Widget HTML Atas

Time Will Reveal Jay R Mp3 Download

THE LION KING: THE GIFT (2019)

THE LION KING: THE GIFT

  • Buy Now
  • Everything you see exist together in a delicate balance
    You need to understand that balance
    And respect all the creatures
    From the crawling ant
    To the leaping antelope
    We are all connected in the great circle of life

    PERFORMED BY JAMES EARL JONES / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ARRANGEMENT AND ORCHESTRATION BY DEREK DIXIE / CO-ARRANGEMENT BY STEPHANIE MATTHEWS / STRINGS PERFORMED BY STEPHANIE MATTHEWS, STEPHANIE YU, CRYSTAL ALFORQUE, BIANCA MCCLURE, MARTA HONER, RHEA HOSANNY, TAHIRAH WHITTINGTON, ADRIENNE WOODS, CHELSEA STEVENS, JONATHAN RICHARDS / ADDITIONAL SOUNDS BY TYLER SCOTT / MIXED BY TYLER SCOTT, LESTER MENDOZA AT NRG RECODING STUDIOS NORTH HOLLYWOOD, CA / STRINGS RECORDED BY DANIEL PAMPURI AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: Beyoncé
    If you feel insignificant
    You better think again
    Bettter wake up Because
    Youʼre part of something way bigger
    Youʼre part of something way bigger
    Not just a spec in the universe
    Not just some words in a bible verse
    You are the living word
    Oh youʼre part of something way bigger
    Bigger than you
    Bigger than we
    Bigger than the picture they framed us to see
    But now we see it
    And it ainʼt no secret noo

    Verse 2: Beyoncé
    Understand that the truth about that question in your soul
    Look up donʼt look down
    Then watch the answers unfold
    Life is your birth right
    They hid that in da fine print
    Take the pen and rewrite it
    Step out your estimate
    Step in your essence and
    Know that youʼre excellent
    Rise
    The spirit is teaching
    No Iʼm not just preaching
    I'm taking my own advice
    Let mama let you know
    Mama's still trying
    I canʼt get no days off
    I donʼt get no days off
    Truly I'm feeling it
    I had to say that thing twice
    Trying to be a good wife
    Still really hard I canʼt lie
    But I promised you I would fight
    So I fight

    Verse 3: Beyoncé
    If you feeling frustrated and
    You sinking, I'm jumping in
    Forgiveness is key
    Because weʼre fighting something way bigger
    You'll never lose
    We are winners
    Iʼll be the roots
    You be the tree
    Pass on the fruit that was given to me
    Legacy
    Uh
    We part of something way bigger
    Bigger
    You're part of something way bigger
    Bigger than you
    Bigger than we
    Bigger than the picture they framed us to see
    Legacy ooo
    You're part of something way bigger

    Bridge: Beyoncé
    Let love be the Water
    I pour in you
    And you pour into me
    There ainʼt no drought here bloom into our
    Actual powers
    Iʼll be your sanctuary
    You just know it yet
    You just know it yet
    No matter how hard it gets You got my blood in ya
    And youʼre gonna Rise

    Chorus: Beyoncé
    Youʼre part of something way bigger
    Youʼre part of something way bigger
    Bigger than you
    Bigger than me
    Bigger than the picture they paint us to be
    Yeah oooo
    Youʼre part of something way bigger
    Understand that the truth About that question in your soul Look up donʼt look down
    Then watch the answers unfold Life is your birth right
    They hid that in da fine print Take the pen and rewrite it
    Step out your estimate
    Step in your essence and
    Know that youʼre excellent
    Rise
    The spirit is teaching
    No Iʼm not just preaching
    Im taking my own advice
    If you feel insignificant
    You better think again
    bettter wake up Because
    Youʼre part of something way bigger
    Youʼre part of something way bigger
    Iʼll be the roots
    You be the tree
    Pass on the fruit that was given to me
    Legacy
    Uh
    We're part of something way bigger

    PERFORMED BY BEYONCÉ/WRITTEN BY BEYONCÉ, DEREK JAMES DIXIE,STACY BARTHE, RACHEL "RAYE" KEEN, AKIL "FRESH" KING, RICHARD LAWSON / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PROKIZUM MUZIK PUBLISHING (SESAC), STACY SONG/UNIVERSAL MUSIC PUBLISHING (ASCAP), WARNER CHAPPELL MUSIC LTD (PRS), 3M PUBLISHING/BMG RIGHTS/(ASCAP), RICHARD LAWSON PUB DESIGNEE (ASCAP)/PRODUCED BY BEYONCÉ, DEREK DIXIE /ARRANGEMENT AND ORCHESTRATION BY DEREK DIXIE / CO-ARRANGEMENT BY STEPHANIE MATTHEWS/COPYIST: CHELSEA STEVENS / STRINGS PERFORMED BY STEPHANIE MATTHEWS, STEPHANIE YU, CRYSTAL ALFORQUE, BIANCA MCCLURE, MARTA HONER, RHEA HOSANNY, TAHIRAH WHITTINGTON, ADRIENNE WOODS, CHELSEA STEVENS, JONATHAN RICHARDS /ADDITIONAL VOCALS BY RACHEL "RAYE" KEEN RECORDED AT PARKWOOD WEST LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DANIEL PAMPURI, LESTER MENDOZA /ASSISTANT MIX ENGINEER: JOHN CRANFIELD, TYLER SCOTT / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / ASSISTANT RECORDING ENGINEER FOR STRINGS: ANDREA ROBERTS / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

  • Let me tell you something my father told me
    Look at the stars
    The great kings of the past look down on us from those stars
    So whenever you feel alone
    Just remember those kings will always be up there to guide you
    And so will I

    PERFORMED BY JAMES EARL JONES/WRITTEN BY JEFF NATHANSON/SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: Beyoncé
    Daddy used to take me walkin down the street
    Daddy used to take my hand say follow me...
    Daddy used to lead me back home all the time
    I got big enough to run around daddy left me outside

    Hook: Beyoncé
    He said find your way back
    Big big world but you got it baby...
    Find your back....
    Don't let this life drive you crazy
    Find your way back...
    Come back home before the streets lights on
    Find your way back...
    Find your way back...

    Verse 2: Beyoncé
    Daddy used to tell me look up at the stars
    Been a long time but remember who you are...
    Circle of life and one day I might not make it
    Circle of life and one day I might not make it

    Hook: Beyoncé
    But you just gotta find your way back
    Big big world but you got it baby...
    Find your back....
    Don't let this life drive you crazy
    Find your way back...
    Come back home before the streets lights on
    find your way back...
    Find your way back...
    Bridge: Beyoncé
    Daddy used to teach me all my moves
    Running round wild had to tie my shoes
    Itty bitty child with a smile like you...
    Wild wild child look a lot like you..
    Daddy used to teach me all my tricks
    Running round wild had to get my fix
    Daddy used to teach me all my plays
    On a marathon told me run my race

    Hook: Beyoncé
    Find your way back
    Big big world but you got it baby...
    Find your back....
    Don't let this life drive you crazy
    Find your way back...
    Come back home before the streets lights on
    Find your way back...
    Find your way back...

    Bridge: Beyoncé
    Daddy used to teach me all my moves
    Running round wild had to tie my shoes
    Itty bitty child with a smile like you...
    Wild wild child look a lot like you..
    Daddy used to teach me all my tricks
    Running round wild had to get my fix
    Daddy used to teach me all my plays
    On a marathon told me run my race

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, BRITTANY "STARRAH" HAZZARD, BUBELE BOOI, ROBERT MAGWENZI, ABISAGBOOLA "BANKULLI" OLUSEUN, OSARETIN OSABUOHIEN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PEOPLE OVER PLANES (ASCAP)/THESE ARE SONGS OF PULSE, UNIVERSAL MUSIC PUBLISHING (SAMRO), ROBERT MAGWENZI PUB DESIGNEE (SAMRO), ABISAGBOOLA OLUSEUN PUB DESIGNEE, OSARETIN OSABOUHIEN PUB DESIGNEE / PRODUCED BY BEYONCÉ, BUBELE BOOI, ROBERT MAGWENZI /ADDITIONAL PRODUCTION BY GUILTYBEATZ, DEREK DIXIE / VOCAL PRODUCTION BY BANKULLI, DEREK DIXIE /ADDITIONAL VOCALS BY BANKULLI RECORDED AT PARKWOOD WEST LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY STUART WHITE AT NRG STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DEREK DIXIE / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    CONTAINS ELEMENTS OF "MARADONA" WRITTEN BY OSARETIN OSABUOHIEN AND PERFORMED BY NINIOLA

  • Go back to your den simba
    I dont babysit

    PERFORMED BY CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: Tekno
    Suzuki no be chang jiang
    (Suzuki is no chang jiang)
    Jet li no be liu kang
    (Jet li is no liu kang)
    You know me i no be pretend
    (You know me i dont pretend)
    From start of the week to the weekend
    I no de hide for corner
    (You won't see me hiding in no corner)
    Foot work like pogba
    If you get my ton ton ton
    (If you get on my vibe)
    Me I want to get on your don don don
    (I can get on your vibe)

    Pre: Nana
    Sheep don't run with lion Snake don't swing monkey
    I can't talk for too long
    got too much gold to try on

    Sheep don't run with lion Snake don't swing monkey
    I can't talk for too long
    got too much gold to try on

    Hook: Nana
    Jealousy
    Don't you jealous me
    That's that jealousy
    Don't you jealous me
    That's that jealousy
    Don't you jealous me
    That's that jealousy
    Don't you come for me

    Mr Eazi
    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    Verse 2: Yemi Alade
    O O Odogwu
    (Great Man)
    aBeg make them talk I go give them the action
    (please let them talk , I'll give them action)
    I be the grand master
    Salute the commander
    Otunba
    Oga
    Saidi
    Chairman
    Mansa
    Oba
    (Titles of African Leaders)
    Yaro
    (Small boy/youngin)
    Clear Road
    (Make way)

    Pre: Nana
    Sheep don't run lion
    Snake don't swing with monkey
    I can't talk for too long
    got too much gold to try on

    Sheep don't run lion
    Snake don't swing with monkey
    I can't talk for too long
    got too much gold to try on

    Hook: Nana
    Jealousy
    Don't you jealous me
    That's that jealousy
    Don't you jealous me
    That's that jealousy
    Don't you jealous me
    That's that jealousy
    Don't you come for me

    Mr Eazi
    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    Baako – "one"
    Mienu – "two"
    Yenko – "let's go"
    Aahbaaa

    PERFORMED BY TEKNO, LORD AFRIXANA, MR EAZI, YEMI ALADE/WRITTEN BY BEYONCÉ, AUGUSTINE MILES KELECHUKWU, NANA O. AFRIYIE, OLUWATOSIN OLUWOLE AJIBADE, YEMI ALADE, ARIOWA IROSOGIE, EARL PATRICK TAYLOR/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TEKNO PUB DESIGNEE, EPIPHANY S WRITING GROUP (BMI)/PRIMARY WAVE BEATS (BMI)/BMG PLATINUM SONGS (BMI), SONY/ATV UK (PRS), EFFYZZIE MUSIC LTD (PRS),WARNER/CHAPPELL MUSIC LTD (ASCAP), BELLA'S MONEY/THESE ARE SONGS OF PULSE (ASCAP)/ PRODUCED BY BEYONCÉ,P2J/ADDITIONAL PRODUCTION BY DEREK DIXIE/ADDITIONAL VOCALS BY JOZZY RECORDED AT PARKWOOD WEST LOS ANGELES, CA/MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA/RECORDED BY P2J, ARI PENSMITH AT PARKWOOD WEST STUDIOS WEST HOLLYWOOD, CA/MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    TEKNO APPEARS COURTESY OF ISLAND RECORDS UK UMG AFRICA
    LORD AFRIXANA APPEARS COURTESY OF BULLISH ENETERTAINMENT
    YEMI ALADE APPEARS COURTESY OF EFFYZZIE MUSIC LTD
    MR EAZI APPEARS COURTESY OF EMPAWA AFRICA LTD

  • This must be it
    C'mon
    Simba get down it could be dangerous
    Danger? Ha I laugh in the face of danger

    PERFORMED BY JD MCCRARY, SHAHADI WRIGHT JOSEPH / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / MIXED BY ZACHARY ACOSTA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: Burna Boy
    Your body go rest o
    (you will calm down)
    Papa tell piken
    (A father told child)
    Your body go resto
    Your body go resto

    Pre: Burna Boy
    Your tongue go confess o
    (you will speak the truth)
    Your head will correcto
    (Your mind will be focused)
    You no forgeto
    (You won't forget)
    She you get the concept
    (Do you understand)

    Chorus: Burna Boy
    Dem no day tell person
    (Nobody will tell you)
    Ja Ara é Ja Ara é
    You go learn your own lesson
    (You will learn our own lessons)
    Ja Ara é Ja Ara é
    Everybody keeps on searching
    Ja Ara é Ja Ara é
    For miraculous blessings
    Ja Ara é Ja Ara é

    Verse 1: Burna Boy
    You go bow for Lagos
    (You will be confused Lagos) (back home)
    Ja Ara
    If you no know yourself you go lost
    (if you don't know yourself you will get lost)
    Ja Ara
    If you get money you be bros
    (I you have money you will be respected)
    Ja Ara
    Omo nobody holy no apostles
    (Nobody is holy there are no apostles)
    Ja Ara

    Pre: Burna Boy
    Your tongue go confesso
    (you will speak the truth)
    Your head will correcto
    (Your mind will be focused)
    You no forget o
    (You won't forget)
    Shey you get the concept
    (Do you understand)

    Chorus: Burna Boy
    Dem go tell you watch out when you go
    (They will tel you to watch out)
    Watch out pon de road
    Watch out for them hyenas
    Watch out when you go
    Watch out pon de road
    Watch out

    Bridge: Burna Boy
    Look around in all the places you go to
    Stand your ground and stay solid like ogun (God of iron (strength))
    Watch your back and just do what you're supposed to
    Take care of family and people your close to

    Chorus: Burna Boy
    Dem no day tell person
    (Nobody will tell you)
    Ja Ara é Ja Ara é
    You go learn your own lesson
    (You will learn your own lessons) Ja Ara é Ja Ara é
    Everybody keeps on searching
    Ja Ara é Ja Ara é
    For miraculous blessings
    Ja Ara é Ja Ara é

    PERFORMED BY BURNA BOY / WRITTEN BY BEYONCÉ, DAMINI OGULU, RICHARD ISONG / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC PUBLISHING GROUP (ASCAP), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP) / PRODUCED BY BEYONCÉ, P2J / ADDITIONAL PRODUCTION BY DEREK DIXIE / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDED BY P2J AT RED ROOM, MILOCO STUDIOS LONDON, UK AND CECIL BERNARDY AT RECORD PLANT RECORDING STUDIOS LOS ANGELES, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    BURNA BOY APPEARS COURTESY OF BAD HABIT/ON A SPACESHIP/ATLANTIC RECORDS

  • PERFORMED BY JD MCCRARY, CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY LESTER MENDOZA/MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: Beyoncé and Kendrick
    One time I took a swim in the Nile
    I swam the whole way I didn't turn around
    Man I swear
    It made me relax when I came down

    I felt liberated like free birds
    I'm stimulated now
    Plunging away unless my body on top

    All of these current might cost me my life
    Right now

    When danger finds me it follow with tides
    Many miles ahead of me still I'm in stride
    She said

    Bridge: Beyoncé
    Hey little buddy where you going
    I'm not sure but I know I'm still in motion
    This ain't regular I seen regular
    These streams may take me out to the ocean

    Verse: Kendrick
    Told myself if I dive in it without precaution of a life jacket
    Then I'll dive in until I'm exhausted and I'm type lackin'
    Waste line on 4 deep
    Senses on 4 deep
    Feel like there's 4 me

    Chorus: Beyoncé and Kendrick
    One time I took a swim in the Nile
    (one time I took a swim)
    I swam the whole way I didn't turn around
    Man I swear
    (I swear)
    It made me relax when I came down
    (when I came down)
    I felt liberated like free birds
    I'm stimulated now
    (stimulated) Plungin away unless my body on top
    (Stimulated now)
    All of these currents might cost me my life
    Right now
    (right now)
    When danger finds me it follows with tides
    (stimulated right now)
    Many miles ahead of me still I'm in stride

    That's some good

    Verse: Beyoncé
    Got the Nile running through my body
    Look at my natural
    I'm so exotic
    Darker than berry
    Sweeter than fruit
    Deeper the wounded
    Deeper the roots
    Nubian doused in brown
    Boy I'm lounging in it
    Fountain of you, I said I'm drowning in it
    I'm in the Nile, deep in denial
    I'm in the Nile, deep in denial

    PERFORMED BY BEYONCÉ, KENDRICK LAMAR / WRITTEN BY BEYONCÉ, KENDRICK DUCKWORTH, MARK SPEARS, HYKEEM CARTER, KEANU DEAN TORRES, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, HARD WORKING BLACK FOLKS INC (ASCAP)/TOP DAWG MUSIC (ASCAP)/WB MUSIC CORP (ASCAP), PUSHY PUBLISHING (ASCAP), TDE MUSIC LLC (BMI), HYKEEM CARTER PUB DESIGNEE (BMI) , KEANU DEAN TORRES PUB DESIGNEE (APRA), 114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI)/ PRODUCED BY BEYONCÉ, SOUNWAVE, HYKEEM CARTER, KEANU BEATS / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/KENDRICK VOCALS RECORDED BY MATT SCHAFFER AT INTERSCOPE RECORDS LOS ANGELES, CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT ENGINEER: JOHNNY KOSICH, JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    KENDRICK LAMAR APPEARS COURTESY OF TOP DAWG ENT/AFTERMATH RECORDS/INTERSCOPE RECORDS

    NEW LESSON (TIMON, PUMBAA, & YOUNG SIMBA INTERLUDE)

    PERFORMED BY BILLY EICHNER, SETH ROGEN, JD MCCRARY / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, LUDWIG GORANSSON / MIXED BY LESTER MENDOZA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • PERFORMED BY BILLY EICHNER, SETH ROGEN, JD MCCRARY / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, LUDWIG GORANSSON / MIXED BY LESTER MENDOZA, JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: Beyoncé
    I know my enemies prey on me
    So pray for me
    Tick tick wait on it
    I'm keeping down my body count
    I'm finessing like a trap bounce, trap bounce
    Cause everyday above ground is a blessing
    I done leveled up
    Now my view Panoramic
    None of my fears can't go where I'm headed
    Had to cut em loose
    Now I'm loose break the levee
    I'm bout flood on em flood on a killa
    They ran it down, I'm ___, go Mutombo, no no killa
    You can't dim my light
    Cause When we walk up in the club
    I need them sirens going off
    Then we look up in the sky
    The tears cry let us know that we're alive, yeah yeah
    I get goosebumps every time
    I throw up my diamond
    Together we big timing
    Don't make me have to remind ya

    Chorus: Beyoncé
    I got my cup to the heavens
    Another night I won't remember
    Promise this my mood foreva
    Promise this my mood foreva
    Treasures dancing on the bezel
    The kinda feeling unforgettable
    Promise this my mood foreva
    Promise this my mood foreva
    Foreva and eva

    Verse 2: Jay-Z
    You heard that
    That's the sound of the price going up
    Forever and eva eva
    And Eva Eva
    At the Saxon in the Madiba suite
    Like Mandela
    Bumping Fela on the puma jet
    Like we from Lagos man
    Mansa Musa reincarnated
    We on our levels that's a Billi
    A thousand Milli
    First one to see a B
    Out these housing buildings
    I be feeling like Prince in 94
    Mike in 79
    Biggie in 97
    94 Nas
    Ali bumaye no Kumbaya
    Just give me the Somale
    I'm on lataj
    Helmet on the Jet Ski
    You know the vibes
    Hit my head, figured out me
    Oh my God without the God in the XY
    I'm afraid whole the game will be colonized
    The marathon will be televised for NIP
    Cause true kings don't die, we multiply
    Peace

    Sub Verse (Verse 1.2): Beyoncé
    I'm so unbothered , I'm so unbothered
    Y'all be so pressed while I'm raising daughters
    Sons of empires y'all make me chuckle
    Stay in your struggle
    Crystal blue water
    Piña colada and you stay ramada inn
    My baby father blood line Rwanda
    Why would you try me
    Why would you bother
    I am Beyoncé
    Giselle Knowles-Carter
    I am the Nala
    Sister of Naruba
    Oshun Queen Sheeba
    I am the mother , ankh on my gold chain
    I sold my whole chain
    I be like soul food
    I am a whole mood

    When we walk up in the club
    I need the sirens going off
    Then we look up in the sky
    The tears cry let us know that we're alive, yeah yeah
    I give goosebumps every time
    I throw up my diamond
    Together we big timing
    The children are our reminder

    Chorus: Beyoncé
    I got my cup to the heavens
    Another night I won't remember
    Promise this my mood foreva
    Promise this my mood foreva
    Treasures dancing on the bezel
    The kinda feeling unforgettable
    Promise this my mood foreva
    Promise this my mood foreva
    Foreva and eva
    Eva , Eva
    Forever and eva

    Bridge: Beyoncé
    No shade no shade I got that lime light
    No trade no trade I wont't give-up my pride
    I'm focused so get your mind right
    Cloud 9 cloud 9 I couldn't ever tell you what's going down

    Time to break it down now
    Woo..yeah
    Woo…yeah
    Woo…yeah

    Chorus: Beyoncé
    I got my cup to the heavens
    Another night I won't remember
    Promise this my mood foreva
    Promise this my mood foreva
    Treasures dancing on the bezel
    The kinda feeling unforgettable
    Promise this my mood foreva
    Promise this my mood foreva
    Foreva and eva
    Forever and eva
    Eva eva eva eva eva
    Foreva and eva
    eva and
    eva and eva (reapet)

    PERFORMED BY BEYONCÉ, JAY-Z, CHILDISH GAMBINO, OUMOU SANGARÉ / WRITTEN BY BEYONCÉ, S. CARTER, DONALD GLOVER, KHALED KHALED, FLOYD NATHANIEL HILLS, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV, ANATHI BHONGO MNYANGO,ANT CLEMONS, MICHAEL UZOWURU,TEO HALM, JEFF KLEINMAN, OUMOU SANGARE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), CHILDISH INDUSTRIES(BMI),BMG PLATINUM SONGS US (BMI)/GIVE THANKS PUBLISHING (BMI),DANJAHANDZ MUZIK (SESAC),114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI), GOLD TEA PRODUCTIONS (SAMRO), A. BLESSING PUBLISHING (BMI)/SONG OF UNIVERSAL (BMI), BEYOND CATEGORY LLC/UNIVERSAL MUISC PUBLISHING GROUP,SONGS OF UNIVERSAL, INC(BMI), UNIVERSAL MUSIC PUBLISHING (ASCAP),OUMU SANGARE PUB DESIGNEE / PRODUCED BY BEYONCÉ,DJ KHALED, DANJA/ADDITIONAL PRODUCTION BY MICHAEL UZOWURU, TEO HALM, JEFF KLEINMAN /BEYONCÉ VOCALS RECORDED BY STUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/ JAY-Z VOCALS RECORDED BYSTUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/CHILDISH GAMBINO VOCALSRECORDED BY RILEY MACKIN AT THE TEMPLE LOS ANGELES, CA/MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL /MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    CONTAINS ELEMENTS OF "DIARABY NENE" WRITTEN AND PERFORMED BY OUMOU SANGARE
    CONTAINS AN INTERPOLATION OF "SWEET GREEN FIELDS" WRITTEN BY JIMMY SEALS, PUBLISHED BY SONY/ATV ACUFF ROSE MUSIC (BMI).
    CONTAINS AN INTERPOLATION OF "(THINK) ABOUT IT" WRITTEN BY JAMES BROWN, PUBLISHED BY UNICHAPPELL MUSIC INC./DYNATONE PUBLISHING CO. (BMI).

    JAY-Z APPEARS COURTESY OF ROCNATION
    CHILDISH GAMBINO APPEARS COURTESY OF WOLF & ROTHSTEIN / RCA RECORDS

  • PERFORMED BY BEYONCÉ KNOWLES-CARTER, DONALD GLOVER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA, JOHN CRANFIELD / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®/©2019 DISNEY ENTERPRISES, INC.

  • Hook: Salatiel
    Baby Oh I'm not much of a talker
    Baby Oh can I drink from your water
    Baby Oh meet me down by the river
    We can dance to the rhythm

    Post: Pharrell
    Yes we can make it far
    Don't need inflatables
    That's what the waves are for
    What are you waiting for

    Yes we can make it far
    Don't need inflatables
    That's what the waves are for
    What are you waiting for

    Verse: Pharrell
    Oh darling if you leave
    I'll go whereve you go
    I'll where your heart on my sleeve
    So everybody here knows
    But if you tell me to stay
    You'll never be on your own
    So baby , don't wait too long

    Hook: Pharrell
    Baby oh
    I'm not much of a talker
    Baby oh
    Can I drink from your water
    Baby oh
    Meet me down by the river
    We can dance to the rhythm
    Till the sun is high and the water runs dry

    Post: Pharrell
    Yes we can make it far
    Don't need inflatables
    That's what the waves are for
    What are you waiting for

    Yes we can make it far
    Don't need inflatables
    That's what the waves are for
    What are you waiting for

    Verse 2: Beyoncé
    I'll bring you back the moon
    Just so we got all night
    I'll bring the sun down too
    So I can show you the light
    Trust me if you ever leave
    I'll be right by your side oh
    For you, I'll ride

    Hook: Pharrell and Beyoncé
    Baby oh
    I'm not much of a talker
    Baby oh
    Can I drink from your water
    Baby oh
    Meet me down by the river
    We can dance to the rhythm
    Till the sun is high and the water runs dry

    Post: Pharrell
    Yes we can make it far
    Don't need inflatables
    That's what the waves are for
    What are you waiting for

    Yes we can make it far
    Don't need inflatables
    That's what the waves are for
    What are you waiting for

    Hook: Pharrell and Beyoncé
    Baby oh
    I'm not much of a talker
    Baby oh
    Can I drink from your water
    Baby oh
    Meet me down by the river
    We can dance to the rhythm
    Till the sun is high and the water runs dry

    PERFORMED BY SALATIEL,PHARRELL, BEYONCÉ/WRITTEN BY BEYONCÉ, NANA O. AFRIYIE , NIJA CHARLES PKA NIJA, PHARRELL WILLIAMS, RICHARD ISONG, ALASTAIR O'DONNELL/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EPIPHANY S WRITING GROUP (BMI)/PRIMARY WAVE BEATS (BMI)/BMG PLATINUM SONGS (BMI), SONGS OF UNIVERSAL, INC. AND SONGS BY AMNIJA. ALL RIGHTS FOR SONGS BY AMNIJA CONTROLLED AND ADMINISTERED BY SONGS OF UNIVERSAL, INC, MORE WATER FROM NAZARETH (GMR), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP), NEO SONGS/BMG/PRODUCED BY BEYONCÉ, P2J/ADDITIONAL VOCALS BY MOONCHILD SANELLY / BEYONCÉ VOCALS RECORDEDBYSTUART WHITE AND JOHN CRANFIELD AT KINGSLANDING LOS ANGELES, CA/SALATIEL VOCALS SELF RECORDED/ PHARRELL VOCALS RECORDED BY MIKE CARSONBY RECORDING ENGINEER AT MOTORBASS RECORDING STUDIO PARIS, FR/MIXED BY LESLIE BRATHWAITE AT MEANS STREET STUDIOS IN ATLANTA, GA /ASSISTANT ENGINEER: JENNA FELSENTHAL, ANTOINE POYETON / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    SALATIEL APPEARS COURTESY OF ALPHA BETTER RECORDS
    PHARRELL APPEARS COURTESY OF IIAMOTHER/COLUMBIA RECORDS

  • Intro (Chorus): Blue Ivy Carter, SAINt JHN
    Brown skin girl
    Ya skin just like pearls
    The best thing in the world
    I never trade you for anybody else baby
    Brown skin girl
    Ya skin just like pearls
    The best thing in the world
    I never trade you for anybody else, singin'

    Verse 1: WizKid
    She say she really grew up just like me
    Don't believe in nothing but the almighty
    Just a little jeans and a pure white tee
    She never dream for ever be nobody wifey
    She Wilhemina pretty but she heart is a maze
    Play ya like a villain 'cause she caught in a wave
    Tonight I am walking away
    9 to 5 mind on the grind ya ya

    Pre: WizKid
    Tonight I might fall in love
    Depending on how you hold me
    Iʼm glad that Iʼm calming down
    Can't let no one come control me
    Keep dancing and call it love
    She fights it but falling slowly
    If ever you are in doubt
    Remember what Mama told me

    Chorus: WizKid
    Brown skin girl
    Ya skin just like pearls
    Your back against the world
    I never trade you for anybody else yeah

    Brown skin girl Ya skin just like pearls The best thing inna di world
    I never trade you for anybody else yeah

    Verse 2: Beyoncé
    Pose like a trophy when Naomi's walking
    She need a Oscar for that pretty dark skin
    Pretty like Lupita when the cameras close in
    Drip broke the levee when my Kelly's Rowland
    I think tonight she might braid her braids
    Melanin too dark to throw her shade
    She minds her business and whines her waist
    Gold like 24K, OK
    Pre: WizKid and Beyoncé
    Tonight I might fall in love
    Depending on how you hold me
    Iʼm glad that Iʼm calming down
    Can't let no one come control me
    Keep dancing and call it love
    She fights it but falling slowly
    If ever you are in doubt
    Remember what Mama told me

    Brown skin girl
    Ya skin just like pearls
    Ya back against the world
    I never trade you for anybody else yeah
    Brown skin girl
    Ya skin just like pearls
    The best thing about di world
    I never trade you for anybody else yeah

    Bridge: Beyoncé
    Oh oh, have you looked in the mirror lately
    Wish you could trade eyes with me
    'Cause there's complexities
    In complexion
    But your skin
    It glows like diamonds
    Pigment like the earth
    You be giving birth
    To everything alive
    Baby know your worth
    I love everything about you
    From your nappy curls
    To every single curve
    Your body natural
    Same skin that was broken
    Be the same skin taking over
    Most things out of focus view
    But when you're in the room
    They notice you
    'Cause you're beautiful
    Yeah you're beautiful
    The men them gon' fall in love
    With you and all of your glory
    Your skin is not only dark
    It shines and it tells your story
    Keep dancing
    They can't control you
    They watching
    They all adore you
    If ever you are in doubt
    Remember what Mama told you

    Chorus: WizKid and Beyoncé
    Brown skin girl
    Ya skin just like pearls
    Your back against the world
    I never trade you for anybody else
    Brown skin girl
    Ya skin just like pearls
    The best thing in the world
    I never trade you for anybody else, say

    Chorus: Blue Ivy Carter
    Brown skin girl
    Ya skin just like pearls
    The best thing in the world
    I never trade you for anybody else, singin'

    PERFORMED BY BLUE IVY CARTER, SAINt JHN, BEYONCÉ, WIZKID/WRITTEN BY BEYONC&Ereg;, CARLOS ST. JOHN, ADIO MARCHANT, S. CARTER, STACY BARTHE, ANATHI BHONGO MNYANGO, MICHAEL UZOWURU, RICHARD ISONG/ PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, THE ST. JOHN PORTFOLIO/BMG PLATINUM, BLACK BUTTER MUSIC PUBLISHING LTD/BMG RIGHTS MANAGEMENT (UK) LTD,CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), STACY SONGS/UNIVERSAL MUSIC PUBLISHING (ASCAP), GOLD TEA PRODUCTION LLC (SAMRO),BEYOND CATEGORY LLC/UNIVERSAL MUSIC PUBLISHING GROUP, P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP)/PRODUCED BY BEYONC&Ereg;, P2J / ADDITIONAL PRODUCTION BY DEREK DIXIE/BASS BY PINO PALLADINO/ BLUE IVY VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/SAINt JHN VOCALS RECORDED BY P2J AT GEE JAM STUDIO PORT ANTONIO, JAMAICA / WIZKID VOCALS RECORDED BY ENGINEER SAM HARPER AT RECORDING STUDIOTHE RED ROOM MILOCO STUDIOSLONDON,UK/ BEYONC&Ereg; VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA/TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA/RECORDING ENGINEER: LESTER MENDOZA,DANIEL PAMPURI, CHRISOTHPER ULRICH/MIX ASSISTANT: JOHN CRANFIELD/ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA/ MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    SAINT JHN APPEARS COURTESY OF HITCO
    WIZKID APPEARS COURTESY OF RCA

  • PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY ZACHARY ACOSTA / MIXED BY ZACHARY ACOSTA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: Tiwa Savage
    See how the sun and the moon bow for you
    But you won't open your eyes

    Omo oba ma gba gbe (Son of the king don't you forget)
    Run ti oruko Baba re (Remember your father's name)

    Pre: Tiwa Savage
    Tick tock pretty baby
    You can get it back don't you waste it
    To grow from your past gotta face it
    Ahh, yeah

    Chorus: Tiwa Savage
    Ooh you are the remedy
    Don't know what's inside
    But you're the key to the kingdom

    Ooh you are the remedy
    Don't know what's inside
    But you're the key to the kingdom So believe
    Even if you can't see I'll never leave
    Cause You're the key to the kingdom (2x)

    You're the key to the kingdom
    Oh you are the remedy
    Don't know what's inside
    But you're the key to the kingdom
    You're the key to the kingdom
    Hey, so believe even if you can't see I'll never leave
    You're the key to the kingdom
    You're the key to the kingdom

    Verse 2: Mr Eazi
    Zagadat
    Just like the tree, just like the Chinese bamboo tree
    See eyes might not see the greatness inside you, that lies within

    Oya come sit pon your throne,
    you know you no go stay down for long,
    whenever in doubt and alone
    Just remember, you're the king inna the kingdom

    Bridge: Tiwa Savage
    You're the key to the kingdom
    Oh you are the remedy
    Don't know what's inside
    But you're the key to the kingdom
    You're the key to the kingdom
    Hey, so believe even if you can't see I'll never leave
    You're the key to the kingdom
    You're the key to the kingdom

    Post: Tiwa Savage
    Here's some things you have to know it go rough for man to grow
    When you feel you had enough You gotta breathe
    Just remember who you are
    If you forget look to the stars
    Even the strong get weak
    But you're the key , you're the key

    Verse 2: Tiwa Savage
    Baby you're the key
    It cost my life to pave the way
    You get it for free
    (Call on me when you need)
    It's obvious to me
    Bloodline is royalty passed to you when I leave But
    (Call on me when you need)

    Pre Hook: Tiwa Savage
    Tick tock pretty baby
    You can't get it back don't you waste it
    To grow from your past

    PERFORMED BY TIWA SAVAGE, MR EAZI / WRITTEN BY BEYONCÉ, KIM KRYSIUK PKA "KAYDENCE", RICKIE TICE PKA "CASO", AKIL "FRESH" KING, TIWATOPE SAVAGE, GERALD "MIXEDBYGWHITE" WHITE, ARIOWA IROSOGIE, RICH KING, OLUWATOSIN OLUWOLE AJIBADE, RONALD BANFUL, DEREK JAMES DIXIE, RICHARD ISONG/ PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SEVEN CORNERS/BMG (BMI), PEN PIPER PUBLISHING(BMI), 3M PUBLISHING/BMG RIGHTS, SONYATV/TIWASAVAGE PUBLISHING (ASCAP), GERALD WHITE PUB DESIGNEE (BMI), WARNER/CHAPPEL MUSIC LTD, HILLTOP AVENUE PUBLISHING (ASCAP), SONYATV UK (PRS), RONALD BANFUL COPYRIGHT CONTROL (PRS), PROKIZUM MUZIK PUBLISHING (SESAC), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP) / PRODUCED BY BEYONCÉ, NORTHBOI ORACLE / CO-PRODUCED BY GUILTYBEATZ, P2J, DEREK DIXIE / ADDITIONAL VOCALS BY ARI PENSMITH / BASS BY COURTNEY LEONARD / GUITAR BY ROD CASTRO / MIXED BY CHRIS GODBEY AT TIKI HILL STUDIOS DALLAS, TX AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / RECORDING ENGINEERS: ARI PENSITH, DANIEL PAMPURI / MIX ASSISTANT: TYLER SCOTT, LESTER MENDOZA / ASSISTANT ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    TIWA SAVAGE APPEARS COURTESY OF UNIVERSAL MUSIC GROUP
    MR EAZI APPEARS COURTESY OF EMPAWA AFRICA LTD

  • PERFORMED BY DONALD GLOVER, JOHN KANI / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL SOUNDS BY LESTER MENDOZA / MIXED BY LESTER MENDOZA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Hook: Beyoncé
    Long live the king
    You a king you know it
    King already..
    Already you know it
    Top everything, everything you know it…
    King already
    Already you know it

    Verse 1: Beyoncé
    Mind body soul
    Got a king body…
    Body gon shine
    Bling bling body…
    Callin all the shots
    Ring ring body..
    Crown on ya head
    Got a king body….

    Hook: Beyoncé
    Long live the king
    You a king you know it
    King already…
    My baby you know it…
    Top everything
    Everything you know it…
    King already…
    Already you know it

    Post: Beyoncé
    Shine already…
    It's time already
    In line already
    It's time already
    Shine already…
    It's time already
    In line already
    It's time already

    Verse 2: Beyoncé
    Tried to stop it me say no, no, no
    Royalty say don't you know
    Know, know, know
    Tried to stop it me say go, go, go
    Bubble up and watch it
    Grow, grow, grow

    Verse 3: Shatta Wale
    Every king Be Ruler,
    Be ruler yea
    Every warrior they conquer yea
    Every king be stronger yea
    King Dey rule them long yea.
    Osh Remember who you are ooh oh oh Osh Real king always win ooh oh.
    Osh You for be brave ooh oh oh.
    Osh And show your people more love ooh oh Osh
    It's time already,
    I say it's time already,
    In line already
    I say in line already.
    Only You got the remedy
    I say you got the remedy
    Shine your body
    Shine your body.
    Ha Ha HAahh......
    Be your own king Make nobody come rule your world.

    Yo Yo Yo......
    Be your own king Make nobody come rule your world.
    Ha Ha HAahh......
    Be your own king Make nobody come rule your world.
    Yo Yo Yo......
    Be your own king Make nobody come rule your world.
    Long Live the king
    You are a king and you know it
    Top everything, everything you know it Show them the way, you know it
    You know it, know it

    Bridge: Beyoncé
    Diamonds on my fist
    Fighting demons y'all
    Come and rest your head
    Take your crown off oh
    Woke up in a foreign
    Need to take it slow
    He said I'm moving too fast
    Said I need to take it too slow
    Take it slow take it slow
    Trying to take my baby home
    Take it slowww take it sloww

    Verse 4: Shatta Wale
    Osh remember who you are ooh oh oh
    Osh real king always win ooh oh
    Osh you for be brave ooh oh oh
    Osh and show your people more love
    Ooh oh Osh
    It's time already
    I say it's time already
    In line already
    I say in line already
    Only you got the remedy
    I say you got the remedy
    Shine your body
    Shine your body
    Ha Ha Haah… Be your own king
    Make nobody come rule your world
    Yo yo yo..
    Be your own king make nobody come

    Hook: Shatta Wale
    Long live the king
    You a king you know it
    Top everything, everything you know it…
    Show them the world
    You know it
    You know it
    You know it

    PERFORMED BY BEYONCÉ, SHATTA WALE, MAJOR LAZER / WRITTEN BY BEYONCÉ, BRITTANY "STARRAH" HAZZARD, TOUMANI DIABATE, CLÉMENT PICARD, MAXIME PICARD, THOMAS WESLEY PENTZ, CHARLES NII ARMAH MENSAH, RONALD BANFUL / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, PEOPLE OVER PLANES (ASCAP)/THESE ARE SONGS OF PULSE, TOUMANI DIABATE PUB DESIGNEE (BMI), CLÉMENT PICARD PUB DESIGNEE (SACEM), MAXIME PICARD PUB DESIGNEE (SACEM), I LIKE TURTLES MUSIC (ASCAP), CHARLES NII ARMAH MENSAH PUB DESIGNEE (BMI), BANFUL COPYRIGHT CONTROL (PRS) / PRODUCED BY BEYONCÉ, DIPLO, PICARD BROTHERS / CO-PRODUCED BY GUILTYBEATZ / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / MIXED BY CHRIS GODBEY AT TIKI HILL STUDIOS DALLAS, TX AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD,CA / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    SHATTA WALE APPEARS COURTESY OF FANTASY ENTERTAINMENT GROUP
    MAJOR LAZER APPEARS COURTESY OF MAD DECENT

  • As King I was most proud of one thing
    Having you as my son
    I never left you
    I never will
    Remember who you are
    Remember

    PERFORMED BY JAMES EARL JONES / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE /ADDITIONAL VOCALS BY ERYN ALLEN KANE / MIXED BY LESTER MENDOZA, AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • If the storm comes
    If we burn up
    If the wells run dry
    You're my reason
    To believe in
    Another life

    If it all ends
    And it's over
    If the sky falls fire
    Best believe me
    You will see me
    On the other side

    If we wake up
    Lose our patience
    Or eben lose our lives
    I'll feel lucky
    To say that you've been
    A friend of mine

    Best believe me
    You will see me
    On the other side

    Bankuli Swahili Chants
    B Swahili Chants

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, SYDNEY BENNETT, DAVE ROSSER, NICK GREEN, ABISAGBOOLA "BANKULLI" OLUSEUN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF KOBALT MUSIC PUBLISHING (BMI), DAVE ROSSER MUSIC (BMI)/THESE ARE PULSE SONGS (BMI), SONGS FOR DON (BMI)/THESE ARE PULSE SONGS (BMI), ABISAGBOOLA OLUSEUN PUB DESIGNEE / PRODUCED BY BEYONCÉ, NICKY DAVEY / ADDITIONAL PRODUCTION BY DEREK DIXIE, SYDNEY BENNETT / ADDITIONAL VOCALS BY BANKULLI RECORDED AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLASNDING LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA AND STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: DEREK DIXIE, LESTER MENDOZA, DANIEL PAMPURI / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    WAR (NALA INTERLUDE)

    PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Your reign is over Scar
    If you want to get him, you'll have to get through us
    Are you with me lions?

    PERFORMED BY BEYONCÉ KNOWLES-CARTER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE/MIXED BY ZACHARY ACOSTA AND JOHN CRANFIELD AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Hook: Nija
    They'll never take my power
    My power, my power
    They'll never take my power
    My power, my power
    They feel a way Oh wow
    They feel a way Oh wow

    They'll never take my power
    My power, my power
    They'll never take my power
    My power, my power
    They feel a way Oh wow
    They feel a way Oh wow

    Verse 1: Tierra Whack
    I was always in the lead
    Who ya wanna be?
    I'm who they wanna be?
    B E A U T Y
    Never seen so much rage from a Queen
    Rage from a Queen
    Rage from a Queen
    Queen so strong
    Thought she was a machine
    Girl of ya dreams
    Synclaire Regine
    Turned to the max
    Can't forget Maxine

    Refer to me as a Goddess!
    I'm tired of being modest
    100 degrees the hottest
    Ebony and Ebonics
    Black people win
    They say we being demonic
    Angel in disguise
    I hate I have to disguise it
    Why you gotta despise it
    Rich in the mind, That's why I'm making deposits
    I carry all the power
    Time to realize it!

    Hook: Nija
    They'll never take my power
    My power, my power
    They'll never take my power
    My power, my power
    They feel a way Oh wow
    They feel a way Oh wow

    They'll never take my power
    My power, my power
    They'll never take my power
    My power, my power
    They feel a way Oh wow
    They feel a way Oh wow

    Verse 2: Beyoncé
    This that Rhythm
    This that lightening
    This that burn
    This ain't no Perm
    This that Nappy
    This that herb
    This that Kinfolk
    This that Skinfolk
    This that war
    This that bloodline
    On the frontline
    Ready for war
    Where you gon run
    Ima get loose get loose
    Get low get low
    Ima get loose get loose
    Get low get low
    Gotta protect my grace
    Keep it locked in a safe
    Don't make me get back to my ways
    My power they'll never take

    Hook: Nija
    They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way Oh wow
    They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way
    Oh wow

    Vumani bo! (Do you agree/Are you with me?)
    Syavuma!!! (We agree/ We are with you)
    Selingenile iKumkani (The King has arrived)
    Ningangabazi amandi' ami (Do not doubt my power)
    Ngizo gobis' abanenkani (I will persuade those who are stubborn)

    Thulani bo! (Be Quiet)
    Senghleli!!! (We are still)
    Selivukil' iDimoni lami (My inner-demons have awakened)

    Nibabuzil' abaziyo ngam (Have you asked those who know of me)
    There will be peace when I'm done

    Jongani bo! (Look here)
    Syabona!!! (We See)
    Ndim neSkeem sami (It is me & my 'squad')
    Sizilethile Izikhali (We have prepared weapons)
    La amagwal awahlangani (Cowards have no place here)

    Hlalani bo (Sit! *plural*)
    Ibamb'Umthetho (be still & obedient)
    Niyabon' iyinkinga lento (can you see we have a challenge/predicament?)
    Soy'lungisa (We will resolve it)
    Themba Mina (Put your trust in me)
    Qoq amaqhawe! Soy'qeda manje! (Gather the Troops! We will finish it now!)

    Hook: Nija
    They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way Oh wow
    They'll never take my power My power, my power They'll never take my power My power, my power They feel a way Oh wow They feel a way
    Oh wow

    Bridge: Yemi Alade
    You no fit to touch am O
    You no fit to touch am O

    Verse 5: Moonchild
    Boom Boom check you later
    I roll with the danger
    Andoyiki n'inja
    (I'm not even scared of dogs)
    Mina ndili ninja
    (Because I'm a ninja)

    Boom Boom check you later
    I roll with the danger
    Andoyiki n'inja
    (I'm not even scared of dogs)
    Mina ndili ninja
    (Because I'm a ninja)

    PERFORMED BY NIJA, BEYONCÉ, BUSISWA, YEMI ALADE, TIERRA WHACK, MOONCHILD SANELLY, DJ LAG / WRITTEN BY BEYONCÉ, BUSISWA GQULU, YEMI ALADE, TIERRA WHACK, SANELISIWE TWISHA ,NIJA CHARLES PKA NIJA, DENISIA "@BLU_JUNE" ANDREWS FOR @NOVAWAV, BRITTANY "@CHI_CONEY" CONEY FOR @NOVAWAV, LWAZI ASANDA GWALA/PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SON/ATV MUSIC PUBLISHING (SAMRO), EFFYZZIE MUSIC LTD (PRS), TIERRA WHACK PUB DESIGNEE UNIVERSAL MUSIC PUBLISHING GROUP (ASCAP), MOONCHILD SANELLY PUB DESIGNEE (SAMRO), SONGS OF UNIVERSAL, INC. AND SONGS BY AMNIJA. ALL RIGHTS FOR SONGS BY AMNIJA CONTROLLED AND ADMINISTERED BY SONGS OF UNIVERSAL, 114 SOUNDS/W.B.M MUSIC CORP (SESAC), CONEY COSMOS MUSIC PUBLISHING/WARNER-TAMERLANE PUBLISHING CORP. (BMI), DJ LAG PUB DESGINEE / PRODUCED BY BEYONCÉ, DJ LAG / ADDITIONAL PRODUCTION BY DEREK DIXIE / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / BUSISWA VOCALS RECORDED BY GUILTYBEATZ AT EIGHT MUSIC STUDIOS IN JOBURG, SA / YEMI ALADE VOCALS RECORDED BY P2J AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / TIERRA WHACK VOCALS RECORDED BY KENETE SIMMS AT NAKED PEOPLE STUDIOS PHILADELPHIA, PA / MOONHILD SANELLY VOCALS RECORDED BY XIVONAKI MANZINI AT THE COUSINS X AQUANOTE PRODUCTIONS SOUTH AFRICA AND ZAIN VALLY AT MAD COW STUDIO (ZA) / NIJA VOCALS RECORDED BY NIJA AT PARKWOOD WEST STUDIOS LOS ANGELES,CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / RECORDING ENGINEER: JENNA FELSENTHAL, DANIEL PAMPURI / MIX ASSISTANT: JOHN CRANGIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    NIJA APPEARS COURTESY OF LEGION
    BUSISWA APPEARS COURTESY OF BUSISWA ENTERTAINMENT
    YEMI ALADE APPEARS COURTESY OF EFFYZZIE MUSIC LTD
    TIERRA WHACK APPEARS COURTESY INTERSCOPE RECORDS
    MOONCHILD SANELLY APPEARS COURTESY OF BAND OF WOLVES
    DJ LAG APPEARS COURTESY OF HYPERDUB

  • Give me one good reason why I shouldn't rip you apart
    I can give you more than one

    PERFORMED BY DONALD GLOVER, CHIWETEL EJIOFOR / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE, P2J / MIXED BY ZACHARY ACOSTA, AND JOHN CRANFIELD AT NRG STUDIOS IN NORTH HOLLYWOOD, CA/MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1: 070 Shake
    I wonder
    How and why it went so wrong
    It's been so dark yea
    I wanna say my last goodbyes and Iʼll be gone For good left you guys behind oh
    Iʼm so lonely

    Verse 1: Jessie Reyez
    In the jungle
    Aint no bible
    Show time show time
    No recital
    Show no fear boy
    Where's your spinal
    Where's your back bone
    Where's your pyro
    I had to be everything you couldn't be for my survival
    My own idol
    Skipped my trial
    And took my rightful
    Rightful title

    No remorse
    The sin is final
    I found all my
    Own disciples
    I'm too far gone
    Down this spiral
    No white angels
    Just albinos
    Check my eyes man, they're all white man, rolling back now
    where'd the light go
    Guess it died so
    Cold like kryo
    Crack my kneck back like in the chiro eeeeeee

    Hook: Jessie Reyez
    I've waited too long for this
    I need this like oxygen
    I've waited too long for this
    I need this like oxygen
    I've waited too long for this
    I need this like oxygen
    Dark side is fine by me

    Verse 2: 070 Shake
    Sorry
    Sorry
    My own family
    I slayed you
    Betrayed you
    Donʼt you grow to be like me Iʼm under
    Sinking to the darkest sea The darkest sea

    PERFORMED BY 070 SHAKE, JESSIE REYEZ / WRITTEN BY BEYONCÉ, DANIELLE BALBUENA, JESSIE REYEZ, RICHARD ISONG, TIM SUBY, DAVE HAMELIN, ARIOWA IROSOGIE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DANIELLE BALBUENA MUSIC (BMI), FMLY USA/BMG GOLD SONGS (SOCAN), P2J MUSIC (ASCAP)/BMG RIGHTS MANAGEMENT (UK)LTD (ASCAP), NYIAN KING / EMI POP MUSIC PUBLISHING(GMR), ELECTRONIC BONGO PRODUCTIONS / SOUTHERN MUSIC PUBLISHING CO CANADA LTD., WARNER/CHAPPELL MUSIC LTD (ASCAP) / PRODUCED BY BEYONCÉ, P2J, TIM SUBY, DAVE HAMELIN / CO-PRODUCED BY ARI PENSMITH / ADDITIONAL PRODUCTION BY DEREK DIXIE, MIKE DEAN / ADDITIONAL KEYS BY ARI PENSMITH / RECORDING ENGINEER: DANIEL PAMPURI / 070 SHAKE VOCALS RECORDED BY JENNA FELSENTHAL AT PARKWOOD WEST STUDIOS LOS ANGELES, CA / JESSIE REYEZ VOCALS RECORDED BY SPENCER "MOOSE" MUSCIO AT LEFT FIELD STUDIOS TORONTO,CA / MIXED BY STUART WHITE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIX ASSISTANT: JOHN CRANFIELD / ASSISTANT RECORDING ENGINEER: JENNA FELSENTHAL, ZACHARY ACOSTA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

    070 SHAKE APPEARS COURTESY OF DEF JAM RECORDINGS
    JESSIE REYEZ APPEARS COURTESY OF ISLAND RECORDS

  • The kings time as ruler rises and falls like the sun
    One day Simba The sun will set on my time here and will rise with you as the new king
    Simba
    Im here mother. Im home.

    PERFORMED BY JAMES EARL JONES, ALFRE WOODARD, DONALD GLOVER / WRITTEN BY JEFF NATHANSON / SCORE BY BEYONCÉ, DEREK DIXIE / ADDITIONAL VOCALS BY MZANSI YOUTH CHOIR (SOUTH AFRICA) / MZANSI YOUTH CHOIR RECORDED BY JAMES BASSINGWAIGHTE / MIXED BY ZACHARY ACOSTA AT NRG STUDIOS NORTH HOLLYWOOD, CA / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY® / ©2019 DISNEY ENTERPRISES, INC.

  • Verse 1:
    Yeah and the wind is talking
    Yeah for the very first time
    Will the melody that pulls you towards it
    Paint in pictures of paradise
    Saying

    Pre:
    Rise up, to the light in the
    Sky yeah, watch the light lift your
    Heart up, burn your flame through the night
    Wooo

    Chorus:
    Spirit
    Watch the heavens open (open) yeah
    Spirit
    Can you hear it calling (calling) yeah

    Verse 2:
    Yeah and the waters crashing
    Trying to keep your head up high
    While you're trembling
    That's when the magic happens
    And the stars gather by
    By your side, side yeah

    Pre:
    Rise up, to the light in the
    Sky yeah, let the light lift your
    Heart up burn your flame through the night
    Woooo

    Chorus:
    Spirit
    Watch the heavens open (open) yeah
    Spirit
    Can you hear it calling (calling) yeah

    Post:
    Your destiny is coming close
    Stand up and fight
    Ohhhh

    Bridge:
    So go into that far off land
    And be one with the great I am
    I am boy becomes a man
    Wooo

    Chorus:
    Spirit
    Watch the heavens open (open) yeah
    Spirit
    Can you hear it calling (calling) yeah

    Chorus:
    Spirit
    Watch the heavens open (open) yeah
    Spirit
    Can you hear it calling (calling) yeah

    Your destiny is coming close
    Stand up and fight
    Ohhhh

    So go into that far off land
    And be one with the great I am

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TIMOTHY MCKENZIE, ILYA SALMANZADEH / PRODUCED BY BEYONCÉ, TIMOTHY MCKENZIE, ILYA FOR MXM PRODUCTIONS, LABRINTH / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MXM ADMINISTERED BY KOBALT (ASCAP)/WOLF COUSINS (STIM)/WARNER CHAPPELL MUSIC SAND (STIM) / BMG PLATINUM SONGS (BMI), ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC., / PRODUCED BY BEYONCÉ, ILYA FOR MXM PRODUCTIONS, LABRINTH / VOCAL PRODUCTION BY BEYONCÉ / BEYONCÉ VOCALS RECORDED BY STUART WHITE AT KINGSLANDING LOS ANGELES, CA / DRUMS BY LABRINTH, ILYA, DEREK DIXIE / PROGRAMMING AND ARRANGEMENT BY LABRINTH, ILYA, BEYONCÉ / CHOIR PRODUCED BY DEREK DIXIE AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / CHOIR RECORDED BY DANIEL PAMPURI AND LESTER MENDOZA AT NRG RECORDING STUDIOS NORTH HOLLYWOOD, CA / MIXED BY STUART WHITE AT NRG STUDIOS NORTH HOLLYWOOD, CA / ASSISTANT ENGINEER CORY BICE, JEREMY LERTOLA, SAM HOLLAND, ANDREA ROBERTS, STEVEN XAI / MASTERED BY COLIN LEONARD AT SING MASTERING IN ATLANTA, GA USING SING TECHNOLOGY®

Homecoming (2019)

Homecoming

  • Buy Now
  • Slater Thorpe:
    Ladies and Gentleman welcome to Beyoncé Homecoming 2018

    PERFORMED BY BEYONCÉ / ANNOUNCER: SLATER THORPE / WRITTEN BY BEYONCÉ, QUINCY JONES, CHARLES EMANUEL SMALLS, MICHAEL COOPER, ASHETON TERRENCE O'NIEL HOGAN, KENDRICK LAMAR, ANTHONY TIFFITH, MICHAEL WILLIAMS, SHAWN C. CARTER, ELBERNITA CLARK, AND ERNEST DION WILSON / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, YELLOWBRICK ROAD MUSIC (ASCAP), WB MUSIC CORP (ASCAP) KIDADA MUSIC (BMI), WARNER-TAMERLANE PUB (BMI), BRAVO AND ENCORE MUSIC (BMI), WARNER -TAMERLANE PUBLISHING CORP (BMI), HARD WORKING BLACK FOLKS INC (ASCAP), TOP DAWG MUSIC (ASCAP), WB MUSIC CORP (ASCAP), SONGS OF KOBALT MUSIC PUBLISHING (BMI), SOUNDS FROM EARDRUMMERS (ASCAP), CARTER BOYS MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. SONGS BY TWINKIE MUSIC PUBLISHING (BMI), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, LET THE STORY BEGIN PUBLISHING (ASCAP) AND BMG MONARCH (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Intro: Beyoncé Coachella.You ready? Let's go get 'em

    JAY-Z Background Vocals:
    Yes, so crazy right now
    It's so crazy right now
    Most incredibly, it's ya girl, B
    History in the making
    Part two, so crazy right now

    Verse 1: Beyoncé
    I look and stare so deep in your eyes
    I touch on you more and more every time
    When you leave, I'm begging you not to go
    Call your name two, three times in a row
    Such a funny thing for me to try to explain
    How I'm feeling and my pride is the one to blame
    I still don't understand
    Just how your love can do what no one else can

    Chorus: Beyoncé
    Got me lookin' so crazy right now, your love's
    Got me lookin' so crazy right now your love
    Got me lookin' so crazy right now, your touch
    Got me lookin' so crazy right now your touc)
    Got me hopin' you'll page me right now, your kiss
    Got me hopin' you'll save me right now
    Lookin' so crazy in love's
    Got me lookin', got me lookin'
    Lookin' so
    Lookin' so
    Lookin' so

    Big Sean: Drop it

    Bridge: Beyoncé
    Uh oh, uh oh, uh oh, oh, no, no
    Uh oh, uh oh, uh oh, oh, no, no
    Uh oh, uh oh, uh oh, oh, no, no
    Uh oh, uh oh, uh oh, oh, no, no

    Verse 2: Beyoncé
    When I talk to my friends so quietly
    Who he think he is? Look at what you did to me
    Tennis shoes, don't even need to buy a new dress
    If you ain't there, ain't nobody else to impress
    It's the way that you know what I thought I knew
    It's the beat in my heart skips when I'm with you
    I still don't understand
    Just how your love can do what no one else can

    Chorus: Beyoncé
    Got me lookin' so crazy right now
    Got me lookin' so crazy right now
    Got me lookin' so crazy right now
    Crazy right now
    Crazy right now
    Got me lookin' so crazy right now
    Got me lookin' so crazy right now
    Crazy right now
    Crazy right now

    Beyoncé: Coachella, Y'all dance with me, Come on.

    JAY-Z Background Vocals:
    N---a ask
    N---a N---a ask about me
    N---a ask
    N---a N---a ask about me
    N---a ask
    N---a ask
    N---a N---a ask about me
    N---a ask

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, SHAWN CARTER, RICHARD HARRISON, EUGENE RECORD, DWAYNE CARTER, TERIUS GRAY, BYRON O. THOMAS, TIM MOSLEY, SEAN MICHAEL ANDERSON, STANLEY KIRK BURRELL, ERNEST CLARK, JAMES JOHNSON, ALONZO MILLER, MARCOS PALACIOS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), CARTER BOYS PUBLISHING (ASCAP), LIL LU LU PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), UNICHAPPEL MUSIC INC (BMI), MONEY MACK MUSIC (BMI), BREKA MUSIC (BMI) AND FRESH IS THE WORD (BMI), PUBLISHED BY SEAN MICHAEL ANDERSON MUSIC LLC (BMI), BUST IT PUBLISHING (BMI), TWO WORKS (ASCAP), SONY/ATV TUNES LLC (ASCAP), JOBETE MUSIC CO INC (ASCAP), FF TO DEF PUBLISHING LLC (BMI), SONGS OF UNIVERSAL INC (BMI), STONE DIAMOND MUSIC CORPORATION (BMI) AND VIVA PANAMA (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Verse 1: Beyoncé
    Trying to reign
    Trying to rain on the thunder
    Tell the storm I'm new
    I'ma walk
    I'ma march
    On the regular
    Painting white flags blue
    Lord forgive me I've been running
    Running blind in truth
    I'ma rain
    I'ma reign
    On this bitter love
    Tell the sweet I'm new

    I'm telling these tears gonna fall away fall away… oooh
    May the last one burn into flames

    Chorus: Beyoncé
    Freedom
    Freedom
    I can't move
    Freedom cut me loose
    Freedom
    Freedom
    Where are you?
    Cause I need freedom too
    I break chains all by myself
    Won't let my freedom rot in hell
    I'ma keep running cause a winner don't quit on themselves

    Kendrick Lamar Background Vocals:
    Huh what you want from me is it true you see uh oh father can you hear me?
    Huh what you want from me is it true you see uh oh father can you hear me?
    Hear me?

    PERFORMED BY BEYONCÉ / WRITTEN BY JONATHAN COFFER, BEYONCÉ, CARLA WILLIAMS, ARROW BENJAMIN, KENDRICK DUCKWORTH, FRANK TIRADO, ALAN LOMAX, JOHN LOMAX SR, CALVIN BROADUS, AWOOD JOHNSON, CRAIG LAWSON, COREY MILLER / PUBLISHED BY B-UNIQUE MUSIC LIMITED/KOBALT PUBLISHING AMERICA INC (BMI), WB MUSIC CORP (ASCAP), OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EMI BLACKWOOD MUSIC INC (BMI), SONY/ATV SONGS (BMI) OWN CHIT PUBLISHING (BMI), ULTRA EMPIRE MUSIC (BMI), BLOCK OFF BROAD PUBLISHING (BMI) AND L P BOYZ MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Beyoncè:
    Lift every voice and sing
    Till earth and heaven ring
    Ring with the harmonies of Liberty
    Let our rejoicing rise
    High as the list'ning skies
    Let us march on till victory is won

    PERFORMED BY BEYONCÉ / WRITTEN BY JAMES WELDON JOHNSON

  • Intro: Big Freedia

    Baby, I'm back by popular demand
    B----, I'm back by popular demand
    I did not come to play with you h---
    I came to slay b----

    Refrain: Beyoncé
    Ya'll haters corny with that illuminati mess
    Paparazzi catch my fly and my cocky fresh
    I'm so reckless when I rock my givenchy dress
    I'm so possessive so I rock his roc necklaces
    My daddy Alabama
    Mama Louisiana
    You mix that negro with that creole make a Texas-bama
    I like my baby hair with baby hair and afros
    I like my negro nose with Jackson 5 nostrils
    I earned all this money but they never take the country out me
    I got hot sauce in my bag… swag

    Chorus: Beyoncé
    I see it I want it
    I stunt yellow hornet
    I dream it I work hard I grind till own it
    I twirl on them haters
    Albino alligators
    El camino with the seat low sipping cuervo with no chaser
    Sometimes I go off
    I go hard
    Get what's mine
    I'm a star
    Cause I slay… I slay I slay I slay
    I slay I slay I slay I slay
    I'm gon' slay I slay I slay I slay
    All day I slay I slay okay okay

    Ok ladies now let's get in formation
    Ok ladies now let's get in formation
    Prove to me you got some co-ordination
    Slay trick or you get eliminated
    When he f--- me good i take his ass to red lobster
    when he f--- me good i take his ass to red lobster
    If he hit it right I might take him on a flight on my chopper
    Drop him off at the mall let him buy some j's let him shoppa

    I might get your song played on the radio station
    I might get your song played on the radio station
    You just might be a black bill gates in the making
    I just might be a black bill gates in the making

    Chorus: Beyoncé

    I see it I want it
    I stunt yellow hornet
    I dream it I work hard I grind till I own it
    I twirl on my haters
    Albino Alligators
    El camino with the seat low sipping cuervo with no chaser
    Sometimes i go off
    I go hard
    Take what's mine
    I'm a star
    Cause I slay… I slay I slay I slay
    I slay I slay I slay I slay
    We gon' slay gon' slay we slay i slay
    I slay okay I slay okay okay okay

    Ok ladies now let's get in formation
    Ok ladies now let's get in formation
    Prove to me you got some co-ordination
    Slay trick or you get eliminated
    Ok ladies now let's get in formation
    Ok ladies now let's get in formation
    You know you that b---- when you cause all this conversation
    Always stay gracious
    Best revenge is your paper

    Outro: Nina Simone
    I think what you are trying to ask is why am I so insistent upon giving out to them that blackness that black power that black…pushing them to identify with black culture.
    I think that's what you're asking. It's…I have no choice over it in the first place.
    To me we are the most beautiful creatures in the whole world. black people.
    My job is to somehow make them curious enough or persuade them by hook or crook to get more aware of themselves and where they came from and what they are into and what is already there and just to bring it out. This is what compels me to compel them. And I will do it by whatever means necessary.

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, MICHAEL L. WILLIAMS II, KHALIF BROWN, ASHETON HOGAN / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP OBO ITSELF AND OAKLAND 13 MUSIC, SOUND FROM EARDRUMMERS LLC ASHETON HOGAN BMI PUB DESIGNEE, WARNER-TAMERLANE PUBLISHING CORP (BMI) OBO ITSELF EARDRUMMERS MUSIC PUBLISHING LLC (BMI) AND KHALIF BROWN BMI PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT OF NINA SIMONE'S "THAT BLACKNESS" SPEECH, "NINA SIMONE: THAT BLACKNESS", FEBRUARY 2013. EXCERPT COPYRIGHT © 2013 BY NINA SIMONE

  • I grew up in Houston, Texas and visiting Prairie View
    We rehearsed at TSU for many years in Third Ward
    And I always dreamed of going to an HBCU
    My college was Destiny's Child
    My college was traveling around the world and life was my teacher
    I wanted a black orchestra, I wanted the steppers, I needed the vocalists
    I wanted different characters, I didn't want us all doing the same thing
    The amount of swag is just limitless, like the things that these young people can do with their bodies and the music they can play and the drumrolls, and the haircuts and the bodies.
    It's just not right, it's just so much d--- swag

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP OBO ITSELF AND OAKLAND 13 MUSIC

  • Beyoncé: Let me hear you sing

    Intro: Beyoncé
    I ain't sorry
    I ain't sorry
    I ain't sorry
    N---- nah
    I ain't sorry
    I ain't sorry
    I ain't sorry

    You trying to roll me up I ain't sorry
    I ain't picking up I ain't sorry
    I'm headed to the club I ain't sorry
    I ain't thinking 'bout you I ain't sorry

    Me and my ladies sip my D'ussé cups
    I don't give a f---- chucking my deuces up
    Suck on my b--- pause

    Beyoncé: Bug A Boos.
    I need a good laugh
    You Make me laugh
    Bug A Boo 1: Bug a Boos!
    Bug A Boos: ooooooooahhhhhhhh
    Beyoncé and Bug A Boos: laughing
    Beyoncé: Did that make us laugh?
    Audience: no!
    Beyoncé: Think about it.
    Bug A Boo 1: Bug a Boos!nBuuzzzzzzzzzz
    Beyoncé: Fall in line.
    Ladies. Ladies. Ladies.
    Are we smart?
    Audience: yes!
    Beyoncé: Are we strong?
    Audience: yes!
    Beyoncé: Have we had enough of the bullshit?
    Audience: yes!
    Beyoncé: Show em.
    Beyoncé + Performers:
    Suck on my b----
    Suck on my b----pause

    Suck on my b----
    Suck on my b----
    Suck on my b----
    Suck on my b----pause

    Hell na
    Hell na
    Middle Fingers up
    Middle Fingers up
    Put em hands high
    Put em hands high
    Wave it in his face
    Wave it in his face
    Tell him boy bye
    Tell him, tell him boy bye
    Tell him boy bye
    Tell him, tell him boy bye
    Tell him boy bye
    Tell him, tell him boy bye
    Tell him boy bye
    Tell him, tell him boy bye
    I ain't think about you.
    Ugh

    Verse 2: Beyoncé
    Middle fingers up
    Put them hands high
    Wave it in his face
    Tell 'em boy bye
    Tell 'em boy bye
    Boy bye
    Middle fingers up
    Iain't thinking 'bout you

    I ain't sorry
    Iain't sorry
    Iain't sorry
    I ain't thinking 'bout you
    I ain't sorry
    I ain't sorry
    I ain't sorry
    No No , hell nah

    Now you want to say you're sorry
    Now you want to call me crying
    Now you gotta see me wilding
    Now I'm the one that's lying
    And I don't feel bad about it
    It's exactly what you get
    Stop interrupting my grinding

    Bridge: Beyoncé
    I can't believe I believed everything we had would last
    So young and naive for me to think she was from your past
    Silly of me to dream of one day havin' your kids
    Love is so blind it feels right when it's wrong
    I can't believe I fell for your schemes, I'm smarter than that
    So dumb and naive to believe that with me you're a changed man
    Foolish of me to compete when you cheat with loose women
    It took me some time, but now I am strong
    Because I realized I got
    Me, myself, and I, that's all I got in the end
    That's what I found out
    And it ain't no need to cry

    Beyoncé:I see you, how did you do that so fast?
    She has on my outfit y'all

    Sing it
    Sing it
    Sing it Ladies

    From now on I'ma be my own bestfriend
    Right Ladies?

