB SUCHECKI, AND MATT WEBER / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY PHARRELL WILLIAMS AND TIMBALAND / HORNS BY KATTY RODRIGUEZ, ADISON EVANS AND CRYSTAL TORRES AND ARRANGED BY DEREK DIXIE / MIXED BY STUART WHITE AT THE MIX ROOM, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT, ASSISTED BY JAMES KRAUSSE, PAUL PAVAO AND EDWARD VALLDEJULI / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC
PHARRELL WILLIAMS APPEARS COURTESY OF COLUMBIA RECORDS A DIVISION OF SONY MUSIC ENTERTAINMENT
-
WRITTEN BY GREG KURSTIN, SIA FURLER, BEYONCÉ KNOWLES, NOEL FISHER, ANDRE ERIC PROCTOR, RASOOL DIAZ AND BRIAN SOKO / PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND KURSTIN MUSIC (ASCAP) / EMI MUSIC PUBLISHING, INC. (ASCAP) / WB MUSIC CORP. O/B/O ITSELF AND OAKLAND 13 MUSIC (ASCAP) / EMI BLACKWOOD MUSIC INC. O/B/O ITSELF AND IF YOU NEED ME, DON'T LEAVE ME (BMI) / WARNER-TAMERLANE PUBLISHING CORP. O/B/O ITSELF AND THE ORDER MUSIC (BMI) / PRODUCED BY GREG KURSTIN / VOCALS PRODUCED BY BEYONCÉ / ADDITIONAL PRODUCTION BY BEYONCÉ KNOWLES AND PHARRELL WILLIAMS / RECORDED BY GREG KURSTIN AT KINGS LANDING, BRIDGEHAMPTON, NY / ASSISTANT ENGINEERING BY ALEX PASCO/ VOCALS RECORDED BY STUART WHITE AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT VOCAL ENGINEERING BY ROB SUCHECKI AND RAMON RIVAS / ALL INSTRUMENTS BY GREG KURSTIN / ADDITIONAL VOCALS BY MR. VEGAS / BACKGROUND VOCALS BY SIA FURLER / MIXED BY CHRIS TABRON / REMIX RECORDED BY STUART WHITE, ROHAN DWYER, AND DEREK DIXIE / ASSISTANT REMIX ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / MASTERED BY TOM COYNE & AYA MERRILL AT STERLING SOUND, NYC
REMIX BY CLIFFORD SMITH . CLEVELAND BROWNE . DANNY BROWNE O/B/O MV MUSIC
4 (2011)
- Buy Now
-
BA BA BADA (X7)
BRING THE BEAT IN
HONEY HONEY, I CAN SEE THE STARS ALL THE WAY FROM HERE CAN'T YOU SEE THE GLOW ON THE WINDOW PANE I CAN FEEL THE SUN WHENEVER YOU'RE NEAR EVERY TIME YOU TOUCH ME I JUST MELT AWAY
NOW EVERYBODY ASKS ME WHY I'M SMILING OUT FROM EAR TO EAR THEY SAY LOVE HURTS BUT I KNOW, IT'S GONNA' TAKE A LITTLE WORK OHH, NOTHING'S PERFECT, BUT IT'S WORTH IT AFTER FIGHTIN' THROUGH MY TEARS_AND FINALLY YOU PUT ME FIRST
BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY ONE I SEE
COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE I CAN ALWAYS CALL WHEN I NEED YOU MAKE EVERYTHING STOP FINALLY, YOU PUT MY LOVE ON TOPOHHH, COME ON BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP YOU PUT MY LOVE ON TOP OHH OHHH, COME ON BABY YOU PUT MY LOVE TOP, TOP, TOP, TOP, TOP PUT MY LOVE ON TOP, PUT MY LOVE ON TOP
BABY BABY I CAN HEAR THE WIND WHIPPING PAST MY FACE AS WE DANCE THE NIGHT AWAY BOY YOUR LIPS TASTE LIKE A NIGHT OF CHAMPAGNE AS I KISS YOU AGAIN AND AGAIN AND AGAIN AND AGAIN
NOW EVERYBODY ASKS ME WHY I'M SMILING OUT FROM EAR TO EAR THEY SAY LOVE HURTS BUT I KNOW, IT'S GONNA TAKE A LITTLE WORK OHHH, NOTHINGS PERFECT, BUT IT'S WORTH IT AFTER FIGHTIN' THROUGH MY TEARS AND FINALLY YOU PUT ME FIRST
BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY ONE I SEE
COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT I CAN ALWAYS CALL WHEN I NEED TO MAKE EVERYTHING STOP FINALLY, YOU PUT MY LOVE ON TOPOHHH, BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP YOU PUT MY LOVE ON TOP OHH OHHH, COME ON BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP PUT MY LOVE ON TOP
BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY THING I SEE
COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU BABY EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP
BABY YOU'RE THE ONE THAT I LOVE BABY YOU'RE ALL I NEED YOU'RE THE ONLY ONE I SEE COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOPBABY 'CAUSE YOU'RE THE ONE THAT I LOVE BABY YOU'RE THE ONE THAT I NEED YOU'RE THE ONLY MAN I SEE
BABY, BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP
BABY 'CAUSE YOU'RE THE ONE THAT I LOVE BABY YOU'RE THE ONE THAT I NEED YOU'RE THE ONLY ONE I SEE
BABY, BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP
WRITTEN BY BEYONCÉ KNOWLES, TERIUS NASH AND SHEA TAYLOR PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP)
PHOTOGRAPHY BY ELLEN VON UNWERTH
PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR
RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC AND REAL WORLD STUDIOS, UKASSISTANT ENGINEER: PETE WOLFORD AND SCOTT BARNETT
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
"THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)
ALTO SAXOPHONE BY SHEA TAYLOR
GUITARS BY ROBERT "R.T." TAYLOR AND PAT THRALL
DRUMS BY NIKKI GALLESPI
-
YOU A BAD GIRL AND YOUR FRIEND'S BAD TOO, OOH WE GOT THE SWAG SAUCE, SHE DRIPPIN SWAGU YOU A BAD GIRL AND YOUR FRIEND'S BAD TOO, OOH WE GOT THE SWAG SAUCE, SHE DRIPPIN SWAGU OOH
I MAY BE YOUNG, BUT I'M READY TO GIVE YOU ALL MY LOVE I TOLD MY GIRLS YOU CAN GET IT DON'T SLOW IT DOWN, JUST LET IT GOSO IN LOVE, I'LL GIVE IT ALL AWAY JUST DON'T TELL NOBODY TOMORROW SO TONIGHT, I'LL DO IT EVERY WAY SPEAKERS KNOCKIN' TILL THE MORNING LIGHT
'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…)'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTYYOUR TOUCH IS DRIVIN' ME CRAZY, I CAN'T EXPLAIN THE WAY I FEEL TOP DOWN WITH THE RADIO ON AND THE NIGHT BELONGS TO US JUST HOLD ME CLOSE, DON'T LET ME GO
SO IN LOVE, I DON'T CARE WHAT THEY SAY I DON'T CARE IF THEY TALKIN' TOMORROW 'CAUSE TONIGHT'S THE NIGHT, OH OH OH OH THAT I'LL GIVE YOU EVERYTHING MUSIC KNOCKIN' TILL THE MORNING LIGHT 'CAUSE WE LIKE TO PARTYSET THE SCENE ... 3000 DEGREES I AIN'T WORRIED 'BOUT THEM OVER THERE BUT THEY WORRIED 'BOUT ME I GOTTA HOMEBOY NAMED BUTTER AND ANOTHER HOMEBOY THIS NAMED CHEESE WIT' ME BABY, I'LL MAKE IT MILK TILL IT DRIP DOWN YOUR KNEES SPIT THAT ISH FOR REAL-LO BRAIN BRILLO'D KIDDO SAYS HE LOOKS UP TO ME THIS JUST MAKES ME FEEL OLD NEVER THOUGHT THAT WE COULD BECOME SOMEONE ELSE'S HERO MAN, WE WERE JUST IN THE FOOD COURT EATING OUR GYROS YESTERDAY THAT'S THE WAY EVERY SINGLE MORNING I TRY TO PRAY GRANDMAMMA 'DEM THEY NEVER FORGOT NOTHING ELSE REALLY MEAN NOTHING TO ME I AIN'T STUDDIN' THE BEAT TALKIN' TO ME? GIRL, WHY YOU WIT' ME? MOVE ON AIN'T NUTTIN TO SEE SHHH ALWAYS SUM'N TO SAW I'M THE RAW OF THE RIP 'CAUSE OF HIM ALL OF THEM WILL REMEMBER THE MIN NUTE THEY FELL IN LOVE WITH RAP BLACK LIKE HAVING YO' COUSIN BACK BLUE LIKE WHEN THEY RENT IS DUE CREAM LIKE WHEN I'M LOVIN' YOU, YEEAAH
SO IN LOVE, I'LL GIVE IT ALL AWAY JUST DON'T TELL NOBODY TOMORROW 'CAUSE TONIGHT'S THE NIGHT, OH OH OH OH THAT I'LL GIVE YOU EVERYTHING MUSIC KNOCKIN' TILL THE MORNING LIGHT 'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY
YOU A BAD GIRL AND YOUR FRIENDS' BAD TOO, OOH WE GOT THE SWAG SAUCE SHE DRIPPIN SWAGU YOU A BAD GIRL AND YOUR FRIENDS' BAD TOO, OOH WE GOT THE SWAG SAUCE SHE DRIPPIN SWAGU OOH
WRITTEN BY K. WEST, JEFF BHASKER, BEYONCÉ KNOWLES, ANDRÉ 3000, DEXTER R. MILLS, DOUGLAS DAVIS AND RICKY WALTERS. PUBLISHED BY PLEASE GIMME MY PUBLISHING, INC. (BMI) / EMI BLACKWOOD / WAY ABOVE MUSIC (BMI) / SONY/ATV SONGS LLC (BMI) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) / CHRYSALIS MUSIC / WEDONTPLAYEVENWHENWEREPLAYINSONGS (ASCAP) / GET YA FROG ON PUBLISHING (BMI) / JTC ATLANTIC PACIFIC PARTNERS (BMI) / SLICK RICK MUSIC CORP. (BMI)
PHOTOGRAPHY BY ELLEN VON UNWERTH
PRODUCED BY BEYONCÉ KNOWLES AND KANYE WEST
CO-PRODUCED BY JEFF BHASKERRECORDED BY ANDREW DAWSON AT AVEX HONOLULU STUDIOS - HONOLULU, HI VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT KMA STUDIOS AND ROC THE MIC, NYC
ASSISTANT ENGINEERS: GAYLORD HOLOMALIA, CHRISTIAN MOCHIZUKI, SERGE NUDEL AND EDWIN DELAHOZ
ANDRÉ 3000'S RAP VERSE RECORDED AT SLUMDRUM AT STRONG MOUNTAIN STUDIO STONE MOUNTAIN, GA 30087
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
BACKGROUND VOCALS BY KANYE WEST AND CONSEQUENCE
"THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE), MORGAN PRICE (TENOR AND BARITONE SAXOPHONE)THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "LA DI DA DI" PERFORMED BY DOUG E. FRESH AND THE GET FRESH CREW. WRITTEN BY D. DAVIS AND R. WALTERS, PUBLISHED BY JTC ATLANTIC PACIFIC PARTNERS (BMI)/SLICK RICK MUSIC CORP. (BMI). COURTESY OF DANYA RECORDS LTD.
KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS, LLC / ISLAND DEF JAM ANDRÉ 3000 APPEARS COURTESY OF LAFACE RECORDS.
-
THIS IS FOR THEM TWENTY-SOMETHIN'S TIME REALLY MOVES FAST YOU WERE JUST SIXTEEN
THIS IS FOR THEM THIRTY-SOMETHIN'S THAT DIDN'T TURN OUT EXACTLY HOW YOUR MOM AND DAD WANTED YOU TO BE
THIS IS FOR THEM FORTY-SOMETHIN'S WELL RAISE UP YOUR GLASS AND LAUGH LIKE A MUTHA
THIS IS FOR THEM FIFTY-SOMETHIN'S HELL YOU'RE HALFWAY THERE BABY TAKE IT TO THE HEAD
MOM AND DAD TRIED TO HIDE THE WORLD SAID THE WORLD'S JUST TOO BIG FOR A LITTLE GIRL EYES WIDE OPEN, CAN'T YOU SEE I HAD MY FIRST HEELS BY THE AGE OF THIRTEEN
MOM AND DAD TRIED TO HIDE THE BOYS I SWEAR THAT JUST MADE 'EM WANT ME MORE AT FOURTEEN THEY ASKED ME WHAT I WANT TO BE I SAID BABY TWENTY-ONE, SO I GET ME A DRINK
I'M NOT A TEACHER, BABE BUT, I CAN TEACH YOU SOMETHING I'M NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS
I'M A FREAK ALL DAY, A-A-ALL NIGHT HOT TOP FLIGHT, BOY YOU'RE OUTTA SIGHT AND I'M CRAZY ALL DAY, A-A-ALL NIGHT WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE
OH OH, OH OH, OH-OH OHH OHH OH OH, OH OH, OH-OH OHH OHH SCHOOLIN' LIFE OH OH, OH OH, OH-OH OHH OHH OH OH, OH OH, OH-OH OHH OHH SCHOOLIN' LIFE
THIS IS FOR THEM PRETTY-SOMETHIN'S LIVIN IN THE FAST LANE, SEE YOU WHEN YOU CRASH BABE
THIS IS FOR THEM SEXY-SOMETHIN'S THAT BODY AIN'T GON' ALWAYS GET YOU OUT OF EVERYTHING
THIS IS FOR THEM BITTER-SOMETHIN'S STOP LIVIN' IN REGRET, BABY IT'S NOT OVER YETTHIS IS FOR THEM CHIPPER-SOMETHIN'S THAT'S HIGH ON LIFE, BABY PUT ME ON YOUR FLIGHT
I'M NOT A TEACHER, BABY BUT, I CAN TEACH YOU SOMETHING NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS
I'M A FREAK ALL DAY, A-A-ALL NIGHT HOT TOP TIGHT, BOY I'M OUTTA SIGHT AND I'M CRAZY ALL DAY, A-A-ALL NIGHT WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE
OH OH, OH OH, OH-OH OHH OHH OH OH, OH OH, OH-OH OHH OHH SCHOOLIN' LIFE OH OH, OH OH, OH-OH OHH OHH OH OH, OH OH, OH-OH OHH OHH SCHOOLIN' LIFE
YOU KNOW IT COST TO BE THE BOSS, ONE DAY YOU'LL RUN THE TOWN FOR NOT MAKIN' LIFE THAT YOU DECIDE BABY PARTY TILL THE FIRE MARSHALL SHUT THIS SUCKA DOWN
I'M NOT A TEACHER, BABY BUT, I CAN TEACH YOU SOMETHING NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS
I'M A FREAK ALL DAY, A-A-ALL NIGHT HOT TOP TIGHT, BOY I'M OUTTA SIGHT AND I'M CRAZY ALL DAY, A-A-ALL NIGHT WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE
OH OH, OH OH, OH-OH OHH OHH OH OH, OH OH, OH-OH OHH OHH WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE OH OH, OH OH, OH-OH OHH OHH OH OH, OH OH, OH-OH OHH OHH WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE
THERE'S NOT A REAL WAY TO LIVE THIS, FOR REAL JUST REMEMBER TO STAY RELENTLESS, OH YEAH, OH YEAH DON'T STOP RUNNING UNTIL IT'S FINISHED, YEAH YEAH YEAH IT'S UP TO YOU THE REST IS UNWRITTEN, YEAH, YEAH, YEAH
WRITTEN BY TERIUS NASH, CARLOS MCKINNEY AND BEYONCÉ KNOWLES, PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING / SONY/ATV MELODY (BMI)
PRODUCED BY TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
CO-PRODUCED BY BEYONCÉ KNOWLES AND LOS DA MYSTRO FOR DA MYSTRO MUSIC/MUSIC LINE ENTERTAINMENT, LLCRECORDED BY PAT THRALL AND SCOTT NAUGHTON AT THE STUDIO AT THE PALMS, LAS VEGAS, NV
VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT JUNGLE CITY STUDIOS, NYC
ASSISTANT ENGINEERS: JASON PATTERSON AND RAMON RIVAS
MIXED BY JORDAN "DJ SWIVEL" YOUNG AT JUNGLE CITY STUDIOS, NYC
ASSISTANT ENGINEER: RAMON RIVAS
-
BOY, OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU
WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU LEAVE ME YOU OUTTA YOUR MIND
MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE
THERE'S UPS AND DOWNS IN THIS LOVE GOT A LOT TO LEARN IN THIS LOVE THROUGH THE GOOD AND THE BAD STILL GOT LOVE DEDICATED TO THE ONE I LOVE, HEY
STILL LOVE THE WAY HE TALKS STILL LOVE THE WAY I SANG STILL LOVE THE WAY HE ROCK THEM BLACK DIAMONDS IN THAT CHAIN STILL ALL UP ON EACH OTHER, AIN'T A DAMN THING CHANGED MY GIRLS CAN'T TELL ME NOTHING I'M A GONE IN THE BRAIN I'M ALL UP UNDER HIM LIKE IT'S COLD, WINTER TIME ALL UP IN THE KITCHEN IN MY HEELS, DINNER TIME DO WHATEVER THAT IT TAKES, YOU GOTTA WIN HIS MIND GIVE IT ALL TO HIM, AND MEET HIM AT THE FINISH LINE
ME AND MY BOO, AND MY BOO, BOO, RIDIN' ALL UP IN THE BLACK WITH HIS CHICK RIGHT BESIDE HIM LADIES IF YOU LOVE YOUR MAN, SHOW HIM YOU'RE THE FLYEST GRIND UP ON IT GIRL, SHOW HIM HOW YOU RIDE IT (2X)
OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU
WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU EVER LEAVE ME YOU'RE OUTTA YOUR MIND
MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE
YEP I PUT IT ON 'EM, IT AIN'T NOTHING THAT I CAN'T DO YEP I BUY MY OWN, IF HE DESERVE IT BUY HIS SHIT TOO ALL UP IN THE STORE SHAWTY TRICKIN' IF I WANT TO ALL UP IN THE STORE SHAWTY FLY AS WE WANT TO OOOO, DAMN I THINK I LOVE THAT BOY, DO ANYTHING FOR THAT BOY OOOO, NOW I'LL NEVER BE THE SAME, IT'S YOU AND ME UNTIL THE ENDME AND MY BOO, AND MY BOO, BOO, RIDIN' ALL UP IN THE BLACK WITH HIS CHICK RIGHT BESIDE HIM LADIES IF YOU LOVE YOUR MAN SHOW HIM YOU'RE THE FLYEST GRIND UP ON IT GIRL, SHOW HIM HOW YOU RIDE IT ME AND MY BOO, AND MY BOO LIP LOCKIN' ALL UP IN THE BACK 'CAUSE THE CHICKS KEEP BLOCKIN' ALL THAT GOSSIP BEEN TEN YEARS STOP IT LONDON SPEED IT UP, HOUSTON ROCK IT
OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU
WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU EVER LEAVE ME YOU'RE OUTTA YOUR MIND
MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE
WRITTEN BY TERIUS NASH, SHEA TAYLOR, BEYONCÉ KNOWLES, E. DEAN, CAINON LAMB, JULIE FROST, MICHAEL BIVINS, NATHAN MORRIS AND WANYA MORRIS PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND CAINON'S LAND MUSIC PUBLISHING (ASCAP) AND TOTALLY FAMOUS MUSIC (ASCAP) / PEERMUSIC III, LTD. / 2412 LLC / DAT DAMN DEAN MUSIC (ASCAP) ADMINISTERED BY PEERMUSIC III, LTD. / UNIVERSAL MUSIC CORP. O/B/O ITSELF AND BIV TEN PUBLISHING (ASCAP) / MIKE TEN PUBLISHING INC. (BMI)
PHOTOGRAPHY BY ELLEN VON UNWERTH
PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR CO-PRODUCED BY LAMB FOR LAMTRAK PRODUCTIONS INC.
RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
ASSISTANT ENGINEERS: PETE WOLFORD AND RYAN KELLY
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "UHH AHH" AS PERFORMED BY BOYZ II MEN. WRITTEN BY MICHAEL BIVINS, NATHAN B. MORRIS AND WANYA J. MORRIS, PUBLISHED BY UNIVERSAL MUSIC CORP. O/B/O ITSELF AND BIV TEN PUBLISHING (ASCAP)/MIKE TEN PUBLISHING INC. (BMI). COURTESY OF MOTOWN RECORDS, UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.
-
I THOUGHT THAT THINGS LIKE THIS GET BETTER WITH TIME BUT I STILL NEED YOU, WHY IS THAT YOU'RE THE ONLY IMAGE IN MY MIND SO I STILL SEE YOU, AROUND
I MISS YOU, LIKE EVERYDAY WANNA BE WITH YOU, BUT YOU'RE AWAY SAID I MISS YOU, MISSING YOU INSANE BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME
THE WORDS DON'T EVER SEEM TO COME OUT RIGHT BUT I STILL MEAN 'EM, WHY IS THAT IT HURTS MY PRIDE TO TELL YOU HOW I FEEL BUT I STILL NEED TO, WHY IS THAT
I MISS YOU, LIKE EVERYDAY WANNA BE WITH YOU, BUT YOU'RE AWAY SAID I MISS YOU, MISSING YOU INSANE BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME
IT DON'T MATTER WHO YOU ARE IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING NO MATTER WHO YOU LOVE IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING
I MISS YOU, LIKE EVERYDAY WANNA BE WITH YOU, BUT YOU'RE AWAY SAID I MISS YOU, MISSING YOU INSANE BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME
IT DON'T MATTER WHO YOU ARE IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING NO MATTER WHO YOU LOVE IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING
WRITTEN BY FRANK OCEAN, SHEA TAYLOR AND BEYONCÉ KNOWLES PUBLISHED BY HEAVENS RESEARCH (BMI) / BUG MUSIC (BMI) ADMINISTERED BY BUG / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)
PHOTOGRAPHY BY ELLEN VON UNWERTH
PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR
RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
ASSISTANT ENGINEER: GLORIA KABA
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
-
I JUST WANNA SHOW YOU HOW MUCH I APPRECIATE YOU (YES) WANNA SHOW YOU HOW MUCH I'M DEDICATED TO YOU (YES) WANNA SHOW YOU HOW MUCH I WILL FOREVER BE TRUE (YES) WANNA SHOW YOU HOW MUCH YOU GOT YOUR GIRL FEELING GOOD (OH YES)
WANNA SHOW YOU HOW MUCH, HOW MUCH YOU'RE UNDERSTOOD (OH YES) WANNA SHOW YOU HOW MUCH I VALUE WHAT YOU SAY NOT ONLY ARE YOU LOYAL, YOU'RE PATIENT WITH ME BABE (OH YES) I WANNA SHOW YOU HOW MUCH I REALLY CARE ABOUT YOUR HEART I WANNA SHOW YOU HOW MUCH I HATE BEING APART (OH YES) SHOW YA, SHOW YA, SHOW YA TILL YOU'RE THROUGH WITH ME I WANNA KEEP IT HOW IT IS, SO YOU COULD NEVER SAY HOW IT USED TO BE
LOVING YOU, IS REALLY ALL THAT'S ON MY MIND AND I CAN'T HELP BUT TO THINK ABOUT IT DAY AND NIGHT I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH
TONIGHT I'M GONNA DANCE FOR YOU (OHHH) TONIGHT I'M GONNA DANCE FOR YOU (OHHH) TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME AH, TONIGHT IT'S GOIN' DOWN
I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON MY BABE BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY 'CAUSE IT'S BOUT TO GO DOWN
YOU'LL NEVER NEED TWO, 'CAUSE I WILL BE YOUR NUMBER ONE THEM OTHER CHICKS ARE SUPERFICIAL, GLAD I KNOW YOU KNOW I'M THE ONE THAT'S WHY I'M ALL INTO YOU, 'CAUSE I CAN RECOGNIZE THAT YOU KNOW THAT THAT'S WHY I'M BACKIN' THIS THING BACK POP, POPPIN' THIS THING BACK, DROP, DROP, DROPPING THIS THING BACK
THIS IS FOR THE TIME YOU GAVE ME FLOWERS, FOR THE WORLD THAT IS OURS FOR THE MOOLAH, FOR THE POWER OF LOVE AND NO I WON'T NEVER, EVER, EH, EVER GIVE YOU UP AND I WANNA SAY THANK YOU IN CASE I DON'T THANK YOU ENOUGH
A WOMAN IN THE STREET AND A FREAK IN THE YOU KNOW WHAT SIT BACK, SIT BACK IT'S THE PRE-GAME SHOW, DADDY YOU KNOW WHAT'S UP
LOVING YOU, IS REALLY ALL THAT'S ON MY MIND AND I CAN'T HELP BUT TO THINK ABOUT IT DAY AND NIGHT I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH
TONIGHT I'M GONNA DANCE FOR YOU (OHHH) TONIGHT I'M GONNA DANCE FOR YOU (OHHH) TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME AH, TONIGHT IT'S GOIN' DOWN
I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE I'LL BE SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON YOU BABE BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY 'CAUSE IT'S ABOUT TO GO DOWN
I'M GONNA TAKE THIS TIME TO SHOW YOU HOW MUCH YOU MEAN TO ME 'CAUSE YOU ARE ALL I NEED NO MONEY CAN EMPHASIZE OR DESCRIBE THE LOVE THAT'S IN BETWEEN THE LINES BOY LOOK INTO MY EYES
WHILE I'M GRINDING ON YOU, THIS IS BEYOND SEX, I'M HIGH ON YOU IF IT'S REAL THEN YOU KNOW HOW I FEEL ROCKIN' ON YOU BABE, ROCKIN', ROCKIN' ON YOU BABE, SWIRLIN' ON YOU BABE IN MY MIND ALL I CAN THINK ABOUT IS A FRAME FOR OUR FUTURE AND THE PICTURES OF THE PAST AND THE CHANCE TO MAKE THIS LOVE LAST, OHHH
TONIGHT I'M GONNA DANCE FOR YOU (OHHH) TONIGHT I'M GONNA DANCE FOR YOU (OHHH) TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME AH, TONIGHT IT'S GOIN' DOWN
I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE I'LL BE SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON YOU BABE I WANNA PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY 'CAUSE IT'S ABOUT TO GO DOWN
WATCH ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH
ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH
(OHHH….OHHH…..) YES, YES, YES, OH YES, OH YES, YES, YES, OH YES
WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)
PRODUCED BY BEYONCÉ KNOWLES, TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. "TRICKY" STEWART FOR REDZONE ENTERTAINMENT
RECORDED BY BRIAN "B- LUV" THOMAS AND PAT THRALL AT TRIANGLE SOUND STUDIOS IN ATLANTA, GA
VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
ASSISTANT ENGINEERS: CHRIS SOPER, NICK BANNS, JASON SHERWOOD AND STEVEN DENNIS
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
GUITARS BY MICHAEL THOMPSON BASS BY ALEX A1PROGRAMMING AND SEQUENCING BY TRICKY STEWART AND TERIUS "THE DREAM" NASH
-
I TOLD YOU HOW YOU HURT ME BABY, BUT YOU DON'T CARE NOW I'M CRYING AND DESERTED BABY, BUT YOU DON'T CARE AIN'T NOBODY TELL ME THIS IS LOVE, WHEN YOU'RE IMMUNE TO ALL MY PAIN I NEED YOU TO TELL ME THIS IS LOVE, YOU DON'T CARE WELL THAT'S OK
WELL I CARE I KNOW YOU DON'T CARE TOO MUCH BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…
OH I CARE I KNOW YOU DON'T CARE TOO MUCH BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH
EVER SINCE YOU KNEW YOUR POWER, YOU MADE ME CRY AND NOW EVERY TIME OUR LOVE GOES SOUR, YOU WON'T SYMPATHIZE YOU SEE THESE TEARS FALLING DOWN TO MY EARS, I SWEAR YOU LIKE WHEN I'M IN PAIN I TRY TO TELL YOU ALL MY FEARS, YOU STILL DON'T CARE, THAT'S OK
WELL I CARE I KNOW YOU DON'T CARE TOO MUCH BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…
OH I CARE I KNOW YOU DON'T CARE TOO MUCH BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH
BOY MAYBE IF YOU CARED ENOUGH, I WOULDN'T HAVE TO CARE SO MUCH WHAT HAPPENED TO OUR TRUST, NOW YOU'RE JUST GIVIN' UP YOU USED TO BE SO IN LOVE, NOW YOU DON'T CARE NO MORE
OOOOOOOOOOO…
WELL I CARE I KNOW YOU DON'T CARE TOO MUCH BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…
OH I CARE I KNOW YOU DON'T CARE TOO MUCH BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH
I STILL CARE (LA, LA, LA….) I STILL CARE (LA, LA, LA….) I STILL CARE (LA, LA, LA….)
WRITTEN BY JEFF BHASKER, CHAD HUGO AND BEYONCÉ KNOWLES PUBLISHED BY SONY/ATV SONGS LLC / WAY ABOVE MUSIC (BMI) / UNIVERSAL MUSIC - CAREERS / RAYNCHASER MUSIC (BMI) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)
PHOTOGRAPHY BY GREG GEX
PRODUCED BY JEFF BHASKER
CO-PRODUCED BY BEYONCÉ KNOWLESRECORDED BY MITCH KENNY AND JEFF BHASKER AT RECORD PLANT AND ENORMOUS STUDIOS, LA
VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
ASSISTANT ENGINEER: RYAN KELLY
MIXED BY: JORDAN" DJ SWIVEL" YOUNG AT KMA STUDIOS NYC.