    Verse 3: Beyoncé
    I left a note in the hallway
    By the time you read it, I'll be far away
    I'm far away
    But I ain't f------with nobody
    Let's have a toast to the good life
    Suicide before you see this tear fall down my eyes
    Me and my baby, we gon' be alright
    We gon' live a good life
    Big homie better grow up
    Me and my whoadies 'bout to stroll up
    I see them boppers in the corner
    They sneaking out the back door
    He only want me when I'm not there
    He better call Becky with the good hair
    You better call Becky with the good hair

    PERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ, SCOTT STORCH AND ROBERT WALLER / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13M (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), NOTTING DALE SONGS INC (ASCAP), RESERVOIR MEDIA MUSIC (ASCAP) AND BLACK OWNED MUSIK (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Verse: Beyoncé
    Rock diamonds on my neck, got diamonds on my records
    Since fifteen coming down reppin' Texas
    How you gon' neglect this? You is just a hot mess
    You can call Tyrone, you ain'tgots to lie Craig
    What about my body, body?
    You don't want my body, body?
    Acting like I'm nobody
    You gon' make me call somebody

    Let's go little Kitty Kat
    I think it's time to go
    Let's go little Kitty Kat
    He don't want no more
    Let's go little Kitty Kat

    Outro: Beyoncé
    He better call Becky with the good hair

    WRITTEN BY PHARRELL WILLIAMS, S. CARTER, BEYONCÉ / PUBLISHED BY EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR), B DAY PUBLISHING (ASCAP) AND WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Call Becky with the good hair

    Beyoncé: Coachella!
    Thank y'all so much for having us once again.
    I'm so honored to be on this stage tonight.
    This next song is for all of my queens.
    Do we have any beautiful queens in the house tonight?
    I want y'all to sing along if y'all know the lyrics.
    It's called Bow Down.

    Verse 1: Beyoncé
    I know when you were little girls
    You dreamt of being in my world
    Don't forget it, don't forget it
    Respect that, bow down b----
    I took some time to live my life
    But don't think I'm just his little wife
    Don't get it twisted, get it twisted
    This my s---, bow down b----

    Bridge: Background track
    Bow down b----, bow bow down b----
    Bow down b----, bow bow down b----
    H-town vicious, H H-town vicious
    I'm so crown, bow bow down bitches

    I'm out that H-Town
    Coming, coming down
    I'm coming down dripping candy on the ground
    H, H-town, town, I'm coming down
    Coming down dripping candy on the ground

    PERFORMED BY BEYONCÉ / WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ , SHAWN C. CARTER, KIRK ANDRE BENNETT, MIGUEL COLLINS, MIKE DEAN, BOBBY DIXON, EBONY NAOMI OSHUNRINDE, JACQUES WEBSTER, DEMACIO CASTELLON, CHRIS GODBEY, LESLIE JEROME HARMON, GARLAND WAVERLY MOSLEY JR. AND TIMOTHY MOSLEY / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (BMI), DUB PLATE MUSIC PUBLISHERS LTD (ASCAP), ZABOGAUBHI MUSIC (ASCAP), PAPA GEORGE MUSIC (BMI), SONGS OF STB (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI),BMG GOLD SONGS (ASCAP), TRAVIS SCOTT MUSIC (BMI), SONY/ATV BALLAD, DEMOLITION CREW PUBLISHING (ASCAP), SONY/ATV BALLAD (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI), 757 MUSIC (ASCAP) AND VB RISING PUBLISHING (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Intro:
    Coming coming down
    Dripping candy on the ground
    Coming coming down
    Dripping candy on the ground

    Beyoncé:Listen

    Verse: Beyoncé
    I been on, I been on, I been on
    Tell me who gon' take me off
    Take me off, take me off, take me off
    I been on, I been on, I been on
    Tell me who gon' take me off
    Take me off, take me off, take me off

    Rolling high, leather and wood
    Keep it trill, that's what good
    Kiss my momma, show that love
    Pop them bottles in that club
    I heard your boo was talking lip
    I told my crew to smack that trick
    Smack that trick, smack that trick
    Guess what they did, smack that trick
    Gold everything, gold a-- chains
    Gold a-- rings, gold a-- fangs
    You can see me stunt when you turn on ya screen
    You can see me stunt when you turn on ya screen
    I'm bigger than life, my name in the lights
    I'm the capital B, I don't need no hype
    The capital B means, I'm 'bout that life
    The capital B means, I'm 'bout that life b----

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÈ, POLOW DA DON, TIMOTHY MOSLEY, JONATAN "ANONYMOUS" SOLONNE-MYVETT, THERON THOMAS, TIMOTHY THOMAS, SONNY COREY UWAEZUOKE, CRAIG BAZILE, PERCY MILLER AND MIA YOUNG / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MY DIET STARTS TOMORROW INC/SONGS OF UNIVERSAL INC (BMI), VB RISING MUSIC PUBLISHING/OLE MEDIA MANAGEMENT LP II (ASCAP), I LOVE BELIZE PUB, U CAN'T TEACH BEIN THE SHH INC (BMI), T-N-T EXPLOSIVE MUSIC PUBLISHING/ UNIVERSAL MUSIC CORPORATION(ASCAP), SONY DIGITAL MUSIC GROUP/BANG VILLAGE 247 PUBLISHING LLC/IRVING MUSIC (BMI), BLOCK OFF ROAD PUBLISHING (BMI) AND LP BOYZ MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Verse 1: Beyoncé
    I've been drinkin', I've been drinkin'
    I get filthy when that liquor get into me
    I've been thinkin', I've been thinkin'
    Why can't I keep my fingers off it, baby I want you, nana
    Why can't I keep my fingers off it, baby I want you, nana

    Beyoncé: Coachella I wanna hear y'all sing

    Cigars on ice, cigars on ice
    Feeling like an animal with these cameras all in my grill
    Flashing lights, flashing lights
    You got me faded, faded, faded
    Baby, I want you, nana
    Can't keep your eyes off my fatty
    Daddy, I want you
    Drunk in love,

    Beyoncé: How y'all doing over here.

    I want you

    We woke up in the kitchen saying
    "How the hell did this shit happen?" Oh baby

    Beyoncé: I can see you all the way, all the way back there.
    Drunk in love
    We be all night
    Last thing I remember is our beautiful bodies grinding off in that club
    Drunk in love

    Beyoncé: Sing it y'all

    We be all night

    Sing!
    Come on sing!

    We be all night

    Sing!
    Hey!

    We be all night, and everything alright
    No complaints for my body, so fluorescent under these lights
    Boy, I'm drinking, park it in my lot, 7-11
    I'm rubbing on it, rub-rubbin'
    If you scared, call that reverend
    Boy I'm drinking, get my brain right
    I'm on the Armand de Brignac, yeah gangsta wife
    Louis sheets, he sweat it out, like washrags, he wet it up
    Boy, I'm drinking, I'm singin' on the mic to my boy's toys
    Then I fill the tub up halfway
    Then ride with my surfboard
    Surfboard, surfboard
    Grindin' on that wood, grindin', grindin' on that wood
    I'm swervin' on that, swerving-swervin' on that
    Big body been swervin' all this
    Surfs up
    Good good

    Bridge: Nina Simone
    I lost myself on a cool damp night
    Gave myself in that misty light
    Was hypnotized by a strange delight
    Under a lilac tree
    I made wine from the lilac tree
    Put my heart in its recipe
    It makes me see what I want to see
    And be what I want to be
    When I think more than I want to think
    Do things I never should do
    I drink much more that I ought to drink
    Because I brings me back you

    Last thing I remember is our beautiful bodies grinding off in that club
    Drunk in love
    We be all night

    Sing it!
    Hey!

    We be all night
    Riding with my surfboard
    Surfboard, surfboard

    Grindin' on that wood, grindin', grindin' on that wood
    I'm swervin' on that, swerve-swervin' on his big body
    Ahhh! You!!

    Surfboard, surfboard, surfboard
    Grindin' on that wood, grindin', grindin' on that wood
    Swervin' on that, swerve-swervin' on his big body
    Been Surfin on all his
    Surf Surfin on all his good good!

    Outro: Beyoncè
    To the left, to the left
    Everything you own in the box to the left
    Sing it!
    To the left, to the left
    Everything you own in the box to the left
    Say I'ma a Diva
    Sing it!
    I'ma a Diva
    Say I'ma a Diva
    Sing it!
    Louder
    I'ma a Diva
    Louder
    I'ma a Diva
    Can't hear you
    I'ma a Diva
    Sing it!
    Come on!

    PERFORMED BY BEYONCÉ / WRITTEN BY SHAWN C. CARTER, RASOOL DIAZ, NOEL FISHER, JEROME HARMON, BEYONCÉ, TIMOTHY MOSLEY, ANDRE PROCTOR, BRIAN SOKO, JAMES EDWARD FAUNTLEROY II, CHRIS GODBEY, MIGUEL JONTEL PIMENTEL AND JUSTIN R. TIMBERLAKE, JAMES H. SHELTON, ALVITICUS BRYANT, KEVIN MICHAEL ERONDU, MICHAEL GORDON, JARED RICE, SEDARIUS SPEARMAN, KEISHAUN PATRICK WATTS, AMUND BJORKLUND, MIKKEL ERIKSEN, TOR HERMANSEN, ESPEN LIND AND SHAFFER SMITH
    PUBLISHED BY CARTER BOYS MUSIC (ASCAP) RASOOL DIAZ BMI PUB DESIGNEE, EMI BLACKWOOD MUSIC INC (BMI) IF YOU NEED ME DON'T LEAVE ME (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI) OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP) OLE MEDIA MANAGEMENT LP II (ASCAP), VB RISING PUBLISHING (ASCAP) ANDRE PROCTOR BMI PUB DESIGNEE, BRIAN SOKO PUB DESIGNEE, FAUNTLEROY MUSIC (ASCAP), ALMO MUSIC CORPORTATION (ASCAP), UNDERDOG WEST SONGS (ASCAP), SONY/ATV BALLAD (ASCAP), WARNER-TAMERLANE PUBLISHING CORP (BMI), ART DEALER CHIC (ASCAP), UNIVERSAL MUSIC CORPORATION (ASCAP) AND TENNMAN TUNES (ASCAP), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP), CHAPPEL-CO INC (ASCAP), 1000 WATTS PUBLISHING COMPANY (ASCAP), MAKING MOVES MUSIC GROUP (ASCAP), ON DEBBIE PUBLISHING LLC (ASCAP), POWER ALLIANCE MUSIC (ASCAP) AND UNIVERSAL MUSIC CORPORATION (ASCAP), STELLAR SONGS LIMITED (BMI), EMI MUSIC PUBLISHING LTD (ASCAP), SONY/ATV MUSIC PUBLISHING (UK) LIMITED (ASCAP), B DAY PUBLISHING (ASCAP), SUPER SAYIN PUBLISHING (BMI) AND UNIVERSAL MUSIC Z SONGS (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • I'm-a diva
    i'm-a, i'm-a a diva
    I'm-a, i'm-a a diva
    I'm-a, i'm-a a diva
    I'm-a, i'm-a a diva
    I'm-a, i'm-a a diva
    I'm-a, i'm-a a diva
    i'm-a, i'm-a

    Na, na, na, diva is a female version of a hustla
    Of a hustla, of a, of a hustla

    Na, na, na, diva is a female version of a hustla
    Of a hustla, of a, of a hustla

    Stop the track
    Let me state facts

    I told you gimme a minute and i'll be right back
    Fifty million 'round the world and they said that i couldn't get it
    I done got so sick and filthy with benji'si can't spend it
    Tell me somethin' where ya boss at
    Where my ladies up in here that like to talk back
    I wanna see ha
    I'd like to meet ya
    What you said
    she ain't no diva
    No, no, no

    Beyoncé: Diva's y'all help me sing this next verse

    Since 15 in my stilettos
    Been struttin' in this game
    What's your age was the question they ask when i hit the stage
    I'm a diva best believe-a, you see her, she's gettin' paid
    She ain't calling him a greeter
    Don't need him, her bed's made

    This is a stick up, stick up
    I need them bags or that money
    I'm-a stick up, stick up, you see the mask, where that money

    All my ladies gettin' up
    I see you, i do the same
    Take you to another level
    no passengers on my plane

    I need them bags or that money
    I'm-a stick up, stick up, you see the mask, where that money

    Outro: Everybody Mad
    I be getting to the money, everybody mad
    I think I'm getting too much money, everybody mad
    The same old nigga from the block
    The same old nigga with the pot
    The same old nigga from the trap
    Everybody hated on him, then he bounced right back

    I be getting to the money, everybody mad
    I think I'm getting too much money, everybody mad
    The same old nigga from the block
    The same old nigga with the pot
    The same old nigga from the trap
    Everybody hated on him, then he bounced right back

    I be getting to the money

    PERFORMED BY BEYONCÉ / WRITTEN BY SHONDRAE CRAWFORD, SEAN GARRET HAMLER, BEYONCÉ, AUBREY GRAHAM, ANTHONY PALMAN, MATTHEW SAMUELS, NOAH SHEBIB, JEREME ALERTA, ODIS FLORES, SHAWN C. CARTER AND TIM MOSLEY / PUBLISHED BY SONGS OF UNIVERSAL INC (BMI) TEAM S DOT PUBLISHING (BMI), B DAY PUBLISHING (ASCAP) EMI APRIL MUSIC INC (ASCAP), LEVEGAS PUBLISHING COMPANY INC (ASCAP), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, PARMA NINJA MUSIC (ASCAP), EMI APRIL MUSIC INC (ASCAP), RONCESVALLES MUSIC PUBLISHING (ASCAP), 1DAMENTIONAL PUBLISHING (ASCAP), SONY/ATV TUNES LLC (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), LIVE WRITE LLC (BMI), NOAH SHEBIB SOCAN PUB DESIGNEE, JEREME BMI PUB DESIGNEE , SONY/ATV BALLAD (BMI), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (ASCAP), ECAF MUSIC (BMI), SONY/ATV SONGS LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • It's that Yoncé, your Yoncé
    In that lingerie, on that chardonnay
    Scoring touchdowns on your runway
    I'm Texas forever, like Bun B
    And I'm Redbonedyo
    I'm really rit' like Donjae
    I'm camo in here yo
    These thots can't clock me nowadays
    You wish I was your pound cake
    Boy, you know I look good as f---
    Wish I was your baby momma
    Want me to come around and give you good karma
    But no, we escalating, up in this b----, like elevators
    Of course sometime s--- goes down
    When it's a billion dollars on an elevator

    Momma taught me good home training
    My Daddy taught me how to love my haters
    My sister taught me I should speak my mind
    My man made me feel so God damn fine
    I'm flawless

    Of course some s--- goes down when there's a billion dollars on the elevator

    You wake up, flawless
    Post up, flawless
    Ride round in it, flawless
    Flossin on that, flawless
    This diamond, flawless
    My diamonds, flawless
    This rock, flawless
    My rock, flawless
    Sing!
    I woke up like this
    I woke up like this
    We flawless, ladies tell 'em
    I woke up like this
    I woke up like this
    We flawless, twins tell 'em
    Say I, look so good tonight
    G—d---, G—d---,
    Say I, look so good tonight
    G—d---, G—d---,G—d---

    How y'all feeling?
    Coachella how did you wake up this morning?

    Woke up to n---- looking like me
    Woke up to n----- talking like me

    Alight, I want y'all to repeat after me.

    I'm feelin myself.
    Say

    I'm feelin' myself, I'm feelin' myself
    I'm feelin' my, feelin' myself
    I'm feelin' myself, I'm feelin' my, feelin' my, feelin' myself
    I'm feelin' myself, I'm feelin' my, feelin' myself
    I'm feelin' myself, I'm feelin' my

    I'm feelin' myself, I'm feelin' myself
    I'm feelin' my, feelin' myself
    I'm feelin' myself, I'm feelin' my, feelin' my, feelin' myself
    I'm feelin' myself, I'm feelin' my, feelin' myself
    I'm feelin' myself, I'm feelin' my

    Changed the game with that digital drop
    Know where you was when that digital popped
    I stopped the world
    Male or female, it make no difference
    I stop the world, world, stop

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, CHAUNCEY HOLLIS, BEYONCÉ, RAYMOND MARTIN, RASHAD MUHAMMAD, TERIUS NASH, ONIKA MARAJ, SOLÁNA ROWE SHAWN C. CARTER, KIRK ANDRE BENNETT, MIGUEL COLLINS, MIKE DEAN, BOBBY DIXON, EBONY NAOMI OSHUNRINDE, JACQUES WEBSTER, SHARON KAYE ABSHIRE, AUBREY GRAHAM, BERNARD JOSEPH GERARD, CHAUNCEY HOLLIS, RAYMOND MARTIN, NOAH SHEBIB, MARVIN THOMAS, JUSTIN GARNER, ANTOINE MCCOLISTER, WILLIAM ROBERTS, NAYVADIUS WILBURN, MICHAEL WILLIAMS, JORDAN CARTER, JORDAN JENKS, SYMERE WOODS, MARQUIS KING,MANUEL ALVARENGA, ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON / PUBLISHED BY U CAN'T TEACH BEIN THE SHHH INC (BMI), SONY/ATV BALLAD (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL INC (BMI), HAZEBANGA PUBLISHING (ASCAP), SEVEN PEAKS MUSIC (ASCAP) AND 2082 MUSIC PUBLISHING (ASCAP), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (BMI), DUB PLATE MUSIC PUBLISHERS LTD (ASCAP), ZABOGAUBHI MUSIC (ASCAP), PAPA GEORGE MUSIC (BMI), SONGS OF STB (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI),BMG GOLD SONGS (ASCAP), TRAVIS SCOTT MUSIC (BMI), SONY/ATV BALLAD, SHARON KAYE ABSHIRE SACEM PUB DESIGNEE, AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, BERNARD JOSPEH GERARD SACEM PUB DESIGNEE, U CAN'T TEACH BEIN THE SHH INC (BMI), SONGS OF UNIVERSAL INC (BMI) SONY/ATV BALLAD (BMI), NOAH SHEBIB SOCAN PUB DESIGNEE, MARVIN THOMAS SOCAN PUB DESIGNEE, SONGS OF UNIVERSAL INC (BMI), IRVING MUSIC (BMI),MONEY MACK MUSIC (BMI), 4 BLUNTS LIT AT ONCE PUBLISHING (BMI), EMI BLACKWOOD MUSIC INC (BMI), NAYVADIUS MAXIMUS MUSIC (BMI), FIRST AND GOLD PUBLISHING (BMI), MR CASH FLOW PUBLISHING (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), WE THE BEST MUSIC (BMI) AND SOUNDS FROM EARDRUMMERS (ASCAP), JORDAN CARTER ASCAP PUB DESIGNEE, WARNER-TAMERLANE PUBLISHING CORP (BMI) AND SYMERE WOODS ASCAP PUB DESIGNEE, GLIZZY GANG PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), EAMUZIK (BMI), BMG MONARCH (ASCAP), GNAT BOOTY MUSIC (ASCAP), HITCO MUSIC (BMI) AND ORGANIZED NOIZE MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • DJ Khaled: Check this out
    After Beyoncé performs.
    After she done the dance.
    Coachella gotta rename Coachella to Beychella.

    New name alert!
    Beychella!

    Beyoncé:
    I'm the only lady here, still the realest n---- in the room
    I break the internet, top two and I ain't number two
    My body, my ice, my cash, all real, I'm a triple threat
    F--- it up and then leave, come back, f--- it up and then leave again
    Top off the coupe and it look like Freaknik
    In the hood, hollerin' "Freek Meek"
    Two deep, it's just me and JAY
    Just posted in them courtside seats
    Woo! I'm like hol'up
    Woo! I might roll up
    If they tryna party with the queen
    They gon' have to sign a non-disclosure, ayy

    I took the top off the Maybach, yeah
    I took the top off the Maybach, yeah
    I took the top off the Maybach, yeah
    Ayy, I took the top off of my Maybach b----
    I took the top off of my Maybach b----

    PERFORMED BY BEYONCÉ / WRITTEN BY S. CARTER, NAYVADIUS DEMUN, DENISIA ANDREWS, BRITTANY CONEY, KHALED KHALED, BEYONCÉ, JOE ZARILLO / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), WARNER CHAPPEL NORTH AMERICA LIMITED (ASCAP), NAYVADIUS MAXIMUS MUSIC (BMI), 1114 SOUNDS (SESAC), WBM MUSIC (SESAC), CONEY COSMOS MUSIC PUBLISHING, WARNER-TAMERLANE PUBLISHING CORP (BMI), DJ KHALED PUBLISHING (BMI) , OAKLAND 13 MUSIC (ASCAP) WB MUSIC CORP (ASCAP) AND JOE ZARILLO PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • G—d---
    G—d---
    G—d---

    I know you care
    Smack it, smack it in the air

    Wave your hands side to side, put it in the air

    Clap, clap, clap like you don't care
    Smack that, clap, clap, clap like you don't care
    I know you care

    Clap, it clap, clap, clap it
    Foot up, my foot up
    Hold up now my foot up
    I'm spinnin' my foot up
    Foot up yeah my foot up
    I'm spinnin' my foot up
    Put my foot down
    Yeah my hands up

    Hold that cup like alcohol
    Hold that cup like alcohol
    Hold that cup like alcohol
    Don't you drop that alcohol
    Never drop that alcohol, never drop that alcohol
    I know I'm thinkin' bout that alcohol
    I know I'm thinkin' bout that alcohol

    Man this here like rollin' dice, d---this feel like rollin' dice
    Seven eleven, seven eleven, seven twice, man seven twice
    Man it feel like rollin' dice, d---this feel like rollin' dice
    Man it feel like rollin' dice
    Seven twice, seven twice

    Man I'm tryna kick it with you
    Damn I wanna kick it wit you
    Man I wanna kick it with you

    I spin' around and I kick it with you

    Shoulders sideways, smack it, smack it in the air
    Legs movin' side to side, smack it in the air
    Legs movin' side to side, smack it in in the air
    Shoulders move side to side smack it in the air
    Smack it in the air, smack it, smack it the in the air
    Smack it in the air, smack it, smack it in the air

    I know you care

    Wave your hands side to side
    Wave your hands side to side
    Wave your hands side to side
    Wave your hands side to side
    Ooh we Bey be freaky deaky
    Then you see she pink bikini
    Rock out that groovy dye dashiki
    Nefertiti edges kinky
    Sweatin' out my blow out
    Sweatin' on my press
    This trick about to go off
    Mad 'cause I'm so fresh
    Fresher than you
    I'm fresher than you
    Fresher than you
    Fresher than you, oh!

    PERFORMED BY BEYONCÉ / WRITTEN BY ADRIAN BRUESCH, NOEL C FISHER, BEYONCÉ, SWIFT SIDNEY, AUBREY GRAHAM, LELAND TYLER WAYNE AND NAYVADIUS WILBURN / PUBLISHED BY HIP HOPVILLE USA MUSIC (BMI), SONGS OF CROWD CONTROL PUBLISHING (BMI), IF YOU NEED ME DON'T LEAVE ME (BMI), EMI BLACKWOOD MUSIC INC (BMI), , IF YOU NEED ME DON'T LEAVE ME (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF KOBALT MUSIC PUBLISHING (BMI), AND SONGS OF SWIFT SONGS (BMI), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, IRVING MUSIC (BMI), NAYVADIUS MAXIMUS MUSIC (BMI) AND PLUTO MARS MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Bug-A-Boo 1: I'm Bug A Boo daddyAKA me, myself
    Yo let's take a group pic bro– and I. Ha haha.

    Bug-A-Boo 2: I'm Bug A Boo Up–Grade–You. Also known as Shinin, ShininShinin Yea,

    Bug-A-Boo 3: I'm Bug A … I'm Bug A Boo sweet dreams also known as blow.

    Bug-A-Boo 4: I'm Bug A Boo Up disappear also known as *sings* Ave Maria

    Bug-A-Boo 5: I'm Bug A Boo Rocket. Also known as*sings* If I were a Boy.

    Bug-A-Boo 6: I'm Bug A Boo *sings* We gotta work it out hey.
    Also known as we like to party ay, ay, ay, ay.

    Bug-A-Boos: Lets go huh

    Bug-A-Boo 1: Bug A Boos

    Bug-A-Boos: All together now.

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÈ, BURT BACHARACH, JAHRON BRATHWAITE, INGRID BURLEY, SHAWN C. CARTER, HAL DAVID, FLOYD NATHANIEL HILLS, KHALED KHALED, IAN DENCH, MIKKEL ERIKSEN, AMANDA GHOST, TOR HERMANSEN, MAKEBA RIDDICK , CHAD HUGO, AND PHARRELL L. WILLIAMS / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP) BMG RIGHTS MANAGEMENT (UK) LTD (HAL DAVID) (ASCAP), CARTER BOYS MUSIC (ASCAP) , JA PUBLISHING GROUP INC (ASCAP), LOVE VIVIAN MUSIC (ASCAP), NEW HIDDEN VALLEY MUSIC CO (ASCAP), SONGS OF FUJIMUSIC (ASCAP),SONY/ATV ALLEGRO (ASCAP),BMG PLATINUM SONGS US (BMI), GIVE THANKS PUBLISHING (BMI), BC JEAN PUBLISHING (BMI), SONGS OF UNIVERSAL INC (BMI), BMG RUBY SONGS, GAD SONGS, LIEDELA MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), SONY/ATV MUSIC PUBLISHING (UK) LIMITED (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), JANICE COMBS MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), YOGA FLAMES PUBLISHING (BMI), EMI BLACKWOOD MUSIC INC (BMI) AND EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR)

  • I may be young, but I'm ready
    To give you all my love
    I told my girls you can get it
    Don't slow it down, just let it go

    So in love
    I'll give it all away
    Just don't tell nobody tomorrow
    So tonight,
    I'll do it every way
    Speakers knockin' til the morning light

    Cause we like to party hey, hey, hey, hey, hey, hey
    Cause we like to party hey, hey, hey, hey, hey, hey
    Cause we like to party

    hey, hey, hey, hey, hey, hey

    You a bad girl and your friends bad too, oh
    We got the swag sauce, she drippin' swagu
    You a bad girl and your friends bad too, oh
    We got the swag sauce, she drippin' swagu

    Outro: Beyoncé
    As a black woman
    I used to feel like the world wanted me to stay in my little box
    And black women often feel underestimated
    I wanted us to feel proud of not only the show but the process
    Proud of the struggle
    Thankful for the beauty that comes with a painful history and rejoice in the pain
    Rejoice in the imperfections and the wrongs that are so damn right
    And I wanted everyone to be grateful for their curves , their sas, their honesty
    Thankful for their freedom

    PERFORMED BY BEYONCÉ / WRITTEN BY ANDRÉ BENJAMIN, JEFFREY BHASKER, DOUGLAS DAVIS, BEYONCÉ, DEXTER MILLS, RICKY WALTERS AND KANYE WEST / PUBLISHED BY WEDONTPLAYEVENWHENWEREPLAYING SONGS LLC (ASCAP), BMG MONARCH (ASCAP), EMI APRIL MUSIC INC (ASCAP), WAY ABOVE MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), GET YA FROG ON PUBLISHING (BMI), ULTRA EMPIRE MUSIC (BMI), ENTERTAINING MUSIC (BMI), EMI BLACKWOOD MUSIC INC (BMI), SONY/ATV SONGS LLC (BMI) AND PLEASE GIMME MY PUBLISHING INC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Who the f--- do you think i is
    You ain't married to no average b---- boy
    You can watch my fat a-- twist boy
    As I bounce to the next d--- boy

    And keep your money
    I got my own
    Keep a bigger smile on my face
    Being alone
    Bad mutha f---er
    God complex
    I motivate your a--
    call me malcolm x
    Your operator
    Innovator
    F--- you hater
    You can't recreate her no
    You'll never recreate her no

    You just gotta let it be
    let it be
    let it be
    let it be baby

    You just gotta let it be
    let it be
    let it be
    let it be baby

    You hurt yourself
    Don't hurt yourself

    When you play me, you play yourself
    Don't play yourself
    When you lie to me, you lie to yourself
    You only lying to yourself
    When you hurt me, you hurt yourself
    Don't hurt yourself

    You just gotta let it be
    let it be
    let it be
    let it be
    let it be baby

    Who the f--- do you think I is
    I smell that fragrance on your louis knit boy
    Just give my fat a--a big kiss boy
    Tonight i'm f------ up all your s---- boy

    The most disrespected person in America is the black woman
    I am the dragon breathing fire
    The most unprotected person in America is the black woman
    Beautiful mane I'm the lion
    The most neglected person in America is the black woman.
    Beautiful man I know you're lying

    This is your final warning
    You know I give you life
    If you try this shit again
    You gonna lose your wife

    PERFORMED BY BEYONCÉ / WRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM
    PUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP); ALL RIGHTS ADMINISTERED OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED
    PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT FROM MALCOLM X SPEECH, "WHO TAUGHT YOU TO HATE YOURSELF," MAY 5, 1962, LOS ANGELES, CA

  • I told you how you hurt me baby,
    But you don't care
    Now I'm crying and deserted baby, but you don't care
    Ain't nobody tell me this is love, when you're immune to all my pain
    I need you to tell me this is love, you don't care well that's ok

    Well I care
    I know you don't care too much
    But I still care, la, la, la… baby, la, la, la…
    Oh I care
    I know you don't care too much
    But I still care, la, la, baby, la, la, la… ohhh

    Ever since you knew your power, you made me cry
    And now every time our love goes sour, you won't sympathize
    You see these tears falling down to my ears, i swear you like when i'm in pain
    I try to tell you all my fears, you still don't care, well that's ok
    Listen

    Well I care
    I know you don't care too much
    But I still care, la, la, la… baby, la, la, la…
    Oh I care
    I know you don't care too much
    But I still care, la, la, baby, la, la, la… ohhh

    Boy maybe if you cared enough,
    I wouldn't have to care so much
    What happened to our trust?
    Now you're just givin' up
    You used to be so in love,
    Now you don't care no more

    Ooooooooooo…

    Well I care
    I know you don't care too much
    But I still care, la, la, la… baby, la, la, la…
    Oh I care
    I know you don't care too much
    But I still care, la, la, baby, la, la, la… ohhh
    I still care la, la, la….
 I still care la, la, la….
 I still care la, la, la….

    PERFORMED BY BEYONCÉ / WRITTEN BY JEFFREY BHASKER, CHAD HUGO, BEYONCÉ / PUBLISHED BY WAY ABOVE MUSIC (BMI), SONY/ATV SONGS LLC (BMI), UNIVERSAL MUSIC CAREERS (BMI), B DAY PUBLISHING (ASCAP) AND EMI APRIL MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Driver roll up the partition please
    Driver roll up the partition please
    Driver roll up the partition please
    I don't need you seeing yoncé on her knees
    Took 45 minutes to get all dressed up
    We ain't even gonna make it to this club
    Now my mascara runnin red lipstick smudged
    Ah he so horny yeah he want to f---
    He popped all my buttons and he ripped my blouse
    He monicaluwinski'd all on my gown
    Whoa dere daddy daddy didn't bring a towel
    Whoa baby baby better slow it down
    Took 45 minutes to get all dressed up
    And we ain't even gonna make it to this club

    Take all of me
    I just wanna be the girl you like
    The kinda girl you like
    Take all of me
    I just wanna be the girl you like
    The kinda girl you like is right here with me
    Right here with me
    Right here with me
    Right here with me

    PERFORMED BY BEYONCÉ / WRITTEN BY MIKE DEAN, BEYONCÉ, TIMOTHY MOSLEY, TERIUS NASH, JUSTIN TIMBERLAKE, JEROME HARMON AND DWANE WEIR / PUBLISHED BY PAPA GEORGE MUSIC (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP); ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13, VB RISING PUBLISHING (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), TENNMAN TUNES (ASCAP), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP), WARNER-TAMERLANE PUBLISHING CORP (BMI), WANE COUNTY (BMI) AND SEAN MICHAEL ANDERSON MUSIC LLC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • See me up in the club with fifty of them girls
    Posted in the back, diamond fangs in my grill
    Brooklyn brim with my eyes sittin' low
    And every girl in here with me got that smoke
    And every girl in here gotta look me up and down
    All on Instagram, cake by the pound
    Circulate the image every time I come around
    G's up, tell me how it'slookin' babe

    Drop the bass, mane, the bass get lower
    Radio say speed it up I just go slower
    High like treble, puffin on themids
    The man ain't never seen a booty like this
    And why you think ya keep my name rollin' off your tongue
    'Cause when you want a smash, I'll just write another one
    I sneezed on the beat and the beat got sicker
    Yoncé all on his mouth like liquor
    Yoncé all on his mouth like liquor
    Yoncé all on his mouth like liquor
    Yoncé all on his mouth like liquor
    Like like liquor, like likelike liquor

    PERFORMED BY BEYONCÉ / WRITTEN BY MIKE DEAN, LESLIE JERMON HARMON, BEYONCÉ, TIMOTHY MOSLEY, TERIUS NASH, JUSTIN TIMBERLAKE / PUBLISHED BY PAPA GEORGE MUSIC (BMI), WARNER-TAMERLANE PUBLISHING CORP (BMI), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP), VB RISING PUBLISHING (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), TENNMAN TUNES (ASCAP), SEAN MICHAEL ANDERSON MUSIC LLC (BMI), UNIVERSAL MUSIC-Z TUNES LLC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Are y'all ready Coachella?

    I wanna see everybody from the front to the back put your hand up
    Sing it now hey!
    Jump, jump!
    Yeah, let me see you jump.

    Ladies and gentleman please give it up for J Balvin

    J Balvin:
    Si el ritmo te lleva a mover la cabeza ya empezamos como es
    Mi música no discrimina a nadie así que vamos a romper
    Y toda mi gente se mueve
    Mira el ritmo cómo los tiene
    Hago música que entretiene
    El mundo nos quiere, nos quiere, y me quiere a mí
    Toda mi gente se mueve
    Mira el ritmo cómo los tiene
    Hago música que entretiene
    Mi música los tiene fuerte bailando y se baila así

    Beyoncè
    Give it up y'all
    Yeah, yeah, yeah
    Here we go

    He say my body stay wetter than the ocean
    And he say that Creole in my body's like a potion
    I can be a beast or I can give you emotion
    But please don't question my devotion
    I've been giving birth on these haters 'cause I'm fertile
    See these double Cs on this bag, murda
    Want my double Ds in his bed, Serta
    If you really love me make an album about me, word up

    Soon as I walk in
    Boys start they talkin
    Right as that booty sway (Freeze)
    Slay
    Lift up your people
    From Texas, Puerto Rico
    Dem' isalnds to Mexico (Freeze)

    ¿Y dónde está mi gente?
    Yeah, yeah , yeah
    Mais fais bouger la tête
    Yeah, yeah, yeah
    Azul, are you with me
    Say yeah, yeah, yeah
    Un, dos, tres, here we go
    Oh, yeah, yeah, yeah
    Oh, yeah, yeah, yeah

    Un, dos, tres, cuarto

    Outro
    Know know you wanna roll with a good girl, good girl
    Know know you wanna roll with a good girl, good girl
    Know know you wanna roll with a good girl, good girl
    One time
    Knowyou wanna roll with a good girl
    One time
    Do it big do it all for a good girl
    One time...
    This is a song for the good girl
    And I still keep it hood, still treat you like I should
    What's up?
    Good girl
    Good girl
    Good girl

    PERFORMED BY BEYONCÉ FEAT J BALVIN / WRITTEN BY ASHADALLY ADAM, BEYONCÉ, MOHOMBI MOUPONDO, TERIUS NASH, JOSE ALVARO BALVIN, SUAREZ RAMIREZ, ECHAVARRIA ANDRES RESTREPO, WILLY WILLIAM, SIDNEY BROWN, AUBREY GRAHAM, BEYONCÉ, NOAH SHEBIB, JORDAN ULLMAN, DWANE WEIR II, RASOOL RICARDO DIAZ, NOEL FISHER, SIA FURLER, BEYONCÉ, GREGORY KURSTIN, ANDRE ERIC PROCTOR AND BRIAN SOKO / PUBLISHED BY ASHADALLY ADAM SACEM PUB DESIGNEE, OAKLAND 13 MUSIC (ASCAP) WB MUSIC CORP (ASCAP), MOHOMBI MOUPONDO BMI PUB DESIGNEE 2082 MUSIC PUBLISHING (ASCAP), UNIVERSAL MUSICA UNICA PUBLISHING (BMI), DYNASTY PUBLISHING GROUP (ASCAP), BLACK KOI ENTERTAINMENT LLC (ASCAP), UNIVERSAL MUSICA INC (ASCAP), CAN'T STOP MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), WILLY WILLIAM FAUADE BMI PUB DESIGNEE , DOWNTOWN DMP SONGS (BMI), OVERDOSE OF LIFE PUBLISHING (BMI), AUBREY DRAKE GRAHAM SOCAN PUB DESIGNEE, NOAH SHEBIB SOCAN PUB DESIGNEE, RONCESVALLES MUSIC PUBLISHING (ASCAP), JORDAN ULLMAN SOCAN PUB DESIGNEE, SEAN MICHAEL ANDERSON MUSIC LLC (BMI), WANE COUNTY (BMI) AND WARNER-TAMERLANE PUBLISHING CORP (BMI), EMI BLACKWOOD MUSIC INC (BMI), IF YOU NEED ME DON'T LEAVE ME (BMI), WARNER-TAMERLANE PUUBLISHING CORP (BMI), EMI APRIL MUSIC INC (ASCAP), EMI MUSIC PUBLISHING LTD , KURSTIN MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Certified quality
    A dat da girl dem need and dem not stop cry without apology
    Buck dem da right way – dat my policy
    Sean paul alongside Beyoncé – now hear what da man say
    Dutty yeah, duttyya, dutty yeah, duttyya
    Beyoncé sing it now girl

    Sing it y'all!

    Baby boy you stay on my mind
    Fulfill my fantasies
    I think about you all the time
    I see you in my dreams
    Baby boy not a day goes by
    Without my fantasies
    I think about you all the time
    I see you in my dreams

    Ah oh my baby's fly baby go
    Yes no hurt me so good baby oh
    I'm so wrapped up in your love let me go
    Let me breathe stay out my fantasies

    Baby boy you stay on my mind
    Baby boy you are so damn fine
    Baby boy won't you be mine
    Baby boy let's conceive an angel

    Top top – girl
    me and you together is a wrap dat – girl
    driving around da town in your drop top – girl
    you no stop shock – girl
    little more da dutty, we'll rock dat world
    little more da dutty,
    little more da dutty,
    little more da dutty, we'll rock dat world
    little more da dutty
    little more da dutty
    little more da dutty

    PERFORMED BY BEYONCÉ / WRITTEN BY SHAWN CARTER, SEAN HENRIQUES, INI KAMOZE, BEYONCÉ, SCOTT STORCH, ROBERT WALLER, MARIO ANTONIO DUNWELL, ADIDJA PALMER, LINTON WHITE, DOUGLAS DAVIS AND QUAME RILEY / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), EMI MUSIC PUBLISHING LTD (ASCAP), HOTTIS MUSIC GROUP (BMI), IRVING MUSIC (BMI), BEYONCÈ PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP) AND NOTTING DALE SONGS INC (ASCAP), MARIO ANTONIO PUB DESIGNEE, NW COLLECTIONS (BMI), MUSIC BY GREENSLEEVES (BMI), DON VICIOUS MUSIC (BMI), ENTERTAINING MUSIC (BMI) AND JIMMY ROLLINS ENTERTAINMENT GROUP PUBLISHING (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • No nono
    You don't love me
    This I know boy
    The people, the people
    The people!
    No nono
    You don't love me
    This I know boy
    The people, the people
    If you ask me baby
    I'll do anything you say you boy
    I'm talking to you

    PERFORMED BY BEYONCÉ / WRITTEN BY EUWART ASMAN BECKFORD, JOSHUA BISHOP KELLEY, WILLIE C COBBS, WINSTON DELANO RILEY AND OPHLIN RUSSELL-MEYERS / PUBLISHED BY EUWART ASMAN BECKFORD PUB DESIGNEE, WESTBURY MUSIC LTD (ASCAP) AND EMBASSY MUSIC CORPORATION (BMI), WESTBURY MUSIC LTD (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Beyoncé: I see y'all in the front row

    Hold up, they don't love you like I love you
    Slow down, they don't love you like I love you
    Back up, they don't love you like I love you
    Step down, they don't love you like I love you
    Can't you see there's no other man above you
    What a wicked way to treat the girl that loves you
    Hold up, they don't love you like I love you
    slow down

    It's such a shame
    You let this good love go to waste
    I always give that top tier 5 star
    Back seat lovin in the car
    Like make that wood
    Make that wood
    Holly like the boulevard

    PERFORMED BY BEYONCÉ / WRITTEN BY THOMAS WESLEY PENTZ, EZRA KOENIG, BEYONCÉ, EMILE HAYNIE, JOSHUA TILLMAN, UZOECHI EMENIKE, SEAN RHODEN P/K/A MELO-X, DOC POMUS, MORT SCHUMAN, DEANDRE WAY, ANTONIO RANDOLPH, KELVIN MCCONNELL, BRAIN CHASE, KAREN ORZOLEK, NICK ZINNER / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, WB MUSIC CORP (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./HEAVYCRATE PUBLISHING (ASCAP), NEON REGGAE CO-OP CITY SUGAR POP MEOW MEOW (ASCAP), WARNER/CHAPPELL MUSIC LTD. (PRS) MELOXTRA PUBLISHING (BMI), UNICHAPPELL MUSIC, INC. (BMI), SOULJA BOY TELL'EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI), CHRYSALIS MUSIC LTD/BMG BLUE (BMI), ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Oh, killing me softly and I'm still falling
    Still the one I need, I will always be with you
    Oh, you got me all gone, don't ever let me go
    Say it real loud if you fly
    If you leave me you're out of your mind

    My baby is a ten
    We dressing to the nine
    He pick me up, we eight
    Make me feel so lucky seven
    He kiss me in his six
    We be making love in five
    Still the one I do this four
    I'm trying to make us three
    From that 2
    He still the 1

    There's ups and downs in this love
    Got a lot to learn in it's love
    Through the good and the bad, still got love
    Dedicated to the one of love, hey

    Still love the way he talk, still love the way I sing
    Still love the way he rock them black diamonds in that chain
    Still all up on each other, ain't a damn thing change
    My girls can't tell me nothing, I'm gone in the brain

    Me and my boo in my boo's coup riding
    All up in that black with his chick right beside him
    Ladies, if you love your man show you the fliest
    Grind up on it, girl, (girl, girl) show him how you ride it

    Me and my boo and my boo lip locking
    All up in the back because the chicks keep flocking
    All that gossip in 10 years stop it
    London speed it up, Houston rock it

    PERFORMED BY BEYONCÉ / WRITTEN BY MICHAEL BIVINS, ESTHER DEAN, JULIE FROST, BEYONCÉ, CAINON LAMB, NATHAN MORRIS, WANYA MORRIS, TERIUS NASH, ROBERT SHEA TAYLOR, KARL RUBIN BRUTUS, ROGET CHAHAYED, JULIAN GRAMMA, SHELLEY MASSENBURG-SMITH AND MILES PARKS MCCOLLUM / PUBLISHED BY BIV TEN PUBLISHING (ASCAP), AYNAW PUBLISHING (BMI), DAT DAMN DEAN MUSIC (BMI), B DAY PUBLISHING (ASCAP), CAINON'S LAND MUSIC PUBLISHING (ASCAP), PEERMUSIC III LTD (BMI), VANDERPOOL PUBLISHING (BMI) DOWNTOWN DLJ SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP) TOTALLY FAMOUS MUSIC (ASCAP), UNIVERSAL MUSIC CORPORATION (ASCAP) , WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), BMG PLATINUM SONGS US (BMI), SONGS OF UNIVERSAL INC (BMI), JULIAN GRAMMA SOCAN PUB DESIGNEE, THESE ARE SONGS OF PULSE (ASCAP),BOAT BOY S PUBLISHING (BMI), AMERICAN SONGS ALPHA (ASCAP), BMG GOLD SONGS (ASCAP), HIP-HOP ANONYMOUS (ASCAP), SON OF SAM PRODUCTIONS (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Beyoncé: Can I take this back?

    Sing it yall

    Chorus: Beyoncé
    Ooo Boy you lookin' like you like what you see
    Won't you come over and check up on it, I might let you work up on it
    Ladies let em check up on it, watch it while he check up on it
    Dip it, pop it, twerk it, stop it, check on me tonight

    Verse 1: Beyoncé
    If you got it flaunt it, boy I know you want it
    While I turn around you watch me check up on it
    Ou you watchin' me shake it, I see it in ya face
    Ya can't take it, it's blazin', you watch me in amazement
    You can look at it, as long as you don't grab it
    If you don't go braggin', I might let you have it
    You think that I'm teasin', but I ain't got no reason
    I'm sure that I can please you, but first I gotta read you

    Chorus: Background Singers

    Ooo Boy you lookin' like you like what you see
    Won't you come over and check up on it, I might let you work up on it
    Ladies let em check up on it, watch it while he check up on it
    Dip it, pop it, twerk it, stop it, check on me tonight

    Beyoncé: I wanna see y'all do the dance
    You ready? I'm watching
    I wanna see if y'all know it.

    Chorus: Background Singers
    Ooo Boy you lookin' like you like what you see
    Won't you come over and check up on it, I might let you work up on it
    Ladies let em check up on it, watch it while he check up on it
    Dip it, pop it, twerk it, stop it, check on me tonight

    10, 9, 8, 7, 6, 5, 4, 3, 2, 1

    PERFORMED BY BEYONCÉ / WRITTEN BY ANGELA BEYINCE, KASSEEM DEAN, GARRETT HAMLER, BEYONCÉ, STAYVE THOMAS / PUBLISHED BY ANGELA BEYINCE MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), KASSEEM DEAN SESAC PUB DESIGNEE HITCO SOUTH (ASCAP), BEYONCÉ PUBLISHING (ASCAP) WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Jay-Z
    Coachella, if you havin a good time tonight– make some noise.

    Beyoncé
    Give it up for Hova.

    Jay-Z
    Come on
    I used to run base like Juan Pierre
    Now I run the bass, hi hat, and the snare
    I used to bag girls like Birkin Bags
    Now I bag B (Boy, you hurtin' that)
    Brooklyn Baby where they birthed me at
    Now I be everywhere, the nerve of rap
    The audacity to have me with them curtains back
    Me and B, she about to sting
    Stand back

    Beyoncé
    Baby, seems like everywhere I go
    I see you, from your eyes, your smile
    It's like I breathe you; helplessly I reminisce
    Don't want to compare nobody to you

    Boy, I try to catch myself
    But I'm out of control
    Your sexiness is so appealing
    I can't let it go, oh

    You know that I can't get over you
    'Cause everything I see is you
    And I don't want no substitute
    Baby, I swear it's déjà vu

    Know that I can't get over you
    'Cause everything I see is you
    And I don't want no substitute
    Baby, I swear it's déjà vu

    Hova's flow so unusual
    Baby girl, you should already know
    It's H-O, light up the dro'
    'Cause you gon' need help tryin' to study my bounce
    Flow, blow--what's the difference?
    One you take in vein while the other you sniffin'
    It's still dough--po-po try to convict him
    That's a no-go; my flow keep the dough tipping
    Like four-fours, like I'm from the H-O-U-S-T-O-N
    Blow, wind so Chicago of him
    Is he the best ever? That's the argument
    I don't make the list; don't be mad at me
    I just make the hits like a factory
    I'm just one-to-one, nothin' after me
    No déjà vu, just me and my, oh

    Baby, I can't go anywhere
    Without thinking that you're there
    Seems like you're everywhere, it's true
    Gotta be having déjà vu
    'Cause in my mind I want you here
    Get on the next plane; I don't care
    Is it because I'm missing you
    That I'm having déjà vu?
    Boy, I try to catch myself
    But I'm out of control
    Your sexiness is so appealing
    I can't let it go

    Baby, I swear it's déjà vu
    You know that I can't get over you
    'Cause everything I see is you
    And I don't want no substitute
    Baby, I swear it's déjà vu
    Know that I can't get over you
    'Cause everything I see is you
    And I don't want no substitute
    Baby, I swear it's déjà vu

    Boy, I try to catch myself
    But I'm out of control
    Your sexiness is so appealing
    I can't let it go, oh

    Go gogogoooo
    Go gogogoooo
    Go gogogoooo
    Go go RED LIGHT (ah) GREEN LIGHT!

    PERFORMED BY BEYONCÉ, JAY-Z / WRITTEN BY S. CARTER, RODNEY JERKINS, BEYONCÉ, KELLIE PRICE, MAKEBA RIDDICK, DELISHA THOMAS, JOHN WEBB JR., FELA ANIKULAPO KUTI, MANU DIBANGO, THOMAS R. BRENNECK, SHAWN C. CARTER, SEAN COMBS, LEVAR COPPIN, MICHAEL JOSEPH DELLER, DAVID ANTHONY GUY, DELENO MATTHEWS, LEON MICHELS, GABRIEL ROTH, HOMER STEINWEISS, SEAN GARRETT, AND PHARRELL L. WILLIAMS / PUBLISHED BY CARTER BOYS MUSIC (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), 23K MUSIC PUBLISHING (BMI), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), JANICE COMBS MUSIC (BMI), YOGA FLAMES PUBLISHING (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), KELLIE PRICE SESAC PUB DESIGNEE, DELISHA THOMAS SOCAN PUB DESIGNEE, JOHN WEBB SESAC PUB DESIGNEE, INTERSONG USA INC (ASCAP), FANTASIA EDITIONS MUSICALES (ASCAP), CARTER BOYS MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP), EXTRAORDINAIRE SONGS (ASCAP), FOR MY SON PUBLISHING (ASCAP), JUSTIN COMBS PUBLISHING (ASCAP), SONGS OF BIG DEAL (ASCAP), BOSCOSOUND MUSIC (BMI), EXTRAORDINAIRE MUSIC LLC (BMI), WAIT THAT'S MINE (BMI), BMG PLATINUM SONGS US (BMI), EMI BLACKWOOD MUSIC INC (BMI), HITCO MUSIC (BMI), B DAY PUBLISHING (ASCAP) AND EMI APRIL MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Slater Thorpe:
    We got snares, cymbals, quads, and base. it's time for you to get a little taste of the only drumline certified by the Queen Bee, guaranteed to show up and show out on your ass any time any place anywhere, introducing the Buzz.

    We Ready
    We Ready
    We Ready
    We Ready
    We Ready
    We Ready
    We Ready

    Hey, We ready
    Hey, We ready
    Hey, We ready
    Hey, We ready

    Horns

    PERFORMED BY BEYONCÉ / ANNOUNCER: SLATER THORPE / WRITTEN BY BEYONCÉ, DEREK DIXIE, BZZZZ DRUMLINE, HAROLD LILLY JR., ELVIS WILLIAMS, PASTOR TROY, GEORGE CLINTON JR., GRACE COOK HAZEL, COREY J. JOHNSON, MARRICO D. KING, RALPH LEVERSTON, MARTIN WONDOSAS AND DEMETRIUS HUBERT / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DEREK DIXIE PUB DESIGNEE, B DAY PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC INC (BMI), UNCLE BOBBY MUSIC (BMI) , PASTOR TROY PUB DESIGNEE, GEORGE CLINTON SESAC PUB DESIGNEE, BRIDGEPORT MUSIC INC (BMI), FLICT PUBLISHING (BMI), SALLAP MUSIC PUBLISHING (BMI) AND DEMETRIUS HUBERT PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Coachella thank you for allowing me to be the first black woman to headline Coachella.

    Ain't that bout a b----?

    This song is dedicated to all the incredible women that opened up the doors for me. Thank you so much ladies. Do we have any strong women out there tonight? Sing along.

    Girls, we run this motha, yeah
    Girls, we run this motha, yeah
    Girls, we run this motha, yeah
    Girls we run this motha,

    Here we go.

    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls

    Who run this motha?
    Girls
    Who run this motha?
    Girls
    Who run this motha?
    Girls
    Who run this motha?
    Girls

    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls

    Some of them men think
    They freak this like we do
    But no they don't
    Make your check come at they neck
    Disrespect us no they won't

    This goes out to all my girls
    That's in the club rocking the latest
    Who will buy it for themselves
    And get more money later

    I think I need a barber
    None of these n----- can fight me
    I'm so good with this,
    I remind you I'm so hood with this

    Boy I'm just playing
    Come here baby
    Hope you still like me
    "F" you pay me

    My persuasion can build a nation
    Endless power
    With our love we can devour
    You'll do anything for me

    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls

    Who run this motha?
    Girls
    Who run this motha?
    Girls
    Who run this motha?
    Girls
    Who run this motha?
    Girls

    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls
    Who run the world?
    Girls

    Who are we? Who are we?
    What we run? What we run?
    The world (who run this motha')

    Who are we? Who are we?
    What we run? What we run?
    The world (who run this motha')

    Who are we? Who are we?
    What do we run? What do we run?
    We run the world (We run this motha')

    Who are we?
    What we run?
    We run the world.

    Who run the world?
    Girls

    Chimamanda
    We teach girls to shrink themselves, to make themselves smaller
    We say to girls: "You can have ambition, but not too much"
    You should aim to be successful, but not too successful otherwise you will threaten the man
    We raise girls to see each other as competitors
    Not for jobs or for accomplishments but for the attention of men
    Feminist: a person who believes in the social, political and economic equality of the sexes

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TERIUS YOUNGDELL NASH, ADIDJA AZIM PALMER, THOMAS WESLEY PENTZ, DAVID JAMES ANDREW TAYLOR , NICK VAN DE WALL, ANGELA RENEE BEYINCE , SOLANGE KNOWLES, JESSE RANKINS, EDDIE SMITH III, JONATHAN WELLS, DAVE TAYLOR, SHEA TAYLOR, JACKIE JACKSON AND MICHAEL JACKSON / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), EMI APRIL MUSIC INC (ASCAP), 2082 MUSIC PUBLISHING (BMI), BMG PLATINUM SONGS US (BMI), NW COLLECTIONS (BMI), I LIKE TURTLES MUSIC (ASCAP), KMR MUSIC ROYALTIES II SCSP, SWITCH WERD MUSIC (ASCAP), REBEL YARD PUBLISHING (BUMA), ANGELA BEYINCE MUSIC (ASCAP), B DAY PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), SOLANGE MW PUBLISHING, WB MUSIC CORP (ASCAP), CHILDREN NEED EXERCISE MUSIC (BMI), RESERVOIR 416 (BMI), WELLS PLAYED MUSIC (BMI), DOWNTOWN DLJ SONGS (ASCAP) AND KOBALT SONGS MUSIC PUBLISHING (ASCAP), MIJA MUSIC (BMI) AND SIGGY MUSIC INC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE / CONTAINS AN EXCERPT FROM CHIMAMANDA NGOZI ADICHE'S SPEECH, "WE SHOULD ALL BE FEMINISTS", DECEMBER 2012. EXCERPT COPYRIGHT © 2012 BY CHIMAMANDA NGOZI ADICHIE"

  • All
    Lose My Breath
    Can you keep up
    Babyboy
    Make me lose my breath
    Bring the noise
    Make me lose my breath
    Hit me hard make
    Me lose my breath (ah ah)
    Can you keep up
    Babyboy
    Make me lose my breath
    Bring tha noise
    Make me lose my breath
    Hit me hard
    Make me lose my breath (ah ah)

    Michelle
    If you can't make me say ooo
    Like the beat of this drum
    Why you ask for some
    you ain't really want none
    If you can't make me say ooo
    Like the beat of this groove

    All
    You don't have no business in this here's your papers
    Baby you are dismissed

    Beyoncé
    Everybody give it up for the beautiful Kelly, and the beautiful Michelle.

    Michelle
    We love you.

    Kelly
    My girl B is killin it tonight.

    Beyoncé
    I'm so happy y'all are here tonight.
    Do y'all remember this song?

    PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS / WRITTEN BY BEYONCÉ, FRED JERKINS III, KELLY ROWLAND, LASHAWN DANIELS, MICHELLE WILLIAMS, RODNEY JERKINS, SEAN GARRETT, SHAWN C, CARTER, ANGELA RENEE BEYINCE, DON DAVIS, PATRICK DENARD DOUTHIT, SEAN GARRETT AND EDDIE C. ROBINSON / PUBLISHED BY BEYONCE PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP),FRED JERKINS PUBLISHING (BMI), SONY/ATV MELODY (BMI), KELENDRIA ROWLAND PUB DESIGNEE (ASCAP), EMI APRIL MUSIC INC (ASCAP), SONY/ATV MELODY (BMI), SONY/ATV TUNES LLC (ASCAP), TMWILLIAMS PUBLISHING (ASCAP), HITCO SOUTH (ASCAP), EMI BLACKWOOD MUSIC INC (BMI) AND CARTER BOYS MUSIC (ASCAP), ANGELA BEYINCE MUSIC (ASCAP), BMG GOLD SONGS (ASCAP), EMI FULL KEEP MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Say my name, say my name
    If no one is around you
    Say baby I love you
    If you ain'trunnin' game
    Say my name, say my name
    You actin' kinda shady
    Ain'tcallin' me baby
    Why the sudden change

    Say my name, say my name
    If no one is around you
    Say baby I love you
    If you ain'trunnin' game

    Say my name, say my name
    You actin' kinda shady
    Ain'tcallin' me baby
    Why the sudden change

    Any other day
    I would call and you would say
    Baby how's your day
    But today, it ain't the same

    Every other word
    Is "uh-huh" yeah "okay"
    Could it be that you
    Are at the crib with another lady

    I know you say that I am assuming things
    Something's going down that's the way it seems
    Shouldn't be the reason why you're acting strange
    If nobody's holding you back from me
    Cause I know how you usually do
    When you say everything to me times two
    Why can't you just tell the truth
    If somebody's there then tell me who

    Say my name, say my name
    Boy say my name
    Say baby I love you
    If you ain'trunnin' game
    Say my name, say my name
    You actin' kinda shady
    Ain'tcallin' me baby
    Why the sudden change

    Say my name
    Say my name
    Say my, say my, say my name
    Say my, say my, say my name
    Boy say my name
    Hey say

    You better say my name
    Cus something feels strange
    I'm filing a complaint
    I'm just asking you to say my name,

    PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS / WRITTEN BY BEYONCÉ, FRED JERKINS III, KELENDRIA ROWLAND, LASHAWN DANIELS, LATAVIA ROBERSON, LETOYA LUCKETT, RODNEY JERKINS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP) EMI APRIL MUSIC INC (ASCAP), FRED JERKINS PUBLISHING (BMI) KELENDRIA MUSIC PULISHING (ASCAP), LATIVIA MUSIC PUBLISHING (ASCAP) LETOYA MUSIC PUBLISHING (ASCAP), SONY/ATV TUNES LLC (ASCAP) WB MUSIC CORP (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • T.I
    Shot it witChelle and kick it wit Kelly or holla at Bey
    Ya, gotta be g's you way outta your league

    Beyoncé
    We like them boys up top from the BK (BK)

    Michelle
    I like them boys over there they looking strong tonight (strong tonight)

    Kelly
    We like dem boys that be in them lac's leanin' (Leanin')
    Open their mouth their grill gleamin' (Gleamin')
    Candy paint, keep that whip clean and (Clean and)
    Sing it yall
    (They always be talkin that country slang, we like)

    We keep that beat that be in the back beatin' (Beatin')
    Eyes be so low from there chiefin (chiefin)
    I love how he keep my body screamin' (Screamin')
    A rude boy that's good to me, with street credibility

    If his status ain't hood
    I ain'tcheckin' for him
    Betta be street if he lookin' at me
    I need a soldier
    That ain't scared to stand up for me
    Known to carry big things
    If you know what I mean

    There's some soldiers in here (Where they at, where they at)
    They want to take care of me (Where they at)
    I know some soldiers in here (Where they at, where they at)
    Don't mind takin one for me (Where they at)
    I know some soldiers in here (Where they at, where they at)
    They want to spend that on me (Where they at)
    I know some soldiers in here (Where they at, where they at)
    Wouldn't mind puttin' that on me (Where they at)

    I need a soldier

    Beyoncé
    Please give it up for Destiny's Child

    Give it up one more time for my best friend
    That's my best friend .
    Michelle
    Makidada

    PERFORMED BY BEYONCÉ, KELLY ROWLAND AND MICHELLE WILLIAMS
    WRITTEN BY BEYONCÉ, CLIFFORD HARRIS, DWAYNE CARTER, KELLY ROWLAND, MICHELLE WILLIAMS, RICH HARRISON, DEAN GARRETT , BOBBY BYRD, SHAWN CARTER, JUSTIN GREGORY SMITH, JOHN COCKER, WOODROW CUNNINGHAM, NORMAN DURHAM, MIKEL HOOKS, RONALD HUDSON, CHRISTOPHER STAINTON, LARRY TROUTMAN, ROGER TROUTMAN, HAL DAVIS, DONALD FLETCHER AND WELDON PARKS / PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), BMG GOLD SONGS (ASCAP), MONEY MACK MUSIC (BMI), KELENDRIA MUSIC PULISHING (ASCAP), TMWILLIAMS PUBLISHING (ASCAP), DOMANI AND YA MAJESTY'S MUSIC (ASCAP), SONY/ATV TUNES LLC (ASCAP), WB MUSIC CORP (ASCAP), DYNATONE PUBLISHING CO (BMI), CARTER BOYS MUSIC (ASCAP), WB MUSIC CORP (ASCAP), JUSTIN GREGORY ASCAP PUB DESIGNEE, ESSEX MUSIC INTERNATIONAL INC (ASCAP), H&R LASTRADA MUSIC (ASCAP), ONWARD MUSIC LTD, STONSEE MUSIC (ASCAP), EMBASSY MUSIC CORPORATION (BMI), R2M MUSIC (BMI), SONGS OF LASTRADA (BMI), JOBETE MUSIC CO INC (ASCAP), WELDON DEAN PARKS BMI PUB DESIGNEE / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Everybody say hey Miss Carter.
    I'm just checking to make sure yall still out there.
    All the way in the back, say Hey Miss Carter.
    Okay.
    To my right, say hey Miss Carter
    To my left, say hey Miss Carter

    Everybody put your hands together like this.
    Everybody put your hands together like this. Yea
    Now everybody say, Hey, Hey, Hey
    Even louder, hey, hey, hey

    Say
    I ain't worried, doing me tonight
    I ain't worried, doing me tonight
    Louder
    A little sweat ain't never hurt nobody
    Sing
    A little sweat ain't never hurt nobody
    While y'allstandin' on the wall
    Sing
    While y'allstandin' on the wall
    I'm the one tonight gettin' bodied
    I'm the one tonight gettin' bodied
    Say
    Get me bodied
    Sing
    Get me bodied
    Get me bodied
    Get me bodied
    You want my body
    Sing
    You want my body
    Get me bodied

    Baby, all I want
    Is to let it go
    Ain't no worries, no
    We can dance all night
    Get me bodied
    That means come closer to me
    While we grind to the beat
    And your body
    Baby all I need
    Is to let it be
    Ain't no worries, no
    Boy, dance with me
    Feel my body
    That means come closer to me
    While we grind to the beat
    And your body

    I ain't worried, doing me tonight
    Ain't no shame 'cause I gotta get mine
    I swing my hair and kick off my shoes
    Come here, boy, and let me work on you
    I ain't worried, doing me tonight
    A little sweat ain't never hurt nobody
    While y'allstandin' on the wall
    I'm the one tonight gettin' bodied
    I'm the one tonight gettin' bodied
    I'm the one tonight gettin' bodied
    I'm the one tonight gettin' bodied
    I'm the one tonight gettin' bodied
    You want my body (getting' bodied)
    Won't you get me bodied? (getting' bodied)
    Hey

    Ladies and gentlemen, please give it up for Solange.

    Drop down low and sweep the floor wit it
    Drop drop down low and sweep the floor wit it
    Go Solange!
    Drop down low and sweep the floor wit it
    Drop drop down low and sweep the floor wit it
    oh no no

    Pat your weaves ladies
    Pat patpat your weaves ladies
    Watch it while he check up on it
    Pat your weaves ladies
    Pat patpat your weaves ladies
    Watch it while he check up on it

    Tick tickticktick fight
    Now tick tickticktickticktick fight
    Now tick tickticktick fight
    Now tick tickticktickticktick fight

    Now pose for the camera now flick flickflick
    Pose for the camera now flick flickflick
    Pose for the camera now flick flickflick
    Pose for the camera now flick flickflick

    Do an old school dance an old school dance
    An old school dance do an old school
    Do an old school dance an old school dance
    An old school dance get old school

    Stop now cool off cool off, cool off cool off
    Drop and cool off cool off cool off cool off

    Wind it back girl, wind it back girl
    Make your hair touch the floor wine it back
    Wind it back girl, wind it back girl
    Make your hair touch the floor wine it back

    Do the scissor leg, touch ya heels touch ya toes
    Do the scissor leg, touch ya heels touch ya toes
    Do the scissor leg, touch ya heels touch ya toes
    Do the scissor leg, touch ya heels touch ya toes

    Do the naomicampbell walk, naomicampbell walk
    Walk across the room like naomicampbell
    Do the naomicampbell walk, naomicampbell walk
    Walk across the room like naomicampbell

    Snap for the kids, snap for the kids
    Snap in a circle three times
    Snap for the kids, snap for the kids
    Snap in a circle three times

    I touch ya body, while ya touch my body
    We touching bodies tonight
    We getting bodied
    I touch ya body, while ya touch my body
    We touching bodies tonight
    We getting bodied

    PERFORMED BY BEYONCÉ / WRITTEN BY ANGELA BEYINCE, KASSEEM DEAN, GARRETT HAMLER, BEYONCÉ, SOLANGE KNOWLES, MAKEBA RIDDICK, JEOME TEMPLE, ORVILLE ERWIN HALL, PHILLIP GLEN PRICE, CHADRON MOORE, JASIEL ROBINSON , KING SOLOMON LOGAN, LESLIE JEROME HARMON / PUBLISHED BY ANGELA BEYINCE MUSIC (ASCAP), KASSEEM DEAN SESAC PUB DESIGNEE, EMI APRIL MUSIC INC (ASCAP), B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), SOLANGE MW PUBLISHING (ASCAP), MAKEBA RIDDICK BMI PUB DESIGNEE, TAKE FO' PUBLISHING (BMI), PROTOONS INC (ASCAP), CHADRON MOORE ASCAP PUB DESIGNEE, BASEMENT FUNK SOUTH (BMI), GRANNY MAN PUBLISHING (BMI), MALIK AND MEKHI MUSIC (BMI), WANER-TAMERLANE PUBLISHING CORP (BMI) AND ROYAL COURT MUSIC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Give it up for my sister!
    Alright now.
    Everybody put your hands together.
    Do we have any single ladies in the house tonight?

    Now put your hands up.

    All the single ladies
    All the single ladies
    All the single ladies
    All the single ladies
    All the single ladies
    All the single ladies
    All the single ladies
    now put your hands up

    Up in the club
    we just broke up
    i'mdoin' my own lil' thing
    you decided to dip
    and now you wanna trip
    'cause another brother noticed me
    i'm up on him
    he up on me
    don't pay him any attention
    kept crying my tears
    for 3 good years
    you can't be mad at me

    'cause if you like it
    then you should've put a ring on it
    if you like it
    then you should've put a ring on it
    don't be mad once you see that he want it
    'cause if you like it
    then you should've put a ring on it

    Uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
    uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

    If you like it
    then you should've put a ring on it
    if you like it
    then you should've put a ring on it
    don't be mad once you see that he want it
    if you like it
    then you should've put a ring on it

    Now wait.
    I want yall to get nice and stanky with me.
    Where I'm from, we do things nice and stanky.
    We do things nice and funky.
    Can y'all repeat after me? You ready?

    Say, hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    hey ay hey ay.
    Hey, hey, ya
    Hey, hey, ya
    hey ay hey ay.
    hey ay hey ay.

    Now wait.
    You still ain'tstanky enough for me.

    Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
    uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

    Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
    Put your hands up
    Say uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh
    Where my ring at
    uh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh

    Sing
    If you like it
    then you should've put a ring on it
    if you like it
    then you should've put a ring on it
    don't be mad once you see that he want it
    I see you
    if you like it
    then you should've put a ring on it
    Where my ring at
    If you like it
    then you should've put a ring on it
    if you like it
    then you should've put a ring on it
    don't be mad once you see that he want it
    If you like it
    Then you should've put a ring on it.
    Uh, oh, oh.

    I love y'all

    PERFORMED BY BEYONCÉ / WRITTEN BY THADDIS HARRELL, BEYONCÉ, TERIUS NASH, CHRISTOPHER STEWART / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), EMI APRIL MUSIC INC (ASCAP), MARCHNINENTH MUSIC (ASCAP), SONGS OF PEER LTD (ASCAP), SONY ATV HARMONY (ASCAP), SUGA WUGA MUSIC INC (ASCAP) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Blue Ivy:
    Let our rejoicing rise
    high as the listening skies
    let us march on till victory is won.

    Beyoncé
    Yay! Beautiful job, Baba. You sound so pretty.

    Blue Ivy:
    I want to do that again.

    Beyoncé:
    Oh you want to do it again, you're like mommy, huh?

    Blue Ivy:
    Yes. I want to do that again. It feels good!

    Beyoncé:
    It feels good?
    (Laughs)
    Ok you want to
    Go
    Lift your voice and sing.

    Beyoncé:
    I feel we made something that made my daughter proud, made my mother proud, my father proud and all of the people that are my brothers and sisters around the world. That's why I live. I'm so lucky and grateful that I'm able to take all these crazy ideas and actually make them into something that heals peoples that may spark vision in people. That shows them to dream big, that shows them that they are limitless. If my country ass can do it, they can do it

    PERFORMED BY BLUE IVY, BEYONCÉ / WRITTEN BY JAMES WELDON JOHNSON / PUBLISHED BY JAMES WELDON JOHNSON PUB DESIGNEE

  • I wanna sing this last song to all my incredible, beautiful fans.
    Loyal fans.
    Ride or dies.
    It's dedicated to my incrediblebeyhive.

    Honey, honey
    I can see the stars all the way from here
    Can't you see the glow on the window pane
    And I can feel the stars whenever you're near, you're near
    Every time you touch me I just melt away

    Everybody ask me why I'm smiling out from ear to ear
    (They say love hurts)
    But I know (it's gonna take the real work)
    Nothing's perfect but it's worth it
    After fighting through my tears and you finally could put me first
    Sing it y'all.

    Baby it's you
    You're the one I love
    You're the one I need
    You're the only thing I see
    Come on baby it's you
    You're the one that gives your all
    You're the one I can always call
    When I need you make everything stop
    Finally you put my love on top

    Baby cus you're the one that I love,
    Baby you're all I need
    You're the only thing I see
    Come on baby it's you
    You're the one that gives your all
    You're the one I can always call
    When I need to make everything stop
    Finally you put my love on top

    Baby, it's your turn
    Sing it–
    Louder–
    You're the –
    Come on baby it's you
    You're the one that gives your all
    You're the one I can always call
    When I need to make everything stop
    Finally you put my love on top

    Baby cus you're the one that I love,
    Baby you're all I need
    You're the only thing I see
    Come on baby it's you
    You're the one that gives your all
    You're the one I can always call
    When I need you baby everything stops
    Finally you put my love on top

    Baby cus you're the one that I love,
    Baby you're all I need
    You're the only thing I see
    Come on baby it's you
    You're the one that gives your all
    You're the one that always calls
    When I need to you baby everything stop
    Finally you put my love on top

    PERFORMED BY BEYONCÉ / WRITTEN BY BEYONCÉ, TERIUS NASH, ROBERT SHEA TAYLOR AND MICHAEL COOPER / PUBLISHED BY B DAY PUBLISHING (ASCAP), WB MUSIC CORP (ASCAP), 2082 MUSIC PUBLISHING (ASCAP), DOWNTOWN DLJ SONGS (ASCAP), EMI APRIL MUSIC INC (ASCAP), BRAVO AND ENCORE MUSIC (BMI) / PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • Beyoncé:
    Please give it up for my incredible incredible crew on this stage
    My female dancers
    Give it up now
    Come on ladies
    Give it up for my male dancers
    Please give it up for Larry and Laurent, Les twins
    Please give it up for my incredible background singers
    Please give it up for my beautiful orchestra
    Please give it up for my drumline
    Please give it up for my crew
    That is everyone behind the scenes that worked tirelessly to put this show together
    We love you
    Thank you to my family that's here tonight
    Have a beautiful night
    I love you from the bottom of my heart
    God bless you
    Good night

    PERFORMED BY BEYONCÉ / WRITTEN BY BURT BACHARACH, JAHRON ANTHONY BRATHWAITE, INGRID BURLEY, SHAWN CARTER, HAL DAVID, FLOYD NATHANIEL HILLS, KHALED KHALED, BEYONCÈ / PUBLISHED BYBMG RIGHTS MANAGEMENT (UK) LTD (HAL DAVID) (ASCAP), CARTER BOYS MUSIC (ASCAP) , JA PUBLISHING GROUP INC (ASCAP), LOVE VIVIAN MUSIC (ASCAP), NEW HIDDEN VALLEY MUSIC CO (ASCAP), OAKLAND 13 MUSIC (ASCAP), WB MUSIC CORP (ASCAP), SONGS OF FUJIMUSIC (ASCAP),SONY/ATV ALLEGRO (ASCAP),BMG PLATINUM SONGS US (BMI), GIVE THANKS PUBLISHING (BMI)
    PRODUCED BY BEYONCÉ AND DEREK DIXIE

  • You make me happy
    This you can bet
    You split right beside me yea
    And I won't forget
    And I really love you
    You should know
    I wanna make sure I'm right boy
    Before I let go

    Now we had our good time
    That we can say
    We hurting each other yea
    And boy it's a shame
    Now I won't be foolish no
    I wanna know
    I wanna make sure I'm right boy
    Before I let go

    You know I thank god
    Sun rises and shines on you
    You know there's nothing
    Nothing
    Nothing
    I would not do
    Before I let you go
    I would never never never never never never never never
    Let you go
    Before I go

    I…. Pull up to Coachella
    Boots with the ghost feathers
    I brought the squad wit' me
    Black on black bandanas
    D'ussé and champagne
    I did the damn thang
    Dirty Diana
    Singing and dancing all in the rain
    Ooh ooh
    I just wanna have a good time
    Turn around dip and slide
    And twirl that ass to the right now
    Ooh ooh
    Bunny hop
    Bunny hop
    Drop
    Pop
    Cross your legs
    Turn around and clap
    Shuffle to the left
    Let's glide now
    Ooh ooh
    Drop it down
    Drop it down
    Low
    Low
    Low low low to the flo'
    Bring it up
    Clap
    Then roll
    Roll
    Step on em
    Step on em
    Step on em
    Step
    Step on em
    Kick on em
    Stomp on them step
    Swag the right
    Surf the left
    Work the middle
    Till it hurt a little

    Before I let
    Before I let
    Before I let go

    Before I let
    Before I let
    Before I let go

    PERFORMED BY BEYONCÉ / WRITTEN BY FRANKIE BEVERLY, LARRY BLACKMON, TOMI JENKINS / PUBLISHED BY AMAZEMENT MUSIC (BMI), SONGS OF KOBALT MUSIC PUBLISHING (BMI), TAKE FO' PUBLISHING (BMI), UNIVERSAL POLYGRAM INT., PUBLISHING, INC. (ASCAP) O/B/O UNIVERSAL MUSIC PUBLISHING INT B.V. AND UNIVERSAL SONGS OF POLYGRAM INT., INC. (BMI) O/B/O UNIVERSAL MUSIC PUBLISHING INT B.V. / PRODUCED BY TAY KEITH AND BEYONCÉ / ADDITIONAL PRODUCTION BY DEREK DIXIE / CONTAINS A SAMPLE OF "GET READY READY" PERFORMED BY DJ JUBILEE COURTESY OF TAKE FO' RECORDS. / CONTAINS A SAMPLE OF "BEFORE I LET GO" PERFORMED BY MAZE FEATURING FRANKIE BEVERLY COURTESY OF CAPITOL RECORDS, A DIVISION OF UMG RECORDINGS, INC., UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED. / CONTAINS AN INTERPOLATION OF "CANDY" WRITTEN BY L. BLACKMON AND T. JENKINS

  • I Been On
    Beyoncè

    I been on, I been on, I been on
    Tell me who gon' take me off
    Take me off, take me off, take me off
    I been on, I been on, I been on
    Tell me who gon' take me off
    Take me off, take me off, take me off

    Rolling high, leather and wood
    Keep it trill, that's what good
    Kiss my momma, show that love
    Pop them bottles in that club
    I heard your boo was talking lip
    I told my crew to smack that trick
    Smack that trick, smack that trick
    Guess what they did, smack that trick
    Gold everything, gold a-- chain
    Gold a-- rings, gold a--fangs
    You can see me stunt when you turn on ya screen
    You can see me stunt when you turn on ya screen
    I'm bigger than life, my name in the lights
    I'm the number one chick, I don't need no hype
    The capital B means, I'm 'bout that life
    The capital B means, I'm 'bout that life

    I been on, I been on, I been on
    Tell me who gon' take me off
    Take me off, take me off, take me off
    Cause I been on

    I remember my baby hair with my dookie braids
    Frenchy's, Boudin in the parking lot
    Shout out to Willie D
    I was in that Willie D video when I was about fourteen, looking crazy
    Shout out Pimp C
    You know we used to sneak and listen to that UGK
    Didn't do your girl but your sister was alright, damn
    In ya homeboy's Caddy last night man, haha
    Hold up, Texas trill
    H-Town going down, man

    PERFORMED BY BEYONCÈ / WRITTEN BY BEYONCÉ, JAMAL JONES, TIMOTHY MOSLEY, JONATHAN "ANONYMOUS" SOLONNE-MYVETT, THERON THOMAS, TIMOTHY THOMAS, SONNY COREY UWAEZUOKE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, MY DIET STARTS TOMORROW INC, SONGS OF UNIVERSAL INC (BMI), VB RISING MUSIC PUBLISHING, OLE MEDIA MANAGEMENT LP II (ASCAP), I LOVE BELIZE PUB, U CAN'T TEACH BEIN THE SHH INC(BMI), T-N-T EXPLOSIVE MUSIC PUBLISHING, UNIVERSAL MUSIC CORPORATION(ASCAP, SONNY DIGITAL MUSIC GROUP/BANG VILLAGE 247 PUBLISHING LLC/IRVING MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS AND BEYONCÉ / CO-PRODUCED BY JEROME HARMON FOR BRONZE AND BRAINZ PRODUCTIONS, TIMBALAND PRODUCTIONS

EVERYTHING IS LOVE (2018)

EVERYTHING IS LOVE

  • Buy Now
  • Happily in love
    Haters please forgive me
    I let my wife write the will I pray my children outlive me
    I give my daughter my custom dress and she gon' be litty
    Vintage pieces by the time she hit the city yeah
    Vintage frames I see nobody f------ with him
    Pretty thug out that third ward , gimme
    Sir acid, like his dad's sh-- is trippy
    Twinning, Blue and Rumi
    Me and Solo how fitting
    Sitting, doc at the bay with a big yacht
    Sipping Yamazaki on the rocks
    He went to Jared I went to JAR out in Paris
    Yeah you f----- up the first stone
    We had to get remarried
    (Yo, chill man)
    We keeping it real with these people right?
    Lucky I ain't kill you when I met that b..
    (Nah, aight, aight)
    Ya know how I met her
    We broke up and got back together
    To get her back, I had to sweat her
    Ya could make up with a bag
    I had to change the weather
    Move the whole family West
    But it's whatever
    In a glass house, still throwing stones
    Hova, Beyzus
    Watch the throne

    You did some thangs to me
    Boy you do some thangs to me
    But love is deeper than your pain
    And I believe you can change baby
    The ups and downs are worth it
    Long way to go but we're working
    We're flawed but we're still perfect for each other yeah yeahyeah

    Sometimes I thought we'd never see the light
    We went through hell with heaven on our side
    This beach ain't always been no paradise
    But nightmares only last one night

    No more clubs and Cali curfews
    Just private affairs and a tighter circle
    Large format wines in small settings
    Just hood a-- n----- in designer suits
    Follow my moves, I'm the truth inAlaia boots
    Amelia Earhart flyer than who
    Fake newsy'all choose, we no like
    No photoshop this real life

    You did some thangs to me
    Boy you do some thangs to me
    But love is deeper than your pain
    And I believe you can change baby
    The ups and downs are worth it
    Long way to go but we're working
    We're flawed but we're still perfect for each other yeah, yeah, yeah

    Sometimes I thought we'd never see the light
    We went through hell with heaven on our side
    This beach ain't always been no paradise
    But nightmares only last one night

    Look at us now
    Pray….
    Pray for the vows
    Way..
    Up now
    It's a long way ..
    A long way down

    We came and
    We saw and we
    Conquered it all
    We came and
    We conquered, now we
    Happy in Love

    WRITTEN BY BEYONCé, S. CARTER, DAVID ANDREW SITEK, NIJA CHARLES, DENISIA ANDREWS, BRITTANY CONEY, EDDIE CAMPBELL, ERNIE JOHNSON, PETE JAMES, BILL LASWELL, JEAN TOUITOU, THIERRY PLANELLE, L. LYNN, R. OZUNA, J. POYSER, R. SAADIQ, G. STANDRIDGE, E. WRIGHT, LARRY GRAHAM / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), BMG MONARCH/SONGS OF BIG DEAL/THE FANTASY CONTINUES MUSIC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI);1114 SOUNDS/W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP) / PRODUCED BY BEYONCé, JAY-Z AND DAVID ANDREW SITEK / ADDITIONAL PRODUCTION BY: NOVA WAV / MIXED BY TONY MASERATI AND STUART WHITE AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE, GIMEL "YOUNG GURU" KEATON AND ZEPH SOWERS AT THE U ARENA PARIS, FRANCE / ASSISTANT MIX ENGINEER: TYLER SCOTT / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING, ATLANTA, GA USING SING TECHNOLOGY®

    CONTAINS A SAMPLE OF "YOU MAKE MY LIFE A SUNNY DAY" WRITTEN BY EDDIE CAMPBELL, ERNIE JOHNSON AND PETE JAMES AND PERFORMED BY EDDIE & ERNIE

    CONTAINS ELEMENTS OF "VICTORY IS CERTAIN" FROM APC TRACKS VOL 1 WRITTEN BY BILL LASWELL, JEAN TOUITOU AND THIERRY PLANELLE

    CONTAINS AN INTERPOLATION OF "LOVE OF MY LIFE" WRITTEN BY L. LYNN, R. OZUNA, J.POYSER, R. SAADIQ, G. STANDRIDGE AND E. WRIGHT PERFORMED BY ERYKAH BADU AND COMMON
    PUBLISHED BY FOX FILM MUSIC CORPORATION (BMI); SENSELESS MUSIC (BMI); SONGS OF UNIVERSAL INC (BMI); JAJAPO MUSIC INC (ASCAP); JAKE & THE PHATMAN (ASCAP); UNIVERSAL MUSIC-MGB SONGS (ASCAP)

    FEATURING SAMPLES FROM THE GRAHAM CENTRAL STATION RECORDING "THE JAM" WRITTEN BY LARRY GRAHAM. PRODUCED UNDER LICENSE FROM WARNER MUSIC BROS. RECORDS INC. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY

  • Yeah, yeah, yeah, yeah
    Yeah, yeah, yeah, yeah
    Yeah, yeah, yeah, yeah
    Yeah, yeah, yeah, yeah

    Stack my money fast and go fast, fast, go
    Fast like a Lambo skrrt, skrrt, skrrt
    I be jumping off the stage oh jumping, jumping, hey, hey
    Crowd better save her crowd going hey

    I can't believe we made it this is what we made, made
    This is why we thankful this is why we thank, thank
    I can't believe we made it this a different angle
    Have you ever seen a crowd goin' ape ape? Rah!

    Give me my check
    Put some respeck on my check
    Or pay me in equitypay me in equity
    Watch me reverse out of debt skrrt
    He got a bad chick bad chick
    We living lavish lavish
    I got expensive fabrics
    I got expensive habits

    He wanna' go with me go with me
    He like to roll with meroll with me
    He want to be with mebe with me
    He wanna' give me that vitamin DD!
    Ice ornaments
    Ice style tournaments
    You ain't on to thisno
    Don't think they on to this no
    Yeah, yeah, yeah, yeah

    Bought him a jet Yeah, yeah, yeah, yeah
    Shut down Colette Yeah, yeah, yeah, yeah
    Philippe PatekYeah, yeah, yeah, yeah
    Get off my ouu uh, hey

    Gimme da ball
    Gimme the ball
    Take a top shiftball
    Call my girls and put 'em all on a spaceshipbrr
    Hang one night with Yoncè I'll make you famoushey
    Have you ever seen a stage goin' ape sh--?Rah!

    Stack my money fast and go fast, fast, go
    Fast like my Lambo skrrt, skrrt, skrrt
    I be jumping off the stage oh jumping, jumping, hey, hey
    Crowd better save her crowd going hey

    I can't believe we made it this is what we made, made
    This is what we thankful forthis is what we thank, thank
    I can't believe we made it this a different angle
    Have you ever seen a crowd goin' apesh--? Rah!

    I'm a Gorilla in a f------ coupe
    Finna pull up in the zoo
    I'm like Chief Keef meet Rafiki who been lyin King to you
    Pocket watching like kangaroos
    Tell these clowns we ain't amused
    'Nana clips for that monkey business
    4-5 got change for you
    Motorcades when we came through
    Presidential with the planes too
    Wouldn't bet against you with the residential
    Undefeated with the cane too
    I said no to the super bowl
    You need me, I don't need you
    Every night we in the end zone
    Tell the NFL we in stadiums too
    Last night was a f------ zoo
    Stage diving in a pool of people
    Ran through Liverpool like a f------Beatle
    Smoking gorilla glue like it's f------ legal
    Tell the Grammys f---- that 0-8 sh--
    Have you ever seen a crowd going ape sh--?Rah!

    Stack my money fast and go fast, fast, go
    Fast like my Lambo skrrt, skrrt, skrrt
    I be jumping off the stage oh jumping, jumping, hey, hey
    Crowd better save her crowd going hey

    I can't believe we made it this is what we made, made
    This is what we thankful for this is what we thank, thank
    I can't believe we made it this a different angle
    Have you ever seen a crowd goin' apesh--? Rah!

    Haters in danger
    Whole lot of gangin' (gang)
    35 chains
    I don't give a d---'bout the fame (nope)
    G8 planes (tshh)
    Alexander Wang (woo!)
    She a thot that you claim (woo!)
    Can't be tapping my reign oh ah

    Poppin', I'm poppin' my bitches all poppin'
    And we go to the dealer and cop it all (cop it all)
    Sipping my favorite alcohol (alcohol)
    Got me so lit I need Tylenol
    All of my people I free 'em all (free 'em all)
    Hop in my whip wanna' see the stars, uh
    Sending the missiles off
    Drinking my inhibitions off
    Two hundred fifty for the Richard Mille
    Yeah yeah
    Live in your feels
    My body make Jigga go kneel
    My man, my mama, my lawyer, my shield
    Look at my jewelry I'm lethal (lethal)
    These diamonds on me they see-through
    I'm a Martian they wishing they equal (equal)
    I got M's like the back Evisu

    Gimme da ball
    Gimme the ball
    Take a top shift (she went crazy)
    Call my girls and put 'em all on a spaceship
    Hang one night with Yoncè I'll make you famous
    Have you ever seen a crowd going ape sh--? Rah!

    Stack my money fast and go fast, fast, go
    Fast like a Lambo skrrt, skrrt, skrrt
    I be jumping off the stage oh jumping, jumping, hey, hey
    Crowd better save her crowd going hey

    I can't believe we made it this is what we made, made
    This is what we're thankful forthis is what we thank, thank
    I can't believe we made it this a different angle
    Have you ever seen a crowd goin' apesh--? Rah!

    Written by Pharrell Williams, Beyoncé, S. Carter, QuaviousKeyate Marshall, Kiari Kendrell Cephus
    Published byEMI Pop Music Publishing/More Water From Nazareth (GMR); Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC;Huncho YRN Music (ASCAP/ 1479 QC Music/Universal Corp (ASCAP); YRN Piped Up ENT (ASCAP)/JPL QC Music, Reservoir Media Music (ASCAP)
    Produced byPharrell, Beyoncè and JAY-Z
    Additional vocals by Offset &Quavo of Migos
    Mixed by Stuart White
    Recorded by Stuart White
    Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
    Offset &Quavo appear courtesy of Quality Control Music

    Contains elements of A$AP Rocky Non- Music YouTube Video

  • Mm , mmm
    Ain't nothin' to it
    Real one
    Ain't nothin' to it
    Boss
    Ain't nothin' to it
    Real one
    Ain't nothin' to it
    Boss
    I pay the cost
    Ohh, gon' take it off
    Take it off
    I record then I ball
    Then I ball
    I ignored a lot of calls
    Click, click
    You ain't talkin' bout nothin'
    I ain't got no time
    Got that dinero on my mind
    Ohh… I got real problems just like you
    Ohh I got real problems just like you
    Tell that trick I don't like you
    I don't f--- witchu'

    Ain't nothin' to it
    Real one
    Ain't nothin' to it
    Boss
    Ain't nothin' to it
    Real one
    Ain't nothin' to it
    I Boss

    Oohh, real one
    Boss

    Oh oh oh oh
    Oh, yeah

    Let me go B
    100 million crib
    3 million watch
    All facts
    No cap, false
    N---- you not a boss
    You got a boss
    N----- getting jerked
    That sh-- hurts
    I take it personally
    N----- rather work for the man
    Than to work with me
    Just so they can pretend they on my level
    That sh-- is irking to me
    Pride always goeth before the fall
    Almost certainly
    It's disturbing what I gross
    (What I gross)
    Survey says you not even close
    (Not even close)
    Everybody's bosses' till it's time to pay for the office
    Till them invoices separate the men from the boys
    Over here we measure success by how many people successful next to you
    Here we say you broke if everybody is broke except for you
    Boss!

    Ain't nothin' to it
    Real one
    Ain't nothin' to it
    Boss
    Ain't nothin' to it
    Real one
    Ain't nothin' to it
    I Boss

    Oohh, real one
    Boss

    Oh oh oh oh
    Oh, yeah

    Ain't nothin' to it I Boss
    I bought my momma a whip
    My great great grandchildren already rich
    That's alotta' brown chil'ren on your Forbes list
    Frolicking around my compound on my fortressBoss
    Oh, I be riding around with my seat reclining
    Dropping my daughter off at school every morning
    We slamming car doors
    I be troooollingggon these bum boys
    You ain't talking about nothin' I ain't got no time
    Boss
    Chill…, tell them paps they gotta relaxyou tried it
    Toes in the sandMomma getting fat
    Snack

    Nothin' to it, real one
    Ain't nothin' to it
    Boss
    Ain't nothin' to it
    Real one
    Ain't nothin' to it
    Boss

    Ohh, Real one
    I'm a Boss

    Oh oh oh oh
    Oh, yeah

    Ohh, ohh
    I'm a Boss

    Shout out to Rumi and Sir
    Love Blue

    Written by Beyoncé, S. Carter, Tyrone "Ty Dolla $ign" Griffin Jr, Dernst "D'Mile" Emile II
    Published by Oakland 13 Music (ASCAP), All Rights Administered by WB Music Corp. OBO itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Its Drugs Publishing, EMI Blackwood Music (BMI); Tailored 4U Music (BMI)
    Produced byBeyoncé, JAY-Z and D'Mile for Medinah Entertainment
    Additional production by Mike Dean, Melo-X and Derek Dixie
    Additional horn arrangement by Derek Dixie
    Horns by Christopher Gray, Peter Ortega, Randy Ellis, Richard Lucchese, Corbin Jones
    Christopher Johnson, Lessie Vonner, Arnetta Johnson, Crystal Torres
    Additional Vocals by Ty Dolla $ign
    Mixed by Tony Maserati
    Recorded by Stuart White
    Assistant Mix Engineer: Tyler Scott
    Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®
    Ty Dolla $ign appears courtesy of Atlantic Records

  • I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah
    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah
    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah
    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah

    Yeah,
    F--- your subpoenas and your misdemeanors
    Was too busy touring out all your arenas
    My passport is tatted
    It looks like it's active
    I play on these planes
    Y'all catch me in traffic
    Y'all drag me in court for that sh--
    Y'all backwards
    After all of these years of drug trafficking, huh?
    Time to remind me I'm black again, huh?
    All this talking back, I'm too arrogant, huh?
    What would you do you knew you couldn't fail
    I have no fear of anything, do everything well
    I have no fear of jail, I was born in the trap
    I have no fear of death, we all born to do that
    It's just life
    I'm just nice
    Tonight I might
    Raise my price
    Great advice
    D--- you Hov
    Jesus Christ!

    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah
    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah

    & I'm nice, nice, nice, nice, nice, nice, nice
    Up all night, night, night, night, night, night, night
    Running from the lights, lights, lights, lights, lights, lights, lights
    Covered in ice, ice, ice, ice,ice, ice, ice

    Patiently waiting for my demise
    Cause my success can't be quantified
    If I gave two fs two fs 'bout streaming numbers
    Would've put Lemonade up on Spotify
    F--- you
    And you
    Your cool
    And you
    I'm out
    I ain't never seen a ceiling in my whole life
    That's word to Blue
    Free stylin' life
    Blueprint from my Jigga who never writes
    I'm so na-a-a ice
    I'm everybody type
    G-- d--- right
    I'm so nice
    Jesus Christ
    I'm better than the hype
    I give you life

    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah
    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah

    & I'm nice, nice, nice, nice, nice, nice, nice
    Up all night, night, night, night, night, night, night
    Running from the lights, lights, lights, lights, lights, lights, lights
    Covered in ice, ice, ice, ice,ice, ice, ice

    Last name gon' be here foreva'
    Now we finna' float like feathas'
    Me and Hova do it like rebels
    Most of ya chicks got pebbles
    I got the Rocs and the Fella
    Ice like 'dem wells from the heavens
    Ya gon' have to watch us eat
    Stocked up like the doomsday prepers
    Anybody ever had a era
    When things coulda' been better
    Feelin' like you was on a stretcher
    And all you remember was the hecklers
    But the universe lifts that weight
    Then you shine like a new feather
    Blessings on blessings, etcetera
    Feeling like the best year ever
    D--- it's nice!

    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah
    I can do anything…, yeah
    Hell nah, hell nah, hell nah, hell nah

    & I'm nice, nice, nice, nice, nice, nice, nice
    Up all night, night, night, night, night, night, night
    Running from the lights, lights, lights, lights, lights, lights, lights
    Covered in ice, ice, ice, ice,ice, ice, ice

    WRITTEN BY PHARRELL WILLIAMS, BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY
    PUBLISHED BY EMI POP MUSIC PUBLISHING/MORE WATER FROM NAZARETH (GMR);OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI) / PRODUCED BY PHARRELL / VOCAL PRODUCTION BY BEYONCé AND JAY-Z / ADDITIONAL VOCALS BY PHARRELL / RECORDED BY STUART WHITE, MIKE LARSON AND TYLER SCOTT AT THE U ARENA, PARIS, FRANCE AND THE CHURCH STUDIOS, LONDON, UK / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

    PHARRELL APPEARS COURTESY OF COLUMBIA RECORDS

  • Cash in deposits, 24 carrot faucets
    Louis V and Goyard trunks all in the closet
    Ain't sh-- changed the streets is still watchin'
    And my lil' baby Blue is like who gon' stop us, huh

    Ain't no way to stop this love…
    Ain't no space if everything… is love

    I'm representin' for the hustlers all across the world
    Still
    Still dippin' in my lo-lo's girl
    Still
    I put it down for the 7(Sem') 1 3
    And we still got love for the streets

    We playedit cool at the pool in Cancun VMA
    Confidence you exude make the fools stay away
    Me I play my room let the fools have they say
    Fate, had me sitting next you on a plane
    And I knew straight away
    The next time we would speak
    Was like two years away
    You had a man
    You shut it down
    Until you two had a break
    I bet that dude ruled the day
    You kept me up on the phone
    While you were away
    You came back , I let you set the date
    NOBU on the plate
    I brought my dude to play it cool
    My first foolish mistake

    Cash in deposits, 24 carrot faucets
    Louis V and Goyard trunks all in the closet
    Ain't sh-- changed the streets is still watching
    And my little baby Blue is like who gon' stop us, huh

    Ain't no way to stop this love…
    Ain't no space if everything… is love

    I'm representing for the hustlers all across the world
    Still
    Still dippin' in my lo-lo's girl
    Still
    I put it down for the 7(Sem') 1 3
    And we still got love for the streets

    I never knew a love, love, love, love like this
    Gotta be special for me to write this
    Queen, I ain't mean no disrespect
    But the way I network is hard for me to connect
    My first time in the ocean went exactly how you would expect
    Meanwhile you going hard jumping off the top deck
    A leap of faith I knew I was up next
    I never told you but I told a few people we'd wed
    Me, I'm off to Rome, you going back home instead
    My first time in my life a live n---- felt dead
    You came back I had to act like it was cool in my head
    Thoughts of jumping the broom a player never been swept

    Cash in deposits, 24 carrot faucets
    Louis V and Goyard trunks all in the closet
    Ain't sh-- changed the streets is still watching
    And my little baby Blue is like who gon' stop us, huh

    I'm representing for the hustlers all across the world
    Still
    Still dippin' in my lo-lo's girl
    Still
    I put it down for the 7(Sem') 1 3
    And we still got love for the streets

    To all the good girls that love hustlers
    To the mothers that put up with us
    To all the babies that suffer cause us
    We only know love because of ya
    America is a motherf----- to us
    Lock us up shoot us
    Shoot our self esteem down we don't deserve true love
    Black queen
    You
    Rescued us
    You rescued us
    Rescued us

    MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

    CONTAINS AN INTERPOLATION OF STILL D.R.E WRITTEN BY MELVIN CHARLES BRADFORD, S. CARTER, SCOTT STORCH AND ANDRE ROMELL YOUNG PERFORMED BY DR. DRE AND SNOOP DOG
    PUBLISHED BY AIN'T NOTHING BUT FUNKIN' MUSIC (ASCAP); HARD WORKING BLACK FOLKS INC (ASCAP); LIL LU LU PUBLISHING (ASCAP); RESERVOIR MEDIA MUSIC (ASCAP); SCOTT STORCH MUSIC (ASCAP); WB MUSIC CORP (ASCAP)

    CONTAINS SAMPLES FROM "SPHINX GATE" AND "THE WORLD IT SOFTLY LULLS"
    WRITTEN BY P. BENDER, S. MARVIN, P. MOSS AND N. SAALFIELD AND PERFORMED BY HIATUS KAIYOTE
    PUBLISHED BY P.BENDER PUB DESIGNEE, S. MARVIN PUB DESIGNEE, P.MOSS PUB DESIGNEE, AND N.SAALFIELD PUB DESIGNEE

    CONTAINS AN INTERPOLATION OF "THE LIGHT"
    WRITTEN BY ROBERT CALDWELL, NOMAN HARRIS, LONNIE RASHID LYNN, BRUCE A MALAMENT, JAMES DEWITT YANCEY AND PERFORMED BY COMMON
    PUBLISHED BY BENDAN MUSIC (ASCAP); E P H C Y PUBLISHING (ASCAP)

  • My friends, real friends
    Better than yo' friends
    That's how we keep poppin' out that Benz, yeah
    No foes, real friends
    We ain't even gotta pretend, yeah
    Get bands, get bands
    Spend it all on my friends
    Gon' pull me up, pull me up, pull me up
    & never let me down Never let me down
    Gon' pull me up, pull me up, pull me up
    & never let me drown Never let me drown
    Gon' pull me up, pull me up, pull me up
    & never let me drownNever let me drown
    Gon' pull me up, pull me up, pull me up
    I'll never hit the ground
    Never let me drown
    Never let me drown

    My friends, real friends
    Better than yo' friends, yeah
    That's how we keep poppin' out that Benz, yeah
    Faux friends, real friends
    Better than yo' friends, yeah
    Ask them, ask them
    They know all my biness'
    I don't know what I would do
    Without all of my crew, yeah
    I ain't making no room, yeah
    I ain't making no new friends
    I don't make no moves, yeah
    Without telling my crew, yeah
    That's just how it do, yeah
    That's just how it do… oh
    D----it I love my life
    Styrofoam cups no ice
    Party before we go inside
    Never let 'em out my sight
    They're right by my side
    They're my ride or dies
    They're my ride or dies

    My friends are goals
    Your friends are foes
    We fly, why cry
    Our souls exposed, yeah
    We smoke, we laugh
    Your stress, my stress
    Closer than kin
    I'm blessed, you blessed

    Uh
    10 toes
    10 toes
    We was out in that road, uh
    Looking for love in wrong places
    We were posed to a stove, yeah
    Share jewels, share clothes
    That's how deep this sh-- goes, yeah
    Every week ya got bros, yeah
    All of ya fake clothes, yeah
    Ya switching sides like NBA teams just after half time
    I'm pulling up on my dog make sure he ok, I don't even have time
    And cop me a Porsche with butterscotch seats, this before they had meals
    Live better than rappers and they don't even have deals
    It's that real
    Bought Emory a BM as soon as he came home
    We hopped on a plane headed straight to the Bay
    That's how we turned the game on
    It's game on
    Ty momma died, I was there
    My nephew died, he was there
    He at my house more than I be there
    More than B there
    Ty Ty there
    E there
    Breezy there
    Juan there
    High here
    Chaka there
    Law there
    They all here
    Oh yeah
    Des there
    Kwanna here
    Sh-- feel like nirvana here
    Crib like the Soho house
    I might stay in and grow out my hair
    Tight circle no squares
    I'm geometrically opposed to you
    Ya like to try angles
    Ya like to troll, do you?
    Ya talk around h---, do you?
    Ya don't follow codes, do you?
    We know everything you say from n----- close to you
    You emotional
    When I say free the dogs, I free 'em
    That's how Meek got his freedom
    Ya put n----- on a t-shirt
    It hurts you ain't ever meet 'em
    You got n---- in the feds
    You ain't even trying to feed 'em
    I'm trying to free the world
    That's how deep I'm in
    I ain't going to nobody nothing
    If me and my wife beefin'
    I don't care if the house on fire
    I'm dying n---- I ain't leaving
    Ty Ty take care of my kids
    After he done grieving
    If y'all don't understand that
    We ain't meant to be friends

    Pull me up, pull me up, pull me up
    Don't ever let me down They never let me down
    Gon' pull me up, pull me up, pull me up
    Don't ever let me drown Never let me drown
    Gon' pull me up, pull me up, pull me up
    Them never let me downNever let me down
    Gon' pull me up, pull me up, pull me up
    Don't ever let me down
    Never let me down
    Never let me down

    They pray pray for me
    They pray pray for me
    See better things for me
    Want better days for me
    Unselfishly
    They pray pray for me
    They pray pray for me
    Whenever I'm in need
    They in the backseat
    With the AUX bumping B
    They ain't no pride involved
    They ain't no pride involved
    In my heart, heart, heart
    You know 444
    That's my dog, dog, dog
    See your dogs, dogs, dogs,
    Point em' out, out, out
    Point em' out, out, out
    What would I be without my friends?What would I be without my friends?
    I ain't got no understandingI ain't got no understanding
    'Bout them you might just catch these hands
    We fall out and we make amends
    Yeah, yeah my friends

    Your friends are foes
    My friends are goals
    Closer than kin
    Our souls exposed, yeah
    Your friends are frauds
    All they want is applauds, yeah
    And my friends, real friends
    Closer than kin

    Them pull me up, pull me up, pull me up
    Them never let me drown
    Them pull me up, pull me up, pull me up
    Them never let me down
    Them pull me up, pull me up, pull me up
    Them never let me down
    Them pull me up, pull me up, pull me up
    Them pull me up, pull me up, pull me up
    Them pull me up, pull me up, pull me up
    Them pull me up, pull me up, pull me up

    WRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, JAHAAN SWEET, DENISIA ANDREWS, BRITTANY CONEY, TAVOR JAVON HOLINS, AMIR "CASH" ESMAILIAN, NAVRAJ GORAYA, RUPERT THOMAS JR. / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP), ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP), 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP);SONGS OF KOBALT MUSIC PUBLISHING (BMI); 1114 SOUNDS (SESAC); WBM MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); TAVOR JAVON HOLLINS BMI PUB DESIGNEE; AMIR "CASH" ESMAILIAN SOCAN PUB DESIGNEE; BMG GOLD SONGS (ASCAP), RUPERT THOMAS JR PUB DESIGNEE (SOCAN) SHAY NOELLE PUBLISHING, SONY/ATV TUNES LLC (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA AND JAHAAN SWEET / CO-PRODUCED BY NAV AND SEVN THOMAS / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY LESLIE BRATHWAITE AND STUART WHITE AT METROPOLIS STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA /ASSISTANT ENGINEER: ADRIEN CRAPANZANO AND JACK THOMASON / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

  • Ain't no need to ask, you heard about us
    No need to ask, you heard about us
    Already know you know about… us

    No need to ask, you heard about us
    No need to ask, you heard about us
    Watch yo' mouth when you around… us

    Pull up, hop out, wreck. Got
    No time, but we got Pateks. I
    Come around stepping on necks. My
    Jigga got n----- upset, Why?

    Oh why these b------ so mad for?
    They don't want Yoncé on their door
    Louie Slugger to your 4 door
    Careful, you'll get what you ask for
    We go
    Go

    Go to Cuba, then Aruba in the middle of the winter
    Oh
    Skrrt, skrrt, brand new Sprinter
    We laugh to the bank, but we ain't no joke, yeah
    You better act like you know, yeah

    Ain't no need to ask, you heard about us
    No need to ask, you heard about us
    Already know you know about… us

    Ain't no need to ask, you heard about us
    No need to ask, you heard about us
    Watch yo' mouth when you around us

    If you don't know, now you know people…
    We smoke & we drank
    D'USSÉ to the face
    Yeah

    And if don't know, now you know people…
    Put you in your place
    B---- stay in yo' lane

    Talk that talk B
    Billy Jean in his prime
    For the thousand time the kid ain't mine
    Online they call me dad kiddingly
    You're not supposed to take this dad thing literally
    That's too famous, we don't even really do famous
    I'm cool on that, chunk the two fingers
    Everyday I'm getting sued famous
    I show up to court without a suit famous
    Your every move is on the news, ain't it ?
    Sh-- has its perks too, ain't it?
    Shooting videos in the Louvre, ain't it ?
    It could be far worse for you, can't it?
    Pain comes with Penthouse views, ain't it?
    B---- know me, I been me since the cocaine
    B---- know B, she don't even need a whole name
    (It's Beyoncè)
    (Oh My God)

    Ain't no need to ask, you heard about us
    No need to ask, you heard about us
    Already know you know about us

    No need to ask, you heard about us
    No need to ask, you heard about us
    Watch yo mouth when you around us

    And if you don't know, now you know people…
    We smoke & we drank
    D'USSÉ to the face

    And if don't know, now you know people…
    Put you in your place
    B---- stay in yo lane

    Yeah, we the ones that y'all heard about
    Make big noise, big noise
    We don't need no voucher
    We them ones y'all worried about
    We good we good
    Keep us out yo' mouth
    If you don't know, now you know people…
    If you don't know, now you know people…

    WRITTEN BY BEYONCé, S. CARTER, MATTHEW SAMUELS, NIJA CHARLES, JAHAAN SWEET, ANDERSON "VINYLZ" HERNANDEZ, RAMON "!LLMIND" IBANGA JR., SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP),; 1DAMENTIONAL PUBLISHING (ASCAP) / SONY/ATV TUNES LLC (ASCAP); SONGS BY AMNIJA/UNIVERSAL MUSIC PUBLISHING GROUP (BMI); THE SWEET LIFE, LLC ADMINISTERED BY SONGS OF KOBALT MUSIC PUBLISHING (BMI); VINYLZ MUSIC GROUP (ASCAP); SONY/ATV TUNES LLC (ASCAP); BIG TROUBLE LITTLE CHINA/ EMPIRE SF (ASCAP); JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP) / PRODUCED BY BEYONCé, JAY-Z, BOI1DA, JAHAAN SWEET, VINYLZ AND !LLMIND / ADDITIONAL PRODUCTION BY FRED BALL / MIXED BY STUART WHITE AT RAK STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT THE U ARENA, PARIS, FRANCE / ASSISTANT / MIX ENGINEER: DAN EWINS / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

    CONTAINS AN INTERPOLATION OF "JUICY" BY THE NOTORIOUS B.I.G
    WRITTEN BY SEAN PUFFY COMBS, JAMES MTUME, JEAN CLAUDE OLIVIER, CHRISTOPHER WALLACE
    PUBLISHED BY JUMPING BEAN SONGS LLC (BMI); MTUME MUSIC (BMI); TWELVE AND UNDER MUSIC (BMI); BIG POPPA MUSIC (ASCAP); JUSTIN COMBS PUBLISHING (ASCAP)

  • Can you tell us about love?
    Hmm
    Well there is love of children, love of self, love of God ,love of a partner
    All of dem have a different shape , but all of dem is the same in the end
    It's about sensitivity, it's about passion
    It's about unconditional giving of self to another person
    And there's love of humanity
    That's the love that is right now needed most
    Love of humanity
    But in everything , in all of that love there is a soul
    It's like when you take some eggs and break them
    And you take the shells and you mix them up
    Trying to find the one's that match
    When you find the perfect match
    That comparity results in passion
    Results in unconditional giving of self
    I hope I can say that again

    Yeah
    I'm good on any MLK Boulevard
    I'm good on any MLK Boulevard
    See my vision with a tech, b---- I'm Malcolm X
    Haters dreading my effect, they want that Das EFX
    Get your hands up high like a false arrest
    Let me see 'em up high this is not a test
    Yes
    Put 'em up this is not a test
    Now hands where I can see 'em
    F--- a false arrest

    This off white fit that I rock sh-- permanent, hmm
    The 'fro that I grow got no perm in it, hmm
    A n---- late but he best dressed
    Got slowed down by the weight of my necklaces
    Park the Lex in projects
    B---- I'm reckless
    Extra magazine, hopped on the jet with my Ebony chick
    Blacker than the Essence Fest
    The behind the back pass is so effortless
    Lebron James to you Amber Roses
    Dapper Dan at 4 am, sh-- I am the culture
    I made my own wave so now they anti Tidal
    I'm living a no sock life to spite you
    Since the Kalief doc they been at my neck
    Ya' could tell 'em Trayvon is coming next
    The SEC, the FBI or the IRS
    I pass the alphabet boys like a eye test

    I'm good on any MLK Boulevard, (I'm good)
    I'm good on any MLK Boulevard, (He good)
    See my vision with a tech, b---- I'm Malcolm X, (I'm Malcolm X)
    Haters dreading my effect, they want that Das EFX
    Yeah

    Get yo' hands up high like a false arrest put your hands up high
    Let me see 'em up high this is not a test, yeslet me see 'em up high
    Yes, put 'em up this is not a testput 'em up, put 'em up, put 'em up
    Put your hands where I can see 'em
    What's a false arrest !
    Higher
    Higher
    Higher
    Higher
    Higher
    Higher
    Higher
    Higher

    I'm good anywhere I go, anywhere I go (go)
    I pull up like the Freedom riders
    Hop out on Rodeo
    Stunt with your curls your lips
    Sarah Baartman hips
    Gotta' hop into my jeans
    Like I hop into my whip, yeah
    Mobbing in a hoodie like Melo
    Come up out that pretty motherf-----' like hello, hello
    I will never let you shoot the nose off my Pharaoh
    Yeah..

    I like purple and purple rain
    Tryna' put red and blue together b---- that's all game
    These people tryna' get me out the paint
    Cause I cook collard greens and yams better than ya' aunt
    Man
    We started with a mustard seed
    Now we in the grey 911 with the mustard seats
    Sheesh
    Matte black puma jet
    Shining my light on the world just like Umi said
    Got the Richard Mille all colors
    Might hit you with the rose gold all summer
    For the culture
    They even biting cornrows
    Put your scarecrows up
    I come from the finest crop
    Tell 'em the gods on road
    Watch 'em line the block
    The Chitlin' Circuit has stopped
    Now we in stadiums
    80 thou' a WOP, yeah
    Watch

    I'm good on any MLK Boulevard, (He good)
    I'm good on any MLK Boulevard, (He good )
    See my vision with a tech, b---- I'm Malcolm X, (I'm Malcom X)
    Haters dreading my effect, they want that Das EFX
    Get your hands up high like a false arrest
    Let me see 'em up high this is not a test
    Yes
    Put 'em up this is not a test
    Now hands where I can see 'em
    F--- a false arrest

    I know, I only got 'pon the the way
    But look in the mirror, I see him holding me
    Not realizing all that your expect passed away
    But I know, I only got 'pon my way

    WRITTEN BY BEYONCé, S. CARTER, DENISIA ANDREWS, BRITTANY CONEY, MARCELLO VALENZANO, ANDRE CHRISTOPHER LYON, RAYSHON COBBS JR, ALEXANDER SMITH, JAN KOZUKI / PUBLISHED BY OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC; CARTER BOYS MUSIC, ADMINISTERED BY WARNER CHAPPELL (ASCAP) / 1114 SOUNDS (SESAC); W.B.M MUSIC (SESAC); CONEY COSMOS MUSIC PUBLISHING/ WARNER-TAMERLANE PUBLISHING CORP (BMI); 808-RAY BEATS (ASCAP); SMITTY BEATS (BMI) / PRODUCED BY BEYONCé, JAY-Z AND COOL & DRE FOR EPIDEMIC MUSIC INC / ADDITIONAL VOCALS BY DR. LENORA ANTOINETTE STINES  / MIXED BY TONY MASERATI AT THE CHURCH STUDIOS LONDON, UK / RECORDED BY STUART WHITE AND GIMEL "YOUNG GURU" KEATON AT KINGSLANDING STUDIOS WEST, LOS ANGELES, CA / ASSISTANT MIX ENGINEER: TYLER SCOTT AND HENRI DAVIES / ASSISTANT ENGINEER: ADRIEN CRAPANZANO / MASTERED BY COLIN LEONARD AT SING MASTERING , ATLANTA, GA USING SING TECHNOLOGY®

    CONTAINS A SAMPLE OF "BROKEN STRINGS" WRITTEN BY JAN KOZUKI AND PERFORMED BY FLOWER TRAVELLIN' BAND

  • Put it on ice
    Celebrate that we made it
    I put it on Christ
    That's on God, yeah
    Lord knows it takes hella' patience
    When your name is a verb
    And these comments absurd
    And they swear they know you better than you know yourself
    Could you control yourself?
    Cheers to me and you

    Salud….

    Look me in my eye
    Nigga cheers to you and I
    Cheers to you…
    Look me in the eye
    Make a cheers to you and I

    Salud!

    Mazel Tov
    Gold bottle, tall
    Wife got a model walk
    House all glass
    Slide the doors, you ain'tgotta wall
    And to top it off
    Got another one in Montauk
    Trifecta down in Tribeca
    Bonjour
    French crib in the French Quarters
    Champagne in the glass
    Toast to the importers
    Spill some out for the past

    Put it on ice
    Let's celebrate that we made it
    I put it on Christ
    That's on God, yeah
    Lord knows it takes hella' patience
    When your name is a verb
    And these comments absurd
    And they swear they know you better than you know yourself
    Could you control yourself?

    Cheers to me and you

    Salud…

    Baby me in my eye
    Take acheers to you and I
    Cheers to you….
    Baby look me in the eye
    Take acheers to you and I

    Salud!

    Hola
    Thank the most high for the coca
    Salud!
    God protect babies and fools
    I was both
    It's just not a popular trope
    The wind comes and I'm just a flute
    The winds come and I'm not a fluke
    I'm convinced that I'm truly the G.O.A.T
    Sosa
    The Elohimintervene like boy you the truth
    Don't die
    Angels on both sides, toast with mimosas
    Your President'stweetin' about Hov like he know us
    My road to the top was the take what you owed us
    I give a f--- what that man find vulgar
    Just look in my eyes when you toast us

    Put it on ice
    Let's celebrate that we made it
    I put it on Christ
    That's on God
    Lord knows it takes hella patience
    When your name is a verb
    And these comments are absurd
    And they swear they know you better than you know yourself
    Could you control yourself?

    Cheers to me and you!

    Salud…

    Baby look me in my eye
    Take acheers to you and I
    Cheers to you…
    Baby look me in the eye
    Take acheers to you and I

    Salud!

    Mazel Tov

    Put up your glass
    Put up your glass
    Put up your bag
    Throw up a light
    So that we bright
    Blow money fast, yeah
    This what we came for
    Look out the window
    Nigga , oh no
    This what we ball for

    Shoutout to Rumi and Sir
    Love Blue

    Written by Beyoncé, S. Carter, Marcello Valenzano, Andre Christopher Lyon, E. Dubok
    Published by Oakland 13 Music (ASCAP) All Rights Administered by WB Music Corp. OBO Itself and Oakland 13 Music; Carter Boys Music, Administered by Warner Chappell (ASCAP), BMG Monarch, Let The Story Begin Publishing (ASCAP); All Rights administered by BMG Rights Management (US) LLC; Z Songs/Dade Co. Project Music Inc. (BMI) OBO Universal Music ; Fruit of the Loominati Music (BMI)
    Produced by Beyoncé, JAY-Z and Cool & Dre for Epidemic Music Inc
    Co-produced by Beat Butcha
    Additional programming by 808-Ray
    Additional vocals by Dre from Cool &Dre
    Mixed by Chris Godbey
    Recorded by Stuart White
    Assistant Mix Engineer: Tyler Scott
    Mastered by Colin Leonard at SING Mastering , Atlanta, GA using SING Technology®

    A&R Executive: Teresa LaBarbera

LEMONADE (2016)

LEMONADE

  • Buy Now
  • YOU CAN TASTE THE DISHONESTY, IT'S ALL OVER YOUR BREATH
    AS YOU PASS IT OFF SO CAVALIER, BUT EVEN THAT'S A TEST
    CONSTANTLY AWARE OF IT ALL, MY LONELY EAR
    PRESSED AGAINST THE WALLS OF YOUR WORLD

    PRAY TO CATCH YOU WHISPERING
    I PRAY YOU CATCH ME LISTENING
    I'M PRAYING TO CATCH YOU WHISPERING
    I PRAY YOU CATCH ME

    I'M PRAYING TO CATCH YOU WHISPERING
    I PRAY YOU CATCH ME LISTENING
    I PRAY YOU CATCH ME

    NOTHING ELSE EVER SEEMS TO HURT LIKE THE SMILE ON YOUR FACE
    WHEN IT'S ONLY IN MY MEMORY, IT DON'T HIT ME QUITE THE SAME
    MAYBE IT'S A CAUSE FOR CONCERN, BUT I'M NOT AT EASE
    KEEPING MY HEAD TO THE CURB

    PRAY TO CATCH YOU WHISPERING
    I PRAY YOU CATCH ME LISTENING
    I PRAY TO CATCH YOU WHISPERING
    I PRAY YOU CATCH ME
    I PRAY YOU CATCH ME
    I PRAY YOU CATCH ME
    I'M PRAYING YOU CATCH ME

    WRITTEN BY KEVIN GARRETT, BEYONCÉ, JAMES BLAKE / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF, ROC NATION MUSIC AND KEVIN GARRETT MUSIC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONY/ATV / PRODUCED BY KEVIN GARRETT, BEYONCÉ AND JEREMY MCDONALD / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / PIANO BY KEVIN GARRETT / JUPITER BASS BY JAMES BLAKE / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS AND KEYBOARDS ENGINEERED BY GREG KOLLER / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS, LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  • HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
    WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
    HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

    SOMETHING DON'T FEEL RIGHT
    BECAUSE IT AIN'T RIGHT
    ESPECIALLY COMING UP AFTER MIDNIGHT
    I SMELL YOUR SECRETS
    AND I'M NOT TOO PERFECT
    TO EVER FEEL THIS WORTHLESS
    HOW DID IT COME DOWN TO THIS
    SCROLLING THRU YOUR CALL LIST
    I DON'T WANT TO LOSE MY PRIDE BUT I'MA F---- ME UP A BITCH
    KNOW THAT I KEPT IT SEXY
    YOU KNOW I KEPT IT FUN
    IS THERE SOMETHING THAT I'M MISSING? MAYBE MY HEAD FOR ONE
    WHAT'S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZY
    OR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELY
    I'D RATHER BE CRAZY

    HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
    WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
    HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

    LET'S IMAGINE FOR A MOMENT
    THAT YOU NEVER MADE A NAME
    FOR YOURSELF MASTER WEALTH THEY HAD YOU LABELED AS A KING
    NEVER MADE IT OUT THE CASE
    STILL OUT THERE MOVING IN THEM STREETS
    NEVER HAD THE BADDEST WOMEN IN THE GAME UP IN YOUR SHEETS
    WOULD THEY BE DOWN TO RIDE, NO
    THEY USED TO HIDE FROM LIE TO YA
    BUT Y'ALL KNOW WE WERE MADE FOR EACH OTHER
    SO I FIND YOU AND HOLD YOU DOWN

    HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
    WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
    HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

    BABE IT'S SUCH A SHAME
    YOU LET THIS GOOD LOVE GO TO WASTE
    I ALWAYS GIVE THAT TOP TIER 5 STAR
    BACK SEAT LOVIN IN THE CAR
    LIKE MAKE THAT WOOD HOLLY LIKE A BOULEVARD

    WHAT'S WORSE LOOKING JEALOUS AND CRAZY, JEALOUS AND CRAZY
    OR LIKE BEING WALKED ALL OVER LATELY, WALKED ALL OVER LATELY
    I'D RATHER BE CRAZY

    HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    BACK UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    STEP DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU
    CAN'T YOU SEE THERE'S NO OTHER MAN ABOVE YOU
    WHAT A WICKED WAY TO TREAT THE GIRL THAT LOVES YOU
    HOLD UP, THEY DON'T LOVE YOU LIKE I LOVE YOU
    SLOW DOWN, THEY DON'T LOVE YOU LIKE I LOVE YOU

    I HOP UP OFF MY BED
    AND GET MY SWAG ON
    I LOOK IN THE MIRROR SAY WASSUP
    WASSUP WASSUP WASSUP

    WRITTEN BY THOMAS WESLEY PENTZ, EZRA KOENIG, BEYONCÉ, EMILE HAYNIE, JOSHUA TILLMAN, UZOECHI EMENIKE, SEAN RHODEN P/K/A MELO-X, DOC POMUS, MORT SCHUMAN, DEANDRE WAY, ANTONIO RANDOLPH, KELVIN MCCONNELL, BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, NEON REGGAE CO-OP CITY, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./HEAVYCRATE PUBLISHING (ASCAP), SUGAR POP MEOW MEOW (ASCAP), WARNER/CHAPPELL MUSIC LTD. (PRS), MELOXTRA PUBLISHING (BMI) , UNICHAPPELL MUSIC, INC. (BMI), 456 MUSIC ASSOCIATES (BMI) ALL RIGHTS ADMINISTERED BY UNICHAPPELL MUSIC, INC. (BMI), SOULJA BOY TELL'EM MUSIC (BMI) EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI) CHRYSALIS MUSIC LTD/BMG BLUE (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY DIPLO, BEYONCÉ AND EZRA KOENIG / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY MELO-X / GUITAR BY JR BLENDER / DRUM PROGRAMMING BY DIPLO AND JR BLENDER / MIXED AND RECORDED BY STUART WHITE / ASSISTED BY JON SHACTER / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT RECORD PLANT STUDIOS IN LOS ANGELES, CA AND MAD DECENT STUDIOS IN BURBANK, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

    CONTAINS ELEMENTS OF "CAN'T GET USED TO LOSING YOU" WRITTEN BY DOC POMUS AND MORT SHUMAN. PUBLISHED BY UNICHAPPELL MUSIC, INC. (BMI) AND 456 MUSIC ASSOCIATES (BMI) ALL RIGHTS ADMINISTERED BY UNICHAPPELL MUSIC, INC. (BMI).

    THIS COMPOSITION EMBODIES PORTION OF "TURN MY SWAG ON" WRITTEN BY DEANDRE WAY, ANTONIO RANDOLPH AND KELVIN MCCONNELL. PUBLISHED BY SOULJA BOY TELL'EM MUSIC (BMI), EMI BLACKWOOD MUSIC INC./DISASTER PUBLISHING/BIG-N-MAGE PUBLISHING (BMI)

    CONTAINS ELEMENTS OF "MAPS" WRITTEN BY BRIAN CHASE, KAREN ORZOLEK AND NICK ZINNER, PUBLISHED BY CHRYSALIS MUSIC LTD/BMG BLUE (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.

  • DON'T HURT YOURSELF
    DON'T HURT YOURSELF

    WHO THE F--- DO YOU THINK I IS
    YOU AIN'T MARRIED TO NO AVERAGE B---- BOY
    YOU CAN WATCH MY FAT ASS TWIST BOY
    AS I BOUNCE TO THE NEXT D--- BOY

    AND KEEP YOUR MONEY
    I GOT MY OWN
    KEEP A BIGGER SMILE ON MY FACE
    BEING ALONE
    BAD MUTHA F----ER
    GOD COMPLEX
    MOTIVATE YOUR ASS
    CALL ME MALCOLM X
    YOUR OPERATOR
    INNOVATOR
    FUCK YOU HATER
    YOU CAN'T RECREATE HER NO
    YOU NEVER RECREATE HER NO

    WE JUST GOTTA LET IT BE
    LET IT BE
    LET IT BE
    LET IT BE BABY

    YOU JUST GOTTA LET IT BE
    LET IT BE
    LET IT BE
    LET IT BE BABY

    WHEN YOU HURT ME
    YOU HURT YOURSELF
    DON'T HURT YOURSELF

    WHEN YOU DIS ME
    YOU DIS YOURSELF
    DON'T HURT YOURSELF

    WHEN YOU HURT ME
    YOU HURT YOURSELF
    DON'T HURT YOURSELF

    WHEN YOU LOVE ME
    YOU LOVE YOURSELF
    LOVE GOD HERSELF
    I AM THE DRAGON BREATHING FIRE
    BEAUTIFUL MANE I'M THE LION
    BEAUTIFUL MAN I KNOW YOU'RE LYING
    I AM NOT BROKE AND I'M NOT CRYING
    I'M NOT CRYING, YOU AIN'T TRYING HARD ENOUGH
    YOU AIN'T LOVING HARD ENOUGH
    YOU DON'T LOVE ME DEEP ENOUGH
    WE NOT REACHING PEAKS ENOUGH

    BLINDLY IN LOVE
    I FUCKS WITH YOU, TILL I REALIZE
    I'M JUST TOO MUCH FOR YOU
    I'M JUST TOO MUCH FOR YOU

    YOU JUST GOTTA LET IT BE
    LET IT BE
    LET IT BE
    LET IT BE BABY

    HEY BABY
    WHO THE FUCK DO YOU THINK I IS
    I SMELL THAT FRAGRANCE ON YOUR LOUIS KNIT BOY
    JUST GIVE MY FAT ASS A BIG KISS BOY
    TONIGHT I'M FUCKING UP ALL YOUR SHIT BOY

    WHEN YOU HURT ME
    YOU HURT YOURSELF
    TRY NOT TO HURT YOURSELF
    WHEN YOU PLAY ME, YOU PLAY YOURSELF
    DON'T PLAY YOURSELF
    WHEN YOU LIE TO ME, YOU LIE TO YOURSELF
    YOU ONLY LYING TO YOURSELF
    WHEN YOU LOVE ME, YOU LOVE YOURSELF
    LOVE GOD HERSELF

    WE JUST GOTTA LET IT BE
    LET IT BE
    LET IT BE
    LET IT BE
    LET IT BE BABY

    THIS IS YOUR FINAL WARNING
    YOU KNOW I GIVE YOU LIFE
    IF YOU TRY THIS SHIT AGAIN
    YOU GONNA LOSE YOUR WIFE

    WRITTEN BY JACK WHITE, BEYONCÉ, DIANA GORDON, JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM
    PUBLISHED BY THIRD STRING TUNES (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED. / PRODUCED BY JACK WHITE AND BEYONCÉ / CO-PRODUCED BY DEREK DIXIE / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY RUBY AMANFU / RECORDED BY STUART WHITE, VANCE POWELL AND JOSHUA V. SMITH / ADDITIONAL OVERDUBS BY JOSHUA V. SMITH / SECOND ENGINEERING BY RAMON RIVAS / BASS GUITAR BY JACK WHITE / DRUMS BY PATRICK KEELER / HAMMOND ORGAN BY MARK WATROUS / MIXED BY STUART WHITE / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA, MARK WATROUS, FATS KAPLAN, LINDSEY SMITH-TRESTLE / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS ENGINEERED BY GREG KOLLER / ADDITIONAL DRUM PROGRAMMING BY DEREK DIXIE / PROTOOLS EDITING/RECORDING BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND JOSHUA V. SMITH / ADDITIONAL INSTRUMENTATION RECORDING BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / ADDITIONAL STUDIO ASSISTING BY ED SPEAR / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

    FEATURES SAMPLE FROM THE LED ZEPPELIN RECORDING "WHEN THE LEVEE BREAKS," PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT COMPANY, A WARNER MUSIC GROUP COMPANY. WRITTEN BY JAMES PAGE, ROBERT PLANT, JOHN PAUL JONES, JOHN BONHAM, PUBLISHED BY FLAMES OF ALBION MUSIC, INC. (ASCAP). ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. (ASCAP) ALL RIGHTS RESERVED.

  • I AIN'T SORRY
    I AIN'T SORRY
    I AIN'T SORRY
    N---- NAH
    I AIN'T SORRY
    I AIN'T SORRY
    I AIN'T SORRY

    HE TRYING TO ROLL ME UP (I AIN'T SORRY)
    I AIN'T PICKING UP (I AIN'T SORRY)
    HEADED TO THE CLUB (I AIN'T SORRY)
    I AIN'T THINKING 'BOUT YOU (I AIN'T SORRY)

    ME AND MY LADIES SIP MY D'USSÉ CUPS
    I DON'T GIVE A F--- CHUCKING MY DEUCES UP
    SUCK ON MY BALLS PAUSE
    I HAD ENOUGH
    I AIN'T THINKING 'BOUT YOU
    I AIN'T THINKING 'BOUT

    MIDDLE FINGERS UP
    PUT THEM HANDS HIGH
    WAVE IT IN HIS FACE
    TELL 'EM BOY BYE
    TELL 'EM BOY BYE
    BOY BYE
    MIDDLE FINGERS UP
    I AIN'T THINKING 'BOUT YOU

    I AIN'T SORRY
    I AIN'T SORRY
    I AIN'T SORRY
    N---- NAH
    I AIN'T SORRY
    I AIN'T SORRY
    I AIN'T SORRY
    NO NO HELL NAH

    NOW YOU WANT TO SAY YOU'RE SORRY
    NOW YOU WANT TO CALL ME CRYING
    NOW YOU GOTTA SEE ME WILDIN'
    NOW I'M THE ONE THAT'S LYING
    AND I DON'T FEEL BAD ABOUT IT
    IT'S EXACTLY WHAT YOU GET
    STOP INDIRECTING MY GRINDING

    I AIN'T THINKING BOUT YOU
    I AIN'T THINKING BOUT YOU
    I AIN'T THINKING BOUT YOU
    I AIN'T THINKING BOUT YOU
    I AIN'T THINKING BOUT YOU

    MIDDLE FINGERS UP
    PUT THEM HANDS HIGH
    WAVE IT IN HIS FACE
    TELL 'EM BOY BYE
    TELL 'EM BOY BYE
    BOY BYE
    MIDDLE FINGERS UP
    I AIN'T THINKING BOUT YOU

    I AIN'T SORRY
    I AIN'T SORRY
    I AIN'T SORRY
    N---- NAH
    I AIN'T SORRY
    I AIN'T SORRY
    I AIN'T SORRY
    NO NO HELL NAH

    LOOKING AT MY WATCH HE SHOULD'VE BEEN HOME
    TODAY I REGRET THE NIGHT I PUT THAT RING ON
    HE ALWAYS GOT THEM FUCKING EXCUSES
    I PRAY TO THE LORD YOU REVEAL WHAT HIS TRUTH IS

    I LEFT A NOTE IN THE HALLWAY
    BY THE TIME YOU READ IT I'LL BE FAR AWAY
    I'M FAR AWAY
    BUT I AIN'T FUCKING WITH NOBODY
    LET'S HAVE A TOAST TO THE GOOD LIFE
    SUICIDE BEFORE YOU SEE THIS TEAR FALL DOWN MY EYES
    ME AND MY BABY WE GONE BE ALRIGHT
    WE GON' LIVE A GOOD LIFE
    BIG HOMIE BETTER GROW UP
    ME AND MY WHOADIES 'BOUT TO STROLL UP
    I SEE THEM BOPPERS IN THE CORNER
    THEY SNEAKING OUT THE BACK DOOR
    HE ONLY WANT ME WHEN I'M NOT THERE
    HE BETTER CALL BECKY WITH THE GOOD HAIR
    HE BETTER CALL BECKY WITH THE GOOD HAIR

    WRITTEN BY DIANA GORDON, SEAN RHODEN P/K/A MELO-X, BEYONCÉ / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., MELOXTRA PUBLISHING (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MELO-X, BEYONCÉ AND DIANA GORDON / CO-PRODUCED BY HIT-BOY FOR HITS SINCE '87 AND HAZEBANGA FOR HAZEBANGA MUSIC / ADDITIONAL PRODUCTION BY STUART WHITE / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PROGRAMMING BY B. CARR / BACKGROUND VOCALS BY CHRISSY COLLINS / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  • 6 INCH HEELS
    SHE WALKED IN THE CLUB
    LIKE NOBODY'S BUSINESS
    GOT DAMN
    SHE MURDERED EVERYBODY AND I WAS HER WITNESS

    (THE WEEKND)
    STACKIN' MONEY MONEY EVERYWHERE SHE GO… (WHERE SHE GO)
    YOU-KNOW…
    PESOS OUT OF MEXICO… (MEXICO)
    THEM UNOS… COMMAS AND THEM DECIMALS… (DECIMALS)
    SHE DON'T GOTTA GIVE IT UP SHE PROFESSIONAL… OH

    SHE MIXING UP THAT ACE WITH THE HENNESSY… (HENNESSY)
    SHE LOVE THE WAY IT TASTE THAT'S THE RECIPE.. (RECIPE)
    RUSHING THROUGH HER VEINS LIKE IT'S ECSTASY.. OH NO
    SHE ALREADY MADE ENOUGH BUT SHE'LL NEVER LEAVE…

    6 INCH HEELS
    SHE WALKED IN THE CLUB
    LIKE NOBODY'S BUSINESS
    GOT DAMN
    SHE MURDERED EVERYBODY AND I WAS HER WITNESS
    SHE WORKS FOR THE MONEY
    SHE WORK FOR THE MONEY
    FROM THE START TO FINISH
    AND SHE WORTH EVERY DOLLAR
    SHE WORTH EVERY DOLLAR
    AND SHE WORTH EVERY MINUTE

    SHE STACK HER MONEY MONEY EVERYWHERE SHE GO
    HER YAMAZAKI STRAIGHT FROM TOKYO
    SHE GOT THEM COMMAS AND THEM DECIMALS
    SHE DON'T GOTTA GIVE IT UP CUZ SHE PROFESSIONAL

    6 INCH HEELS
    SHE WALKED IN THE CLUB
    LIKE NOBODY'S BUSINESS
    GOT DAMN
    SHE MURDERED EVERYBODY AND I WAS HER WITNESS
    SHE WORKS FOR THE MONEY
    SHE WORK FOR THE MONEY
    FROM THE START TO FINISH
    AND SHE WORTH EVERY DOLLAR
    SHE WORTH EVERY DOLLAR
    AND SHE WORTH EVERY MINUTE

    STARS IN HER EYES
    SHE FIGHTS FOR THE POWER
    KEEP IN TIME
    SHE GRINDS
    DAY AND NIGHT
    SHE GRINDS FROM MONDAY TO FRIDAY
    WORK FROM FRIDAY TO SUNDAY
    SHE GONE SLAY
    SHE'S TOO SMART TO CRAVE MATERIAL THINGS
    SHE PUSHING HERSELF
    DAY AND NIGHT
    SHE GRINDS FROM MONDAY TO FRIDAY
    WORK FROM FRIDAY TO SUNDAY
    STARS IN HER EYES
    SHE FIGHTS AND SHE SWEATS THRU SLEEPLESS NIGHTS
    BUT SHE DON'T MIND
    SHE LOVES THE GRIND
    SHE GRINDS FROM MONDAY TO FRIDAY
    WORKS FROM FRIDAY TO SUNDAY
    SHE GONE SLAY
    TOO SMART TO CRAVE MATERIAL THINGS
    STACKING HER PAPER
    STACKING HER PAPER
    SHE GRINDS FROM MONDAY TO FRIDAY
    WORK FROM FRIDAY TO SUNDAY

    6 INCH HEELS
    SHE WALKED IN THE CLUB
    LIKE NOBODY'S BUSINESS
    GOT DAMN
    SHE MURDERED EVERYBODY AND I WAS HER WITNESS
    SHE WORKS FOR THE MONEY
    SHE WORK FOR THE MONEY (KNOW JUST WHAT TO DO)
    FROM THE START TO FINISH (TO MAKE YOU LOVE ME)
    AND SHE WORTH EVERY DOLLAR (LOVE ME)
    SHE WORTH EVERY DOLLAR (LOVE ME)
    AND SHE WORTH EVERY MINUTE

    NOW YOU KNOW I MAKE YOU FEEL YOU'LL ALWAYS COME BACK TO ME…..