ASSISTED BY: SERGE NUDEL
DRUMS BY NIKKI GALLESPI
BARITONE BY DREW SAYERS
RHYTHM GUITAR BY CHAD HUGO
BACKGROUND VOCALS BY BILLY KRAVEN
KEYBOARDS, GUITAR SOLO AND DRUM PROGRAMMING BY JEFF BHASKER
-
BOY YOU'LL BE THE DEATH OF ME YOU'RE MY JAMES DEAN YOU MAKE ME FEEL LIKE I'M 17 YOU DRIVE TOO FAST YOU SMOKE TOO MUCH BUT THAT DON'T MEAN A THING CAUSE I'M ADDICTED TO THE RUSH
'CAUSE I'D RATHER DIE YOUNG THAN LIVE MY LIFE WITHOUT YOU I'D RATHER NOT LIVE AT ALL THAN LIVE MY LIFE WITHOUT YOU (2X)
YOU KNOW I'VE BEEN IN LOVE BEFORE YOU'RE THE FIRST ONE I EVER SEEN THAT BURNS LIKE GASOLINE SO LIGHT A MATCH, TURN OFF THE LIGHTS I'M HOLDING ONTO YOU, 'CAUSE THIS MIGHT BE OUR LAST NIGHT
'CAUSE I'D RATHER DIE YOUNG THAN LIVE MY LIFE WITHOUT YOU I'D RATHER NOT LIVE AT ALL THAN LIVE MY LIFE WITHOUT YOU (2X)
WHAT I'M TELLING YOU I'M GIVING YOU MY LIFE, IT'S IN YOUR HANDS AND WHAT I'M GONNA DO IS BE A WOMAN AND YOU CAN BE A MAN AND I WANNA SAY NOBODY UNDERSTANDS WHAT WE'VE BEEN THROUGH I'D RATHER GIVE UP EVERYTHING THAN TO LIVE MY, LIVE MY LIFE WITHOUT YOU, OHHH, OHHH
'CAUSE I'D RATHER DIE YOUNG THAN LIVE MY LIFE WITHOUT YOU I'D RATHER NOT LIVE AT ALL THAN LIVE MY LIFE WITHOUT YOU (2X)
WRITTEN BY JEFF BHASKER, LUKE STEELE AND BEYONCÉ KNOWLES PUBLISHED BY SONY/ATV SONGS LLC (BMI) / WAY ABOVE MUSIC (BMI) / SONY/ATV MUSIC PUBLISHING / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)
PHOTOGRAPHY BY TONY DURAN
PRODUCED BY JEFF BHASKER
CO-PRODUCED BY BEYONCÉ KNOWLES AND LUKE STEELERECORDED BY JEFF BHASKER AT ENORMOUS STUDIOS, LA VOCALS
RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND KMA STUDIOS, NYC
ASSISTANT ENGINEERS: PETE WOLFORD , RYAN KELLY AND SERGE NUDEL
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC
ASSISTANT ENGINEER: JUSTIN HERGETT AND JON CASTELLI
MIXED AT RMC STUDIO, LOS ANGELES
"THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)
HORNS ARRANGED BY: SHEA TAYLOR
GUITAR BY LUKE STEELE
BACKGROUND VOCALS BY LUKE STEELE AND BILLY KRAVEN
KEYBOARDS AND DRUM PROGRAMMING BY JEFF BHASKER -
IF I AIN'T GOT NOTHING, I GOT YOU IF I AIN'T GOT SOMETHING I DON'T GIVE A DAMN, 'CAUSE I GOT IT WITH YOU I DON'T KNOW MUCH ABOUT ALGEBRA, BUT I KNOW ONE PLUS ONE EQUALS TWO AND IT'S ME AND YOU, THAT'S ALL WE'LL HAVE WHEN THE WORLD IS THROUGH
'CAUSE BABY WE AIN'T GOT NOTHING WITHOUT LOVE DARLING YOU GOT ENOUGH FOR THE BOTH OF US SO COME ON BABY MAKE LOVE TO ME WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON'T LET ME GO MAKE LOVE TO ME SO WHEN THE WORLD'S AT WAR, LET OUR LOVE HEAL US ALL RIGHT NOW BABY MAKE LOVE TO ME, ME, ME, ME, ME OHHHH OHHH, MAKE LOVE TO ME
HEY, I DON'T KNOW MUCH ABOUT GUNS BUT I, I'VE BEEN SHOT BY YOU HEY, AND I DON'T KNOW WHEN I'M GON' DIE, BUT I HOPE THAT I'M GON' DIE BY YOU HEY, AND I DON'T KNOW MUCH ABOUT FIGHTING BUT I, I KNOW I WILL FIGHT FOR YOU HEY, AND JUST WHEN I BALL UP MY FIST I REALIZE THAT I'M LAYING RIGHT NEXT TO YOU
BABY WE AIN'T GOT NOTHING BUT LOVE AND DARLING YOU GOT ENOUGH FOR THE BOTH OF US OHHHH MAKE LOVE TO ME WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON'T LET ME GO MAKE LOVE TO ME SO WHEN THE WORLD'S AT WAR, LET OUR LOVE HEAL US ALL HELP ME LET DOWN MY GUARD MAKE LOVE TO ME, ME, ME, ME, ME OHHH OHHH, MAKE LOVE TO ME, ME, ME, ME
WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES PUBLISHED BY: 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP)
PHOTOGRAPHY BY TONY DURAN
PRODUCED BY BEYONCÉ KNOWLES, TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. "TRICKY" STEWART FOR REDZONE ENTERTAINMENT
RECORDED BY PAT THRALL AND BRIAN "B- LUV" THOMAS AT THE STUDIO AT THE PALMS, LAS VEGAS, NV AND TRIANGLE SOUND STUDIOS IN ATLANTA, GA
VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
ASSISTANT ENGINEERS: MARK GRAY, JASON SHERWOOD, STEVEN DENNIS AND PETE WOLFORD
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC AT JUNGLE CITY STUDIOS, NYC
ASSISTANT MIX ENGINEER: VAL BRATHWAITE
GUITARS BY PETE WOLFORD
DRUMS BY NIKKI GALLESPI
STRINGS BY LEE BLASKE
-
COME TAKE MY HAND, I WON'T LET YOU GO I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY I WILL BE THE ONE TO KISS YOU AT NIGHT I WILL LOVE YOU UNTIL THE END OF TIME
I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO
TAKE YOU AWAY FROM HERE THERE'S NOTHING BETWEEN US, BUT SPACE AND TIME I'LL BE YOUR OWN LITTLE STAR, LET ME SHINE IN YOUR WORLD I'LL BE YOUR OWN LITTLE UNIVERSE, MAKE ME YOUR GIRL
COME TAKE MY TAKE MY HAND, I WON'T LET YOU GO I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY I WILL BE THE ONE TO KISS YOU AT NIGHT I WILL LOVE YOU UNTIL THE END OF TIME
I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO
BABY COME ON GET UP ON IT, SHOW ME THAT YOU REALLY WANT IT I WANNA BE THE ONE TO LOVE YOU BABY LET'S GO, LET'S GO I WANNA PROVIDE THIS LOVIN' THAT YOUR GIVIN', I AIN'T FRONTIN' IN THIS LOVE OH CAN YOU LET ME LOVE YOU FROM YOUR HEAD TO TOE, BABY LET'S GO
BOY COME TO ME (COME TO ME) LET ME TURN YOUR RAIN INTO SUN (COME TO ME BABY) YOU DON'T HAVE TO WORRY BABY (OH NO) I PROMISE I'LL SET YOUR HEART FREE LET MY LOVE INTO YOUR SOUL, YOU GO, I GO, WE GO, THAT'S ALL SHE WROTE
SAY, SAY YOU'LL NEV, NEVER….. CAN'T YOU SEE I JUST WANNA LOVE YOU CAN'T YOU FEEL ME BABE I JUST WANNA BE WITH YOU I JUST WANT LIVE FOR YOU I'LL NEVER LET YOU GO BRING YOUR LOVE TO ME
COME TAKE MY TAKE MY HAND, I WON'T LET YOU GO I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY I WILL BE THE ONE TO KISS YOU AT NIGHT I WILL LOVE YOU UNTIL THE END OF TIME
I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO
WRITTEN BY BEYONCÉ KNOWLES, TERIUS NASH, SHEA TAYLOR, DAVID TAYLOR AND WESLEY PENTZ PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP)
PHOTOGRAPHY BY ELLEN VON UNWERTH
PRODUCED BY BEYONCÉ KNOWLES AND TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
ADDITIONAL PRODUCTION BY SWITCH AND DIPLORECORDED BY PAT THRALL AT MSR STUDIOS, NYC
VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
ASSISTANT ENGINEERS: CHRIS SOPER AND PETE WOLFORD
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
"THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE), JOHNNY BUTLER (TENOR SAXOPHONE)
BASS GUITAR BY JACK DALEYDALEY -
GIRLS, WE RUN THIS MUTHA, YEAH (X3) GIRLS, WE RUN THIS MUTHA, GIRLS WHO RUN THE WORLD, GIRLS, (X4) WHO RUN THIS MUTHA, GIRLS, (X4) WHO RUN THE WORLD, GIRLS (X4)
SOME OF THEM MEN THINK THEY FREAK THIS LIKE WE DO BUT NO THEY DON'T MAKE YO CHECK COME AT THEY NECK, DISRESPECT US NO THEY WON'T BOY DON'T EVEN TRY TO TOUCH THIS, BOY THIS BEAT IS CRAZY THIS IS HOW THEY MADE ME, HOUSTON TEXAS BABY
THIS GOES OUT TO ALL MY GIRLS THAT'S IN THE CLUB ROCKIN' THE LATEST WHO WILL BUY IT FOR THEMSELVES AND GET MORE MONEY LATER
I THINK I NEED A BARBER, NONE OF THESE CAN FADE ME I'M SO GOOD WITH THIS, I REMIND YOU I'M SO HOOD WITH THIS
BOY I'M JUST PLAYIN' COME HERE BABY HOPE YOU STILL LIKE ME F U PAY ME
MY PERSUASION CAN BUILD A NATION ENDLESS POWER WITH OUR LOVE WE CAN DEVOUR YOU'LL DO ANYTHING FOR ME
WHO RUN THE WORLD, GIRLS (X5) WHO RUN THIS MUTHA, GIRLS (X4) WHO RUN THE WORLD, GIRLS (X4)
IT'S HOT UP IN HERE DJ DON'T BE SCARED TO RUN THIS RUN THIS BACK I'M REPPIN' FOR THE GIRLS WHO TAKIN' OVER THE WORLD HELP ME RAISE A GLASS FOR THE COLLEGE GRADS
41 ROLLIN' TO LET YOU KNOW WHAT TIME IT IS, CHECK YOU CAN'T HOLD ME I WORK MY 9 TO 5 BETTA CUT MY CHECK
THIS GOES OUT TO ALL THE WOMEN GETTIN' IT IN YOU ON YO GRIND TO ALL THE MEN THAT RESPECT WHAT I DO PLEASE ACCEPT MY SHINE
BOY YOU KNOW YOU LOVE IT HOW WE SMART ENOUGH TO MAKE THESE MILLIONS, STRONG ENOUGH TO BARE THE CHILDREN, THEN GET BACK TO BUSINESS
SEE, YOU BETTER NOT PLAY ME OH COME HERE BABY HOPE YOU STILL LIKE ME F U PAY ME
MY PERSUASION CAN BUILD A NATION EN DLESS POWER WITH OUR LOVE WE CAN DEVOUR YOU'LL DO ANYTHING FOR ME
WHO RUN THE WORLD, GIRLS (X5) WHO RUN THIS MUTHA, GIRLS (X4) WHO RUN THE WORLD, GIRLS (X4)
WHO ARE WE, WHAT WE RUN, THE WORLD WHO RUN THIS MUTHA, YEAH WHO ARE WE, WHAT WE RUN, THE WORLD WHO RUN THIS MUTHA, YEAH WHO ARE WE, WHAT DO WE RUN, WE RUN THE WORLD WHO RUN THIS MUTHA, YEAH WHO ARE WE, WHAT WE RUN, WE RUN THE WORLD WHO RUN THE WORLD....GIRLS
WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, WESLEY PENTZ, DAVID TAYLOR, ADIDJA PALMER AND NICK VAN DE WALL PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING O/B/O / I LIKE TURTLES (ASCAP) / MUSIC BY TAFARI, INC. (BMI) O/B/O JACK RUSSELL MUSIC / THE ROYALTY NETWORK, INC. O/B/O TALPA MUSIC C/O TENYOR MUSIC (BMI)
PHOTOGRAPHY BY GREG GEX
PRODUCED BY SWITCH AND TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
CO-PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLORRECORDED BY JORDAN "DJ SWIVEL" YOUNG AND PAT THRALL AT MSR STUDIOS, NEW YORK, NY
ASSISTANT ENGINEER: PETE WOLFORD
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORDTHIS TRACK CONTAINS A SAMPLE OF THE RECORDING "PON DE FLOOR," AS PERFORMED BY MAJOR LAZER. WRITTEN BY NICK VAN DE WALL, ADIDJA PALMER, WESLEY PENTZ, AND DAVID TAYLOR. PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND SWITCH WERD MUSIC (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING OBO I LIKE TURTLES MUSIC (ASCAP) / MUSIC BY TAFARI, INC. (BMI) O/B/O JACK RUSSELL MUSIC LTD. (PRS) / TENYOR MUSIC (BMI). COURTESY OF DOWNTOWN RECORDS, LLC AND INTERSCOPE RECORDS, UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.
-
WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY, I SAY WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY WHAT GOES AROUND, COMES BACK AROUND
THERE WAS A TIME I THOUGHT, THOUGHT YOU DID EVERYTHING RIGHT NO LIES, NO WRONG, BOY I, MUST HAVE BEEN OUTTA MY MIND SO WHEN I THINK OF THE TIME THAT I ALMOST LOVED YOU YOU SHOWED YOUR ASS AND I, I SAW THE REAL YOU THANK GOD YOU BLEW IT, THANK GOD I DODGED A BULLET I'M SO OVER YOU, SO BABY GOOD LOOKIN' OUT
I WANTED YOU BAD, I'M SO THROUGH WITH THAT 'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD YOU TURNED OUT TO BE THE BEST THING I NEVER HAD AND I'M GON' ALWAYS BE THE BEST THING YOU NEVER HAD OH YEAH, I BET IT SUCKS TO BE YOU RIGHT NOW
SO SAD, YOU'RE HURT, BOO HOO, OH DID YOU EXPECT ME TO CARE YOU DON'T DESERVE MY TEARS, I GUESS THAT'S WHY THEY AIN'T THERE WHEN I THINK THAT THERE WAS A TIME THAT I ALMOST LOVED YOU YOU SHOWED YOUR ASS AND BABY YES I SAW THE REAL YOU THANK GOD YOU BLEW IT, THANK GOD I DODGED A BULLET I'M SO OVER YOU, BABY GOOD LOOKIN' OUT
I WANTED YOU BAD, I'M SO THROUGH WITH THAT 'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD I SAID YOU TURNED OUT TO BE THE BEST THING I NEVER HAD AND I'LL NEVER BE THE BEST THING YOU NEVER HAD OH BABY I BET IT SUCKS TO BE YOU RIGHT NOW
I KNOW YOU WANT ME BACK IT'S TIME TO FACE THE FACTS THAT I'M THE ONE THAT GOT AWAY LORD KNOWS THAT IT WILL TAKE ANOTHER PLACE, ANOTHER TIME, ANOTHER WORLD, ANOTHER LIFE THANK GOD I FOUND THE GOOD IN GOODBYE
I USED TO WANT YOU SO BAD, I'M SO THROUGH WITH THAT 'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD OH YOU TURNED OUT TO BE THE BEST THING I NEVER HAD AND I WILL ALWAYS BE THE BEST THING YOU NEVER HAD OOOH BEST THING YOU NEVER HAD
I USED TO WANT YOU SO BAD, I'M SO THROUGH WITH THAT 'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD OH YOU TURNED OUT TO BE THE BEST THING I NEVER HAD OOOH I WILL NEVER BE THE BEST THING YOU NEVER HAD OH BABY, I BET IT SUCKS TO BE YOU RIGHT NOW
WHAT GOES AROUND, COMES BACK AROUND WHAT GOES AROUND, COMES BACK AROUND BET IT SUCKS TO BE YOU RIGHT NOW WHAT GOES AROUND, COMES BACK AROUND I BET IT SUCKS TO BE YOU RIGHT NOW WHAT GOES AROUND, COMES BACK AROUND I BET IT SUCKS TO BE YOU RIGHT NOW
WRITTEN BY KENNY "BABYFACE" EDMONDS, ANTONIO DIXON, PATRICK "J.QUE" SMITH, BEYONCÉ KNOWLES, SHEA TAYLOR, LARRY GRIFFIN, JR. AND CALEB MCCAMPBELL PUBLISHED BY FAZE 2 MUSIC ADMINISTERED BY SONGS OF UNIVERSAL, INC. (BMI) / MUZIK / EMI APRIL MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND / B-DAY PUBLISHING (ASCAP) / CHRISTOPHER MATTHEW MUSIC / HITCO MUSIC PUBLISHING (BMI) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / ROC NATION MUSIC O/B/O VOHNDEE'S SOUL PUBLISHING ADMINISTERED BY / EMI APRIL MUSIC INC. (ASCAP)
PHOTOGRAPHY BY ELLEN VON UNWERTH
PRODUCED BY BEYONCÉ KNOWLES, BABYFACE, ANTONIO DIXON, SHEA TAYLOR AND S1 AND CALEB FOR SOUL KONTROLLAZ PRODUCTIONS, INC. / VERY GOOD BEATS, INC.
RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND KMA STUDIOS, NYC
ASSISTANT ENGINEERS: PETE WOLFORD, SERGE NUDEL AND GLORIA KABA
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC
ASSISTANT MIX ENGINEER: VAL BRATHWAITE
MIXED AT JUNGLE CITY STUDIOS, NYC
GUITAR BY ROB SUCHECKI
-
I FEEL WEAK WE'VE BEEN HERE BEFORE 'CAUSE I FEEL WE KEEP GOIN' BACK AND FORTH MAYBE IT'S OVER, MAYBE WE'RE THROUGH BUT I HONESTLY CAN SAY I STILL LOVE YOU
MAYBE WE'VE REACHED THE MOUNTAIN PEAK AND THERE'S NO MORE LEFT TO CLIMB AND MAYBE WE LOST THE MAGIC PIECE AND WE'RE BOTH TOO BLIND TO FIND
LET'S START OVER LET'S GIVE LOVE THEIR WINGS LET'S START OVER STOP FIGHTING 'BOUT THE SAME OLD THING
LET'S START OVER WE CAN'T LET OUR GOOD LOVE DIE MAYBE WE CAN START ALL OVER GIVE LOVE ANOTHER LIFE
I CAN SEE THAT WE'RE NOT HAPPY HERE SO WHY WOULD WE KEEP PRETENDING WHEN THERE'S NOTHING THERE MAYBE YOU LIKE IT, WELL I DON'T AND MAYBE YOU'LL SETTLE, WELL I WON'T
MAYBE WE'VE REACHED THE MOUNTAIN PEAK AND THERE'S NO MORE LEFT TO CLIMB AND MAYBE WE LOST THE MAGIC PIECE AND WE'RE BOTH TOO BLIND TO FIND
LET'S START OVER LET'S GIVE LOVE THEIR WINGS LET'S START OVER STOP FIGHTING 'BOUT THE SAME OLD THING
LET'S START OVER WE CAN'T LET OUR GOOD LOVE DIE MAYBE WE CAN START ALL OVER AND GIVE LOVE ANOTHER LIFE
I KNOW THAT THIS WILL HURT YOU, I KNOW YOU'LL CRY I KNOW I CALLED YOU SELFISH, BUT THAT'S A LIE I FEEL I KNOW WHAT'S BEST FOR US LET'S
START OVER AND LET'S GIVE LOVE THEIR WINGS LET'S START OVER I'M TIRED OF FIGHTING 'BOUT THE SAME OLD THING
LET'S START OVER WE BOTH KNOW THAT THIS LOVE WON'T DIE MAYBE WE CAN START ALL OVER AND GIVE LOVE ANOTHER LIFE
WRITTEN BY SHEA TAYLOR, BEYONCÉ KNOWLES AND E. DEAN PUBLISHED BY DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) PEERMUSIC III, LTD. / 2412 LLC / DAT DAMN DEAN MUSIC (ASCAP) ADMINISTERED BY PEERMUSIC III, LTD.
PHOTOGRAPHY BY TONY DURAN
PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR
RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND JUNGLE CITY STUDIOS, NYC
ASSISTANT ENGINEER: PETE WOLFORD AND RAMON RIVAS
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
-
I WANNA LEAVE MY FOOTPRINTS ON THE SANDS OF TIME KNOW THERE WAS SOMETHIN' THAT, SOMETHIN' THAT I LEFT BEHIND WHEN I LEAVE THIS WORLD, I'LL LEAVE NO REGRETS LEAVE SOMETHIN' TO REMEMBER, SO THEY WON'T FORGET
I WAS HERE, I LIVED, I LOVED I WAS HERE, I DID, I'VE DONE EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE I WILL LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE
I WANNA SAY I LIVED EACH DAY UNTIL I DIE AND KNOW THAT I MEANT SOMETHIN' IN SOMEBODY'S LIFE THE HEARTS I HAVE TOUCHED, WILL BE THE PROOF THAT I LEAVE THAT I MADE A DIFFERENCE AND THIS WORLD WILL SEE
I WAS HERE, I LIVED, I LOVED I WAS HERE, I DID, I'VE DONE EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE I WILL LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE, I LIVED, I LOVED I WAS HERE, I DID, I'VE DONE EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE I WILL LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE
I JUST WANT THEM TO KNOW, THAT I GAVE MY ALL, DID MY BEST BROUGHT SOMEONE SOME HAPPINESS LEFT THIS WORLD A LITTLE BETTER JUST BECAUSE I WAS HERE
I WAS HERE, I LIVED, I LOVED I WAS HERE, I DID, I'VE DONE EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE I WANNA LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE, I LIVED, (I LIVED), I LOVED I WAS HERE, I DID, (I DID), I'VE DONE I WAS HERE, I LIVED, (I LIVED), I LOVED (I LOVED) I WAS HERE, I DID, I'VE DONE, I WAS HERE
WRITTEN BY DIANE WARREN
PUBLISHED BY REALSONGS (ASCAP)PHOTOGRAPHY BY GREG GEX
PRODUCED BY RYAN TEDDER AND BRENT KUTZLE FOR PATRIOT ENTERTAINMENT, LLC
VOCAL PRODUCED BY BEYONCÉ KNOWLES AND KUK HARRELLRECORDED BY RYAN TEDDER AND BRENT KUTZLE AT PATRIOT STUDIOS (DENVER, CO), BOSTON HARBOR HOTEL (BOSTON, MA) AND LEAR 60/G2 STUDIOS
VOCALS RECORDED BY KUK HARRELL AT CONWAY RECORDING STUDIOS, HOLLYWOOD, CA
ASSISTANT ENGINEERS: SMITH CARLSON, ERIC AYLANDS AND JON SHER MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
ASSISTANT MIX ENGINEER: PHIL SEAFORD
DRUMS BY RYAN TEDDER
CELLO AND GUITAR BY BRENT KUTZLE
PIANO AND ALL ADDITIONAL PROGRAMMING BY RYAN TEDDER AND BRENT KUTZLE
BACKGROUND VOCALS BY BEYONCÉ KNOWLES AND RYAN TEDDER
I Am... Sasha Fierce (2008)
- Buy Now
-
IF I WERE A BOY
EVEN JUST FOR A DAY
I'D ROLL OUTTA BED IN THE MORNING
AND THROW ON WHAT I WANTED THEN GO
DRINK BEER WITH THE GUYS
AND CHASE AFTER GIRLS
I'D KICK IT WITH WHO I WANTED
AND I'D NEVER GET CONFRONTED FOR IT
'CAUSE THEY'D STICK UP FOR MEIF I WERE A BOY
I THINK I COULD UNDERSTAND
HOW IT FEELS TO LOVE A GIRL
I SWEAR I'D BE A BETTER MAN
I'D LISTEN TO HER
'CAUSE I KNOW HOW IT HURTS
WHEN YOU LOSE THE ONE YOU WANTED
'CAUSE HE'S TAKEN YOU FOR GRANTED
AND EVERYTHING YOU HAD GOT DESTROYEDIF I WERE A BOY
I WOULD TURN OFF MY PHONE
TELL EVERYONE IT'S BROKEN
SO THEY'D THINK THAT I WAS SLEEPIN' ALONE
I'D PUT MYSELF FIRST AND MAKE THE RULES AS I GO
'CAUSE I KNOW THAT SHE'D BE FAITHFUL
WAITIN' FOR ME TO COME HOME (TO COME HOME)IF I WERE A BOY
I THINK I COULD UNDERSTAND
HOW IT FEELS TO LOVE A GIRL
I SWEAR I'D BE A BETTER MAN
I'D LISTEN TO HER
'CAUSE I KNOW HOW IT HURTS
WHEN YOU LOSE THE ONE YOU WANTED (WANTED)
'CAUSE HE'S TAKEN YOU FOR GRANTED (GRANTED)
AND EVERYTHING YOU HAD GOT DESTROYEDIT'S A LITTLE TOO LATE FOR YOU TO COME BACK
SAY IT'S JUST A MISTAKE
THINK I'D FORGIVE YOU LIKE THAT
IF YOU THOUGHT I WOULD WAIT FOR YOU
YOU THOUGHT WRONGBUT YOU'RE JUST A BOY
YOU DON'T UNDERSTAND
YEAH YOU DON'T UNDERSTAND (OHH)
HOW IT FEELS TO LOVE A GIRL SOMEDAY
YOU'LL WISH YOU WERE A BETTER MAN
YOU DON'T LISTEN TO HER
YOU DON'T CARE HOW IT HURTS
UNTIL YOU LOSE THE ONE YOU WANTED
'CAUSE YOU'VE TAKEN HER FOR GRANTED
AND EVERYTHING YOU HAVE GOT DESTROYED
BUT YOU'RE JUST A BOYWRITTEN BY TOBY GAD, BC JEAN
PUBLISHED BY CHERRY LANE ON BEHALF OF GAD SONGS AND LIEDELA MUSIC (ASCAP), BC JEAN (BMI)PRODUCED BY TOBY GAD AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY TOBY GAD AT ROC THE MIC STUDIOS, NEW YORK, NY, STRAWBERRYBEE PRODUCTIONS, NEW YORK, NY AND AT GAD STUDIOS, IBIZA, SPAIN.