    COME BACK
    COME BACK
    COME BACK
    COME BACK
    COME BACK

    WRITTEN BY ABEL "THE WEEKND" TESFAYE, BEYONCÉ, DANNY SCHOFIELD, BEN DIEHL, TERIUS "THE-DREAM" NASH, AHMAD "BELLY" BALSHE, BOOTS, DAVE PORTNER, NOAH LENNOX, BRIAN WEITZ, BURT BACHARACH, HAL DAVID / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC OBO SONGS OF SMP (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./SAL&CO INC. (ASCAP), BENJAMIN DIEHL PUBLISHING DESIGNEE (BMI), 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP)/SAL&CO INC. (ASCAP), WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI) AND IN SOULS (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), ROUGH TRADE PUBLISHING LTD (PRS), BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) / PRODUCED BY DANNYBOYSTYLES, BEN BILLIONS, BEYONCÉ AND BOOTS / VOCAL PRODUCTION BY BEYONCÉ / ADDITIONAL PRODUCTION BY DEREK DIXIE / ADDITIONAL INSTRUMENTATION BY DEREK DIXIE / ADDITIONAL VOCALS BY BELLY / RECORDED BY STUART WHITE AT RECORD PLANT STUDIOS IN LOS ANGELES, CA / SECOND ENGINEERING BY RAMON RIVAS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY TYLER SCOTT AND JAMES KRAUSSE / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA

    THIS COMPOSITION EMBODIES PORTIONS OF "MY GIRLS" WRITTEN BY DAVID PORTNER, NOAH LENNOX, AND BRIAN WEITZ. PUBLISHED BY ROUGH TRADE PUBLISHING LTD (PRS).

    CONTAINS SAMPLES FROM "WALK ON BY" WRITTEN BY BURT BACHARACH AND HAL DAVID, PUBLISHED BY BMG GOLD SONGS (ASCAP), NEW HIDDEN VALLEY MUSIC CO. (ASCAP) AND PERFORMED BY ISAAC HAYES. USED COURTESY OF STAX RECORDS CONCORD MUSIC GROUP, INC. ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.

    THE WEEKND APPEARS COURTESY OF THE WEEKND XO, INC./REPUBLIC RECORDS

  • YEE HAW
    TEXAS
    TEXAS
    TEXAS

    CAME INTO THIS WORLD
    DADDY'S LITTLE GIRL
    DADDY MADE A SOLDIER OUT OF ME
    DADDY MADE ME DANCE
    DADDY HELD MY HAND
    BUT DADDY LIKED HIS WHISKY WITH HIS TEA

    AND WE ROLLED MOTORCYCLES
    BLACK JACK CLASSIC VINYL
    TOUGH GIRL IS WHAT I HAD TO BE
    HE SAID TAKE CARE OF YOUR MOTHER
    WATCH OUT FOR YOUR SISTER
    AND OH THAT'S WHEN HE GAVE TO ME

    WITH HIS GUN AND HIS HEAD HELD HIGH
    HE TOLD ME NOT TO CRY
    OH MY DADDY SAID SHOOT
    OH MY DADDY SAID SHOOT
    WITH HIS RIGHT HAND ON HIS RIFLE
    HE SWORE IT ON THE BIBLE
    MY DADDY SHOOT
    OH MY DADDY SAID SHOOT

    HE HELD ME IN HIS ARMS
    AND HE TAUGHT ME TO BE STRONG
    HE TOLD ME WHEN HE'S GONE HERE'S WHAT TO DO
    WHEN TROUBLE COMES TO TOWN
    AND MEN LIKE ME COME AROUND
    OH MY DADDY SAID SHOOT
    OH MY DADDY SAID SHOOT

    DADDY MADE ME FIGHT
    IT WASN'T ALWAYS RIGHT
    BUT HE SAID GIRL IT'S YOUR 2ND AMENDMENT
    HE ALWAYS PLAYED IT COOL
    BUT DADDY WAS NO FOOL
    AND RIGHT BEFORE HE DIED HE SAID REMEMBER

    HE SAID TAKE CARE OF YOUR MOTHER
    WATCH OUT FOR YOUR SISTER
    THAT'S WHEN DADDY LOOKED AT ME

    WITH HIS GUN
    WITH HIS HEAD HELD HIGH
    HE TOLD ME NOT TO CRY
    OH MY DADDY SAID SHOOT
    OH MY DADDY SAID SHOOT
    WITH HIS RIGHT HAND ON HIS RIFLE
    HE SWORE IT ON THE BIBLE
    MY DADDY SHOOT,
    OH MY DADDY SAID SHOOT

    HE HELD ME IN HIS ARMS
    AND HE TAUGHT ME TO BE STRONG
    AND HE TOLD ME WHEN HE'S GONE HERE'S WHAT TO DO
    WHEN TROUBLE COMES TO TOWN
    AND MEN LIKE ME COME AROUND
    OH MY DADDY SAID SHOOT
    OH MY DADDY SAID SHOOT

    MY DADDY WARNED ME ABOUT MEN LIKE YOU
    HE SAID BABY GIRL HE'S PLAYING YOU
    HE'S PLAYING YOU
    MY DADDY WARNED ME ABOUT MEN LIKE YOU
    HE SAID BABY GIRL HE'S PLAYING YOU
    HE'S PLAYING YOU

    CAUSE WHEN TROUBLE COMES TO TOWN AND MEN LIKE ME COME AROUND
    OH MY DADDY SAID SHOOT
    OH MY DADDY SAID SHOOT
    CAUSE WHEN TROUBLE COMES TO TOWN AND MEN LIKE ME COME AROUND
    OH MY DADDY SAID SHOOT
    OH MY DADDY SAID SHOOT

    GOOD JOB B! (BLUE)

    WRITTEN BY DIANA GORDON, BEYONCÉ, KEVIN COSSUM, ALEX DELICATA / PUBLISHED BY WB MUSIC CORP. (ASCAP) OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT (ASCAP) ALL RIGHTS OBO ITSELF AND LOTS OF LYRICS ENTERTAINMENT ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND YRP MUSIC PUBLISHING (BMI) ALL RIGHTS ON BEHALF OF ITSELF AN YRP MUSIC PUBLISHING ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DELICATA MUSIC/NUMBERS NEVER LIE (BMI) ADMINISTERED BY SONGS OF KOBALT MUSIC PUBLISHING / PRODUCED BY BEYONCÉ / CO-PRODUCED BY DEREK DIXIE AND ALEX DELICATA FOR DELICATA MUSIC PRODUCTIONS / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / BASS BY COURTNEY LEONARD / GUITAR BY ERIC WALLS / HORNS BY RANDOLPH ELLIS, PETER ORTEGA, CHRISTOPHER GRAY, RICHARD LUCCHESE / HARMONICA BY PATRICK WILLIAMS / ADDITIONAL INSTRUMENTATION BY TOO MANY ZOOZ / DRUMS AND DRUM PROGRAMMING BY DEREK DIXIE / BAND SESSION LEADER: DEREK DIXIE / BAND RECORDING ENGINEERING BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / ASSISTANT RECORDING ENGINEERING BY DEREK DIXIE / RECORDED IN THE BEEHIVE IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  • 10 TIMES OUT OF 9 I KNOW YOU LYIN'
    BUT 9 TIMES OUTTA 10 I KNOW YOU TRYING
    SO I'M TRYING TO BE FAIR
    AND YOU'RE TRYING TO BE THERE
    AND TO CARE
    BUT YOU'RE CAUGHT UP IN YOUR PERMANENT EMOTIONS
    AND ALL THE LOVE I'M GIVING IS UNNOTICED
    JUST FLOATING IN THE AIR
    LOOKIE THERE...
    ARE YOU AWARE?
    YOU'RE MY LIFELINE, ARE YOU TRYNA KILL ME?
    IF I WASN'T ME WOULD YOU STILL FEEL ME?
    LIKE ON MY WORST DAY?
    OR AM I NOT THIRSTY?
    ENOUGH…
    I DON'T CARE ABOUT THE LIGHTS OR THE BEAM
    I'D SPEND MY LIFE IN THE DARK
    FOR THE SAKE OF YOU AND ME
    THE ONLY WAY TO GO IS UP
    SKIN THICK
    TOO TOUGH

    YOU YOU YOU YOU AND ME COULD MOVE A MOUNTAIN
    YOU YOU YOU YOU AND ME COULD CALM A WAR DOWN
    YOU YOU YOU YOU AND ME COULD MAKE IT RAIN NOW
    YOU YOU YOU AND ME COULD STOP THIS LOVE DROUGHT

    9 TIMES OUTTA 10 I'M IN MY FEELINGS
    BUT 10 TIMES OUTTA 9 I'M ONLY HUMAN
    TELL ME WHAT DID I DO WRONG?
    FEEL LIKE THAT QUESTION HAS BEEN POSED... I'M MOVING ON
    I'VE ALWAYS BEEN COMMITTED I BEEN FOCUSED
    I ALWAYS PAID ATTENTION, BEEN DEVOTED
    TELL ME WHAT DID I DO WRONG?
    OH I ALREADY ASKED THAT...
    MY BAD
    BUT YOU'RE MY LIFELINE THINK YOU TRYNA KILL ME?
    IF I WASN'T BEY WOULD YOU STILL FEEL ME?
    LIKE ON MY WORST DAY?
    OR AM I NOT THIRSTY?
    ENOUGH…
    I DON'T CARE ABOUT THE LIGHTS OR THE BEAMS
    I'D SPEND MY LIFE IN THE DARK
    FOR THE SAKE OF YOU AND ME
    THE ONLY WAY TO GO IS UP
    THEM OLE BITCHES SO WACK
    I'M SO TOUGH, WHAT'S UP?

    YOU YOU YOU YOU AND ME COULD MOVE A MOUNTAIN
    YOU YOU YOU YOU AND ME COULD CALM A WAR DOWN
    YOU YOU YOU YOU AND ME COULD MAKE IT RAIN NOW
    YOU YOU YOU AND ME COULD STOP THIS LOVE DROUGHT

    WRITTEN BY MIKE DEAN, INGRID BURLEY, BEYONCÉ / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI)/PAPA GEORGE MUSIC (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., LOVE VIVIAN MUSIC/SONY/ATV TUNES/EMI APRIL MUSIC (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / KEYBOARDS AND DRUM PROGRAMMING BY MIKE DEAN / TRACK ENGINEERED BY MIKE DEAN / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / RECORDED AT JUNGLE STUDIOS IN NEW YORK CITY / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

  • WE BUILD SAND CASTLES
    THAT WASHED AWAY
    I MADE YOU CRY
    WHEN I WALKED AWAY
    AND ALTHOUGH I PROMISED
    THAT I COULDN'T STAY
    EVERY PROMISE DON'T WORK OUT THAT WAY
    EVERY PROMISE DON'T WORK OUT THAT WAY

    DISHES SMASHED ON MY COUNTER
    FROM OUR LAST ENCOUNTER
    PICTURES SNATCHED OUT THE FRAME
    BITCH I SCRATCHED OUT YOUR NAME
    AND YOUR FACE
    WHAT IS IT ABOUT YOU?
    THAT I CAN'T ERASE BABY
    WHEN EVERY PROMISE DON'T WORK OUT THAT WAY
    NO NO BABY
    WHEN EVERY PROMISE DON'T WORK OUT THAT WAY

    AND YOUR HEART IS BROKEN
    CAUSE I WALKED AWAY
    SHOW ME YOUR SCARS
    AND I WON'T WALK AWAY
    AND I KNOW I PROMISED THAT I COULDN'T STAY
    EVERY PROMISE DON'T WORK OUT THAT WAY
    EVERY PROMISE DON'T WORK OUT THAT WAY

    WRITTEN BY VINCENT BERRY II, BEYONCÉ, MALIK YUSEF, MIDIAN MATHERS / PUBLISHED BY CLEFTONE MUSIC (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, UNIVERSAL MUSIC CORP./JABRIEL IZ MYNE (ASCAP), MIDIAN MATHERS BMG PLATINUM SONGS US OBO MABLE JEAN MUSIC (BMI) / PRODUCED BY BEYONCÉ AND VINCENT BERRY II / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY VINCENT BERRY II / SYNTHS BY JACK CHAMBAZYAN / SYNTH ARRANGEMENT BY BOOTS / RECORDED BY STUART WHITE IN THE BEEHIVE, LOS ANGELES, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY MILES COMASKEY / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA / PIANO RECORDED BY JORDAN STILWELL

  • FORWARD
    BEST FOOT FORWARD JUST IN CASE
    WHEN WE MADE OUR WAY TO NOW
    IT'S TIME TO LISTEN
    IT'S TIME TO FIGHT
    FORWARD
    NOW WE'RE GOING TO HOLD DOORS OPEN FOR A WHILE
    NOW WE CAN BE OPEN FOR A WHILE
    FORWARD
    I LOVE YOU MORE THAN THIS JOB PLEASE DON'T WORK FOR ME
    FORWARD
    GO BACK TO YOUR SLEEP IN YOUR FAVORITE SPOT JUST NEXT TO ME
    FORWARD

    WRITTEN BY JAMES BLAKE AND BEYONCÉ / PUBLISHED BY SONY/ATV, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY JAMES BLAKE AND BEYONCÉ / VOCAL PRODUCTION BY BEYONCÉ / PIANO BY JAMES BLAKE / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORD ENGINEERING BY JOHN CRANFIELD / RECORDED AT CONWAY STUDIOS IN LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

    JAMES BLAKE APPEARS COURTESY OF POLYDOR LIMITED

  • TRYING TO REIGN
    TRYING TO RAIN ON THE THUNDER
    TELL THE STORM I'M NEW
    I'MA WALK
    I'MA MARCH
    ON THE REGULAR
    PAINTING WHITE FLAGS BLUE
    LOVE FORGIVE ME I'VE BEEN RUNNING
    RUNNING BLIND IN TRUTH
    I'MA RAIN
    I'MA REIGN
    ON THIS BITTER LOVE
    TELL THE SWEET I'M NEW

    I'M TELLING THESE TEARS GONNA FALL AWAY FALL AWAY… OOOH
    MAY THE LAST ONE BURN INTO FLAMES

    FREEDOM
    FREEDOM
    I CAN'T MOVE
    FREEDOM CUT ME LOOSE
    FREEDOM
    FREEDOM
    WHERE ARE YOU?
    CAUSE I NEED FREEDOM TOO
    I BREAK CHAINS ALL BY MYSELF
    WON'T LET MY FREEDOM ROT IN HELL
    I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVES

    I'M A WADE
    I'M A WAVE THROUGH THE WATERS
    TIL THE TIDE DON'T MOVE
    I'M A RIOT I'M A RIOT THROUGH YOUR BORDERS
    CALL ME BULLET PROOF
    LOVE FORGIVE ME I'VE BEEN RUNNING, RUNNING BLIND IN TRUTH
    I'M A WADE
    I'M A WAVE THROUGH YOUR SHALLOW LOVE
    TELL THE DEEP I'M NEW

    I'M TELLING THESE TEARS GONNA FALL AWAY FALL AWAY… OOOH
    MAY THE LAST ONE BURN INTO FLAMES

    FREEDOM
    FREEDOM
    I CAN'T MOVE
    FREEDOM CUT ME LOOSE
    FREEDOM
    FREEDOM
    WHERE ARE YOU?
    CAUSE I NEED FREEDOM TOO
    I BREAK CHAINS ALL BY MYSELF
    WON'T LET MY FREEDOM ROT IN HELL HEY
    I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVES

    (KENDRICK LAMAR)
    TEN HAIL MARY'S I MEDITATE FOR PRACTICE (ONE, TWO)
    CHANNEL 9 NEWS TELL ME I'M MOVING BACKWARDS (ACHACHA)
    8 BLACKS LEFT DEATH IS AROUND THE CORNER (HAH)

    SEVEN MISLEADING STATEMENTS BY MY PERSONA (UH WOO)
    SIX HEAD LIGHTS WAVING IN MY DIRECTION (COME ON)
    FIVE-O ASKING ME WHAT'S IN MY POSSESSION… YEAH
    I KEEP RUNNING JUMP IN THE AQUA DUCTS
    FIRE HYDRANTS AND HAZARDOUS
    SMOKE ALARMS ON THE BACK OF US
    BUT MAMA DON'T CRY FOR ME RIDE FOR ME
    TRY FOR ME LIVE FOR ME
    BREATH FOR ME SING FOR ME
    HONESTY GUIDING ME I CAN BE ME MORE THAN I GOTTA BE
    STOLE FROM ME LIED TO ME NATION HYPOCRISY
    COLD ON ME DRIVING ME WICKED
    MY SPIRIT INSPIRE ME LIKE… YEAH

    OPEN CORRECTIONAL GATES IN HIGH DESERTS … YEAH
    OPEN OUR MIND AS WE CAST AWAY OPPRESSION… YEAH
    OPEN THE STREETS AND WATCH OUR BELIEFS AND WHEN THEY CARVE MY NAME INSIDE THE CONCRETE I PRAY IT FOREVER READS...

    FREEDOM
    FREEDOM
    I CAN'T MOVE
    FREEDOM CUT ME LOOSE
    FREEDOM
    FREEDOM
    WHERE ARE YOU?
    CAUSE I NEED FREEDOM TOO
    I BREAK CHAINS ALL BY MYSELF
    WON'T LET MY FREEDOM ROT IN HELL HEY
    I'MA KEEP RUNNING CAUSE A WINNER DON'T QUIT ON THEMSELVES

    HUH WHAT YOU WANT FROM ME IS IT TRUE YOU SEE UH  OH FATHER CAN YOU HEAR ME?
    HUH WHAT YOU WANT FROM ME IS IT TRUE YOU SEE UH  OH FATHER CAN YOU HEAR ME?
    HEAR ME?

    WRITTEN BY JONATHAN COFFER, BEYONCÉ, CARLA WILLIAMS, ARROW BENJAMIN, KENDRICK DUCKWORTH, FRANK TIRADO, ALAN LOMAX, JOHN LOMAX SR. / PUBLISHED BY B-UNIQUE MUSIC LIMITED/KOBALT PUBLISHING AMERICA, INC. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, EMI BLACKWOOD MUSIC INC. (BMI), SONY/ATV SONGS (BMI), WB MUSIC CORP. (ASCAP), HARD WORKING BLACK FOLKS INC. (ASCAP) AND TOP DAWG MUSIC (ASCAP) OBO KENDRICK DUCKWORTH PKA KENDRICK LAMAR, NOW-AGAIN RECORDS, GLOBAL JUKEBOX PUBLISHING (BMI), LUDLOW MUSIC INC. (BMI) / PRODUCED BY JONNY COFFER, BEYONCÉ AND JUST BLAZE / VOCAL PRODUCTION BY BEYONCÉ / MIXED AND RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT MIX ENGINEERING BY JOHN CRANFIELD / BACKGROUND VOCALS BY ARROW BENJAMIN / PROGRAMMING AND KEYBOARDS BY JONNY COFFER / ADDITIONAL PROGRAMMING BY BOOTS AND MYLES WILLIAM / BASS BY MARCUS MILLER / ADDITIONAL PIANO BY CANEI FINCH / RECORDED IN THE BEEHIVE, LOS ANGELES, CA / MIXED AT PACIFIQUE RECORDING STUDIOS IN NORTH HOLLYWOOD, CA / PACIFIQUE STUDIO ASSISTANT: ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

    CONTAINS A SAMPLE OF "LET ME TRY," WRITTEN BY FRANK TIRADO AND PERFORMED BY KALEIDOSCOPE. USED COURTESY OF NOW-AGAIN RECORDS, WITH THANKS TO THOMAS HARTLAGE AND SHADOKS MUSIC.

    CONTAINS A SAMPLE OF "COLLECTION SPEECH/UNIDENTIFIED LINING HYMN," PERFORMED BY REVEREND R.C. CRENSHAW. RECORDED BY ALAN LOMAX IN 1959. USED COURTESY OF GLOBAL JUKEBOX PUBLISHING (BMI) AND THE ALAN LOMAX COLLECTION, AMERICAN FOLKLIFE CENTER, LIBRARY OF CONGRESS, COURTESY OF ODYSSEY PRODUCTIONS, INC.

    CONTAINS A SAMPLE OF "STEWBALL," PERFORMED BY PRISONER "22" AT MISSISSIPPI STATE PENITENTIARY AT PARCHMAN, RECORDED IN 1947 BY ALAN LOMAX AND JOHN LOMAX SR. USED COURTESY OF LUDLOW MUSIC INC. (BMI)/GLOBAL JUKEBOX PUBLISHING (BMI) AND THE ALAN LOMAX COLLECTION, AMERICAN FOLKLIFE CENTER, LIBRARY OF CONGRESS, COURTESY OF ODYSSEY PRODUCTIONS, INC.

    KENDRICK LAMAR APPEARS COURTESY OF TOP DAWG ENT./AFTERMATH RECORDS/INTERSCOPE RECORDS

  • I FOUND THE TRUTH BENEATH YOUR LIES
    AND TRUE LOVE NEVER HAS TO HIDE
    TRADE YOUR BROKEN WINGS FOR MINE
    I'VE SEEN YOUR SCARS AND KISSED YOUR CRIMES

    SO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
    KISS UP AND RUB UP AND FEEL UP
    KISS UP AND RUB UP AND FEEL UP ON YA
    GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
    I'M GONNA KISS UP AND RUB UP AND FEEL UP
    KISS UP AND RUB UP AND FEEL UP ON YA

    ALL NIGHT LONG....
    (ALL NIGHT YEAH )

    GOOD LOVE
    ALL NIGHT LONG......
    (ALL NIGHT YEAH )

    SWEET LOVE
    ALL NIGHT LONG.....
    (ALL NIGHT YEAH )

    ALL I WANNA
    BE NO OTHER
    BE TOGETHER
    I REMEMBER
    SWEET LOVE
    ALL NIGHT LONG…

    MY LOVE WAS STRONGER THAN YOUR PRIDE
    BEYOND YOUR DARKNESS I'M YOUR LIGHT
    YOU GET DEEP YOU TOUCH MY MIND
    BAPTIZE YOUR TEARS AND DRY YOUR EYES

    SO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
    KISS UP AND RUB UP AND FEEL UP
    KISS UP AND RUB UP AND FEEL UP ON YA
    GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
    I'M GONNA KISS UP AND RUB UP AND FEEL UP
    KISS UP AND RUB UP AND FEEL UP ON YA

    ALL NIGHT LONG....
    (ALL NIGHT YEAH )

    GOOD LOVE
    ALL NIGHT LONG......
    (ALL NIGHT YEAH)

    SWEET LOVE
    ALL NIGHT LONG.....
    (ALL NIGHT YEAH)

    ALL I WANNA
    BE NO OTHER
    BE TOGETHER
    I REMEMBER
    SWEET LOVE
    ALL NIGHT LONG…

    THEY SAY TRUE LOVE'S THE GREATEST WEAPON
    TO WIN THE WAR CAUSED BY PAIN
    BUT EVERY DIAMOND HAS IMPERFECTIONS
    BUT MY LOVE'S TOO PURE TO WATCH IT CHIP AWAY

    BOY NOTHING REAL CAN BE THREATENED
    TRUE LOVE BREATHES SALVATION BACK INTO ME
    WITH EVERY TEAR CAME REDEMPTION
    AND MY TORTURER BECAME MY REMEDY

    SO MANY PEOPLE I KNOW THAT THEY JUST TRYING TO TOUCH YOU
    KISS UP AND RUB UP AND FEEL UP
    KISS UP AND RUB UP AND FEEL UP ON YA
    GIVE YOU SOME TIME TO PROVE THAT I CAN TRUST YA AGAIN
    I'M GONNA KISS UP AND RUB UP AND FEEL UP
    KISS UP AND RUB UP AND FEEL UP ON YA

    ALL NIGHT LONG....
    (ALL NIGHT YEAH)

    GOOD LOVE
    ALL NIGHT LONG......
    (ALL NIGHT YEAH)

    SWEET LOVE
    ALL NIGHT LONG.....
    (ALL NIGHT YEAH)

    ALL I WANNA
    BE NO OTHER
    BE TOGETHER
    I REMEMBER
    SWEET LOVE
    ALL NIGHT LONG…

    YOU KNOW I MISSED YOU MY LOVE

    WRITTEN BY THOMAS WESLEY PENTZ, BEYONCÉ, HENRY ALLEN, TIMOTHY AND THERON THOMAS, ILSEY JUBER, AKIL KING, JARAMYE DANIELS, ANDRE BENJAMIN, PATRICK BROWN, ANTWAN PATTON / PUBLISHED BY SONGS MUSIC PUBLISHING, LLC (ASCAP) OBO I LIKE TURTLES MUSIC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS MUSIC PUBLISHING, LLC OBO DUKE CITY MUSIC (SESAC), SONGS MUSIC PUBLISHING (SESAC), TNT EXPLOSIVE PUBLISHING/UMPG (ASCAP), SONY/ATV SONGS LLC / SPARKO PHONE MUSIC (BMI), AKIL C. KING/M PUBLISHING/BMG RIGHTS MANAGEMENT (BMI), JARAMYE DANIELS MUSIC/WARNER TAMERLANE (ASCAP), BMG MONARCH (ASCAP)/GNAT BOOTY MUSIC (ASCAP), SONGS OF WINDSWEPT (BMI)/HITCO MUSIC (BMI) / ORGANIZED NOIZE MUSIC (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC / PRODUCED BY DIPLO AND BEYONCÉ / CO-PRODUCED BY KING HENRY / VOCAL PRODUCTION BY BEYONCÉ / BACKGROUND VOCALS BY DIPLO AND KING HENRY / HORNS BY RANDOLPH ELLIS, PETER ORTEGA, CHRISTOPHER GRAY, RICHARD LUCCHESE / HORNS ARRANGED BY DEREK DIXIE / HORNS RECORDED BY LESTER MENDOZA AT SKIP SAYLOR RECORDING STUDIO IN NORTHRIDGE, CA / STRINGS BY ERIC GORFAIN, DAPHNE CHEN, CHARLIE BISHARAT, JOSEFINA VERGARA, SONGA LEE, MARISA KUNEY, NEEL HAMMOND, SUSAN CHATMAN, KATIE SLOAN, AMY WICKMAN, LISA DONDLINGER, TERRY GLENNY, INA VELI, GINA KRONSTADT, YELENA YEGORYAN, RADU PIEPTEA, CRYSTAL ALFORQUE, SERENA MCKINNEY, LEAH KATZ, ALMA FERNANDEZ, RODNEY WIRTZ, BRIANA BANDY, ANNA BULBROOK, GRACE PARK, RICHARD DODD, JOHN KROVOZA, IRA GLANSBEEK, VANESSA FAIRBAIRN-SMITH, GINGER MURPHY, ADRIENNE WOODS, DENISE BRIESE, RYAN CROSS, GEOFF OSIKA / ORCHESTRATIONS BY ERIC GORFAIN / STRING ARRANGEMENT BY JON BRION / STRINGS, KEYBOARDS AND BASS ENGINEERED BY GREG KOLLER / GUITAR BY KING HENRY / BASS BY MARCUS MILLER / DRUM PROGRAMMING BY DEREK DIXIE, DIPLO AND KING HENRY / ADDITIONAL INSTRUMENTATION BY DEREK DIXIE / PROTOOLS EDITING AND KEYBOARDS RECORDED BY ERIC CAUDIEUX AT HENSON STUDIOS IN LOS ANGELES, CA AND THE APEX STUDIO IN BURBANK, CA / RECORDED BY STUART WHITE / SECOND ENGINEERING BY RAMON RIVAS / ASSISTANT RECORDING ENGINEERING BY JOHN CRANFIELD / RECORDED AT JUNGLE CITY STUDIOS IN NEW YORK CITY, CONWAY STUDIOS IN LOS ANGELES, CA AND MAD DECENT STUDIOS IN BURBANK, CA / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS IN NORTH HOLLYWOOD, CA / ASSISTANT MIX ENGINEERING BY TYLER SCOTT / MASTERED BY DAVE KUTCH OF THE MASTERING PALACE NYC AT PACIFIQUE RECORDING STUDIOS, NORTH HOLLYWOOD, CA

    CONTAINS ELEMENTS OF "SPOTTIEOTTIEDOPALISCIOUS" WRITTEN BY ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON. PUBLISHED BY BMG MONARCH (ASCAP)/GNAT BOOTY MUSIC (ASCAP), SONGS OF WINDSWEPT (BMI)/HITCO MUSIC (BMI) / ORGANIZED NOIZE MUSIC (BMI). ALL RIGHTS ADMINISTERED BY BMG RIGHTS MANAGEMENT (US) LLC.

  • YA'LL HATERS CORNY WITH THAT ILLUMINATI MESS
    PAPARAZZI CATCH MY FLY AND MY COCKY FRESH
    I'M SO RECKLESS WHEN I ROCK MY GIVENCHY DRESS
    I'M SO POSSESSIVE SO I ROCK HIS ROC NECKLACES

    MY DADDY ALABAMA
    MY MAMA LOUISIANA
    YOU MIX THAT NEGRO WITH THAT CREOLE MAKE A TEXAS-BAMA

    VERSE-1
    I LIKE MY BABY HAIR WITH BABY HAIR AND AFROS
    I LIKE MY NEGRO NOSE WITH JACKSON 5 NOSTRILS
    I EARNED ALL THIS MONEY BUT THEY NEVER TAKE THE COUNTRY OUT ME
    I GOT HOT SAUCE IN MY BAG… SWAG

    PRE-1
    I SEE IT I WANT IT
    I STUNT YELLOW HORNET
    I DREAM IT I WORK HARD I GRIND TILL I OWN IT
    I TWIRL ON THEM HATERS
    ALBINO ALLIGATORS
    EL CAMINO WITH THE SEAT LOW SIPPING CUERVO WITH NO CHASER

    SOMETIMES I GO OFF
    I GO HARD
    GET WHATS MINE
    IM A STAR
    CAUSE I SLAY… I SLAY I SLAY I SLAY
    I SLAY I SLAY I SLAY I SLAY
    IM GON' SLAY I SLAY I SLAY I SLAY
    ALL DAY I SLAY I SLAY OKAY OKAY

    HOOK-1
    OK LADIES NOW LETS GET IN FORMATION
    OK LADIES NOW LETS GET IN FORMATION
    PROVE TO ME YOU GOT SOME CO-ORDINATION
    SLAY TRICK OR YOU GET ELIMINATED

    WHEN HE FUCK ME GOOD I TAKE HIS ASS TO RED LOBSTER
    WHEN HE FUCK ME GOOD I TAKE HIS ASS TO RED LOBSTER
    IF HE HIT IT RIGHT I MIGHT TAKE HIM ON A FLIGHT ON MY CHOPPER
    DROP HIM OFF AT THE MALL LET HIM BUY SOME J'S LET HIM SHOPPA

    VERSE-2
    I MIGHT GET YOUR SONG PLAYED ON THE RADIO STATION
    I MIGHT GET YOUR SONG PLAYED ON THE RADIO STATION
    YOU JUST MIGHT BE A BLACK BILL GATES IN THE MAKING
    YOU JUST MIGHT BE A BLACK BILL GATES IN THE MAKING

    PRE-2
    I SEE IT I WANT IT
    I STUNT YELLOW HORNET
    I DREAM IT I WORK HARD I GRIND TILL I OWN IT
    I TWIRL ON MY HATERS
    ALBINO ALLIGATORS
    EL CAMINO WITH THE SEAT LOW SIPPING CUERVO WITH NO CHASER

    SOMETIMES I GO OFF
    I GO HARD
    TAKE WHATS MINE
    IM A STAR
    CAUSE I SLAY… I SLAY I SLAY I SLAY
    I SLAY I SLAY I SLAY I SLAY
    WE GON' SLAY GON' SLAY WE SLAY I SLAY
    I SLAY OKAY I SLAY OKAY OKAY OKAY

    HOOK-2
    OK LADIES NOW LETS GET IN FORMATION
    OK LADIES NOW LETS GET IN FORMATION
    PROVE TO ME YOU GOT SOME CO-ORDINATION
    SLAY TRICK OR YOU GET ELIMINATED

    OK LADIES NOW LETS GET IN FORMATION
    OK LADIES NOW LETS GET IN FORMATION
    YOU KNOW YOU THAT BITCH WHEN YOU CAUSE ALL THIS CONVERSATION
    ALWAYS STAY GRACIOUS
    BEST REVENGE IS YOUR PAPER

    WRITTEN BY MICHAEL L. WILLIAMS II, BEYONCÉ, KHALIF BROWN, AAQUIL BROWN, ASHETON HOGAN / PUBLISHED BY WB MUSIC CORP (ASCAP) OBO ITSELF, SOUNDS FROM EARDRUMMERS LLC, WARNER-TAMERLANE PUBLISHING CORP (BMI) OBO ITSELF, EARDRUMMERS MUSIC PUBLISHING LLC, (BMI), OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP., KHALIF BROWN BMI PUB DESIGNEE, AAQUIL BROWN BMI PUB DESIGNEE, ASHETON HOGAN BMI PUB DESIGNEE, AND WB MUSIC CORP. (ASCAP). OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY MIKE WILL MADE-IT AND BEYONCÉ / CO-PRODUCED BY PLUSS FOR EARDRUMMERS ENTERTAINMENT LLC / VOCAL PRODUCTION BY BEYONCÉ / ADLIBS BY SWAE LEE OF RAE SREMMURD / ADDITIONAL BACKGROUND ADLIBS BY BIG FREEDIA / TRUMPET BY MATT DOE / HORN ARRANGEMENT BY DEREK DIXIE / RECORDED BY STUART WHITE IN THE BEEHIVE IN LOS ANGELES, CA / MIXED BY JAYCEN JOSHUA FOR THE PENUA PROJECT/INNERSOUND MGMT AT LARRABEE SOUND STUDIOS, NORTH HOLLYWOOD CA AND STUART WHITE AT PACIFIQUE STUDIO IN LOS ANGELES, CA / ASSISTANT MIX ENGINEERING BY MADDOX CHHIM, DAVID NAKAJI, AND ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE IN NEW YORK CITY

  • A VISUAL ALBUM BY
    BEYONCÉ

    FILM ADAPTATION AND POETRY BY
    WARSAN SHIRE

    DIRECTORS
    KAHLIL JOSEPH
    BEYONCÉ KNOWLES CARTER

    ADDITIONAL DIRECTORS
    MELINA MATSOUKAS
    TODD TOURSO
    DIKAYL RIMMASCH
    JONAS ÅKERLUND
    MARK ROMANEK

    EXECUTIVE PRODUCER
    BEYONCÉ KNOWLES CARTER

    EXECUTIVE PRODUCERS
    TODD TOURSO
    ERINN WILLIAMS
    DORA MELISSA VARGAS
    STEVE PAMON
    ED BURKE

    PRODUCERS
    ONYE ANYANWU
    JONATHAN LIA
    KEENAN FLYNN
    NATHAN SCHERRER
    SCOTT HORAN
    KIRA CARSTENSEN
    THOMAS BENSKI
    DANYI DEATS
    THOMAS MARTIN
    VIOLAINE ETIENNE
    MICHAEL GARZA

    CINEMATOGRAPHERS
    CHAYSE IRVIN
    KHALIK ALLAH
    PÄR EKBERG
    SANTIAGO GONZALEZ
    MALIK SAYEED
    DIKAYL RIMMASCH
    REED MORANO

    EDITOR
    BILL YUKICH

    ADDITIONAL EDITING BY
    LUKE LYNCH
    ALEXANDRE MOORS
    ALEXANDER HAMMER
    MICHAEL HELDMAN
    JEFF SELIS
    PAUL ROGERS
    ARMEN HAROOTUN

    MUSICAL SCORE
    MELO-X

    SOUND DESIGN AND MIX
    ERIC HOFFMAN
    ALBUM SONGS MIX AND RECORD
    STUART WHITE
    TONY MASERATI

    MUSIC SUPERVISOR
    TERESA LABARBERA WHITES

    STYLING
    MARNI SENOFONTE

    GLAM
    HAIR: KIM KIMBLE
    MAKE UP: SIR JOHN BARNETT
    NAILS: LISA LOGAN

    PRODUCTION DESIGNERS
    HANNAH BEACHLER
    ETHAN TOBMAN
    TOM FODEN
    JASON HOUGAARD
    JC MOLINA

    CHOREOGRAPHERS
    CHRIS GRANT
    JAQUEL KNIGHT
    ANTHONY BURRELL
    DANA FOGLIA
    MICHAELA DEPRINCE
    ASHLEY EVERETT

    **START SCROLL**

    WITH APPEARANCES BY
    BEYONCÉ
    BRITTANI ALEXANDER
    JASMINE "JB" BADIE
    FULANI BAHATI
    CHLOE BAILEY
    HALLE BAILEY
    DENEÉ BAPTISTE
    AVA BERNSTINE
    KENDRA BRACY
    BIANCA BREWTON
    MONIQUE BROGAN
    LATASHA BRYANT
    SIFARE BURRELL
    INGRID BURLEY
    GWENDOLYN CARR
    BLUE IVY CARTER
    SHAWN "JAY Z" CARTER
    TANESHA "KSYN" CASON
    LEAH CHASE
    DENZEL CHISOLM
    AVA CLARK
    J'ATINA CLARK
    KENITIA COLEMAN
    ZENDAYA COLEMAN
    ZORA GRACE DAVIS
    MICHAELA DEPRINCE
    DESIREE DIXON
    HANNAH DOUGLASS
    GAILY EDGERSON
    ASHLEY EVERETT
    HAJIBA FAHMY
    AMANDY FERNANDEZ
    SYBRINA FULTON
    KIMMIE GEE
    WINNIE HARLOW
    JASMINE HARPER
    ALEX HARRIS
    LE'ANA "LEVI" HILL
    TAMIKA JETT
    WANDA JOHNSON
    MATHEW KNOWLES
    RICHARD LAWSON
    TINA KNOWLES LAWSON
    SABINA LUNDGREN
    LEZLEY MCSPADDEN
    MARIAH MENDEZ
    RON MYLES
    SAIDAH NAIROBI
    KHADIJA NICHOLAS
    CHRISTIAN OWENS
    AHSIA PETTIGREW
    JIAN PIERRE-LOUIS
    KAYLA PITTMAN
    FERLY PRADO
    DEJA RILEY
    TAJA RILEY
    LISA ROSENTHAL
    REBECCA "REBBIE" ROSIE
    ABRIELLE SANDERS
    DIAMOND SMITH
    DANIELLE STAMPER
    AMANDLA STENBERG
    CHINA TAYLOR
    JANA THOMPKINS
    QUVENZHANÉ WALLIS
    MARQUITA WASHINGTON
    CHRISTINA WEBBER
    HATTIE WHITE
    EBONY WILLIAMS
    FAITHE WILLIAMS
    SERENA WILLIAMS
    TAJANA WILLIAMS
    QUINETTA WILMINGTON
    KHADIJA WILSON
    QUEEN YAYA
    JACQUELINE YORK
    EBBONI YOUNG
    LISA KAINDE DIAZ ZAYAS
    NAOMI LUCIE DIAZ ZAYAS

    ADDITIONAL CAST
    LOUISA ABERNATHY
    MEL AGCAOLI
    JERMAINE ALPHONSE
    CONSUELLO ANDERSON
    JOVAN ARMAND
    EVELYN BRINSON
    HERMAN BROCKS III
    MARK BROGDEN
    ZOIE BROGDEN
    CHARLES BROWN
    GEORGE BROWN
    GLORIA BROWN
    HENRY BROWN
    MIEKO CLARK
    DARRELL CROOKS
    GARRETT DAVIS
    RODERICK DAVIS
    GABE DE GUZMAN
    LANA DANIELYAN
    GABRIEL DERRICKS
    LAWRENCE DUNBAR
    TATIANA EASLEY
    JOE EVANS
    SHANTELL FINLEY
    JAYDEN FLOWERS
    GM FORD
    GABBY
    MELVIN GALIEN
    MICHAEL GILBEAUX
    LATANYA GRINSTEAD
    LESLA GRINSTEAD
    HUNTER HA
    DARRELL HARDY
    SHARRELL HARDY
    PATRICIA HARRIS
    ALIJAH JETT
    CHRIS JOHNSON
    TYE HALE JOHNSON
    ELOISE JONES
    KNOCKAZ BRASS BAND
    ROCHELLE LEBLANC
    LEVYSTEIN LOCKETT
    MICHAEL LONDON
    ODELL MACK
    CHARLENA MATHEWS
    JOURNI MCGEE
    ORLANDO MILLENDER
    DORIS MOLIZONE
    HENRY NGUYEN
    MILES O'MALLEY
    CHASE OTUBUAH
    ANITA OUBRE
    ISABEL PATEAN-VILLA
    GERALD PLATENBURG
    LINDA T. PORTER
    REVERT POWELL
    RAHEAN
    NYLA RAHMAN
    ISA RAHMAN
    BARBARA J. RAINEY
    LEONARD RAYMOND
    MADDIE RAYMOND
    HERMOINE REED
    JOSHUA REESE
    BILL ROPER
    RICARDO ROUSE
    MONTRELL SAYLES
    JESSE SHARPS
    KEENON SHUFFORD
    ALEXANDRIA SILVA
    DESMOND SONIAT
    MICAAL STEVENS
    TYSAIAH STUTTS
    KIERAN TAMONDONG
    NICOLE TATE
    LOUIS TAYLOR
    JENNIFER TRAMUTA
    NHAN VO
    BASAI WADE
    PERCY WARD
    ASHTEN WARE
    MORGAN WESTBROOKS
    FAITH WILLIAMS
    HERMAN WILLIAMS IV
    JEDIDIAH WINSLOW
    COREY WOODS
    JOHN YOUNG

    PRODUCTION

    PULSE FILMS
    EXECUTIVE PRODUCER: KIRA CARSTENSEN
    EXECUTIVE PRODUCER: THOMAS BENSKI
    PRODUCER: ONYE ANYANWU
    EXECUTIVE PRODUCER: LAURA TUNSTALL
    EXECUTIVE PRODUCER: MAURY STRONG
    PRINCIPAL MANAGER: CARRIE BORNSTEIN
    PRINCIPAL COORDINATOR: NOAH TRIVIER
    LINE PRODUCER: DANYI DEATS
    PRODUCER'S ASSISTANT: REILY VALENTINE
    PRODUCTION SUPERVISOR: TRACY KELLER
    ASSISTANT PRODUCTION SUPERVISOR: ANNY POIRIER
    L.A. POC: ANNA ALEXANDER
    PRODUCTION SECRETARY: CLAIRE OHLSEN

    ANONYMOUS CONTENT
    MANAGING DIRECTOR: ERIC STERN
    EXECUTIVE PRODUCER: SUEELLEN CLAIR
    HEAD OF PRODUCTION: KERRY HAYNIE
    PRODUCER: THOMAS MARTIN
    ASSOCIATE PRODUCER: KRISTA WORBY
    PRODUCTION SUPERVISOR: MAHLIN DIAMOND
    PRODUCTION COORDINATOR: JARED PLOTIN

    GOOD COMPANY
    EXECUTIVE PRODUCER: JONATHAN LIA
    EXECUTIVE PRODUCER: BRIAN WELSH
    EXECUTIVE PRODUCER: RYAN HEIFERMAN
    PRODUCTION SUPERVISOR: RACHEL STRAUS
    PRODUCTION SUPERVISOR: PEPPER CARLSON
    ASSISTANT PRODUCTION SUPERVISOR: CORI RUBIO
    OFFICE ASSISTANT: MICHAEL HERNANDEZ

    PRETTY BIRD
    EXECUTIVE PRODUCER: NATHAN SHERRER
    PRODUCTION MANAGER: BEN PIETY
    PRODUCTION COORDINATOR: JEFF KOPCHIA
    ASSISTANT PRODUCTION COORDINATOR: LAUREN CIELL
    PRODUCTION COORDINATOR: IAN MENZIES

    SERIAL PICTURES
    EXECUTIVE PRODUCER: VIOLAINE ETIENNE
    PRODUCER: MICHAEL GARZA
    PRODUCTION SUPERVISOR: MATT AYRISS
    COMMUNICATIONS COORDINATOR: AMANDA ANDREWS
    TALENT COORDINATOR: STEPHANIE MACHADO

    2ND UNIT DIRECTORS
    KHALIK ALLAH
    MALIK SAYEED
    LILY KEBER
    NICOLE OTERO

    1ST ADS
    JONAS MORALES
    ROB JACKSON
    PIERRE CAILLIAREC
    SEAN HORNER
    CRAIG PINCKES
    ANDY COFFING
    JP WETZEL
    JEY WADA

    2ND ADS
    MARK CHRISTOPHER
    SHANNON TROLL
    ERIC TOPPER
    DEAN PERATSAKIS
    PATRICK CUNNINGHAM
    JIMMY BRAYL
    PAUL SCHNEIDER
    LILY GARCIA

    2ND 2ND ADS
    ANGEL DE LAVIÑA
    AMAN SEGAL
    GERALD HICKMAN
    PAUL SCHNEIDER
    GEORGE HARKNESS

    DIRECTOR'S ASSISTANTS
    DIRECTOR'S ASSISTANT: JEANA SULLIVAN
    DIRECTOR'S ASSISTANT: DENIESE DAVIS
    DIRECTOR'S ASSISTANT: WILL KANER

    SCRIPT SUPERVISORS
    SCRIPT SUPERVISOR: MARY FRANCIS ELGIN
    SCRIPT SUPERVISOR: SARAH DART
    SCRIPT SUPERVISOR: TARA RIDDELL

    ART DEPARTMENT

    ART DIRECTORS
    CHRIS BRITT
    REBECA PEREZ
    MIKE MANSON
    NATHAN W. BAILEY
    PAUL RICE

    ART COORDINATOR: JESSICA LEE
    ART COORDINATOR: RAYELLE HACHÉ
    ART COORDINATOR: ANGIE MCCRILLIS
    ART COORDINATOR: MIRANDA CRISTOFANI
    ART COORDINATOR: LISA MEDINA
    ASSISTANT ART DIRECTOR: LAURA DEROSA
    ASSISTANT ART DIRECTOR: NICHOAS RUIZ KELLEY
    LEADMAN: VINNY LEBLANC
    LEADMAN: CLOVIS CHAMBARET
    LEADMAN: SCOTT MACDONALD
    LEADMAN: ANDRE PRICE
    LEADMAN: JEFF MYRON
    LEADMAN: MIKE STARBIRD
    SET DECORATOR: KIM MURPHY
    SET DECORATOR: JENNA CRAIG
    SET DECORATOR: PELÉ KUDREN
    SET DECORATOR BUYER: JESSICA TAYLOR
    DECORATOR: ALEX WINTERSTELLER
    DECORATOR: REBECCA PEREZ
    SET DRESSER: JOHN TALBOT
    SET DRESSER: TORY DUCOTE
    SET DRESSER: MARTIN ORCHARD
    SET DRESSER: GEOFFREY TURNEY
    SET DRESSER: LARRY KETCHUM
    SET DRESSER: TOZAR SIMICH
    SET DRESSER: BOBBY LITE GIBSON
    SET DRESSER: HENRIK PELLICER
    SET DRESSER: RONI LEVI
    SET DRESSER: MATT KELLY
    SET DRESSER: GEORGE MARSALAS
    SET DRESSER: ANDRE PRICE
    SET DRESSER: ROGER LAPLANT
    SET DRESSER: RONNIE PRICE
    SET DRESSER: TRISTAN DEDE
    SET DRESSER: PAOLO MARIANO
    SET DRESSER: DINO ROBINSON
    SET DRESSER: ANDY VAN SCHOIACK
    SET DRESSER: OSCAR ABEL
    DRESSER/DRIVER: KC UZOH
    SET DRESSER/DRIVER: JOHN LYNN
    DRESSER: JOSE CASTILLO
    DRESSER: KEEF LEASURE
    ON SET DRESSER: JOHN LAMKIN
    SCENIC: JAMES HAWORTH
    PROP MASTER: MIKE SCHERSCHEL
    PROP MASTER: VINCE PEARSON
    PROP MASTER: THOMAS BRY
    PROP MASTER: MARI YUI
    PROPS ASSISTANT: STUART OKATA
    PROPS ASSISTANT: JASON HOLMAN
    ARMORER: CLAYTON BEISNER
    SHOPPER: ERIN THIELE
    ACCURATE STAGING: JOHNNY
    ARCHITECTURAL ENGINEER: MATT TIMMERS
    SPFX COORDINATOR: SUSAN MILLIKEN
    SPFX COORDINATOR: BOB GARRIGUS
    SPFX FOREMAN: JIM GILL
    SPFX FOREMAN: NEIL SMITH
    SPFX ASSISTANT: ADAM FORSTER
    SPFX ASSISTANT: BRIAN WEILAND
    SPFX: RANDY KROHMER
    SPFX: RENE DIAMANTE
    SPFX: SUSAN MILLIKEN
    PYROTECHNICIAN: STEVEN NEWQUIST
    PYROTECHNICIAN: ROCKY GEHR
    SPFX TECHNICIAN: RICHARD JACOBS
    SPFX TECHNICIAN: SCOTT ADLER
    SPFX TECHNICIAN: RICHARD HOGUE
    SPFX TECHNICIAN: TAYLOR ESTEVES
    SPFX TECHNICIAN: TOM RINEHART
    WATER TRUCK: JOSEPH LAVOIE
    WATER TRUCK: BRAIN EASTVELD
    WATER TRUCK: STEVE MARTINEZ
    SHOWER TRUCK: MIKE MARR
    HORSE WRANGLER: SCARLET WALKER
    HORSE WRANGLER: STEPHEN BENDER
    ENTOMOLOGY CONSULTANT: STEVEN KUTCHER
    BACKGROUND WRANGLER: JAZMYN BOODRAN
    PA: JASON NORTH
    PA: ANNIE HOLSTEIN
    PA: JEANINE RINGER
    PA: BRIGITTE HUFF
    PA: ASHLEY KINSER
    ADDITIONAL: EVERETTE EGLIN
    ADDITIONAL: JASON WILSON

    ADDITIONAL STYLING

    STYLISTS
    NEWHEART OHANIAN
    TIM WHITE
    ZERINA AKERS
    SHIONA TURINI
    B ÅKERLUND
    KAREN LANGLEY
    ARMINA MUSSA
    KELLY WILLIAMS OF JAK
    JESSICA LORIA OF JAK
    WARDROBE SUPERVISOR: JILLIAN KREINER
    WARDROBE SUPERVISOR: JESSICA LAW
    BACKGROUND STYLIST: NATASHA NEWMAN-THOMAS
    STYLIST ASSISTANT: LAUREN BOTT
    STYLIST ASSISTANT:JOAN REIDY
    STYLIST ASSISTANT: EYOB YOHANNES
    STYLIST ASSISTANT: JOHN ANGELO DE PERALTA
    STYLIST ASSISTANT: COURTNEY MADISON
    STYLIST ASSISTANT: ERIC ARCHIBALD
    STYLIST ASSISTANT: JASMIN ROSS
    STYLIST ASSISTANT: TONYA LOMBARDO
    STYLIST ASSISTANT: GENEVIEVE TATE
    STYLIST ASSISTANT: DEREK BULGER
    STYLIST ASSISTANT: KENNY P PAUL
    STYLIST ASSISTANT: BOBBY WESLEY WILLIAMS
    STYLIST ASSISTANT: JANELLE LOPEZ
    STYLIST ASSISTANT: DANIELE LOCKE
    STYLIST ASSISTANT: JAMES CARROLL
    STYLIST ASSISTANT: ANTHONY GULLA
    STYLIST ASSISTANT: ZOE ZHOU
    STYLIST ASSISTANT: RACHEL GRUBBS
    STYLIST ASSISTANT: ADE SAMUEL
    SEAMSTRESS: SALLY SMITH
    WARDROBE PA: CAITLIN WELLS
    KEY COSTUMER: CAMILLE A GARMENDIA
    2ND COSTUMER: KATINA DANABASSIS
    2ND COSTUMER: TIM CHERNYAEV

    ADDITIONAL HAIR
    KENDRA GARVEY
    KIMBERLY 'KIMMI' MCALLISTER
    GODFREY STEWARD
    NEAL FARINAH
    PAULA ASHBY
    ERVETTE MAHAN
    SEAN SMITH
    ERVETTE MAHAN
    SHAWNTE ELLIS
    HAIR ASSISTANTS: ASHLEY KING
    HAIR ASSISTANTS: SHANTELL MALLARD
    HAIR ASSISTANTS: BRANDI JACKSON
    HAIR ASSISTANTS: TATER PAZON
    HAIR ASSISTANTS: MELVION SMITH
    HAIR ASSISTANTS: CEDRIC GARNER
    HAIR ASSISTANTS: SHENDRA COLEMAN
    HAIR ASSISTANTS: HELENA JONES
    HAIR ASSISTANTS: KRISTA JEE
    HAIR ASSISTANTS: MATILDE CAMPOS
    HAIR ASSISTANTS: CHRIS GEES
    HAIR ASSISTANTS: QUAN PIERCE
    HAIR ASSISTANTS: SEAN SMITH
    HAIR ASSISTANTS: EVETTE MAHANN
    HAIR ASSISTANTS: SHAWN ELLIS

    ADDITIONAL MAKE UP
    FRANCESCA TOLOT
    DANA DELANEY
    RACHEL HOKE
    LEAH CARMICHAEL
    SALLY WANG
    OLIVE MEYER
    MEL DANIEL
    MAKE UP ASSISTANTS: ELLY QUIROS
    MAKE UP ASSISTANTS: TINA MARTINEZ
    MAKE UP ASSISTANTS: KEIRA ROWLAND
    MAKE UP ASSISTANTS: NATHAN HEIJL
    MAKE UP ASSISTANTS: MELISSA TOLENTINO
    MAKE UP ASSISTANTS: DANA DELANEY
    MAKE UP ASSISTANTS: DAWN NICOLE
    MAKE UP ASSISTANTS: SARAH GRAHAM
    MAKE UP ASSISTANTS: ALLISON LACOUR
    MAKE UP ASSISTANTS: JAVETTA WHITE
    MAKE UP ASSISTANTS: KATALINA MITCHELL
    MAKE UP ASSISTANTS: MEGUMI ASAI
    BODY PAINT MAKE UP: KARINA KONUPEK
    BODY PAINT MAKE UP: HAYLEY TASSA

    ADDITIONAL NAILS
    MIHO OKAWARA
    SARAH BLAND

    CAMERA

    ADDITIONAL CINEMATOGRAPHERS
    STEVEN CHIVERS
    ALLENDRA FREEMAN
    AARON PLATT

    B-CAM OPERATOR: ARTHUR JAFFE
    STEADICAM OPERATOR: BRIAN FREESH
    STEADICAM OPERATOR: MANOLO ROJAS
    STEADICAM OPERATOR: MARK "CHIEF" MYERS
    STEADICAM OPERATOR: WILLIAM DEMERRIT
    STEADICAM OPERATOR: CHRIS CUNNIGHAM
    STEADICAM OPERATOR: TWOJAY DHILLON

    DRONE CAMERA
    DRONE CAMERA OPERATOR: ZACK HASKELL
    DRONE PILOT: COREY GINERIS
    DRONE FOCUS PULLER: IAN CONGDON
    DRONE VISUAL OBSERVER: DANIEL TARTRE

    1ST ACS
    DAVE EDSALL
    ROBBY HART
    ALEX PAYNE
    RICHARD LACY
    WAYNE GORING
    GREG WILLIAMS
    KEVIN AKERS
    REED KOPPEN
    LAURA DIFIGLIO
    JEFF LYNN
    RYAN RAYNER
    NICK FISCHER
    MARC COLICCI
    GORDON YOULD

    2ND AC
    ROME JULIAN
    PAUL RAHFIELD
    NICK RAMEY
    STEVE VICARI
    PAT ROMERO
    DOM JONES
    ANDREW DICKIESON
    JENNIFER LAI
    MAGNUS PERSSON
    PATRICK ROMERO
    SELYN PRICE
    JAMES JERMYN
    NATE LEWIS

    LOADERS
    LEE DE ARAKAL
    ZACH BLOSSER
    MIKE GENTILE
    LISA GUERRIERO
    SELE PRICE
    KATE STEINHEBEL

    D.I.T.S
    WILSON CHUNG
    MCKAY JOHNSON
    AARON PICOT
    DANIEL SATINOFF

    ADDITIONAL
    CRANE OPERATOR: MIKE RYAN
    CRANE TECH: HILTON GARRETT
    CRANE TECH: MICHAEL MONTEZ
    OCULUS TECH: SHAWN FOSSEN
    PHANTOM TECH: BRANNON BROWN
    MOVI TECH: RICHARD CARD
    CAM PA: TRISTAN HILL

    ELECTRIC

    GAFFERS:
    BENJAMIN AGEE
    ALBERTO ALONSO
    MAREK B
    BRAD CAMPBELL
    MICHAEL CRUZ
    JEFF FERRERO
    KASEY FOREMAN
    CARLOS FREGOSO
    TODD HEATER
    JARROD HETTLER
    TOMAS MAGANA
    MAZI MITCHELL
    PETER SHIRER
    KENT TRAMEL
    RAMIAN WILLIAMS

    BB ELECTRIC:
    RYAN CLEMMONS
    DOUG EDNIE
    GONZALO GONZALEZ
    BRIAN MUNDELL
    DEAN PELUSO
    KENT TRAMEL

    ELECTRIC:
    JIM BARKER
    JOEY BROWN
    KYLE BRYSON
    RICK CARILLO
    RYAN CLEMMONS
    DAVID GORDON
    BRIAN HICKMAN
    DANNY JIMENEZ
    KARRON JOHNSON
    DAN KERNS
    BOB KING
    GREG LADWIG
    BRYAN LANE
    RUDY MARTINEZ
    JUSTIN MCMAHON
    JONATHAN MORRILL
    ANTHONY PELUSO
    MICKEY PETERSON
    JIMMY RESSE
    PEDRO ROJAS
    TODD SATER
    KENNY SOLOMON
    SERGIO VILLEGAS

    ADDITIONAL
    FIXTURES TECH: JOSH ANDERSON
    BEEBE LIGHT: BRAD CAMPBELL
    DIMMER OP: JOSH THATCHER

    GRIP

    KEY GRIPS
    DERRICK ARMAND
    GERALD AUTIN
    BILL BUCKINGHAM
    OTIS BURKES
    CHRIS EKSTROM
    DANON JOHNSON
    JOSH LINKEY

    BB GRIPS:
    OTIS BURKES
    TOULOUSE HOLLIDAY
    KING LANAUX
    CHRIS LINDSAY
    MIKE ORR
    ADAM SHEEDY
    COLIN STOYE
    DEREK WELLS

    GRIPS:
    RICK ANTONETTE
    JEFF BAKER
    MICHAEL 'ROCCO' BELLANTONI
    IAIN BROOK
    JOEL BYSTROM
    MIKE CARTER
    BRENT CASE
    BILL COLINO
    MIKE DIGIOVANNI
    GREGORY FREEMAN
    DEVON HOLMES
    CARLTON HUDSON
    TIM JONES
    MASON MALONE
    JASON MARCUS
    DAISUKE MIYAKE
    SCOT PARENT
    PAUL PARSONS
    WADSWORTH PETERS
    ROBERTO PIERSON
    JOEL PRESCOTT
    RAUL RIVERA
    JASEN ROLFE
    GREG SUITS
    VASSILY THOMSON

    SOUND AND PLAYBACK
    SOUND: RACHEL GRISSOM
    SOUND: PETER KITINSKI
    BOOM: CARLOS WILKERSON
    BOOM: GREG KITINSKI
    VTR: STEVE SINGERMAN
    VTR ASSISTANT: CHRIS PAULINA
    VTR: H. SANDY MATTICE
    VTR: K.I.S.M.
    VTR: MARK POLISCHECK
    VTR: EVAN JOHNSON
    VTR: KATHERINE MARTINEZ
    VTR: ROBERT MORALES
    ASSISTANT VTR: ROBBIE JOHNSON
    PLAYBACK: MONTY BUCKLES
    PLAYBACK: IGNACIO MARTINEZ
    PLAYBACK: MONTY BUCKLES
    PLAYBACK OPERATOR: CHARLES E. BARNHART
    EARWIGS: JAMES BERRY

    STUNTS
    STUNTS: SEAN GRAHAM
    STUNT COORDINATOR: SEAN GRAHAM
    STUNT COORDINATOR: DAMIEN BRAY
    STUNT COORDINATOR: VLADIMIR TEVLOVSKI
    STUNT COORDINATOR: SEAN GRAHAM
    ARTIST STAND IN: JUSTINE HERRON
    STUNT JUMP: BETHANY LEVY
    STUNT DOUBLE: ANGELA MERYL
    STUNTS RIGGER: DUANE BURKHART
    STUNTS RIGGER 2: RICO BURGOS
    RIGGING GRIP: GREG FREEMAN
    RIGGING GRIP: DARYL ST. JUSTE
    RIGGING GRIP: RUSTY SAVAGE
    RIGGING ELECTRIC: KENT TRAMEL
    RIGGING ELECTRIC: RAYMIAN WILLIAMS
    RIGGING ELECTRIC: BRYAN LANE
    MARINE SAFTEY: WILLIAM HALL
    DRIVER: CHRIS PAPAJOHN
    DRIVER: JAKE HICKS
    DRIVER: GLEN YRIGOYEN
    DRIVER: MIKE BRADY
    BOAT OPERATOR: CHUCK HOSAK
    BOAT OPERATOR: CHRIS BRILHART
    BOAT OPERATOR: NICK HANNEMAN
    DOCK HAND: LANCE KEENE

    BEHIND THE SCENES VIDEOGRAPHERS AND PHOTOGRAPHERS
    ROBIN HARPER
    MASON POOLE
    DEREK MILTON
    MIKE MARASCO
    PATRICK O'BRIEN-SMITH
    DEANNA LAWSON

    PRODUCTION ASSISTANTS
    LEONELA ALBERTO
    AMBER ALEXANDER
    TERRELL AMEZCUA
    DENISE APPLIN
    ANGELINE ARMSTRONG
    BARBARA BABBS
    ALEXANDRA BANKS
    ROSS BARINGER
    KELLI BATES
    SCOT BELSKY
    AUSTIN BENNET
    LUCAS BOFFIN
    GABE BORQUEZ
    AARON BRADLEY
    MELISSA CARPENTER
    JONAH CASTILLO
    JASON CHANDLER
    CHRISTIAN CLARK
    KIT CONNERS
    BONNIE COOK
    BRYON COTTON
    JUSTIN CRISAFULLI
    JOSH DANCU
    LESLY DASHIELL
    ALEXXA DE PAZ
    ALICIA DEAN
    MARIA DESI
    LIZZY DEVAN
    KEVIN DIX
    SHANETTA DRAKE
    RICARDO EQUIHUALEMUS
    BRIANNA ERKMAN
    CAMBRIA FODEN
    AARON GARCIA
    TANYA GARR
    APRIL GARZA
    ISMAEL GRANADOS
    JOE GRAVIER
    CAITLIN GUTENBERGER
    MAXX HAAS
    CHRIS HANNAFORD
    GEORGE HARKNESS
    GREGG HATTON
    COLBY HENKENS
    MICAH HERNDON
    MEGAN HUGUET
    SUMMER JONES
    MIRANDA KELLEY
    SAM KING
    BRETT KOPEL
    TONY LOVE
    CESAR MACHADO
    STEPHEN MAFFEI
    ANDRE MARTIN
    MATT MARTINEZ
    LUIS MARTINEZ
    OSCAR MATUTE
    JOHN MCCARTHY
    JEFF MCCARTHY
    MISTY MCCLURE
    WANYA MCCUIEN
    MATT MCKULSKY
    JESSIE MEEHAN
    CESAR MOJICA
    DON MOORE
    TONY MOORE
    RYAN MORGAN
    JESSE NAVARRO
    CAMERON NAWAZ
    EVAN NELSON
    KELVIN DON NELSON JR
    YULE OWENS
    FRANKIE PEDANO
    AMANDA PETRONE
    TIM RAMSEY
    LEWIS RANGAL
    ROBERT RICHARDSON
    KATIE RITTER
    ANGELICA RIVERA
    SHABBIR RIZVI
    TAMARA ROBERTSON
    ALFIE RODRIGUEZ
    PETER ROOME
    DREA SAAVEDRA
    PETER SANCHEZ
    LEIGH SANTORA
    JORDAN SHAFER
    WAYNE SHARP
    PATRICK SIMMONS
    RYAN SIMPSON
    TERENCE SIMS
    JASON SMITH
    EJ SMITH
    IRIE SPIVAK
    JIMMY STANNARD
    MEGAN STEWART
    TIFFANY SUH
    RYA THOMAS
    STEPHEN THOMAS
    KEILON THOMPSON
    KILO THOMPSON
    AMAN UMA
    WARREN UPSON
    BETH VAN DAM
    PAOLO VITERI
    JIMMY WALTRIP
    JASON WELSH
    MICHELLE WESTFORD
    CUTTER WHITE
    JAMES WOODS
    GEOFF YONG

    LOCATION
    LOCATION MANAGER: WILL O'BRIEN
    LOCATION MANAGER: BRUCE BOEHNER
    LOCATION MANAGER: JENNY CALOCA
    LOCATION MANAGER: STEVE BENEZRA
    LOCATION MANAGER: FRED JOVE
    SITE REP: MEGAN ADAMS
    ASSISTANT LOCATION MANAGER: DAVID P HEBERT
    ASSISTANT LOCATION MANAGER: ELI EASTLUND
    LOCATION ASSISTANT: JORDAN MCVEY
    GANG BOSS: JAMES IVANOVICH
    GANG BOSS: CHRIS MACHADO
    GANG BOSS: CHRIS MACHADO
    GANG BOSS: JAMES IVANOVICH
    SET TEACHER: TOM O'FLAHERTY
    STUDIO TEACHER: SAENA YI
    STUDIO TEACHER: MARK ALKOFER
    TRUCK PARKING: JAMES IVANOVICH
    WELFARE WORKER: MARA MARK
    FSO: WILLIAM REYNOLDS
    SECURITY: SULLY

    CRAFT SERVICES
    CHEF: HUGO CORTEZ
    CHEF: FRANCK PELLUCHON
    CHEF: RUBEN RUELAS
    CATERING: CAYMAN SINCLAIR
    CATERER: LISA HEMMAT
    CATERER: ROSA SANDOVAL
    CATERER: JENGHIZ AFSHAR
    CATERER: DONALD MCKILLIP-LOPEZ
    CATERER: CATHY OLAZABAL
    CRAFT SERVICE: DAVID GUILBEAU
    CRAFT SERVICE: RONDA JOHNSON
    CRAFT SERVICE: DAVE BULLEN
    CRAFT SERVICE: MAURIUS SOLIS
    CRAFTIE: CHAREMON MORRIS

    MEDICS
    MIKE SMITH
    JONATHAN FORD
    ROBERT CYMBAL
    JOSHUA HUMPHREY
    JOHN EDMMONDS
    CHRIS SNOW
    AXEL MONTOYA
    LAURA GREENE

    TRANSPORTATION
    STEVE ALTAMARANO
    RICK ANTONETTE
    ALFONSO "PONCHO" ARELLANO
    GERARD ARNOULT
    KENYA BENNETT
    LUKE BLUSKE
    MICHAEL BONEY
    ADAM BRAZY
    BRADFORD CAMPBELL
    EDUARDO CAMPOS
    DON CLARKE
    DAN DOWLING
    BRIAN EASTVELV
    JOHNNY ESCOBEDO
    GREG FRISCH
    ARTIE FUENTES
    TERRY GLENN
    DARREN GOLDBERG
    JOHNNY HANRAHAN
    NIKITA HART
    LAUREL HITCHEN
    DERIK HIXON
    CHRIS HIXON
    RAFE JOHNSON
    MICHAEL KING
    SAM KOGOSOV
    JOSEPH LAVOIE
    JIMMY LEMUS
    JAMES ERNESTO LEMUS
    DEL "TACO" LIGHTCSY
    JOE MAG
    TOMAS MAGANA
    STEVE MARTINEZ
    MARVIN MEJADA
    ED MELENDEZ
    ANDREW MORGAN
    PETER PETROSYAN
    STEVE POLLOCK
    JOHN PURRUCI
    MIKE RODRIGUEZ
    KIONDRAE SHEPPARD
    TERENCE SIMS
    TERRY SMITH
    SAM SOULAGHEH
    GREG SUITS
    MATTHEW SULLIVAN
    EDUARDO TERRY
    REYNARD THIBODEAUX
    JEFF THOMAS
    DANNY THOMAS
    SHAHEED VEAL
    TANNIS WARD
    CHARLES WOODS
    DON WOTHERSPOON
    STANLEY YAMAUCHI
    MARK "WOODY" YOUNG

    POST PRODUCTION - FINISHING

    EXECUTIVE PRODUCER: ERINN WILLIAMS
    EXECUTIVE PRODUCER: DORA MELISSA VARGAS
    EXECUTIVE PRODUCER: JONATHAN LIA FOR GOOD COMPANY
    PRODUCER: KEENAN FLYNN
    PRODUCER: JEFF WEIDERMAN
    POST SUPERVISOR: MATT LOWE
    POST SUPERVISOR: BILL KIRSTEIN
    POST SUPERVISOR: GRAHAM ZELLER
    POST PRODUCTION COORDINATOR: STACEY THIEL

    1ST ASSISTANT EDITORS
    BEN LOMELI
    ALEX TEDESCO

    ASSISTANT EDITORS
    TAYLOR WARD
    ANDREW MORROW
    REED PURVIS
    RUSS SENZATIMORE
    JEFFREY ROVINELLI

    DIGITAL INTERMEDIATE PROVIDED BY COMPANY 3
    COLORIST: JAMIE O'BRADOVICH
    SENIOR PRODUCER: KATIE ANDREWS
    COLORIST ASSISTANT: KENT BUENO
    DI MANAGER: TOM GEHRING

    "FORMATION" DIGITAL INTERMEDIATE PROVIDED BY ETC
    COLORIST: AUBREY WOODIWISS

    VFX SUPERVISORS
    DORA MELISSA VARGAS
    TONY RIVAS

    VFX
    KROMA
    TONY HUNTER RIVAS
    LOIC MAES
    ROSS VINCENT
    NUNO XICO
    THE BRIGADE
    DRIVE STUDIOS
    CHIMNEY POT
    ETC

    ADDITIONAL MUSIC
    BOOTS
    JON BRION

    ALBUM SONGS ASSISTANT AUDIO ENGINEER
    RAMON RIVAS

    TITLE DESIGN
    SARAH W. LEE
    ANDREW MAKADSI

    POST PRODUCTION ASSISTANTS
    PETER SANCHEZ
    JOSH HORNE

    ADDITIONAL FOOTAGE COURTESY OF
    MATHEW KNOWLES
    STEPHEN LOCKE
    ABTEEN BAGHERI
    RALPH MADISON
    NEW AMERICAN NOISE
    KARR HIGH SCHOOL
    MAIRZY DOATS PRODUCTIONS
    ELES, CA / MIXED BY JAYCEN JOSHUA FOR THE PENUA PROJECT/INNERSOUND MGMT AT LARRABEE SOUND STUDIOS, NORTH HOLLYWOOD CA AND STUART WHITE AT PACIFIQUE STUDIO IN LOS ANGELES, CA / ASSISTANT MIX ENGINEERING BY MADDOX CHHIM, DAVID NAKAJI, AND ARTHUR CHAMBAZYAN / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE IN NEW YORK CITY

    "THE LOOK OF LOVE" PERFORMED BY NINA SIMONE, WRITTEN BY B. BACHARACH AND H. DAVID, USED COURTESY OF SONY MUSIC ENTERTAINMENT AND COLGEMS-EMI MUSIC INC. (ASCAP)

    A&R EXECUTIVE: TERESA LABARBERA WHITES
    ENGINEERED BY: STUART WHITE

    PARKWOOD ENTERTAINMENT
    PRESIDENT & CEO: BEYONCÉ KNOWLES CARTER
    CHIEF OPERATING OFFICER: STEVE PAMON
    EVP, ARTIST MANAGEMENT & LABEL: PETER THEA
    GENERAL COUNSEL: ALI DE ROSA
    BRAND MANAGER: DORA MELISSA VARGAS
    EXECUTIVE PRODUCER: ERINN WILLIAMS
    CREATIVE DIRECTOR: TODD TOURSO
    VISUAL DIRECTOR: ED BURKE
    HEAD OF DIGITAL: DAN GHOSH-ROY
    DIRECTOR OF HUMAN RESOURCES: YAZMIN RAMIREZ
    DIRECTOR OF PHILANTHROPY & CORPORATE RELATIONSHIPS: IVY MCGREGOR
    ART DIRECTOR: ANDREW MAKADSI
    VFX SUPERVISOR: TONY RIVAS
    ASSOCIATE ART DIRECTOR: KWASI FORDJOUR
    ASSISTANT EDITOR: ANDREW MORROW
    DIGITAL DESIGN MANAGER: DANIELA VESCO
    DESIGN MANAGER: KELLY SHAMI
    ONLINE CONTENT MANAGER: RACHEL HISLOP
    PROJECT MANAGER: SOPHIE ASH
    PROJECT MANAGER, ARTIST MANAGEMENT & LABEL: VALENTINA ZUBERI
    COORDINATOR, ARTIST MANAGEMENT & LABEL: BENJAMIN KLEIN
    PARALEGAL: MARY SCULLY
    ARCHIVE DIRECTOR: BRITTAN DUNHAM
    COLLECTION ARCHIVIST: SAMANTHA LOSBEN
    SPECIAL PROJECT MANAGER: CARLINE BALAN
    IT CONSULTANT: MATTHEW VANOMMEREN
    EXECUTIVE ASSISTANT TO BEYONCÉ: KALEB STEELE
    EXECUTIVE ASSISTANT TO BEYONCÉ: SAM GREENBERG
    PERSONAL ASSISTANT TO BEYONCÉ: MANUEL MENDEZ
    EXECUTIVE ASSISTANT TO COO: CHELSEA STAPLES
    ADMINISTRATIVE ASSISTANT: SHEAN ENGLAND
    OFFICE SUPPORT STAFF: LIDIA CARRASQUILLO

    PUBLICITY
    YVETTE NOEL-SCHURE SCHURE MEDIA GROUP
    CARL FYSH PURPLE PR - UNITED KINGDOM

    PERSONAL SERVICES
    PERSONAL CHEF: BRANDON CROWE
    PERSONAL STYLIST: ZERINA AKERS
    PHYSICAL THERAPIST: RORY CORDIAL
    PHYSICAL THERAPIST: AMY VUONG
    PHYSICAL THERAPIST: ESTHER LEE
    PERSONAL DRIVER: CURTIS DENNIS
    PERSONAL DRIVER: THOMAS BURCH
    PERSONAL DRIVER: ALEC WILLIAMS
    PERSONAL DRIVER: CLAUDE A. FLOT JR.