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
ALL INSTRUMENTS AND ARRANGEMENT BY TOBY GAD
LIVE DRUMS BY JENS GAD
ADDITIONAL DRUMS AND GUITAR BY SYIENCE FOR STAYFRESH MUSIC/ROKKWORLD MUSIC GROUP
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
REMEMBER THOSE WALLS I BUILT
WELL BABY THEY'RE TUMBLING DOWN
AND THEY DIDN'T EVEN PUT UP A FIGHT
THEY DIDN'T EVEN MAKE A SOUND
I FOUND A WAY TO LET YOU IN
BUT I NEVER REALLY HAD A DOUBT
STANDING IN THE LIGHT OF YOUR HALO
I GOT MY ANGEL NOWIT'S LIKE I'VE BEEN AWAKENED
EVERY RULE I HAD YOU BREAKIN'
IT'S THE RISK THAT I'M TAKIN'
I AIN'T EVER GONNA SHUT YOU OUTEVERYWHERE I'M LOOKING NOW
I'M SURROUNDED BY YOUR EMBRACE
BABY I CAN SEE YOUR HALO
YOU KNOW YOU'RE MY SAVING GRACE
YOU'RE EVERYTHING I NEED AND MORE
IT'S WRITTEN ALL OVER YOUR FACE
BABY I CAN FEEL YOUR HALO
PRAY IT WON'T FADE AWAYI CAN FEEL YOUR HALO (HALO, HALO)
I CAN SEE YOUR HALO (HALO, HALO)
I CAN FEEL YOUR HALO (HALO, HALO)
I CAN SEE YOUR HALO (HALO, HALO)HIT ME LIKE A RAY OF SUN
BURNING THROUGH MY DARKEST NIGHT
YOU'RE THE ONLY ONE THAT I WANT
THINK I'M ADDICTED TO YOUR LIGHT
I SWORE I'D NEVER FALL AGAIN
BUT THIS DON'T EVEN FEEL LIKE FALLING
GRAVITY CAN'T BEGIN
TO PULL ME BACK TO THE GROUND AGAINIT'S LIKE I'VE BEEN AWAKENED
EVERY RULE I HAD YOU BREAKIN'
IT'S THE RISK THAT I'M TAKIN'
I AIN'T EVER GONNA SHUT YOU OUTEVERYWHERE I'M LOOKING NOW
I'M SURROUNDED BY YOUR EMBRACE
BABY I CAN SEE YOUR HALO
YOU KNOW YOU'RE MY SAVING GRACE
YOU'RE EVERYTHING I NEED AND MORE
IT'S WRITTEN ALL OVER YOUR FACE
BABY I CAN FEEL YOUR HALO
PRAY IT WON'T FADE AWAYI CAN FEEL YOUR HALO (HALO, HALO)
I CAN SEE YOUR HALO (HALO, HALO)
I CAN FEEL YOUR HALO (HALO, HALO)
I CAN SEE YOUR HALO (HALO, HALO)
(2X)HALO, OHHH…
EVERYWHERE I'M LOOKING NOW
I'M SURROUNDED BY YOUR EMBRACE
BABY I CAN SEE YOUR HALO
YOU KNOW YOU'RE MY SAVING GRACE
YOU'RE EVERYTHING I NEED AND MORE
IT'S WRITTEN ALL OVER YOUR FACE
BABY I CAN FEEL YOUR HALO
PRAY IT WON'T FADE AWAYI CAN FEEL YOUR HALO (HALO, HALO)
I CAN SEE YOUR HALO (HALO, HALO)
I CAN FEEL YOUR HALO (HALO, HALO)
I CAN SEE YOUR HALO (HALO, HALO)
(2X)HALO, OHHH…
WRITTEN BY BEYONCÉ KNOWLES, RYAN TEDDER, E. KIDD BOGART
PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), WRITE 2 LIVE (ASCAP) ADMINISTERED WORLDWIDE BY KOBALT MUSIC PUBLISHING, HERE'S LOOKIN' AT YOU KIDD MUSIC (BMI) ADMIN. BY SONY ATV/SONGS, MUSIC LLC (BMI)PRODUCED BY RYAN TEDDER AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
ARRANGEMENT BY RYAN TEDDERRECORDED BY RYAN TEDDER, ASSISTED BY CHRISTIAN BAKER AT MANSFIELD STUDIOS, LOS ANGELES, CA, GERMANO STUDIOS, NEW YORK, NY AND ROC THE MIC STUDIOS, NEW YORK, NY
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
ALL INSTRUMENTS BY RYAN TEDDER
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
IF I BEGGED AND IF I CRIED
WOULD IT CHANGE THE SKY TONIGHT
WOULD IT GIVE ME SOME LIGHT
SHOULD I WAIT FOR YOU TO CALL
IS THERE ANY HOPE AT ALL
ARE YOU DRIFTING BYWHEN I THINK ABOUT IT
I KNOW THAT I WAS NEVER THERE
OR EVEN CARED
THE MORE I THINK ABOUT IT
THE LESS THAT I WAS ABLE TO SHARE
WITH YOU
I TRY TO REACH YOU I
CAN ALMOST FEEL YOU
YOU'RE NEARLY HERE AND THEN
YOU DISAPPEAR, YOU DISAPPEARAND WHEN I LIE ALL BY MYSELF
I SEE YOUR FACE AND I HEAR YOUR VOICE
MY HEART STAYS FAITHFUL
AND TIME HAS COME AND TIME HAS PASSED
IF IT'S GOOD IT'S GOT TO LAST
IT FELT SO RIGHTWHEN I THINK ABOUT IT
I KNOW THAT I WAS NEVER THERE
OR EVEN CARED
THE MORE I THINK ABOUT IT
THE LESS THAT I WAS ABLE TO SHARE
WITH YOU
I TRY TO REACH YOU I
CAN ALMOST FEEL YOU
YOU'RE NEARLY HERE AND THEN
YOU DISAPPEAR, YOU DISAPPEARI MISSED ALL THE SIGNS
ONE AT A TIME
YOU WERE READY
WHAT DID I KNOW
STARTING OUR LIVES
NOW MY LOVE I'M READY TO SHOWWHEN I THINK ABOUT IT
I KNOW THAT I WAS NEVER THERE
OR EVEN CARED
THE MORE I THINK ABOUT IT
THE LESS THAT I WAS ABLE TO SHARE
WITH YOU
I TRY TO REACH YOU I
CAN ALMOST FEEL YOU
YOU'RE NEARLY HERE AND THEN
YOU DISAPPEAR, YOU DISAPPEARYOU DISAPPEAR
YOU DISAPPEAR
DISAPPEAR
WRITTEN BY AMANDA GHOST , HUGO CHAKRABONGSE, DAVE MCCRACKEN, IAN DENCH, BEYONCÉ KNOWLES
PUBLISHED BY AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY THE ROYALTY NETWORK (BMI), DAVID PLATZ MUSIC ADMIN. BY THE ROYALTY NETWORK (BMI), UNIVERSAL MUSIC PUBLISHING ON BEHALF OF MGB LIMITED (ASCAP), IAN DENCH MUSIC ADMIN. BY SONGS OF KOBALT MUSIC PUBLISHING (BMI), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY AMANDA GHOST, DAVE MCCRACKEN AND IAN DENCH FOR GHOST PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY MARCOS TOVAR AND JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
YOU'RE EVERYTHING I THOUGHT YOU NEVER WERE
AND NOTHING LIKE I THOUGHT YOU COULD HAVE BEEN
BUT STILL YOU LIVE INSIDE OF ME
SO TELL ME HOW IS THAT
YOU'RE THE ONLY ONE I WISH I COULD FORGET
THE ONLY ONE I LOVE TO NOT FORGIVE
AND THOUGH YOU BREAK MY HEART
YOU'RE THE ONLY ONE
AND THOUGH THERE ARE TIMES WHEN I HATE YOU
'CAUSE I CAN'T ERASE
THE TIMES THAT YOU HURT ME AND PUT TEARS ON MY FACE
AND EVEN NOW WHILE I HATE YOU IT PAINS ME TO SAY
I KNOW I'LL BE THERE AT THE END OF THE DAYI DON'T WANNA BE WITHOUT YOU BABE
I DON'T WANT A BROKEN HEART
DON'T WANNA TAKE A BREATH WITHOUT YOU BABE
I DON'T WANNA PLAY THAT PART
I KNOW THAT I LOVE YOU
BUT LET ME JUST SAY
I DON'T WANNA LOVE YOU IN NO KINDA WAY
NO NO
I DON'T WANT A BROKEN HEART
AND I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
NO NO
NO BROKEN-HEARTED GIRL
I'M NO BROKEN-HEARTED GIRLTHERE'S SOMETHING THAT I FEEL I NEED TO SAY
UP 'TIL NOW I'VE ALWAYS BEEN AFRAID
THAT YOU WOULD NEVER COME AROUND
AND STILL I WANNA PUT THIS OUT
YOU SAY YOU GOT THE MOST RESPECT FOR ME
BUT SOMETIMES I FEEL YOUR NOT DESERVING OF ME
AND STILL YOU'RE IN MY HEART
BUT YOU'RE THE ONLY ONEAND YES THERE ARE TIMES WHEN I HATE YOU BUT I DON'T COMPLAIN
'CAUSE I'VE BEEN AFRAID THAT YOU WOULD WALK AWAY
OH BUT NOW I DON'T HATE YOU
I'M HAPPY TO SAY
THAT I WILL BE THERE AT THE END OF THE DAYI DON'T WANNA BE WITHOUT YOU BABE
I DON'T WANT A BROKEN HEART
DON'T WANNA TAKE A BREATH WITHOUT YOU BABE
I DON'T WANNA PLAY THAT PART
I KNOW THAT I LOVE YOU
BUT LET ME JUST SAY
I DON'T WANNA LOVE YOU IN NO KINDA WAY
NO NO
I DON'T WANT A BROKEN HEART
AND I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
NO NO
NO BROKEN-HEARTED GIRLNOW I'M AT A PLACE I THOUGHT I'D NEVER BE (OOH)
I'M LIVING IN A WORLD THAT ALL ABOUT YOU AND ME (YEAH)
AIN'T GOTTA BE AFRAID MY BROKEN HEART IS FREE
TO SPREAD MY WINGS AND FLY AWAY
AWAY WITH YOU
YEAH YEAH YEAHI DON'T WANNA BE WITHOUT MY BABY
I DON'T WANT A BROKEN HEART
DON'T WANNA TAKE A BREATH WITHOUT MY BABY
I DON'T WANNA PLAY THAT PART
I KNOW THAT I LOVE YOU
BUT LET ME JUST SAY
I DON'T WANNA LOVE YOU IN NO KINDA WAY
NO NO
I DON'T WANT A BROKEN HEART
I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
NO NO
NO BROKEN-HEARTED GIRLBROKEN-HEARTED GIRL
NO NO
NO BROKEN-HEARTED GIRL
NO BROKEN-HEARTED GIRL
WRITTEN BY KENNETH "BABYFACE" EDMONDS, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, BEYONCÉ KNOWLES
PUBLISHED BY SONGS OF UNIVERSAL, INC ON BEHALF OF FAZE 2 MUSIC (BMI), SONY/ATV TUNES LLC (ASCAP) ON BEHALF OF SONY ATV MUSIC PUBLISHING UK (PRS), EMI APRIL MUSIC, INC. ON BEHALF OF EMI MUSIC PUBLISHING LTD. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC STUDIOS, NEW YORK, NY
ADDITIONAL VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC, NEW YORK, NY
ALL INSTRUMENTS BY MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
STARGATE MANAGEMENT TIM BLACKSMITH AND DANNY D
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA -
SHE WAS LOST
IN SO MANY DIFFERENT WAYS
OUT IN THE DARKNESS WITH NO GUIDE
I KNOW THE COST OF A LOSING HAND
NEVER FOR THE GRACE OF GODOH I, I FOUND HEAVEN ON EARTH
YOU ARE MY LAST MY FIRST
AND THEN I HEAR THIS VOICE INSIDE
AVE MARIAI'VE BEEN ALONE
WHEN I'M SURROUNDED BY FRIENDS
HOW COULD THE SILENCE BE SO LOUD
BUT I STILL GO ON, KNOWING THAT I'VE GOT YOU
THERE'S ONLY US WHEN THE LIGHTS GO DOWNYOU ARE MY HEAVEN ON EARTH
YOU ARE MY HUNGER MY THIRST
I ALWAYS HEAR THIS VOICE INSIDE
SAYING AVE MARIASOMETIMES LOVE CAN COME AND PASS YOU BY
WHILE YOU'RE BUSY MAKING PLANS
SUDDENLY HITS YOU AND THEN YOU REALIZE
IT'S OUT OF YOUR HANDS
BABY YOU GOT TO UNDERSTANDYOU ARE MY HEAVEN ON EARTH
YOU ARE MY LAST MY FIRST
AND THEN I HEAR THIS VOICE INSIDE
AVE MARIA, AVE MARIA, AVE MARIA
WRITTEN BY BEYONCÉ KNOWLES, AMANDA GHOST, IAN DENCH, MAKEBA, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), IAN DENCH MUSIC ADMIN. BY / SONGS OF KOBALT MUSIC PUBLISHING (BMI), YOGA FLAMES MUSIC (BMI) AND JANICE COMBS PUBLISHING, INC.(BMI) ADMINISTERED BY EMI BLACKWOOD MUSIC, INC. (BMI), SONY/ATV TUNES LLC (ASCAP), ON BEHALF OF SONY/ATV MUSIC PUBLISHING UK (PRS), EMI APRIL MUSIC, INC. ON BEHALF OF EMI MUSIC PUBLISHING LTD. (ASCAP)PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC STUDIOS, NEW YORK, NY
GUITAR BY IAN DENCH
ALL OTHER INSTRUMENTS BY MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
STARGATE MANAGEMENT TIM BLACKSMITH AND DANNY D
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
HEAD DOWN
AS I WATCH MY FEET TAKE TURNS HITTING THE GROUND
EYES SHUT
I FIND MYSELF IN LOVE RACING THE EARTHAND I'M
SOAKED IN YOUR LOVE, OH
AND LOVE
WAS RIGHT IN MY PATH, IN MY GRASP
AND ME AND YOU BELONGI WANNA RUN (RUN) AND SMASH INTO YOU
I WANNA RUN (RUN) AND SMASH INTO YOUEARS CLOSED
WHAT I HEAR NO ONE ELSE HAS TO KNOW
'CAUSE I KNOW THAT WHAT WE HAVE
IS WORTH FIRST PLACE AND GOLDAND I'M
SOAKED IN YOUR LOVE, OH
AND LOVE
WAS RIGHT IN MY PATH, IN MY GRASP
AND ME AND YOU BELONGI WANNA RUN (RUN), SMASH INTO YOU
I WANNA RUN (RUN), SMASH INTO YOUSMASH INTO YOU
OHH…HEAD DOWN AS I WATCH MY FEET TAKE TURNS HITTING THE GROUND
EYES SHUT
I'M IN LOVE AND I'M RACING THE EARTHAND I'M
SOAKED IN YOUR LOVE (YOUR LOVE)
AND LOVE, WAS RIGHT IN MY PATH, IN MY GRASP
AND ME AND YOU BELONGI WANNA RUN, SMASH INTO YOU
I'M WILLING TO RUN (RUN), SMASH INTO YOU
I'M WILLING TO RUN RUN RUN RUN
OOH OOH OOH
I'M WILLING TO RUN RUN RUN RUN
OOH OOH OOHI WANNA RUN (RUN) AND SMASH INTO YOU
I'M WILLING TO RUN (RUN), SMASH INTO YOUWRITTEN BY CHRISTOPHER STEWART, TERIUS NASH, BEYONCÉ KNOWLES
PUBLISHED BY MARCH NINTH MUSIC PUB. (ASCAP) ADMIN, BY SONGS OF PEER, LTD., 2082 MUSIC ADMIN. BY WB MUSIC PUBLISHING (ASCAP), B-DAY PUBLISHING ADMIN BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY C. "TRICKY" STEWART AND TERIUS "THEDREAM" NASH FOR REDZONE ENTERTAINMENT/RADIO KILLA AND BY BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
VOCALS PRODUCED BY BEYONCÉ KNOWLESRECORDED BY KUK HARRELL AND BRIAN "B-LUV" THOMAS FOR REDZONE ENTERTAINMENT/RADIO KILLA AT THE BOOM BOOM ROOM, BURBANK, CA AND BY JIM CARUANA AT GERMANO STUDIOS, NEW YORK, NY
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
LIVE DRUMS BY STEVE JORDAN
MIXED BY DAVE PENSADO AND JAYCEN JOSHUA FOR THE PENUA PROJECT, ASSISTED BY ANDREW WUEPPER AND RANDY URBANSKI AT LARRABEE NORTH, HOLLYWOOD, CA
-
SATELLITES
FLASHING BY
IT'S A BEAUTIFUL STATE WE'RE IN
BUT HOW CAN WE LOVE IN ISOLATION
THINK HOW HAPPY WE CAN BE, WHEN WE JUST TRY
WE'RE NOTHING LIKE WE SEEM
PASSIONATE WORDS ARE NEVER SPOKEN
YOU DON'T KNOW HOW I BLEED
WHEN I LEAVE YOUR SIDEIN YOUR EYES
LOVE'S ALIVE
WE'VE COME UNTIED
'CAUSE WE'RE FLASHING BY
LIKE SATELLITES
SATELLITESTAKE ALL THE RULES AWAY
HOW CAN WE LIVE IF WE DON'T CHANGE
WE'RE ALWAYS ON DISPLAY, LET'S RUN AND HIDEIN OUR EYES
LOVE'S ALIVE
WE'VE COME UNTIED
'CAUSE WE'RE FLASHING BY
LIKE SATELLITES
SATELLITESIF WE DON'T COMMUNICATE
WE'LL EXIST IN OUR OWN SPACE
WE HAVE ALL THE LOVE WE NEED
WHEN WE'RE APART I CANNOT BREATHESATELLITES FLASHING BY
SATELLITES
WRITTEN BY AMANDA GHOST, DAVE MCCRACKEN, IAN DENCH, BEYONCÉ KNOWLES
PUBLISHED BY AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY THE ROYALTY NETWORK, UNIVERSAL MUSIC PUBLISHING ON BEHALF OF MGB LIMITED (ASCAP), IAN DENCH MUSIC ADMIN. BY THE ROYALTY NETWORK, B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY AMANDA GHOST, DAVE MCCRACKEN AND IAN DENCH FOR GHOST PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY MARCOS TOVAR AND JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
DIAMONDS USED TO BE COAL
LOOK YOUNG 'CAUSE THEY GOT SOUL
THAT'S WHY THEY'RE BEAUTIFUL
AND MY HEART USED TO BE COLD
'TIL YOUR HANDS LAID ON MY SOUL, BABY
AND THAT'S WHY YOU'RE BEAUTIFULI'M NOT WONDERING WHY
THE SKY'S BLUE
THAT'S NOT MY BUSINESS
ALL I KNOW IS I
LOOK UP AND TELL MYSELF
BE PATIENT LOVE
IT COULD BE USLOVERS USED TO MAKE LOVE
DIED JUST TO GIVE US
THEIR PIECE OF THE BEAUTIFUL
REMEMBER WHEN WE MADE LOVE
LOVE, WASN'T IT BEAUTIFULDON'T ASK ME WHY
THE SKY'S BLUE
THAT'S NOT MY BUSINESS
ALL I KNOW IS I
LOOK UP AND TELL MYSELF
BE PATIENT LOVE
IT COULD BE USDIAMONDS USED TO BE COAL
LOOK YOUNG 'CAUSE GOT THEY GOT SOUL
AND MY HEART USED TO BE COLD
'TIL YOUR HANDS LAID ON MY SOUL
SOMEBODY'S GOT TO STAY DEEP IN LOVE
THAT COULD BE US
THAT'S WHY WE'RE BEAUTIFULTHAT'S WHY YOU'RE BEAUTIFUL
THAT'S WHY YOU'RE BEAUTIFUL
THAT'S WHY YOU'RE BEAUTIFUL
THAT'S WHY YOU'RE BEAUTIFUL
WRITTEN BY ANDREW HEY, JAMES FAUNTLEROY II, BEYONCÉ KNOWLES
PUBLISHED BY SLANGFORHELLO (ASCAP), FAUNTLEROY MUSIC AND UNDERDOG SONGS ADMIN. BY ALMO MUSIC (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY ANDREW HEY AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
ALL MUSIC BY ANDREW HEYRECORDED BY ANDREW HEY, ASSISTED BY DAVID BOYD AT ROC THE MIC STUDIOS, NEW YORK, NY
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
ALL MUSIC BY ANDREW HEY
-
ALL THE SINGLE LADIES (7X)
NOW PUT YOUR HANDS UPUP IN THE CLUB
WE JUST BROKE UP
I'M DOIN' MY OWN LIL' THING
YOU DECIDED TO DIP
AND NOW YOU WANNA TRIP
'CAUSE ANOTHER BROTHER NOTICED ME
I'M UP ON HIM
HE UP ON ME
DON'T PAY HIM ANY ATTENTION
KEPT CRYING MY TEARS
FOR 3 GOOD YEARS
YOU CAN'T BE MAD AT ME'CAUSE IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
'CAUSE IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON ITUH, OH, OH, OH, OH, OH, OH, OH, OH
UH, OH, OH, OH, OH, OH, OH, OH, OHIF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON ITI GOT GLOSS ON MY LIPS
A MAN ON MY HIPS
ON ME TIGHTER THAN MY DEREON JEANS
ACTIN UP, DRINK IN MY CUP
I CAN CARE LESS WHAT YOU THINK
I NEED NO PERMISSION
DID I MENTION
DON'T PAY HIM ANY ATTENTION
'CAUSE YOU HAD YOUR TURN
AND NOW YOU GON' LEARN
WHAT IT REALLY FEELS LIKE TO MISS B'CAUSE IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
'CAUSE IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON ITUH, OH, OH, OH, OH, OH, OH, OH, OH
UH, OH, OH, OH, OH, OH, OH, OH, OHIF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON ITUH, OH, OH, OH, OH, OH, OH, OH, OH
UH, OH, OH, OH, OH, OH, OH, OH, OHDON'T TREAT ME TO THESE THINGS OF THE WORLD
I'M NOT THAT KIND OF GIRL
YOUR LOVE IS WHAT I PREFER, WHAT I DESERVE
HERE'S A MAN THAT MAKES ME
THEN TAKES ME AND DELIVERS ME
TO A DESTINY, TO INFINITY AND BEYOND
PULL ME INTO YOUR ARMS
SAY I'M THE ONE YOU WANT
IF YOU DON'T, YOU'LL BE ALONE
AND LIKE A GHOST, I'LL BE GONEALL THE SINGLE LADIES (7X)
NOW PUT YOUR HANDS UPUH, OH, OH, OH, OH, OH, OH, OH, OH
UH, OH, OH, OH, OH, OH, OH, OH, OH'CAUSE IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
IF YOU LIKE IT
THEN YOU SHOULD'VE PUT A RING ON IT
(2X)UH, OH, OH
WRITTEN BY CHRISTOPHER STEWART, TERIUS NASH, THADDIS HARRELL, BEYONCÉ KNOWLES
PUBLISHED BY MARCH NINTH MUSIC PUB. (ASCAP) ADMIN, BY SONGS OF PEER, LTD., 2082 MUSIC ADMIN. BY WB MUSIC PUBLISHING (ASCAP), SONY/ATV HARMONY (ASCAP) ON BEHALF OF SUGA WUGA MUSIC (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY C. "TRICKY" STEWART AND TERIUS "THE DREAM" NASH FOR REDZONE
ENTERTAINMENT/RADIO KILLA AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
VOCALS PRODUCED BY BEYONCÉ KNOWLES
RECORDED BY KUK HARRELL AND BRIAN "B-LUV" THOMAS FOR REDZONE ENTERTAINMENT/RADIO KILLA AT THE BOOM BOOM ROOM, BURBANK, CA
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY DAVE PENSADO AND JAYCEN JOSHUA FOR THE PENUA PROJECT, ASSISTED BY ANDREW WUEPPER AND RANDY URBANSKI AT LARRABEE NORTH, HOLLYWOOD, CA
-
I BE ON THE HOTLINE LIKE EVERYDAY
MAKING SURE THE DJ KNOW WHAT I WANT HIM TO PLAY
YOU KNOW I GOT MY TOP BACK AND MY BEAT LOW
ROCKIN' MY STUNNA' SHADES AND TURNIN' UP MY RADIO
TURN UP MY RADIOI THINK I'M IN LOVE WITH MY RADIO
'CAUSE IT NEVER LETS ME DOWN
AND I FALL IN LOVE WITH MY STEREO
WHENEVER I HEAR THAT SOUND
OHH OHH OHH OHH
WHENEVER I HEAR THE SOUND
OHH OHH OHH OHH
WHENEVER I HEAR THE SOUNDHE'S THE ONLY ONE MY PAPA ALLOWS TO
HANG OUT IN MY ROOM
WITH THE DOORS CLOSED (WE BE ALONE)
AND MAMA NEVER FREAKED OUT
WHEN SHE HEARD IT GO BOOM
'CAUSE SHE KNEW WE WERE IN THE ZONE
HOLD HIM IN MY ARMS AND LOOK OUT OF MY WINDOW
UNDER THE MOONLIGHT
AND HE'D BE KEEPIN' ME CALM, SO I'D NEVER LET HIM GO
HE'S GOT A PLACE IN MY HEARTI THINK I'M IN LOVE WITH MY RADIO
'CAUSE IT NEVER LETS ME DOWN
AND I FALL IN LOVE WITH MY STEREO
WHENEVER I HEAR THAT SOUND
OHH OHH OHH OHH…
WHENEVER I HEAR THE SOUND
OHH OHH OHH OHH…
WHENEVER I HEAR THE SOUNDWHEN I GET INTO MY CAR, TURN IT UP
THEN I HEAR VIBRATIONS ALL UP IN MY TRUNK
AND THE BASS LINE BE RATTLING THROUGH MY SEAT
AND THAT CRAZY FEELING STARTS HAPPENING
I GET BUTTERFLIES WHEN I HEAR THE DJ, PLAYING THE STUFF I LIKE
AND I FALL DEEPER IN LOVE WITH EVERY SONG HE PLAYS
HE'S GOT A PLACE IN MY HEARTI THINK I'M IN LOVE WITH MY RADIO
'CAUSE IT NEVER LETS ME DOWN
AND I FALL IN LOVE WITH MY STEREO
WHENEVER I HEAR THAT SOUND
OHH OHH OHH OHH…
WHENEVER I HEAR THE SOUND
OHH OHH OHH OHH…
WHENEVER I HEAR THE SOUNDI BE ON THE HOTLINE, LIKE EVERYDAY
MAKIN' SURE THE DJ KNOW WHAT I WANT HIM TO PLAY
YOU KNOW I GOT MY TOP BACK AND MY BEAT LOW
ROCKIN' MY STUNNA' SHADES AND TURNIN' UP MY RADIO
TURN UP MY RADIOI THINK I'M IN LOVE WITH MY RADIO
'CAUSE IT NEVER LETS ME DOWN
AND I FALL IN LOVE WITH MY STEREO
WHENEVER I HEAR THAT SOUND
OHH OHH OHH OHH…
WHENEVER I HEAR THE SOUND
OHH OHH OHH OHH…
WHENEVER I HEAR THE SOUND
OHH OHH OHH OHH…
WRITTEN BY JAMES SCHEFFER, RICO LOVE, DWAYNE NESMITH, BEYONCÉ KNOWLES
PUBLISHED BY JIMIPUB MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC (SESAC), NUJEREZ MUSIC ADMIN. BY WARNER CHAPPELL MUSIC (BMI), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY JIM JONSIN FOR REBEL ROCK PRODUCTIONS, D-TOWN AND RICO LOVE FOR 353 MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
VOCAL PRODUCTION BY RICO LOVE FOR DIVISION ONERECORDED BY JIM JONSIN AND JIM CARUANA AT THE BOOM BOOM ROOM, LOS ANGELES, CA
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
I'M-A DIVA
I'M-A, I'M-A A DIVA (6X)
I'M-A, I'M-ANA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLANA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLASTOP THE TRACK
LET ME STATE FACTS
I TOLD YOU GIMME A MINUTE AND I'LL BE RIGHT BACKFIFTY MILLION 'ROUND THE WORLD AND THEY SAID THAT I COULDN'T GET IT
I DONE GOT SO SICK AND FILTHY WITH BENJI'S I CAN'T SPEND IT
HOW YOU GON' BE TALKING SHIT
YOU ACT LIKE I JUST GOT UP IN IT
BEEN THE NUMBER ONE DIVA IN THIS GAME FOR A MINUTE
I KNOW YOU READ THE PAPER THE ONE THAT THEY CALL THE QUEEN
EVERY RADIO 'ROUND THE WORLD KNOW ME 'CAUSE THAT'S WHERE I BE
I'M A DIVA
I'M-A, I'M-A A DIVA (7X)
NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLANA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLAWHEN HE PULL UP, WANNA POP MY HOOD UP
BET HE BETTER HAVE A SIX PACK IN THE COOLER
GETTIN' MONEY, DIVAS GETTIN' MONEY
IF YOU AIN'T GETTIN' MONEY, THEN YOU AIN'T GOT NOTHIN' FOR ME
TELL ME SOMETHIN' WHERE YA BOSS AT
WHERE MY LADIES UP IN HERE THAT LIKE TO TALK BACKI WANNA SEE YA
I'D LIKE TO MEET YAWHAT YOU SAID (NOT TO ME)
SHE AIN'T NO DIVANA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLANA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLASINCE 15 IN MY STILETTOS
BEEN STRUTTIN' IN THIS GAME
WHAT'S YOUR AGE WAS THE QUESTION THEY ASK WHEN I HIT THE STAGE
I'M A DIVA BEST BELIEVE-A, YOU SEE HER, SHE'S GETTIN' PAID
SHE AIN'T CALLING HIM A GREETER
DON'T NEED HIM, HER BED'S MADE
THIS IS A STICK UP, STICK UP
I NEED THEM BAGS OR THAT MONEY
I'M-A STICK UP, STICK UP, YOU SEE THE MASK, WHERE THAT MONEY
ALL MY LADIES GETTIN' UP
I SEE YOU, I DO THE SAME
TAKE YOU TO ANOTHER LEVEL
NO PASSENGERS ON MY PLANEI'M-A DIVA
I'M-A, I'M-A A DIVA (3X)THIS IS A STICK UP, STICK UP
I NEED THEM BAGS OR THE MONEY
STICK UP, STICK UP, YOU SEE THE MASK, WHERE THAT MONEY
NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLANA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
OF A HUSTLA, OF A, OF A HUSTLAI'M-A DIVA
I'M-A, I'M-A A DIVA (15X)
WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT
PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI)PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY MILES WALKER FOR MILK MONEY ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA. PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
EVERY NIGHT I RUSH TO MY BED
WITH HOPES THAT MAYBE
I'LL GET A CHANCE TO SEE YOU
WHEN I CLOSE MY EYES
I'M GOING OUT OF MY HEAD
LOST IN THE FAIRYTALE
CAN YOU HOLD MY HAND
AND BE MY GUIDE
CLOUDS FILLED WITH STARS COVER YOUR SKIES
AND I HOPE IT RAINS
YOU'RE THE PERFECT LULLABY
WHAT KIND OF DREAM IS THISYOU CAN BE A SWEET DREAM
OR A BEAUTIFUL NIGHTMARE
EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
SWEET DREAM OR A BEAUTIFUL NIGHTMARE
SOMEBODY PINCH ME
YOUR LOVE'S TO GOOD TO BE TRUE
MY GUILTY PLEASURE, I AIN'T GOING NOWHERE
BABY LONG AS YOU'RE HERE
I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
EITHER WAY I, DON'T WANNA WAKE UP FROM YOUI MENTION YOU WHEN I SAY MY PRAYERS
I WRAP YOU AROUND ALL IN MY THOUGHTS
BOY YOU MY TEMPORARY HIGH
I WISH THAT WHEN I WAKE UP YOU'RE THERE
TO WRAP YOUR ARMS AROUND ME FOR REAL
AND TELL ME YOU'LL STAY BY MY SIDE
CLOUDS FILLED WITH STARS COVER THE SKY
AND I HOPE IT RAINS
YOU'RE THE PERFECT LULLABY
WHAT KIND OF DREAM IS THISYOU CAN BE A SWEET DREAM
OR A BEAUTIFUL NIGHTMARE
EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
SOMEBODY PINCH ME
YOUR LOVE'S TO GOOD TO BE TRUE
MY GUILTY PLEASURE, I AIN'T GOING NOWHERE
BABY LONG AS YOU'RE HERE
I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
EITHER WAY I, DON'T WANNA WAKE UP FROM YOUTATTOO YOUR NAME ACROSS MY HEART
SO IT WILL REMAIN
NOT EVEN DEATH COULD MAKE US PART
WHAT KIND OF DREAM IS THISYOU CAN BE A SWEET DREAM
OR A BEAUTIFUL NIGHTMARE
EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
SWEET DREAM OR A BEAUTIFUL NIGHTMARE
SOMEBODY PINCH ME
YOUR LOVE'S TO GOOD TO BE TRUE
MY GUILTY PLEASURE, I AINT GOING NOWHERE
BABY LONG AS YOU'RE HERE
I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
WRITTEN BY BEYONCÉ KNOWLES, JAMES SCHEFFER, WAYNE WILKINS, RICO LOVE
PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), JIMIPUB MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), BLOW THE SPEAKERS ADMIN. BY SONY/ATV SONGS LLC (MCPS), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC (SESAC)PRODUCED BY JIM JONSIN FOR REBEL ROCK PRODUCTIONS, WAYNE WILKINS, AND RICO LOVE FOR DIVISION ONE AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
VOCAL PRODUCTION BY RICO LOVE FOR DIVISION ONE
ADDITIONAL VOCALS BY RICO LOVERECORDED BY JIM CAURANA AT SOUTH BEAT STUDIOS, MIAMI BEACH, FL
MIXED BY WAYNE WILKINS AND JIM JONSIN AT HENSON STUDIOS, LOS ANGELES, CA
-
SHAWTY, WHAT YOUR NAME IS
THEM HUSTLAS KEEP ON TALKIN'
THEY LIKE THE WAY I'M WALKIN'
YOU'RE SAYIN' THAT YOU WANT ME
SO PRESS RECORD, I'LL LET YOU FILM ME
ON YOUR VIDEO PHONE
MAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
ON YOUR VIDEO, VIDEO
IF YOU WANT ME YOU CAN WATCH ME
ON YOUR VIDEO PHONEI LOVE HOW YOU APPROACH ME
FRESH WHITE WITH YOUR PANTS HANGIN' GROWN MAN LOW
EVERYTHING YOU SAYIN' SOUNDIN' GOOD TO ME
NO NEED TO CONVINCE ME ANYMORE
SWAG UP IS RIGHT, ONE BLADE IS TIGHT
AND I THE SMELL YOUR COLOGNE IN THE AIR
BABY YOU DOIN' SOMETHIN' RIGHT
YOU JUST CANCELLED EVERY OTHER MAN HEREYA SAY YOU LIKE MY BAG
AND THE COLOR OF MY NAILS
YOU CAN SEE THAT I GOT IT GOIN' ON
I WANNA MAKE SURE YOU REMEMBER ME
SO I'M-A LEAVE MY NUMBER ON YOUR VIDEO PHONEI GOT NO TIME FOR FRONTIN'
I KNOW JUST WHAT I'M WANTIN'
IF IT'S GONNA BE YOU AND ME
WHEN I CALL THEY BETTER SEE ME ON YOUR VIDEO SCREENTHEM HUSTLAS KEEP ON TALKIN'
THEY LIKE THE WAY I'M WALKIN'
YOU'RE SAYIN' THAT YOU WANT ME
SO PRESS RECORD, I'LL LET YOU FILM ME
ON YOUR VIDEO PHONEMAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
ON YOUR VIDEO, VIDEO
IF YOU WANT ME YOU CAN WATCH ME
ON YOUR VIDEO PHONEYOU A CUTIE
YOU SHOULD LET ME PUT YOU IN MY MOVIES
YOU DO A SHOOT INTO A STAR OR YOUR OWN HIT SONG
WE CAN SHOOT THE VIDEO RIGHT HERE
ON MY CELL PHONEI NEVER SEEN A SMILE SO PRETTY
I NEED TO KNOW I'LL ALWAYS HAVE YOU WITH ME
SO TAKE YOUR PICTURE ON MY VIDEO PHONE
YOU COULD PICK YOUR OWN SONG
AND YOU COULD BE THE ONLY ONE
I KNOW YOU LIKE THAT
TURN YOU INTO A STAR, I GOT IT LIKE THAT
BABY DON'T FIGHT IT
'CAUSE WHEN I MISS YOUR CALL, I HIT YOU RIGHT BACK
ON MY VIDEO PHONETHEM HUSTLAS KEEP ON TALKIN'
THEY LIKE THE WAY I'M WALKIN'
YOU'RE SAYIN' THAT YOU WANT ME
SO PRESS RECORD, I'LL LET YOU FILM ME
ON YOUR VIDEO PHONEMAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
ON YOUR VIDEO, VIDEO
IF YOU WANT ME YOU CAN WATCH ME
ON YOUR VIDEO PHONEYOU KNOW THE G'S THEY BE HOLLERIN'
ESPECIALLY THEM HOT ONES
BROOKLYN, ATLANTA, HOUSTON TO NEW ORLEANS
WHEN THEY SEE ME, THEY BE LIKE YO B, LET ME CALL YOU
YOU BREAKIN' MY FOCUS BOY, YOU CUTE AND YOU BALLIN'YOU LIKE IT WHEN I SHAKE IT
SHORTY ON A MISSION
WHAT YOUR NAME IS
WHAT
YOU WANT ME NAKED
IF YOU LIKIN' THIS POSITION YOU CAN TAPE IT
ON YOUR VIDEO PHONEHUSTLA KEEP ON TALKING
YOU LIKE THE WAY IT'S POPPIN'
YOU'RE SAYIN' THAT YOU WANT ME
PRESS RECORD, BABY FILM ME
ON YOUR VIDEO PHONE
MAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
I'M YOUR VIDEO, VIDEO
IF YOU WANT ME, YOU CAN WATCH ME ON YOUR VIDEO PHONE
WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT, ANGELA BEYINCE
PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI), ANGELA BEYINCE MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY MILES WALKER FOR MILK MONEY, ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA, PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
OHH…
I LOVE TO SEE YOU WALK INTO THE ROOM
BODY'S SHINING, LIGHTING UP THE PLACE
AND WHEN YOU TALK, EVERYBODY STOP
'CAUSE THEY KNOW, YOU KNOW JUST WHAT TO SAY
THE WAY THAT YOU PROTECT YOUR FRIENDS
BABY I RESPECT YOU FOR THAT
WHEN YOU GROW, YOU TAKE EVERYONE YOU LOVE ALONG
I LOVE THATDON'T FLY ME AWAY
DON'T NEED TO BUY A DIAMOND KEY
TO UNLOCK MY HEART
YOU SHELTER MY SOUL
YOU'RE MY FIRE WHEN I'M COLD
I WANT YOU TO KNOWYOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)
YOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)
IT WAS MANY YEARS AGO
BABY WHEN YOU, STOLE MY COOL
'CAUSE YOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)I GET SO EXCITED WHEN YOU TRAVEL WITH ME
BABY WHILE I'M ON MY GRIND
AND NEVER WOULD I EVER LET MY HUSTLE
COME BETWEEN ME AND MY FAMILY TIME AND
YOU KEEP ME HUMBLE OUT OF THIS HYPE
'CAUSE YOU KNOW THERE'S MORE TO LIFE
AND IF I NEED YOU, YOU WOULD BE HERE
YOU WOULD MAKE THE SACRIFICEDON'T FLY ME AWAY
DON'T NEED TO BUY A DIAMOND KEY
TO UNLOCK MY HEART
YOU SHELTER MY SOUL
YOU'RE MY FIRE WHEN I'M COLD
I WANT YOU TO KNOWYOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)
YOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)
IT WAS MANY YEARS AGO
BABY WHEN YOU, STOLE MY COOL
'CAUSE YOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)GOTTA FEEL YOU AND BE NEAR YOU
YOU'RE THE AIR THAT I BREATHE TO SURVIVE
GOTTA HOLD YOU
WANNA SHOW YOU
THAT WITHOUT YOU MY SUN DOESN'T SHINE
YOU DON'T HAVE TO TRY SO, HARD FOR ME TO LOVE YOU
BOY WITHOUT YOU MY LIFE JUST AIN'T THE SAME
YOU DON'T HAVE TO TRY SO, HARD FOR ME TO LOVE YOUYOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)
YOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)
IT WAS MANY YEARS AGO
WHEN YOU, STOLE MY COOL
YOU HAD ME AT HELLO (HELLO)
HELLO (HELLO), HELLO (HELLO)IT WAS MANY YEARS AGO
BABY WHEN YOU, STOLE MY COOL
YOU HAD ME AT HELLO, HELLO, HELLO
WRITTEN BY BEYONCÉ KNOWLES, RAMON OWEN, DAVID QUINONES, E. KIDD BOGART
PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), SOUNDKILLERS PUBLISHING (BMI) ADMIN. BY WB MUSIC CORP., EMI APRIL MUSIC, INC. ON BEHALF OF QUDA MUSIC (ASCAP), HERE'S LOOKIN AT YOU KIDD MUSIC (BMI) ADMIN. BY SONY/ATV SONGS LLC (BMI)PRODUCED BY REO FOR THE SOUNDKILLERS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY DAVID "DQ" QUINONES AT THE CAMPGROUND, LOS ANGELES, CA
VOCALS RECORDED BY JIM CARUANA AT ELECTRIC LADY STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
AW BABY HOW YOU DOIN'
YOU KNOW I'M GONNA CUT RIGHT TO THE CHASE
SOME WOMEN WERE MADE
BUT ME, MYSELF, I LIKE TO THINK THAT I WAS CREATED
FOR A SPECIAL PURPOSE
NOW, WHAT'S MORE SPECIAL THAN YOU
YA FEEL MEIT'S ON, BABY LET'S GET LOST
YOU DON'T NEED TO CALL INTO WORK 'CAUSE YOU THE BOSS
FOR REAL WANT YOU TO SHOW ME HOW YOU FEEL
I CONSIDER MYSELF LUCKY, THAT'S A BIG DEAL
WHY
WELL, YOU GOT THE KEY TO MY HEART
BUT YOU AIN'T GONNA NEED IT
I'D RATHER YOU OPEN UP MY BODY
AND SOME ME SECRETS, YOU DIDN'T KNOW WAS INSIDE
NO NEED FOR ME TO LIEIT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
HE GOT A BIG EGO, SUCH A HUGE EGO
I LOVE HIS BIG EGO
IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UPUSUALLY I'M HUMBLE, RIGHT NOW I DON'T CHOOSE
YOU CAN LEAVE WIT' ME, OR YOU CAN HAVE THE BLUES
SOME CALL IT ARROGANT, I CALL IT CONFIDENT
YOU DECIDE WHEN YOU FIND, I'M WHAT I'M WORKING WITH
DAMN
I KNOW, I'M KILLING YOU WITH THEM LEGS, BETTER YET THEM THIGHS
MATTER OF FACT ,IT'S MY SMILE, OR MAYBE MY EYES
BOY YOU A SIGHT TO SEE, KINDA SOMETHING LIKE MEIT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
IT'S TOO MUCH, IT'S TOO TOUGH, I TALK LIKE THIS 'CAUSE I CAN BACK IT UP
I GOT A BIG EGO, SUCH A HUGE EGO
BUT, HE LOVE MY BIG EGO
IT'S TOO MUCH, I WALK LIKE THIS 'CAUSE I CAN BACK IT UPI WALK LIKE THIS, 'CAUSE I CAN BACK IT UP
I TALK LIKE THIS, 'CAUSE I CAN BACK IT UP
I CAN BACK IT UP, I CAN BACK IT UP
I WALK LIKE THIS, 'CAUSE I CAN BACK IT UPIT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
HE GOT A BIG EGO, SUCH A HUGE EGO
I LOVE HIS BIG EGO
IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UPEGO SO BIG, YOU MUST ADMIT
I GOT EVERY REASON TO FEEL LIKE I'M THAT BITCH
EGO SO STRONG, IF YOU AIN'T KNOW
I DON'T NEED NO BEAT, I CAN SING IT WITH PIANO
OHHH…
WRITTEN BY ELVIS WILLIAMS, HAROLD LILLY, BEYONCÉ KNOWLES
PUBLISHED BY ELVIS LEE MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), UNCLE BOBBY MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY ELVIS "BLACELVIS" WILLIAMS AND HAROLD LILLY FOR MUSICPAYOUT.COM, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
HORNS BY PHILIP MARGIZIOTIS
SAXOPHONE BY DONALD HAYES
TRUMPET BY DONTAE WINSLOWRECORDED BY MACK WOODARD AT TREE SOUND STUDIOS, ATLANTA, GA
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
-
I'M IN THIS FIGHT AND I'M SWINGING
AND MY ARMS ARE GETTING TIRED
I'M TRYING TO BEAT THIS EMPTINESS
BUT I'M RUNNING OUT OF TIME
I'M SINKING IN THE SAND
AND I CAN BARELY STAND
AND I'M LOST IN THIS DREAM
I NEED YOU TO HOLD MEI'M SCARED OF LONELY
I TRY TO BE PATIENT
BUT I'M HURTING DEEP INSIDE
AND I CAN'T KEEP WAITING
I NEED COMFORT LATE AT NIGHT
AND I CAN'T FIND MY WAY
WHY WON'T YOU LEAD ME HOME
'CAUSE I'M LOST IN THIS DREAM
I NEED YOU TO HOLD MEI'M SCARED OF LONELY
AND I'M SCARED OF BEING THE ONLY
SHADOW I SEE ALONG THE WALL
AND I'M SCARED THE ONLY HEART BEAT
I HEAR BEATING IS MY OWN
AND I'M SCARED OF BEING ALONE
I CAN'T SEEM TO BREATHE WHEN I AM LOST
IN THIS DREAM I NEED YOU TO HOLD MEI'M SCARED OF LONELY
I'M SCARED OF LONELYI CRY AT NIGHT
'CAUSE MY BABY'S
TOO FAR TO BE BY MY SIDE
TO WIPE AWAY THESE TEARS OF MINE
SO I HOLD MY PILLOW TIGHT
TO IMAGINE YOU
OUTSTRETCH YOUR HAND
LOOKING FOR MINE
'CAUSE I'M LOST IN THIS DREAM
I NEED YOU TO HOLD MEI'M SCARED OF LONELY
AND I'M SCARED OF BEING THE ONLY
SHADOW I SEE ALONG THE WALL
AND I'M SCARED THE ONLY HEART BEAT
I HEAR BEATING IS MY OWN
AND I'M SCARED OF BEING ALONE
I CAN'T SEEM TO BREATHE WHEN I AM LOST
IN THIS DREAM I NEED YOU TO HOLD MEI NEED YOUR STRENGTH
WHEN NOBODY'S AROUND
'CAUSE I'M TIRED OF THIS EMPTINESS
I THINK I'M DROWNING
I CAN'T BE LONELY NO MORE
WHEN I'M LOST IN THIS DREAM
I NEED YOU TO HOLD MEI'M SCARED OF LONELY
AND I'M SCARED OF BEING THE ONLY
SHADOW I SEE ALONG THE WALL
AND I'M SCARED THE ONLY HEART BEAT
I HEAR BEATING IS MY OWN
AND I'M SCARED OF BEING ALONE
I CAN'T SEEM TO BREATHE WHEN I AM LOST
IN THIS DREAM I NEED YOU TO HOLD ME
(2X)I'M SCARED OF LONELY
I'M SCARED OF LONELY
WRITTEN BY RODNEY JERKINS, LASHAWN DANIELS, CRISTYLE JOHNSON, RICO LOVE, SOLANGE KNOWLES, BEYONCÉ KNOWLES
PUBLISHED BY EMI BLACKWOOD MUSIC, INC. (BMI), EMI APRIL MUSIC, INC. (BMI), CSTYLE INK MUSIC AND / SLIDETHAT ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC, INC. (SESAC), EMI APRIL MUSIC, INC. ON BEHALF OF SOLANGE MW PUBLISHING (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY RODNEY "DARKCHILD" JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
ALL MUSIC BY RODNEY "DARKCHILD" JERKINS
ALL VOCALS BY BEYONCÉRECORDED BY ROBERTO "TITO" VASQUEZ AND MIKE "HANDZ" DONALDSON AT 2ND FLOOR STUDIOS, ORLANDO, FL.
VOCALS RECORDED BY JIM CARUANA AT ELECTRIC LADY STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT AND RODNEY "DARKCHILD" JERKINS, ASSISTED BY MATT GREEN AT CHALICE STUDIOS, LOS ANGELES, CA
-
I GOT A BIG EGO (HAHAHA) I'M SUCH A BIG EGO (HAHAHA) I GOT A BIG (HAHAHA) EGO SHE LOVE MY BIG (HAHAHA) EGO SO STROKE MY BIG (HAHAHA) EGO I LIKE TO JOKE AROUND A LITTLE BIT BUT HERE WE GO WELCOME TO THE WONDERFUL WORLD OF GO PLAY THE EARL 'CAUSE EVERYTHING I THROW UP, BLOW UP TALKING TO THE GIRL SHE SAID, KNOW WHAT, GROW UP, YOU NASTY I DON'T UNDERSTAND WHY THEY TRIPPIN' IF YOU ASK ME FLOW JUST AS NICE AS I ADMIT THE PROPANE I JUST SPIT, PROBABLY JUST RAISE THE GAS PRICES EVERYBODY IN THE CLUB TRY AND GET AS FRESH AS ME WHAT YOU WANT DOG TRYING TO STAY RECESSION FREE AND SPIT REFRESHINGLY WHEN I ROCK THE STADIUM YOU PROBABLY GET SWEATY YOU SHOULD BRING AN EXTRA TEE NOW I'M STANDING NEXT TO JAY WHO STANDING NEXT TO B YOU COULDA BEEN ANYWHERE IN THE WORLD BUT YOU'RE HERE WITH ME THAT'S GOOD FOR EGO ME AND MY EGO AND IT GO WHEREVER WE GO MY EGO IS MY IMAGINARY FRIEND HE WAS WITH ME WHEN I WAS ONLY IMAGINING I HAD DREAMS OF THE LEAGUE ONE DAY I PLAY KOBE OR WALK UP TO PUFF AND HE ALREADY KNOW ME COULDA LET THE DREAM KILLERS KILL MY SELF ESTEEM OR USE THE ARROGANCE AS A STEAM THAT POWER MY DREAMS AND MY EGO
AW BABY HOW YOU DOIN'
YOU KNOW I'M GONNA CUT RIGHT TO THE CHASE
SOME WOMEN WERE MADE
BUT ME, MYSELF, I LIKE TO THINK THAT I WAS CREATED
FOR A SPECIAL PURPOSE
NOW, WHAT'S MORE SPECIAL THAN YOU
YA FEEL MEIT'S ON, BABY LET'S GET LOST
YOU DON'T NEED TO CALL INTO WORK 'CAUSE YOU THE BOSS
FOR REAL WANT YOU TO SHOW ME HOW YOU FEEL
I CONSIDER MYSELF LUCKY, THAT'S A BIG DEAL
WHY
WELL, YOU GOT THE KEY TO MY HEART
BUT YOU AIN'T GONNA NEED IT
I'D RATHER YOU OPEN UP MY BODY
AND SOME ME SECRETS, YOU DIDN'T KNOW WAS INSIDE
NO NEED FOR ME TO LIEIT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
HE GOT A BIG EGO, SUCH A HUGE EGO
I LOVE HIS BIG EGO
IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UPUSUALLY I'M HUMBLE, RIGHT NOW I DON'T CHOOSE
YOU CAN LEAVE WIT' ME, OR YOU CAN HAVE THE BLUES
SOME CALL IT ARROGANT, I CALL IT CONFIDENT
YOU DECIDE WHEN YOU FIND, I'M WHAT I'M WORKING WITH
DAMN
I KNOW, I'M KILLING YOU WITH THEM LEGS, BETTER YET THEM THIGHS
MATTER OF FACT ,IT'S MY SMILE, OR MAYBE MY EYES
BOY YOU A SIGHT TO SEE, KINDA SOMETHING LIKE MEIT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
IT'S TOO MUCH, IT'S TOO TOUGH, I TALK LIKE THIS 'CAUSE I CAN BACK IT UP
I GOT A BIG EGO, SUCH A HUGE EGO
BUT, HE LOVE MY BIG EGO
IT'S TOO MUCH, I WALK LIKE THIS 'CAUSE I CAN BACK IT UPI WALK LIKE THIS, 'CAUSE I CAN BACK IT UP
I TALK LIKE THIS, 'CAUSE I CAN BACK IT UP
I CAN BACK IT UP, I CAN BACK IT UP
I WALK LIKE THIS, 'CAUSE I CAN BACK IT UPIT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
HE GOT A BIG EGO, SUCH A HUGE EGO
I LOVE HIS BIG EGO
IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UPEGO SO BIG, YOU MUST ADMIT
I GOT EVERY REASON TO FEEL LIKE I'M THAT BITCH
EGO SO STRONG, IF YOU AIN'T KNOW
I DON'T NEED NO BEAT, I CAN SING IT WITH PIANO
OHHH…
WRITTEN BY ELVIS WILLIAMS, HAROLD LILLY, BEYONCÉ KNOWLES
PUBLISHED BY ELVIS LEE MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), UNCLE BOBBY MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)PRODUCED BY ELVIS "BLACELVIS" WILLIAMS AND HAROLD LILLY FOR MUSICPAYOUT.COM, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
SAXOPHONE BY DONALD HAYES
TRUMPET BY DONTAE WINSLOW
HORNS BY PHILIP MARGIZIOTIS
RECORDED BY MACK WOODARD AT TREE SOUND STUDIOS, ATLANTA, GA
BEYONCE'S VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
KANYE'S VOCALS RECORDED BY ANTHONY KILHOFFER AT NA CENA STUDIOS, SAN PAULO, CA
MIXED BY MARK "SPIKE" STENT ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
MASTERED BY TOM COYNE AT STERLING SOUND STUDIOS, NEW YORK, NYKANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS
-
YOU'RE BAD FOR ME, I CLEARLY GET IT
I DON'T SEE HOW SOMETHING GOOD COULD COME FROM LOVING YOU
THE DEATH OF ME, MUST BE YOUR MISSION
'CAUSE WITH EVERY HUG AND KISS, YOU'RE SNATCHING EVERY BIT OF STRENGTH
THAT I'M GON' NEED, TO FIGHT OFF THE INEVITABLE
AND IT'S A HEART-BREAKING SITUATION I'M UP IN, BUT I CAN'T CONTROLYOU'RE JUST LIKE POISON
SLOWLY MOVING THROUGH MY SYSTEM
BREAKING ALL OF MY DEFENSES WITH TIME
YOU'RE JUST LIKE POISON AND I JUST DON'T GET IT
HOW CAN SOMETHING SO DEADLY FEEL SO RIGHT
I'M NOT SURE OF WHAT TO DO, IT'S A CATCH 22
'CAUSE THE CURE IS FOUND IN YOU, I DON'T WANT IT BUT I DO
YOU'RE JUST LIKE POISON
MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
KISS ME ONE MORE TIME BEFORE I DIEYOU AIN'T RIGHT, TAKE ME HIGH
THEN THAT HIGH IT SUBSIDES
AND MY BODY FLAT LINES
THEN YOU COME TO REVIVE
WAIT, WAIT, WAIT I'M ALIVE
BUT HOW LONG WILL IT LAST
WILL IT ALL COME CRASHING DOWN
HOW MANY DOSES AM I NEEDING NOW
WHAT'S THE PROGNOSIS, WILL YOU BE AROUND
OR AM I JUST ANOTHER VICTIM OF AN ASSASSIN THAT BROKE MY HEART DOWNBABY YOU'RE JUST LIKE POISON
SLOWLY MOVING THROUGH MY SYSTEM
BREAKING ALL OF MY DEFENSES WITH TIME
YOU'RE JUST LIKE POISON
AND I JUST DON'T GET IT
HOW CAN SOMETHING SO DEADLY
FEEL SO RIGHT
I'M NOT SURE OF WHAT TO DO
IT'S A CATCH 22
'CAUSE THE CURE IS FOUND IN YOU
I DON'T WANT IT BUT I DO
YOU'RE JUST LIKE POISON
MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
KISS ME ONE MORE TIME BEFORE I DIEIT'S JUST NOT MY BODY (NO)
IT'S MY MIND, YOU DON'T KNOW
HOW MANY TIMES I TOLD MYSELF
THIS CAN'T DO (CAN'T DO)
AND THAT I DON'T NEED YOU (NO I DON'T NEED YOU, NO)
IT'S SO UNFAIR, THAT I FIND MYSELF RIGHT BACK IN YOUR CARE
AND WHAT'S GOOD IS THAT WHEN YOU'RE NOT ALWAYS THERE (THERE, THERE)
YOU KNOW THAT FOR MY HEALTH (MY HEALTH)YOU'RE JUST LIKE POISON (WHOA, WHOA, WHOA)
YOU'RE JUST LIKE POISON (WHOA, WHOA, WHOA)YOU'RE JUST LIKE POISON
SLOWLY MOVING THROUGH MY SYSTEM
BREAKING ALL OF MY DEFENSES WITH TIME
YOU'RE JUST LIKE POISON
AND I JUST DON'T GET IT
HOW CAN SOMETHING SO DEADLY
FEEL SO RIGHT
I'M NOT SURE OF WHAT TO DO
IT'S A CATCH 22
'CAUSE THE CURE IS FOUND IN YOU
I DON'T WANT IT BUT I DO
YOU'RE JUST LIKE POISON
MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
BABY KISS ME ONE MORE TIME
(2X)
WRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, JOHNTA AUSTIN
PUBLISHED BY B-DAY PUBLISHING ADMINISTERED BY EMI APRIL MUSIC, INC. (ASCAP), SONY/ATV MUSIC PUBLISHING (ASCAP), EMI MUSIC PUBLISHING (ASCAP), NAKED UNDER MY CLOTHES / CHRYSALIS MUSIC (ASCAP)PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
ALL INSTRUMENTS BY MIKKEL S. ERIKSEN & TOR ERIK HERMANSENRECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC, NEW YORK, NY
ADDITIONAL VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC, NEW YORK, NY
MIXED BY PHIL TAN ASSISTED BY JOSH HOUGHKIRK WITH ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS AT SOAPBOX STUDIOS, ATLANTA GA
STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D.