    SECURITY
    CHIEF SECURITY OFFICER (CSO): JULIUS DE BOER
    PERSONAL SECURITY: PETER MILES
    PERSONAL SECURITY: MARK WILLIAMS
    PERSONAL SECURITY: JIM BENSON
    PERSONAL SECURITY: JOE TURCHI
    PERSONAL SECURITY: TOM LANGWISENER
    PERSONAL SECURITY ADVANCED: CHRIS SANCHEZ

    SPECIAL THANKS
    TINA KNOWLES LAWSON
    RICHARD LAWSON
    THE CITY OF NEW ORLEANS
    SMG AND THE NEW ORLEANS SAINTS
    TAMPA BAY BUCCANEERS
    THE FORMATION WORLD TOUR CREW
    THE ESTATE OF MALCOLM X
    THE ESTATE OF NINA SIMONE
    ERIC WEISSMAN MUSIC LICENSING INC.
    CASSANDRA BARBER
    BERT AND AMY YUKICH
    MESSY MYA
    BIG FREEDIA
    AND ALL THE INCREDIBLY TALENTED PEOPLE WHO CAME TOGETHER TO MAKE THIS A REALITY

    © COPYRIGHT PARKWOOD ENTERTAINMENT

BEYONCÉ (2013)

BEYONCÉ

  • Buy Now
  • HARVEY KEITEL: MS. THIRD WARD, YOUR FIRST QUESTION - WHAT IS YOUR ASPIRATION IN LIFE?
    BEYONCÉ: OH…MY ASPIRATION IN LIFE…WOULD BE…TO BE HAPPY.

    MAMA SAID
    YOU'RE A PRETTY GIRL
    WHAT'S IN YOUR HEAD
    IT DOESN'T MATTER
    BRUSH YOUR HAIR
    FIX YOUR TEETH
    WHAT YOU WEAR
    IS ALL THAT MATTERS
    JUST ANOTHER STAGE
    PAGEANT THE PAIN AWAY
    THIS TIME I'M GONNA TAKE THE CROWN
    WITHOUT FALLING DOWN DOWN DOWN

    PRETTY HURTS
    WE SHINE THE LIGHT ON WHATEVER'S WORST
    PERFECTION IS A DISEASE OF A NATION
    PRETTY HURTS, PRETTY HURTS
    PRETTY HURTS
    WE SHINE THE LIGHT ON WHATEVER'S WORST
    WE TRY TO FIX SOMETHING
    BUT YA CAN'T FIX WHATCHA CAN'T SEE
    IT'S THE SOUL THAT NEEDS SURGERY

    BLONDER HAIR
    FLAT CHEST
    TV SAYS
    BIGGER IS BETTER
    SOUTH BEACH
    SUGAR FREE
    VOGUE SAYS
    THINNER IS BETTER

    JUST ANOTHER STAGE
    PAGEANT THE PAIN AWAY
    THIS TIME I'M GONNA TAKE THE CROWN
    WITHOUT FALLING DOWN DOWN DOWN

    PRETTY HURTS
    WE SHINE THE LIGHT ON WHATEVER'S WORST
    PERFECTION IS A DISEASE OF A NATION
    PRETTY HURTS, PRETTY HURTS
    PRETTY HURTS
    WE SHINE THE LIGHT ON WHATEVER'S WORST
    WE TRY TO FIX SOMETHING
    BUT YA CAN'T FIX WHATCHA CAN'T SEE
    IT'S THE SOUL THAT NEEDS A SURGERY

    BRIDGE
    AIN'T GOT NO DOCTOR OR PILL THAT CAN TAKE THE PAIN AWAY
    THE PAINS INSIDE AND NOBODY FREES YOU FROM YOUR BODY
    IT'S MY SOUL IT'S MY SOUL THAT NEEDS SURGERY
    IT'S MY SOUL THAT NEEDS SURGERY
    PLASTIC SMILES AND DENIAL CAN ONLY TAKE YOU SO FAR
    THEN YOU BREAK WHEN THE FAKE FACADE LEAVES YOU IN THE DARK
    LEFT WITH SHATTERED MIRRORS AND THE SHARDS
    OF A BEAUTIFUL PAST
    PRETTY HURTS
    WE SHINE THE LIGHT ON WHATEVER'S WORST
    PERFECTION IS A DISEASE OF A NATION
    PRETTY HURTS, PRETTY HURTS
    PRETTY HURTS
    WE SHINE THE LIGHT ON WHATEVER'S WORST
    WE TRY TO FIX SOMETHING
    BUT YA CAN'T FIX WHATCHA CAN'T SEE
    IT'S THE SOUL THAT NEEDS SURGERY

    PRETTY HURTS, PRETTY HURTS…….

    WHEN YOU ARE ALONE ALL BY YOURSELF
    WHEN YOU'RE LYING IN YOUR BED
    REFLECTION STARES RIGHT INTO YOU
    ARE YOU HAPPY WITH YOURSELF?
    STRIPPED AWAY THE MASQUERADE
    THE ILLUSION HAS BEEN SHED
    ARE YOU HAPPY WITH YOURSELF?
    YES

    WRITTEN BY JOSHUA COLEMAN, SIA FURLER, BEYONCÉ KNOWLES / PUBLISHED BY EACH NOTE COUNTS/PRESCRIPTION SONGS (ASCAP) ADMINISTERED BY KOBALT SONGS MUSIC PUBLISHING, INC. (ASCAP), EMI MUSIC PUBLISHING, LTD. (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY AMMO FOR PRESCRIPTION SONGS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / INTRO ADDITIONAL SYNTH AND SFX BY DEREK DIXIE / MASTERED BY JAMES KRAUSSE

  • AND I'VE BEEN DRIFTING OFF OF KNOWLEDGE
    CAT-CALLS ON CAT-WALKS, MAN THESE WOMEN GETTING SOLEMN
    I COULD SING A PSALM FOR A SOLOMON OR SALAMANDER
    WE TOOK A FLIGHT AT MIDNIGHT AND NOW MY MIND CAN'T HELP BUT WANDER
    HOW COME?
    SPOON-FED PLURALIZED EYES TO FIND THE BEACHES IN THE FOREST
    WHEN I'M LOOKING OFF THE EDGE, I PREACH MY GUT IT CAN'T HELP IGNORE IT
    I'M CLIMBING UP THE WALLS CUZ ALL THE SH-- I HEAR IS BORING
    ALL THE SH-- I DO IS BORING
    ALL THESE RECORD LABELS BORING
    I DON'T TRUST THESE RECORD LABELS, I'M TOURING
    ALL THESE PEOPLE ON THE PLANET WORKING 9 TO 5 JUST TO STAY ALIVE
    THE 9 TO 5 JUST TO STAY ALIVE….
    ALL THE PEOPLE ON THE PLANET WORKING 9 TO 5 JUST TO STAY ALIVE
    HOW COME?

    WHAT GOES UP
    GHOST AROUND
    GHOST AROUND

    WHAT GOES UP
    GHOST AROUND
    GHOST AROUND…

    SOUL NOT FOR SALE
    PROB'LY WON'T MAKE NO MONEY OFF THIS, OH WELL
    REAP WHAT YOU SOW
    PERFECTION IS SO…UMH

    IT'S WHAT YOU DO
    IT'S WHAT YOU SEE
    I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
    IT'S WHERE WE GO
    IT'S WHERE WE'LL BE
    I KNOW IF I'M ON TO YOU, I'M ON TO YOU
    ON TO YOU, YOU MUST BE ON TO ME

    MY HAUNTED LUNGS
    GHOST IN THE SHEETS
    I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
    MY WICKED TONGUE, WHERE WILL IT BE?
    I KNOW IF I'M ON TO YOU, I'M ON TO YOU
    ON TO YOU, I'M ON TO YOU
    ON TO YOU, YOU MUST BE ON TO ME

    YOU WANT ME?
    I WALK DOWN THE HALLWAY
    YOU LUCKY?
    THE BEDROOM'S THE WRONG WAY
    SLAP ME, I'M PINNED TO THE DOORWAY
    KISS, BITE, FOREPLAY

    MY HAUNTED LUNGS
    GHOST IN THE SHEETS
    I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
    MY WICKED TONGUE, WHERE WILL IT BE?
    I KNOW IF I'M ON TO YOU, YOU MUST BE ON TO ME

    IT'S WHAT WE SEE
    I KNOW IF I'M HAUNTING YOU, YOU MUST BE HAUNTING ME
    IT'S WHERE WE GO
    IT'S WHERE WE'LL BE
    I KNOW IF I'M ON TO YOU, I'M ON TO YOU
    ON TO YOU, I'M ON TO YOU
    ON TO YOU, YOU MUST BE ON TO ME
    YOU MUST BE ON TO ME
    YOU MUST BE ON TO ME
    YOU MUST BE ON TO ME, ME, ME, ME, ME, ME

    WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL DRUM PROGRAMMING BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87 / BACKGROUND VOCALS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY KWANE WYATT / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC / ASSISTANT ENGINEERS JAMES KRAUSSE AND JUSTIN HERGETT

  • I'VE BEEN DRINKIN'
    I'VE BEEN DRINKIN'
    I GET FILTHY WHEN THAT LIQUOR GET INTO ME
    I'VE BEEN THINKIN'
    I'VE BEEN THINKIN'
    WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH
    WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH

    CIGARS ON ICE, CIGARS ON ICE
    FEELIN' LIKE AN ANIMAL WITH THESE CAMERAS ALL IN MY GRILL
    FLASHING LIGHTS, FLASHING LIGHTS
    YOU GOT ME FADED, FADED, FADED
    BABY I WANT YOU, NA-NAH
    CAN'T KEEP YOUR EYES OFF OF MY FATTY
    DADDY I WANT YOU, NA-NAH
    DRUNK IN LOVE
    I WANT YOU

    WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
    DRUNK IN LOVE
    WE BE ALL NIGHT
    LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
    DRUNK IN LOVE
    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    WE BE ALL NIGHT
    AND EVERYTHIN' ALL RIGHT
    NO COMPLAINTS FROM MY BODY SO FLORESCENT UNDER THESE LIGHTS
    BOY I'M DRINKIN'
    PARK IT IN MY LOT 7-11
    I'M RUBBING ON IT, RU-RUBBIN' IT
    IF YOU SCARED CALL THAT REVREN
    BOY I'M DRINKIN'

    GET MY BRAIN RIGHT
    ARMAND DE BRIGNAC GANGSTER WIFE
    LOUIE SHEETS HE SWEAT IT OUT, LIKE WASH RAGS HE WEAR IT OUT
    BOY I'M DRINKIN', I'M SINGIN'
    ON THE MIC TO MY BOY TOYS
    THEN I FILL THE TUB UP HALF WAY THEN RIDE IT WITH MY SURFBOARD, SURFBOARD, SURFBOARD
    GRAININ' ON THAT WOOD, GRAININ', GRAININ' ON THAT WOOD
    I'M SWERVIN' ON THAT, SWERVIN', SWERVIN' ON THAT
    BIG BODY BEEN SERVIN' ALL THIS, SWERVE, SURFIN' IN ALL THIS GOOD, GOOD

    WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
    DRUNK IN LOVE
    WE BE ALL NIGHT
    LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
    DRUNK IN LOVE
    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    RAP:
    THAT D'USSE IS THE SH--
    IF I DO SAY SO MYSELF
    IF I DO SAY SO MYSELF
    IF I DO SAY SO MYSELF

    STUMBLED ALL IN THE HOUSE TIME TO BACK UP ALL OF THAT MOUTH
    THAT YOU HAD IN THE CAR
    TALKING BOUT YOU THE BADDEST ----- THUS FAR
    TALKING BOUT YOU BE REPPIN' THAT 3RD(WARD)
    I WANNA SEE ALL THE SH-- THAT I HEARD
    YOU KNOW I SLING CLINT EASTWOOD
    I HOPE THAT YOU CAN HANDLE THIS CURVE

    FOREPLAY IN THE FOYER
    ------ UP MY WARHLOL
    SLIP THE PANTIES RIGHT TO THE SIDE AINT GOT THE TIME TO TAKE DRAWS OFF

    ON SITE
    CATCH A CHARGE I MIGHT
    BEAT THE BOX UP LIKE MIKE IN '97 I'LL BITE
    I'M IKE, TURNER, TURN UP
    BABY NO I DON'T PLAY
    NOW EAT THE CAKE ANNA MAE I SAID EAT THE CAKE ANNA MAE
    IM NICE
    FOR YA'LL TO REACH THESE HEIGHTS

    YOU GONNA NEED G3
    4, 5, 6 FLIGHTS SLEEP TIGHT
    WE SEX AGAIN IN THA MORNIN' YO BREASTASES IS MY BREAKFAST
    WE GOIN IN WE BE ALL NIGHT

    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    I'M NEVER TIRED, WE NEVER TIRED
    I'VE BEEN SIPPIN', IT'S THE ONLY THING THAT'S BEEN KEEPING ME ON FIRE, WE ON FIRE
    DIDN'T MEAN TO SPILL THAT LIQUOR ALL ON MY ATTIRE
    I'VE BEEN DRINKIN', WATERMELON
    I WANT YOUR BODY RIGHT HERE
    DADDY I WANT YOU RIGHT NOW
    CAN'T KEEP YOUR EYES OFF MY FATTY
    DADDY I WANT YOU

    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, SHAWN CARTER, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, T.MOSLEY, J.HARMON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) AND CARTER BOYS MUSIC (ASCAP) ALL RIGHTS OBO ITSELF AND CARTER BOYS MUSIC ADMINISTERED, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC., JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, AND BOOTS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY BOOTS / ADDITIONAL SYNTH SOUNDS BY DEREK DIXIE / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • I LOVE YOUR FACE
    YOU LOVE THE TASTE
    THAT SUGAR BABE
    IT MELTS AWAY

    I KISS YOU AND YOU LICK YOUR LIPS (I KISS YOU AND YOU LICK YOUR LIPS
    YOU LIKE IT WET AND SO DO I (YOU LIKE IT WET AND SO DO I)
    NO YOU NEVER WASTE A DRIP (NO YOU NEVER WASTE A DRIP )
    I WONDER HOW IT FEELS SOMETIMES
    MUST BE GOOD TO YOU

    (KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
    (KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
    (NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
    (NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-O

    CAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
    PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
    I'MA LEAN BACK, DON'T WORRY IT'S NOTHING MAJOR
    MAKE SURE YOU CLEAN THAT, IT'S THE ONLY WAY TO GET THE FLAVOR, OOO-BOY

    WHEN YOU'RE THIRSTY AND NEED LOVE
    I GIVE IT UP TILL I'M EMPTY BABY
    MUST BE GOOD TO YOU
    IF YOU'RE LONELY IN YOUR BED
    I'LL FILL IT UP TO THE TOP, BABY
    MUST BE GOOD TO YOU

    (KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
    (KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
    (NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
    (NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-O

    CAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
    PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH
    I'MA LEAN BACK, DON'T WORRY IT'S NOTHING MAJOR
    MAKE SURE YOU CLEAN THAT, IT'S THE ONLY WAY TO GET THE FLAVOR, OOO-BOY

    I'M ABOUT TO GET INTO THIS GIRLS,
    THIS IS FOR ALL MY GROWN WOMEN OUT THERE

    I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)

    OOH I HAD A NAUGHTY THOUGHT TODAY BABY
    EVERY TIME I CLOSE MY EYES.
    OOH GET A GLIMPSE OF THIS CANDY PAINT
    DON'T SLIP OFF WHEN IT DRIP OFF ON TOP OF YOUR RIDE
    I KNOW YOU SEE IT HERE LIFT IT UP TOSS IT BABE
    I KNOW EVERYTHING YOU WANT, I'MA SHOW YOU HOW I STROKE (STROKE IT)
    BRING YOUR WORK HOME ON TOP OF ME, I'MA LET YOU BE THE BOSS OF ME
    I KNOW EVERYTHING YOU WANT, GIVE ME THAT DADDY LONG STROKE

    I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I CAN'T WAIT TILL I GET HOME SO YOU CAN TEAR THAT CHERRY OUT (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)
    I WANT YOU TO (TURN THAT CHERRY OUT, TURN THAT CHERRY OUT)

    (KEEP ME COMING, KEEP ME GOING) KEEP ME COMING, KEEP ME GOING
    (KEEP ME HUMMING, KEEP ME MOANING) KEEP ME HUMMING, KEEP ME MOANING
    (NON-STOP LOVE UNTIL THE MORNING) NON-STOP LOVE UNTIL THE MORNING
    (NON-STOP SCREAMING FREAKIN BLOWIN) BLOW-O-O

    CAN YOU EAT THE SKIDDLES, IT'S THE SWEETEST IN THE MIDDLE, YEAH
    PINK IS THE FLAVOR, SOLVE THE RIDDLE, YEAH

    WRITTEN BY PHARRELL WILLIAMS, BEYONCÉ KNOWLES, JAMES FAUNTLEROY, T.MOSLEY, J.HARMON, JUSTIN TIMBERLAKE, TERIUS NASH / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI), 2082 MUSIC PUBLISHING (ASCAP) / WB MUSIC CORP., ADMINISTERED BY WB MUSIC CORP., TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP) / PRODUCED BY PHARRELL WILLIAMS AND BEYONCÉ KNOWLES / CO-PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., BART SCHOUDEL, AND ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY PHARRELL WILLIAMS AND TIMBALAND / HORNS BY KATTY RODRIGUEZ, ADISON EVANS AND CRYSTAL TORRES AND ARRANGED BY DEREK DIXIE / MIXED BY STUART WHITE AT THE MIX ROOM, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT, ASSISTED BY JAMES KRAUSSE, PAUL PAVAO AND EDWARD VALLDEJULI / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • BABY PUT YOUR ARMS AROUND ME
    TELL ME I'M THE PROBLEM
    NO I'M NOT THE GIRL YOU THOUGHT YOU
    KNEW AND THOUGHT YOU WANTED
    UNDERNEATH THAT PRETTY FACE IS SOMETHING COMPLICATED
    I COME WITH A SIDE A TROUBLE
    BUT I KNOW THAT'S WHY YOU'RE STAYIN'

    BECAUSE YOU'RE NO ANGEL EITHER BABY
    CAUSE YOU'RE NO ANGEL EITHER BABY
    YOU'RE NOT AN ANGEL EITHER
    BUT AT LEAST I'M TRYING
    I KNOW I DRIVE YOU CRAZY
    BUT WOULD YOU RATHER THAT I BE A MACHINE
    WHO DOESN'T NOTICE WHEN YOU'RE LATE OR WHEN YOU'RE LYIN'
    I LOVE YOU EVEN MORE THAN WHO I THOUGHT YOU WERE BEFORE
    CAUSE YOU'RE NO ANGEL EITHER BABY
    CAUSE YOU'RE NO ANGEL EITHER BABY
    CAUSE YOU'RE NO ANGEL EITHER BABY
    CAUSE YOU'RE NO ANGEL EITHER BABY, OHHH

    OHHH, OHH, OHH, (REPEAT)

    TELL ME DO YOU WANNA RIDE… RIDE, RIDE, RIDE
    TELL ME DO YOU WANNA RIDE…

    RIDE AROUND
    RIDE AROUND
    RIDE AROUND
    WE RIDE AROUND IN THAT H-TOWN

    THOSE CANDLES IN YOUR BED, NO NEED FOR THE SPELL
    STOP ACTIN' SO SCARED, JUST DO WHAT I TELL
    FIRST BOTH MY LEGS GO BACK ON YOUR HEAD
    AND WHATEVER YOU WANT, YEAH BABY I BET IT COMES TRUE

    BABY PUT YOUR ARMS AROUND ME
    TELL ME I'M THE PROBLEM
    NO I'M NOT THE GIRL YOU THOUGHT YOU
    KNEW AND THOUGHT YOU WANTED
    UNDERNEATH THAT PRETTY FACE IS SOMETHING COMPLICATED
    I COME WITH A SIDE A TROUBLE
    BUT I KNOW THAT'S WHY YOU'RE STAYIN'
    BECAUSE YOU'RE NO ANGEL EITHER BABY
    CAUSE YOU'RE NO ANGEL EITHER BABY
    YOU'RE NO ANGEL EITHER BABY

    WRITTEN BY CAROLINE POLACHEK, BEYONCÉ KNOWLES, CO-PRODUCED BY PATRICK WIMBERLY, JAMES FAUNTLEROY / PUBLISHED BY AVANT-GARCON (SESAC), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP) / PRODUCED BY CAROLINE POLACHEK AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / RECORDED BY CAROLINE POLACHEK AT RUSSELL'S OF CLAPTON, LONDON AND FETALMAUS STUDIO, NYC AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / SYNTHS AND DRUM PROGRAMMING BY CAROLINE POLACHEK / MIXED BY ANDREW SCHEPS AT PUNKER PAD WEST, VAN NUYS, CA / ADDITIONAL MIXING BY STUART WHITE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • SEE ME UP IN THE CLUB WITH FIFTY OF THEM GIRLS
    POSTED IN THE BACK, GOT MY THINGS IN MY GRILL
    BROOKLYN BRIM, WITH MY EYES SITTIN LOW
    EVERY BOY IN HERE WITH ME GOT THAT SMOKE
    AND EVERY GIRL IN HERE GOTTA LOOK ME UP AND DOWN
    ALL ON INSTAGRAM CAKE BY THE POUND
    CIRCULATE THE IMAGE EVERY TIME I COME AROUND
    G'S UP, TELL ME HOW I'M LOOKING BABE

    BROUGHT THIS ALL FOR YOU, JUST WALK MY WAY
    JUST TELL ME HOW IT'S LOOKING BABE
    JUST TELL ME HOW IT'S LOOKING BABE
    I DO THIS ALL FOR YOU, BABY JUST TAKE AIM
    TELL ME HOW I LOOKING BABE
    TELL ME HOW I LOOKING BABE

    DROP THE BASS, MAN THE BASS, GET LOWER
    RADIO, SAY SPEED IT UP, I JUST GO SLOWER
    HIGH LIKE TREBLE, PUFFIN ON THE MIDS
    THE MAN AIN'T EVER SEEN A BOOTY LIKE THIS
    WHY DO YOU THINK YOU KEEP UP MY NAME ROLLIN OFF THE TONGUE
    CAUSE WHEN YOU WANNA SMASH, I JUST WRITE ANOTHER ONE
    I SNEEZED ON THE BEAT AND THE BEAT GOT SICKER
    YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
    YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
    YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
    YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
    LIKE LIKE LIQUOR LIKE LIKE LIKE LIQUOR
    YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
    YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
    YONCÉ ALL ON HIS MOUTH LIKE LIQUOR
    LIKE LIKE LIQUOR, LIKE LIKE LIKE LIQUOR

    DRIVER ROLL UP THE PARTITION PLEASE
    DRIVER ROLL UP THE PARTITION PLEASE
    I DON'T NEED YOU SEEING YONCE ON HER KNEES
    TOOK 45 MINUTES TO GET ALL DRESSED UP
    WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB
    NOW MY MASCARA RUNNIN RED LIPSTICK SMUDGED
    AH HE SO HORNY YEAH HE WANT TO FU
    HE POPPED ALL MY BUTTONS AND HE RIPPED MY BLOUSE
    HE MONICA LUWINSKI'D ALL ON MY GOWN
    WHOA DERE DADDY DADDY DIDN'T BRING A TOWEL
    WHOA BABY BABY BETTER SLOW IT DOWN
    TOOK 45 MINUTES TO GET ALL DRESSED UP
    AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB

    TAKE ALL OF ME
    I JUST WANNA BE THE GIRL YOU LIKE
    THE KINDA GIRL YOU LIKE
    TAKE ALL OF ME
    I JUST WANNA BE THE GIRL YOU LIKE
    THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH ME

    DRIVER ROLL UP THE PARTITION FAST
    DRIVER ROLL UP THE PARTITION FAST
    OVER DERE I SWEAR I SAW THEM CAMERAS FLASH
    HAND PRINTS AND FOOT PRINTS ON MY GLASS
    HAND PRINTS AND GOOD GRIPS ALL ON MY ASS
    PRIVATE SHOW WITH THE MUSIC BLASTIN
    HE LIKE TO CALL ME PEACHES WHEN WE GET THIS NASTY
    RED WINE DRIP FILTH TALK THAT TRASH
    CHAUFFEUR EASE DROPPIN TRYING NOT TO CRASH
    WHOA DERE DADDY DADDY NOW YOU RIPPED MY FUR
    WHOA BABY BABY BE SWEATIN ON MY HAIR
    TOOK 45 MINUTES TO GET ALL DRESSED UP
    AND WE AIN'T EVEN GONNA MAKE IT TO THIS CLUB

    TAKE ALL OF ME
    I JUST WANNA BE THE GIRL YOU LIKE
    THE KINDA GIRL YOU LIKE
    TAKE ALL OF ME
    I JUST WANNA BE THE GIRL YOU LIKE
    THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH ME

    TAKE ALL OF ME
    I JUST WANNA BE THE GIRL YOU LIKE
    THE KINDA GIRL YOU LIKE
    TAKE ALL OF ME
    I JUST WANNA BE THE GIRL YOU LIKE
    THE KINDA GIRL YOU LIKE IS RIGHT HERE WITH ME

    WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, JUSTIN TIMBERLAKE, T.MOSLEY, J.HARMON, DWANE WEIR P/K/A KEY WAYNE, MIKE DEAN / PUBLISHING BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI), PAPA GEORGE MUSIC (BMI) / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, JUSTIN TIMBERLAKE, BEYONCÉ KNOWLES, AND KEY WANE / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS AND BOOTS / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ANN MINCIELI AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE AND TERIUS "THE-DREAM" NASH / ADDITIONAL SYNTH SOUNDS BY NILES HOLLOWELL-DHAR (THE CATARACS) AND DEREK DIXIE / SPOKEN WORDS RECORDING BY HAJIBA FAHMY / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERING BY JAMES KRAUSSE / ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT, CHRIS TABRON, AND MATT WIGGERS / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • I'M IN MY PENTHOUSE HALF NAKED
    I COOKED THIS MEAL FOR YOU NAKED
    SO WHERE THE HELL YOU AT
    THERE'S JUST ONE SHOT LEFT OF THIS DRINK
    IN THIS GLASS DON'T MAKE ME BREAK IT
    WISH THAT YOU WERE ME
    SO YOU COULD FEEL THIS FEELING

    I NEVER BROKE ONE PROMISE
    AND I KNOW THAT I'M NOT HONEST
    NOW YOU GOT ME YELLING
    THATS BECAUSE I'M JEALOUS

    IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
    OOO I'M JEALOUS
    IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
    OOO I'M JEALOUS

    SOMETIMES I WANNA WALK IN YOUR SHOES
    DO THE TYPE OF THINGS THAT I NEVER EVER DO
    SO I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELF
    BABY GIRL YOU CAN'T SURVIVE LIKE THIS

    TAKE IT ONE STEP FURTHER
    FREAKUM DRESS OUT OF MY CLOSET
    YONCE FILLING OUT THIS SKIRT
    I LOOK DAMN GOOD I AINT LOST IT
    AND I AINT MISSED A BEAT
    BOY YOU BEEN HANGING OUT AT NIGHT
    I'M STAYIN OUT UNTIL TOMORROW
    DANCIN ON THEM TABLES
    AINT GOT NO CARES NO SARROWS

    I RAN INTO MY EX
    SAY WHAT'S UP TO HIS BESTEST
    NOW WE REMINISCING
    HOW WE USED TO FLEX IN TEXAS
    DON'T BE JEALOUS

    IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
    OOO I'M JEALOUS
    IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE

    SOMETIMES I WANNA WALK IN YOUR SHOES
    DO THE TYPE OF THINGS THAT I'LL NEVER EVER DO
    I TAKE ONE LOOK IN THE MIRROR AND SAY TO MYSELF
    BABY GIRL YOU CAN'T SURVIVE LIKE THIS, NO

    AND I HATE YOU FOR YOUR LIES AND YOUR COVERS
    AND I HATE US FOR MAKING GOOD LOVE TO EACH OTHER
    AND I LOVE MAKING YOU JEALOUS BUT DON'T JUDGE ME
    AND I KNOW THAT I'M BEING HATEFUL
    BUT THAT AINT NOTHING
    THAT AINT' NOTHING
    I'M JUST JEALOUS
    I'M JUST HUMAN
    DON'T JUDGE ME

    IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MINE
    OOO I'M JEALOUS
    IF YOU'RE KEEPING YOUR PROMISE, I'M KEEPING MIN

    WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, BOOTS, LYRICA ANDERSON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), REACH MUSIC PUBLISHING INC. (ASCAP) / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS, HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, HAZEBANGA MUSIC FOR HITS SINCE 87, AND ANDRE PROCTOR / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTED BY CARLOS PEREZDEANDA / BACKGROUND VOCALS BY BOOTS / INSTRUMENTS PLAYED BY BOOTS / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY STUART WHITE, JAMES KRAUSSE AND JUSTIN HERGETT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • LET ME SIT THIS BACK ON YOU…
    SHOW YOU HOW I FEEL…
    LET ME TAKE THIS OFF…
    WILL YOU WATCH ME?..
    THAT'S MASS APPEAL…
    DON'T TAKE YOUR EYES… DON'T TAKE YOUR EYES OFF IT
    WATCH IT.. BABE..
    IF YOU LIKE, YOU CAN TOUCH IT BABE…
    DO YOU WANNA TOUCH IT BABY...
    OOO GRAB A HOLD, DON'T LET GO, LET ME KNOW…
    THAT YOU ARE READY…
    I JUST WANNA SHOW YOU NOW, SLOW IT DOWN, GO AROUND…
    YOU ROCK HARD, I ROCK STEADY

    AND ROCK RIGHT UP TO SIDE OF MY MOUNTAIN
    CLIMB UNTIL YOU REACH MY PEAK BABY, PEAK BABY, PEAK
    AND REACH RIGHT INTO THE BOTTOM OF MY FOUNTAIN
    I WANT TO PLAY IN YOUR DEEP BABY, DEEP BABY, DEEP
    THEN DIP ME UNDER WHERE YOU CAN
    FEEL MY RIVER FLOW AND FLOW
    HOLD ME TILL I SCREAM FOR AIR TO BREATHE
    WASH ME OVER UNTIL MY WELL RUNS DRY
    SEND ALL YOUR SINS ALL OVER ME BABY, ME BABY, ME

    ROCK IT TILL WATER FALLS…
    ROCK IT TILL WATER FALLS...
    ROCK IT TILL WATER FALLS...
    BATHE IN THESE WATERFALLS…

    I DO IT LIKE ITS MY PROFESSION..
    I GOTTA MAKE A CONFESSION…
    I'M PROUD OF ALL THIS BASS..
    BABY I'LL PUT IT IN YOUR FACE..
    BY THE WAY IF YOU NEED A PERSONAL TRAINER…
    OR A THERAPIST… I CAN BE YOUR PIECE OF SUNSHINE..
    INNER PEACE, ENTERTAINER…
    ANYTHING ELSE THAT YOU MAY READ BETWEEN THE LINES YOU AND I CREATE
    ROCK IT TILL WATER FALLS

    SO ROCK RIGHT UP TO SIDE OF MY MOUNTAIN
    CLIMB UNTIL YOU REACH MY PEAK BABY, PEAK BABY, PEAK
    AND REACH RIGHT INTO THE BOTTOM OF MY FOUNTAIN
    I WANT TO PLAY IN YOUR DEEP BABY, DEEP BABY, DEEP
    THEN DIP ME UNDER WHERE YOU CAN
    FEEL MY RIVER FLOW AND FLOW
    HOLD ME TILL I SCREAM FOR AIR TO BREATHE
    WASH ME OVER UNTIL MY WELL RUNS DRY
    SEND ALL YOUR SINS ALL OVER ME BABY, ME BABY, ME

    HARD, ROCK STEADY, ROCK HARD, ROCK STEADY, ROCK HARD, ROCK STEADY, ROCK HARD, ROCK STEADY

    DON'T YOU KNOW THAT I GIVE YOU GOOD LOVIN'
    IF YOU NEED IT
    I GIVE YOU MY WORD YOU CAN BELIEVE IT
    YOUR LOVE FEELS LIKE ALL FOUR SEASONS
    GROWING INSIDE ME
    LIFE HAS A REASON
    SWIMMING IN MY LOVE
    YOUR LOVE LIFTING
    HIGHER HARDER
    GOT ME SCREAMING TO THE LORD
    BOY KISS ME
    PRAY WE DON'T OVERFLOW
    BABY I KNOW YOU CAN FEEL IT PULSE?
    DEEP IN THE PEAK OF MY WATERFALLS
    ROCK IT BABY, ROCK IT BABY, ROCK IT TILL THE WATER FALLS

    DAMN

    WRITTEN BY MIGUEL JONTEL PIMENTEL, BEYONCÉ KNOWLES, JUSTIN TIMBERLAKE, T.MOSLEY, J.HARMON, JAMES FAUNTLEROY / PUBLISHED BY ART DEALER CHIC (ASCAP)/UNIVERSAL MUSIC CORP. (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP), FLAUNTLEROY MUSIC/ALMO MUSIC CORP. (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. / PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND BEYONCÉ KNOWLES / CO-PRODUCED BY JEROME HARMON FOR BRONZE AND BRAINZ PRODUCTIONS/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES/ RECORDED BY STUART WHITE AND CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT. AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY MATT WEBER / BACKGROUND VOCALS BY JUSTIN TIMBERLAKE / GUITAR BY MIKE SCOTT / BASS BY DWAYNE WRIGHT / MIXED BY CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., ASSISTANT MIX ENGINEERING BY CHRIS CANNON / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • I BEEN WATCHING FOR THE SIGNS
    TOOK A TRIP TO CLEAR MY MIND, OH
    NOW I'M EVEN MORE LOST
    YOU'RE STILL SO FINE
    ALL MINE..
    ALL MINE..
    BEEN HAVING CONVERSATIONS ABOUT BREAK-UPS AND SEPARATIONS
    I'M NOT FEELING LIKE MYSELF SINCE THE BABY
    ARE WE GONNA EVEN MAKE IT? OH

    CAUSE IF WE ARE
    WE'RE TAKING THIS A LITTLE TOO FAR...
    IF WE ARE ...
    WE'RE TAKING THIS A LITTLE TOO FAR...
    BABY IF WE ARE...
    WE'RE TAKING THIS A LITTLE TOO FAR...

    WITH ME BEING WHERE EVER I'M AT
    WORRYING ABOUT WHERE EVER YOU ARE
    WE'RE TAKING THIS A LITTLE TOO...
    FAR...
    WE'RE TAKING THIS A LITTLE TOO...
    FAR...
    WE'RE TAKING THIS A LITTLE TOO...
    FAR...

    KNOW YOU WANNA ROLL WITH A GOOD GIRL
    DO IT BIG DO IT ALL FOR A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    WANNA ROLL WANNA ROLL WITH A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
    WHAT'S UP

    ON MY MIND, I PASS MY BED TIME
    NO REST AT THE KINGDOM...
    ALONE IN MY PLACE, MY HEART IS AWAY
    ALL THAT I CAN THINK OF IS…
    WE SHOULD GET MARRIED, WE SHOULD GET MARRIED
    LET'S STOP HOLDING BACK ON THIS AND LETS GET CARRIED AWAY

    STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
    CAUSE I GOT BIG DEALS AND I GOT LITTLE THINGS
    I GOT EVERYTHING I'M ASKING FOR BUT YOU…
    STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
    LET'S GET CARRIED AWAY…
    COME RIGHT NOW YOU KNOW WHERE I STAY…

    I JUST WANNA SAY YOUR MINE, YOUR MINE
    I JUST WANNA SAY YOUR MINE, YOUR MINE
    ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
    ALL I'M REALLY ASKING FOR IS YOU…
    YOUR MINE, YOUR MINE
    I JUST WANNA SAY YOUR MINE, YOUR MINE
    ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
    LONG AS YOU KNOW WHO YOU BELONG TO…

    KNOW YOU WANNA ROLL WITH A GOOD GIRL
    DO IT BIG DO IT ALL FOR A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    WANNA ROLL WANNA ROLL WITH A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
    WHAT'S UP

    OH… FROM 8 UNTIL LATE I THINK BOUT YOU
    YOU'RE ON MY NIGHTS I DON'T KNOW WHAT TO DO
    I CAN'T GET NO REST, CAN'T GET NO SLEEP
    THIS WHOLE THING GOT WAY TO DEEP AND WE SHOULD

    STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
    CAUSE I GOT BIG DEALS AND I GOT LITTLE THINGS
    I GOT EVERYTHING IM ASKING FOR BUT YOU…
    STOP MAKING A BIG DEAL OUT OF THE LITTLE THINGS,
    LET'S GET CARRIED AWAY…
    COME RIGHT NOW YOU KNOW WHERE I STAY…

    I JUST WANNA SAY YOUR MINE, YOUR MINE
    I JUST WANNA SAY YOUR MINE, YOUR MINE
    ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
    ALL I'M REALLY ASKING FOR IS YOU…
    YOUR MINE, YOUR MINE
    I JUST WANNA SAY YOUR MINE, YOUR MINE
    ---- WHAT THEY HEARD YOUR MINE, YOUR MINE
    LONG AS YOU KNOW WHO YOU BELONG TO…
    KNOW YOU WANNA ROLL WITH A GOOD GIRL
    DO IT BIG DO IT ALL FOR A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    DON'T SLEEP WHEN YOU KNOW YOU GOT A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    WANNA ROLL WANNA ROLL WITH A GOOD GIRL
    ONE TIME…
    THIS IS A SONG FOR THE GOOD GIRL
    AND I STILL KEEP IT HOOD, STILL TREAT YOU LIKE I SHOULD
    WHAT'S UP

    YO YO YO
    I GOTTA PULL UP ON YA
    YOU GONE MAKE ME HAVE TO PULL UP ON YA
    DONT GO GHOST ON ME IMA GO THRILLER ON YA
    IMA JUST
    IMA LET MY HANDS DO THE TALKIN WHEN I SEE YOU
    BABY GIRL I MISS FEELIN ON YA
    I MISS EVERYTHING THATS REAL ABOUT YA
    AND THATS EVERYTHING ABOUT YA
    THATS JUST HOW I FEEL ABOUT YA
    BEEN ABOUT CHA AND IM STILL ABOUT CHA
    BUT
    WE AINT FINISHED TALKIN
    I TOLD YA YOU DONT NEEDA WORRY ABOUT DEM -------
    ALL DEM FIVES NEEDA LISTEN WHEN THE 10 IS TALKIN
    CAUSE THEY DONT WANNA SEE YOU HAPPIER THAN THEM
    AND GIRL YOU SWEAR THEY ALL YOUR FRIENDS AND THATS BEEN A PROBLEM
    YOU THE ONE THEY HATE THIS COME WITH THAT
    I KNOW YOU THINK ITS FUNNY THAT YOUR EX IS NOT A RUNNIN BACK
    BUT THAT ----- CAME RUNNIN BACK
    YOU TELL ME YOU DONE WITH THAT
    AND I BELIEVE ITS TRUE
    LONG AS YOU KNOW WHO YOU BELONG TO…

    WRITTEN BY NOAH SHEBIB, AUBREY DRAKE GRAHAM, BEYONCÉ KNOWLES, JORDAN KENNETH COOKE ULLMAN, SIDNEY "OMEN" BROWN, DWANE WEIR P/K/A KEY WANE / PUBLISHED BY MAVOR & MOSES LLC (ASCAP) ALL RIGHTS ADMINISTERED BY KOBALT SONGS MUSIC PUBLISHING, INC., EMI BLACKWOOD MUSIC INC. OBO ITSELF AND LIVE WRITE LLC (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. OBO ITSELF AND OTEK PUBLISHING (ASCAP), MISSING LINK MUSIC OBO ELABORATE MUZIK WORKSHOP (ASCAP), DWANE M. WEIR II/SEAN MICHAEL ANDERSON MUSIC LLC/WARNER-TAMERLANE PUBLISHING CORP. (BMI) / PRODUCED BY NOAH "40" SHEBIB FOR EVDON MUSIC, INC. / ADDITIONAL PRODUCTION BY MAJID JORDAN AND SIDNEY "OMEN" BROWN / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL VOCALS BY SAMPHA SISAY / RECORDED BY NOAH "40" SHEBIB AND NOEL CADASTRE FOR EVDON MUSIC INC. AND STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS / ADDITIONAL DRUM PROGRAMMING BY OMEN / INTRO KEYS AND INTRO PROGRAMMING BY KEY WANE / MIXED BY NOEL "GADGET" CAMPBELL FOR T.O. MUSIC GROUP AT STUDIO 306, TORONTO, CANADA / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

    DRAKE APPEARS COURTESY OF YOUNG MONEY/CASH MONEY RECORDS

  • YOUR LOVE IS BRIGHT AS EVER
    EVEN IN THE SHADOWS
    BABY KISS ME
    BEFORE THEY TURN THE LIGHTS OUT
    YOUR HEART IS GLOWING
    AND I'M CRASHING INTO YOU
    BABY KISS ME, BEFORE THEY TURN THE LIGHTS OUT
    BEFORE THEY TURN THE LIGHTS OUT
    BABY LOVE ME LIGHTS OUT

    IN THE DARKEST NIGHT HOUR (GANG REPEAT)
    SEARCH THROUGH THE CROWD (GANG REPEAT)
    YOUR FACE IS ALL THAT I SEE
    I'VE GIVEN YOU EVERYTHING
    BABY LOVE ME LIGHTS OUT
    BABY LOVE ME LIGHTS OUT
    XO YOU CAN TURN MY LIGHTS OUT

    WE DON'T HAVE FOREVER
    OHHHH, BABY THE DAYLIGHTS WASTING
    YOU BETTA KISS ME... BEFORE OUR TIME HAS RUN OUT
    MMMMM, YEA--A-AAA-AAAA
    NOBODY SEES WHAT WE SEE
    THEY'RE JUST HOPELESSLY GAZING
    AHH BABY TAKE ME, BEFORE THEY TURN THE LIGHTS OUT,
    BEFORE OUR TIME HAS RUN OUT
    BABY LOVE ME LIGHTS OUT

    IN THE DARKEST NIGHT HOUR (GANG REPEAT)
    SEARCH THROUGH THE CROWD (GANG REPEAT)
    YOUR FACE IS ALL THAT I SEE
    I'VE GIVEN YOU EVERYTHING
    BABY LOVE ME LIGHTS OUT
    BABY LOVE ME LIGHTS OUT
    XO YOU CAN TURN MY LIGHTS OUT

    OUR LOVE IS LIKE XO
    YOU LOVE ME LIKE XO
    YOU KILL ME BOY XO
    YOUR LOVE IS LIKE XO- OOOAAHH
    YOU'RE ALL THAT I SEE
    GIMME EVERYTHING,
    BABY LOVE MY LIGHTS OUT
    BABY LOVE ME LIGHTS OUT
    YOU CAN TURN MY LIGHTS OUT

    IN THE DARKEST NIGHT HOUR (GANG REPEAT)
    SEARCH THROUGH THE CROWD (GANG REPEAT)
    YOUR FACE IS ALL THAT I SEE
    I'VE GIVEN YOU EVERYTHING
    BABY LOVE ME LIGHTS OUT
    BABY LOVE ME LIGHTS OUT
    XO YOU CAN TURN MY LIGHTS OUT

    WRITTEN BY TERIUS NASH, RYAN TEDDER, BEYONCÉ KNOWLES / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WRITE 2 LIVE (ASCAP) ADMINISTERED WORLDWIDE BY KOBALT MUSIC PUBLISHING AMERICA INC, WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977, RYAN TEDDER, AND BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87, AND HAZEBANGA MUSIC FOR HITS SINCE 87 / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY RYAN TEDDER AT TRACKDOWN STUDIOS, SYDNEY, AUSTRALIA & TRITONUS STUDIOS, BERLIN, GERMANY AND STUART WHITE AND BART SCHOUDEL AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY JUSTIN HERGETT / ALL INSTRUMENTS AND PROGRAMMING BY RYAN TEDDER / ADDITIONAL PIANO BY TERIUS "THE-DREAM" NASH / BACKGROUND VOCALS BY RYAN TEDDER AND THE-DREAM / MIXED BY ANDREW SCHEPS AT PUNKERPAD WEST, VAN NUYS, CA / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • I'M OUT THAT H-TOWN
    COMING, COMING DOWN
    I'M COMING DOWN DRIPPING CANDY ON THE GROUND
    H, H-TOWN, TOWN, I'M COMING DOWN
    COMING DOWN DRIPPING CANDY ON THE GROUND

    I KNOW WHEN YOU WERE LITTLE GIRLS
    YOU DREAMT OF BEING IN MY WORLD
    DON'T FORGET IT, DON'T FORGET IT
    RESPECT THAT, BOW DOWN, BOW DOWN CROWN
    I TOOK SOME TIME TO LIVE MY LIFE
    BUT DON'T THINK I'M JUST HIS LITTLE WIFE
    DON'T GET IT TWISTED, GET IT TWISTED
    THIS MY SH, BOW DOWN
    BOW DOWN CROWN, BOW BOW DOWN CROWN
    BOW DOWN CROWN, BOW BOW DOWN
    H-TOWN VICIOUS, H-H-TOWN VICIOUS
    I'M SO CROWN, BOW DOWN

    I'M OUT THAT H-TOWN
    COMING, COMING DOWN
    I'M COMING DOWN DRIPPING CANDY ON THE GROUND
    H, H-TOWN, TOWN, I'M COMING DOWN
    COMING DOWN DRIPPING CANDY ON THE GROUND

    CHIMAMANDA NGOZI ADICHIE:
    WE TEACH GIRLS TO SHRINK THEMSELVES
    TO MAKE THEMSELVES SMALLER
    WE SAY TO GIRLS, YOU CAN HAVE AMBITION
    BUT NOT TOO MUCH
    YOU SHOULD AIM TO BE SUCCESSFUL BUT NOT TOO SUCCESSFUL
    OTHERWISE YOU WILL THREATEN THE MAN
    BECAUSE I AM FEMALE I AM EXPECTED TO ASPIRE TO MARRIAGE
    I'M EXPECTED TO MAKE MY LIFE CHOICES ALWAYS KEEPING IN MIND
    THAT MARRIAGE IS THE MOST IMPORTANT
    MARRIAGE CAN BE A SOURCE OF JOY AND LOVE AND MUTUAL SUPPORT
    BUT WHY DO WE TEACH GIRLS TO ASPIRE TO MARRIAGE AND WE DON'T TEACH BOYS THE SAME
    WE RAISE GIRLS TO SEE EACH OTHER AS COMPETITORS, NOT FOR JOBS OR ACCOMPLISHMENTS
    WHICH I THINK CAN BE A GOOD THING
    BUT FOR THE ATTENTION OF MEN
    WE TEACH GIRLS THAT THEY CANNOT BE SEXUAL BEINGS IN THE WAY THAT BOYS ARE
    FEMINIST: A PERSON WHO BELIEVES IN THE SOCIAL POLITICAL AND ECONOMIC EQUALITY OF THE SEXES

    YOU WAKE UP
    FLAWLESS
    POST UP
    FLAWLESS
    RIDIN ROUND IN THAT
    FLAWLESS
    FLOSSING ON THAT
    FLAWLESS
    THIS DIAMOND
    FLAWLESS
    MY DIAMOND
    FLAWLESS
    THIS ROCK
    FLAWLESS
    MY ROCK
    FLAWLESS

    I WOKE UP LIKE 'DIS
    I WOKE UP LIKE 'DIS
    WE FLAWLESS
    LADIES TELL 'EM,
    I WOKE UP LIKE DIS
    I WOKE UP LIKE DIS
    WE FLAWLESS
    LADIES TELL 'EM,
    SAY
    I LOOK SO GOOD TONIGHT
    AW DAMN, AW DAMN
    SAY
    I LOOK SO GOOD TONIGHT
    AW DAMN, AW DAMN, AW DAMN

    MY MAMA TAUGHT ME GOOD HOME TRAINING
    MY DADDY TAUGHT ME HOW TO LOVE MY HATERS
    MY SISTER TOLD ME I SHOULD SPEAK MY MIND
    MY MAN MADE ME FEEL SO COTDAMN FINE
    I'M FLAWLESS

    WAKE UP
    FLAWLESS
    POST UP
    FLAWLESS
    RIDIN ROUND IN 'DAT
    FLAWLESS
    FLOSSING ON 'DAT
    FLAWLESS
    THIS DIAMOND
    FLAWLESS
    MY DIAMOND
    FLAWLESS
    THIS ROCK
    FLAWLESS
    MY ROCK
    FLAWLESS

    I WOKE UP LIKE 'DIS
    I WOKE UP LIKE 'DIS
    WE FLAWLESS
    LADIES, TELL 'EM,
    I WOKE UP LIKE DIS
    I WOKE UP LIKE DIS
    WE FLAWLESS
    LADIES, TELL 'EM,
    SAY
    I LOOK SO GOOD TONIGHT
    AW DAMN, AW DAMN
    SAY
    I LOOK SO GOOD TONIGHT
    AW DAMN

    WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, CHAUNCEY HOLLIS, REY REEL MUSIC, RASHAD "HAZEBANGA" MUHAMMAD / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL, INC./U CAN'T TEACH BEIN' THE SHHH (BMI), REY REEL MUSIC, HAZEBANGA MUSIC (ASCAP) / PRODUCED BY HIT-BOY FOR HIT-BOY MUSIC/HITS SINCE 87 AND BEYONCÉ KNOWLES / CO-PRODUCED BY REY REEL MUSIC FOR HITS SINCE 87 AND RASHAD "HAZEBANGA" MUHAMMAD / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / ADDITIONAL ARRANGING BY BOOTS / RECORDED BY STUART WHITE AND JORDAN "DJ SWIVEL" YOUNG AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI, ASSISTANT ENGINEERING BY TYLER SCOTT / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT AND JAMES KRAUSSE / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

    STAR SEARCH FOOTAGE EXCERPT COURTESY OF CBS TELEVISION DISTRIBUTION AND THE ED MCMAHON ESTATE, "WE SHOULD ALL BE FEMINISTS" WRITTEN AND SPOKEN BY CHIMAMANDA NGOZI ADICHIE

  • WHEN THE PALM OF MY TWO HANDS
    HOLD EACH OTHER
    THAT FEELS DIFFERENT FROM WHEN YOUR HANDS
    ARE IN MINE
    THAT'S JUST THE WAY IT IS

    AND WHEN MY VOICE IS SCREAMING OUT
    TO MY OWN EARS
    THAT FEELS DIFFERENT
    FROM WHEN I HEAR YOURS
    NOW THAT'S JUST THE WAY IT IS

    AND WHEN I'M STANDING IN THIS MIRROR
    AFTER ALL THESE YEARS
    WHAT I'M VIEWING'S A LITTLE DIFFERENT
    FROM WHAT YOUR EYES SHOW YA
    I GUESS I DONE SEEN MYSELF BEFORE YA
    MOVING FORWARD (SUPERPOWER)

    A SUBTLE POWER (SUPERPOWER)
    A TOUGH LOVE (SUPERPOWER)
    OH, LIKE A SHARK (SUPERPOWER)
    OOO, LIKE A BEAR
    A TOUGH LOVE

    (AND I THOUGHT THE WORLD WOULD REVOLVE)
    I THOUGHT THE WORLD WOULD REVOLVE
    (WITHOUT US)
    WITHOUT US, WITHOUT US, WITHOUT US
    (BUT NOTHIN I KNOW)
    COULD SLOW US DOWN
    COULDN'T SLOW US DOWN
    AND I THOUGHT I COULD LIVE WITHOUT YA, HEY, HEY
    BUT NOTHIN I KNOW CAN BREAK US DOWN
    THEY CAN'T BREAK US DOWN

    AND JUST LIKE YOU I CAN'T BE SCARED
    AND JUST LIKE YOU I HOPE I'M SPARED
    BUT IT'S TOUGH LOVE
    I KNOW YOU FEEL IT IN THE AIR
    EVEN THE BABIES KNOW IT'S THERE
    A TOUGH LOVE (SUPERPOWER)

    THE LAWS OF THE WORLD TELL US WHAT GOES SKY AND WHAT FALLS
    IT'S A SUPERPOWER (SUPERPOWER)
    THE LAWS OF THE WORLD NEVER STOPPED US ONCE
    CAUSE TOGETHER WE GOT PLENTY SUPERPOWER (SUPERPOWER)

    A SUBTLE POWER (SUPERPOWER)
    A TOUGH LOVE (SUPERPOWER)
    OH, LIKE A SHARK (SUPERPOWER)
    OOO, TOO MUCH TO BARE (SUPERPOWER)

    (AND I THOUGHT THE WORLD WOULD REVOLVE)
    I THOUGHT THE WORLD WOULD REVOLVE
    (WITHOUT US)
    WITHOUT US, WITHOUT US, WITHOUT US
    (BUT NOTHIN I KNOW)
    COULD SLOW US DOWN
    COULDN'T SLOW US DOWN
    AND I THOUGHT I COULD LIVE WITHOUT YA, HEY, HEY
    BUT TOGETHER WE GOT PLENTY POWER
    BUT, NOTHIN I KNOW COULDN'T BREAK US DOWN
    THEY CAN'T BREAK US DOWN (SUPERPOWER)

    YES WE CAN
    COULDN'T BREAK US DOWN
    THEY CAN'T BREAK US DOWN
    REPEAT

    WRITTEN BY PHARRELL WILLIAMS, FRANK OCEAN, BEYONCÉ KNOWLES / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), HEAVENS RESEARCH / BMG BUMBLEBEE (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY PHARRELL WILLIAMS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY BOOTS / RECORDED BY STUART WHITE, ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT, MIKE LARSON AND JAMES KRAUSSE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC AND MIRRORBALL STUDIOS NORTH HOLLYWOOD, CA / ASSISTANT ENGINEERING BY RAMON RIVAS, MATT WEBER, AND JON CASTELLI / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY KELLY ROWLAND, MICHELLE WILLIAMS, STEFAN SKARBEK, AND BOOTS / VIOLINS ARRANGED AND PERFORMED BY MARGOT / MIXED BY TONY MASERATI AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA AND CLOCKWORKS STUDIOS, BROOKLYN, NY, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND CHRIS TABRON / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

    FRANK OCEAN APPEARS COURTESY OF ISLAND DEF JAM MUSIC GROUP

  • OHHH…
    I FOUGHT FOR YOU THE HARDEST
    YOU MADE ME THE STRONGEST
    SO TELL ME, YOUR SECRETS
    I JUST CAN'T STAND TO SEE YOU LEAVING

    BUT HEAVEN COULDN'T WAIT FOR YOU
    NO HEAVEN COULDN'T WAIT FOR YOU
    HEAVEN COULDN'T WAIT FOR YOU
    NO HEAVEN COULDN'T WAIT FOR YOU
    SO GO ON, GO HOME

    WE LAUGHED AT THE DARKNESS
    SO SCARED THAT WE LOST IT
    WE STOOD ON THE CEILINGS
    YOU SHOWED ME LOVE WAS ALL YOU NEEDED

    HEAVEN COULDN'T WAIT FOR YOU
    HEAVEN COULDN'T WAIT FOR YOU
    OH, HEAVEN COULDN'T WAIT FOR YOU
    NO HEAVEN COULDN'T WAIT FOR YOU, YOU, YOU, YOU…
    NO HEAVEN COULDN'T WAIT FOR YOU
    NO! HEAVEN COULDN'T WAIT FOR YOU
    NO! HEAVEN COULDN'T WAIT FOR YOU
    OHH, HEAVEN COULDN'T WAIT FOR YOU
    SO GO ON, GO HOME
    SO GO ON, GO HOME

    WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS, STUART WHITE AND ROB COHEN AT WESTLAKE RECORDING STUDIOS, WEST HOLLYWOOD, CA AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY CHRISTIAN HUMPHREYS / ALL INSTRUMENTS PERFORMED BY BOOTS / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT ENGINEERING BY JUSTIN HERGETT / "THE LORD'S PRAYER" RECITED BY MELISSA VARGAS / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • SOMETIMES THESE WALLS SEEM TO CAVE IN ON ME
    BUT WHEN I LOOK INTO YOUR EYES
    I FEEL ALIVE
    SOME DAYS WE SAY WORDS THAT DON'T MEAN A THING
    BUT WHEN YOU'RE HOLDING ME TIGHT
    I FEEL ALIVE

    MAKE IT LAST FOREVER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
    YOU AND I TOGETHER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

    EACH DAY I FEEL SO BLESSED TO BE LOOKIN AT YOU
    CUZ WHEN YOU OPEN YOUR EYES
    I FEEL ALIVE
    MY HEART BEATS SO DAMN QUICK WHEN YOU SAY MY NAME
    AND WHEN I'M HOLDING YOU TIGHT
    I'M SO ALIVE
    SO NOW LET'S JUST LIVE IT UP

    MAKE IT LAST FOREVER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
    YOU AND I TOGETHER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

    MAKE IT LAST FOREVER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
    YOU AND I TOGETHER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

    WE'VE GOTTA HOLD ON
    I'VE GOTTA HOLD ON
    YOU'VE GOT TO HOLD ON
    YOU'VE GOT A HOLD ON, A HOLD ONTO ME
    WE'VE GOTTA HOLD ON
    I'VE GOTTA HOLD ON
    YOU'VE GOT A HOLD ON
    YOU'VE GOT A HOLD ON, A HOLD ONTO ME

    MAKE IT LAST FOREVER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
    YOU AND I TOGETHER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME

    MAKE IT LAST FOREVER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME
    YOU AND I TOGETHER
    COME ON BABY WON'T YOU HOLD ON TO ME, HOLD ON TO ME, BLUE

    WRITTEN BY BOOTS AND BEYONCÉ KNOWLES / PUBLISHED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), SONGS OF ROC NATION MUSIC (BMI), AND IN SOULS (BMI) ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP. (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BOOTS AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY BOOTS, STUART WHITE AND JONATHAN LEE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / 2ND ENGINEERING BY RAMON RIVAS, ASSISTANT ENGINEERING BY JUSTIN HERGETT AND JAMES KRAUSSE / PIANO, DRUMS, GUITAR, KEYBOARDS PLAYED BY BOOTS / LIVE DRUMS PLAYED BY STEVEN WOLF / VIOLINS ARRANGED AND PERFORMED BY MARGOT / ADDITIONAL VOCALS BY BLUE IVY / MIXED BY TONY MASERATI AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC AND CLOCKWORKS STUDIOS, BROOKLYN, NY/ MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

  • SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
    LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR
    LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR
    SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
    SMACK IT, SMACK IT IN THE AIR
    LEGS MOVING SIDE TO SIDE, SMACK IT, SMACK IT IN THE AIR
    SMACK IT, SMACK IT IN THE AIR

    WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (IN THE AIR)
    WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (TO SIDE TO SIDE)
    CLAP, CLAP, CLAP LIKE YOU DON'T CARE (TO SIDE TO SIDE)
    SMACK THAT CLAP, CLAP, CLAP LIKE YOU DON'T CARE (I KNOW YOU CARE)
    CLAP, CLAP, CLAP, CLAP, CLAP IT

    FOOT UP, MY FOOT UP, HOLD UP NOW MY FOOT UP (SPINNING)
    I'M SPINNING, MY FOOT UP, FOOT UP, YEAH MY FOOT UP (SPINNING)
    I'M SPINNING, MY FOOT UP, PUT MY FOOT UP, YEAH MY HANDS UP
    MY HANDS UP, MY HANDS UP FLEXIN', FLEXIN' WHILE MY HANDS UP
    MY HANDS UP, MY HANDS UP, I STAND UP WITH MY HANDS UP
    THEN I PUT UP, MY HANDS UP, I PUT UP, MY HANDS UP
    I PUT UP, MY HANDS UP, I PUT UP, MY HANDS UP
    I PUT UP, MY HANDS UP, THEN I'M SPINNING WITH MY HANDS UP (SPINNING)

    SPINNING WHILE MY HANDS UP, SPINNING WHILE MY HANDS UP (SPINNING)
    SPINNING WHILE MY HANDS UP, THEN I'M TIPPING ALL MY HANDS UP (TIPPING)
    SPINNING, I'M SPINNING, I'M SPINNING WHILE MY HANDS UP (SPINNING)
    I'M SPINNING, I'M SPINNING, I'M SPINNING WHILE MY HANDS UP (DRANK)

    HOLD THAT CUP LIKE ALCOHOL
    HOLD THAT CUP LIKE ALCOHOL (DRANK)
    HOLD THAT CUP LIKE ALCOHOL
    DON'T YOU DROP THAT ALCOHOL (DRANK)
    NEVER DROP THAT ALCOHOL
    NEVER DROP THAT ALCOHOL
    I KNOW YA THINKING 'BOUT ALCOHOL
    I KNOW YA THINKING 'BOUT THAT ALCOHOL

    MAN THIS HERE LIKE ROLLING DICE
    MAN THIS HERE LIKE ROLLING DICE
    SEVEN-ELEVEN
    SEVEN-ELEVEN
    SEVEN TWICE, MAN SEVEN TWICE

    MAN IT FEEL LIKE ROLLING DICE
    MAN THIS FEEL LIKE ROLLING DICE
    MAN IT FEEL LIKE ROLLING DICE
    SEVEN TWICE, SEVEN TWICE (KICK IT)

    GIRL I'M TRYING TO KICK IT WITH YOU (GIRL)
    GIRL I'M TRYING TO KICK IT WITH YOU (MAN)
    MAN I'M TRYING TO KICK IT WITH YOU
    MY FEET UP, I KICK IT WITH YOU (MAN)
    MAN I SWEAR I'D KICK IT WITH YOU (GIRL)
    GIRL I WANNA KICK IT WITH YOU (MAN)
    MAN I KNOW I'LL KICK IT WITH YOU
    YEAH I'LL SPIN AROUND AND KICK IT WITH YOU

    SHOULDERS SIDEWAYS SMACK IT, SMACK IT IN THE AIR
    LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR (TO SIDE TO SIDE)
    LEGS MOVING SIDE TO SIDE, SMACK IT IN THE AIR (TO SIDE TO SIDE)
    SHOULDERS MOVING SIDE TO SIDE SMACK IT IN THE AIR
    SMACK IT IN THE AIR, SMACK IT, SMACK IT IN THE AIR
    SMACK IT IN THE AIR, SMACK IT, SMACK IT IN THE AI

    WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (IN THE AIR)
    WAVE YOUR HAND SIDE TO SIDE, PUT IT IN THE AIR (TO SIDE TO SIDE)
    CLAP, CLAP, CLAP LIKE YOU DON'T CARE (TO SIDE TO SIDE)
    SMACK THAT, CLAP, CLAP, CLAP LIKE YOU DON'T CARE (I KNOW YOU CARE)

    YOU CARE...I KNOW...YOU CARE...
    WAVE YOUR HANDS SIDE TO SIDE
    WAVE YOUR HANDS SIDE TO SIDE
    WAVE YOUR HANDS SIDE TO SIDE
    WAVE YOUR HANDS SIDE TO SIDE

    OH WE BB
    FREAKY DEAKY
    THINK ME SEE SHE
    PINK BIKINI
    ROCK THAT KUFI
    DYE DASHIKI
    NEFERTITI
    EDGES KINKY

    SWEATIN' OUT MY BLOW OUT
    SWEATIN' OUT MY PRESS
    THIS TICK ABOUT TO GO OFF
    MAD CAUSE I'M SO FRESH
    FRESHER THAN YOU
    I'M FRESHER THAN YOU
    FRESHER THAN YOU OH

    WRITTEN BY BOBBY JOHNSON, NOEL FISHER, BEYONCÉ KNOWLES AND SIDNEY SWIFT/ PUBLISHED BY SONGS OF CROWD CONTROL/HIP HOP VILLE, USA ADMINISTERED BY SONGS OF KOBALT MUSIC GROUP LTD (GEMA), EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC / PRODUCED BY BEYONCÉ KNOWLES AND BOBBY JOHNSON / CO-PRODUCED BY DETAIL AND SIDNEY SWIFT / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION AND ARRANGING BY DEREK DIXIE / RECORDED BY STUART WHITE AT RECORD PLANT IN LOS ANGELES, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT ENGINEERING BY RAMON RIVAS AND JON SCHACTER / MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA / ASSISTANT MIXING BY JAMES KRAUSE AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC

  • BEYONCE:
    IT'S THAT YONCÉ, YOUR YONCÉ
    IN THAT LINGERIE, ON THAT CHARDONNAY
    SCORING TOUCHDOWNS ON YOUR RUNWAY
    I'M TEXAS FOREVER LIKE BUN B
    AND I'M REDBONED YO
    I'M REALLY RIT LIKE DONJAE
    I'M CAMO IN HERE YO
    THESE THOTS CAN'T CLOCK ME NOWADAYS
    YOU WISH I WAS YOU POUNDCAKE
    BOY YOU KNOW I LOOK GOOD AS F---
    WISH I WAS YOUR BABY MOMMA
    WANT ME TO COME 'ROUND AND GIVE YOU GOOD KARMA, BUT NO
    WE ESCALATING, UP IN THIS BITCH LIKE ELEVATORS
    OF COURSE SOMETIMES S--- GO DOWN
    WHEN IT'S A BILLION DOLLARS ON AN ELEVATOR
    OF COURSE SOMETIMES S--- GO DOWN
    WHEN IT'S A BILLION DOLLARS ON AN ELEVATOR
    GODDAMN, GODDAMN, GODDAMN!