-
SHAWTY, WHAT YOUR NAME IS
THEM HUSTLAS KEEP ON TALKIN'
THEY LIKE THE WAY I'M WALKIN'
YOU'RE SAYIN' THAT YOU WANT ME
SO PRESS RECORD, I'LL LET YOU FILM ME
ON YOUR VIDEO PHONE
MAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
ON YOUR VIDEO, VIDEO
IF YOU WANT ME YOU CAN WATCH ME
ON YOUR VIDEO PHONEI LOVE HOW YOU APPROACH ME
FRESH WHITE WITH YOUR PANTS HANGIN' GROWN MAN LOW
EVERYTHING YOU SAYIN' SOUNDIN' GOOD TO ME
NO NEED TO CONVINCE ME ANYMORE
SWAG UP IS RIGHT, ONE BLADE IS TIGHT
AND I THE SMELL YOUR COLOGNE IN THE AIR
BABY YOU DOIN' SOMETHIN' RIGHT
YOU JUST CANCELLED EVERY OTHER MAN HEREYA SAY YOU LIKE MY BAG
AND THE COLOR OF MY NAILS
YOU CAN SEE THAT I GOT IT GOIN' ON
I WANNA MAKE SURE YOU REMEMBER ME
SO I'M-A LEAVE MY NUMBER ON YOUR VIDEO PHONEI GOT NO TIME FOR FRONTIN'
I KNOW JUST WHAT I'M WANTIN'
IF IT'S GONNA BE YOU AND ME
WHEN I CALL THEY BETTER SEE ME ON YOUR VIDEO SCREENTHEM HUSTLAS KEEP ON TALKIN'
THEY LIKE THE WAY I'M WALKIN'
YOU'RE SAYIN' THAT YOU WANT ME
SO PRESS RECORD, I'LL LET YOU FILM ME
ON YOUR VIDEO PHONEMAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
ON YOUR VIDEO, VIDEO
IF YOU WANT ME YOU CAN WATCH ME
ON YOUR VIDEO PHONEYOU MY PHONE STAR
AND I'M HAPPY WHEN MY LIGHTS FLASHIN'
'CAUSE YOU ON MY RECEIVER
HUBBA, HUBBA
HONEY, BABY YOU SO SEXY THAT YOU SHOULD WIN AN OSCAR
AND WHEN YOU MISS ME, JUST REMEMBER THAT I ALWAYS GOT YOU WITH ME
I'LL BE YOUR GENE, YOU'LL BE MY BRANDO
I'M-A PUT YOU IN MY MOVIE IF YOU THINK THAT YOU CAN HANDLE (CAN YOU HANDLE IT)I KNOW YOU LIKE THAT
TURN YOU INTO A STAR, I GOT IT LIKE THAT
BABY DON'T FIGHT IT
'CAUSE WHEN I MISS YOUR CALL, I HIT YOU RIGHT BACK
ON MY VIDEO PHONETHEM HUSTLAS KEEP ON TALKIN'
THEY LIKE THE WAY I'M WALKIN'
YOU'RE SAYIN' THAT YOU WANT ME
SO PRESS RECORD, I'LL LET YOU FILM ME
ON YOUR VIDEO PHONEMAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
ON YOUR VIDEO, VIDEO
IF YOU WANT ME YOU CAN WATCH ME
ON YOUR VIDEO PHONECAN YOU HANDLE IT
CAN YOU HANDLE IT (TELL 'EM B)
CAN YOU HANDLE IT
CAN YOU HANDLE IT
YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
YOU WANNA VIDEO ME (CAN YOU HANDLE IT)
YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
YOU WANNA VIDEO ME (CAN YOU HANDLE IT)
YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
YOU WANNA VIDEO MEYOU KNOW THE G'S THEY BE HOLLERIN'
ESPECIALLY THEM HOT ONES
BROOKLYN, ATLANTA, HOUSTON TO NEW ORLEANS
WHEN THEY SEE ME, THEY BE LIKE YO B, LET ME CALL YOU
YOU BREAKIN' MY FOCUS BOY, YOU CUTE AND YOU BALLIN'YOU LIKE IT WHEN I SHAKE IT
SHORTY ON A MISSION
WHAT YOUR NAME IS
WHAT, YOU WANT ME NAKED
IF YOU LIKIN' THIS POSITION YOU CAN TAPE IT
ON YOUR VIDEO PHONEHUSTLA KEEP ON TALKING
YOU LIKE THE WAY IT'S POPPIN'
YOU'RE SAYIN' THAT YOU WANT ME
PRESS RECORD, BABY FILM ME
ON YOUR VIDEO PHONE
MAKE A CAMEO
TAPE ME ON YOUR VIDEO PHONE
I CAN HANDLE YOU
WATCH ME ON YOUR VIDEO PHONE
I'M YOUR VIDEO, VIDEO
IF YOU WANT ME, YOU CAN WATCH ME ON YOUR VIDEO PHONE
WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT, ANGELA BEYINCE, LADY GAGA
PUBLISHED BY B-DAY PUBLISHING/EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI), EMI APRIL MUSIC, INC. O/B/O ITSELF AND ANGELA BEYINCE MUSIC (ASCAP), STEFANI GERMANOTTA P/K/A LADY GAGA (BMI) / SONY ATV SONGS LLC / HOUSE OF GAGA PUBLISHING, INC. / GLOJOE MUSIC INC. (BMI)PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
RECORDED BY MILES WALKER FOR MILK MONEY ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA. PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
LADY GAGA'S VOCAL RECORDED BY DAVID RUSSELL ASSISTED BY JOSH SHULTZ AT CHUNG KING STUDIOS, NYC
VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
MIXED BY MARK "SPIKE" STENT ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
LADY GAGA APPEARS COURTESY OF STREAMLINE / KON LIVE / CHERRYTREE / INTERSCOPE RECORDS
EXTENDED REMIX EDIT BY BEYONCÉ KNOWLES AND KIM BURSE
EXTENDED REMIX ADDITIONAL INTRO ORCHESTRATION BY SCOTT TIBBS
EXTENDED REMIX BY WILLIAM BURKE AT VYBE CHYLE STUDIOS, ATLANTA, GA
EXTENDED REMIX MASTERED BY EDDIE SCHREYER AT OASIS MASTERING, BURBANK, CA
B'Day (2006)
- Buy Now
-
AY, AY, AY
NOBODY LIKES BEING PLAYED
BEYONCÉ, BEYONCÉ
SHAKIRA, SHAKIRA (HEY)HE SAID I'M WORTH IT, HIS ONE DESIRE
I KNOW THINGS ABOUT 'EM THAT YOU WOULDN'T WANNA READ ABOUT
HE KISSED ME, HIS ONE AND ONLY, (YES) BEAUTIFUL LIAR
TELL ME HOW YOU TOLERATE THE THINGS THAT YOU JUST FOUND OUT ABOUTYOU NEVER KNOW
WHY ARE WE THE ONES WHO SUFFER
I HAVE TO LET GO
HE WON'T BE THE ONE TO CRY(AY) LET'S NOT KILL THE KARMA
(AY) LET'S NOT START A FIGHT
(AY) IT'S NOT WORTH THE DRAMA
FOR A BEAUTIFUL LIAR
CAN'T WE LAUGH ABOUT IT (HA HA HA)
(OH) IT'S NOT WORTH OUR TIME
(OH) WE CAN LIVE WITHOUT 'EM
JUST A BEAUTIFUL LIARI TRUSTED HIM, BUT WHEN I FOLLOWED YOU, I SAW YOU TOGETHER
I DIDN'T KNOW ABOUT YOU THEN 'TILL I SAW YOU WITH HIM AGAIN
I WALKED IN ON YOUR LOVE SCENE, SLOW DANCING
YOU STOLE EVERYTHING, HOW CAN YOU SAY I DID YOU WRONGWE'LL NEVER KNOW
WHEN THE PAIN AND HEARTBREAK'S OVER
I HAVE TO LET GO
THE INNOCENCE IS GONE(AY) LET'S NOT KILL THE KARMA
(AY) LET'S NOT START A FIGHT
(AY) IT'S NOT WORTH THE DRAMA
FOR A BEAUTIFUL LIAR
CAN'T WE LAUGH ABOUT IT (HA HA HA)
(OH) IT'S NOT WORTH OUR TIME
(OH) WE CAN LIVE WITHOUT 'EM
JUST A BEAUTIFUL LIARTELL ME HOW TO FORGIVE YOU
WHEN IT'S ME WHO'S ASHAMED
AND I WISH COULD FREE YOU
OF THE HURT AND THE PAIN
BUT THE ANSWER IS SIMPLE
HE'S THE ONE TO BLAMEBEYONCÉ BEYONCÉ
SHAKIRA SHAKIRA
BEYONCÉ BEYONCÉ
SHAKIRA SHAKIRA
(HEY)(AY) LET'S NOT KILL THE KARMA
(AY) LET'S NOT START A FIGHT
(AY) IT'S NOT WORTH THE DRAMA
FOR A BEAUTIFUL LIAR
CAN'T WE LAUGH ABOUT IT (HA HA HA)
(OH) IT'S NOT WORTH OUR TIME
(OH) WE CAN LIVE WITHOUT 'EM
JUST A BEAUTIFUL LIARWRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, AMANDA GHOST AND IAN DENCH. PUBLISHED BY B'DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED (ASCAP)
PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
A&R BY MAX GOUSSE AND MATHEW KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
ADDITIONAL PRODUCTION BY SHAKIRA FOR LIGHT PRODUCTIONS AND EDUARDO CABRA
ARRANGEMENT BY SHAKIRA AND STARGATE
VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC., RUDY PEREZ, SHAKIRA AND OLGUI CHIRINO
RECORDING ENGINEERS: JIM CARUANA, STARGATE, GUSTAVO CELIS, ROBERTO ALMODOVAR AND JOHN WESTON
ASSISTED BY ROB KINELSKI AND DAVID STEARNS
DIGITAL EDITING (STRINGS): JOHN WESTON
PROGRAMMING: STARGATE, DENAUN PORTER AND VISITANTE
VIOLIN ARRANGEMENT: SHAKIRA AND KAREEM ROUSTOM
ADDITIONAL STRING ARRANGEMENTS: KAREEM ROUSTOM, NASER MUSA
VIOLIN AND VIOLA: HANNA KHOURY
NAY: BOUJEMAA RAZGUI
ARABIC PERCUSSION: OMAR AL MUSFI
OTHER INSTRUMENTS: MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
RECORDED AT SONY MUSIC STUDIOS, NYC; BATTERY STUDIOS, NYC; LA MARIMONDA, NASSAU, BAHAMAS; FUTURA PRODUCTIONS, ROSLINDALE, MA AND THE HIT FACTORY, MIAMI, FL
MIXED BY JEAN-MARIE HORVAT AT CHALICE STUDIOS, LOS ANGELES, CA; OZ RECORDING STUDIOS, LOS ANGELES, CA; GUSTAVO CELIS AT SUPERSONIC STUDIOS, MIAMI, FL
ASSISTED BY COLIN MILLER
MASTERED BY TOM COYNE AT STERLING SOUND, NYC
-
TO THE LEFT, TO THE LEFT
TO THE LEFT, TO THE LEFT
TO THE LEFT, TO THE LEFTEVERYTHING YOU OWN IN THE BOX TO THE LEFT
IN THE CLOSET THAT'S MY STUFF
YES, IF I BOUGHT IT, PLEASE DON'T TOUCH
AND KEEP TALKING THAT MESS THAT'S FINE
BUT COULD YOU WALK AND TALK AT THE SAME TIME
AND, IT'S MY NAME THAT'S ON THAT JAG
SO COME MOVE YOUR BAGS, LET ME CALL YOU A CABSTANDING IN THE FRONT YARD
TELLIN' ME, HOW I'M SUCH A FOOL
TALKIN' 'BOUT, I'LL NEVER EVER FIND A MAN LIKE YOU
YOU GOT ME TWISTEDYOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
I COULD HAVE ANOTHER YOU IN A MINUTE
MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
I CAN HAVE ANOTHER YOU BY TOMORROW
SO DON'T YOU EVER FOR A SECOND GET TO THINKING
YOU'RE IRREPLACEABLESO GO AHEAD AND GET GONE
CALL UP THAT CHICK AND SEE IF SHE'S HOME
OOPS, I BET YOU THOUGHT, THAT I DIDN'T KNOW
WHAT DID YOU THINK I WAS PUTTING YOU OUT FOR
BECAUSE YOU WAS UNTRUE
ROLLIN' HER AROUND IN THE CAR THAT I BOUGHT YOU
BABY DROP THEM KEYS
HURRY UP BEFORE YOUR TAXI LEAVESSTANDING IN THE FRONT YARD
TELLIN' ME, HOW I'M SUCH A FOOL
TALKIN' BOUT, I'LL NEVER EVER FIND A MAN LIKE YOU
YOU GOT ME TWISTEDYOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
I COULD HAVE ANOTHER YOU IN A MINUTE
MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
I CAN HAVE ANOTHER YOU BY TOMORROW
SO DON'T YOU EVER FOR A SECOND GET TO THINKING
YOU'RE IRREPLACEABLESO SINCE I'M NOT YOUR EVERYTHING
HOW ABOUT I'LL BE NOTHING
NOTHING AT ALL TO YOU
BABY I WON'T SHED A TEAR FOR YOU
I WON'T LOSE A WINK OF SLEEP
'CAUSE THE TRUTH OF THE MATTER IS
REPLACING YOU IS SO EASYTO THE LEFT, TO THE LEFT
TO THE LEFT, TO THE LEFT
TO THE LEFT, TO THE LEFT
EVERYTHING YOU OWN IN THE BOX TO THE LEFT
TO THE LEFT, TO THE LEFT
DON'T YOU EVER FOR A SECOND GET TO THINKING
YOU'RE IRREPLACEABLEYOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
I COULD HAVE ANOTHER YOU IN A MINUTE
MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
I CAN HAVE ANOTHER YOU BY TOMORROW
SO DON'T YOU EVER FOR A SECOND GET TO THINKING (BABY)
YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
I COULD HAVE ANOTHER U IN A MINUTE
MATTER OF FACT, HE'LL BE HERE IN A MINUTE
YOU CAN PACK ALL YOUR BAGS
WE'RE FINISHED
'CAUSE YOU MADE YOUR BED
NOW LAY IN IT
I CAN HAVE ANOTHER YOU BY TOMORROW
DON'T YOU EVER FOR A SECOND GET TO THINKING
YOU'RE IRREPLACEABLEWRITTEN BY S. SMITH , BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK
HERMANSEN, E. LIND, A. BJØRKLUND
PUBLISHED BY STELLAR SONGS LTD. ADMIN. BY EMI MUSIC PUBLISHING, BEYONCÉ
PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING, EMI MUSIC PUBLISHING,
SUPERSAYING (BMI)/ZOMBA MUSIC PUBLISHING, ZOMBA MUSIC PUBLISHINGPRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ
KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
CO-PRODUCED BY S. SMITH FOR COMPOUND ENT.RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI
MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AT SONY MUSIC
STUDIOS, NYC
ASSISTED BY STEVE TOLLE
GUITARS: ESPEN LIND
ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN & TOR ERIK HERMANSEN
STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY DRECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC. ASSISTED BY STEVE TOLLE
GUITARS: ESPEN LIND
ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
STARGATE MANAGEMENT: TIM BLACKSMITH AND DANNY D
-
GIVE IT TO MAMA
GIVE IT GIVE IT
GIVE IT TO MAMA MAMA
GIVE IT
GIVE IT TO MAMA MAMAFOR SOME STRANGE REASON (HUH)
YOU DONE PLEASING ME LIKE IT'S OK
LIKE A PERM THAT'S BEEN LEFT TOO LONG
IT'S STARTS TO BURN
THE RESULT IS IT JUST WON'T TAKE
I CAN SEE
NOW IT'S ALL COMING SO CLEAR TO ME NOW
I CAN SEE
MISINTERPRETED ALL OF MY NAIVENESS
WAS JUST THINKING IF I HAD NO YOU
THAN I CAN'T DO
MY STOCK JUST WENT UP OVER 2 MILLIONSO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
GIVE IT TO MAMAGO GO GO GO
GO GO GO GO
GO GO GO GO
GO GO RED LIGHT (AH) GREEN LIGHTSOME SEE ME SAY I SHOULD BE TROPHIED
'CAUSE IT GETS NO STRONGER
LADIES Y'ALL KNOW (YEA GIRL Y'ALL KNOW)
THIS PIMP ISH GETS NO OLDER
IS THAT A THREAT (WHAT'S ANOTHER THREAT)
YEP (THAT'S ANOTHER THREAT)
I'M IMMUNE, YOU CAN'T GET NO COLDER
YOU GOT THE GREEN LIGHT (WHOA)
YOU'RE THE KING, RIGHT (WHOA)
YOU HOLDING UP TRAFFIC
GREEN MEANS GOGO GO GO GO
GO GO GO GO
GO GO GO GO
GO GO RED LIGHT
I SAID YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO
GREEN LIGHTSO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
GIVE IT TO MAMAOH NO PROBLEM, YOU CAN GO
I'M GONNA FIND SOMEBODY ELSE
IT'S ALRIGHT I'LL MOVE ALONG
GREEN LIGHT SO YOU CAN
GO…GO GO GO GO
GO GO GO GO
GO GO GO GO
GO GO RED LIGHT (AH) GREEN LIGHTI GAVE ALL I COULD GIVE
MY LOVE, MY HEART (MY HEART)
NOW WE'RE FACING THE END (THE END) OF WHAT YOU DID FROM THE START
MY LOVEYOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
SO IF YOU WANT TO
YOU GOT THE GREEN LIGHT
GIVE IT TO MAMAOH NO PROBLEM, YOU CAN GO
I'LL GO FIND SOMEBODY ELSE
IT'S ALRIGHT I'LL MOVE ALONG
GREEN LIGHT SO YOU CAN
GO…GO GO GO GO
GO GO GO GO
GO GO GO GO
GO GO RED LIGHT (AH) GREEN LIGHT
WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS AND SEAN GARRETT
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S. DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
ASSISTED BY STEVE TOLLE
-
YOU KNOW I HATE SLEEPIN' ALONE
BUT YOU SAID THAT YOU WOULD SOON BE HOME
BUT BABY THAT WAS ALONG TIME AGO
I'M NOT FEELIN' IT
I'M NOT FEELIN' ITON TOP OF YOU NOT CALLIN ME BACK
YOU SEE, I BET YOU THINK IT'S ALL ON TRACK
AND YOU ACTIN' LIKE ITS ALL OF THAT
I'M NOT FEELIN' IT
I'M NOT FEELIN' ITLET'S GO
LET'S GO LITTLE KITTY KAT
I THINK ITS TIME TO GO
LET'S GO LITTLE KITTY KAT
HE DON'T WANT NO MORE
LET'S GO LITTLE KITTY KAT
QUITE FRANKLY
NO MORE GETTIN' IT
I'M NOT FEELIN ITIT'S LIKE WE AT TWO PLACES, BUT DIFFERENT PACES
WE IN TROUBLE BUT YOU WON'T MEET ME AT THE BRIDGE
IT HURTS, IT, FEELS DESERTED
DID YOU FORGET WHERE YOUR HEART LIVESWHAT ABOUT MY BODY, BODY
YOU DON'T WANT MY BODY, BODY
ACTIN' LIKE YOU DON'T KNOW NOBODY
YOU GON' MAKE ME CALL SOMEBODY
WHAT ABOUT MY BODY, BODY
WHAT ABOUT MY BODY, BODY
YOU WOULD RATHER GO AND PARTY
SOMEHOW, SOMEWHERE, I'LL BE NAUGHTYYOU KNOW I HATE SLEEPIN' ALONE
BUT YOU SAID THAT YOU WOULD SOON BE HOME
BUT BABY THAT WAS A LONG TIME AGO
I'M NOT FEELIN' IT, I'M NOT FEELIN' ITON TOP OF YOU NOT CALLIN' ME BACK
YOU SEE, I BET YOU THINK IT'S ALL ON TRACK
AND YOU ACTIN' LIKE ITS ALL OF THAT
I'M NOT FEELIN' IT, I'M NOT FEELIN' ITLET'S GO
LET'S GO LITTLE KITTY KAT
I THINK ITS TIME TO GO
LET'S GO LITTLE KITTY KAT
HE DON'T WANT NO MORE
LET'S GO LITTLE KITTY KAT
QUITE FRANKLY
NO MORE GETTIN' IT
I'M NOT FEELIN' ITMAKE A LEFT TO COMPASSION
THE LIGHTS REALLY FLASHING
KEEP STRAIGHT, AND YOU'LL SEE THE SIGN RIGHT THERE
AFFECTION, IN THE WRONG DIRECTION
IF I GET CAUGHT, SEE IT JUST SEEMS THAT YOU DON'T CAREWHAT ABOUT MY BODY, BODY
YOU DON'T WANT MY BODY, BODY
ACTIN' LIKE YOU DON'T KNOW NOBODY
YOU GON' MAKE ME CALL SOMEBODY
WHAT ABOUT MY BODY, BODY
WHAT ABOUT MY BODY, BODY
YOU WOULD RATHER GO AND PARTY
SOMEHOW, SOMEWHERE, I'LL BE NAUGHTYYOU KNOW I HATE SLEEPIN' ALONE
BUT YOU SAID THAT YOU WOULD SOON BE HOME
BUT BABY THAT WAS A LONG TIME AGO
I'M NOT FEELIN' IT, I'M NOT FEELIN' ITON TOP OF YOU NOT CALLIN' ME BACK
YOU SEE I BET YOU THINK IT'S ALL ON TRACK
AND YOU ACTIN' LIKE ITS ALL OF THAT
YOUR SEX AIN'T ALL THAT
I'M NOT FEELIN' IT, I'M NOT FEELIN' ITLET'S GO
LET'S GO LITTLE KITTY KAT
I THINK ITS TIME TO GO
LET'S GO LITTLE KITTY KAT
HE DON'T WANT NO MORE
LET'S GO LITTLE KITTY KAT
QUITE FRANKLY
NO MORE GETTIN' IT
I'M NOT FEELIN' ITI'M TAKIN' BACK THE THINGS I GOT FROM YOU, YOU
AND THAT INCLUDES MY SWEET LITTLE NOOKIE TOO, TOO
LET'S GO, LET'S GO, LET'S GO LIL KITTY KAT, (KITTY KAT) HE DON'T WANT YOU ANYMORE (NO)
LET'S GO, LET'S GO, LET'S GO LIL KITTY KAT, (KITTY KAT) HE DON'T WANT YOU ANYMORE (NO)ROCK DIAMONDS ON MY NECK, GOT DIAMONDS ON MY RECORDS
SINCE SIXTEEN, I WAS COMIN' DOWN RIDIN' LEXUS
HOW YOU GONNA NEGLECT THIS, YOU WAS JUST A HOT MESS
YOU CAN CALL TYRONE, YOU AIN'T GOTS TO LIE CRAIGWHAT ABOUT MY BODY, BODY
YOU DON'T WANT MY BODY, BODY
I'M IN THE HOUSE ALL ALONE
YOU'D RATHER GO AND PARTY
WHAT ABOUT MY BODY, BODY
YOU DON'T WANT MY BODY, BODY
ACTIN' LIKE I'M NOBODY
YOU GON' NEED TO CALL SOMEBODYLET'S GO
LET'S GO LITTLE KITTY KAT
I THINK ITS TIME TO GO
LET'S GO LITTLE KITTY KAT
HE DON'T WANT NO MORE
LET'S GO LITTLE KITTY KAT
QUITE FRANKLY
NO MORE GETTIN' IT
I'M NOT FEELIN' IT
WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS, SHAWN CARTER AND MAKEBA
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING/EMI BLACKWOOD MUSIC, INC. (BMI)PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED BY JIM CARUANA AND GEOFF RICE AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
ASSISTED BY STEVE TOLLE
-
IT AIN'T FOR EVERYBODY (UH)
WELCOME TO HOLLYWOOD BABY (TAKE A PICTURE)
UH HUH
YOU'RE COMING WITH (LET'S NOT EVEN TALK ABOUT IT)
LET'S DO IT (LET'S GO)I SEE YOUR JEALOUSY AS YOU'RE WATCHING
YOU'RE WATCHING
IT'S KINDA SEXY TO ME HOW YOU'RE WATCHING
YOU'RE WATCHINGI SEE YOUR FACE (I SEE YOUR FACE)
YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
COME TO MY PLACE (COME TO MY PLACE)
AND LET'S DISCUSS IT (LET'S CHOP IT UP)
TONIGHT YOU'LL BE
A SUPERSTAR
COME LET ME SIGN YOU UPLET'S GET INTO IT
OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
ACTION (YOU NEED THAT)
HOLLYWOOD
OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
SATISFACTION (YOU NEED THAT)
HOLLYWOODYOU GOTSTA TO GET IT
OH OH OH OH
OH OH OH
DO YOU WANT IT
OH OH OH OH
OH OH OH
BUT YOU DON'T NEED IT
OH OH OH OH
OH OH OH
WHAT DO YOU DO
OH OH OH
WHAT DO YOU DO
OH OH OH
HEYI SEE YOUR FACE (I SEE YOUR FACE)
YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
COME TO MY PLACE (COME TO MY PLACE)
AND LET'S DISCUSS IT (LET'S CHOP IT UP)
TONIGHT YOU'LL BE
A SUPERSTAR
COME LET ME SIGN YOU UPOH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
ACTION (YOU NEED THAT)
HOLLYWOOD
OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
SATISFACTION (YOU NEED THAT)
HOLLYWOODCOME ON, COME ON, COME ON
YOU HEAR IT SCREAMING
OH OH OH OH
OH OH OH
CAMERA'S ROLLING
OH OH OH OH
OH OH OH
YOU SO ADDICTIVE
OH OH OH OH
OH OH OH
LIKE HOLLYWOOD (NOTHING LIKE HOLLYWOOD)
OH OH OH OH
OH OH OHAND EVERYBODY'S WARNING YOU ABOUT IT
AND ONCE YOU TASTE IT, YOU CAN'T LIVE WITHOUT IT
NOT 'CAUSE YOU CHOOSE TO NOT LIVE WITHOUT IT
IT'S NOW A PART OF YOU (IT'S NOW A PART OF YOU)
AND EVERYBODY'S WARNING YOU ABOUT IT
AND ONCE YOU TASTE IT, YOU CAN'T LIVEOOH IT'S THE LIGHTS (IT'S THE LIGHTS)
ACTION (ACTION)
HOLLYWOOD (HOLLYWOOD)
OOH IT'S THE LIGHTS (SATISFACTION)
SATISFACTION (SO ADDICTIVE)
(HEY) HOLLYWOODNOW YOU WANNA BE SEEN
MALE GROUPIES
NOW YOU BECOME WHAT YOU ONCE DESPISED
JAMES DEAN
DON BELUSHI
BLOW YOUR WHOLE LIFE
TRYNA LIVE IN THE LIGHTS
HEROIN'S FOLLOWING MARILYN
HOPPIN' OVER THE EDGES
JUST LIKE JANICE JOPLIN
RIVER PHOENIX
JIMI HENDRIX
JAMIE MORRISON
ALL OF THEM ENDED BY
HOLLYWOODI SEE YOUR FACE AND A YOU WANNA TOUCH IT, YEAH
COME TO MY PLACE AND WE CAN DISCUSS ITHOLLYWOOD, WELCOME TO HOLLYWOOD
WRITTEN BY SHAWN CARTER, R. PERRY, S. SMITH AND BEYONCÉ KNOWLES
PUBLISHED BY 2006 CARTER BOYS MUSIC (ASCAP), REGGIE PERRY MUSIC (ASCAP), SUPER SAYIN PUBLISHING (BMI). ADMINISTERED BY ZOMBA MUSIC PUBLISHING, B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAPPRODUCED BY SYIENCE FOR STAYFRESH MUSIC, INC./ROKKWORLD MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED BY GIMEL "YOUNG GURU" KEATON FOR LOREAL INC. AT SONY STUDIOS, NYC
ASSISTED BY JASON AGEL AND LB FOR MUSIC WORLD PRODUCTIONS, INC. AT ROC THE MIC STUDIOS, NYC
MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
MASTERED BY TOM COYNE AT STERLING SOUND, NYC
-
YEAH B
TALK YO' SHIT (PARTNER LET ME UPGRADE, UPGRADE YOU)
HOW YOU GONNA UPGRADE ME
WHAT'S HIGHER THAN NUMBER ONE
YOU KNOW I USED TO BEAT THAT BLOCK
NOW I BE'S THE BLOCKPARTNER LET ME UPGRADE (UPGRADE)
I HEAR YOU BE THE BLOCK
BUT I'M THE LIGHTS THAT KEEP THE STREETS ON
NOTICE YOU THE TYPE THAT LIKE TO KEEP 'EM ON A LEASH THOUGH
I'M KNOWN TO WALK ALONE
BUT I'M ALONE FOR A REASON
SENDING ME A DRINK AIN'T APPEASIN'
BELIEVE ME
COME HARDER, THIS WON'T BE EASY
DON'T DOUBT YOURSELF, TRUST ME YOU NEED ME
THIS AIN'T NO SHOULDER WITH A CHIP OR A EGO
WHAT YOU THINK THEY ALL MAD AT ME FORYOU NEED A REAL WOMAN IN YOUR LIFE
THAT'S A GOOD LOOK
TAKING CARE, HOME IS STILL FLY
THAT'S A GOOD LOOK
I'M-A HELP YOU BUILD UP YOUR ACCOUNT
THAT'S A GOOD LOOK
BETTER YET A HOOD LOOK (BELIEVE ME)
LADIES THAT'S A GOOD LOOK
WHEN YOU IN THEM BIG MEETINGS FOR THE MILLS
TAKE ME JUST TO COMPLIMENT THE DEAL
THAT'S A GOOD LOOK
ANYTHING YOU COP I'LL SPLIT THE BILL
THAT'S A GOOD LOOK
BETTER YET A HOOD LOOK (BELIEVE ME)
LADIES THAT'S A GOOD LOOKPARTNER LET ME UPGRADE YA
AUDEMARS PIGUET YA
SWITCH YOUR NECKTIES TO PURPLE LABELS
UPGRADE YA
I CAN UP, CAN I UP
LET ME UPGRADE YA
PARTNER LET ME UPGRADE YOUPARTNER LET ME UPGRADE YA
FLIP A NEW PAGE
INTRODUCE YOU TO SOME NEW THINGS AND
UPGRADE YA
I CAN UP, CAN I UP
LET ME UPGRADE YA
PARTNER LET ME UPGRADE YOU
I CAN DO FOR YOU WHAT MARTIN DID FOR THE PEOPLE
RAN BY THE MEN, BUT THE WOMEN KEEP THE TEMPO
IT'S VERY SELDOM THAT YOU'RE BLESSED TO FIND YOUR EQUAL
STILL PLAY MY PART AND LET YOU TAKE THE LEAD ROLE, BELIEVE ME
I'LL FOLLOW, THIS COULD BE EASY
I'LL BE THE HELP WHENEVER YOU NEED ME
I SEE YOU ON YOUR HUSTLE, WITH MY HUSTLE I CAN KEEP YOU
FOCUSED ON YOUR FOCUS, I CAN FEED YOUYOU NEED A REAL WOMAN IN YOUR LIFE
THAT'S A GOOD LOOK
TAKING CARE, HOME IS STILL FLY
THAT'S A GOOD LOOK
I CAN HELP YOU BUILD UP YOUR ACCOUNT
THAT'S A GOOD LOOK
BETTER YET A HOOD LOOK
LADIES THAT'S A GOOD LOOK
WHEN YOU IN THE BIG MEETINGS FOR THE MILLS
TAKE ME JUST TO COMPLIMENT THE DEAL
THAT'S A GOOD LOOK
ANYTHING YOU COP, I'LL SPLIT THE BILL
THAT'S A GOOD LOOK
BETTER YET A HOOD LOOK
LADIES THAT'S A GOOD LOOK
BELIEVE ME I CAN UPGRADE YOUPARTNER LET ME UPGRADE YA
AUDEMARS PIGUET
YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
UPGRADE YA
I CAN UP, CAN I UP
LET ME UPGRADE YA
PARTNER LET ME UPGRADE YOUPARTNER LET ME UPGRADE YA
FLIP A NEW PAGE, INTRODUCE YOU TO SOME NEW THINGS AND
UPGRADE YA
I CAN UP, CAN I UP
LET ME UPGRADE YA
PARTNER LET ME UPGRADE YOUI BE'S THE D BOY WHO INFILTRATED ALL THE CORPORATE DUDES
THEY CALL SHOTS, I CALL AUDIBLES
JACOB THE JEWELER BAUBLES
LORRAINE SCHWARTZ SORTA DUDE
IT'S BIG BALLIN' BABY WHEN I'M COURTIN' YOU
I'M TALKIN' SPA BAGS AND FLY PADS AND
ROOMS AT THE BLOOMBERG
AND RUMORS YOU ON THE VERGE OF A NEW MARRIAGE
'CAUSE THAT ROCK ON YA FINGER'S LIKE A TUMOR
YOU CAN'T FIT YA HAND IN YA NEW PURSE
IT'S HUMOROUS TO ME THEY WATCHIN' AND WE JUST YATCHIN'
ISLAND HOPPING OFF THE ALMAFI COAST
MAFIOSO, OH BABY YOU EVER SEEN SATURN
NO, NOT THE CAR BUT EVERYWHERE WE ARE
YOU SURE TO SEE STARS, THIS IS HIGH LEVEL, NOT EYE LEVEL
MY BEZEL, COURTESY OF AUDEMARS
I ORDER YOURS TOMORROW
NOW LOOK AT THE TIME I SAVED YA
MAMA LET ME UPGRADE YA
JUST WHEN YOU THINK YOU HAD IT ALL
BIG ENDS, CONDOS, COLLECTING CARS
PICTURE YOUR LIFE ELEVATED WITH ME
YOU MY PROJECT CELEBRITY
I KEEP YA NAME HOT IN THOSE STREETS
THAT LITTLE GLIMPSE OF LIFE
THAT MAKES THAT DIAMOND REALLY SHINE
AND YOU ALREADY IS A STAR
UNLESS YOU'RE FLAWLESS