    MOMMA TAUGHT ME GOOD HOME TRAINING
    MY DADDY TAUGHT ME HOW TO LOVE MY HATERS
    MY SISTER TAUGHT ME I SHOULD SPEAK MY MIND
    MY MAN MADE ME FEEL SO GODDAMN FINE
    I'M FLAWLESS

    YOU WAKE UP, FLAWLESS
    POST UP, FLAWLESS
    RIDIN' AROUND IN IT, FLAWLESS
    FLOSSIN' ON THAT, FLAWLESS
    THIS DIAMOND, FLAWLESS
    MY DIAMOND, FLAWLESS
    THIS ROCK, FLAWLESS
    MY ROC, FLAWLESS
    I WOKE UP LIKE THIS, I WOKE UP LIKE THIS
    WE FLAWLESS, LADIES, TELL 'EM
    I WOKE UP LIKE THIS, I WOKE UP LIKE THIS
    WE FLAWLESS, LADIES, TELL 'EM
    SAY "I LOOK SO GOOD TONIGHT"
    GODDAMN, GODDAMN
    SAY "I LOOK SO GOOD TONIGHT"
    GODDAMN, GODDAMN, GODDAMN

    I WAKE UP LOOKING THIS GOOD
    AND I WOULDN'T CHANGE IT IF I COULD
    (IF I COULD, IF I, IF I COULD)
    AND YOU CAN SAY WHAT YOU WANT, I'M THE S---
    (WHAT YOU WANT I'M THE S---, I'M THE S---)
    I WANT EVERYONE TO FEEL LIKE THIS TONIGHT
    GODDAMN, GODDAMN, GODDAMN

    (ONIKA...)

    NICKI MINAJ:
    LOOKING TRINIDADIAN, JAPANESE, AND INDIAN
    GOT MALAYSIAN, GOT THAT YAKI, THAT WAVY BRAZILIAN
    (THEM B------ THIRSTY, I'M HUNGARIAN)
    (NICKI, BB, BE EATING, DIAMOND FANGS, BARBARIAN)
    LIKE MJ'S DOCTOR, THEY KILLIN' ME
    PROPOFOL, I KNOW THEY HOPE I FALL
    BUT TELL 'EM WINNING IS MY MOTHER------ PROTOCOL
    'CAUSE I SCORE BEFORE I EVER THROW THE BALL
    THESE B------ WASHED UP AND AIN'T NO F----- SOAP INVOLVED
    EVERY HOOD N---- DREAM FANTASIZING 'BOUT NICKI AND BEY
    CURVALICIOUS P---- SERVED DELICIOUS
    MAYDAY, MAYDAY, EARTH TO B------
    SLAP THESE H--- ON THEY ASS LIKE WE BIRTHING B------
    THE QUEEN OF RAP, SLAYIN' WITH QUEEN BEY
    IF YOU AIN'T ON THE TEAM, YOU PLAYING FOR TEAM D
    CAUSE WE A-LISTERS, WE PAID SISTERS
    THIS WATCH RIGHT HERE DONE PHASED BLIZZARDS
    I CONFESS, I WOKE UP LIKE THIS
    ALL THIS DRANK IN MY CUP LIKE THIS
    ALL THIS ASS ON THAT FLAWLESS DICK
    INSTAGRAM ANOTHER FLAWLESS PIC
    FLAWLESS CITY WITH THESE FLAWLESS T------
    I GOT ALL THESE HUNDRED, YOU GOT ALL THEM FIFTIES
    I'M WITH SOME FLAWLESS B------ CAUSE THEY MORE THAN PRETTY
    CAUSE N----- LOVE BAD B------ THAT BE ON THEY GRIZZLY
    THROW THAT ASS BACK I BE ON MY FRISBEE
    PRINCESS CUT DIAMOND ON MY DISNEY
    HE WANT MONSTER NICKI IN SRI LANKA
    I TOLD HIM MEET ME AT THE TRUMP, IVANKA
    I SAID COME HERE, LET ME SHOW YOU HOW THAT COOKIE TASTE
    THIS THAT "YEAH N----, EAT THAT COOKIE" FACE

    WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, CHAUNCEY HOLLIS, REY REEL MUSIC, RASHAD "HAZEBANGA" MUHAMMAD, ONIKA MARAJ / PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP)/WB MUSIC CORP. ADMINISTERED BY WB MUSIC CORP., WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, SONGS OF UNIVERSAL, INC./U CAN'T TEACH BEIN' THE SHHH (BMI), REY REEL MUSIC, HAZEBANGA MUSIC (ASCAP), O. MARAJ PUBLISHING CO: HARAJUKU BARBIE MUSIC/MONEY MACK MUSIC/SONGS OF UNIVERSAL, INC. (BMI) / PRODUCED BY BEYONCÉ KNOWLES, HIT-BOY, REY REEL MUSIC AND HAZEBANGA FOR HITS SINCE 87, AND TERIUS "THE-DREAM" NASH FOR WWW.CONTRA-PARIS.COM / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL SOUNDS AND REMIX PRODUCTION BY DEREK DIXIE / ADDITIONAL PRODUCTION AND ARRANGING BY BOOTS / RECORDED BY STUART WHITE, RAMON RIVAS, AUBRY "BIG JUICE" DELAINE, AND BART SCHOUDEL AT JUNGLE CITY STUDIOS, NYC / ASSISTANT ENGINEERING BY BRENDAN MORAWSKI AND TODD BERGMAN / MIXED BY STUART WHITE AT MONK STUDIOS, EAST HAMPTON, NY / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC

    CONTAINS A PORTION OF THE COMPOSITION "SPOTTIEOTTIEDOPALISCIOUS" WRITTEN BY ANDRE BENJAMIN, PATRICK BROWN AND ANTWAN PATTON, PUBLISHED BY BMG CHRYSALIS MUSIC (BMI)

    NICKI MINAJ APPEARS COURTESY OF YOUNG MONEY ENTERTAINMENT/CASH MONEY RECORDS

  • KANYE WEST:
    YOU WILL NEVER NEED ANOTHER LOVER
    CAUSE YOU A MILF AND I'M A MOTHER------
    TOLD YOU GIVE THE DRUMMER SOME NOW THE DRUMMER C-----
    I'M PA RUM PA PUM PUMIN' ALL ON YOUR STOMACH
    YEAH TONIGHT I SEE SOME SUPER FREAKY HOES
    THAT COULD GO FROM BEIN' A STRIPPER TO A SUPER C.E.O.
    I DON'T KNOW THE WAY YOU DO IT, BUT YOU DO IT TO ME THOUGH
    AND YOU ALWAYS TOLD YOUR GIRLFRIENDS YOU NEED A TV SHOW
    NOW YOU GOT YOUR OWN MONEY, YOU DON'T NEED NOBODY ELSE
    BUT AS FAR AS HANDLIN' ALL THAT ASS, I THINK YOU GONNA NEED SOME HELP
    LET ME REMIND YOU, YOU GOT A, YOU GOT A GREAT FUTURE BEHIND YOU
    YOU GOTTA TELL ME WHAT WE TRYNA DO
    I AIN'T NO PASTOR, DON'T DO MISSIONARY
    I KNOW GOOD P---- WHEN I SEE IT, I'M A VISIONARY
    I KNOW THEM HATERS TALKIN, ALWAYS HAD US VERY WARY
    YUP ON THE 35TH OF NEVUARY
    YUP YOU LOVE THE WAY I'M TURNT
    AFTER ALL THE MONEY YOU EARNED, STILL SHOW DADDY WHAT YOU LEARNT
    THAT COWGIRL, YOU REVERSE THAT COWGIRL
    YOU REVERSE, YOU REVERSE, AND I IMPREGNATED YOUR MOUTH GIRL, OH
    THAT'S WHEN I KNOW YOU COULD BE MY SPOUSE, GIRL
    WE F----- ALL OVER THE HOUSE, GIRL, WE JUST MESSED UP A BRAND NEW COUCH, GIRL
    YOU AINT ON SITE THEN YOU YOU ON SKYPE
    I PUT YOU ON THAT BIKE, YOU BOUND, GIRL
    WE TOO WILD WON'T TURN DOWN
    WE DRUNK IN LOVE, F--- THEM

    BEYONCE:
    I'VE BEEN DRINKIN'
    I'VE BEEN DRINKIN'
    I GET FILTHY WHEN THAT LIQUOR GET INTO ME
    I'VE BEEN THINKIN'
    I'VE BEEN THINKIN'
    WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH
    WHY CAN'T I KEEP MY FINGERS OFF IT, BABY I WANT YOU, NA-NAH

    CIGARS ON ICE, CIGARS ON ICE
    FEELIN' LIKE AN ANIMAL WITH THESE CAMERAS ALL IN MY GRILL
    FLASHING LIGHTS, FLASHING LIGHTS
    YOU GOT ME FADED, FADED, FADED
    BABY I WANT YOU, NA-NAH
    CAN'T KEEP YOUR EYES OFF OF MY FATTY
    DADDY I WANT YOU, NA-NAH
    DRUNK IN LOVE
    I WANT YOU

    WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
    DRUNK IN LOVE
    WE BE ALL NIGHT
    LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
    DRUNK IN LOVE
    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    WE BE ALL NIGHT
    AND EVERYTHIN' ALL RIGHT
    NO COMPLAINTS FROM MY BODY SO FLORESCENT UNDER THESE LIGHTS
    BOY I'M DRINKIN'
    PARK IT IN MY LOT 7-11
    I'M RUBBING ON IT, RU-RUBBIN' IT
    IF YOU SCARED CALL THAT REVREN
    BOY I'M DRINKIN'

    GET MY BRAIN RIGHT
    ARMAND DE BRIGNAC GANGSTER WIFE
    LOUIE SHEETS HE SWEAT IT OUT, LIKE WASH RAGS HE WEAR IT OUT
    BOY I'M DRINKIN', I'M SINGIN'
    ON THE MIC TO MY BOY TOYS
    THEN I FILL THE TUB UP HALF WAY THEN RIDE IT WITH MY SURFBOARD, SURFBOARD, SURFBOARD
    GRAININ' ON THAT WOOD, GRAININ', GRAININ' ON THAT WOOD
    I'M SWERVIN' ON THAT, SWERVIN', SWERVIN' ON THAT
    BIG BODY BEEN SERVIN' ALL THIS, SWERVE, SURFIN' IN ALL THIS GOOD, GOOD

    WE WOKE UP IN THE KITCHEN SAYING HOW THE HELL DID THIS SH HAPPEN, OH BABY
    DRUNK IN LOVE
    WE BE ALL NIGHT
    LAST THING I REMEMBER IS OUR BEAUTIFUL BODIES GRINDING UP IN THE CLUB
    DRUNK IN LOVE
    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    JAY Z:
    THAT D'USSE IS THE SH--
    IF I DO SAY SO MYSELF
    IF I DO SAY SO MYSELF
    IF I DO SAY SO MYSELF

    STUMBLED ALL IN THE HOUSE TIME TO BACK UP ALL OF THAT MOUTH
    THAT YOU HAD IN THE CAR
    TALKING BOUT YOU THE BADDEST B---- THUS FAR
    TALKING BOUT YOU BE REPPIN' THAT 3RD(WARD)
    I WANNA SEE ALL THE SH-- THAT I HEARD
    YOU KNOW I SLING CLINT EASTWOOD
    I HOPE THAT YOU CAN HANDLE THIS CURVE

    FOREPLAY IN THE FOYER
    F----- UP MY WARHLOL
    SLIP THE PANTIES RIGHT TO THE SIDE AINT GOT THE TIME TO TAKE DRAWS OFF

    ON SITE
    CATCH A CHARGE I MIGHT
    BEAT THE BOX UP LIKE MIKE IN '97 I'LL BITE
    I'M IKE, TURNER, TURN UP
    BABY NO I DON'T PLAY
    NOW EAT THE CAKE ANNA MAE I SAID EAT THE CAKE ANNA MAE
    IM NICE
    FOR YA'LL TO REACH THESE HEIGHTS

    YOU GONNA NEED G3
    4, 5, 6 FLIGHTS SLEEP TIGHT
    WE SEX AGAIN IN THA MORNIN' YO BREASTASES IS MY BREAKFAST
    WE GOIN IN WE BE ALL NIGHT

    BEYONCE:
    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    I'M NEVER TIRED, WE NEVER TIRED
    I'VE BEEN SIPPIN', IT'S THE ONLY THING THAT'S BEEN KEEPING ME ON FIRE, WE ON FIRE
    DIDN'T MEAN TO SPILL THAT LIQUOR ALL ON MY ATTIRE
    I'VE BEEN DRINKIN', WATERMELON
    I WANT YOUR BODY RIGHT HERE
    DADDY I WANT YOU RIGHT NOW
    CAN'T KEEP YOUR EYES OFF MY FATTY
    DADDY I WANT YOU

    WE BE ALL NIGHT, LOVE, LOVE
    WE BE ALL NIGHT, LOVE, LOVE

    WRITTEN BY NOEL FISHER, BEYONCÉ KNOWLES, SHAWN CARTER, ANDRE ERIC PROCTOR, RASOOL DIAZ, BRIAN SOKO, T.MOSLEY, J.HARMON / PUBLISHED BY EMI BLACKWOOD MUSIC INC. OBO ITSELF AND IF YOU NEED ME DON'T LEAVE ME (BMI), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, WB MUSIC CORP. (ASCAP) AND CARTER BOYS MUSIC (ASCAP) ALL RIGHTS OBO ITSELF AND CARTER BOYS MUSIC ADMINISTERED, WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND THE ORDER MUSIC (BMI) ALL RIGHTS OBO ITSELF AND THE ORDER MUSIC ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP., VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI) ADMINISTERED BY WARNER-TAMERLANE PUBLISHING CORP / PRODUCED BY NOEL "DETAIL" FISHER, THE ORDER FOR THE ORDER MUSIC, AND BEYONCÉ KNOWLES / VOCALS PRODUCED BY BEYONCÉ KNOWLES / REMIX PRODUCED BY KANYE WEST AND MIKE DEAN / REMIX CONTRIBUTIONS BY KANYE WEST, CYDEL YOUNG, MALIK YUSEF, J. SAKIYA SANDIFER, MIKE DEAN AND NOAH GOLDSTEIN / ADDITIONAL PRODUCTION BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC., JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS, BOOTS, AND NOAH GOLDSTEIN / RECORDED BY STUART WHITE AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT ENGINEERING BY RAMON RIVAS / ALL INSTRUMENTS PERFORMED BY BOOTS / ADDITIONAL BACKGROUND VOCALS BY BOOTS / ADDITIONAL SYNTH SOUNDS BY DEREK DIXIE / REMIX RECORDED BY NOAH GOLDSTEIN / MIX ENGINEERED BY JAMES KRAUSSE, ASSISTANT MIX ENGINEERING BY JUSTIN HERGETT AND TYLER SCOTT / MIX CONSULTED BY DEREK DIXIE / REMIX MIXED BY NOAH GOLDSTEIN, TONY MASERATI, AND STUART WHITE AT NO NAME STUDIOS, MALIBU, CA / ASSISTANT REMIX ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / MASTERED BY MIKE DEAN AT DEAN'S LIST HOUSE OF HITS, SOHO, NYC

    CONTAINS A SAMPLE FROM "FLASHING LIGHTS" AS PERFORMED BY KANYE WEST USED COURTESY OF DEF JAM RECORDS UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES

    JAY Z APPEARS COURTESY OF ROC NATION / KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS/DEF JAM RECORDINGS

  • MAMA, I UNDERSTAND YOUR MANY SLEEPLESS NIGHTS
    WHEN YOU SIT AND YOU THINK ABOUT FATHER
    HOW YOU TRIED TO BE THE PERFECT WIFE
    YOU USED TO DRESS AND FIX YOU HAIR
    THEN YOU'D SMILE THROUGH YOUR TEARS
    IN THE MIRROR YOU WOULD STARE
    AND SAY A PRAYER

    LIKE I WISH HE SAID I'M BEAUTIFUL
    I WISH IT DIDN'T HURT AT ALL
    I DON'T KNOW HOW I GOT HERE
    I WAS ONCE THE ONE WHO HAD HIS HEART
    UNTIL YOU HAD ENOUGH THAN YOU

    TOOK THAT RING OFF
    YOU TOOK THAT RING OFF
    SO TIRED OF THE LIES, TRYING AND FIGHTING AND CRYING
    TOOK THAT RING OFF
    OH NOW THE FUN BEINGS
    DUST YOURSELF OFF AND YOU'LL LOVE AGAIN
    FIND A NEW MAN
    NOW YOU SINE, AND YOU'RE FINE LIKE IT'S MY TIME
    YOU TOOK THAT RING OFF

    MAMA YOU LIVE AND LEARN, THAT'S JUST THE WAY LOVE GOES
    ALWAYS KNOW THAT YOU GOT A DAUGHTER
    THAT'S OH SO PROUD YOU TOOK THE HIGH ROAD

    YOU USED TO DRESS AND FIX YOUR HAIR
    YOU'D ALWAYS SMILE THROUGH YOUR TEARS
    IN THE MIRROR YOU WOULD STARE
    AND SAY A PRAYER

    LIKE I WISH HE SAID I'M BEAUTIFUL
    I WISH THIS DIDN'T HURT AT ALL
    I DON'T KNOW HOW I GOT HERE
    I WAS ONCE THE ONE WHO HAD HIS HEART
    AND THEN YOU HAD ENOUGH AND YOU

    TOOK THAT RING OFF
    YOU TOOK THAT RING OFF
    SO TIRED OF THE LIES AND TRYING, CRYING AND FIGHTING
    TOOK THAT RING OFF
    OH NOW THE FUN BEGINS
    DUST YOURSELF OFF AND YOU'LL LOVE AGAIN
    FIND A NEW MAN
    NOW YOU SHINE, AND YOU'RE FINE LIKE IT'S MY TIME
    YOU TOOK THAT RING OFF

    AFTER ALL YOUR TEARS
    AFTER ALL THAT PAIN'S ALL CLEARED
    AFTER ALL THEM YEARS
    WE CAN START ALL OVER AGAIN MAMA
    NOW IT ALL MAKES SENSE
    LETTING GO IS NEVER THE END MAMA
    WE CAN LOVE AGAIN
    THIS IS WHERE FREEDOM BEGINS MAMA

    SO PUT YOUR LOVE ON TOP
    KEEP ON SHINNING, PUT YOUR LOVE ON TOP
    IT'S YOUR TIME TO PUT YOUR LOVE ON TOP
    EVERYBODY PUT YOUR LOVE ON TOP

    HEY, LOVE ON TOP
    HEY, LOVE ON TOP
    IT'S YOUR TIME TO PUT YOUR LOVE ON TOP, GIRL
    YOU SO FINE, PUT YOUR LOVE ON TOP

    MS. TINA:
    IF YOU'RE GOING THROUGH IT JUST KNOW IT'S CALLED GOING THROUGH IT.
    YOU'RE NOT GOING TO GET STUCK THERE.
    YOU'RE NOT GOING TO DIE, YOU'RE GOING TO SURVIVE.

    WRITTEN BY MICHAEL CAREN, BEYONCÉ KNOWLES, WILLIAM LOBBAN-BEAN, GEOFF EARLY, CHARLES HINSHAW, ADAM AMEZAGA, DEREK DIXIE, STEPHEN BISHOP, HIT-BOY, AND MIKE DEAN / SERIOUS SCRIPTURES/ARTIST PUBLISHING WEST (ASCAP), COOK CLASSICS, ARTIST 101 PUBLISHING GROUP (BMI), HINSHAW PRODUCTIONS/RONDOR MUSIC (ASCAP), STRAIGHT TRIPPIN PUBLISHING (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, DEREK DIXIE PUB INFO, DOWNTOWN MUSIC PUBLISHING (ASCAP) / PRODUCED BY MIKE CAREN AND BEYONCÉ KNOWLES / CO-PRODUCED BY COOK CLASSICS FOR WILL COOK FOR DOUGH / VOCALS PRODUCED BY BEYONCÉ KNOWLES / ADDITIONAL PRODUCTION BY HS87 (HIT-BOY, HAZEBANGA, PREACH BAL4), MIKE DEAN #MWA FOR DEAN'S LIST PRODUCTIONS, ARIEL RECHTSHAID AND DEREK DIXIE / RECORDED BY MIKE CAREN AT MIKE'S HOUSE, LOS ANGELES, CA, AND COOK CLASSICS AT THE CARLYLE, LOS ANGELES, CA / VOCALS RECORDED BY STUART WHITE AT THE RECORD PLANT, LOS ANGELES, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT ENGINEERING BY RAMON RIVAS AND JON SCHACTER / ASSISTANT VOCAL ENGINEERING BY RAMON RIVAS AND JON SCHACTER/ MIXED BY TONY MASERATI AND STUART WHITE AT MIRRORBALL STUDIOS, NORTH HOLLYWOOD, CA AND LE ROYAL MONCEAU, PARIS, FRANCE / ASSISTANT MIXING BY JAMES KRAUSE AND JUSTIN HERGETT / MIX CONSULTING BY DEREK DIXIE / DRUM PROGRAMMING BY MIKE CAREN AND COOK CLASSICS / MASTERED BY DAVE KUTCH AT THE MASTERING PALACE, NYC

    CONTAINS A PORTION OF A SPEECH BY TINA KNOWLES FROM THE 2014 TEXAS WOMEN'S EMPOWERMENT FOUNDATION LEADERSHIP LUNCHEON

  • WRITTEN BY PHARRELL WILLIAMS, BEYONCÉ KNOWLES, JAMES FAUNTLEROY, T.MOSLEY, J.HARMON, JUSTIN TIMBERLAKE, TERIUS NASH / PUBLISHED BY EMI APRIL MUSIC, INC. OBO ITSELF AND MORE WATER FROM NAZARETH (ASCAP), WB MUSIC CORP. (ASCAP) AND OAKLAND 13 MUSIC (ASCAP) ALL RIGHTS ADMINISTERED BY WB MUSIC CORP. OBO ITSELF AND OAKLAND 13 MUSIC, FAUNTLEROY MUSIC/ALMO MUSIC CORP (ASCAP), VB RISING MUSIC PUBLISHING/OLE (ASCAP), JEROME HARMON PUBLISHING (BMI) AND WARNER-TAMERLANE PUBLISHING CORP. (BMI), ADMINISTERED BY WB MUSIC CORP., TENNMAN TUNES (ASCAP)/UNIVERSAL MUSIC - Z TUNES LLC (ASCAP), 2082 MUSIC PUBLISHING (ASCAP) / WB MUSIC CORP. / PRODUCED BY PHARRELL WILLIAMS AND BEYONCÉ KNOWLES / CO-PRODUCED BY TIMBALAND FOR TIMBALAND PRODUCTIONS, INC. AND JEROME HARMON FOR BRONZE AND BRAINZ/TIMBALAND PRODUCTIONS / VOCALS PRODUCED BY BEYONCÉ KNOWLES / RECORDED BY STUART WHITE, CHRIS GODBEY FOR SIDE BY SIDE/JVU ENT., BART SCHOUDEL, AND ANDREW COLEMAN FOR I AM OTHER ENTERTAINMENT AT JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / PHARRELL'S VOCALS RECORDED BY MIKE LARSON / ASSISTANT ENGINEERING BY RAMON RIVAS, ROB SUCHECKI, AND MATT WEBER / DIGITAL EDITING AND ARRANGEMENT BY ANDREW COLEMAN AND STUART WHITE / BACKGROUND VOCALS BY PHARRELL WILLIAMS AND TIMBALAND / HORNS BY KATTY RODRIGUEZ, ADISON EVANS AND CRYSTAL TORRES AND ARRANGED BY DEREK DIXIE / MIXED BY STUART WHITE AT THE MIX ROOM, NORTH HOLLYWOOD, CA / MIX ENGINEERED BY JUSTIN HERGETT, ASSISTED BY JAMES KRAUSSE, PAUL PAVAO AND EDWARD VALLDEJULI / MIX CONSULTED BY DEREK DIXIE / MASTERED BY TOM COYNE AND AYA MERRILL AT STERLING SOUND, NYC

    PHARRELL WILLIAMS APPEARS COURTESY OF COLUMBIA RECORDS A DIVISION OF SONY MUSIC ENTERTAINMENT

  • WRITTEN BY GREG KURSTIN, SIA FURLER, BEYONCÉ KNOWLES, NOEL FISHER, ANDRE ERIC PROCTOR, RASOOL DIAZ AND BRIAN SOKO / PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND KURSTIN MUSIC (ASCAP) / EMI MUSIC PUBLISHING, INC. (ASCAP) / WB MUSIC CORP. O/B/O ITSELF AND OAKLAND 13 MUSIC (ASCAP) / EMI BLACKWOOD MUSIC INC. O/B/O ITSELF AND IF YOU NEED ME, DON'T LEAVE ME (BMI) / WARNER-TAMERLANE PUBLISHING CORP. O/B/O ITSELF AND THE ORDER MUSIC (BMI) / PRODUCED BY GREG KURSTIN / VOCALS PRODUCED BY BEYONCÉ / ADDITIONAL PRODUCTION BY BEYONCÉ KNOWLES AND PHARRELL WILLIAMS / RECORDED BY GREG KURSTIN AT KINGS LANDING, BRIDGEHAMPTON, NY / ASSISTANT ENGINEERING BY ALEX PASCO/ VOCALS RECORDED BY STUART WHITE AT KINGS LANDING, BRIDGEHAMPTON, NY AND JUNGLE CITY STUDIOS & OVEN STUDIOS, NYC / ASSISTANT VOCAL ENGINEERING BY ROB SUCHECKI AND RAMON RIVAS / ALL INSTRUMENTS BY GREG KURSTIN / ADDITIONAL VOCALS BY MR. VEGAS / BACKGROUND VOCALS BY SIA FURLER / MIXED BY CHRIS TABRON / REMIX RECORDED BY STUART WHITE, ROHAN DWYER, AND DEREK DIXIE / ASSISTANT REMIX ENGINEERING BY RAMON RIVAS AND ROB SUCHECKI / MASTERED BY TOM COYNE & AYA MERRILL AT STERLING SOUND, NYC

    REMIX BY CLIFFORD SMITH . CLEVELAND BROWNE . DANNY BROWNE O/B/O MV MUSIC

4 (2011)

4

  • Buy Now
  • BA BA BADA (X7)

    BRING THE BEAT IN

    HONEY HONEY, I CAN SEE THE STARS ALL THE WAY FROM HERE CAN'T YOU SEE THE GLOW ON THE WINDOW PANE I CAN FEEL THE SUN WHENEVER YOU'RE NEAR EVERY TIME YOU TOUCH ME I JUST MELT AWAY

    NOW EVERYBODY ASKS ME WHY I'M SMILING OUT FROM EAR TO EAR THEY SAY LOVE HURTS BUT I KNOW, IT'S GONNA' TAKE A LITTLE WORK OHH, NOTHING'S PERFECT, BUT IT'S WORTH IT AFTER FIGHTIN' THROUGH MY TEARS_AND FINALLY YOU PUT ME FIRST

    BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY ONE I SEE
    COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE I CAN ALWAYS CALL WHEN I NEED YOU MAKE EVERYTHING STOP FINALLY, YOU PUT MY LOVE ON TOP

    OHHH, COME ON BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP YOU PUT MY LOVE ON TOP OHH OHHH, COME ON BABY YOU PUT MY LOVE TOP, TOP, TOP, TOP, TOP PUT MY LOVE ON TOP, PUT MY LOVE ON TOP

    BABY BABY I CAN HEAR THE WIND WHIPPING PAST MY FACE AS WE DANCE THE NIGHT AWAY BOY YOUR LIPS TASTE LIKE A NIGHT OF CHAMPAGNE AS I KISS YOU AGAIN AND AGAIN AND AGAIN AND AGAIN

    NOW EVERYBODY ASKS ME WHY I'M SMILING OUT FROM EAR TO EAR THEY SAY LOVE HURTS BUT I KNOW, IT'S GONNA TAKE A LITTLE WORK OHHH, NOTHINGS PERFECT, BUT IT'S WORTH IT AFTER FIGHTIN' THROUGH MY TEARS AND FINALLY YOU PUT ME FIRST

    BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY ONE I SEE
    COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT I CAN ALWAYS CALL WHEN I NEED TO MAKE EVERYTHING STOP FINALLY, YOU PUT MY LOVE ON TOP

    OHHH, BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP YOU PUT MY LOVE ON TOP OHH OHHH, COME ON BABY YOU PUT MY LOVE ON TOP, TOP, TOP, TOP, TOP PUT MY LOVE ON TOP

    BABY IT'S YOU YOU'RE THE ONE I LOVE YOU'RE THE ONE I NEED YOU'RE THE ONLY THING I SEE
    COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU BABY EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP
    BABY YOU'RE THE ONE THAT I LOVE BABY YOU'RE ALL I NEED YOU'RE THE ONLY ONE I SEE COME ON BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP

    BABY 'CAUSE YOU'RE THE ONE THAT I LOVE BABY YOU'RE THE ONE THAT I NEED YOU'RE THE ONLY MAN I SEE

    BABY, BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP

    BABY 'CAUSE YOU'RE THE ONE THAT I LOVE BABY YOU'RE THE ONE THAT I NEED YOU'RE THE ONLY ONE I SEE

    BABY, BABY IT'S YOU YOU'RE THE ONE THAT GIVES YOUR ALL YOU'RE THE ONE THAT ALWAYS CALLS WHEN I NEED YOU EVERYTHING STOPS FINALLY, YOU PUT MY LOVE ON TOP

    WRITTEN BY BEYONCÉ KNOWLES, TERIUS NASH AND SHEA TAYLOR
PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP)

    PHOTOGRAPHY BY ELLEN VON UNWERTH

    PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR
    RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC AND REAL WORLD STUDIOS, UK

    ASSISTANT ENGINEER: PETE WOLFORD AND SCOTT BARNETT
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
    ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD
    "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)
    ALTO SAXOPHONE BY SHEA TAYLOR
    GUITARS BY ROBERT "R.T." TAYLOR AND PAT THRALL
    DRUMS BY NIKKI GALLESPI

  • YOU A BAD GIRL AND YOUR FRIEND'S BAD TOO, OOH
WE GOT THE SWAG SAUCE, SHE DRIPPIN SWAGU YOU A BAD GIRL AND YOUR FRIEND'S BAD TOO, OOH WE GOT THE SWAG SAUCE, SHE DRIPPIN SWAGU OOH
    I MAY BE YOUNG, BUT I'M READY TO GIVE YOU ALL MY LOVE I TOLD MY GIRLS YOU CAN GET IT DON'T SLOW IT DOWN, JUST LET IT GO

    SO IN LOVE, I'LL GIVE IT ALL AWAY JUST DON'T TELL NOBODY TOMORROW SO TONIGHT, I'LL DO IT EVERY WAY SPEAKERS KNOCKIN' TILL THE MORNING LIGHT
    'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…)'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY

    YOUR TOUCH IS DRIVIN' ME CRAZY, I CAN'T EXPLAIN THE WAY I FEEL TOP DOWN WITH THE RADIO ON AND THE NIGHT BELONGS TO US JUST HOLD ME CLOSE, DON'T LET ME GO
    SO IN LOVE, I DON'T CARE WHAT THEY SAY I DON'T CARE IF THEY TALKIN' TOMORROW 'CAUSE TONIGHT'S THE NIGHT, OH OH OH OH THAT I'LL GIVE YOU EVERYTHING MUSIC KNOCKIN' TILL THE MORNING LIGHT 'CAUSE WE LIKE TO PARTY

    SET THE SCENE ... 3000 DEGREES I AIN'T WORRIED 'BOUT THEM OVER THERE BUT THEY WORRIED 'BOUT ME I GOTTA HOMEBOY NAMED BUTTER AND ANOTHER HOMEBOY THIS NAMED CHEESE WIT' ME BABY, I'LL MAKE IT MILK TILL IT DRIP DOWN YOUR KNEES SPIT THAT ISH FOR REAL-LO
BRAIN BRILLO'D KIDDO SAYS HE LOOKS UP TO ME THIS JUST MAKES ME FEEL OLD NEVER THOUGHT THAT WE COULD BECOME SOMEONE ELSE'S HERO MAN, WE WERE JUST IN THE FOOD COURT EATING OUR GYROS YESTERDAY THAT'S THE WAY EVERY SINGLE MORNING I TRY TO PRAY GRANDMAMMA 'DEM THEY NEVER FORGOT NOTHING ELSE REALLY MEAN NOTHING TO ME I AIN'T STUDDIN' THE BEAT TALKIN' TO ME? GIRL, WHY YOU WIT' ME? MOVE ON AIN'T NUTTIN TO SEE SHHH ALWAYS SUM'N TO SAW I'M THE RAW OF THE RIP 'CAUSE OF HIM ALL OF THEM WILL REMEMBER THE MIN
NUTE THEY FELL IN LOVE WITH RAP BLACK LIKE HAVING YO' COUSIN BACK BLUE LIKE WHEN THEY RENT IS DUE CREAM LIKE WHEN I'M LOVIN' YOU, YEEAAH

    SO IN LOVE, I'LL GIVE IT ALL AWAY JUST DON'T TELL NOBODY TOMORROW 'CAUSE TONIGHT'S THE NIGHT, OH OH OH OH THAT I'LL GIVE YOU EVERYTHING MUSIC KNOCKIN' TILL THE MORNING LIGHT 'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY, AY…. (WE LIKE TO PARTY…) 'CAUSE WE LIKE TO PARTY

    YOU A BAD GIRL AND YOUR FRIENDS' BAD TOO, OOH WE GOT THE SWAG SAUCE SHE DRIPPIN SWAGU YOU A BAD GIRL AND YOUR FRIENDS' BAD TOO, OOH WE GOT THE SWAG SAUCE SHE DRIPPIN SWAGU OOH

    WRITTEN BY K. WEST, JEFF BHASKER, BEYONCÉ KNOWLES, ANDRÉ 3000, DEXTER R. MILLS, DOUGLAS DAVIS AND RICKY WALTERS.
PUBLISHED BY PLEASE GIMME MY PUBLISHING, INC. (BMI) / EMI BLACKWOOD / WAY ABOVE MUSIC (BMI) / SONY/ATV SONGS LLC (BMI) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) / CHRYSALIS MUSIC / WEDONTPLAYEVENWHENWEREPLAYINSONGS (ASCAP) / GET YA FROG ON PUBLISHING (BMI) / JTC ATLANTIC PACIFIC PARTNERS (BMI) / SLICK RICK MUSIC CORP. (BMI)

    PHOTOGRAPHY BY ELLEN VON UNWERTH

    PRODUCED BY BEYONCÉ KNOWLES AND KANYE WEST
    CO-PRODUCED BY JEFF BHASKER

    RECORDED BY ANDREW DAWSON AT AVEX HONOLULU STUDIOS - HONOLULU, HI
VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT KMA STUDIOS AND ROC THE MIC, NYC
    ASSISTANT ENGINEERS: GAYLORD HOLOMALIA, CHRISTIAN MOCHIZUKI, SERGE NUDEL AND EDWIN DELAHOZ
    ANDRÉ 3000'S RAP VERSE RECORDED AT SLUMDRUM AT STRONG MOUNTAIN STUDIO
STONE MOUNTAIN, GA 30087
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD
    BACKGROUND VOCALS BY KANYE WEST AND CONSEQUENCE
    "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE), MORGAN PRICE (TENOR AND BARITONE SAXOPHONE)

    THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "LA DI DA DI" PERFORMED BY DOUG E. FRESH AND THE GET FRESH CREW. WRITTEN BY D. DAVIS AND R. WALTERS, PUBLISHED BY JTC ATLANTIC PACIFIC PARTNERS (BMI)/SLICK RICK MUSIC CORP. (BMI). COURTESY OF DANYA RECORDS LTD.

    KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS, LLC / ISLAND DEF JAM
ANDRÉ 3000 APPEARS COURTESY OF LAFACE RECORDS.

  • THIS IS FOR THEM TWENTY-SOMETHIN'S
 TIME REALLY MOVES FAST YOU WERE JUST SIXTEEN

    THIS IS FOR THEM THIRTY-SOMETHIN'S 
THAT DIDN'T TURN OUT EXACTLY HOW YOUR MOM AND DAD WANTED YOU TO BE

    THIS IS FOR THEM FORTY-SOMETHIN'S 
WELL RAISE UP YOUR GLASS AND LAUGH LIKE A MUTHA

    THIS IS FOR THEM FIFTY-SOMETHIN'S
 HELL YOU'RE HALFWAY THERE BABY TAKE IT TO THE HEAD

    MOM AND DAD TRIED TO HIDE THE WORLD
 SAID THE WORLD'S JUST TOO BIG FOR A LITTLE GIRL
EYES WIDE OPEN, CAN'T YOU SEE 
I HAD MY FIRST HEELS BY THE AGE OF THIRTEEN

    MOM AND DAD TRIED TO HIDE THE BOYS 
I SWEAR THAT JUST MADE 'EM WANT ME MORE
AT FOURTEEN THEY ASKED ME WHAT I WANT TO BE
 I SAID BABY TWENTY-ONE, SO I GET ME A DRINK

    I'M NOT A TEACHER, BABE BUT, I CAN TEACH YOU SOMETHING
 I'M NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA
 AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER 
BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS

    I'M A FREAK ALL DAY, A-A-ALL NIGHT 
HOT TOP FLIGHT, BOY YOU'RE OUTTA SIGHT
 AND I'M CRAZY ALL DAY, A-A-ALL NIGHT 
WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

    OH OH, OH OH, OH-OH OHH OHH
OH OH, OH OH, OH-OH OHH OHH 
SCHOOLIN' LIFE
 OH OH, OH OH, OH-OH OHH OHH
OH OH, OH OH, OH-OH OHH OHH
 SCHOOLIN' LIFE

    THIS IS FOR THEM PRETTY-SOMETHIN'S 
LIVIN IN THE FAST LANE, SEE YOU WHEN YOU CRASH BABE

    THIS IS FOR THEM SEXY-SOMETHIN'S 
THAT BODY AIN'T GON' ALWAYS GET YOU OUT OF EVERYTHING
    THIS IS FOR THEM BITTER-SOMETHIN'S 
STOP LIVIN' IN REGRET, BABY IT'S NOT OVER YET

    THIS IS FOR THEM CHIPPER-SOMETHIN'S 
THAT'S HIGH ON LIFE, BABY PUT ME ON YOUR FLIGHT

    I'M NOT A TEACHER, BABY BUT, I CAN TEACH YOU SOMETHING 
NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA
 AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER
 BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS

    I'M A FREAK ALL DAY, A-A-ALL NIGHT 
HOT TOP TIGHT, BOY I'M OUTTA SIGHT
 AND I'M CRAZY ALL DAY, A-A-ALL NIGHT
 WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

    OH OH, OH OH, OH-OH OHH OHH
 OH OH, OH OH, OH-OH OHH OHH 
SCHOOLIN' LIFE
 OH OH, OH OH, OH-OH OHH OHH
 OH OH, OH OH, OH-OH OHH OHH 
SCHOOLIN' LIFE

    YOU KNOW IT COST TO BE THE BOSS, ONE DAY YOU'LL RUN THE TOWN
 FOR NOT MAKIN' LIFE THAT YOU DECIDE
 BABY PARTY TILL THE FIRE MARSHALL SHUT THIS SUCKA DOWN

    I'M NOT A TEACHER, BABY BUT, I CAN TEACH YOU SOMETHING
 NOT A PREACHER, BUT WE CAN PRAY IF YOU WANNA 
AIN'T A DOCTOR, BUT I CAN MAKE YOU FEEL BETTER
 BUT I'M GREAT AT WRITING PHYSICAL LOVE LETTERS

    I'M A FREAK ALL DAY, A-A-ALL NIGHT
 HOT TOP TIGHT, BOY I'M OUTTA SIGHT
 AND I'M CRAZY ALL DAY, A-A-ALL NIGHT
WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

    OH OH, OH OH, OH-OH OHH OHH
 OH OH, OH OH, OH-OH OHH OHH
 WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE 
OH OH, OH OH, OH-OH OHH OHH 
OH OH, OH OH, OH-OH OHH OHH 
WHO NEEDS A DEGREE WHEN YOU'RE SCHOOLIN' LIFE

    THERE'S NOT A REAL WAY TO LIVE THIS, FOR REAL 
JUST REMEMBER TO STAY RELENTLESS, OH YEAH, OH YEAH
 DON'T STOP RUNNING UNTIL IT'S FINISHED, YEAH YEAH YEAH
IT'S UP TO YOU THE REST IS UNWRITTEN, YEAH, YEAH, YEAH

    WRITTEN BY TERIUS NASH, CARLOS MCKINNEY AND BEYONCÉ KNOWLES, PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING / SONY/ATV MELODY (BMI)

    PRODUCED BY TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
    CO-PRODUCED BY BEYONCÉ KNOWLES AND LOS DA MYSTRO FOR DA MYSTRO MUSIC/MUSIC LINE ENTERTAINMENT, LLC

    RECORDED BY PAT THRALL AND SCOTT NAUGHTON AT THE STUDIO AT THE PALMS, LAS VEGAS, NV
    VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT JUNGLE CITY STUDIOS, NYC
    ASSISTANT ENGINEERS: JASON PATTERSON AND RAMON RIVAS
    MIXED BY JORDAN "DJ SWIVEL" YOUNG AT JUNGLE CITY STUDIOS, NYC
    ASSISTANT ENGINEER: RAMON RIVAS

  • BOY, OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU

    WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU LEAVE ME YOU OUTTA YOUR MIND

    MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE

    THERE'S UPS AND DOWNS IN THIS LOVE GOT A LOT TO LEARN IN THIS LOVE THROUGH THE GOOD AND THE BAD STILL GOT LOVE DEDICATED TO THE ONE I LOVE, HEY

    STILL LOVE THE WAY HE TALKS STILL LOVE THE WAY I SANG STILL LOVE THE WAY HE ROCK THEM BLACK DIAMONDS IN THAT CHAIN STILL ALL UP ON EACH OTHER, AIN'T A DAMN THING CHANGED MY GIRLS CAN'T TELL ME NOTHING I'M A GONE IN THE BRAIN I'M ALL UP UNDER HIM LIKE IT'S COLD, WINTER TIME ALL UP IN THE KITCHEN IN MY HEELS, DINNER TIME DO WHATEVER THAT IT TAKES, YOU GOTTA WIN HIS MIND GIVE IT ALL TO HIM, AND MEET HIM AT THE FINISH LINE

    ME AND MY BOO, AND MY BOO, BOO, RIDIN' ALL UP IN THE BLACK WITH HIS CHICK RIGHT BESIDE HIM LADIES IF YOU LOVE YOUR MAN, SHOW HIM YOU'RE THE FLYEST GRIND UP ON IT GIRL, SHOW HIM HOW YOU RIDE IT (2X)

    OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU

    WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU EVER LEAVE ME YOU'RE OUTTA YOUR MIND

    MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE
    YEP I PUT IT ON 'EM, IT AIN'T NOTHING THAT I CAN'T DO YEP I BUY MY OWN, IF HE DESERVE IT BUY HIS SHIT TOO ALL UP IN THE STORE SHAWTY TRICKIN' IF I WANT TO ALL UP IN THE STORE SHAWTY FLY AS WE WANT TO OOOO, DAMN I THINK I LOVE THAT BOY, DO ANYTHING FOR THAT BOY OOOO, NOW I'LL NEVER BE THE SAME, IT'S YOU AND ME UNTIL THE END

    ME AND MY BOO, AND MY BOO, BOO, RIDIN' ALL UP IN THE BLACK WITH HIS CHICK RIGHT BESIDE HIM LADIES IF YOU LOVE YOUR MAN SHOW HIM YOU'RE THE FLYEST GRIND UP ON IT GIRL, SHOW HIM HOW YOU RIDE IT ME AND MY BOO, AND MY BOO LIP LOCKIN' ALL UP IN THE BACK 'CAUSE THE CHICKS KEEP BLOCKIN' ALL THAT GOSSIP BEEN TEN YEARS STOP IT LONDON SPEED IT UP, HOUSTON ROCK IT

    OHHH KILLING ME SOFTLY AND I'M STILL FALLIN' STILL THE ONE I NEED I WILL ALWAYS BE WITH YOU

    WHOA YOU GOT ME ALL GONE DON'T EVER LET ME GO SAY IT REAL LOUD IF YOU FLY IF YOU EVER LEAVE ME YOU'RE OUTTA YOUR MIND

    MY BABY IS A TEN WE DRESSIN' TO THE NINE HE PICK ME UP WE EIGHT HE MAKE ME FEEL SO LUCKY SEVEN HE KISS ME IN HIS SIX WE BE MAKIN' LOVE IN FIVE STILL THE ONE I DO THIS FOUR I'M TRYING TO MAKE US THREE FROM THA TWO HE'S STILL THE ONE

    WRITTEN BY TERIUS NASH, SHEA TAYLOR, BEYONCÉ KNOWLES, E. DEAN, CAINON LAMB, JULIE FROST, MICHAEL BIVINS, NATHAN MORRIS AND WANYA MORRIS
PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND CAINON'S LAND MUSIC PUBLISHING (ASCAP) AND TOTALLY FAMOUS MUSIC (ASCAP) / PEERMUSIC III, LTD. / 2412 LLC / DAT DAMN DEAN MUSIC (ASCAP) ADMINISTERED BY PEERMUSIC III, LTD. / UNIVERSAL MUSIC CORP. O/B/O ITSELF AND BIV TEN PUBLISHING (ASCAP) / MIKE TEN PUBLISHING INC. (BMI)

    PHOTOGRAPHY BY ELLEN VON UNWERTH

    PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR
CO-PRODUCED BY LAMB FOR LAMTRAK PRODUCTIONS INC.

    RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
    ASSISTANT ENGINEERS: PETE WOLFORD AND RYAN KELLY
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
    ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD
"THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)

    THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "UHH AHH" AS PERFORMED BY BOYZ II MEN. WRITTEN BY MICHAEL BIVINS, NATHAN B. MORRIS AND WANYA J. MORRIS, PUBLISHED BY UNIVERSAL MUSIC CORP. O/B/O ITSELF AND BIV TEN PUBLISHING (ASCAP)/MIKE TEN PUBLISHING INC. (BMI). COURTESY OF MOTOWN RECORDS, UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.

  • I THOUGHT THAT THINGS LIKE THIS GET BETTER WITH TIME
BUT I STILL NEED YOU, WHY IS THAT
YOU'RE THE ONLY IMAGE IN MY MIND
SO I STILL SEE YOU, AROUND

    I MISS YOU, LIKE EVERYDAY
WANNA BE WITH YOU, BUT YOU'RE AWAY
SAID I MISS YOU, MISSING YOU INSANE
BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME

    THE WORDS DON'T EVER SEEM TO COME OUT RIGHT
BUT I STILL MEAN 'EM, WHY IS THAT
IT HURTS MY PRIDE TO TELL YOU HOW I FEEL
BUT I STILL NEED TO, WHY IS THAT

    I MISS YOU, LIKE EVERYDAY
WANNA BE WITH YOU, BUT YOU'RE AWAY
SAID I MISS YOU, MISSING YOU INSANE
BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME

    IT DON'T MATTER WHO YOU ARE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING
NO MATTER WHO YOU LOVE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING

    I MISS YOU, LIKE EVERYDAY
WANNA BE WITH YOU, BUT YOU'RE AWAY
SAID I MISS YOU, MISSING YOU INSANE
BUT IF I GOT WITH YOU, COULD IT FEEL THE SAME

    IT DON'T MATTER WHO YOU ARE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING
NO MATTER WHO YOU LOVE
IT IS SO SIMPLE, A FEELING, BUT IT'S EVERYTHING

    WRITTEN BY FRANK OCEAN, SHEA TAYLOR AND BEYONCÉ KNOWLES PUBLISHED BY HEAVENS RESEARCH (BMI) / BUG MUSIC (BMI) ADMINISTERED BY BUG / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

    PHOTOGRAPHY BY ELLEN VON UNWERTH

    PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR

    RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
    ASSISTANT ENGINEER: GLORIA KABA
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD

  • I JUST WANNA SHOW YOU HOW MUCH I APPRECIATE YOU (YES)
WANNA SHOW YOU HOW MUCH I'M DEDICATED TO YOU (YES) 
WANNA SHOW YOU HOW MUCH I WILL FOREVER BE TRUE (YES) 
WANNA SHOW YOU HOW MUCH YOU GOT YOUR GIRL FEELING GOOD (OH YES)

    WANNA SHOW YOU HOW MUCH, HOW MUCH YOU'RE UNDERSTOOD (OH YES)
WANNA SHOW YOU HOW MUCH I VALUE WHAT YOU SAY
 NOT ONLY ARE YOU LOYAL, YOU'RE PATIENT WITH ME BABE (OH YES)
I WANNA SHOW YOU HOW MUCH I REALLY CARE ABOUT YOUR HEART 
I WANNA SHOW YOU HOW MUCH I HATE BEING APART (OH YES) 
SHOW YA, SHOW YA, SHOW YA TILL YOU'RE THROUGH WITH ME 
I WANNA KEEP IT HOW IT IS, SO YOU COULD NEVER SAY HOW IT USED TO BE

    LOVING YOU, IS REALLY ALL THAT'S ON MY MIND 
AND I CAN'T HELP BUT TO THINK ABOUT IT DAY AND NIGHT 
I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

    TONIGHT I'M GONNA DANCE FOR YOU (OHHH)
 TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT'S GOIN' DOWN

    I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE
 SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON MY BABE
 BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY
 'CAUSE IT'S BOUT TO GO DOWN

    
YOU'LL NEVER NEED TWO, 'CAUSE I WILL BE YOUR NUMBER ONE 
THEM OTHER CHICKS ARE SUPERFICIAL, GLAD I KNOW YOU KNOW I'M THE ONE
 THAT'S WHY I'M ALL INTO YOU, 'CAUSE I CAN RECOGNIZE THAT YOU KNOW THAT
THAT'S WHY I'M BACKIN' THIS THING BACK 
POP, POPPIN' THIS THING BACK, DROP, DROP, DROPPING THIS THING BACK

    THIS IS FOR THE TIME YOU GAVE ME FLOWERS, FOR THE WORLD THAT IS OURS 
FOR THE MOOLAH, FOR THE POWER OF LOVE 
AND NO I WON'T NEVER, EVER, EH, EVER GIVE YOU UP
AND I WANNA SAY THANK YOU IN CASE I DON'T THANK YOU ENOUGH

    A WOMAN IN THE STREET AND A FREAK IN THE YOU KNOW WHAT
 SIT BACK, SIT BACK IT'S THE PRE-GAME SHOW, DADDY YOU KNOW WHAT'S UP

    LOVING YOU, IS REALLY ALL THAT'S ON MY MIND 
AND I CAN'T HELP BUT TO THINK ABOUT IT DAY AND NIGHT
I WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

    TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT'S GOIN' DOWN

    I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE 
I'LL BE SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON YOU BABE
 BABY LET ME PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY
'CAUSE IT'S ABOUT TO GO DOWN

    I'M GONNA TAKE THIS TIME TO SHOW YOU HOW MUCH YOU MEAN TO ME 
'CAUSE YOU ARE ALL I NEED 
NO MONEY CAN EMPHASIZE OR DESCRIBE THE LOVE THAT'S IN BETWEEN THE LINES
 BOY LOOK INTO MY EYES

    WHILE I'M GRINDING ON YOU, THIS IS BEYOND SEX, I'M HIGH ON YOU 
IF IT'S REAL THEN YOU KNOW HOW I FEEL
 ROCKIN' ON YOU BABE, ROCKIN', ROCKIN' ON YOU BABE, SWIRLIN' ON YOU BABE 
IN MY MIND ALL I CAN THINK ABOUT IS A FRAME FOR OUR FUTURE AND THE PICTURES OF THE PAST 
AND THE CHANCE TO MAKE THIS LOVE LAST, OHHH

    TONIGHT I'M GONNA DANCE FOR YOU (OHHH)
 TONIGHT I'M GONNA DANCE FOR YOU (OHHH) 
TONIGHT I'M GONNA PUT MY BODY ON YOUR BODY, BOY I LIKE IT WHEN YOU WATCH ME
AH, TONIGHT IT'S GOIN' DOWN

    I'LL BE ROCKIN' ON MY BABE, ROCKIN', ROCKIN' ON MY BABE 
I'LL BE SWIRLIN' ON MY BABE, SWIRLIN', SWIRLIN' ON YOU BABE
I WANNA PUT MY BODY ON YOUR BODY, PROMISE NOT TO TELL NOBODY 
'CAUSE IT'S ABOUT TO GO DOWN

    WATCH ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY
 DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY
 WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY
 WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

    ME POP IT, POP IT, POP, POP, POP, POP IT FOR YOU BABY 
DROP IT, DROP IT, DROP IT, DROP IT FOR YOU BABY
 WATCH IT, WATCH IT, WATCH IT, WATCH ME THROW IT BABY
 WANNA MAKE THAT BODY ROCK, SIT BACK AND WATCH

    (OHHH….OHHH…..)
 YES, YES, YES, OH YES, OH YES, YES, YES, OH YES

    WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES
PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP) / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

    PRODUCED BY BEYONCÉ KNOWLES, TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. "TRICKY" STEWART FOR REDZONE ENTERTAINMENT

    RECORDED BY BRIAN "B- LUV" THOMAS AND PAT THRALL AT TRIANGLE SOUND STUDIOS IN ATLANTA, GA

    VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
    ASSISTANT ENGINEERS: CHRIS SOPER, NICK BANNS, JASON SHERWOOD AND STEVEN DENNIS
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
    ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD
    GUITARS BY MICHAEL THOMPSON
BASS BY ALEX A1

    PROGRAMMING AND SEQUENCING BY TRICKY STEWART AND TERIUS "THE DREAM" NASH

  • I TOLD YOU HOW YOU HURT ME BABY, BUT YOU DON'T CARE
 NOW I'M CRYING AND DESERTED BABY, BUT YOU DON'T CARE
 AIN'T NOBODY TELL ME THIS IS LOVE, WHEN YOU'RE IMMUNE TO ALL MY PAIN 
I NEED YOU TO TELL ME THIS IS LOVE, YOU DON'T CARE WELL THAT'S OK

    WELL I CARE
 I KNOW YOU DON'T CARE TOO MUCH 
BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…

    OH I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH

    EVER SINCE YOU KNEW YOUR POWER, YOU MADE ME CRY 
AND NOW EVERY TIME OUR LOVE GOES SOUR, YOU WON'T SYMPATHIZE
 YOU SEE THESE TEARS FALLING DOWN TO MY EARS, I SWEAR YOU LIKE WHEN I'M IN PAIN
 I TRY TO TELL YOU ALL MY FEARS, YOU STILL DON'T CARE, THAT'S OK

    WELL I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…

    OH I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH

    BOY MAYBE IF YOU CARED ENOUGH, I WOULDN'T HAVE TO CARE SO MUCH 
WHAT HAPPENED TO OUR TRUST, NOW YOU'RE JUST GIVIN' UP 
YOU USED TO BE SO IN LOVE, NOW YOU DON'T CARE NO MORE

    OOOOOOOOOOO…

    WELL I CARE 
I KNOW YOU DON'T CARE TOO MUCH
 BUT I STILL CARE, LA, LA, LA… BABY, LA, LA, LA…

    OH I CARE 
I KNOW YOU DON'T CARE TOO MUCH 
BUT I STILL CARE, LA, LA, BABY, LA, LA, LA… OHHH

    I STILL CARE (LA, LA, LA….)
 I STILL CARE (LA, LA, LA….)
 I STILL CARE (LA, LA, LA….)