THEN YA DYNASTY WITHOUT A CHIEF LIKE MEPARTNER LET ME UPGRADE YA
BOTTOM OF THE PAGE
YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
UPGRADE YA
I CAN UP, CAN I UP
LET ME UPGRADE YA
PARTNER LET ME UPGRADE YOUPARTNER LET ME UPGRADE YA
FLIP A NEW PAGE
INTRODUCE YOU TO SOME NEW THINGS AND
UPGRADE YA
I CAN UP, CAN I UP
LET ME UPGRADE YA
PARTNER LET ME UPGRADE YOUAUDEMARS PIGUET WATCH
DIMPLES IN YA NECK TIE
HERMES BRIEFCASE
CARTIER TOP CLIPS
SILK LINED BLAZERS
DIAMOND CREAMED FACIALS
VVS CUFF LINKS
6 STAR PENT SUITES
PARTNER LET ME UPGRADE YA, GRADE YA
PARTNER, PARTNER LET ME UPGRADE YA, GRADE YA
LET ME, LET ME, LET ME UPGRADE YA, GRADE YA
PARTNER, PARTNER, PARTNER LET ME UPGRADE YA
WRITTEN BY BEYONCÉ KNOWLES, SOLANGE KNOWLES, MK, MAKEBA, SEAN GARRETT, ANGELA BEYINCE, JAY-Z, WILLIE CLARKE AND CLARENCE REID
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SOLANGE MWP PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC/MUSIC WORLD PUBLISHING (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI), JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), CARTER BOYS PUBLISHING (ASCAP) EMI LONGITUDE MUSIC (BMI)PRODUCED BY CAMERON WALLACE FOR BACK BLOCK PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
ADDITIONAL PRODUCTION BY KASSEEM "SWIZZ BEATZ" DEAN FOR SWIZZ BEATZ PRODUCTIONS, INC.RAP PERFORMED BY JAY-Z
RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
ASSISTED BY STEVE TOLLE
CONTAINS SAMPLES FROM THE COMPOSITION "GIRLS CAN'T DO WHAT THE GUYS DO" WRITTEN BY WILLIE CLARKE AND CLARENCE REID
FEATURING SAMPLES FROM THE BETTY WRIGHT RECORDING "GIRLS CAN'T DO WHAT THE GUYS DO (AND STILL BE A LADY)" PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT, A WARNER MUSIC GROUP COMPANY
-
I'M A TRAIN WRECK IN THE MORNING
I'M A BITCH IN THE AFTERNOON
EVERY NOW AND THEN WITHOUT WARNING
I CAN BE REALLY MEAN TOWARDS YOUI'M A PUZZLE YES IN DEED
EVER COMPLEX IN EVERY WAY
AND ALL THE PIECES AREN'T EVEN IN THE BOX
AND YET, YOU SEE THE PICTURE CLEAR AS DAYI DON'T KNOW WHY YOU LOVE ME
AND THAT'S WHY I LOVE YOU
CATCH ME WHEN I FALL
ACCEPT ME FLAWS AND ALL
AND THAT'S WHY I LOVE YOU
AND THAT'S WHY I LOVE YOU
AND THAT'S WHY I LOVE YOUI NEGLECT YOU WHEN I'M WORKING
WHEN I NEED ATTENTION, I TEND TO NAG
I'M A HOST OF IMPERFECTION
AND YOU SEE PAST ALL THAT
I'M A PEASANT BY SOME STANDARDS
BUT IN YOUR EYES, I'M A QUEEN
YOU SEE POTENTIAL IN ALL MY FLAWS
AND THAT'S EXACTLY WHAT I MEANI DON'T KNOW WHY YOU LOVE ME
AND THAT'S WHY I LOVE YOU
YOU CATCH ME WHEN I FALL
ACCEPT ME FLAWS AND ALL
AND THAT'S WHY I LOVE YOU
AND THAT'S WHY I LOVE YOU
AND THAT'S WHY I LOVE YOUI DON'T KNOW WHY YOU LOVE ME
AND THAT'S WHY I LOVE YOU
CATCH ME WHEN I FALL
ACCEPT ME FLAWS AND ALL
AND THAT'S WHY I LOVE YOU
AND THAT'S WHY I LOVE YOU
AND THAT'S WHY I LOVE YOU
WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
DIGITAL PREP ENGINEER: COLIN MILLER
MASTERED BY TOM COYNE AT STERLING SOUND, NYC
-
9 – 4 – 8 – 1
B'DAYMISSION ONE
I'M-A PUT THIS ON
WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)MISSION TWO
GOTTA MAKE THAT CALL
TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)MISSION THREE
GOT MY THREE BEST FRIENDS
LIKE WE DO IT ALL THE TIME, WE GON' DO IT AGAIN (HEY)MISSION FOUR
GOT THE VINTAGE ROLLS
DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOORI AIN'T WORRIED DOING ME TONIGHT
A LITTLE SWEAT AIN'T NEVER HURT NOBODY
WHILE Y'ALL STANDIN' ON THE WALL
I'M THE ONE TONIGHT
GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
WANT MY BODY
WON'T YOU GET ME BODIED
YOU WANT MY BODY
WON'T YOU GET ME BODIED (HEY)CAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
CAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
WON'T YOU SING MY BODY
I WANT TO LET IT OUT TONIGHT
WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHTMISSION FIVE
SKIP TO THE FRONT OF THE LINE
LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)MISSION SIX
GOTTA CHECK THESE CHICKS
'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)MISSION SEVEN
GOTTA MAKE MY ROUNDS
GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
MISSION EIGHT
NOW WE CONVERSATIN'
WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)I AIN'T WORRIED DOING ME TONIGHT
A LITTLE SWEAT AIN'T NEVER HURT NOBODY
WHILE Y'ALL STANDIN' ON THE WALL
I'M THE ONE TONIGHT
GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
WANT MY BODY
WON'T YOU GET ME BODIED
YOU WANT MY BODY
WON'T YOU GET ME BODIED (HEY)YOU SHOULD SEE MY BODY
I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
I WANNA LET IT OUT TONIGHT
WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHTCAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
CAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
WON'T YOU SING MY BODY
I WANT TO LET IT OUT TONIGHT
WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHTBABY ALL I WANT IS TO LET IT GO
AIN'T NO WORRIES, OH
WE CAN DANCE ALL NIGHT
GET ME BODIED
THAT MEANS COME CLOSER TO ME
WHILE WE GRIND TO THE BEAT
AND YOUR BODY'S TOUCHING MY BODY
ALL I NEED IS TO LET IT BE
AIN'T NO WORRY, NO
BOY DANCE WITH ME
FEEL MY BODY
STOP JUST COME CLOSER TO ME
WHILE WE GRIND TO THE BEAT
WITH YOUR BODY TOUCHING MY BODYGETTIN' BODIED
AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
I SWING MY HAIR, KICK OFF MY SHOES
COME HER BOY LET ME WORK ON YOUI AIN'T WORRIED DOING ME TONIGHT
A LITTLE SWEAT AIN'T NEVER HURT NOBODY
WHILE Y'ALL STANDIN' ON THE WALL
I'M THE ONE TONIGHT
GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
WANT MY BODY
WON'T YOU GET ME BODIED
YOU WANT MY BODY
WON'T YOU GET ME BODIED (HEY)LADIES ON THE FLOOR, ALL MY LADIES ON THE FLOOR
IF YOU READY, GET IT READY
LETS GET IT AND DROP IT
DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
DO THE UH OH, DO THE UH OH, DO THE UH OH UH OH UH OH OH NO NO
UH OH DO THE UH OH DO THE UH OH UH OH UH OH OH NO NO
PAT YOUR WEAVES LADIES
PAT PAT PAT YOUR WEAVES LADIES
WATCH IT WHILE HE CHECK UP ON IT
PAT YOUR WEAVES LADIES
PAT PAT YOUR WEAVES LADIES
WATCH IT WHILE HE CHECK UP ON IT
TICK TICK TICK TICK FIGHT
NOW TICK TICK TICK TICK TICK TICK FIGHT
NOW TICK TICK TICK TICK FIGHT
NOW TICK TICK TICK TICK TICK TICK FIGHT
NOW POSE FOR THE CAMERA NOW, FLICK FLICK
POSE FOR THE CAMERA NOW, FLICK FLICK
POSE FOR THE CAMERA NOW FLICK FLICK
POSE FOR THE CAMERA NOW FLICK FLICK
DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, DO AN OLD SCHOOL
DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, GET OLD SCHOOL
STOP NOW, COOL OFF, COOL OFF, COOL OFF, COOL OFF
DROP AND COOL OFF, COOL OFF, COOL OFF, COOL OFF
WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
DROP DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
SHAKE YA DERRIERE IN THEM DERÉON'S
SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
SHAKE YA DERRIERE IN THEM DERÉON'S
SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
SNAP FOR THE KIDS, SNAP FOR THE KIDS
SNAP IN A CIRCLE THREE TIMES
SNAP FOR THE KIDS, SNAP FOR THE KIDS
SNAP IN A CIRCLE THREE TIMES
I TOUCH YA BODY, WHILE YA TOUCH MY BODY
WE TOUCHIN' BODIES TONIGHT
WE GETTIN' BODIED
I TOUCH YA BODY, WHILE YA TOUCH MY BODY
WE TOUCHIN' BODIES TONIGHT
WE GETTIN' BODIED
GETTIN' BODIED (GETTIN' BODIED)
GETTIN' BODIED (GETTIN' BODIED)
GETTIN' BODIED (I'M THE ONLY ONE TONIGHT)
GETTIN' BODIED (GETTIN' BODIED)
WANT MY BODY (GET ME BODY)
WON'T YA GET ME BODY (GET ME BODY)
YOU WANT MY BODY (I'M THE ONLY ONE TONIGHT)
WON'T YA GET ME BODIED (GET ME BODIED)
HEYWRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
DIGITAL PREP ENGINEER: COLIN MILLER
MASTERED BY TOM COYNE AT STERLING SOUND, NYC
-
TO BE OR NOT TO BE
NOT
HOLD UP
BRING THE BEAT BACK
STOP, I AIN'T READY YET
WAIT, LET ME FIX MY HAIR (YES, YES)
YES MA'AM (YES MA'AM)
YESI THINK I'M READY
BEEN LOCKED UP IN THE HOUSE WAY TOO LONG
IT'S TIME TO GET IT
'CAUSE ONCE AGAIN HE'S OUT DOING WRONG
AND MY GIRLS ARE SO REAL
SAID IT'S BEEN A MINUTE SINCE I HAD SOME
HE'S BEEN ACTIN' UP
BUT HE WON'T BE THE ONLY ONE'CAUSE WHEN THEY ACT WRONG
THAT'S WHEN YOU PUT IT ON
GET 'EM UPTIGHT, THIS IS YOUR SONG
POKE OUT YA BACK, TIME TO IMPRESS
PULL OUT YOUR FREAKUM DRESSPUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ONEVERY WOMAN GOT ONE
SHUT IT DOWN WHEN THE TIME COMES
SO PULL OUT THE BIG GUNS
AND PUT YOUR FREAKUM DRESS ONSOON AS HE SAW ME
TURNED ON BY HOW THE DRESS WAS FITTIN' RIGHT
SHORT AND BACKLESS (BACKLESS)
SEE MY SILHOUETTE IN THE MOONLIGHT
SUCH AN ATTRACTION
KEEP TELLING ME HOW MY OUTFIT'S SO NICE
LITTLE DID HE KNOW
MY MAN GON' TAKE IT OFF TONIGHT'CAUSE WHEN THEY ACT WRONG
THAT'S WHEN YOU PUT IT ON
GET 'EM UPTIGHT, THIS IS YOUR SONG
POKE OUT YA BACK, TIME TO IMPRESS
PULL OUT YOUR FREAKUM DRESSPUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ONEVERY WOMAN GOT ONE
SHUT IT DOWN WHEN THE TIME COMES
SO PULL OUT THE BIG GUNS
AND PUT YOUR FREAKUM DRESS ONALL THE LADIES
YOUR WEAVES DID
ALL DRESSED UP IN YOUR DRESSES
AND YOUR BESTEST FOR NO REASON
GET READY TO FREAKUM FREAKUMBEFORE YOU PUT IT ON, IT'S AN INVITATION
WHEN I PLAY A SONG, GET ON UP AND SHAKE IT
POKIN' OUT YOUR BACK, YOU DON'T HAVE TO WASTE IT
SPINNIN' ALL AROUND, THEN TAKE IT TO THE GROUND AND…
(2X)'CAUSE WHEN THEY ACT WRONG
THAT'S WHEN YOU PUT IT ON
GET 'EM UPTIGHT, THIS IS YOUR SONG
POKE OUT YA BACK, TIME TO IMPRESS
PULL OUT YOUR FREAKUM DRESSPUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ON
PUT YOUR FREAKUM DRESS ONEVERY WOMAN GOT ONE
SHUT IT DOWN WHEN THE TIME COMES
SO PULL OUT THE BIG GUNS
AND PUT YOUR FREAKUM DRESS ONLADIES LOOK IT HERE
WHEN YOU BEEN WITH YOUR MAN FOR A LONG TIME
EVERY NOW AND THEN YOU GOTTA GO BACK IN THE CLOSET AND PULL OUT THAT FREAKUM DRESSI GOT MY FREAKUM DRESS ON
I GOT MY FREAKUM DRESS ON
I GOT MY FREAKUM DRESS ON
I GOT MY FREAKUM DRESS ONWRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE AND MAKEBA
PUBLISHED BY B-DAY PUBLISHING/WMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI)PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI AND JAMIE ROSENBERG AT GREAT DIVIDE STUDIOS, ASPEN, CO
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NYC
ASSISTED BY STEVE TOLLE
-
DAMN THAT WAS SO GOOD
I WANNA BUY HIM A SHORT SETI'M-A BE LIKE A JOLLY RANCHER
THAT YOU GET FROM THE CORNER STORE
OR I'M-A BE LIKE A WAFFLE CONE
THAT'S DRIPPIN' DOWN TO THE FLOOR
THE WAY YOU DO IT FOR ME, I CAN'T LIE (LIE)
'BOUT TO BE UP IN THE MALL ALL NIGHT (YES)
WHATEVER I GET, YA PUTTIN' IT ON (YES)
DON'T GIVE ME NO LIP, LET MAMA DO IT ALLLET ME BE, I WANTS TO BE, GOTSTA BE
YOUR SUGA, GIVE MAMA SOME SUGA MAMA
SUGA MA, MA, MA, MA
I'M YOUR (SUGA MAMA) SUGA MAMALET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
NEW WHIP, NEW HEAVY ON THE WRIST
'CAUSE IM-A…
SUGA MA, MA, MA, MA
I'M YOUR, SUGA MAMA (SUGA MAMA)HEY, HEY, SIT ON MAMA LAP
HEY, HEY, COME SIT ON MAMA LAP
HEY, COME SIT ON MAMA LAP
HEY, HEY, COME SIT ON MAMA LAPIT'S SO GOOD TO THE POINT THAT I'D DO ANYTHING TO KEEP YOU HOME
BABY WHAT YOU WANT ME TO BUY
MY ACCOUNTANT'S WAITING ON THE PHONE (ON THE PHONE)
JUST THE THOUGHT OF MAKIN' LOVE TO YOU (YOU)
DROPPIN' EVERYTHING, THAT'S WHAT I'LL DO (I'LL DO)
WHATEVER I GET, YA PUTTING IT ON (BOY)
NOW TAKE IT OFF, WHILE I WATCH YOU PERFORMLET ME BE, I WANTS TO BE, GOTSTA BE
YOUR SUGA, GIVE MAMA SOME SUGA MAMA
SUGA MA, MA, MA, MA
I'M YOUR (SUGA MAMA) SUGA MAMALET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
NEW WHIP, NEW HEAVY ON THE WRIST
'CAUSE IM-A…
SUGA MA, MA, MA, MA
I'M YOUR, SUGA MAMA (SUGA MAMA)SIT ON MAMA LAP
HEY, HEY, COME SIT ON MAMA LAP
HEY, COME SIT ON MAMA LAP
HEY, HEY, COME SIT ON MAMA LAPAND I, ALWAYS BEEN THE TYPE TO TAKE CARE OF MINE
I KNOW JUST WHAT I'M DOING
DON'T YOU WORRY IT'S COOL AND EVERYTHING IS STEADY
CLAIMED YOU ON MY TAXES ALREADY, YEAH YEAH YEAH
I PROMISE I WON'T LET NO BILLS GET BEHIND
'CAUSE EVERY TOUCH, EVERY KISS, AND HUG
BEST BELIEVE IT'LL BE ON TIME
SUGA MAMALET ME BE, I WANTS TO BE, GOTSTA BE
YOUR SUGA, GIVE MAMA SOME SUGA MAMA
SUGA MA, MA, MA, MA
I'M YOUR (SUGA MAMA) SUGA MAMALET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
NEW WHIP, NEW HEAVY ON THE WRIST
'CAUSE IM-A…
SUGA MA, MA, MA, MA
I'M YOUR, SUGA MAMA (SUGA MAMA)SIT ON MAMA LAP
HEY, HEY, COME SIT ON MAMA LAP
HEY, COME SIT ON MAMA LAP
HEY, HEY, COME SIT ON MAMA LAP
(2X)WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, MAKEBA AND CHUCK MIDDLETON
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI)/MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), MUTT MUSIC (BMI)PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NY C
ASSISTED BY STEVE TOLLE
CONTAINS EXCERPTS FROM "SEARCHING FOR SOUL" WRITTEN BY CHUCK MIDDLETON, PUBLISHED BY MUTT MUSIC (BMI) AND RECORDED BY J. WADE AND THE SOUL SEARCHERS. COURTESY OF UBIQUITY RECORDS. USED BY PERMISSION.
-
BASS (UGH)
HIGH HAT (UGH)
808 (UGH)
JAY (AH HA … READY … AH HA …)
LET'S GO GET 'EM (AH HA … C'MON)I USE TO RUN BASS BY LIKE JUAN PIERRE
BUT NOW I RUN THE BASS, HIGH HAT AND THE SNARE
I USE TO BAG GIRLS LIKE BIRKIN BAGS
NOW I BAG B (BOY YOU HURTIN' THAT)
BROOKLYN BE WHERE THEY BIRTH ME AT
NOW I BE EVERYWHERE – THE NERVE OF RAP
THE AUDACITY TO HAVE ME WITH THEM CURTAINS BACK
ME AND B, SHE ABOUT TO STEAM, STAND BACKBABY
SEEMS LIKE EVERYWHERE I GO, I SEE YOU
FROM YOUR EYES I SMILE, IT'S LIKE I BREATHE YOU
HELPLESSLY I REMINISCE, DON'T WANT TO
COMPARE NOBODY TO YOUBOY I TRY TO CATCH MYSELF
BUT I'M OUTTA CONTROL
YOUR SEXINESS IS SO APPEALING
I CAN'T LET IT GOYOU KNOW THAT I CAN'T GET OVER YOU
'CAUSE EVERYTHING I SEE IS YOU
AND I DON'T WANT NO SUBSTITUTE
BABY I SWEAR IT'S DEJA VUYOU KNOW THAT I CAN'T GET OVER YOU
'CAUSE EVERYTHING I SEE IS YOU
AND I DON'T WANT NO SUBSTITUTE
BABY I SWEAR IT'S DEJA VUI'M SEEING
THINGS THAT I KNOW CAN'T BE
AM I DREAMING
WHEN I SAW YOU WALKING PAST ME
ALMOST CALLED YOUR NAME
GOT A BETTER GLIMPSE AND THEN I LOOKED AWAY
IT'S LIKE I'M LOSING ITBOY I TRY TO CATCH MYSELF
BUT I'M OUTTA CONTROL
YOUR SEXINESS IS SO APPEALING
I CAN'T LET IT GOYOU KNOW THAT I CAN'T GET OVER YOU
'CAUSE EVERYTHING I SEE IS YOU
AND I DON'T WANT NO SUBSTITUTE
BABY I SWEAR IT'S DEJA VUYOU KNOW THAT I CAN'T GET OVER YOU
'CAUSE EVERYTHING I SEE IS YOU
AND I DON'T WANT NO SUBSTITUTE
BABY I SWEAR IT'S DEJA VUYES
HOVA'S FLOW
SO UNUSUAL
BABY GIRL YOU SHOULD ALREADY KNOW
IT'S H – O
LIGHT UP THE DRO
'CAUSE YOU GONNA NEED HELP TRYNA STUDY MY
BOUNCE
FLOW BLOW
WHAT THE DIFFERENCE
ONE YOU TAKE IN VEIN
WHILE THE OTHER YOU SNIFFIN'
IT'S STILL DOPE
PO-PO TYRNA CONVICT 'EM
THAT A NO-GO
MY DOUGH KEEPS THE SCALES TIPPIN'
LIKE 4 4'S
LIKE I'M FROM THE H-O-U-S-T-O-N
BLOW – WIND – SO CHICAGO OF HIM
IS HE THE BEST EVER
THAT THE ARGU-A-MENT
I DON'T MAKE THE LIST
DON'T BE MAD AT ME
I JUST MAKE THE HITS LIKE A FACTORY
I'M JUST ONE TO ONE
NOTHIN' AFTER ME
NO DEJA VU
JUST ME AND MY (OHH)BABY I CAN'T GO ANYWHERE
WITHOUT THINKING THAT YOU'RE THERE
SEEMS LIKE YOUR EVERYWHERE IT'S TRUE
GOTTA BE HAVING DEJA VU
'CAUSE IN MY MIND, I WANT YOU HERE
GET ON THE NEXT PLANE, I DON'T CARE
IS IT BECAUSE I'M MISSING YOU
THAT I'M HAVING DEJA VUBOY I TRY TO CATCH MYSELF
BUT I'M OUTTA CONTROL
YOUR SEXINESS IS SO APPEALING
I CAN'T LET IT GOYOU KNOW THAT I CAN'T GET OVER YOU
'CAUSE EVERYTHING I SEE IS YOU
AND I DON'T WANT NO SUBSTITUTE
BABY I SWEAR IT'S DEJA VU
(3X)
WRITTEN BY BEYONCÉ KNOWLES, RODNEY JERKINS, DELISHA THOMAS, MAKEBA, KELI NICOLE PRICE AND SHAWN CARTER
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/EMI BLACKWOOD MUSIC, INC. (BMI)/23000 MUSIC PUBLISHING (SOCAN/BMI), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC (BMI), PRICE TAG (SESAC). ADMINISTERED BY INTERNATIONAL MUSIC PUBLISHING (SESAC), EMI APRIL MUSIC, INC. (ASCAP)/CARTER BOYS PUBLISHINGPRODUCED BY RODNEY "DARKCHILD" JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. ASSISTED BY JON JON
RECORDED BY JEFF VILLANUEVA AND JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI AND JUN ISHIZEKI AT THE RECORD PLANT, LOS ANGELES, CA
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT, RODNEY JERKINS AND BEYONCÉ KNOWLES AT SONY MUSIC STUDIOS
ALL MUSIC BY RODNEY "DARKCHILD" JERKINS
RAP PERFORMED BY JAY-Z
BASS: JON JON
HORNS ARRANGED BY RODNEY "DARKCHILD" JERKINS
HORNS BY RONALD JUDGE, ALLEN "AL GEEZ" ARTHUR AND AARON "GOODY" GOODE
-
RING THE ALARM
I BEEN THROUGH THIS TOO LONG
BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
WON'T YOU RING THE ALARM
I BEEN THROUGH THIS TOO LONG
BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARMSHE GON' BE ROCKIN' CHINCHILLA COATS
IF I LET YOU GO
PENT IN THE HOUSE OFF THE COAST
IF I LET YOU GO
SHE GON' TAKE EVERYTHING I OWN
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GOSHE GON' ROCK THEM VVS STONES
IF I LET YOU GO
COUPED IN THE 'BACH OR THE ROLLS
IF I LET YOU GO
SHE GON' PROFIT EVERYTHING I TAUGHT
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GOTELL ME HOW SHOULD I FEEL
WHEN I KNOW WHAT I KNOW
AND MY FEMALE INTUITION
TELLING ME YOU A DOG
PEOPLE TOLD ME 'BOUT THE FLAMES
I COULDN'T SEE THROUGH THE SMOKE
WHEN I NEED ANSWERS, ACCUSATIONS
WHAT YOU MEAN YOU GON' CHOKEYOU CAN'T STAY, YOU GOTTA GO
AIN'T NO OTHER CHICKS SPENDING YOUR DOUGH
THIS IS TAKING A TOLL, THE WAY THE STORY UNFOLDS
NOT THE PICTURE PERFECT MOVIE EVERYONE WOULD'VE SAWSHE GON' BE ROCKIN' CHINCHILLA COATS
IF I LET YOU GO
PENT IN THE HOUSE OFF THE COAST
IF I LET YOU GO
SHE GON' TAKE EVERYTHING I OWN
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GOSHE GON' ROCK THEM VVS STONES
IF I LET YOU GO
COUPED IN THE 'BACH OR THE ROLLS
IF I LET YOU GO
SHE GON' PROFIT EVERYTHING I TAUGHT
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GORING THE ALARM
I BEEN THROUGH THIS TOO LONG
BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
WON'T YOU RING THE ALARM
I BEEN THROUGH THIS TOO LONG
BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARMTELL ME HOW SHOULD I FEEL
WHEN YOU MADE ME BELONG
AND THE THOUGHT OF YOU JUST TOUCHING HER
IS WHAT I HATE MOST
I DON'T WANT YOU BUT I WANT IT
AND I CAN'T LET IT GO
TO KNOW YOU GIVE IT TO HER LIKE YOU GAVE IT TO ME, COME ONHE'S SO ARROGANT AND BOLD (OH)
SHE GON' LOVE THAT SHIT, I KNOW
I DONE PUT IN A CALL, TIME TO RING THE ALARM
'CAUSE YOU AIN'T NEVER SEEN A FIRE LIKE THE ONE I'M-A 'CAUSESHE GON' BE ROCKIN' CHINCHILLA COATS
IF I LET YOU GO
PENT IN THE HOUSE OFF THE COAST
IF I LET YOU GO
SHE GON' TAKE EVERYTHING I OWN
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GOSHE GON' ROCK THEM VVS STONES
IF I LET YOU GO
COUPED IN THE 'BACH OR THE ROLLS
IF I LET YOU GO
SHE GON' PROFIT EVERYTHING I TAUGHT
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GOHOW CAN YOU LOOK AT ME
AND NOT SEE ALL THE THINGS THAT I KEPT ONLY JUST FOR YOU
WHY WOULD YOU RISK IT BABY
IS THAT THE PRICE THAT I PAY
BUT THIS IS MY SHOW AND I WON'T LET YOU GO
ALL HAS BEEN PAID FOR, AND IT'S MINE
HOW COULD YOU LOOK AT ME
AND NOT SEE ALL THE THINGS (SEE ALL THE THINGS)SHE GON' BE ROCKIN' CHINCHILLA COATS
IF I LET YOU GO
PENT IN THE HOUSE OFF THE COAST
IF I LET YOU GO
SHE GON' TAKE EVERYTHING I OWN
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GOSHE GON' ROCK THEM VVS STONES
IF I LET YOU GO
COUPED IN THE 'BACH OR THE ROLLS
IF I LET YOU GO
SHE GON' PROFIT EVERYTHING I TAUGHT
IF I LET YOU GO
I CAN'T LET YOU GO
DAMN, IF I LET YOU GO
WRITTEN BY BEYONCÉ KNOWLES, KASSEEM "SWISS BEATZ" DEAN AND SEAN GARRETT
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM
RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS AT SONY MUSIC STUDIOS, NYC
ASSISTED BY STEVE TOLLE
-
I WISH I COULD BELIEVE YOU
THEN I'LL BE ALRIGHT
BUT NOW EVERYTHING YOU TOLD ME
REALLY DON'T APPLY
TO THE WAY I FEEL INSIDE
LOVING YOU WAS EASY
ONCE UPON A TIME
BUT NOW MY SUSPICIONS OF YOU
HAVE MULTIPLIED
AND IT'S ALL BECAUSE YOU LIEDI ONLY GIVE YOU A HARD TIME
'CAUSE I CAN'T GO ON AND PRETEND LIKE
I HAVEN'T TRIED TO FORGIVE THIS
BUT I'M MUCH TOO FULL OF RESENTMENT
JUST CAN'T SEEM TO GET OVER
THE WAY YOU HURT ME
DON'T KNOW HOW YOU GAVE ANOTHER
WHO DIDN'T MEAN A THING, NO
THE VERY THING YOU GAVE TO MEI THOUGHT I COULD FORGIVE YOU
AND I KNOW YOU'VE CHANGED
AS MUCH AS I WANNA TRUST YOU
I KNOW IT AIN'T THE SAME
AND IT'S ALL BECAUSE YOU LIEDI ONLY GIVE YOU A HARD TIME
'CAUSE I CAN'T GO ON AND PRETEND LIKE
I HAVEN'T TRIED TO FORGIVE THIS
BUT I'M MUCH TOO FULL OF RESENTMENTI MAY NEVER UNDERSTAND WHY
I'M DOING THE BEST THAT I CAN
I TRIED AND I TRIED TO FORGIVE THIS
BUT I'M MUCH TOO FULL OF RESENTMENTI ALWAYS REMEMBER FEELIN'
LIKE I WAS NO GOOD
LIKE I COULDN'T DO IT FOR YOU
LIKE YOUR MISTRESS COULD
AND IT'S ALL BECAUSE YOU LIEDLOVED YOU MORE THAN EVER
MORE THAN MY OWN LIFE
THE BEST PART OF ME I GAVE YOU
IT WAS SACRIFICED
AND IT'S ALL BECAUSE YOU LIEDI ONLY GIVE YOU A HARD TIME
'CAUSE I CAN'T GO ON AND PRETEND LIKE
I TRIED AND I TRIED TO FORGIVE THIS
BUT I'M MUCH TOO DAMN FULL OF RESENTMENTI KNOW SHE WAS ATTRACTIVE
BUT I WAS HERE FIRST
BEEN RIDING WITH YOU FOR 6 YEARS
WHY DID I DESERVE
TO BE TREATED THIS WAY BY YOU
I KNOW YOU'RE PROBABLY THINKING
WHAT'S UP WITH B
I'VE BEEN CRYING FOR TOO LONG
WHAT DID YOU DO TO ME
I USED TO BE SO STRONG
NOW YOU TOOK MY SOUL
I'M CRYING
CAN'T STOP CRYING
CAN'T STOP CRYING
YOU COULD'VE TOLD ME
YOU WASN'T HAPPY
I KNOW YOU DIDN'T WANT TO HURT ME
LOOK AT WHAT YOU'VE DONE TO ME NOW
I GOTTA LOOK AT HER IN HER EYES
AND SEE SHE'S HAD HALF OF ME
YOU LIED
HOW COULD YOU LIE
YOU LIEDWRITTEN BY BEYONCÉ KNOWLES, WALTER W. MILLSAP III, CANDICE C. NELSON AND C. MAYFIELD
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), CONJUNCTION MUSIC/EMI APRIL MUSIC, INC. (ASCAP), UNIVERSAL MUSIC CORP. (ASCAP) ON BEHALF OF BOOTLEGGERS STOP (ASCAP)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI), ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI)PRODUCED BY WALTER "LIL WALT" MILLSAP III FOR CONJUNCTION PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
CO-PRODUCED BY CANDICE "G.G" NELSON FOR CONJUNCTION PRODUCTIONS, LLC
VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.ALL MUSIC BY WALTER "LIL WALT" MILLSAP III AND CANDICE "G.G" NELSON FOR CONJUNCTION PRODUCTIONS, LLC
RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI AND DAVE "D-LO" LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
PRO TOOLS EDITING BY DAVE "D-LO" LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
ASSISTED BY STEVE TOLLE
CONTAINS ELEMENTS OF "THINK" (C. MAYFIELD) WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI). ALL RIGHTS RESERVED.
-
LISTEN TO THE SONG HERE IN MY HEART
A MELODY I START BUT CAN'T COMPLETELISTEN, TO THE SOUND FROM DEEP WITHIN
IT'S ONLY BEGINNING
TO FIND RELEASEOH, THE TIME HAS COME
FOR MY DREAMS TO BE HEARD
THEY WILL NOT BE PUSHED ASIDE AND TURNED
INTO YOUR OWN
ALL CAUSE YOU WON'T
LISTENLISTEN, I AM ALONE AT A CROSSROADS
I'M NOT AT HOME, IN MY OWN HOME
AND I'VE TRIED AND TRIED
TO SAY WHAT'S ON MY MIND
YOU SHOULD HAVE KNOWNOH, NOW I'M DONE BELIEVING YOU
YOU DON'T KNOW WHAT I'M FEELING
I'M MORE THAN WHAT YOU MADE OF ME
I FOLLOWED THE VOICE YOU GAVE TO ME
BUT NOW I GOTTA FIND MY OWNYOU SHOULD HAVE LISTENED
THERE IS SOMEONE HERE INSIDE
SOMEONE I'D THOUGHT HAD DIED
SO LONG AGOOH, I'M SCREAMING OUT, AND MY DREAMS WILL BE HEARD
THEY WILL NOT BE PUSHED ASIDE ON WORDS
INTO YOUR OWN
ALL CAUSE YOU WON'T
LISTENLISTEN, I AM ALONE AT A CROSSROADS
I'M NOT AT HOME, IN MY OWN HOME
AND I'VE TRIED AND TRIED
TO SAY WHAT'S ON MY MIND
YOU SHOULD HAVE KNOWNOH, NOW I'M DONE BELIEVING YOU
YOU DON'T KNOW WHAT I'M FEELING
I'M MORE THAN WHAT YOU MADE OF ME
I FOLLOWED THE VOICE YOU GAVE TO ME
BUT NOW I GOTTA FIND MY OWNI DON'T KNOW WHERE I BELONG
BUT I'LL BE MOVING ON
IF YOU DON'T
IF YOU WON'TLISTEN TO THE SONG HERE IN MY HEART
A MELODY I START
BUT I WILL COMPLETEOH, NOW I'M DONE BELIEVING YOU
YOU DON'T KNOW WHAT I'M FEELING
I'M MORE THAN WHAT YOU'VE MADE OF ME
I FOLLOWED THE VOICE YOU THINK YOU GAVE TO ME
BUT NOW I GOTTA FIND MY OWN
MY OWNWRITTEN BY BEYONCÉ KNOWLES, HENRY KRIEGER, SCOTT CUTLER AND ANNIE PREVEN
PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), MIROKU MUSIC (ASCAP), SCOTTA ROCK MUSIC (ASCAP). ADMIN. BY KOBALT, SHIGSHAG MUSIC (BMI) ADMIN. BY KOBALT, SKG SONGS (ASCAP) AND SONGS OF SKG (BMI)PRODUCED BY THE UNDERDOGS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
ALL VOCALS PRODUCED BY RUDY PEREZ
SPANISH LYRICS WRITTEN BY RUDY PEREZ
BACKGROUND VOCALS: JASMIN CRUZ AND RUDY PEREZ
LEAD VOCAL ENGINEER: ANDRES BERMUDEZ AND JIM CARUANA
ASSISTED BY ROB KINELSKI, GEOFFREY RICE AND STEVE TOLLE
RECORDED AT SONY MUSIC STUDIOS, NYC AND THE BEACH HOUSE STUDIOS, MIAMI BEACH, FL
BACKGROUND VOCAL ENGINEER: ANDRES BERMUDEZ
ASSISTANT ENGINEER: DAVID LOPEZ
PRO TOOLS ENGINEER/EDITING: CLAY PERRY
MIXED BY BRUCE WEEDEN
MASTERED BY TOM COYNE AT STERLING SOUND, NYC
-
9 – 4 – 8 – 1
B'DAYMISSION ONE
I'M-A PUT THIS ON
WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)MISSION TWO
GOTTA MAKE THAT CALL
TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)MISSION THREE
GOT MY THREE BEST FRIENDS
LIKE WE DO IT ALL THE TIME, WE GON' DO IT AGAIN (HEY)MISSION FOUR
GOT THE VINTAGE ROLLS
DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOORI AIN'T WORRIED DOING ME TONIGHT
A LITTLE SWEAT AIN'T NEVER HURT NOBODY
WHILE Y'ALL STANDIN' ON THE WALL
I'M THE ONE TONIGHT
GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
WANT MY BODY
WON'T YOU GET ME BODIED
YOU WANT MY BODY
WON'T YOU GET ME BODIED (HEY)CAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
CAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
WON'T YOU SING MY BODY
I WANT TO LET IT OUT TONIGHT
WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHTMISSION FIVE
SKIP TO THE FRONT OF THE LINE
LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)MISSION SIX
GOTTA CHECK THESE CHICKS
'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)MISSION SEVEN
GOTTA MAKE MY ROUNDS
GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
MISSION EIGHT
NOW WE CONVERSATIN'
WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)I AIN'T WORRIED DOING ME TONIGHT
A LITTLE SWEAT AIN'T NEVER HURT NOBODY
WHILE Y'ALL STANDIN' ON THE WALL
I'M THE ONE TONIGHT
GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
WANT MY BODY
WON'T YOU GET ME BODIED
YOU WANT MY BODY
WON'T YOU GET ME BODIED (HEY)YOU SHOULD SEE MY BODY
I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
I WANNA LET IT OUT TONIGHT
WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHTCAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
CAN YOU GET ME BODIED
I WANNA BE MYSELF TONIGHT
WON'T YOU SING MY BODY
I WANT TO LET IT OUT TONIGHT
WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHTBABY ALL I WANT IS TO LET IT GO
AIN'T NO WORRIES, OH
WE CAN DANCE ALL NIGHT
GET ME BODIED
THAT MEANS COME CLOSER TO ME
WHILE WE GRIND TO THE BEAT
AND YOUR BODY'S TOUCHING MY BODY
ALL I NEED IS TO LET IT BE
AIN'T NO WORRY, NO
BOY DANCE WITH ME
FEEL MY BODY
STOP JUST COME CLOSER TO ME
WHILE WE GRIND TO THE BEAT
WITH YOUR BODY TOUCHING MY BODYGETTIN' BODIED
AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
I SWING MY HAIR, KICK OFF MY SHOES
COME HER BOY LET ME WORK ON YOUI AIN'T WORRIED DOING ME TONIGHT
A LITTLE SWEAT AIN'T NEVER HURT NOBODY
WHILE Y'ALL STANDIN' ON THE WALL
I'M THE ONE TONIGHT
GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
WANT MY BODY
WON'T YOU GET ME BODIED
YOU WANT MY BODY
WON'T YOU GET ME BODIED (HEY)WRITTEN BY BEYONCÉ KNOWLES, KASSEEM "SWIZZ BEATZ" DEAN, SEAN GARRETT,
MAKEBA, ANGELA BEYINCE, SOLANGE KNOWLES
PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF
SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC
(BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), MAKEBA YOGA FLAMES MUSIC
(BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC INC. (BMI),
ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), SOLANGE MWP
PUBLISHING (ASCAP) ADMINISTERED BY MUSIC WORLD, LLCPRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES
FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAMRECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
ASSISTED BY ROB KINELSKI
MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AND SWIZZ BEATZ AT
SONY MUSIC STUDIOS, NYC
ASSISTED BY STEVE TOLLERECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
DIGITAL PREP ENGINEER: COLIN MILLER
MASTERED BY TOM COYNE AT STERLING SOUND, NYC
Dangerously in Love (2003)
- Buy Now
-
YES, SO CRAZY RIGHT NOW
MOST INCREDIBLY, IT'S YOUR GIRL B
IT'S YOUR BOY, YOUNG
HISTORY IN THE MAKIN' PART 2
SO CRAZY RIGHT NOWI LOOK AND STARE SO DEEP IN YOUR EYES
I TOUCH ON YOU MORE AND MORE EVERY TIME
WHEN YOU LEAVE I'M BEGGIN' YOU NOT TO GO
CALL YOUR NAME TWO, THREE TIMES IN A ROWSUCH A FUNNY THING FOR ME TO TRY TO EXPLAIN
HOW I'M FEELING AND MY PRIDE IS THE ONE TO BLAME
YEAH, 'CAUSE I KNOW I DON'T UNDERSTAND
JUST HOW YOUR LOVE CAN DO WHAT NO ONE ELSE CANGOT ME LOOKIN' SO CRAZY RIGHT NOW
YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
GOT ME LOOKIN' SO CRAZY RIGHT NOW
YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOWGOT ME HOPIN' YOU PAGE ME RIGHT NOW
YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVEWHEN I TALK TO MY FRIENDS SO QUIETLY
WHO HE THINK HE IS
LOOK AT WHAT YOU DID TO ME
TENNIS SHOES DON'T EVEN NEED TO BUY A NEW DRESS
IF YOU AIN'T THERE, AIN'T NOBODY ELSE TO IMPRESSIT'S THE WAY THAT YOU KNOW WHAT I THOUGHT I KNEW
IT'S THE BEAT THAT MY HEART SKIPS WHEN I'M WITH YOU
BUT I STILL DON'T UNDERSTAND
JUST HOW YOUR LOVE CAN DO WHAT NO ONE ELSE CANGOT ME LOOKIN' SO CRAZY RIGHT NOW
YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
GOT ME LOOKIN' SO CRAZY RIGHT NOW
YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOWGOT ME HOPIN' YOU PAGE ME RIGHT NOW
YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVEI'M WARMED UP NOW, LET'S GO
YOUNG HOV, Y'ALL KNOW WHEN THE FLOW IS LOCO
YOUNG B AND THE R O C, UH OH
OG, BIG HOMIE THE ONE AND ONLY
STICK BONEY BUT THE POCKETS ARE FAT LIKE TONY
SOPRANO THE ROC HANDLE LIKE VAN EXEL
I SHAKE PHONIES MAN, YOU CAN'T GET NEXT TO
A GENUINE ARTICLE, I DO NOT SING THO
I SLING THOUGH, IF ANYTHING I BLING YO
STARR LIKE RINGO, WAR LIKE A GREEN BERET
YOU'RE CRAZY, BRING YOUR WHOLE SET
JAY-Z IN THE RANGE, CRAZY AND DERANGED
THEY CAN'T FIGURE HIM OUT, THEY'RE LIKE, HEY IS HE INSANE
YES SIR I'M CUT FROM A DIFFERENT CLOTH
MY TEXTURE IS THE BEST FUR, I'M CHINCHILLA
I BEEN ILLER THEN CHAIN SMOKERS
HOW YOU THINK I GOT THE NAME HOVA
I'VE BEEN REALER, THE GAME'S OVA
FALL BACK YOUNG
EVER SINCE I MADE THE CHANGE OVER TO PLATINUM
THE GAME'S BEEN A WRAP - ONEGOT ME LOOKIN' SO CRAZY, MY BABY
I'M NOT MYSELF, LATELY I'M FOOLISH, I DON'T DO THIS
I'VE BEEN PLAYIN' MYSELF, BABY I DON'T CARE
'CAUSE YOUR LOVE GOT THE BEST OF ME
AND BABY YOU'RE MAKING A FOOL OF ME
YOU GOT ME SPRUNG AND I DON'T CARE WHO SEES
'CAUSE BABY YOU GOT ME, YOU GOT ME SO CRAZYGOT ME LOOKIN' SO CRAZY RIGHT NOW
YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
GOT ME LOOKIN' SO CRAZY RIGHT NOW
YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOWGOT ME HOPIN' YOU PAGE ME RIGHT NOW
YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVE
BEYONCÉ KNOWLES, RICH HARRISON, SHAWN CARTER, EUGENE RECORD
BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/ EMI BLACKWOOD MUSIC INC. OBO ITSELF AND DAM RICH MUSIC (BMI)/ EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP) UNICHAPPELL MUSIC INC. (BMI)PRODUCED BY RICH HARRISON FOR RICHCRAFT INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED AT SONY STUDIOS, NYC
ENGINEERED BY JIM CARUANA
ADDITIONAL VOCALS RECORDED AT THE HIT FACTORY, NYC
RECORDED BY PAT THRALL
ALL INSTRUMENTS PLAYED BY RICH HARRISON
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
CONTAINS SAMPLES FROM "ARE YOU MY WOMAN" WRITTEN BY EUGENE RECORD AND PUBLISHED BY UNICHAPPELL MUSIC INC. (BMI) PERFORMED BY THE CHI-LITES COURTESY OF BRUNSWICK RECORDS
-
I LOVE TO LOVE YOU BABY
I LOVE TO LOVE YOU BABYI'M FEELING SEXY
I WANNA HEAR YOU SAY MY NAME, BOY
IF YOU CAN REACH ME
YOU CAN FEEL MY BURNING FLAME
FEELING KINDA NASTY
I JUST MIGHT TAKE YOU HOME WITH MEBABY, THE MINUTE I FEEL YOUR ENERGY
YOUR VIBE HAS JUST TAKEN OVER ME
START FEELING SO CRAZY, BABELATELY, I FEEL THE FUNK COMING OVER ME
I DON'T KNOW WHAT'S GOTTEN INTO ME
THE RHYTHM'S GOT ME FEELING SO CRAZY, BABETONIGHT I'LL BE YOUR NAUGHTY GIRL
I'M CALLING ALL MY GIRLS
WE'RE GONNA TURN THIS PARTY OUT
I KNOW YOU WANT MY BODYTONIGHT I'LL BE YOUR NAUGHTY GIRL
I'M CALLING ALL MY GIRLS
I SEE YOU LOOK ME UP AND DOWN
AND I THINK ABOUT ITYOU'RE SO SEXY
TONIGHT I AM ALL YOURS, BOY
THE WAY YOUR BODY
MOVES ACROSS THE FLOOR
FEELING KINDA NASTY
I JUST MIGHT TAKE YOU HOME WITH MEBABY, THE MINUTE I FEEL YOUR ENERGY
YOUR VIBE HAS JUST TAKEN OVER ME
START FEELING SO CRAZY, BABELATELY, I FEEL THE FUNK COMING OVER ME
I DON'T KNOW WHAT'S GOTTEN INTO ME
THE RHYTHM'S GOT ME FEELING SO CRAZY, BABETONIGHT I'LL BE YOUR NAUGHTY GIRL
I'M CALLING ALL MY GIRLS
WE'RE GONNA TURN THIS PARTY OUT
I KNOW YOU WANT MY BODYTONIGHT I'LL BE YOUR NAUGHTY GIRL
I'M CALLING ALL MY GIRLS
I SEE YOU LOOK ME UP AND DOWN
AND I THINK ABOUT ITI LOVE TO LOVE YOU BABY
I LOVE TO LOVE YOU BABY
I LOVE TO LOVE YOU BABY
I LOVE TO LOVE YOU BABYTONIGHT I'LL BE YOUR NAUGHTY GIRL
I'M CALLING ALL MY GIRLS
WE'RE GONNA TURN THIS PARTY OUT
I KNOW YOU WANT MY BODYTONIGHT I'LL BE YOUR NAUGHTY GIRL
I'M CALLING ALL MY GIRLS
I SEE YOU LOOK ME UP AND DOWN
AND I THINK ABOUT IT
(2X)BEYONCÉ KNOWLES, SCOTT STORCH, ROBERT WALKER, ANGELA BEYINCE, PETE BELOTTE, GIORGIO MORODER, DONNA SUMMER
BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT/TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/ BLACK OWNED MUSIK/ ANGELA BEYINCE MUSIC/ WB MUSIC CORP. (ASCAP) SUMMER NIGHT MUSIC (BMI)PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED AT SOUTH BEACH STUDIOS, MIAMI
ENGINEERED BY CARLOS BEDOYA
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: GREG PRICE AND LUZ VASQUEZ
CONTAINS INTERPOLATIONS FROM "LOVE TO LOVE YOU BABY" WRITTEN BY P. BELLOTT, G. MORODER AND D. SUMMER AND PUBLISHED BY WB MUSIC CORP. (ASCAP) AND SWEET SUMMER NIGHT MUSIC (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.
-
CERTIFIED QUALITY
A DAT DA GIRL DEM NEED AND DEM NOT STOP CRY WITHOUT APOLOGY
BUCK DEM DA RIGHT WAY – DAT MY POLICY
SEAN PAUL ALONGSIDE BEYONCÉ – NOW HEAR WHAT DA MAN SAY
DUTTY YEAH, DUTTY YA, DUTTY YEAH, DUTTY YA
BEYONCE SING IT NOW GIRLBABY BOY YOU STAY ON MY MIND
FULFILL MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMSBABY BOY NOT A DAY GOES BY
WITHOUT MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMSAH OH MY BABY'S FLY BABY GO
YES NO HURT ME SO GOOD BABY OH
I'M SO WRAPPED UP IN YOUR LOVE LET ME GO
LET ME BREATHE STAY OUT MY FANTASIESYA READY GIMME DA TING DAT YA READY GET YA LIVE
AND TELL ME ALL ABOUT DA TINGS THAT YOU WILL FANTASIZE
I KNOW YOU DIG DA WAY ME STEP DA WAY ME MAKE MY STRIDE
FOLLOW YOUR FEELINGS BABY GIRL BECAUSE THEY CANNOT BE DENIED
COME CHECK ME IN A NIGHT AND MAKE WE GET IT AMPLIFIED
ME HAVE DA TING TO RUN DA SHIP 'CAUSE I'M GO SLIP AND I'M GO SLIDE
AND IN THE WORDS OF LOVE I GOT TA GET IT CERTIFIED
BUT I GIVE YOU DA TOUGHEST LONGEST KINDA RIDE – GIRLBABY BOY YOU STAY ON MY MIND
FULFILL MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMSBABY BOY NOT A DAY GOES BY
WITHOUT MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMSPICTURE US DANCIN' REAL CLOSE IN A DARK DARK CORNER OF A BASEMENT PARTY
EVERY TIME I CLOSE MY EYES IT'S LIKE EVERYONE LEFT BUT YOU AND ME
IN OUR OWN LITTLE WORLD
THE MUSIC IS THE SUN
THE DANCE FLOOR BECOMES THE SEA
FEELS LIKE TRUE PARADISE TO MEBABY BOY YOU STAY ON MY MIND
FULFILL MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMSBABY BOY NOT A DAY GOES BY
WITHOUT MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMSBABY BOY YOU STAY ON MY MIND
BABY BOY YOU ARE SO DAMN FINE
BABY BOY WON'T YOU BE MINE
BABY BOY LET'S CONCEIVE AN ANGEL
(2X)TOP TOP – GIRL
ME AND YOU TOGETHER IS A WRAP DAT – GIRL
DRIVING AROUND DA TOWN IN YOUR DROP TOP – GIRL
YOU NO STOP SHOCK – GIRL
LITTLE MORE DA DUTTY, WE'LL ROCK DAT WORLD
(2X)BABY BOY YOU STAY ON MY MIND
FULFILL MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMS
BABY BOY NOT A DAY GOES BY
WITHOUT MY FANTASIES
I THINK ABOUT YOU ALL THE TIME
I SEE YOU IN MY DREAMSWE STEPPIN' IN HOTTER THIS YEAR
WE STEPPIN' IN HOTTER THIS YEAR
I KNOW YOU GON' LIKE IT
I KNOW YOU GON' LIKE IT
I'M STEPPIN' UP HOTTER THIS YEAR
I'M STEPPIN' UP HOTTER THIS YEAR
SO DON'T YOU FIGHT IT
SO DON'T YOU FIGHT IT
BEYONCÉ KNOWLES, SCOTT STORCH, SEAN PAUL HENRIQUES, ROBERT WALKER, SHAWN CARTER
BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT/ TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/ EMI APRIL MUSIC INC. OBO EMI MUSIC PUBLISHING LTD/ BLACK OWNED MUSIK/ EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED AT SOUTH BEACH STUDIOS, MIAMI
ADDITIONAL VOCALS RECORDED AT THE HIT FACTORY, NYC
RECORDED BY PAT THRALL
ENGINEERED BY CARLOS BEDOYA
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: GREG PRICE AND LUZ VASQUEZ
-
PURE PLAYERS
PURE PLAYERS
SLOWLY AS SIR LUSCIOUS STEP UP LIKE A Q-DAWG
A-TOWN'S UP, DEUCES DOWN, IT'S THE NEW CALL
AND YOU CAN DIAL 1-888, CUT SOME
I'M YOUR KINKY OPERATOR WHEN YOU WANNA CUT SOME
AIN'T NO DIAL TONES JUST MILESTONES OF PLEASURE TO REACH
TO EACH HIS OWN, I'M A STONE COLD AQUARIAN FREAK
HUMANITARIAN, BARBARIAN BUT UNDER THE SHEETS
IT'S THE PLAYER FROM THE POINT AND YOUR GIRL FROM THE DARE YOU INFATUATED WITH ME
I COULD END YOUR CURIOSITY
IF YOU DON'T THINK I'M TOO RUDE
HERE'S YOUR CHANCE TO MAKE YOUR MOVEI SIT AND WAIT FOR NOBODY
PEOPLE SAY THAT MYMY STYLE IS SO CRAZY
I THINK YOU LIKE IT BABY
DO YOU WANT TO GET NASTY
I DARE YOU TO UNDRESS MEBABY LET ME KNOW IF YOU WANNA ROLL
WITH THIS HIP HOP STAR
BAD BOOTS ON PANTS DOWN LOW
I'M A HIP HOP STARBABY LET ME KNOW IF YOU WANNA RIDE
WITH THIS HIP HOP STAR
I'M A ROCK STARDO I BLOW YOU AWAY
DO I STIMULATE YOUR MIND
WOULD YOU TASTE MY LOVE IF I GIVE YOU TIME
I HAVE NONE TO WASTE WITH YOU
I GUESS YOU CAN SAYMY STYLE IS SO CRAZY
I THINK YOU LIKE IT BABY
DO YOU WANT TO GET MESSY
I DARE YOU TO UNDRESS MEBABY LET ME KNOW IF YOU WANNA ROLL
WITH THIS HIP HOP STAR
BAD BOOTS ON PANTS DOWN LOW
I'M A HIP HOP STAR
BABY LET ME KNOW IF YOU WANNA RIDE
WITH THIS HIP HOP STAR
I'M A ROCK STARUNDRESS ME, UNDRESS ME
COME
COME BABY, UNDRESS METAKE OFF THAT TANK TOP AND PULL OFF THEM DRAWERS
THE GIRLS ALL PAUSE, GOT THEM DRIPPIN' DOWN THEY SUGAR WALLS
AW NAW! GETTING TO THE NAPPY ROOT
KNOCKING BOOTS AND STILETTOS, DAMN I KEEP IT GHETTO
A COOL TYPE OF FELLOW, MELLOW GOT THE GOLD MEDAL
NEVER SETTLE FOR LESS MY ROSE PETAL
TOOEY, TOOEY, TOOEY, TOOEY! SPIT GAME
VENOM TO GET IT UP IN 'EM, LET ME P POP THAT THANG
FIRST CHECK HER BRAIN TO SEE IF SHE'S SANE
DERANGED OR STRANGE OR CRAZY AS HELL
YOU NEVER CAN TELL THESE DAYS
EVERYBODY GOT A LITTLE RICK JAMES IN THEY VEINS, MANTHE WAY I FEEL, OH GIRL, I KNOW IT'S 'BOUT TO BE
ME ALL ON YOU AND DAMN GIRL, YOU ALL OVER MEBABY LET ME KNOW IF YOU WANNA ROLL
WITH THIS HIP HOP STAR
BAD BOOTS ON PANTS DOWN LOW
I'M A ROCK STARBABY LET ME KNOW IF YOU WANNA RIDE
WITH THIS HIP HOP STAR
I'M A ROCK STAR
BEYONCÉ KNOWLES, BRYCE WILSON, MAKEDA DAVIS, ANTWAN PATTON, SHAWN CARTER
BEYONCÉ PUBLISHING / HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT/NOTTING DALE SONGS, INC. OBO ITSELF AND GROOVE 78 MUSIC/MAKEDA DAVIS PUBLISHING DESIGNEE/CHRYSALIS MUSIC INC./GNAT BOOTY MUSIC/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND BRYCE WILSON FOR CZAR/ 1ST AND 15TH PRODUCTIONS, INC.
ADDITIONAL VOCAL PRODUCTION BY BIG BOI FOR BOOM BOOM ROOM PRODUCTIONSRECORDED BY GURU AT BASELINE STUDIOS, NYC
ADDITIONAL RECORDING BY CHRIS CARMOUCHE AND VINCENT ALEXANDER AT STANKONIA STUDIOS, ATLANTA
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
-
OH BABY
OH BABY
OH YEAH…I LOVE THE WAY YOU MAKE ME FEEL
IT SLOWS DOWN TIME
COME IN MY BEDROOM
AND TURN OFF THE LIGHTSYOU WHISPER SOFTLY IN MY EAR
MAKES ME UNWIND
THE WAY YOU TOUCH ME
LETS ME KNOW YOU'RE MINEI'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
YOU SCREAM MY NAME
AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
AND MAKES ME FEEL THIS WAYI'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
TO TAKE CARE OF ME
I'D RATHER BE WITH YOU
I KNOW, I'D RATHER BE WITH YOUI LOVE THE WAY YOU LOOK AT ME
STARE INTO MY EYES
WHAT DO THEY SAY TO YOU
BOY DON'T BE SHYTONIGHT'S THE NIGHT YOUR FANTASIES
WILL ALL COME TRUE
I AM YOUR WOMAN
I BELONG TO YOUTHERE IS NOTHING, I WON'T DO FOR YOU
I KNOW MY SOUL CONNECTED ME TO YOU
I FEEL SO SAFE WHEN I'M ALONE WITH YOUI'M HOLDING BACK NOTHING, SAVING IT ALL FOR YOU
BABY I LOVE MAKING LOVE TO YOU
IT'S LIKE A HIGH I CAN'T COME DOWN FROM YOUI'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
YOU SCREAM MY NAME
AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
AND MAKES ME FEEL THIS WAYI'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
TO TAKE CARE OF ME
I'D RATHER BE WITH YOU
BOY I'D RATHER BE WITH YOU
I'D RATHER BE WITH YOU
BOY I'D RATHER BE WITH YOUI'D RATHER BE WITH YOU, YEAH
BOY I RATHER BE WITH YOU
I'D RATHER BE WITH YOU, YEAH
BOY I RATHER BE WITH YOUI'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
YOU SCREAM MY NAME
AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
AND MAKES ME FEEL THIS WAYI'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
TO TAKE CARE OF ME
I'D RATHER BE WITH YOU
BOY I'D RATHER BE WITH YOU
I KNOW, I'D RATHER BE WITH YOUI'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
YOU SCREAM MY NAME (I AIN'T GOIN' NOWHERE, I'M HAPPY WITH YOU)
AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
AND MAKES ME FEEL THIS WAY
I AIN'T THINKIN' 'BOUT NOBODY BUT YOU BABY
I'D RATHER BE WITH YOU
'CAUSE YOU HUSTLE HARD TO TAKE CARE OF ME
I'D RATHER BE WITH YOU
BOY I'D RATHER BE WITH YOU
BOY I'D RATHER BE WITH YOU
BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE, SHUGGIE OTIS, GEORGE CLINTON JR., WILLIAM COLLINS, GARY COOPER
BEYONCÉ PUBLISHING / HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/EMI BLACKWOOD MUSIC INC. OBO ITSELF AND DAM RICH MUSIC (BMI)/ANGELA BEYINCE MUSIC (ASCAP)/KIDADA MUSIC INC./SHUGITERIUS MUSIC ADMIN BY WARNER-TAMERLANE PUBLISHING CORP./RUBBER BAND MUSIC, INC. ADMIN. BY UNIVERSAL – SONGS OF POLYGRAM INT. INC. (BMI)PRODUCED BY RICH HARRISON FOR RICH CRAFT INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED AT SONY STUDIOS, NYC
ENGINEERED BY JIM CARUANA
ALL INSTRUMENTS PLAYED BY RICH HARRISON
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
SHUGGIE OTIS "STRAWBERRY LETTER 23" UNDER LICENSE FROM SONY.
CONTAINS INTERPOLATIONS FROM "I'D RATHER BE WITH YOU" WRITTEN BY GEORGE CLINTON JR., WILLIAMS COLLINS AND GARY COOPER AND PUBLISHED BY RUBBER BAND MUSIC. UNIVERSAL SONGS OF POLYGRAM (BMI).
CONTAINS EXCERPTS FROM "STRAWBERRY LETTER 23" WRITTEN BY SHUGGIE OTIS AND PUBLISHED BY WARNER-TAMERLANE PUB CORP (BMI) PERFORMED BY SHUGGIE OTIS COURTESY OF SONY MUSIC ENTERTAINMENT
-
ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT
I CAN'T BELIEVE I BELIEVED EVERYTHING WE HAD WOULD LAST
SO YOUNG AND NAIVE OF ME TO THINK SHE WAS FROM YOUR PAST
SILLY OF ME TO DREAM OF ONE DAY HAVING YOUR KIDS
LOVE IS SO BLIND IT FEELS RIGHT WHEN IT'S WRONGI CAN'T BELIEVE I FELL FOR YOUR SCHEMES; I'M SMARTER THAN THAT
SO DUMB AND NAIVE TO BELIEVE THAT WITH ME, YOU'RE A CHANGED MAN
FOOLISH OF ME TO COMPETE WHEN YOU CHEAT WITH LOOSE WOMEN
IT TOOK ME SOME TIME BUT NOW I MOVED ON
BECAUSE I REALIZED I'VE GOTME, MYSELF AND I
THAT'S ALL I GOT IN THE END
THAT'S WHAT I FOUND OUTAND IT AIN'T NO NEED TO CRY
I TOOK A VOW THAT FROM NOW ON
I'M GON' BE MY OWN BEST FRIEND
(2X)SO CONTROLLING TO SAY THAT YOU LOVE ME BUT YOU DON'T
YOUR FAMILY TOLD ME ONE DAY I WOULD SEE IT ON MY OWN
NEXT THING I KNOW I'M DEALING WITH YOUR THREE KIDS IN MY HOME
LOVE IS SO BLIND IT FEELS RIGHT WHEN IT'S WRONGNOW THAT IT'S OVER, STOP CALLING ME
COME PICK UP YOUR CLOTHES
AIN'T NO NEED TO FRONT LIKE YOU'RE STILL WITH ME
ALL YOUR HOMIES KNOW
EVEN YOUR VERY BEST FRIEND TRIED TO WARN ME ON THE LOW
TOOK ME SOME TIME BUT NOW I AM STRONG
BECAUSE I REALIZED I'VE GOTME, MYSELF AND I
THAT'S ALL I GOT IN THE END
THAT'S WHAT I FOUND OUTAND IT AIN'T NO NEED TO CRY
I TOOK A VOW THAT FROM NOW ON
I'M GON' BE MY OWN BEST FRIEND
(2X)I GOT ME, MYSELF AND I
(I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
I MUST HAVE CRIED A THOUSAND TIMES
(ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT)I CAN'T REGRET TIME SPENT WITH YOU
(YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
SO I HAVE VOWED TO MAKE IT THROUGH
(AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN)NOW I GOT ME, MYSELF AND I
(I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
I MUST HAVE CRIED A THOUSAND TIMES
(I'VE CRIED)
(ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT)I CAN'T REGRET TIME SPENT WITH YOU
(YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
SO I HAVE VOWED TO MAKE IT THROUGH
(AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN, YEAH)I'VE GOT ME, MYSELF AND I
(ME, MYSELF AND I)
I MUST HAVE CRIED A THOUSAND TIMES
(I HAVE CRIED SO MANY TIMES)I CAN'T REGRET TIME SPENT WITH YOU
(I CAN'T REGRET TIME SPENT WITH YOU)
SO I HAVE VOWED TO MAKE IT THROUGH
(AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN)NOW I'VE GOT ME, MYSELF AND I
(I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
I MUST HAVE CRIED A THOUSAND TIMES
(IF YOU CRIED A THOUSAND TIMES, LADIES, YOU WILL SURVIVE)I CAN'T REGRET TIME SPENT WITH YOU
(YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
SO I HAVE VOWED TO MAKE IT THROUGH
(I CAN SEE THE SUNSHINE; I'VE GOT ME, MYSELF AND I)
BEYONCÉ KNOWLES, SCOTT STORCH, ROBERT WALKER
BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT/TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/BLACK OWNED MUSIK (ASCAP)PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED AT SOUTH BEACH STUDIOS, MIAMI
ENGINEERED BY CARLOS BEDOYA
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: PAT WOODWARD, GREG PRICE AND LUZ VASQUEZ
-
I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
YES WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
(IT'S LIKE I NEVER SAY YES)I SAID YES, WE CAN BE TOGETHER
YES, YOU CAN STAY WITH ME
BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
(IT'S LIKE I NEVER SAY YES)YOU WAS ON THE WALL
I WAS WITH MY CREW
YOU WAS WATCHING ME BABY
I WAS WATCHING YOUSLOWLY YOU WALKED OVER
I MAINTAINED MY COOL
YOU SAID HELLO TO ME
I SAID HELLO TO YOUYOU ASKED ME WHERE I'M FROM
I ASKED YOU WHAT YOU DO
YOU SOMEHOW INTRIGUED ME
I THOUGHT YOU WERE SO COOLSOMEWHERE BETWEEN HI AND GOODBYE, I FELT SO COMFORTABLE
I FELT LIKE WE COULD TALK ALL NIGHT, SO I GAVE MY NUMBER TO YOUI SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
YES WE CAN BE TOGETHER, BUT YOU GOTTA WAIT FOR ME
THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
(IT'S LIKE I NEVER SAY YES)I SAID YES WE CAN BE TOGETHER
YES, YOU CAN STAY WITH ME
BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
(IT'S LIKE I NEVER SAY YES)CERTAINLY YOU CAN CALL ME BABY
I LOVE TO HEAR FROM YOU
YES OF COURSE, YOU CAN COME AND SEE ME BOY
WANNA GET TO KNOW YOU MORE, SURE I'M FEELING YOU
NO BABY, NOT YET, WE CAN'T TAKE THAT NEXT STEP
WHY YOU GETTING SO UPSET, BOY YOU
ACT AS THOUGH I NEVER TOLD YOU YES BEFORE, YOU ARE SO UNGRATEFULYOU WAS AT MY HOUSE
I WAS SITTING ON MY COUCH
YOU WAS REALLY BUGGING, SO I TOLD YOU TO GET OUT
I HAVE BEEN MISJUDGING YOU, YOU HAD A LOT OF NERVE - YOU
TOO DAMN OLD TO BE SO IMMATURE, I HOPE YOU LEARNEDYOU SAID I MOVE TOO SLOW, I SHOWED YOU TO THE DOOR
YOU SAID YOU'D CALL ME LATER, I SAID DON'T CALL NO MORE
BUT IT'S COOL IF YOU CAN'T WAIT FOR ME, I'M GLAD YOU LET ME KNOW
'CAUSE YOU SHOWED ME YOUR TRUE FACE BABY, THE FIRST TIME I SAID NOI SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
YES, WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
(IT'S LIKE I NEVER SAY YES)I SAID YES, WE CAN BE TOGETHER
YES, YOU CAN STAY WITH ME
BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
(IT'S LIKE I NEVER SAID YES)I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
YES, WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
(IT'S LIKE I NEVER SAID YES)
BEYONCÉ KNOWLES, BERNARD EDWARDS JR., SHAWN CARTER
BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT/3RDI MUSIC WORKS/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND FOCUS… FOR A-FOC.ALIPTIC MUSICWORKS, COURTESY OF AFTERMATH RECORDS
RECORDED BY FOCUS… AT COE.BE.3 STUDIOS, STONE MOUNTAIN, GA
VOCALS RECORDED BY CARLOS BEDOYA AT SOUTH BEACH STUDIOS, MIAMI
ALL INSTRUMENTS BY FOCUS…
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEER: JASON DALE
-
IN DECEMBER EVERY SIGN HAS IT'S OWN MODE
I WAS IN LOVE WITH A SAGITTARIUS
SEE THE EMOTIONS HE PUT ME THROUGH
FROM CAPRICORNS TO AQUARIUS
THEY ALL GOT THEIR DIFFERENT MINDS
THE AFFECTION OF A VIRGO
WHICH SIGN MATCHES GOOD WITH MINEI WAS IN LOVE WITH A SAGITTARIUS, HE BLEW MY MIND
HE ALSO HAD A FLIP SIDE, TOO MUCH LIKE A GEMINI
HE WAS FREAKY LIKE A TAURUS, THE WAY HE HANDLED ME, YEAH
FLIRTATIOUS LIKE AN ARIES, WHICH SIGN IS BEST FOR MECAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALLCAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALLI WISH HE WAS A VIRGO, THE SAME SIGN AS ME
AND KNOW HOW TO SHOW ME LOVE, 'CAUSE I'VE BEEN HURT BY A PISCESREWIND
I WISH HE WAS A VIRGO, THE SAME SIGN AS ME
AND KNOW HOW TO SHOW ME LOVE, 'CAUSE I'VE BEEN HURT BY A PISCESI WANT HIM SEXY LIKE A SCORPIO
THE WAY HE HOLDS ME CLOSE, YEAH
SENSITIVE AS A CANCER
EVERY SIGN FROM COAST TO COASTCAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALLCAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALLI CAN'T EXPLAIN WHY I LOVE HIM
BOSSY LIKE LEO'S DO
GOT GAME LIKE AN AQUARIUS
SWITCH MOVES AFTER HE BEEN WITH YOUFUN LIKE A LIBRA
HE STAYS ON MY MIND
HE'S SO UNPREDICTABLE
HE REMINDS ME OF EVERY SIGNCAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALLCAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALLEVERY SIGN FROM THE FIRST TO THE LAST
EVERYDAY OF THE MONTH HAS ITS GOOD AND ITS BAD
I LOVE YOU ALL, ALL 12 SIGNSCAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OHEVERY ONE OF THESE SIGNS, YOU KNOW YOU'RE BLOWING ME AWAY
NO MATTER WHEN YOU'RE BORN FOR SURE WITH ME, YOU'RE OKAYI LOVE EVERY ONE OF Y'ALL, NO MATTER WHAT SIGN YOU ARE
JANUARY TO DECEMBER, HERE'S MY OPEN ARMSI WAS IN LOVE WITH A SAGITTARIUS
I WAS IN LOVE WITH A SAGITTARIUS
I WAS IN LOVE WITH A SAGITTARIUS
I WAS IN LOVE WITH A SAGITTARIUS
MISSY ELLIOTT, NISAN STEWART, CRAIG BROCKMAN
MASS CONFUSION PRODUCTIONS ADMIN BY WB MUSIC CORP./UNIVERSAL MUSIC CORP. ON BEHALF OF NISAN'S MUSIC/CHERRY LANE MUSIC PUBLISHING CO., INC. ON BEHALF OF CRAIGMAN MUSIC (ASCAP)PRODUCED BY MISSY ELLIOTT FOR MASS CONFUSION PRODUCTIONS, INC.
CO-PRODUCED BY CRAIG BROCKMAN FOR NEW EVERY MORNING MUSIC, INC. AND NISAN STEWART FOR NCS ENTERTAINMENT, INC.
VOCALS PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.RECORDED BY JIM CARUANA AT SONY STUDIOS, NYC
ADDITIONAL RECORDING AT THE HIT FACTORY CRITERIA, MIAMI
MIXED BY SCOTT KIEKLAK AT THE HIT FACTORY CRITERIA, MIAMI
ASSISTANT MIX ENGINEER: DEMACIO "DEMO" CASTELLON
-
YOU'VE GOT ME
YOU'VE GOT ME
YOU'VE GOT ME
YOU'VE GOT ME SPEECHLESSWHERE YOU BEEN LATELY
WAITED FOR YOU ALL DAY
WAITING FOR YOU TO USE THE KEY
THAT OPENS MY PLACEMY HEART STARTS TREMBLING
AS I HEAR YOUR FOOTSTEPS PACE
LOCK OPENED, DOORKNOB TURNED
THERE APPEARS YOUR FACEGOING OUT MY HEAD I THINK I'M LOSING ALL MY MIND
DRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHT
FEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLD
IN YOUR ARMS, LOST FOR WORDS, YOU'VE GOT MEYOU'VE GOT ME, YOU'VE GOT ME
YOU'VE GOT ME, YOU'VE GOT ME
YOU'VE GOT ME, YOU'VE GOT ME
YOU'VE GOT ME
SPEECHLESSLAYING SO CLOSELY
I FEEL YOUR SKIN RUBBING AND TOUCHING ME
ONLY SWEAT BETWEEN US
FEELING YOU KISSING AND PLEASING MEI RUB YOUR BACK
I KISS YOUR NECK
I KNOW THAT YOU LOVE WHEN WE TOUCH LIKE THAT
I CAN FEEL YOU NEED ME
FEEL SO GOOD TO ME, FEEL SO GOOD TO MEGOING OUT MY HEAD I THINK I'M LOSING ALL MY MIND
DRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHT
FEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLD
IN YOUR ARMS LOST FOR WORDS YOU'VE GOT MEYOU'VE GOT ME, YOU'VE GOT ME
YOU'VE GOT ME, YOU'VE GOT ME
YOU'VE GOT ME
SPEECHLESS
YES, YES, YES, YES, YES, YES
SPEECHLESS
ALL I CAN SAY IS…YES, YES, YES,
ALL I CAN SAY IS…YES, YES, YESKISS ME
HOLD ME
YOU'VE GOT ME
SPEECHLESSBEYONCÉ KNOWLES, ANDREAO HEARD, SHERROD BARNES, ANGELA BEYINCE
BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT/6TH BORO MUSIC/ LIC SPIFFY MUSIC/ANGELA BEYINCE MUSIC (ASCAP)PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND ANDREAO "FANATIC" HEARD AND SHERROD BARNES FOR SIXTH BORO ENTERTAINMENT INC.
RECORDED AT SOHO STUDIOS, NYC
VOCALS RECORDED AT PATCHWERK STUDIOS, ATLANTA AND SOUTH BEACH STUDIOS, MIAMI
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: DAN BUCCHI AND MATT SNEDECOR
-
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW I LIKE IT BABY
(4X)I NEED A THUG THAT'LL HAVE MY BACK
DO-RAG, NIKE AIRS TO MATCH
AIN'T NOTHIN' WRONG WITH THAT
THAT'S HOW I LIKE IT, BABYWHERE MY THUGS AT
WHITE T-SHIRT, I LOVE THAT
TIMBERLAND BOOTS, YOU DOES THAT, IT'S A FACT
THAT'S HOW I LIKE IT, BABYI LIKE THE WAY YOU WALK
THE WAY YOU TALK
THE WAY YOU DRESS
THE WAY YOU SMILEI LIKE THE WAY YOU ARE
THE WAY YOU AIN'T
I LIKE YOUR HONESTY, INTEGRITY, IT LEVELS ME
SO PLEASE DON'T EVER CHANGETHAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW I LIKE IT BABY
(4X)I LIKE THE WAY YOU BRUSH YOUR HAIR
I LIKE THE STYLISH CLOTHES YOU WEAR
IT'S JUST THE REAL THINGS YOU DO
THAT'S WHY I WANNA STICK WITH YOUWHERE MY GIRLS AT
LET THEM KNOW WE LOVE THAT
SEXY WAY THEY DOES THAT
THAT'S HOW I LIKE IT BABYI HOPE YOU LIKE MY STYLE
THE WAY I DRESS
THE WAY I FLIRT
SAY YESI HOPE YOU LIKE MY MIND
THE THINGS I SAY
IF I'M WITH YOU, THEN I'M WITH ONLY YOU
MY LOYALTY WILL NEVER, EVER CHANGETHAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW I LIKE IT BABY
(4X)I KNOW YOU'VE HEARD I'M A GANGSTA
THEY SAY STAY AWAY FROM THEM GANGSTAS
THEY NEVER CHANGE UP, OR PULL THEY PANTS UP
WELL, BABY GIRL, PUT YA FOOT DOWN
DON'T LET 'EM PUSH YOU AROUND, YOU KNOW WHAT YOU LIKE
BABY THUG, YOU KNOW WRONG FROM RIGHT
YOU DONE FELT WRONG BEFORE
THIS CAN'T BE WHAT IT FEEL LIKE
AND THEY DON'T REALLY KNOW WHATCHA FEEL LIKE, FOR INSTANCE
THEY DON'T KNOW THE DIFFERENCE BETWEEN REAL LIFE
AND THE MUSIC VIDEOS AND THE RAGGEDY MAGAZINES
THEY HAVE IT BADDER THAN HE SEEMS
ALL THEY SEE IS MY BAGGY JEANS, MY ATTITUDE
I AIN'T MAD AT YOU, IT'S JUST MY CLYDE
WAY I WEAR MY HAT TO THE SIDE
WAY I LEAN REAL LOW WHEN I RIDE
THAT'S WHY MY MINDS, THEY LIKE MY WALK
MY ACCENT FROM NEW YORK
MY WAY OF THINKING IS SLIGHTLY OFF
THEY LIKE THE WAY HE FLOSS
LEAVE THE BLOCK ON A BIKE, HE COME BACK ON A PORSCHE
BUT OF COURSE
MOST OF ALL, THEY LIKE MY HONESTY, INTEGRITY, MY LOYALTY
YOUNG HOV AND THE LETTER B
HOW YOU LIKE THAT, HUH?THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW YOU LIKE IT, HUH
THAT'S HOW I LIKE IT BABY
(4X)D. ANDREWS, B. BRIDGEMAN, BEYONCÉ KNOWLES, SHAWN CARTER, RANDY DEBARGE, ELDRA DEBARGE, ETTERLENE JORDAN
DNOMYANR/BOBBY EARL MUSIC (SESAC)/HITCO SOUTH/BEYONCÉ PUBLISHING ADMIN. BY MUSIC OF WINDSWEPT/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING/JOBETE MUSIC CO., INC. (ASCAP)PRODUCED BY D-ROY AND MR. B FOR ART AND LIFE/HEAT ROC MANAGEMENT, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED BY GURU AT BASELINE STUDIOS, NYC
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTOR, NYC
ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
CONTAINS RESUNG LYRICS FROM "I LIKE IT" WRITTEN BY RANDY DEBARGE, ELDRA DEBARGE, ETTERLENE JORDAN AND PUBLISHED BY JOBETE MUSIC (ASCAP)
USED BY PERMISSION.
-
THE CLOSER I GET TO YOU
THE MORE YOU MAKE ME SEE
BY GIVING ME ALL YOU'VE GOT (TELL ME MORE)
YOUR LOVE HAS CAPTURED MEOVER AND OVER AGAIN
I TRIED TO TELL MYSELF THAT WE
COULD NEVER BE MORE THAN FRIENDS
BUT ALL THE WHILE INSIDE I KNEW IT WAS REAL
THE WAY YOU MAKE ME FEELLYING HERE NEXT TO YOU
TIME JUST SEEMS TO FLY
NEEDING YOU MORE AND MORE (MORE AND MORE)
LET'S GIVE LOVE A TRY (LET'S GIVE LOVE A TRY)SWEETER AND SWEETER LOVE GROWS
AND HEAVEN'S THERE FOR THOSE
WHO FOOL THE TRICKS OF TIME
WITH HEARTS OF LOVE WE'LL FIND
TRUE LOVE
IN A SPECIAL WAYTHE CLOSER I GET (THE CLOSER I GET TO YOU BABY)
THE MORE YOU MAKE ME SEE (THE MORE YOU MAKE ME SEE)
BY GIVING ME WHAT YOU'VE GOT
YOUR LOVE CAPTURES MEOVER AND OVER AGAIN
I TRY TO TELL MYSELF THAT WE
COULD NEVER BE MORE THAN FRIENDS
AND ALL THE WHILE INSIDE I KNEW THIS WAS REAL (GOT TO BE, GOT TO BE REAL)
THE WAY YOU MAKE ME FEEL
MY BABY, MY BABY, MY BABY, MY LOVE (MY LOVE, MY LOVE)COME A LITTLE CLOSER SO THAT WE CAN SEE INTO THE EYES OF LOVE (I WANNA SEE INTO THOSE EYES OF LOVE)
JUST A LITTLE CLOSER LET ME SPEAK TO YOU, I WANT TO SOFTLY TELL YOU SOMETHING (HERE I AM, HERE'S MY LOVE, I JUST WANT YOU TOO…COME CLOSER LOVE)
COME A LITTLE CLOSER LET ME WHISPER IN YOUR EAR 'CAUSE I WANNA TELL YOU SOMETHING (I WANNA WHISPER IN YOUR EAR SO SOFT, SO COME CLOSER LOVE)
MOVE ON IN REAL CLOSE SO WE CAN CELEBRATE THE WAY WE FEEL ABOUT EACH OTHER'S LOVING (WANNA TO TELL YOU WORDS, WORDS OF LOVE, WORDS THAT MAKE YOU WANNA)
J. MTUME, R. LUCAS
SCARAB PUBLISHING CORP./ENSIGN MUSIC CORP. (BMI)PRODUCED BY NAT ADDERLEY JR.
VOCAL ARRANGEMENT BY LUTHER VANDROSS
ARRANGED BY NAT ADDERLEY JR. AND SKIP ANDERSONDRUMS: IVAN HAMPDEN
BASS: BYRON MILLER
GUITAR: PHIL HAMILTON
PERFCUSSION: BASHIRI JOHNSON
ELECTRIC PIANO: NAT ADDERLEY JR.
SOUND PROGRAMMING AND ADDITIONAL KEYBOARDS: SKIP ANDERSON
STRINGS CONTRACTED BY AL BROWN
CONCERT MASTER: SANFORD ALLEN
STRINGS ARRANGED BY NAT ADDERLEY JR
STRINGS RECORDED BY RAY BARDANI AT RIGHT TRACK STUDIOS, NYC
BACKGROUND VOCALS: CISSY HOUSTON, TAWATH AGEE, BRENDA WHITE-KING, AND CANDACE THOMAS
RECORDED BY STAN WALLACE
MIXED BY RAY BARDANI AT THE HIT FACTORY, NYC
-
I LOVE YOU
I LOVE YOU
I LOVE YOUBABY I LOVE YOU
YOU ARE MY LIFE
MY HAPPIEST MOMENTS WEREN'T COMPLETE
IF YOU WEREN'T BY MY SIDEYOU'RE MY RELATION
IN CONNECTION TO THE SUN
WITH YOU NEXT TO ME
THERE'S NO DARKNESS I CAN'T OVERCOMEYOU ARE MY RAINDROP
I AM THE SEED
WITH YOU AND GOD, WHO'S MY SUNLIGHT
I BLOOM AND GROW SO BEAUTIFULLYBABY, I'M SO PROUD
SO PROUD TO BE YOUR GIRL
YOU MAKE THE CONFUSION
GO ALL AWAY
FROM THIS COLD AND MIXED UP WORLDI AM IN LOVE WITH YOU
YOU SET ME FREE
I CAN'T DO THIS THING
CALLED LIFE WITHOUT YOU HERE WITH ME'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
I'LL NEVER LEAVE
JUST KEEP LOVING ME
THE WAY I LOVE, YOU LOVING ME
(2X)AND I KNOW YOU LOVE ME
LOVE ME FOR WHO I AM
CAUSE YEARS BEFORE I BECAME WHO I AM
BABY YOU WERE MY MANI KNOW IT AIN'T EASY
EASY LOVING ME
I APPRECIATE THE LOVE AND DEDICATION
FROM YOU TO MELATER ON IN MY DESTINY
I SEE MYSELF HAVING YOUR CHILD
I SEE MYSELF BEING YOUR WIFE
AND I SEE MY WHOLE FUTURE IN YOUR EYESTHOUGHT OF ALL MY LOVE FOR YOU
SOMETIMES MAKE ME WANNA CRY
REALIZE ALL MY BLESSINGS
I'M GRATEFUL TO HAVE YOU BY MY SIDEI AM IN LOVE WITH YOU
YOU SET ME FREE
I CAN'T DO THIS THING
CALLED LIFE WITHOUT YOU HERE WITH ME'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
I'LL NEVER LEAVE
JUST KEEP LOVING ME
THE WAY I LOVE, YOU LOVING ME
(2X)EVERY TIME I SEE YOUR FACE
MY HEART SMILES
EVERY TIME IT FEELS SO GOOD
IT HURTS SOMETIMES
CREATED IN THIS WORLD
TO LOVE
TO HOLD
TO FEEL
TO BREATHE
TO LOVE YOUI AM IN LOVE WITH YOU
YOU SET ME FREE
I CAN'T DO THIS THING
CALLED LIFE WITHOUT YOU HERE WITH ME'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
I'LL NEVER LEAVE
JUST KEEP LOVING ME
THE WAY I LOVE, YOU LOVING ME
(2X)
BEYONCÉ KNOWLES, ERROL MCCALLA JR.
BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT (ASCAP)/FORAY MUSIC OBO ITSELF AND EWM PUBLISHING (SESAC)PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND ERROL "POPPI" MCCALLA JR. FOR MUSIC WORLD PRODUCTIONS, INC.
GUITARS: DAN WORKMAN
ADDITIONAL GUITARS: JOHN "JAB" BROUSSARD
RECORDED AT SUGARHILL STUDIOS, HOUSTON
ENGINEER: DAN WORKMAN
VOCALS RECORDED AT THE ENTERPRISE, BURBANK, CA
ENGINEER: BRIAN SPRINGER
MIXED BY DEXTER SIMMONS AT THE ENTERPRISE, BURBANK, CA
-
I BELIEVE THAT HARMONIES ARE COLORS
EVERY TIME I PAINT, IT SHARPENS MY HARMONY
YESTERDAY I TRIED TO PAINT YOU, BUT THE COLORS WEREN'T BEAUTIFUL ENOUGH
YOUR LOVE GOES BEYOND WHAT I CAN SAY
LOVE BEYONCÉ
BEYONCÉ KNOWLES
BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
ENGINEER: CARLOS BEDOYA
RECORDED AT SOUTH BEACH STUDIOS, MIAMI, FL
-
A GIFT, A GIFT FROM VIRGO
I WISH I COULD LOOK IN YOUR EYES
AND TELL YOU HOW I FEEL
RIGHT NOW INSIDE
BABY I KNOW THAT IT'S REAL
SO REAL, SO REAL, SO REAL
HOW I WISH I COULD BE WITH YOU
HOW I WISH, HOW I WISH, HOW I WISH I COULD BE WITH YOU RIGHT NOWEVERY MORNING, EVERY AFTERNOON, EVERY NIGHT
I WANNA BE WITH YOU
IT DON'T MATTER IF WE GO TO THE PARK OR WATCH A PLAY
STAY IN THE HOTEL ROOM ALL DAY
I JUST WANNA BE WITH YOUI LOVE EVERYTHING ABOUT YOU
FROM YOUR OLD SCHOOL TENNIS SHOES
TO THE WAY YOU MOVE WHEN YOU'RE DANCING WITH MEDO YOU REMEMBER OUR FIRST KISS
IT WASN'T LONG ENOUGH
REMEMBER THE FIRST TIME
WE SPENT THOSE WEEKS TOGETHER
THEY WERE NOT LONG ENOUGHALL OF OUR CONVERSATIONS
ALL OF YOUR SWEET PAGES
THEY'RE NEVER LONG ENOUGHWHEN IT'S TIME FOR ME TO LEAVE
IT'S SO HARD TO SAY GOOD-BYE
I NEVER WANT TO SAY GOOD-BYE
I NEVER EVER WANT TO SAY GOOD-BYEONE DAY, ONE DAY WE'LL MAKE LOVE
FINALLY I'LL BE YOURS
ONLY YOU, ONLY YOU
I COULD LOVE YOU
IT'S TOO LATE
I ALREADY LOVE YOU
I LOVE YOU
I LOVE YOU
I LOVE YOU
BEYONCÉ KNOWLES, SHUGGIE OTIS
BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/OFF THE WALL MUSIC ADMIN. BY BUG MUSIC (BMI)PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
RECORDED AT PATCHWERK STUDIOS, ATLANTA, GA
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
ASSISTANT MIX ENGINEERS: MATT SNEDECOR AND BRENDAN KUNTZ
INSPIRED BY THE ORIGINAL MUSICAL COMPOSITION "RAINY DAY," WRITTEN BY SHUGGIE OTIS AND PUBLISHED BY OFF THE WALL MUSIC (BMI)/ADMINISTERED BY BUG MUSIC
-
I REMEMBER WHEN YOU USE TO TAKE ME ON A BIKE RIDE EVERYDAY ON THE BAYOU
(YOU REMEMBER THAT? WE WERE INSEPARABLE)
AND I REMEMBER WHEN YOU COULD DO NO WRONG
YOU'D COME HOME FROM WORK AND I JUMPED IN YOUR ARMS WHEN I SAW YOU
I WAS SO HAPPY TO SEE YOU (I WAS SO EXCITED, SO HAPPY TO SEE YOU)BECAUSE YOU LOVED ME I OVERCOME
AND I'M SO PROUD OF WHAT YOU'VE BECOME
YOU'VE GIVEN ME SUCH SECURITY
NO MATTER WHAT MISTAKES I MAKE, YOU'RE THERE FOR ME
YOU CURE MY DISAPPOINTMENTS AND YOU HEAL MY PAIN
YOU UNDERSTOOD MY FEARS AND YOU PROTECTED ME
TREASURE EVERY IRREPLACEABLE MEMORY AND THAT'S WHY…I WANT MY UNBORN SON TO BE LIKE MY DADDY
I WANT MY HUSBAND TO BE LIKE MY DADDY
THERE IS NO ONE ELSE LIKE MY DADDY
AND I THANK YOU FOR LOVING MEI STILL REMEMBER THE EXPRESSION ON YOUR FACE
WHEN YOU FOUND OUT I'D BEEN ON A DATE AND HAD A BOYFRIEND
(MY FIRST BOYFRIEND, YOU SHOULD HAVE SEEN YOUR FACE)
I STILL REMEMBER I CAUGHT YOU CRYING 'CAUSE OF MY TATTOO
COULD HAVE SAID BEYONCE I TOLD YOU SO
INSTEAD YOU SAID YOU'D GET ONE TOO
(EVEN MY MAMA SAID Y'ALL GET ONE JUST LIKE MINE)WORDS CAN'T EXPRESS MY BOUNDLESS GRATITUDE FOR YOU
I APPRECIATE WHAT YOU DO
YOU'VE GIVEN ME SUCH SECURITY
NO MATTER WHAT MISTAKES, I KNOW YOU'RE THERE FOR ME
YOU CURE MY DISAPPOINTMENTS AND YOU HEAL MY PAIN
YOU UNDERSTAND MY FEARS AND YOU PROTECTED ME
TREASURE EVERY EXTRAORDINARY MEMORY AND THAT'S WHY…I WANT MY UNBORN SON TO BE LIKE MY DADDY
I WANT MY HUSBAND TO BE LIKE MY DADDY
THERE IS NO ONE ELSE LIKE MY DADDY
AND I THANK YOU FOR LOVING MEEVEN IF MY MAN BROKE MY HEART TODAY
NO MATTER HOW MUCH PAIN I'M IN, I WILL BE OKAY
CAUSE I GOT A MAN IN MY LIFE THAT CAN'T BE REPLACED
FOR THIS LOVE IS UNCONDITIONAL IT WON'T GO AWAYI KNOW I'M LUCKY
KNOW IT AIN'T EASY
FOR MEN WHO TAKE CARE OF THEIR RESPONSIBILITIES
LOVE IS OVERWHELMING
LORD WHY DID YOU PICK ME
CAN'T STOP MY TEARS FROM FALLING
I LOVE YOU SO MUCH DADDYTHANK YOU, YOU'VE DONE SO MUCH FOR ME.
I LOVE YOU DADDY.I GET SO EMOTIONAL DADDY, EVERY TIME I THINK OF YOU
I GET SO EMOTIONAL DADDY, EVERY TIME I THINK OF YOU
THERE IS NO ONE ELSE LIKE MY DADDY
NO ONE ELSE REPLACE MY DADDY...
BEYONCÉ KNOWLES, MARK BATSON
BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/BAT FUTURE MUSIC (BMI)PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND MARK BATSON FOR LIVING LOOP PRODUCTIONS, INC.
VOCALS RECORDED AT SILENT SOUND STUDIO, NYC
BASS, DRUMS AND KEYBOARDS: MARK BATSON
RECORDED AT ALLUSTRIOUS STUDIOS, NYC
ENGINEERED BY MARK BATSON
STRINGS ARRANGED AND CONDUCTED BY MARK BATSON
VIOLIN: MARLENE RICE
VIOLA: JUDITH INSELL-STAACK
CELLO: NIOKA WORKMAN
RECORDED AT THE HIT FACTORY, NYC
ENGINEER: MICHAEL MCCOY
ASSISTANT ENGINEER: JON BELEC
MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NY C
ASSISTANT MIX ENGINEERS: DAN BUCCHI AND MATT SNEDECOR
Posted by: deko49.blogspot.com
Source: https://www.beyonce.com/track/