    WRITTEN BY JEFF BHASKER, CHAD HUGO AND BEYONCÉ KNOWLES
PUBLISHED BY SONY/ATV SONGS LLC / WAY ABOVE MUSIC (BMI) / UNIVERSAL MUSIC - CAREERS / RAYNCHASER MUSIC (BMI) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

    PHOTOGRAPHY BY GREG GEX

    PRODUCED BY JEFF BHASKER
    CO-PRODUCED BY BEYONCÉ KNOWLES

    RECORDED BY MITCH KENNY AND JEFF BHASKER AT RECORD PLANT AND ENORMOUS STUDIOS, LA
    VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
    ASSISTANT ENGINEER: RYAN KELLY
    MIXED BY: JORDAN" DJ SWIVEL" YOUNG AT KMA STUDIOS NYC.
    ASSISTED BY: SERGE NUDEL
    DRUMS BY NIKKI GALLESPI
    BARITONE BY DREW SAYERS
    RHYTHM GUITAR BY CHAD HUGO
    BACKGROUND VOCALS BY BILLY KRAVEN
    KEYBOARDS, GUITAR SOLO AND DRUM PROGRAMMING BY JEFF BHASKER

  • BOY YOU'LL BE THE DEATH OF ME
 YOU'RE MY JAMES DEAN
 YOU MAKE ME FEEL LIKE I'M 17
 YOU DRIVE TOO FAST
 YOU SMOKE TOO MUCH 
BUT THAT DON'T MEAN A THING 
CAUSE I'M ADDICTED TO THE RUSH

    'CAUSE I'D RATHER DIE YOUNG 
THAN LIVE MY LIFE WITHOUT YOU
 I'D RATHER NOT LIVE AT ALL
 THAN LIVE MY LIFE WITHOUT YOU
(2X)

    YOU KNOW I'VE BEEN IN LOVE BEFORE
 YOU'RE THE FIRST ONE I EVER SEEN THAT BURNS LIKE GASOLINE
 SO LIGHT A MATCH, TURN OFF THE LIGHTS 
I'M HOLDING ONTO YOU, 'CAUSE THIS MIGHT BE OUR LAST NIGHT

    'CAUSE I'D RATHER DIE YOUNG
 THAN LIVE MY LIFE WITHOUT YOU 
I'D RATHER NOT LIVE AT ALL
 THAN LIVE MY LIFE WITHOUT YOU 
(2X)

    WHAT I'M TELLING YOU 
I'M GIVING YOU MY LIFE, IT'S IN YOUR HANDS 
AND WHAT I'M GONNA DO
 IS BE A WOMAN AND YOU CAN BE A MAN 
AND I WANNA SAY
 NOBODY UNDERSTANDS WHAT WE'VE BEEN THROUGH 
I'D RATHER GIVE UP EVERYTHING
 THAN TO LIVE MY, LIVE MY LIFE WITHOUT YOU, OHHH, OHHH

    'CAUSE I'D RATHER DIE YOUNG
 THAN LIVE MY LIFE WITHOUT YOU 
I'D RATHER NOT LIVE AT ALL 
THAN LIVE MY LIFE WITHOUT YOU
 (2X)

    WRITTEN BY JEFF BHASKER, LUKE STEELE AND BEYONCÉ KNOWLES
PUBLISHED BY SONY/ATV SONGS LLC (BMI) / WAY ABOVE MUSIC (BMI) / SONY/ATV MUSIC PUBLISHING / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP)

    PHOTOGRAPHY BY TONY DURAN

    PRODUCED BY JEFF BHASKER
    CO-PRODUCED BY BEYONCÉ KNOWLES AND LUKE STEELE

    RECORDED BY JEFF BHASKER AT ENORMOUS STUDIOS, LA
VOCALS
    RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND KMA STUDIOS, NYC
    ASSISTANT ENGINEERS: PETE WOLFORD , RYAN KELLY AND SERGE NUDEL
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC
    ASSISTANT ENGINEER: JUSTIN HERGETT AND JON CASTELLI
    MIXED AT RMC STUDIO, LOS ANGELES
    "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE)
    HORNS ARRANGED BY: SHEA TAYLOR
    GUITAR BY LUKE STEELE
    BACKGROUND VOCALS BY LUKE STEELE AND BILLY KRAVEN
    KEYBOARDS AND DRUM PROGRAMMING BY JEFF BHASKER

  • IF I AIN'T GOT NOTHING, I GOT YOU
IF I AIN'T GOT SOMETHING I DON'T GIVE A DAMN, 'CAUSE I GOT IT WITH YOU 
I DON'T KNOW MUCH ABOUT ALGEBRA, BUT I KNOW ONE PLUS ONE EQUALS TWO 
AND IT'S ME AND YOU, THAT'S ALL WE'LL HAVE WHEN THE WORLD IS THROUGH

    'CAUSE BABY WE AIN'T GOT NOTHING WITHOUT LOVE
 DARLING YOU GOT ENOUGH FOR THE BOTH OF US 
SO COME ON BABY
MAKE LOVE TO ME
 WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON'T LET ME GO 
MAKE LOVE TO ME
SO WHEN THE WORLD'S AT WAR, LET OUR LOVE HEAL US ALL
 RIGHT NOW BABY
 MAKE LOVE TO ME, ME, ME, ME, ME
 OHHHH OHHH, MAKE LOVE TO ME

    HEY, I DON'T KNOW MUCH ABOUT GUNS BUT I, I'VE BEEN SHOT BY YOU 
HEY, AND I DON'T KNOW WHEN I'M GON' DIE, BUT I HOPE THAT I'M GON' DIE BY YOU
 HEY, AND I DON'T KNOW MUCH ABOUT FIGHTING BUT I, I KNOW I WILL FIGHT FOR YOU 
HEY, AND JUST WHEN I BALL UP MY FIST I REALIZE THAT I'M LAYING RIGHT NEXT TO YOU

    BABY WE AIN'T GOT NOTHING BUT LOVE 
AND DARLING YOU GOT ENOUGH FOR THE BOTH OF US
 OHHHH MAKE LOVE TO ME
 WHEN MY DAYS LOOK LOW, PULL ME IN CLOSE AND DON'T LET ME GO
MAKE LOVE TO ME 
SO WHEN THE WORLD'S AT WAR, LET OUR LOVE HEAL US ALL 
HELP ME LET DOWN MY GUARD 
MAKE LOVE TO ME, ME, ME, ME, ME
 OHHH OHHH, MAKE LOVE TO ME, ME, ME, ME

    WRITTEN BY TERIUS NASH, CHRISTOPHER STEWART AND BEYONCÉ KNOWLES
PUBLISHED BY: 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) / RZE MUSIC PUBLISHING ADMINISTERED BY UNIVERSAL MUSIC CORP. (ASCAP)

    PHOTOGRAPHY BY TONY DURAN

    PRODUCED BY BEYONCÉ KNOWLES, TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977 AND C. "TRICKY" STEWART FOR REDZONE ENTERTAINMENT

    RECORDED BY PAT THRALL AND BRIAN "B- LUV" THOMAS AT THE STUDIO AT THE PALMS, LAS VEGAS, NV AND TRIANGLE SOUND STUDIOS IN ATLANTA, GA
    VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
    ASSISTANT ENGINEERS: MARK GRAY, JASON SHERWOOD, STEVEN DENNIS AND PETE WOLFORD
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC AT JUNGLE CITY STUDIOS, NYC
    ASSISTANT MIX ENGINEER: VAL BRATHWAITE
    GUITARS BY PETE WOLFORD
    DRUMS BY NIKKI GALLESPI
    STRINGS BY LEE BLASKE

  • COME TAKE MY HAND, I WON'T LET YOU GO 
I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY 
I WILL BE THE ONE TO KISS YOU AT NIGHT 
I WILL LOVE YOU UNTIL THE END OF TIME

    I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO 
LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO

    TAKE YOU AWAY FROM HERE
 THERE'S NOTHING BETWEEN US, BUT SPACE AND TIME 
I'LL BE YOUR OWN LITTLE STAR, LET ME SHINE IN YOUR WORLD 
I'LL BE YOUR OWN LITTLE UNIVERSE, MAKE ME YOUR GIRL

    COME TAKE MY TAKE MY HAND, I WON'T LET YOU GO 
I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY
I WILL BE THE ONE TO KISS YOU AT NIGHT 
I WILL LOVE YOU UNTIL THE END OF TIME

    I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO 
LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO
 SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO

    BABY COME ON GET UP ON IT, SHOW ME THAT YOU REALLY WANT IT 
I WANNA BE THE ONE TO LOVE YOU BABY LET'S GO, LET'S GO 
I WANNA PROVIDE THIS LOVIN' THAT YOUR GIVIN', I AIN'T FRONTIN' IN THIS LOVE OH
 CAN YOU LET ME LOVE YOU FROM YOUR HEAD TO TOE, BABY LET'S GO

    BOY COME TO ME (COME TO ME)
LET ME TURN YOUR RAIN INTO SUN (COME TO ME BABY)
 YOU DON'T HAVE TO WORRY BABY (OH NO)
 I PROMISE I'LL SET YOUR HEART FREE
LET MY LOVE INTO YOUR SOUL, YOU GO, I GO, WE GO, THAT'S ALL SHE WROTE

    SAY, SAY YOU'LL NEV, NEVER…..
CAN'T YOU SEE 
I JUST WANNA LOVE YOU
CAN'T YOU FEEL ME BABE
 I JUST WANNA BE WITH YOU 
I JUST WANT LIVE FOR YOU 
I'LL NEVER LET YOU GO
BRING YOUR LOVE TO ME

    COME TAKE MY TAKE MY HAND, I WON'T LET YOU GO 
I'LL BE YOUR FRIEND, I WILL LOVE YOU SO DEEPLY 
I WILL BE THE ONE TO KISS YOU AT NIGHT 
I WILL LOVE YOU UNTIL THE END OF TIME

    I'LL BE YOUR BABY, I PROMISE NOT TO LET YOU GO 
LOVE YOU LIKE CRAZY, NOW SAY YOU'LL NEVER LET ME GO 
SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO
 SAY YOU'LL NEVER LET ME GO, SAY, SAY YOU'LL NEVER LET ME GO

    WRITTEN BY BEYONCÉ KNOWLES, TERIUS NASH, SHEA TAYLOR, DAVID TAYLOR AND WESLEY PENTZ
PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP)

    PHOTOGRAPHY BY ELLEN VON UNWERTH

    PRODUCED BY BEYONCÉ KNOWLES AND TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
    ADDITIONAL PRODUCTION BY SWITCH AND DIPLO

    RECORDED BY PAT THRALL AT MSR STUDIOS, NYC
    VOCALS RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS, NYC
    ASSISTANT ENGINEERS: CHRIS SOPER AND PETE WOLFORD
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
    ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD
    "THE SUPERPOWER HORNS": COLE KAMEN-GREEN (TRUMPET), JOSIAH WOODSON (TRUMPET), NICK VIDEEN (TENOR AND ALTO SAXOPHONE), DREW SAYERS (TENOR AND BARITONE SAXOPHONE), ALEX ASHER (TROMBONE), JOHNNY BUTLER (TENOR SAXOPHONE)
    BASS GUITAR BY JACK DALEYDALEY

  • GIRLS, WE RUN THIS MUTHA, YEAH (X3)
GIRLS, WE RUN THIS MUTHA, GIRLS 
WHO RUN THE WORLD, GIRLS, (X4)
WHO RUN THIS MUTHA, GIRLS, (X4)
WHO RUN THE WORLD, GIRLS (X4)

    SOME OF THEM MEN THINK THEY FREAK THIS LIKE WE DO BUT NO THEY DON'T 
MAKE YO CHECK COME AT THEY NECK, DISRESPECT US NO THEY WON'T
BOY DON'T EVEN TRY TO TOUCH THIS, BOY THIS BEAT IS CRAZY
THIS IS HOW THEY MADE ME, HOUSTON TEXAS BABY

    THIS GOES OUT TO ALL MY GIRLS THAT'S IN THE CLUB ROCKIN' THE LATEST
 WHO WILL BUY IT FOR THEMSELVES AND GET MORE MONEY LATER

    I THINK I NEED A BARBER, NONE OF THESE CAN FADE ME 
I'M SO GOOD WITH THIS, I REMIND YOU I'M SO HOOD WITH THIS

    BOY I'M JUST PLAYIN'
COME HERE BABY 
HOPE YOU STILL LIKE ME
F U PAY ME

    MY PERSUASION CAN BUILD A NATION
 ENDLESS POWER WITH OUR LOVE WE CAN DEVOUR
YOU'LL DO ANYTHING FOR ME

    WHO RUN THE WORLD, GIRLS (X5) 
WHO RUN THIS MUTHA, GIRLS (X4)
WHO RUN THE WORLD, GIRLS (X4)

    IT'S HOT UP IN HERE DJ DON'T BE SCARED TO RUN THIS RUN THIS BACK 
I'M REPPIN' FOR THE GIRLS WHO TAKIN' OVER THE WORLD
HELP ME RAISE A GLASS FOR THE COLLEGE GRADS

    41 ROLLIN' TO LET YOU KNOW WHAT TIME IT IS, CHECK
 YOU CAN'T HOLD ME I WORK MY 9 TO 5 BETTA CUT MY CHECK

    THIS GOES OUT TO ALL THE WOMEN GETTIN' IT IN YOU ON YO GRIND 
TO ALL THE MEN THAT RESPECT WHAT I DO PLEASE ACCEPT MY SHINE

    BOY YOU KNOW YOU LOVE IT HOW WE SMART ENOUGH TO MAKE THESE MILLIONS, STRONG ENOUGH TO BARE THE CHILDREN, THEN GET BACK TO BUSINESS

    SEE, YOU BETTER NOT PLAY ME
OH COME HERE BABY
 HOPE YOU STILL LIKE ME
F U PAY ME

    MY PERSUASION CAN BUILD A NATION
EN DLESS POWER WITH OUR LOVE WE CAN DEVOUR
YOU'LL DO ANYTHING FOR ME

    WHO RUN THE WORLD, GIRLS (X5) 
WHO RUN THIS MUTHA, GIRLS (X4)
 WHO RUN THE WORLD, GIRLS (X4)

    WHO ARE WE, WHAT WE RUN, THE WORLD
 WHO RUN THIS MUTHA, YEAH 
WHO ARE WE, WHAT WE RUN, THE WORLD
 WHO RUN THIS MUTHA, YEAH
 WHO ARE WE, WHAT DO WE RUN, WE RUN THE WORLD
 WHO RUN THIS MUTHA, YEAH
 WHO ARE WE, WHAT WE RUN, WE RUN THE WORLD 
WHO RUN THE WORLD....GIRLS

    WRITTEN BY TERIUS NASH, BEYONCÉ KNOWLES, WESLEY PENTZ, DAVID TAYLOR, ADIDJA PALMER AND NICK VAN DE WALL
PUBLISHED BY 2082 MUSIC PUBLISHING (ASCAP) ADMINISTERED BY WB MUSIC CORP. / EMI APRIL MUSIC INC. O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) AND SWITCH WERD MUSIC (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING O/B/O / I LIKE TURTLES (ASCAP) / MUSIC BY TAFARI, INC. (BMI) O/B/O JACK RUSSELL MUSIC / THE ROYALTY NETWORK, INC. O/B/O TALPA MUSIC C/O TENYOR MUSIC (BMI)

    PHOTOGRAPHY BY GREG GEX

    PRODUCED BY SWITCH AND TERIUS "THE-DREAM" NASH FOR RADIOKILLANATION.COM SINCE 1977
    CO-PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR

    RECORDED BY JORDAN "DJ SWIVEL" YOUNG AND PAT THRALL AT MSR STUDIOS, NEW YORK, NY
    ASSISTANT ENGINEER: PETE WOLFORD
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
    ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD

    THIS TRACK CONTAINS A SAMPLE OF THE RECORDING "PON DE FLOOR," AS PERFORMED BY MAJOR LAZER. WRITTEN BY NICK VAN DE WALL, ADIDJA PALMER, WESLEY PENTZ, AND DAVID TAYLOR. PUBLISHED BY EMI APRIL MUSIC INC. O/B/O ITSELF AND SWITCH WERD MUSIC (ASCAP) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING OBO I LIKE TURTLES MUSIC (ASCAP) / MUSIC BY TAFARI, INC. (BMI) O/B/O JACK RUSSELL MUSIC LTD. (PRS) / TENYOR MUSIC (BMI). COURTESY OF DOWNTOWN RECORDS, LLC AND INTERSCOPE RECORDS, UNDER LICENSE FROM UNIVERSAL MUSIC ENTERPRISES. USED BY PERMISSION. ALL RIGHTS RESERVED.

  • WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY
 WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY, I SAY
 WHAT GOES AROUND, COMES BACK AROUND, HEY, MY BABY 
WHAT GOES AROUND, COMES BACK AROUND

    THERE WAS A TIME I THOUGHT, THOUGHT YOU DID EVERYTHING RIGHT
 NO LIES, NO WRONG, BOY I, MUST HAVE BEEN OUTTA MY MIND 
SO WHEN I THINK OF THE TIME THAT I ALMOST LOVED YOU 
YOU SHOWED YOUR ASS AND I, I SAW THE REAL YOU 
THANK GOD YOU BLEW IT, THANK GOD I DODGED A BULLET 
I'M SO OVER YOU, SO BABY GOOD LOOKIN' OUT

    I WANTED YOU BAD, I'M SO THROUGH WITH THAT 
'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
YOU TURNED OUT TO BE THE BEST THING I NEVER HAD
 AND I'M GON' ALWAYS BE THE BEST THING YOU NEVER HAD
 OH YEAH, I BET IT SUCKS TO BE YOU RIGHT NOW

    SO SAD, YOU'RE HURT, BOO HOO, OH DID YOU EXPECT ME TO CARE
 YOU DON'T DESERVE MY TEARS, I GUESS THAT'S WHY THEY AIN'T THERE 
WHEN I THINK THAT THERE WAS A TIME THAT I ALMOST LOVED YOU
YOU SHOWED YOUR ASS AND BABY YES I SAW THE REAL YOU
 THANK GOD YOU BLEW IT, THANK GOD I DODGED A BULLET 
I'M SO OVER YOU, BABY GOOD LOOKIN' OUT

    I WANTED YOU BAD, I'M SO THROUGH WITH THAT
 'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
I SAID YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
AND I'LL NEVER BE THE BEST THING YOU NEVER HAD 
OH BABY I BET IT SUCKS TO BE YOU RIGHT NOW

    I KNOW YOU WANT ME BACK
 IT'S TIME TO FACE THE FACTS THAT I'M THE ONE THAT GOT AWAY 
LORD KNOWS THAT IT WILL TAKE ANOTHER PLACE, ANOTHER TIME, ANOTHER WORLD, ANOTHER LIFE
 THANK GOD I FOUND THE GOOD IN GOODBYE

    I USED TO WANT YOU SO BAD, I'M SO THROUGH WITH THAT 
'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
OH YOU TURNED OUT TO BE THE BEST THING I NEVER HAD
 AND I WILL ALWAYS BE THE BEST THING YOU NEVER HAD 
OOOH BEST THING YOU NEVER HAD

    I USED TO WANT YOU SO BAD, I'M SO THROUGH WITH THAT 
'CAUSE HONESTLY YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
OH YOU TURNED OUT TO BE THE BEST THING I NEVER HAD 
OOOH I WILL NEVER BE THE BEST THING YOU NEVER HAD
 OH BABY, I BET IT SUCKS TO BE YOU RIGHT NOW

    WHAT GOES AROUND, COMES BACK AROUND
 WHAT GOES AROUND, COMES BACK AROUND
 BET IT SUCKS TO BE YOU RIGHT NOW
 WHAT GOES AROUND, COMES BACK AROUND 
I BET IT SUCKS TO BE YOU RIGHT NOW
 WHAT GOES AROUND, COMES BACK AROUND 
I BET IT SUCKS TO BE YOU RIGHT NOW

    WRITTEN BY KENNY "BABYFACE" EDMONDS, ANTONIO DIXON, PATRICK "J.QUE" SMITH, BEYONCÉ KNOWLES, SHEA TAYLOR, LARRY GRIFFIN, JR. AND CALEB MCCAMPBELL
PUBLISHED BY FAZE 2 MUSIC ADMINISTERED BY SONGS OF UNIVERSAL, INC. (BMI) / MUZIK / EMI APRIL MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND / B-DAY PUBLISHING (ASCAP) / CHRISTOPHER MATTHEW MUSIC / HITCO MUSIC PUBLISHING (BMI) / DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / ROC NATION MUSIC O/B/O VOHNDEE'S SOUL PUBLISHING ADMINISTERED BY / EMI APRIL MUSIC INC. (ASCAP)

    PHOTOGRAPHY BY ELLEN VON UNWERTH

    PRODUCED BY BEYONCÉ KNOWLES, BABYFACE, ANTONIO DIXON, SHEA TAYLOR AND S1 AND CALEB FOR SOUL KONTROLLAZ PRODUCTIONS, INC. / VERY GOOD BEATS, INC.

    RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND KMA STUDIOS, NYC
    ASSISTANT ENGINEERS: PETE WOLFORD, SERGE NUDEL AND GLORIA KABA
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC
    ASSISTANT MIX ENGINEER: VAL BRATHWAITE
    MIXED AT JUNGLE CITY STUDIOS, NYC
    GUITAR BY ROB SUCHECKI

  • I FEEL WEAK
WE'VE BEEN HERE BEFORE 
'CAUSE I FEEL WE KEEP GOIN' BACK AND FORTH 
MAYBE IT'S OVER, MAYBE WE'RE THROUGH
BUT I HONESTLY CAN SAY I STILL LOVE YOU

    MAYBE WE'VE REACHED THE MOUNTAIN PEAK
 AND THERE'S NO MORE LEFT TO CLIMB 
AND MAYBE WE LOST THE MAGIC PIECE
AND WE'RE BOTH TOO BLIND TO FIND

    LET'S START OVER
LET'S GIVE LOVE THEIR WINGS 
LET'S START OVER
 STOP FIGHTING 'BOUT THE SAME OLD THING

    LET'S START OVER
WE CAN'T LET OUR GOOD LOVE DIE
 MAYBE WE CAN START ALL OVER
 GIVE LOVE ANOTHER LIFE

    I CAN SEE THAT WE'RE NOT HAPPY HERE
 SO WHY WOULD WE KEEP PRETENDING WHEN THERE'S NOTHING THERE
 MAYBE YOU LIKE IT, WELL I DON'T
 AND MAYBE YOU'LL SETTLE, WELL I WON'T

    MAYBE WE'VE REACHED THE MOUNTAIN PEAK
 AND THERE'S NO MORE LEFT TO CLIMB
 AND MAYBE WE LOST THE MAGIC PIECE 
AND WE'RE BOTH TOO BLIND TO FIND

    LET'S START OVER 
LET'S GIVE LOVE THEIR WINGS 
LET'S START OVER
 STOP FIGHTING 'BOUT THE SAME OLD THING

    LET'S START OVER 
WE CAN'T LET OUR GOOD LOVE DIE
 MAYBE WE CAN START ALL OVER 
AND GIVE LOVE ANOTHER LIFE

    I KNOW THAT THIS WILL HURT YOU, I KNOW YOU'LL CRY
 I KNOW I CALLED YOU SELFISH, BUT THAT'S A LIE
I FEEL I KNOW WHAT'S BEST FOR US
 LET'S

    START OVER 
AND LET'S GIVE LOVE THEIR WINGS
 LET'S START OVER
 I'M TIRED OF FIGHTING 'BOUT THE SAME OLD THING

    LET'S START OVER
 WE BOTH KNOW THAT THIS LOVE WON'T DIE
 MAYBE WE CAN START ALL OVER
 AND GIVE LOVE ANOTHER LIFE

    WRITTEN BY SHEA TAYLOR, BEYONCÉ KNOWLES AND E. DEAN
PUBLISHED BY DLJ SONGS / DOWNTOWN MUSIC PUBLISHING (ASCAP) / EMI APRIL MUSIC INC. (ASCAP) O/B/O ITSELF AND B-DAY PUBLISHING (ASCAP) PEERMUSIC III, LTD. / 2412 LLC / DAT DAMN DEAN MUSIC (ASCAP) ADMINISTERED BY PEERMUSIC III, LTD.

    PHOTOGRAPHY BY TONY DURAN

    PRODUCED BY BEYONCÉ KNOWLES AND SHEA TAYLOR

    RECORDED BY JORDAN "DJ SWIVEL" YOUNG AT MSR STUDIOS AND JUNGLE CITY STUDIOS, NYC
    ASSISTANT ENGINEER: PETE WOLFORD AND RAMON RIVAS
    MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
    ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD

  • I WANNA LEAVE MY FOOTPRINTS ON THE SANDS OF TIME
 KNOW THERE WAS SOMETHIN' THAT, SOMETHIN' THAT I LEFT BEHIND 
WHEN I LEAVE THIS WORLD, I'LL LEAVE NO REGRETS
 LEAVE SOMETHIN' TO REMEMBER, SO THEY WON'T FORGET

    I WAS HERE, I LIVED, I LOVED
 I WAS HERE, I DID, I'VE DONE
 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WILL LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE

    I WANNA SAY I LIVED EACH DAY UNTIL I DIE 
AND KNOW THAT I MEANT SOMETHIN' IN SOMEBODY'S LIFE
 THE HEARTS I HAVE TOUCHED, WILL BE THE PROOF THAT I LEAVE
 THAT I MADE A DIFFERENCE AND THIS WORLD WILL SEE

    I WAS HERE, I LIVED, I LOVED 
I WAS HERE, I DID, I'VE DONE
 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WILL LEAVE MY MARK SO EVERYONE WILL KNOW 
I WAS HERE, I LIVED, I LOVED 
I WAS HERE, I DID, I'VE DONE

 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WILL LEAVE MY MARK SO EVERYONE WILL KNOW I WAS HERE

    I JUST WANT THEM TO KNOW, THAT I GAVE MY ALL, DID MY BEST
 BROUGHT SOMEONE SOME HAPPINESS
LEFT THIS WORLD A LITTLE BETTER JUST BECAUSE I WAS HERE

    I WAS HERE, I LIVED, I LOVED 
I WAS HERE, I DID, I'VE DONE
 EVERYTHING THAT I'VE WANTED AND IT WAS MORE THAN I THOUGHT IT WOULD BE 
I WANNA LEAVE MY MARK SO EVERYONE WILL KNOW 
I WAS HERE, I LIVED, (I LIVED), I LOVED 
I WAS HERE, I DID, (I DID), I'VE DONE 
I WAS HERE, I LIVED, (I LIVED), I LOVED (I LOVED)
 I WAS HERE, I DID, I'VE DONE, I WAS HERE

    WRITTEN BY DIANE WARREN
    PUBLISHED BY REALSONGS (ASCAP)

    PHOTOGRAPHY BY GREG GEX

    PRODUCED BY RYAN TEDDER AND BRENT KUTZLE FOR PATRIOT ENTERTAINMENT, LLC
    VOCAL PRODUCED BY BEYONCÉ KNOWLES AND KUK HARRELL

    RECORDED BY RYAN TEDDER AND BRENT KUTZLE AT PATRIOT STUDIOS (DENVER, CO), BOSTON HARBOR HOTEL (BOSTON, MA) AND LEAR 60/G2 STUDIOS
    VOCALS RECORDED BY KUK HARRELL AT CONWAY RECORDING STUDIOS, HOLLYWOOD, CA
    ASSISTANT ENGINEERS: SMITH CARLSON, ERIC AYLANDS AND JON SHER
MIXED BY SERBAN GHENEA AT MIXSTAR STUDIOS, VIRGINIA BEACH, VA
    ENGINEER FOR MIX: JOHN HANES
    ASSISTANT MIX ENGINEER: PHIL SEAFORD
    DRUMS BY RYAN TEDDER
    CELLO AND GUITAR BY BRENT KUTZLE
    PIANO AND ALL ADDITIONAL PROGRAMMING BY RYAN TEDDER AND BRENT KUTZLE
    BACKGROUND VOCALS BY BEYONCÉ KNOWLES AND RYAN TEDDER

I Am... Sasha Fierce (2008)

I Am... Sasha Fierce

  • Buy Now
  • IF I WERE A BOY
    EVEN JUST FOR A DAY
    I'D ROLL OUTTA BED IN THE MORNING
    AND THROW ON WHAT I WANTED THEN GO
    DRINK BEER WITH THE GUYS
    AND CHASE AFTER GIRLS
    I'D KICK IT WITH WHO I WANTED
    AND I'D NEVER GET CONFRONTED FOR IT
    'CAUSE THEY'D STICK UP FOR ME

    IF I WERE A BOY
    I THINK I COULD UNDERSTAND
    HOW IT FEELS TO LOVE A GIRL
    I SWEAR I'D BE A BETTER MAN
    I'D LISTEN TO HER
    'CAUSE I KNOW HOW IT HURTS
    WHEN YOU LOSE THE ONE YOU WANTED
    'CAUSE HE'S TAKEN YOU FOR GRANTED
    AND EVERYTHING YOU HAD GOT DESTROYED

    IF I WERE A BOY
    I WOULD TURN OFF MY PHONE
    TELL EVERYONE IT'S BROKEN
    SO THEY'D THINK THAT I WAS SLEEPIN' ALONE
    I'D PUT MYSELF FIRST AND MAKE THE RULES AS I GO
    'CAUSE I KNOW THAT SHE'D BE FAITHFUL
    WAITIN' FOR ME TO COME HOME (TO COME HOME)

    IF I WERE A BOY
    I THINK I COULD UNDERSTAND
    HOW IT FEELS TO LOVE A GIRL
    I SWEAR I'D BE A BETTER MAN
    I'D LISTEN TO HER
    'CAUSE I KNOW HOW IT HURTS
    WHEN YOU LOSE THE ONE YOU WANTED (WANTED)
    'CAUSE HE'S TAKEN YOU FOR GRANTED (GRANTED)
    AND EVERYTHING YOU HAD GOT DESTROYED

    IT'S A LITTLE TOO LATE FOR YOU TO COME BACK
    SAY IT'S JUST A MISTAKE
    THINK I'D FORGIVE YOU LIKE THAT
    IF YOU THOUGHT I WOULD WAIT FOR YOU
    YOU THOUGHT WRONG

    BUT YOU'RE JUST A BOY
    YOU DON'T UNDERSTAND
    YEAH YOU DON'T UNDERSTAND (OHH)
    HOW IT FEELS TO LOVE A GIRL SOMEDAY
    YOU'LL WISH YOU WERE A BETTER MAN
    YOU DON'T LISTEN TO HER
    YOU DON'T CARE HOW IT HURTS
    UNTIL YOU LOSE THE ONE YOU WANTED
    'CAUSE YOU'VE TAKEN HER FOR GRANTED
    AND EVERYTHING YOU HAVE GOT DESTROYED
    BUT YOU'RE JUST A BOY

    WRITTEN BY TOBY GAD, BC JEAN
    PUBLISHED BY CHERRY LANE ON BEHALF OF GAD SONGS AND LIEDELA MUSIC (ASCAP), BC JEAN (BMI)

    PRODUCED BY TOBY GAD AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY TOBY GAD AT ROC THE MIC STUDIOS, NEW YORK, NY, STRAWBERRYBEE PRODUCTIONS, NEW YORK, NY AND AT GAD STUDIOS, IBIZA, SPAIN.
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    ALL INSTRUMENTS AND ARRANGEMENT BY TOBY GAD
    LIVE DRUMS BY JENS GAD
    ADDITIONAL DRUMS AND GUITAR BY SYIENCE FOR STAYFRESH MUSIC/ROKKWORLD MUSIC GROUP
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • REMEMBER THOSE WALLS I BUILT
    WELL BABY THEY'RE TUMBLING DOWN
    AND THEY DIDN'T EVEN PUT UP A FIGHT
    THEY DIDN'T EVEN MAKE A SOUND
    I FOUND A WAY TO LET YOU IN
    BUT I NEVER REALLY HAD A DOUBT
    STANDING IN THE LIGHT OF YOUR HALO
    I GOT MY ANGEL NOW

    IT'S LIKE I'VE BEEN AWAKENED
    EVERY RULE I HAD YOU BREAKIN'
    IT'S THE RISK THAT I'M TAKIN'
    I AIN'T EVER GONNA SHUT YOU OUT

    EVERYWHERE I'M LOOKING NOW
    I'M SURROUNDED BY YOUR EMBRACE
    BABY I CAN SEE YOUR HALO
    YOU KNOW YOU'RE MY SAVING GRACE
    YOU'RE EVERYTHING I NEED AND MORE
    IT'S WRITTEN ALL OVER YOUR FACE
    BABY I CAN FEEL YOUR HALO
    PRAY IT WON'T FADE AWAY

    I CAN FEEL YOUR HALO (HALO, HALO)
    I CAN SEE YOUR HALO (HALO, HALO)
    I CAN FEEL YOUR HALO (HALO, HALO)
    I CAN SEE YOUR HALO (HALO, HALO)

    HIT ME LIKE A RAY OF SUN
    BURNING THROUGH MY DARKEST NIGHT
    YOU'RE THE ONLY ONE THAT I WANT
    THINK I'M ADDICTED TO YOUR LIGHT
    I SWORE I'D NEVER FALL AGAIN
    BUT THIS DON'T EVEN FEEL LIKE FALLING
    GRAVITY CAN'T BEGIN
    TO PULL ME BACK TO THE GROUND AGAIN

    IT'S LIKE I'VE BEEN AWAKENED
    EVERY RULE I HAD YOU BREAKIN'
    IT'S THE RISK THAT I'M TAKIN'
    I AIN'T EVER GONNA SHUT YOU OUT

    EVERYWHERE I'M LOOKING NOW
    I'M SURROUNDED BY YOUR EMBRACE
    BABY I CAN SEE YOUR HALO
    YOU KNOW YOU'RE MY SAVING GRACE
    YOU'RE EVERYTHING I NEED AND MORE
    IT'S WRITTEN ALL OVER YOUR FACE
    BABY I CAN FEEL YOUR HALO
    PRAY IT WON'T FADE AWAY

    I CAN FEEL YOUR HALO (HALO, HALO)
    I CAN SEE YOUR HALO (HALO, HALO)
    I CAN FEEL YOUR HALO (HALO, HALO)
    I CAN SEE YOUR HALO (HALO, HALO)
    (2X)

    HALO, OHHH…

    EVERYWHERE I'M LOOKING NOW
    I'M SURROUNDED BY YOUR EMBRACE
    BABY I CAN SEE YOUR HALO
    YOU KNOW YOU'RE MY SAVING GRACE
    YOU'RE EVERYTHING I NEED AND MORE
    IT'S WRITTEN ALL OVER YOUR FACE
    BABY I CAN FEEL YOUR HALO
    PRAY IT WON'T FADE AWAY

    I CAN FEEL YOUR HALO (HALO, HALO)
    I CAN SEE YOUR HALO (HALO, HALO)
    I CAN FEEL YOUR HALO (HALO, HALO)
    I CAN SEE YOUR HALO (HALO, HALO)
    (2X)

    HALO, OHHH…

    WRITTEN BY BEYONCÉ KNOWLES, RYAN TEDDER, E. KIDD BOGART
    PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), WRITE 2 LIVE (ASCAP) ADMINISTERED WORLDWIDE BY KOBALT MUSIC PUBLISHING, HERE'S LOOKIN' AT YOU KIDD MUSIC (BMI) ADMIN. BY SONY ATV/SONGS, MUSIC LLC (BMI)

    PRODUCED BY RYAN TEDDER AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    ARRANGEMENT BY RYAN TEDDER

    RECORDED BY RYAN TEDDER, ASSISTED BY CHRISTIAN BAKER AT MANSFIELD STUDIOS, LOS ANGELES, CA, GERMANO STUDIOS, NEW YORK, NY AND ROC THE MIC STUDIOS, NEW YORK, NY
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    ALL INSTRUMENTS BY RYAN TEDDER
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • IF I BEGGED AND IF I CRIED
    WOULD IT CHANGE THE SKY TONIGHT
    WOULD IT GIVE ME SOME LIGHT
    SHOULD I WAIT FOR YOU TO CALL
    IS THERE ANY HOPE AT ALL
    ARE YOU DRIFTING BY

    WHEN I THINK ABOUT IT
    I KNOW THAT I WAS NEVER THERE
    OR EVEN CARED
    THE MORE I THINK ABOUT IT
    THE LESS THAT I WAS ABLE TO SHARE
    WITH YOU
    I TRY TO REACH YOU I
    CAN ALMOST FEEL YOU
    YOU'RE NEARLY HERE AND THEN
    YOU DISAPPEAR, YOU DISAPPEAR

    AND WHEN I LIE ALL BY MYSELF
    I SEE YOUR FACE AND I HEAR YOUR VOICE
    MY HEART STAYS FAITHFUL
    AND TIME HAS COME AND TIME HAS PASSED
    IF IT'S GOOD IT'S GOT TO LAST
    IT FELT SO RIGHT

    WHEN I THINK ABOUT IT
    I KNOW THAT I WAS NEVER THERE
    OR EVEN CARED
    THE MORE I THINK ABOUT IT
    THE LESS THAT I WAS ABLE TO SHARE
    WITH YOU
    I TRY TO REACH YOU I
    CAN ALMOST FEEL YOU
    YOU'RE NEARLY HERE AND THEN
    YOU DISAPPEAR, YOU DISAPPEAR

    I MISSED ALL THE SIGNS
    ONE AT A TIME
    YOU WERE READY
    WHAT DID I KNOW
    STARTING OUR LIVES
    NOW MY LOVE I'M READY TO SHOW

    WHEN I THINK ABOUT IT
    I KNOW THAT I WAS NEVER THERE
    OR EVEN CARED
    THE MORE I THINK ABOUT IT
    THE LESS THAT I WAS ABLE TO SHARE
    WITH YOU
    I TRY TO REACH YOU I
    CAN ALMOST FEEL YOU
    YOU'RE NEARLY HERE AND THEN
    YOU DISAPPEAR, YOU DISAPPEAR

    YOU DISAPPEAR
    YOU DISAPPEAR
    DISAPPEAR

    WRITTEN BY AMANDA GHOST , HUGO CHAKRABONGSE, DAVE MCCRACKEN, IAN DENCH, BEYONCÉ KNOWLES
    PUBLISHED BY AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY THE ROYALTY NETWORK (BMI), DAVID PLATZ MUSIC ADMIN. BY THE ROYALTY NETWORK (BMI), UNIVERSAL MUSIC PUBLISHING ON BEHALF OF MGB LIMITED (ASCAP), IAN DENCH MUSIC ADMIN. BY SONGS OF KOBALT MUSIC PUBLISHING (BMI), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY AMANDA GHOST, DAVE MCCRACKEN AND IAN DENCH FOR GHOST PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY MARCOS TOVAR AND JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • YOU'RE EVERYTHING I THOUGHT YOU NEVER WERE
    AND NOTHING LIKE I THOUGHT YOU COULD HAVE BEEN
    BUT STILL YOU LIVE INSIDE OF ME
    SO TELL ME HOW IS THAT
    YOU'RE THE ONLY ONE I WISH I COULD FORGET
    THE ONLY ONE I LOVE TO NOT FORGIVE
    AND THOUGH YOU BREAK MY HEART
    YOU'RE THE ONLY ONE
    AND THOUGH THERE ARE TIMES WHEN I HATE YOU
    'CAUSE I CAN'T ERASE
    THE TIMES THAT YOU HURT ME AND PUT TEARS ON MY FACE
    AND EVEN NOW WHILE I HATE YOU IT PAINS ME TO SAY
    I KNOW I'LL BE THERE AT THE END OF THE DAY

    I DON'T WANNA BE WITHOUT YOU BABE
    I DON'T WANT A BROKEN HEART
    DON'T WANNA TAKE A BREATH WITHOUT YOU BABE
    I DON'T WANNA PLAY THAT PART
    I KNOW THAT I LOVE YOU
    BUT LET ME JUST SAY
    I DON'T WANNA LOVE YOU IN NO KINDA WAY
    NO NO
    I DON'T WANT A BROKEN HEART
    AND I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
    NO NO
    NO BROKEN-HEARTED GIRL
    I'M NO BROKEN-HEARTED GIRL

    THERE'S SOMETHING THAT I FEEL I NEED TO SAY
    UP 'TIL NOW I'VE ALWAYS BEEN AFRAID
    THAT YOU WOULD NEVER COME AROUND
    AND STILL I WANNA PUT THIS OUT
    YOU SAY YOU GOT THE MOST RESPECT FOR ME
    BUT SOMETIMES I FEEL YOUR NOT DESERVING OF ME
    AND STILL YOU'RE IN MY HEART
    BUT YOU'RE THE ONLY ONE

    AND YES THERE ARE TIMES WHEN I HATE YOU BUT I DON'T COMPLAIN
    'CAUSE I'VE BEEN AFRAID THAT YOU WOULD WALK AWAY
    OH BUT NOW I DON'T HATE YOU
    I'M HAPPY TO SAY
    THAT I WILL BE THERE AT THE END OF THE DAY

    I DON'T WANNA BE WITHOUT YOU BABE
    I DON'T WANT A BROKEN HEART
    DON'T WANNA TAKE A BREATH WITHOUT YOU BABE
    I DON'T WANNA PLAY THAT PART
    I KNOW THAT I LOVE YOU
    BUT LET ME JUST SAY
    I DON'T WANNA LOVE YOU IN NO KINDA WAY
    NO NO
    I DON'T WANT A BROKEN HEART
    AND I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
    NO NO
    NO BROKEN-HEARTED GIRL

    NOW I'M AT A PLACE I THOUGHT I'D NEVER BE (OOH)
    I'M LIVING IN A WORLD THAT ALL ABOUT YOU AND ME (YEAH)
    AIN'T GOTTA BE AFRAID MY BROKEN HEART IS FREE
    TO SPREAD MY WINGS AND FLY AWAY
    AWAY WITH YOU
    YEAH YEAH YEAH

    I DON'T WANNA BE WITHOUT MY BABY
    I DON'T WANT A BROKEN HEART
    DON'T WANNA TAKE A BREATH WITHOUT MY BABY
    I DON'T WANNA PLAY THAT PART
    I KNOW THAT I LOVE YOU
    BUT LET ME JUST SAY
    I DON'T WANNA LOVE YOU IN NO KINDA WAY
    NO NO
    I DON'T WANT A BROKEN HEART
    I DON'T WANNA PLAY THE BROKEN HEARTED GIRL
    NO NO
    NO BROKEN-HEARTED GIRL

    BROKEN-HEARTED GIRL
    NO NO
    NO BROKEN-HEARTED GIRL
    NO BROKEN-HEARTED GIRL

    WRITTEN BY KENNETH "BABYFACE" EDMONDS, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, BEYONCÉ KNOWLES
    PUBLISHED BY SONGS OF UNIVERSAL, INC ON BEHALF OF FAZE 2 MUSIC (BMI), SONY/ATV TUNES LLC (ASCAP) ON BEHALF OF SONY ATV MUSIC PUBLISHING UK (PRS), EMI APRIL MUSIC, INC. ON BEHALF OF EMI MUSIC PUBLISHING LTD. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC STUDIOS, NEW YORK, NY
    ADDITIONAL VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC, NEW YORK, NY
    ALL INSTRUMENTS BY MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
    STARGATE MANAGEMENT TIM BLACKSMITH AND DANNY D
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • SHE WAS LOST
    IN SO MANY DIFFERENT WAYS
    OUT IN THE DARKNESS WITH NO GUIDE
    I KNOW THE COST OF A LOSING HAND
    NEVER FOR THE GRACE OF GOD

    OH I, I FOUND HEAVEN ON EARTH
    YOU ARE MY LAST MY FIRST
    AND THEN I HEAR THIS VOICE INSIDE
    AVE MARIA

    I'VE BEEN ALONE
    WHEN I'M SURROUNDED BY FRIENDS
    HOW COULD THE SILENCE BE SO LOUD
    BUT I STILL GO ON, KNOWING THAT I'VE GOT YOU
    THERE'S ONLY US WHEN THE LIGHTS GO DOWN

    YOU ARE MY HEAVEN ON EARTH
    YOU ARE MY HUNGER MY THIRST
    I ALWAYS HEAR THIS VOICE INSIDE
    SAYING AVE MARIA

    SOMETIMES LOVE CAN COME AND PASS YOU BY
    WHILE YOU'RE BUSY MAKING PLANS
    SUDDENLY HITS YOU AND THEN YOU REALIZE
    IT'S OUT OF YOUR HANDS
    BABY YOU GOT TO UNDERSTAND

    YOU ARE MY HEAVEN ON EARTH
    YOU ARE MY LAST MY FIRST
    AND THEN I HEAR THIS VOICE INSIDE
    AVE MARIA, AVE MARIA, AVE MARIA

    WRITTEN BY BEYONCÉ KNOWLES, AMANDA GHOST, IAN DENCH, MAKEBA, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
    B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), IAN DENCH MUSIC ADMIN. BY / SONGS OF KOBALT MUSIC PUBLISHING (BMI), YOGA FLAMES MUSIC (BMI) AND JANICE COMBS PUBLISHING, INC.(BMI) ADMINISTERED BY EMI BLACKWOOD MUSIC, INC. (BMI), SONY/ATV TUNES LLC (ASCAP), ON BEHALF OF SONY/ATV MUSIC PUBLISHING UK (PRS), EMI APRIL MUSIC, INC. ON BEHALF OF EMI MUSIC PUBLISHING LTD. (ASCAP)

    PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC STUDIOS, NEW YORK, NY
    GUITAR BY IAN DENCH
    ALL OTHER INSTRUMENTS BY MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
    STARGATE MANAGEMENT TIM BLACKSMITH AND DANNY D
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • HEAD DOWN
    AS I WATCH MY FEET TAKE TURNS HITTING THE GROUND
    EYES SHUT
    I FIND MYSELF IN LOVE RACING THE EARTH

    AND I'M
    SOAKED IN YOUR LOVE, OH
    AND LOVE
    WAS RIGHT IN MY PATH, IN MY GRASP
    AND ME AND YOU BELONG

    I WANNA RUN (RUN) AND SMASH INTO YOU
    I WANNA RUN (RUN) AND SMASH INTO YOU

    EARS CLOSED
    WHAT I HEAR NO ONE ELSE HAS TO KNOW
    'CAUSE I KNOW THAT WHAT WE HAVE
    IS WORTH FIRST PLACE AND GOLD

    AND I'M
    SOAKED IN YOUR LOVE, OH
    AND LOVE
    WAS RIGHT IN MY PATH, IN MY GRASP
    AND ME AND YOU BELONG

    I WANNA RUN (RUN), SMASH INTO YOU
    I WANNA RUN (RUN), SMASH INTO YOU

    SMASH INTO YOU
    OHH…

    HEAD DOWN AS I WATCH MY FEET TAKE TURNS HITTING THE GROUND
    EYES SHUT
    I'M IN LOVE AND I'M RACING THE EARTH

    AND I'M
    SOAKED IN YOUR LOVE (YOUR LOVE)
    AND LOVE, WAS RIGHT IN MY PATH, IN MY GRASP
    AND ME AND YOU BELONG

    I WANNA RUN, SMASH INTO YOU
    I'M WILLING TO RUN (RUN), SMASH INTO YOU
    I'M WILLING TO RUN RUN RUN RUN
    OOH OOH OOH
    I'M WILLING TO RUN RUN RUN RUN
    OOH OOH OOH

    I WANNA RUN (RUN) AND SMASH INTO YOU
    I'M WILLING TO RUN (RUN), SMASH INTO YOU

    WRITTEN BY CHRISTOPHER STEWART, TERIUS NASH, BEYONCÉ KNOWLES
    PUBLISHED BY MARCH NINTH MUSIC PUB. (ASCAP) ADMIN, BY SONGS OF PEER, LTD., 2082 MUSIC ADMIN. BY WB MUSIC PUBLISHING (ASCAP), B-DAY PUBLISHING ADMIN BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY C. "TRICKY" STEWART AND TERIUS "THEDREAM" NASH FOR REDZONE ENTERTAINMENT/RADIO KILLA AND BY BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    VOCALS PRODUCED BY BEYONCÉ KNOWLES

    RECORDED BY KUK HARRELL AND BRIAN "B-LUV" THOMAS FOR REDZONE ENTERTAINMENT/RADIO KILLA AT THE BOOM BOOM ROOM, BURBANK, CA AND BY JIM CARUANA AT GERMANO STUDIOS, NEW YORK, NY
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    LIVE DRUMS BY STEVE JORDAN
    MIXED BY DAVE PENSADO AND JAYCEN JOSHUA FOR THE PENUA PROJECT, ASSISTED BY ANDREW WUEPPER AND RANDY URBANSKI AT LARRABEE NORTH, HOLLYWOOD, CA

  • SATELLITES
    FLASHING BY
    IT'S A BEAUTIFUL STATE WE'RE IN
    BUT HOW CAN WE LOVE IN ISOLATION
    THINK HOW HAPPY WE CAN BE, WHEN WE JUST TRY
    WE'RE NOTHING LIKE WE SEEM
    PASSIONATE WORDS ARE NEVER SPOKEN
    YOU DON'T KNOW HOW I BLEED
    WHEN I LEAVE YOUR SIDE

    IN YOUR EYES
    LOVE'S ALIVE
    WE'VE COME UNTIED
    'CAUSE WE'RE FLASHING BY
    LIKE SATELLITES
    SATELLITES

    TAKE ALL THE RULES AWAY
    HOW CAN WE LIVE IF WE DON'T CHANGE
    WE'RE ALWAYS ON DISPLAY, LET'S RUN AND HIDE

    IN OUR EYES
    LOVE'S ALIVE
    WE'VE COME UNTIED
    'CAUSE WE'RE FLASHING BY
    LIKE SATELLITES
    SATELLITES

    IF WE DON'T COMMUNICATE
    WE'LL EXIST IN OUR OWN SPACE
    WE HAVE ALL THE LOVE WE NEED
    WHEN WE'RE APART I CANNOT BREATHE

    SATELLITES FLASHING BY
    SATELLITES

    WRITTEN BY AMANDA GHOST, DAVE MCCRACKEN, IAN DENCH, BEYONCÉ KNOWLES
    PUBLISHED BY AMANDA GHOST BUCKS MUSIC GROUP LIMITED ADMIN. BY THE ROYALTY NETWORK, UNIVERSAL MUSIC PUBLISHING ON BEHALF OF MGB LIMITED (ASCAP), IAN DENCH MUSIC ADMIN. BY THE ROYALTY NETWORK, B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY AMANDA GHOST, DAVE MCCRACKEN AND IAN DENCH FOR GHOST PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY MARCOS TOVAR AND JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • DIAMONDS USED TO BE COAL
    LOOK YOUNG 'CAUSE THEY GOT SOUL
    THAT'S WHY THEY'RE BEAUTIFUL
    AND MY HEART USED TO BE COLD
    'TIL YOUR HANDS LAID ON MY SOUL, BABY
    AND THAT'S WHY YOU'RE BEAUTIFUL

    I'M NOT WONDERING WHY
    THE SKY'S BLUE
    THAT'S NOT MY BUSINESS
    ALL I KNOW IS I
    LOOK UP AND TELL MYSELF
    BE PATIENT LOVE
    IT COULD BE US

    LOVERS USED TO MAKE LOVE
    DIED JUST TO GIVE US
    THEIR PIECE OF THE BEAUTIFUL
    REMEMBER WHEN WE MADE LOVE
    LOVE, WASN'T IT BEAUTIFUL

    DON'T ASK ME WHY
    THE SKY'S BLUE
    THAT'S NOT MY BUSINESS
    ALL I KNOW IS I
    LOOK UP AND TELL MYSELF
    BE PATIENT LOVE
    IT COULD BE US

    DIAMONDS USED TO BE COAL
    LOOK YOUNG 'CAUSE GOT THEY GOT SOUL
    AND MY HEART USED TO BE COLD
    'TIL YOUR HANDS LAID ON MY SOUL
    SOMEBODY'S GOT TO STAY DEEP IN LOVE
    THAT COULD BE US
    THAT'S WHY WE'RE BEAUTIFUL

    THAT'S WHY YOU'RE BEAUTIFUL
    THAT'S WHY YOU'RE BEAUTIFUL
    THAT'S WHY YOU'RE BEAUTIFUL
    THAT'S WHY YOU'RE BEAUTIFUL

    WRITTEN BY ANDREW HEY, JAMES FAUNTLEROY II, BEYONCÉ KNOWLES
    PUBLISHED BY SLANGFORHELLO (ASCAP), FAUNTLEROY MUSIC AND UNDERDOG SONGS ADMIN. BY ALMO MUSIC (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY ANDREW HEY AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    ALL MUSIC BY ANDREW HEY

    RECORDED BY ANDREW HEY, ASSISTED BY DAVID BOYD AT ROC THE MIC STUDIOS, NEW YORK, NY
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    ALL MUSIC BY ANDREW HEY

  • ALL THE SINGLE LADIES (7X)
    NOW PUT YOUR HANDS UP

    UP IN THE CLUB
    WE JUST BROKE UP
    I'M DOIN' MY OWN LIL' THING
    YOU DECIDED TO DIP
    AND NOW YOU WANNA TRIP
    'CAUSE ANOTHER BROTHER NOTICED ME
    I'M UP ON HIM
    HE UP ON ME
    DON'T PAY HIM ANY ATTENTION
    KEPT CRYING MY TEARS
    FOR 3 GOOD YEARS
    YOU CAN'T BE MAD AT ME

    'CAUSE IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
    'CAUSE IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT

    UH, OH, OH, OH, OH, OH, OH, OH, OH
    UH, OH, OH, OH, OH, OH, OH, OH, OH

    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT

    I GOT GLOSS ON MY LIPS
    A MAN ON MY HIPS
    ON ME TIGHTER THAN MY DEREON JEANS
    ACTIN UP, DRINK IN MY CUP
    I CAN CARE LESS WHAT YOU THINK
    I NEED NO PERMISSION
    DID I MENTION
    DON'T PAY HIM ANY ATTENTION
    'CAUSE YOU HAD YOUR TURN
    AND NOW YOU GON' LEARN
    WHAT IT REALLY FEELS LIKE TO MISS B

    'CAUSE IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
    'CAUSE IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT

    UH, OH, OH, OH, OH, OH, OH, OH, OH
    UH, OH, OH, OH, OH, OH, OH, OH, OH

    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT

    UH, OH, OH, OH, OH, OH, OH, OH, OH
    UH, OH, OH, OH, OH, OH, OH, OH, OH

    DON'T TREAT ME TO THESE THINGS OF THE WORLD
    I'M NOT THAT KIND OF GIRL
    YOUR LOVE IS WHAT I PREFER, WHAT I DESERVE
    HERE'S A MAN THAT MAKES ME
    THEN TAKES ME AND DELIVERS ME
    TO A DESTINY, TO INFINITY AND BEYOND
    PULL ME INTO YOUR ARMS
    SAY I'M THE ONE YOU WANT
    IF YOU DON'T, YOU'LL BE ALONE
    AND LIKE A GHOST, I'LL BE GONE

    ALL THE SINGLE LADIES (7X)
    NOW PUT YOUR HANDS UP

    UH, OH, OH, OH, OH, OH, OH, OH, OH
    UH, OH, OH, OH, OH, OH, OH, OH, OH

    'CAUSE IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    DON'T BE MAD ONCE YOU SEE THAT HE WANT IT
    IF YOU LIKE IT
    THEN YOU SHOULD'VE PUT A RING ON IT
    (2X)

    UH, OH, OH

    WRITTEN BY CHRISTOPHER STEWART, TERIUS NASH, THADDIS HARRELL, BEYONCÉ KNOWLES
    PUBLISHED BY MARCH NINTH MUSIC PUB. (ASCAP) ADMIN, BY SONGS OF PEER, LTD., 2082 MUSIC ADMIN. BY WB MUSIC PUBLISHING (ASCAP), SONY/ATV HARMONY (ASCAP) ON BEHALF OF SUGA WUGA MUSIC (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY C. "TRICKY" STEWART AND TERIUS "THE DREAM" NASH FOR REDZONE
    ENTERTAINMENT/RADIO KILLA AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    VOCALS PRODUCED BY BEYONCÉ KNOWLES
    RECORDED BY KUK HARRELL AND BRIAN "B-LUV" THOMAS FOR REDZONE ENTERTAINMENT/RADIO KILLA AT THE BOOM BOOM ROOM, BURBANK, CA
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY DAVE PENSADO AND JAYCEN JOSHUA FOR THE PENUA PROJECT, ASSISTED BY ANDREW WUEPPER AND RANDY URBANSKI AT LARRABEE NORTH, HOLLYWOOD, CA

  • I BE ON THE HOTLINE LIKE EVERYDAY
    MAKING SURE THE DJ KNOW WHAT I WANT HIM TO PLAY
    YOU KNOW I GOT MY TOP BACK AND MY BEAT LOW
    ROCKIN' MY STUNNA' SHADES AND TURNIN' UP MY RADIO
    TURN UP MY RADIO

    I THINK I'M IN LOVE WITH MY RADIO
    'CAUSE IT NEVER LETS ME DOWN
    AND I FALL IN LOVE WITH MY STEREO
    WHENEVER I HEAR THAT SOUND
    OHH OHH OHH OHH
    WHENEVER I HEAR THE SOUND
    OHH OHH OHH OHH
    WHENEVER I HEAR THE SOUND

    HE'S THE ONLY ONE MY PAPA ALLOWS TO
    HANG OUT IN MY ROOM
    WITH THE DOORS CLOSED (WE BE ALONE)
    AND MAMA NEVER FREAKED OUT
    WHEN SHE HEARD IT GO BOOM
    'CAUSE SHE KNEW WE WERE IN THE ZONE
    HOLD HIM IN MY ARMS AND LOOK OUT OF MY WINDOW
    UNDER THE MOONLIGHT
    AND HE'D BE KEEPIN' ME CALM, SO I'D NEVER LET HIM GO
    HE'S GOT A PLACE IN MY HEART

    I THINK I'M IN LOVE WITH MY RADIO
    'CAUSE IT NEVER LETS ME DOWN
    AND I FALL IN LOVE WITH MY STEREO
    WHENEVER I HEAR THAT SOUND
    OHH OHH OHH OHH…
    WHENEVER I HEAR THE SOUND
    OHH OHH OHH OHH…
    WHENEVER I HEAR THE SOUND

    WHEN I GET INTO MY CAR, TURN IT UP
    THEN I HEAR VIBRATIONS ALL UP IN MY TRUNK
    AND THE BASS LINE BE RATTLING THROUGH MY SEAT
    AND THAT CRAZY FEELING STARTS HAPPENING
    I GET BUTTERFLIES WHEN I HEAR THE DJ, PLAYING THE STUFF I LIKE
    AND I FALL DEEPER IN LOVE WITH EVERY SONG HE PLAYS
    HE'S GOT A PLACE IN MY HEART

    I THINK I'M IN LOVE WITH MY RADIO
    'CAUSE IT NEVER LETS ME DOWN
    AND I FALL IN LOVE WITH MY STEREO
    WHENEVER I HEAR THAT SOUND
    OHH OHH OHH OHH…
    WHENEVER I HEAR THE SOUND
    OHH OHH OHH OHH…
    WHENEVER I HEAR THE SOUND

    I BE ON THE HOTLINE, LIKE EVERYDAY
    MAKIN' SURE THE DJ KNOW WHAT I WANT HIM TO PLAY
    YOU KNOW I GOT MY TOP BACK AND MY BEAT LOW
    ROCKIN' MY STUNNA' SHADES AND TURNIN' UP MY RADIO
    TURN UP MY RADIO

    I THINK I'M IN LOVE WITH MY RADIO
    'CAUSE IT NEVER LETS ME DOWN
    AND I FALL IN LOVE WITH MY STEREO
    WHENEVER I HEAR THAT SOUND
    OHH OHH OHH OHH…
    WHENEVER I HEAR THE SOUND
    OHH OHH OHH OHH…
    WHENEVER I HEAR THE SOUND
    OHH OHH OHH OHH…

    WRITTEN BY JAMES SCHEFFER, RICO LOVE, DWAYNE NESMITH, BEYONCÉ KNOWLES
    PUBLISHED BY JIMIPUB MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC (SESAC), NUJEREZ MUSIC ADMIN. BY WARNER CHAPPELL MUSIC (BMI), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY JIM JONSIN FOR REBEL ROCK PRODUCTIONS, D-TOWN AND RICO LOVE FOR 353 MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    VOCAL PRODUCTION BY RICO LOVE FOR DIVISION ONE

    RECORDED BY JIM JONSIN AND JIM CARUANA AT THE BOOM BOOM ROOM, LOS ANGELES, CA
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • I'M-A DIVA
    I'M-A, I'M-A A DIVA (6X)
    I'M-A, I'M-A

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    STOP THE TRACK

    LET ME STATE FACTS
    I TOLD YOU GIMME A MINUTE AND I'LL BE RIGHT BACK

    FIFTY MILLION 'ROUND THE WORLD AND THEY SAID THAT I COULDN'T GET IT

    I DONE GOT SO SICK AND FILTHY WITH BENJI'S I CAN'T SPEND IT

    HOW YOU GON' BE TALKING SHIT

    YOU ACT LIKE I JUST GOT UP IN IT

    BEEN THE NUMBER ONE DIVA IN THIS GAME FOR A MINUTE

    I KNOW YOU READ THE PAPER THE ONE THAT THEY CALL THE QUEEN

    EVERY RADIO 'ROUND THE WORLD KNOW ME 'CAUSE THAT'S WHERE I BE

    I'M A DIVA

    I'M-A, I'M-A A DIVA (7X)

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    WHEN HE PULL UP, WANNA POP MY HOOD UP

    BET HE BETTER HAVE A SIX PACK IN THE COOLER

    GETTIN' MONEY, DIVAS GETTIN' MONEY

    IF YOU AIN'T GETTIN' MONEY, THEN YOU AIN'T GOT NOTHIN' FOR ME

    TELL ME SOMETHIN' WHERE YA BOSS AT
    WHERE MY LADIES UP IN HERE THAT LIKE TO TALK BACK

    I WANNA SEE YA
    I'D LIKE TO MEET YA

    WHAT YOU SAID (NOT TO ME)
    SHE AIN'T NO DIVA

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    SINCE 15 IN MY STILETTOS

    BEEN STRUTTIN' IN THIS GAME

    WHAT'S YOUR AGE WAS THE QUESTION THEY ASK WHEN I HIT THE STAGE

    I'M A DIVA BEST BELIEVE-A, YOU SEE HER, SHE'S GETTIN' PAID

    SHE AIN'T CALLING HIM A GREETER

    DON'T NEED HIM, HER BED'S MADE

    THIS IS A STICK UP, STICK UP

    I NEED THEM BAGS OR THAT MONEY

    I'M-A STICK UP, STICK UP, YOU SEE THE MASK, WHERE THAT MONEY

    ALL MY LADIES GETTIN' UP

    I SEE YOU, I DO THE SAME

    TAKE YOU TO ANOTHER LEVEL
    NO PASSENGERS ON MY PLANE

    I'M-A DIVA
    I'M-A, I'M-A A DIVA (3X)

    THIS IS A STICK UP, STICK UP

    I NEED THEM BAGS OR THE MONEY

    STICK UP, STICK UP, YOU SEE THE MASK, WHERE THAT MONEY

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    NA, NA, NA, DIVA IS A FEMALE VERSION OF A HUSTLA
    OF A HUSTLA, OF A, OF A HUSTLA

    I'M-A DIVA
    I'M-A, I'M-A A DIVA (15X)

    WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT
    PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI)

    PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY MILES WALKER FOR MILK MONEY ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA. PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • EVERY NIGHT I RUSH TO MY BED
    WITH HOPES THAT MAYBE
    I'LL GET A CHANCE TO SEE YOU
    WHEN I CLOSE MY EYES
    I'M GOING OUT OF MY HEAD
    LOST IN THE FAIRYTALE
    CAN YOU HOLD MY HAND
    AND BE MY GUIDE
    CLOUDS FILLED WITH STARS COVER YOUR SKIES
    AND I HOPE IT RAINS
    YOU'RE THE PERFECT LULLABY
    WHAT KIND OF DREAM IS THIS

    YOU CAN BE A SWEET DREAM
    OR A BEAUTIFUL NIGHTMARE
    EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
    SWEET DREAM OR A BEAUTIFUL NIGHTMARE
    SOMEBODY PINCH ME
    YOUR LOVE'S TO GOOD TO BE TRUE
    MY GUILTY PLEASURE, I AIN'T GOING NOWHERE
    BABY LONG AS YOU'RE HERE
    I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
    YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
    EITHER WAY I, DON'T WANNA WAKE UP FROM YOU

    I MENTION YOU WHEN I SAY MY PRAYERS
    I WRAP YOU AROUND ALL IN MY THOUGHTS
    BOY YOU MY TEMPORARY HIGH
    I WISH THAT WHEN I WAKE UP YOU'RE THERE
    TO WRAP YOUR ARMS AROUND ME FOR REAL
    AND TELL ME YOU'LL STAY BY MY SIDE
    CLOUDS FILLED WITH STARS COVER THE SKY
    AND I HOPE IT RAINS
    YOU'RE THE PERFECT LULLABY
    WHAT KIND OF DREAM IS THIS

    YOU CAN BE A SWEET DREAM
    OR A BEAUTIFUL NIGHTMARE
    EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
    SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
    SOMEBODY PINCH ME
    YOUR LOVE'S TO GOOD TO BE TRUE
    MY GUILTY PLEASURE, I AIN'T GOING NOWHERE
    BABY LONG AS YOU'RE HERE
    I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
    YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
    EITHER WAY I, DON'T WANNA WAKE UP FROM YOU

    TATTOO YOUR NAME ACROSS MY HEART
    SO IT WILL REMAIN
    NOT EVEN DEATH COULD MAKE US PART
    WHAT KIND OF DREAM IS THIS

    YOU CAN BE A SWEET DREAM
    OR A BEAUTIFUL NIGHTMARE
    EITHER WAY I, DON'T WANNA WAKE UP FROM YOU
    SWEET DREAM OR A BEAUTIFUL NIGHTMARE
    SOMEBODY PINCH ME
    YOUR LOVE'S TO GOOD TO BE TRUE
    MY GUILTY PLEASURE, I AINT GOING NOWHERE
    BABY LONG AS YOU'RE HERE
    I'LL BE FLOATING ON AIR, 'CAUSE YOU'RE MY
    YOU CAN BE A SWEET DREAM, OR A BEAUTIFUL NIGHTMARE
    EITHER WAY I, DON'T WANNA WAKE UP FROM YOU

    WRITTEN BY BEYONCÉ KNOWLES, JAMES SCHEFFER, WAYNE WILKINS, RICO LOVE
    PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), JIMIPUB MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), BLOW THE SPEAKERS ADMIN. BY SONY/ATV SONGS LLC (MCPS), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC (SESAC)

    PRODUCED BY JIM JONSIN FOR REBEL ROCK PRODUCTIONS, WAYNE WILKINS, AND RICO LOVE FOR DIVISION ONE AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    VOCAL PRODUCTION BY RICO LOVE FOR DIVISION ONE
    ADDITIONAL VOCALS BY RICO LOVE

    RECORDED BY JIM CAURANA AT SOUTH BEAT STUDIOS, MIAMI BEACH, FL
    MIXED BY WAYNE WILKINS AND JIM JONSIN AT HENSON STUDIOS, LOS ANGELES, CA

  • SHAWTY, WHAT YOUR NAME IS

    THEM HUSTLAS KEEP ON TALKIN'
    THEY LIKE THE WAY I'M WALKIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    SO PRESS RECORD, I'LL LET YOU FILM ME
    ON YOUR VIDEO PHONE
    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    ON YOUR VIDEO, VIDEO
    IF YOU WANT ME YOU CAN WATCH ME
    ON YOUR VIDEO PHONE

    I LOVE HOW YOU APPROACH ME
    FRESH WHITE WITH YOUR PANTS HANGIN' GROWN MAN LOW
    EVERYTHING YOU SAYIN' SOUNDIN' GOOD TO ME
    NO NEED TO CONVINCE ME ANYMORE
    SWAG UP IS RIGHT, ONE BLADE IS TIGHT
    AND I THE SMELL YOUR COLOGNE IN THE AIR
    BABY YOU DOIN' SOMETHIN' RIGHT
    YOU JUST CANCELLED EVERY OTHER MAN HERE

    YA SAY YOU LIKE MY BAG
    AND THE COLOR OF MY NAILS
    YOU CAN SEE THAT I GOT IT GOIN' ON
    I WANNA MAKE SURE YOU REMEMBER ME
    SO I'M-A LEAVE MY NUMBER ON YOUR VIDEO PHONE

    I GOT NO TIME FOR FRONTIN'
    I KNOW JUST WHAT I'M WANTIN'
    IF IT'S GONNA BE YOU AND ME
    WHEN I CALL THEY BETTER SEE ME ON YOUR VIDEO SCREEN

    THEM HUSTLAS KEEP ON TALKIN'
    THEY LIKE THE WAY I'M WALKIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    SO PRESS RECORD, I'LL LET YOU FILM ME
    ON YOUR VIDEO PHONE

    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    ON YOUR VIDEO, VIDEO
    IF YOU WANT ME YOU CAN WATCH ME
    ON YOUR VIDEO PHONE

    YOU A CUTIE
    YOU SHOULD LET ME PUT YOU IN MY MOVIES
    YOU DO A SHOOT INTO A STAR OR YOUR OWN HIT SONG
    WE CAN SHOOT THE VIDEO RIGHT HERE
    ON MY CELL PHONE

    I NEVER SEEN A SMILE SO PRETTY
    I NEED TO KNOW I'LL ALWAYS HAVE YOU WITH ME
    SO TAKE YOUR PICTURE ON MY VIDEO PHONE
    YOU COULD PICK YOUR OWN SONG
    AND YOU COULD BE THE ONLY ONE
    I KNOW YOU LIKE THAT
    TURN YOU INTO A STAR, I GOT IT LIKE THAT
    BABY DON'T FIGHT IT
    'CAUSE WHEN I MISS YOUR CALL, I HIT YOU RIGHT BACK
    ON MY VIDEO PHONE

    THEM HUSTLAS KEEP ON TALKIN'
    THEY LIKE THE WAY I'M WALKIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    SO PRESS RECORD, I'LL LET YOU FILM ME
    ON YOUR VIDEO PHONE

    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    ON YOUR VIDEO, VIDEO
    IF YOU WANT ME YOU CAN WATCH ME
    ON YOUR VIDEO PHONE

    YOU KNOW THE G'S THEY BE HOLLERIN'
    ESPECIALLY THEM HOT ONES
    BROOKLYN, ATLANTA, HOUSTON TO NEW ORLEANS
    WHEN THEY SEE ME, THEY BE LIKE YO B, LET ME CALL YOU
    YOU BREAKIN' MY FOCUS BOY, YOU CUTE AND YOU BALLIN'

    YOU LIKE IT WHEN I SHAKE IT
    SHORTY ON A MISSION
    WHAT YOUR NAME IS
    WHAT
    YOU WANT ME NAKED
    IF YOU LIKIN' THIS POSITION YOU CAN TAPE IT
    ON YOUR VIDEO PHONE

    HUSTLA KEEP ON TALKING
    YOU LIKE THE WAY IT'S POPPIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    PRESS RECORD, BABY FILM ME
    ON YOUR VIDEO PHONE
    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    I'M YOUR VIDEO, VIDEO
    IF YOU WANT ME, YOU CAN WATCH ME ON YOUR VIDEO PHONE

    WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT, ANGELA BEYINCE
    PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI), ANGELA BEYINCE MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY MILES WALKER FOR MILK MONEY, ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA, PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • OHH…
    I LOVE TO SEE YOU WALK INTO THE ROOM
    BODY'S SHINING, LIGHTING UP THE PLACE
    AND WHEN YOU TALK, EVERYBODY STOP
    'CAUSE THEY KNOW, YOU KNOW JUST WHAT TO SAY
    THE WAY THAT YOU PROTECT YOUR FRIENDS
    BABY I RESPECT YOU FOR THAT
    WHEN YOU GROW, YOU TAKE EVERYONE YOU LOVE ALONG
    I LOVE THAT

    DON'T FLY ME AWAY
    DON'T NEED TO BUY A DIAMOND KEY
    TO UNLOCK MY HEART
    YOU SHELTER MY SOUL
    YOU'RE MY FIRE WHEN I'M COLD
    I WANT YOU TO KNOW

    YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)
    YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)
    IT WAS MANY YEARS AGO
    BABY WHEN YOU, STOLE MY COOL
    'CAUSE YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)

    I GET SO EXCITED WHEN YOU TRAVEL WITH ME
    BABY WHILE I'M ON MY GRIND
    AND NEVER WOULD I EVER LET MY HUSTLE
    COME BETWEEN ME AND MY FAMILY TIME AND
    YOU KEEP ME HUMBLE OUT OF THIS HYPE
    'CAUSE YOU KNOW THERE'S MORE TO LIFE
    AND IF I NEED YOU, YOU WOULD BE HERE
    YOU WOULD MAKE THE SACRIFICE

    DON'T FLY ME AWAY
    DON'T NEED TO BUY A DIAMOND KEY
    TO UNLOCK MY HEART
    YOU SHELTER MY SOUL
    YOU'RE MY FIRE WHEN I'M COLD
    I WANT YOU TO KNOW

    YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)
    YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)
    IT WAS MANY YEARS AGO
    BABY WHEN YOU, STOLE MY COOL
    'CAUSE YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)

    GOTTA FEEL YOU AND BE NEAR YOU
    YOU'RE THE AIR THAT I BREATHE TO SURVIVE
    GOTTA HOLD YOU
    WANNA SHOW YOU
    THAT WITHOUT YOU MY SUN DOESN'T SHINE
    YOU DON'T HAVE TO TRY SO, HARD FOR ME TO LOVE YOU
    BOY WITHOUT YOU MY LIFE JUST AIN'T THE SAME
    YOU DON'T HAVE TO TRY SO, HARD FOR ME TO LOVE YOU

    YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)
    YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)
    IT WAS MANY YEARS AGO
    WHEN YOU, STOLE MY COOL
    YOU HAD ME AT HELLO (HELLO)
    HELLO (HELLO), HELLO (HELLO)

    IT WAS MANY YEARS AGO
    BABY WHEN YOU, STOLE MY COOL
    YOU HAD ME AT HELLO, HELLO, HELLO

    WRITTEN BY BEYONCÉ KNOWLES, RAMON OWEN, DAVID QUINONES, E. KIDD BOGART
    PUBLISHED BY B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), SOUNDKILLERS PUBLISHING (BMI) ADMIN. BY WB MUSIC CORP., EMI APRIL MUSIC, INC. ON BEHALF OF QUDA MUSIC (ASCAP), HERE'S LOOKIN AT YOU KIDD MUSIC (BMI) ADMIN. BY SONY/ATV SONGS LLC (BMI)

    PRODUCED BY REO FOR THE SOUNDKILLERS AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY DAVID "DQ" QUINONES AT THE CAMPGROUND, LOS ANGELES, CA
    VOCALS RECORDED BY JIM CARUANA AT ELECTRIC LADY STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • AW BABY HOW YOU DOIN'
    YOU KNOW I'M GONNA CUT RIGHT TO THE CHASE
    SOME WOMEN WERE MADE
    BUT ME, MYSELF, I LIKE TO THINK THAT I WAS CREATED
    FOR A SPECIAL PURPOSE
    NOW, WHAT'S MORE SPECIAL THAN YOU
    YA FEEL ME

    IT'S ON, BABY LET'S GET LOST
    YOU DON'T NEED TO CALL INTO WORK 'CAUSE YOU THE BOSS
    FOR REAL WANT YOU TO SHOW ME HOW YOU FEEL
    I CONSIDER MYSELF LUCKY, THAT'S A BIG DEAL
    WHY
    WELL, YOU GOT THE KEY TO MY HEART
    BUT YOU AIN'T GONNA NEED IT
    I'D RATHER YOU OPEN UP MY BODY
    AND SOME ME SECRETS, YOU DIDN'T KNOW WAS INSIDE
    NO NEED FOR ME TO LIE

    IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
    IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
    HE GOT A BIG EGO, SUCH A HUGE EGO
    I LOVE HIS BIG EGO
    IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

    USUALLY I'M HUMBLE, RIGHT NOW I DON'T CHOOSE
    YOU CAN LEAVE WIT' ME, OR YOU CAN HAVE THE BLUES
    SOME CALL IT ARROGANT, I CALL IT CONFIDENT
    YOU DECIDE WHEN YOU FIND, I'M WHAT I'M WORKING WITH
    DAMN
    I KNOW, I'M KILLING YOU WITH THEM LEGS, BETTER YET THEM THIGHS
    MATTER OF FACT ,IT'S MY SMILE, OR MAYBE MY EYES
    BOY YOU A SIGHT TO SEE, KINDA SOMETHING LIKE ME

    IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
    IT'S TOO MUCH, IT'S TOO TOUGH, I TALK LIKE THIS 'CAUSE I CAN BACK IT UP
    I GOT A BIG EGO, SUCH A HUGE EGO
    BUT, HE LOVE MY BIG EGO
    IT'S TOO MUCH, I WALK LIKE THIS 'CAUSE I CAN BACK IT UP

    I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP
    I TALK LIKE THIS, 'CAUSE I CAN BACK IT UP
    I CAN BACK IT UP, I CAN BACK IT UP
    I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP

    IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
    IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
    HE GOT A BIG EGO, SUCH A HUGE EGO
    I LOVE HIS BIG EGO
    IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

    EGO SO BIG, YOU MUST ADMIT
    I GOT EVERY REASON TO FEEL LIKE I'M THAT BITCH
    EGO SO STRONG, IF YOU AIN'T KNOW
    I DON'T NEED NO BEAT, I CAN SING IT WITH PIANO
    OHHH…

    WRITTEN BY ELVIS WILLIAMS, HAROLD LILLY, BEYONCÉ KNOWLES
    PUBLISHED BY ELVIS LEE MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), UNCLE BOBBY MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY ELVIS "BLACELVIS" WILLIAMS AND HAROLD LILLY FOR MUSICPAYOUT.COM, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    HORNS BY PHILIP MARGIZIOTIS
    SAXOPHONE BY DONALD HAYES
    TRUMPET BY DONTAE WINSLOW

    RECORDED BY MACK WOODARD AT TREE SOUND STUDIOS, ATLANTA, GA
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT, ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA

  • I'M IN THIS FIGHT AND I'M SWINGING
    AND MY ARMS ARE GETTING TIRED
    I'M TRYING TO BEAT THIS EMPTINESS
    BUT I'M RUNNING OUT OF TIME
    I'M SINKING IN THE SAND
    AND I CAN BARELY STAND
    AND I'M LOST IN THIS DREAM
    I NEED YOU TO HOLD ME

    I'M SCARED OF LONELY

    I TRY TO BE PATIENT
    BUT I'M HURTING DEEP INSIDE
    AND I CAN'T KEEP WAITING
    I NEED COMFORT LATE AT NIGHT
    AND I CAN'T FIND MY WAY
    WHY WON'T YOU LEAD ME HOME
    'CAUSE I'M LOST IN THIS DREAM
    I NEED YOU TO HOLD ME

    I'M SCARED OF LONELY

    AND I'M SCARED OF BEING THE ONLY
    SHADOW I SEE ALONG THE WALL
    AND I'M SCARED THE ONLY HEART BEAT
    I HEAR BEATING IS MY OWN
    AND I'M SCARED OF BEING ALONE
    I CAN'T SEEM TO BREATHE WHEN I AM LOST
    IN THIS DREAM I NEED YOU TO HOLD ME

    I'M SCARED OF LONELY
    I'M SCARED OF LONELY

    I CRY AT NIGHT
    'CAUSE MY BABY'S
    TOO FAR TO BE BY MY SIDE
    TO WIPE AWAY THESE TEARS OF MINE
    SO I HOLD MY PILLOW TIGHT
    TO IMAGINE YOU
    OUTSTRETCH YOUR HAND
    LOOKING FOR MINE
    'CAUSE I'M LOST IN THIS DREAM
    I NEED YOU TO HOLD ME

    I'M SCARED OF LONELY

    AND I'M SCARED OF BEING THE ONLY
    SHADOW I SEE ALONG THE WALL
    AND I'M SCARED THE ONLY HEART BEAT
    I HEAR BEATING IS MY OWN
    AND I'M SCARED OF BEING ALONE
    I CAN'T SEEM TO BREATHE WHEN I AM LOST
    IN THIS DREAM I NEED YOU TO HOLD ME

    I NEED YOUR STRENGTH
    WHEN NOBODY'S AROUND
    'CAUSE I'M TIRED OF THIS EMPTINESS
    I THINK I'M DROWNING
    I CAN'T BE LONELY NO MORE
    WHEN I'M LOST IN THIS DREAM
    I NEED YOU TO HOLD ME

    I'M SCARED OF LONELY

    AND I'M SCARED OF BEING THE ONLY
    SHADOW I SEE ALONG THE WALL
    AND I'M SCARED THE ONLY HEART BEAT
    I HEAR BEATING IS MY OWN
    AND I'M SCARED OF BEING ALONE
    I CAN'T SEEM TO BREATHE WHEN I AM LOST
    IN THIS DREAM I NEED YOU TO HOLD ME
    (2X)

    I'M SCARED OF LONELY
    I'M SCARED OF LONELY

    WRITTEN BY RODNEY JERKINS, LASHAWN DANIELS, CRISTYLE JOHNSON, RICO LOVE, SOLANGE KNOWLES, BEYONCÉ KNOWLES
    PUBLISHED BY EMI BLACKWOOD MUSIC, INC. (BMI), EMI APRIL MUSIC, INC. (BMI), CSTYLE INK MUSIC AND / SLIDETHAT ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), RICO LOVE IS STILL A RAPPER ADMIN. BY FORAY MUSIC, INC. (SESAC), EMI APRIL MUSIC, INC. ON BEHALF OF SOLANGE MW PUBLISHING (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY RODNEY "DARKCHILD" JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    ALL MUSIC BY RODNEY "DARKCHILD" JERKINS
    ALL VOCALS BY BEYONCÉ

    RECORDED BY ROBERTO "TITO" VASQUEZ AND MIKE "HANDZ" DONALDSON AT 2ND FLOOR STUDIOS, ORLANDO, FL.
    VOCALS RECORDED BY JIM CARUANA AT ELECTRIC LADY STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT AND RODNEY "DARKCHILD" JERKINS, ASSISTED BY MATT GREEN AT CHALICE STUDIOS, LOS ANGELES, CA

  • I GOT A BIG EGO (HAHAHA)
I'M SUCH A BIG EGO (HAHAHA)
I GOT A BIG (HAHAHA) EGO
SHE LOVE MY BIG (HAHAHA) EGO
SO STROKE MY BIG (HAHAHA) EGO
I LIKE TO JOKE AROUND A LITTLE BIT BUT HERE WE GO

WELCOME TO THE WONDERFUL WORLD
OF GO PLAY THE EARL 'CAUSE
EVERYTHING I THROW UP, BLOW UP
TALKING TO THE GIRL
SHE SAID, KNOW WHAT, GROW UP, YOU NASTY
I DON'T UNDERSTAND WHY THEY TRIPPIN' IF YOU ASK ME
FLOW JUST AS NICE AS
I ADMIT THE PROPANE
I JUST SPIT, PROBABLY
JUST RAISE THE GAS PRICES
EVERYBODY IN THE CLUB 
TRY AND GET AS FRESH AS ME
WHAT YOU WANT DOG
TRYING TO STAY RECESSION FREE
AND SPIT REFRESHINGLY
WHEN I ROCK THE STADIUM
YOU PROBABLY GET SWEATY
YOU SHOULD BRING AN EXTRA TEE
NOW I'M STANDING NEXT TO JAY
WHO STANDING NEXT TO B
YOU COULDA BEEN ANYWHERE IN THE WORLD
BUT YOU'RE HERE WITH ME
THAT'S GOOD FOR EGO
ME AND MY EGO
AND IT GO WHEREVER WE GO
MY EGO IS MY IMAGINARY FRIEND
HE WAS WITH ME WHEN I WAS ONLY IMAGINING
I HAD DREAMS OF THE LEAGUE
ONE DAY I PLAY KOBE
OR WALK UP TO PUFF AND HE ALREADY KNOW ME
COULDA LET THE DREAM KILLERS KILL MY SELF ESTEEM
OR USE THE ARROGANCE AS A STEAM THAT POWER MY DREAMS
AND MY EGO

    AW BABY HOW YOU DOIN'
    YOU KNOW I'M GONNA CUT RIGHT TO THE CHASE
    SOME WOMEN WERE MADE
    BUT ME, MYSELF, I LIKE TO THINK THAT I WAS CREATED
    FOR A SPECIAL PURPOSE
    NOW, WHAT'S MORE SPECIAL THAN YOU
    YA FEEL ME

    IT'S ON, BABY LET'S GET LOST
    YOU DON'T NEED TO CALL INTO WORK 'CAUSE YOU THE BOSS
    FOR REAL WANT YOU TO SHOW ME HOW YOU FEEL
    I CONSIDER MYSELF LUCKY, THAT'S A BIG DEAL
    WHY
    WELL, YOU GOT THE KEY TO MY HEART
    BUT YOU AIN'T GONNA NEED IT
    I'D RATHER YOU OPEN UP MY BODY
    AND SOME ME SECRETS, YOU DIDN'T KNOW WAS INSIDE
    NO NEED FOR ME TO LIE

    IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
    IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
    HE GOT A BIG EGO, SUCH A HUGE EGO
    I LOVE HIS BIG EGO
    IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

    USUALLY I'M HUMBLE, RIGHT NOW I DON'T CHOOSE
    YOU CAN LEAVE WIT' ME, OR YOU CAN HAVE THE BLUES
    SOME CALL IT ARROGANT, I CALL IT CONFIDENT
    YOU DECIDE WHEN YOU FIND, I'M WHAT I'M WORKING WITH
    DAMN
    I KNOW, I'M KILLING YOU WITH THEM LEGS, BETTER YET THEM THIGHS
    MATTER OF FACT ,IT'S MY SMILE, OR MAYBE MY EYES
    BOY YOU A SIGHT TO SEE, KINDA SOMETHING LIKE ME

    IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
    IT'S TOO MUCH, IT'S TOO TOUGH, I TALK LIKE THIS 'CAUSE I CAN BACK IT UP
    I GOT A BIG EGO, SUCH A HUGE EGO
    BUT, HE LOVE MY BIG EGO
    IT'S TOO MUCH, I WALK LIKE THIS 'CAUSE I CAN BACK IT UP

    I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP
    I TALK LIKE THIS, 'CAUSE I CAN BACK IT UP
    I CAN BACK IT UP, I CAN BACK IT UP
    I WALK LIKE THIS, 'CAUSE I CAN BACK IT UP

    IT'S TOO BIG, IT'S TOO WIDE, IT'S TOO STRONG, IT WON'T FIT
    IT'S TOO MUCH, IT'S TOO TOUGH, HE TALK LIKE THIS 'CAUSE HE CAN BACK IT UP
    HE GOT A BIG EGO, SUCH A HUGE EGO
    I LOVE HIS BIG EGO
    IT'S TOO MUCH, HE WALK LIKE THIS 'CAUSE HE CAN BACK IT UP

    EGO SO BIG, YOU MUST ADMIT
    I GOT EVERY REASON TO FEEL LIKE I'M THAT BITCH
    EGO SO STRONG, IF YOU AIN'T KNOW
    I DON'T NEED NO BEAT, I CAN SING IT WITH PIANO
    OHHH…

    WRITTEN BY ELVIS WILLIAMS, HAROLD LILLY, BEYONCÉ KNOWLES
    PUBLISHED BY ELVIS LEE MUSIC ADMIN. BY EMI BLACKWOOD MUSIC, INC. (BMI), UNCLE BOBBY MUSIC ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP), B-DAY PUBLISHING ADMIN. BY EMI APRIL MUSIC, INC. (ASCAP)

    PRODUCED BY ELVIS "BLACELVIS" WILLIAMS AND HAROLD LILLY FOR MUSICPAYOUT.COM, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    SAXOPHONE BY DONALD HAYES
    TRUMPET BY DONTAE WINSLOW
    HORNS BY PHILIP MARGIZIOTIS
    RECORDED BY MACK WOODARD AT TREE SOUND STUDIOS, ATLANTA, GA
    BEYONCE'S VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    KANYE'S VOCALS RECORDED BY ANTHONY KILHOFFER AT NA CENA STUDIOS, SAN PAULO, CA
    MIXED BY MARK "SPIKE" STENT ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
    MASTERED BY TOM COYNE AT STERLING SOUND STUDIOS, NEW YORK, NY

    KANYE WEST APPEARS COURTESY OF ROC-A-FELLA RECORDS

  • YOU'RE BAD FOR ME, I CLEARLY GET IT
    I DON'T SEE HOW SOMETHING GOOD COULD COME FROM LOVING YOU
    THE DEATH OF ME, MUST BE YOUR MISSION
    'CAUSE WITH EVERY HUG AND KISS, YOU'RE SNATCHING EVERY BIT OF STRENGTH
    THAT I'M GON' NEED, TO FIGHT OFF THE INEVITABLE
    AND IT'S A HEART-BREAKING SITUATION I'M UP IN, BUT I CAN'T CONTROL

    YOU'RE JUST LIKE POISON
    SLOWLY MOVING THROUGH MY SYSTEM
    BREAKING ALL OF MY DEFENSES WITH TIME
    YOU'RE JUST LIKE POISON AND I JUST DON'T GET IT
    HOW CAN SOMETHING SO DEADLY FEEL SO RIGHT
    I'M NOT SURE OF WHAT TO DO, IT'S A CATCH 22
    'CAUSE THE CURE IS FOUND IN YOU, I DON'T WANT IT BUT I DO
    YOU'RE JUST LIKE POISON
    MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
    KISS ME ONE MORE TIME BEFORE I DIE

    YOU AIN'T RIGHT, TAKE ME HIGH
    THEN THAT HIGH IT SUBSIDES
    AND MY BODY FLAT LINES
    THEN YOU COME TO REVIVE
    WAIT, WAIT, WAIT I'M ALIVE
    BUT HOW LONG WILL IT LAST
    WILL IT ALL COME CRASHING DOWN
    HOW MANY DOSES AM I NEEDING NOW
    WHAT'S THE PROGNOSIS, WILL YOU BE AROUND
    OR AM I JUST ANOTHER VICTIM OF AN ASSASSIN THAT BROKE MY HEART DOWN

    BABY YOU'RE JUST LIKE POISON
    SLOWLY MOVING THROUGH MY SYSTEM
    BREAKING ALL OF MY DEFENSES WITH TIME
    YOU'RE JUST LIKE POISON
    AND I JUST DON'T GET IT
    HOW CAN SOMETHING SO DEADLY
    FEEL SO RIGHT
    I'M NOT SURE OF WHAT TO DO
    IT'S A CATCH 22
    'CAUSE THE CURE IS FOUND IN YOU
    I DON'T WANT IT BUT I DO
    YOU'RE JUST LIKE POISON
    MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
    KISS ME ONE MORE TIME BEFORE I DIE

    IT'S JUST NOT MY BODY (NO)
    IT'S MY MIND, YOU DON'T KNOW
    HOW MANY TIMES I TOLD MYSELF
    THIS CAN'T DO (CAN'T DO)
    AND THAT I DON'T NEED YOU (NO I DON'T NEED YOU, NO)
    IT'S SO UNFAIR, THAT I FIND MYSELF RIGHT BACK IN YOUR CARE
    AND WHAT'S GOOD IS THAT WHEN YOU'RE NOT ALWAYS THERE (THERE, THERE)
    YOU KNOW THAT FOR MY HEALTH (MY HEALTH)

    YOU'RE JUST LIKE POISON (WHOA, WHOA, WHOA)
    YOU'RE JUST LIKE POISON (WHOA, WHOA, WHOA)

    YOU'RE JUST LIKE POISON
    SLOWLY MOVING THROUGH MY SYSTEM
    BREAKING ALL OF MY DEFENSES WITH TIME
    YOU'RE JUST LIKE POISON
    AND I JUST DON'T GET IT
    HOW CAN SOMETHING SO DEADLY
    FEEL SO RIGHT
    I'M NOT SURE OF WHAT TO DO
    IT'S A CATCH 22
    'CAUSE THE CURE IS FOUND IN YOU
    I DON'T WANT IT BUT I DO
    YOU'RE JUST LIKE POISON
    MY AFFLICTION, I'M ADDICTED, I CAN'T LIE
    BABY KISS ME ONE MORE TIME
    (2X)

    WRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, JOHNTA AUSTIN
    PUBLISHED BY B-DAY PUBLISHING ADMINISTERED BY EMI APRIL MUSIC, INC. (ASCAP), SONY/ATV MUSIC PUBLISHING (ASCAP), EMI MUSIC PUBLISHING (ASCAP), NAKED UNDER MY CLOTHES / CHRYSALIS MUSIC (ASCAP)

    PRODUCED BY STARGATE FOR 45TH & 3RD MUSIC LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC
    ALL INSTRUMENTS BY MIKKEL S. ERIKSEN & TOR ERIK HERMANSEN

    RECORDED BY MIKKEL S. ERIKSEN AT ROC THE MIC, NEW YORK, NY
    ADDITIONAL VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC, NEW YORK, NY
    MIXED BY PHIL TAN ASSISTED BY JOSH HOUGHKIRK WITH ADDITIONAL ENGINEERING BY CARLOS OYANEDEL AND DAMIEN LEWIS AT SOAPBOX STUDIOS, ATLANTA GA
    STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D.

  • SHAWTY, WHAT YOUR NAME IS

    THEM HUSTLAS KEEP ON TALKIN'
    THEY LIKE THE WAY I'M WALKIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    SO PRESS RECORD, I'LL LET YOU FILM ME
    ON YOUR VIDEO PHONE
    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    ON YOUR VIDEO, VIDEO
    IF YOU WANT ME YOU CAN WATCH ME
    ON YOUR VIDEO PHONE

    I LOVE HOW YOU APPROACH ME
    FRESH WHITE WITH YOUR PANTS HANGIN' GROWN MAN LOW
    EVERYTHING YOU SAYIN' SOUNDIN' GOOD TO ME
    NO NEED TO CONVINCE ME ANYMORE
    SWAG UP IS RIGHT, ONE BLADE IS TIGHT
    AND I THE SMELL YOUR COLOGNE IN THE AIR
    BABY YOU DOIN' SOMETHIN' RIGHT
    YOU JUST CANCELLED EVERY OTHER MAN HERE

    YA SAY YOU LIKE MY BAG
    AND THE COLOR OF MY NAILS
    YOU CAN SEE THAT I GOT IT GOIN' ON
    I WANNA MAKE SURE YOU REMEMBER ME
    SO I'M-A LEAVE MY NUMBER ON YOUR VIDEO PHONE

    I GOT NO TIME FOR FRONTIN'
    I KNOW JUST WHAT I'M WANTIN'
    IF IT'S GONNA BE YOU AND ME
    WHEN I CALL THEY BETTER SEE ME ON YOUR VIDEO SCREEN

    THEM HUSTLAS KEEP ON TALKIN'
    THEY LIKE THE WAY I'M WALKIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    SO PRESS RECORD, I'LL LET YOU FILM ME
    ON YOUR VIDEO PHONE

    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    ON YOUR VIDEO, VIDEO
    IF YOU WANT ME YOU CAN WATCH ME
    ON YOUR VIDEO PHONE

    YOU MY PHONE STAR
    AND I'M HAPPY WHEN MY LIGHTS FLASHIN'
    'CAUSE YOU ON MY RECEIVER
    HUBBA, HUBBA
    HONEY, BABY YOU SO SEXY THAT YOU SHOULD WIN AN OSCAR
    AND WHEN YOU MISS ME, JUST REMEMBER THAT I ALWAYS GOT YOU WITH ME
    I'LL BE YOUR GENE, YOU'LL BE MY BRANDO
    I'M-A PUT YOU IN MY MOVIE IF YOU THINK THAT YOU CAN HANDLE (CAN YOU HANDLE IT)

    I KNOW YOU LIKE THAT
    TURN YOU INTO A STAR, I GOT IT LIKE THAT
    BABY DON'T FIGHT IT
    'CAUSE WHEN I MISS YOUR CALL, I HIT YOU RIGHT BACK
    ON MY VIDEO PHONE

    THEM HUSTLAS KEEP ON TALKIN'
    THEY LIKE THE WAY I'M WALKIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    SO PRESS RECORD, I'LL LET YOU FILM ME
    ON YOUR VIDEO PHONE

    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    ON YOUR VIDEO, VIDEO
    IF YOU WANT ME YOU CAN WATCH ME
    ON YOUR VIDEO PHONE

    CAN YOU HANDLE IT
    CAN YOU HANDLE IT (TELL 'EM B)
    CAN YOU HANDLE IT
    CAN YOU HANDLE IT
    YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
    YOU WANNA VIDEO ME (CAN YOU HANDLE IT)
    YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
    YOU WANNA VIDEO ME (CAN YOU HANDLE IT)
    YOU LIKE WHAT YOU SEE (CAN YOU HANDLE IT)
    YOU WANNA VIDEO ME

    YOU KNOW THE G'S THEY BE HOLLERIN'
    ESPECIALLY THEM HOT ONES
    BROOKLYN, ATLANTA, HOUSTON TO NEW ORLEANS
    WHEN THEY SEE ME, THEY BE LIKE YO B, LET ME CALL YOU
    YOU BREAKIN' MY FOCUS BOY, YOU CUTE AND YOU BALLIN'

    YOU LIKE IT WHEN I SHAKE IT
    SHORTY ON A MISSION
    WHAT YOUR NAME IS
    WHAT, YOU WANT ME NAKED
    IF YOU LIKIN' THIS POSITION YOU CAN TAPE IT
    ON YOUR VIDEO PHONE

    HUSTLA KEEP ON TALKING
    YOU LIKE THE WAY IT'S POPPIN'
    YOU'RE SAYIN' THAT YOU WANT ME
    PRESS RECORD, BABY FILM ME
    ON YOUR VIDEO PHONE
    MAKE A CAMEO
    TAPE ME ON YOUR VIDEO PHONE
    I CAN HANDLE YOU
    WATCH ME ON YOUR VIDEO PHONE
    I'M YOUR VIDEO, VIDEO
    IF YOU WANT ME, YOU CAN WATCH ME ON YOUR VIDEO PHONE

    WRITTEN BY BEYONCÉ KNOWLES, SHONDRAE CRAWFORD, SEAN GARRETT, ANGELA BEYINCE, LADY GAGA
    PUBLISHED BY B-DAY PUBLISHING/EMI APRIL MUSIC, INC. (ASCAP), LEVEGAS PUBLISHING EMI APRIL MUSIC, INC. (ASCAP), THE PRACTICE TEAM S. DOT PUBLISHING (BMI), EMI APRIL MUSIC, INC. O/B/O ITSELF AND ANGELA BEYINCE MUSIC (ASCAP), STEFANI GERMANOTTA P/K/A LADY GAGA (BMI) / SONY ATV SONGS LLC / HOUSE OF GAGA PUBLISHING, INC. / GLOJOE MUSIC INC. (BMI)

    PRODUCED BY SHONDRAE "MR. BANGLADESH" CRAWFORD AND SEAN "THE PEN" GARRETT FOR THE PRACTICE TEAM S DOT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD MUSIC, LLC

    RECORDED BY MILES WALKER FOR MILK MONEY ASSISTED BY KORY AARON AND MICHAEL MILLER AT SILENT SOUND STUDIOS, ATLANTA, GA. PATCHWERK STUDIOS, ATLANTA, GA AND BANGLEDESH STUDIOS, ATLANTA, GA
    LADY GAGA'S VOCAL RECORDED BY DAVID RUSSELL ASSISTED BY JOSH SHULTZ AT CHUNG KING STUDIOS, NYC
    VOCALS RECORDED BY JIM CARUANA AT ROC THE MIC STUDIOS, NEW YORK, NY
    MIXED BY MARK "SPIKE" STENT ASSISTED BY MATT GREEN AT THE RECORD PLANT, LOS ANGELES, CA
    LADY GAGA APPEARS COURTESY OF STREAMLINE / KON LIVE / CHERRYTREE / INTERSCOPE RECORDS
    EXTENDED REMIX EDIT BY BEYONCÉ KNOWLES AND KIM BURSE
    EXTENDED REMIX ADDITIONAL INTRO ORCHESTRATION BY SCOTT TIBBS
    EXTENDED REMIX BY WILLIAM BURKE AT VYBE CHYLE STUDIOS, ATLANTA, GA
    EXTENDED REMIX MASTERED BY EDDIE SCHREYER AT OASIS MASTERING, BURBANK, CA

B'Day (2006)

B'Day

  • Buy Now
  • AY, AY, AY
    NOBODY LIKES BEING PLAYED
    BEYONCÉ, BEYONCÉ
    SHAKIRA, SHAKIRA (HEY)

    HE SAID I'M WORTH IT, HIS ONE DESIRE
    I KNOW THINGS ABOUT 'EM THAT YOU WOULDN'T WANNA READ ABOUT
    HE KISSED ME, HIS ONE AND ONLY, (YES) BEAUTIFUL LIAR
    TELL ME HOW YOU TOLERATE THE THINGS THAT YOU JUST FOUND OUT ABOUT

    YOU NEVER KNOW
    WHY ARE WE THE ONES WHO SUFFER
    I HAVE TO LET GO
    HE WON'T BE THE ONE TO CRY

    (AY) LET'S NOT KILL THE KARMA
    (AY) LET'S NOT START A FIGHT
    (AY) IT'S NOT WORTH THE DRAMA
    FOR A BEAUTIFUL LIAR
    CAN'T WE LAUGH ABOUT IT (HA HA HA)
    (OH) IT'S NOT WORTH OUR TIME
    (OH) WE CAN LIVE WITHOUT 'EM
    JUST A BEAUTIFUL LIAR

    I TRUSTED HIM, BUT WHEN I FOLLOWED YOU, I SAW YOU TOGETHER
    I DIDN'T KNOW ABOUT YOU THEN 'TILL I SAW YOU WITH HIM AGAIN
    I WALKED IN ON YOUR LOVE SCENE, SLOW DANCING
    YOU STOLE EVERYTHING, HOW CAN YOU SAY I DID YOU WRONG

    WE'LL NEVER KNOW
    WHEN THE PAIN AND HEARTBREAK'S OVER
    I HAVE TO LET GO
    THE INNOCENCE IS GONE

    (AY) LET'S NOT KILL THE KARMA
    (AY) LET'S NOT START A FIGHT
    (AY) IT'S NOT WORTH THE DRAMA
    FOR A BEAUTIFUL LIAR
    CAN'T WE LAUGH ABOUT IT (HA HA HA)
    (OH) IT'S NOT WORTH OUR TIME
    (OH) WE CAN LIVE WITHOUT 'EM
    JUST A BEAUTIFUL LIAR

    TELL ME HOW TO FORGIVE YOU
    WHEN IT'S ME WHO'S ASHAMED
    AND I WISH COULD FREE YOU
    OF THE HURT AND THE PAIN
    BUT THE ANSWER IS SIMPLE
    HE'S THE ONE TO BLAME

    BEYONCÉ BEYONCÉ
    SHAKIRA SHAKIRA
    BEYONCÉ BEYONCÉ
    SHAKIRA SHAKIRA
    (HEY)

    (AY) LET'S NOT KILL THE KARMA
    (AY) LET'S NOT START A FIGHT
    (AY) IT'S NOT WORTH THE DRAMA
    FOR A BEAUTIFUL LIAR
    CAN'T WE LAUGH ABOUT IT (HA HA HA)
    (OH) IT'S NOT WORTH OUR TIME
    (OH) WE CAN LIVE WITHOUT 'EM
    JUST A BEAUTIFUL LIAR

    WRITTEN BY BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN, AMANDA GHOST AND IAN DENCH. PUBLISHED BY B'DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING (ASCAP), AMANDA GHOST BUCKS MUSIC GROUP LIMITED (ASCAP)

    PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    A&R BY MAX GOUSSE AND MATHEW KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    ADDITIONAL PRODUCTION BY SHAKIRA FOR LIGHT PRODUCTIONS AND EDUARDO CABRA
    ARRANGEMENT BY SHAKIRA AND STARGATE
    VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC., RUDY PEREZ, SHAKIRA AND OLGUI CHIRINO
    RECORDING ENGINEERS: JIM CARUANA, STARGATE, GUSTAVO CELIS, ROBERTO ALMODOVAR AND JOHN WESTON
    ASSISTED BY ROB KINELSKI AND DAVID STEARNS
    DIGITAL EDITING (STRINGS): JOHN WESTON
    PROGRAMMING: STARGATE, DENAUN PORTER AND VISITANTE
    VIOLIN ARRANGEMENT: SHAKIRA AND KAREEM ROUSTOM
    ADDITIONAL STRING ARRANGEMENTS: KAREEM ROUSTOM, NASER MUSA
    VIOLIN AND VIOLA: HANNA KHOURY
    NAY: BOUJEMAA RAZGUI
    ARABIC PERCUSSION: OMAR AL MUSFI
    OTHER INSTRUMENTS: MIKKEL S. ERIKSEN, TOR ERIK HERMANSEN
    RECORDED AT SONY MUSIC STUDIOS, NYC; BATTERY STUDIOS, NYC; LA MARIMONDA, NASSAU, BAHAMAS; FUTURA PRODUCTIONS, ROSLINDALE, MA AND THE HIT FACTORY, MIAMI, FL
    MIXED BY JEAN-MARIE HORVAT AT CHALICE STUDIOS, LOS ANGELES, CA; OZ RECORDING STUDIOS, LOS ANGELES, CA; GUSTAVO CELIS AT SUPERSONIC STUDIOS, MIAMI, FL
    ASSISTED BY COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT

    EVERYTHING YOU OWN IN THE BOX TO THE LEFT
    IN THE CLOSET THAT'S MY STUFF
    YES, IF I BOUGHT IT, PLEASE DON'T TOUCH
    AND KEEP TALKING THAT MESS THAT'S FINE
    BUT COULD YOU WALK AND TALK AT THE SAME TIME
    AND, IT'S MY NAME THAT'S ON THAT JAG
    SO COME MOVE YOUR BAGS, LET ME CALL YOU A CAB

    STANDING IN THE FRONT YARD
    TELLIN' ME, HOW I'M SUCH A FOOL
    TALKIN' 'BOUT, I'LL NEVER EVER FIND A MAN LIKE YOU
    YOU GOT ME TWISTED

    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER YOU IN A MINUTE
    MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I CAN HAVE ANOTHER YOU BY TOMORROW
    SO DON'T YOU EVER FOR A SECOND GET TO THINKING
    YOU'RE IRREPLACEABLE

    SO GO AHEAD AND GET GONE
    CALL UP THAT CHICK AND SEE IF SHE'S HOME
    OOPS, I BET YOU THOUGHT, THAT I DIDN'T KNOW
    WHAT DID YOU THINK I WAS PUTTING YOU OUT FOR
    BECAUSE YOU WAS UNTRUE
    ROLLIN' HER AROUND IN THE CAR THAT I BOUGHT YOU
    BABY DROP THEM KEYS
    HURRY UP BEFORE YOUR TAXI LEAVES

    STANDING IN THE FRONT YARD
    TELLIN' ME, HOW I'M SUCH A FOOL
    TALKIN' BOUT, I'LL NEVER EVER FIND A MAN LIKE YOU
    YOU GOT ME TWISTED

    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER YOU IN A MINUTE
    MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I CAN HAVE ANOTHER YOU BY TOMORROW
    SO DON'T YOU EVER FOR A SECOND GET TO THINKING
    YOU'RE IRREPLACEABLE

    SO SINCE I'M NOT YOUR EVERYTHING
    HOW ABOUT I'LL BE NOTHING
    NOTHING AT ALL TO YOU
    BABY I WON'T SHED A TEAR FOR YOU
    I WON'T LOSE A WINK OF SLEEP
    'CAUSE THE TRUTH OF THE MATTER IS
    REPLACING YOU IS SO EASY

    TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT
    TO THE LEFT, TO THE LEFT
    EVERYTHING YOU OWN IN THE BOX TO THE LEFT
    TO THE LEFT, TO THE LEFT
    DON'T YOU EVER FOR A SECOND GET TO THINKING
    YOU'RE IRREPLACEABLE

    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER YOU IN A MINUTE
    MATTER OF FACT, HE'LL BE HERE IN A MINUTE, BABY
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I CAN HAVE ANOTHER YOU BY TOMORROW
    SO DON'T YOU EVER FOR A SECOND GET TO THINKING (BABY)
    YOU MUST NOT KNOW ABOUT ME, YOU MUST NOT KNOW ABOUT ME
    I COULD HAVE ANOTHER U IN A MINUTE
    MATTER OF FACT, HE'LL BE HERE IN A MINUTE
    YOU CAN PACK ALL YOUR BAGS
    WE'RE FINISHED
    'CAUSE YOU MADE YOUR BED
    NOW LAY IN IT
    I CAN HAVE ANOTHER YOU BY TOMORROW
    DON'T YOU EVER FOR A SECOND GET TO THINKING
    YOU'RE IRREPLACEABLE

    WRITTEN BY S. SMITH , BEYONCÉ KNOWLES, MIKKEL S. ERIKSEN, TOR ERIK
    HERMANSEN, E. LIND, A. BJØRKLUND
    PUBLISHED BY STELLAR SONGS LTD. ADMIN. BY EMI MUSIC PUBLISHING, BEYONCÉ
    PUBLISHING (ASCAP), SONY ATV MUSIC PUBLISHING, EMI MUSIC PUBLISHING,
    SUPERSAYING (BMI)/ZOMBA MUSIC PUBLISHING, ZOMBA MUSIC PUBLISHING

    PRODUCED BY STARGATE FOR DELIRIOUS BLACKSMITH MANAGEMENT AND BEYONCÉ
    KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY S. SMITH FOR COMPOUND ENT.

    RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AT SONY MUSIC
    STUDIOS, NYC
    ASSISTED BY STEVE TOLLE
    GUITARS: ESPEN LIND
    ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN & TOR ERIK HERMANSEN
    STARGATE MANAGEMENT: TIM BLACKSMITH & DANNY D

    RECORDED BY JIM CARUANA & GEOFF RICE AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC. ASSISTED BY STEVE TOLLE
    GUITARS: ESPEN LIND
    ALL OTHER INSTRUMENTS: MIKKEL S. ERIKSEN AND TOR ERIK HERMANSEN
    STARGATE MANAGEMENT: TIM BLACKSMITH AND DANNY D

  • GIVE IT TO MAMA
    GIVE IT GIVE IT
    GIVE IT TO MAMA MAMA
    GIVE IT
    GIVE IT TO MAMA MAMA

    FOR SOME STRANGE REASON (HUH)
    YOU DONE PLEASING ME LIKE IT'S OK
    LIKE A PERM THAT'S BEEN LEFT TOO LONG
    IT'S STARTS TO BURN
    THE RESULT IS IT JUST WON'T TAKE
    I CAN SEE
    NOW IT'S ALL COMING SO CLEAR TO ME NOW
    I CAN SEE
    MISINTERPRETED ALL OF MY NAIVENESS
    WAS JUST THINKING IF I HAD NO YOU
    THAN I CAN'T DO
    MY STOCK JUST WENT UP OVER 2 MILLION

    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    GIVE IT TO MAMA

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT (AH) GREEN LIGHT

    SOME SEE ME SAY I SHOULD BE TROPHIED
    'CAUSE IT GETS NO STRONGER
    LADIES Y'ALL KNOW (YEA GIRL Y'ALL KNOW)
    THIS PIMP ISH GETS NO OLDER
    IS THAT A THREAT (WHAT'S ANOTHER THREAT)
    YEP (THAT'S ANOTHER THREAT)
    I'M IMMUNE, YOU CAN'T GET NO COLDER
    YOU GOT THE GREEN LIGHT (WHOA)
    YOU'RE THE KING, RIGHT (WHOA)
    YOU HOLDING UP TRAFFIC
    GREEN MEANS GO

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT
    I SAID YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO
    GREEN LIGHT

    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    GIVE IT TO MAMA

    OH NO PROBLEM, YOU CAN GO
    I'M GONNA FIND SOMEBODY ELSE
    IT'S ALRIGHT I'LL MOVE ALONG
    GREEN LIGHT SO YOU CAN
    GO…

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT (AH) GREEN LIGHT

    I GAVE ALL I COULD GIVE
    MY LOVE, MY HEART (MY HEART)
    NOW WE'RE FACING THE END (THE END) OF WHAT YOU DID FROM THE START
    MY LOVE

    YOU'RE HOLDING UP TRAFFIC, GREEN MEANS GO

    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    SO IF YOU WANT TO
    YOU GOT THE GREEN LIGHT
    GIVE IT TO MAMA

    OH NO PROBLEM, YOU CAN GO
    I'LL GO FIND SOMEBODY ELSE
    IT'S ALRIGHT I'LL MOVE ALONG
    GREEN LIGHT SO YOU CAN
    GO…

    GO GO GO GO
    GO GO GO GO
    GO GO GO GO
    GO GO RED LIGHT (AH) GREEN LIGHT

    WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS AND SEAN GARRETT
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S. DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

    PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • YOU KNOW I HATE SLEEPIN' ALONE
    BUT YOU SAID THAT YOU WOULD SOON BE HOME
    BUT BABY THAT WAS ALONG TIME AGO
    I'M NOT FEELIN' IT
    I'M NOT FEELIN' IT

    ON TOP OF YOU NOT CALLIN ME BACK
    YOU SEE, I BET YOU THINK IT'S ALL ON TRACK
    AND YOU ACTIN' LIKE ITS ALL OF THAT
    I'M NOT FEELIN' IT
    I'M NOT FEELIN' IT

    LET'S GO
    LET'S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET'S GO LITTLE KITTY KAT
    HE DON'T WANT NO MORE
    LET'S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN' IT
    I'M NOT FEELIN IT

    IT'S LIKE WE AT TWO PLACES, BUT DIFFERENT PACES
    WE IN TROUBLE BUT YOU WON'T MEET ME AT THE BRIDGE
    IT HURTS, IT, FEELS DESERTED
    DID YOU FORGET WHERE YOUR HEART LIVES

    WHAT ABOUT MY BODY, BODY
    YOU DON'T WANT MY BODY, BODY
    ACTIN' LIKE YOU DON'T KNOW NOBODY
    YOU GON' MAKE ME CALL SOMEBODY
    WHAT ABOUT MY BODY, BODY
    WHAT ABOUT MY BODY, BODY
    YOU WOULD RATHER GO AND PARTY
    SOMEHOW, SOMEWHERE, I'LL BE NAUGHTY

    YOU KNOW I HATE SLEEPIN' ALONE
    BUT YOU SAID THAT YOU WOULD SOON BE HOME
    BUT BABY THAT WAS A LONG TIME AGO
    I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

    ON TOP OF YOU NOT CALLIN' ME BACK
    YOU SEE, I BET YOU THINK IT'S ALL ON TRACK
    AND YOU ACTIN' LIKE ITS ALL OF THAT
    I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

    LET'S GO
    LET'S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET'S GO LITTLE KITTY KAT
    HE DON'T WANT NO MORE
    LET'S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN' IT
    I'M NOT FEELIN' IT

    MAKE A LEFT TO COMPASSION
    THE LIGHTS REALLY FLASHING
    KEEP STRAIGHT, AND YOU'LL SEE THE SIGN RIGHT THERE
    AFFECTION, IN THE WRONG DIRECTION
    IF I GET CAUGHT, SEE IT JUST SEEMS THAT YOU DON'T CARE

    WHAT ABOUT MY BODY, BODY
    YOU DON'T WANT MY BODY, BODY
    ACTIN' LIKE YOU DON'T KNOW NOBODY
    YOU GON' MAKE ME CALL SOMEBODY
    WHAT ABOUT MY BODY, BODY
    WHAT ABOUT MY BODY, BODY
    YOU WOULD RATHER GO AND PARTY
    SOMEHOW, SOMEWHERE, I'LL BE NAUGHTY

    YOU KNOW I HATE SLEEPIN' ALONE
    BUT YOU SAID THAT YOU WOULD SOON BE HOME
    BUT BABY THAT WAS A LONG TIME AGO
    I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

    ON TOP OF YOU NOT CALLIN' ME BACK
    YOU SEE I BET YOU THINK IT'S ALL ON TRACK
    AND YOU ACTIN' LIKE ITS ALL OF THAT
    YOUR SEX AIN'T ALL THAT
    I'M NOT FEELIN' IT, I'M NOT FEELIN' IT

    LET'S GO
    LET'S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET'S GO LITTLE KITTY KAT
    HE DON'T WANT NO MORE
    LET'S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN' IT
    I'M NOT FEELIN' IT

    I'M TAKIN' BACK THE THINGS I GOT FROM YOU, YOU
    AND THAT INCLUDES MY SWEET LITTLE NOOKIE TOO, TOO
    LET'S GO, LET'S GO, LET'S GO LIL KITTY KAT, (KITTY KAT) HE DON'T WANT YOU ANYMORE (NO)
    LET'S GO, LET'S GO, LET'S GO LIL KITTY KAT, (KITTY KAT) HE DON'T WANT YOU ANYMORE (NO)

    ROCK DIAMONDS ON MY NECK, GOT DIAMONDS ON MY RECORDS
    SINCE SIXTEEN, I WAS COMIN' DOWN RIDIN' LEXUS
    HOW YOU GONNA NEGLECT THIS, YOU WAS JUST A HOT MESS
    YOU CAN CALL TYRONE, YOU AIN'T GOTS TO LIE CRAIG

    WHAT ABOUT MY BODY, BODY
    YOU DON'T WANT MY BODY, BODY
    I'M IN THE HOUSE ALL ALONE
    YOU'D RATHER GO AND PARTY
    WHAT ABOUT MY BODY, BODY
    YOU DON'T WANT MY BODY, BODY
    ACTIN' LIKE I'M NOBODY
    YOU GON' NEED TO CALL SOMEBODY

    LET'S GO
    LET'S GO LITTLE KITTY KAT
    I THINK ITS TIME TO GO
    LET'S GO LITTLE KITTY KAT
    HE DON'T WANT NO MORE
    LET'S GO LITTLE KITTY KAT
    QUITE FRANKLY
    NO MORE GETTIN' IT
    I'M NOT FEELIN' IT

    WRITTEN BY BEYONCÉ KNOWLES, PHARRELL WILLIAMS, SHAWN CARTER AND MAKEBA
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), WATERS OF NAZARETH PUBLISHING/EMI BLACKWOOD MUSIC, INC. (BMI)

    PRODUCED BY THE NEPTUNES AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AND GEOFF RICE AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND ANDREW COLEMAN AT THE RECORD PLANT STUDIOS, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • IT AIN'T FOR EVERYBODY (UH)
    WELCOME TO HOLLYWOOD BABY (TAKE A PICTURE)
    UH HUH
    YOU'RE COMING WITH (LET'S NOT EVEN TALK ABOUT IT)
    LET'S DO IT (LET'S GO)

    I SEE YOUR JEALOUSY AS YOU'RE WATCHING
    YOU'RE WATCHING
    IT'S KINDA SEXY TO ME HOW YOU'RE WATCHING
    YOU'RE WATCHING

    I SEE YOUR FACE (I SEE YOUR FACE)
    YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
    COME TO MY PLACE (COME TO MY PLACE)
    AND LET'S DISCUSS IT (LET'S CHOP IT UP)
    TONIGHT YOU'LL BE
    A SUPERSTAR
    COME LET ME SIGN YOU UP

    LET'S GET INTO IT

    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    ACTION (YOU NEED THAT)
    HOLLYWOOD
    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    SATISFACTION (YOU NEED THAT)
    HOLLYWOOD

    YOU GOTSTA TO GET IT
    OH OH OH OH
    OH OH OH
    DO YOU WANT IT
    OH OH OH OH
    OH OH OH
    BUT YOU DON'T NEED IT
    OH OH OH OH
    OH OH OH
    WHAT DO YOU DO
    OH OH OH
    WHAT DO YOU DO
    OH OH OH
    HEY

    I SEE YOUR FACE (I SEE YOUR FACE)
    YOU WANNA TOUCH IT (YOU WANNA TOUCH IT)
    COME TO MY PLACE (COME TO MY PLACE)
    AND LET'S DISCUSS IT (LET'S CHOP IT UP)
    TONIGHT YOU'LL BE
    A SUPERSTAR
    COME LET ME SIGN YOU UP

    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    ACTION (YOU NEED THAT)
    HOLLYWOOD
    OH IT'S THE LIGHTS (YOU'RE BLINDED BY THE)
    SATISFACTION (YOU NEED THAT)
    HOLLYWOOD

    COME ON, COME ON, COME ON
    YOU HEAR IT SCREAMING
    OH OH OH OH
    OH OH OH
    CAMERA'S ROLLING
    OH OH OH OH
    OH OH OH
    YOU SO ADDICTIVE
    OH OH OH OH
    OH OH OH
    LIKE HOLLYWOOD (NOTHING LIKE HOLLYWOOD)
    OH OH OH OH
    OH OH OH

    AND EVERYBODY'S WARNING YOU ABOUT IT
    AND ONCE YOU TASTE IT, YOU CAN'T LIVE WITHOUT IT
    NOT 'CAUSE YOU CHOOSE TO NOT LIVE WITHOUT IT
    IT'S NOW A PART OF YOU (IT'S NOW A PART OF YOU)
    AND EVERYBODY'S WARNING YOU ABOUT IT
    AND ONCE YOU TASTE IT, YOU CAN'T LIVE

    OOH IT'S THE LIGHTS (IT'S THE LIGHTS)
    ACTION (ACTION)
    HOLLYWOOD (HOLLYWOOD)
    OOH IT'S THE LIGHTS (SATISFACTION)
    SATISFACTION (SO ADDICTIVE)
    (HEY) HOLLYWOOD

    NOW YOU WANNA BE SEEN
    MALE GROUPIES
    NOW YOU BECOME WHAT YOU ONCE DESPISED
    JAMES DEAN
    DON BELUSHI
    BLOW YOUR WHOLE LIFE
    TRYNA LIVE IN THE LIGHTS
    HEROIN'S FOLLOWING MARILYN
    HOPPIN' OVER THE EDGES
    JUST LIKE JANICE JOPLIN
    RIVER PHOENIX
    JIMI HENDRIX
    JAMIE MORRISON
    ALL OF THEM ENDED BY
    HOLLYWOOD

    I SEE YOUR FACE AND A YOU WANNA TOUCH IT, YEAH
    COME TO MY PLACE AND WE CAN DISCUSS IT

    HOLLYWOOD, WELCOME TO HOLLYWOOD

    WRITTEN BY SHAWN CARTER, R. PERRY, S. SMITH AND BEYONCÉ KNOWLES
    PUBLISHED BY 2006 CARTER BOYS MUSIC (ASCAP), REGGIE PERRY MUSIC (ASCAP), SUPER SAYIN PUBLISHING (BMI). ADMINISTERED BY ZOMBA MUSIC PUBLISHING, B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP

    PRODUCED BY SYIENCE FOR STAYFRESH MUSIC, INC./ROKKWORLD MUSIC GROUP AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY GIMEL "YOUNG GURU" KEATON FOR LOREAL INC. AT SONY STUDIOS, NYC
    ASSISTED BY JASON AGEL AND LB FOR MUSIC WORLD PRODUCTIONS, INC. AT ROC THE MIC STUDIOS, NYC
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • YEAH B
    TALK YO' SHIT (PARTNER LET ME UPGRADE, UPGRADE YOU)
    HOW YOU GONNA UPGRADE ME
    WHAT'S HIGHER THAN NUMBER ONE
    YOU KNOW I USED TO BEAT THAT BLOCK
    NOW I BE'S THE BLOCK

    PARTNER LET ME UPGRADE (UPGRADE)

    I HEAR YOU BE THE BLOCK
    BUT I'M THE LIGHTS THAT KEEP THE STREETS ON
    NOTICE YOU THE TYPE THAT LIKE TO KEEP 'EM ON A LEASH THOUGH
    I'M KNOWN TO WALK ALONE
    BUT I'M ALONE FOR A REASON
    SENDING ME A DRINK AIN'T APPEASIN'
    BELIEVE ME
    COME HARDER, THIS WON'T BE EASY
    DON'T DOUBT YOURSELF, TRUST ME YOU NEED ME
    THIS AIN'T NO SHOULDER WITH A CHIP OR A EGO
    WHAT YOU THINK THEY ALL MAD AT ME FOR

    YOU NEED A REAL WOMAN IN YOUR LIFE
    THAT'S A GOOD LOOK
    TAKING CARE, HOME IS STILL FLY
    THAT'S A GOOD LOOK
    I'M-A HELP YOU BUILD UP YOUR ACCOUNT
    THAT'S A GOOD LOOK
    BETTER YET A HOOD LOOK (BELIEVE ME)
    LADIES THAT'S A GOOD LOOK
    WHEN YOU IN THEM BIG MEETINGS FOR THE MILLS
    TAKE ME JUST TO COMPLIMENT THE DEAL
    THAT'S A GOOD LOOK
    ANYTHING YOU COP I'LL SPLIT THE BILL
    THAT'S A GOOD LOOK
    BETTER YET A HOOD LOOK (BELIEVE ME)
    LADIES THAT'S A GOOD LOOK

    PARTNER LET ME UPGRADE YA
    AUDEMARS PIGUET YA
    SWITCH YOUR NECKTIES TO PURPLE LABELS
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    FLIP A NEW PAGE
    INTRODUCE YOU TO SOME NEW THINGS AND
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU
    I CAN DO FOR YOU WHAT MARTIN DID FOR THE PEOPLE
    RAN BY THE MEN, BUT THE WOMEN KEEP THE TEMPO
    IT'S VERY SELDOM THAT YOU'RE BLESSED TO FIND YOUR EQUAL
    STILL PLAY MY PART AND LET YOU TAKE THE LEAD ROLE, BELIEVE ME
    I'LL FOLLOW, THIS COULD BE EASY
    I'LL BE THE HELP WHENEVER YOU NEED ME
    I SEE YOU ON YOUR HUSTLE, WITH MY HUSTLE I CAN KEEP YOU
    FOCUSED ON YOUR FOCUS, I CAN FEED YOU

    YOU NEED A REAL WOMAN IN YOUR LIFE
    THAT'S A GOOD LOOK
    TAKING CARE, HOME IS STILL FLY
    THAT'S A GOOD LOOK
    I CAN HELP YOU BUILD UP YOUR ACCOUNT
    THAT'S A GOOD LOOK
    BETTER YET A HOOD LOOK
    LADIES THAT'S A GOOD LOOK
    WHEN YOU IN THE BIG MEETINGS FOR THE MILLS
    TAKE ME JUST TO COMPLIMENT THE DEAL
    THAT'S A GOOD LOOK
    ANYTHING YOU COP, I'LL SPLIT THE BILL
    THAT'S A GOOD LOOK
    BETTER YET A HOOD LOOK
    LADIES THAT'S A GOOD LOOK
    BELIEVE ME I CAN UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    AUDEMARS PIGUET
    YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    FLIP A NEW PAGE, INTRODUCE YOU TO SOME NEW THINGS AND
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    I BE'S THE D BOY WHO INFILTRATED ALL THE CORPORATE DUDES
    THEY CALL SHOTS, I CALL AUDIBLES
    JACOB THE JEWELER BAUBLES
    LORRAINE SCHWARTZ SORTA DUDE
    IT'S BIG BALLIN' BABY WHEN I'M COURTIN' YOU
    I'M TALKIN' SPA BAGS AND FLY PADS AND
    ROOMS AT THE BLOOMBERG
    AND RUMORS YOU ON THE VERGE OF A NEW MARRIAGE
    'CAUSE THAT ROCK ON YA FINGER'S LIKE A TUMOR
    YOU CAN'T FIT YA HAND IN YA NEW PURSE
    IT'S HUMOROUS TO ME THEY WATCHIN' AND WE JUST YATCHIN'
    ISLAND HOPPING OFF THE ALMAFI COAST
    MAFIOSO, OH BABY YOU EVER SEEN SATURN
    NO, NOT THE CAR BUT EVERYWHERE WE ARE
    YOU SURE TO SEE STARS, THIS IS HIGH LEVEL, NOT EYE LEVEL
    MY BEZEL, COURTESY OF AUDEMARS
    I ORDER YOURS TOMORROW
    NOW LOOK AT THE TIME I SAVED YA
    MAMA LET ME UPGRADE YA
    JUST WHEN YOU THINK YOU HAD IT ALL
    BIG ENDS, CONDOS, COLLECTING CARS
    PICTURE YOUR LIFE ELEVATED WITH ME
    YOU MY PROJECT CELEBRITY
    I KEEP YA NAME HOT IN THOSE STREETS
    THAT LITTLE GLIMPSE OF LIFE
    THAT MAKES THAT DIAMOND REALLY SHINE
    AND YOU ALREADY IS A STAR
    UNLESS YOU'RE FLAWLESS
    THEN YA DYNASTY WITHOUT A CHIEF LIKE ME

    PARTNER LET ME UPGRADE YA
    BOTTOM OF THE PAGE
    YOU SWITCH YOUR NECKTIES TO PURPLE LABELS
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    PARTNER LET ME UPGRADE YA
    FLIP A NEW PAGE
    INTRODUCE YOU TO SOME NEW THINGS AND
    UPGRADE YA
    I CAN UP, CAN I UP
    LET ME UPGRADE YA
    PARTNER LET ME UPGRADE YOU

    AUDEMARS PIGUET WATCH
    DIMPLES IN YA NECK TIE
    HERMES BRIEFCASE
    CARTIER TOP CLIPS
    SILK LINED BLAZERS
    DIAMOND CREAMED FACIALS
    VVS CUFF LINKS
    6 STAR PENT SUITES
    PARTNER LET ME UPGRADE YA, GRADE YA
    PARTNER, PARTNER LET ME UPGRADE YA, GRADE YA
    LET ME, LET ME, LET ME UPGRADE YA, GRADE YA
    PARTNER, PARTNER, PARTNER LET ME UPGRADE YA

    WRITTEN BY BEYONCÉ KNOWLES, SOLANGE KNOWLES, MK, MAKEBA, SEAN GARRETT, ANGELA BEYINCE, JAY-Z, WILLIE CLARKE AND CLARENCE REID
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), SOLANGE MWP PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC/MUSIC WORLD PUBLISHING (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI), JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), CARTER BOYS PUBLISHING (ASCAP) EMI LONGITUDE MUSIC (BMI)

    PRODUCED BY CAMERON WALLACE FOR BACK BLOCK PRODUCTIONS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    ADDITIONAL PRODUCTION BY KASSEEM "SWIZZ BEATZ" DEAN FOR SWIZZ BEATZ PRODUCTIONS, INC.

    RAP PERFORMED BY JAY-Z
    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE
    CONTAINS SAMPLES FROM THE COMPOSITION "GIRLS CAN'T DO WHAT THE GUYS DO" WRITTEN BY WILLIE CLARKE AND CLARENCE REID
    FEATURING SAMPLES FROM THE BETTY WRIGHT RECORDING "GIRLS CAN'T DO WHAT THE GUYS DO (AND STILL BE A LADY)" PRODUCED UNDER LICENSE FROM ATLANTIC RECORDING CORP. BY ARRANGEMENT WITH RHINO ENTERTAINMENT, A WARNER MUSIC GROUP COMPANY

  • I'M A TRAIN WRECK IN THE MORNING
    I'M A BITCH IN THE AFTERNOON
    EVERY NOW AND THEN WITHOUT WARNING
    I CAN BE REALLY MEAN TOWARDS YOU

    I'M A PUZZLE YES IN DEED
    EVER COMPLEX IN EVERY WAY
    AND ALL THE PIECES AREN'T EVEN IN THE BOX
    AND YET, YOU SEE THE PICTURE CLEAR AS DAY

    I DON'T KNOW WHY YOU LOVE ME
    AND THAT'S WHY I LOVE YOU
    CATCH ME WHEN I FALL
    ACCEPT ME FLAWS AND ALL
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU

    I NEGLECT YOU WHEN I'M WORKING
    WHEN I NEED ATTENTION, I TEND TO NAG
    I'M A HOST OF IMPERFECTION
    AND YOU SEE PAST ALL THAT
    I'M A PEASANT BY SOME STANDARDS
    BUT IN YOUR EYES, I'M A QUEEN
    YOU SEE POTENTIAL IN ALL MY FLAWS
    AND THAT'S EXACTLY WHAT I MEAN

    I DON'T KNOW WHY YOU LOVE ME
    AND THAT'S WHY I LOVE YOU
    YOU CATCH ME WHEN I FALL
    ACCEPT ME FLAWS AND ALL
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU

    I DON'T KNOW WHY YOU LOVE ME
    AND THAT'S WHY I LOVE YOU
    CATCH ME WHEN I FALL
    ACCEPT ME FLAWS AND ALL
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU
    AND THAT'S WHY I LOVE YOU

    WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
    PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

    PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

    RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    DIGITAL PREP ENGINEER: COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • 9 – 4 – 8 – 1
    B'DAY

    MISSION ONE
    I'M-A PUT THIS ON
    WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

    MISSION TWO
    GOTTA MAKE THAT CALL
    TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

    MISSION THREE
    GOT MY THREE BEST FRIENDS
    LIKE WE DO IT ALL THE TIME, WE GON' DO IT AGAIN (HEY)

    MISSION FOUR
    GOT THE VINTAGE ROLLS
    DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y'ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    MISSION FIVE
    SKIP TO THE FRONT OF THE LINE
    LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

    MISSION SIX
    GOTTA CHECK THESE CHICKS
    'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

    MISSION SEVEN
    GOTTA MAKE MY ROUNDS
    GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
    MISSION EIGHT
    NOW WE CONVERSATIN'
    WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y'ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    YOU SHOULD SEE MY BODY
    I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
    I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
    I WANNA LET IT OUT TONIGHT
    WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    BABY ALL I WANT IS TO LET IT GO
    AIN'T NO WORRIES, OH
    WE CAN DANCE ALL NIGHT
    GET ME BODIED
    THAT MEANS COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    AND YOUR BODY'S TOUCHING MY BODY
    ALL I NEED IS TO LET IT BE
    AIN'T NO WORRY, NO
    BOY DANCE WITH ME
    FEEL MY BODY
    STOP JUST COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    WITH YOUR BODY TOUCHING MY BODY

    GETTIN' BODIED
    AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
    I SWING MY HAIR, KICK OFF MY SHOES
    COME HER BOY LET ME WORK ON YOU

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y'ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    LADIES ON THE FLOOR, ALL MY LADIES ON THE FLOOR
    IF YOU READY, GET IT READY
    LETS GET IT AND DROP IT
    DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
    DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
    DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
    DROP DROP DOWN LOW AND SWEEP THE FLOOR WIT' IT
    DO THE UH OH, DO THE UH OH, DO THE UH OH UH OH UH OH OH NO NO
    UH OH DO THE UH OH DO THE UH OH UH OH UH OH OH NO NO
    PAT YOUR WEAVES LADIES
    PAT PAT PAT YOUR WEAVES LADIES
    WATCH IT WHILE HE CHECK UP ON IT
    PAT YOUR WEAVES LADIES
    PAT PAT YOUR WEAVES LADIES
    WATCH IT WHILE HE CHECK UP ON IT
    TICK TICK TICK TICK FIGHT
    NOW TICK TICK TICK TICK TICK TICK FIGHT
    NOW TICK TICK TICK TICK FIGHT
    NOW TICK TICK TICK TICK TICK TICK FIGHT
    NOW POSE FOR THE CAMERA NOW, FLICK FLICK
    POSE FOR THE CAMERA NOW, FLICK FLICK
    POSE FOR THE CAMERA NOW FLICK FLICK
    POSE FOR THE CAMERA NOW FLICK FLICK
    DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, DO AN OLD SCHOOL
    DO AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, AN OLD SCHOOL DANCE, GET OLD SCHOOL
    STOP NOW, COOL OFF, COOL OFF, COOL OFF, COOL OFF
    DROP AND COOL OFF, COOL OFF, COOL OFF, COOL OFF
    WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
    WIND IT BACK GIRL, WIND IT BACK GIRL, MAKE YOUR HAIR TOUCH THE FLOOR, WIND IT BACK
    DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
    DROP DROP TO YOUR KNEES, ARCH YOUR BACK GIRL, SHAKE SHAKE IT LIKE THAT ALLEY CAT
    SHAKE YA DERRIERE IN THEM DERÉON'S
    SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
    SHAKE YA DERRIERE IN THEM DERÉON'S
    SHAKE SHAKE YA DERRIERE IN THEM HOUSE OF DERÉON
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE SCISSOR LEG, TOUCH YA HEELS, TOUCH YA TOES
    DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
    WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
    DO THE NAOMI CAMPBELL WALK, NAOMI CAMPBELL WALK
    WALK ACROSS THE ROOM LIKE NAOMI CAMPBELL
    SNAP FOR THE KIDS, SNAP FOR THE KIDS
    SNAP IN A CIRCLE THREE TIMES
    SNAP FOR THE KIDS, SNAP FOR THE KIDS
    SNAP IN A CIRCLE THREE TIMES
    I TOUCH YA BODY, WHILE YA TOUCH MY BODY
    WE TOUCHIN' BODIES TONIGHT
    WE GETTIN' BODIED
    I TOUCH YA BODY, WHILE YA TOUCH MY BODY
    WE TOUCHIN' BODIES TONIGHT
    WE GETTIN' BODIED
    GETTIN' BODIED (GETTIN' BODIED)
    GETTIN' BODIED (GETTIN' BODIED)
    GETTIN' BODIED (I'M THE ONLY ONE TONIGHT)
    GETTIN' BODIED (GETTIN' BODIED)
    WANT MY BODY (GET ME BODY)
    WON'T YA GET ME BODY (GET ME BODY)
    YOU WANT MY BODY (I'M THE ONLY ONE TONIGHT)
    WON'T YA GET ME BODIED (GET ME BODIED)
    HEY

    WRITTEN BY S. SMITH, S. TAYLOR, BEYONCÉ KNOWLES AND SOLANGE KNOWLES
    PUBLISHED BY N 22ND PUBLISHING, CHERRY LANE PUB. (ASCAP)SUPER SAYIN/ZOMBA MUSIC PUBLISHING (BMI), B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/SOLANGE MW PUBLISHING (ASCAP). ADMINISTERED BY MUSIC WORLD, LLC.

    PRODUCED BY SHEA TAYLOR FOR STADIUM PRODUCTIONS LLC/COMPOUND ENTERTAINMENT LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY NE-YO FOR COMPOUND ENTERTAINMENT LLC.

    RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    DIGITAL PREP ENGINEER: COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • TO BE OR NOT TO BE
    NOT
    HOLD UP
    BRING THE BEAT BACK
    STOP, I AIN'T READY YET
    WAIT, LET ME FIX MY HAIR (YES, YES)
    YES MA'AM (YES MA'AM)
    YES

    I THINK I'M READY
    BEEN LOCKED UP IN THE HOUSE WAY TOO LONG
    IT'S TIME TO GET IT
    'CAUSE ONCE AGAIN HE'S OUT DOING WRONG
    AND MY GIRLS ARE SO REAL
    SAID IT'S BEEN A MINUTE SINCE I HAD SOME
    HE'S BEEN ACTIN' UP
    BUT HE WON'T BE THE ONLY ONE

    'CAUSE WHEN THEY ACT WRONG
    THAT'S WHEN YOU PUT IT ON
    GET 'EM UPTIGHT, THIS IS YOUR SONG
    POKE OUT YA BACK, TIME TO IMPRESS
    PULL OUT YOUR FREAKUM DRESS

    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON

    EVERY WOMAN GOT ONE
    SHUT IT DOWN WHEN THE TIME COMES
    SO PULL OUT THE BIG GUNS
    AND PUT YOUR FREAKUM DRESS ON

    SOON AS HE SAW ME
    TURNED ON BY HOW THE DRESS WAS FITTIN' RIGHT
    SHORT AND BACKLESS (BACKLESS)
    SEE MY SILHOUETTE IN THE MOONLIGHT
    SUCH AN ATTRACTION
    KEEP TELLING ME HOW MY OUTFIT'S SO NICE
    LITTLE DID HE KNOW
    MY MAN GON' TAKE IT OFF TONIGHT

    'CAUSE WHEN THEY ACT WRONG
    THAT'S WHEN YOU PUT IT ON
    GET 'EM UPTIGHT, THIS IS YOUR SONG
    POKE OUT YA BACK, TIME TO IMPRESS
    PULL OUT YOUR FREAKUM DRESS

    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON

    EVERY WOMAN GOT ONE
    SHUT IT DOWN WHEN THE TIME COMES
    SO PULL OUT THE BIG GUNS
    AND PUT YOUR FREAKUM DRESS ON

    ALL THE LADIES
    YOUR WEAVES DID
    ALL DRESSED UP IN YOUR DRESSES
    AND YOUR BESTEST FOR NO REASON
    GET READY TO FREAKUM FREAKUM

    BEFORE YOU PUT IT ON, IT'S AN INVITATION
    WHEN I PLAY A SONG, GET ON UP AND SHAKE IT
    POKIN' OUT YOUR BACK, YOU DON'T HAVE TO WASTE IT
    SPINNIN' ALL AROUND, THEN TAKE IT TO THE GROUND AND…
    (2X)

    'CAUSE WHEN THEY ACT WRONG
    THAT'S WHEN YOU PUT IT ON
    GET 'EM UPTIGHT, THIS IS YOUR SONG
    POKE OUT YA BACK, TIME TO IMPRESS
    PULL OUT YOUR FREAKUM DRESS

    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON
    PUT YOUR FREAKUM DRESS ON

    EVERY WOMAN GOT ONE
    SHUT IT DOWN WHEN THE TIME COMES
    SO PULL OUT THE BIG GUNS
    AND PUT YOUR FREAKUM DRESS ON

    LADIES LOOK IT HERE
    WHEN YOU BEEN WITH YOUR MAN FOR A LONG TIME
    EVERY NOW AND THEN YOU GOTTA GO BACK IN THE CLOSET AND PULL OUT THAT FREAKUM DRESS

    I GOT MY FREAKUM DRESS ON
    I GOT MY FREAKUM DRESS ON
    I GOT MY FREAKUM DRESS ON
    I GOT MY FREAKUM DRESS ON

    WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE AND MAKEBA
    PUBLISHED BY B-DAY PUBLISHING/WMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI), ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI)

    PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND JAMIE ROSENBERG AT GREAT DIVIDE STUDIOS, ASPEN, CO
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • DAMN THAT WAS SO GOOD
    I WANNA BUY HIM A SHORT SET

    I'M-A BE LIKE A JOLLY RANCHER
    THAT YOU GET FROM THE CORNER STORE
    OR I'M-A BE LIKE A WAFFLE CONE
    THAT'S DRIPPIN' DOWN TO THE FLOOR
    THE WAY YOU DO IT FOR ME, I CAN'T LIE (LIE)
    'BOUT TO BE UP IN THE MALL ALL NIGHT (YES)
    WHATEVER I GET, YA PUTTIN' IT ON (YES)
    DON'T GIVE ME NO LIP, LET MAMA DO IT ALL

    LET ME BE, I WANTS TO BE, GOTSTA BE
    YOUR SUGA, GIVE MAMA SOME SUGA MAMA
    SUGA MA, MA, MA, MA
    I'M YOUR (SUGA MAMA) SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
    NEW WHIP, NEW HEAVY ON THE WRIST
    'CAUSE IM-A…
    SUGA MA, MA, MA, MA
    I'M YOUR, SUGA MAMA (SUGA MAMA)

    HEY, HEY, SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    HEY, COME SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP

    IT'S SO GOOD TO THE POINT THAT I'D DO ANYTHING TO KEEP YOU HOME
    BABY WHAT YOU WANT ME TO BUY
    MY ACCOUNTANT'S WAITING ON THE PHONE (ON THE PHONE)
    JUST THE THOUGHT OF MAKIN' LOVE TO YOU (YOU)
    DROPPIN' EVERYTHING, THAT'S WHAT I'LL DO (I'LL DO)
    WHATEVER I GET, YA PUTTING IT ON (BOY)
    NOW TAKE IT OFF, WHILE I WATCH YOU PERFORM

    LET ME BE, I WANTS TO BE, GOTSTA BE
    YOUR SUGA, GIVE MAMA SOME SUGA MAMA
    SUGA MA, MA, MA, MA
    I'M YOUR (SUGA MAMA) SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
    NEW WHIP, NEW HEAVY ON THE WRIST
    'CAUSE IM-A…
    SUGA MA, MA, MA, MA
    I'M YOUR, SUGA MAMA (SUGA MAMA)

    SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    HEY, COME SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP

    AND I, ALWAYS BEEN THE TYPE TO TAKE CARE OF MINE
    I KNOW JUST WHAT I'M DOING
    DON'T YOU WORRY IT'S COOL AND EVERYTHING IS STEADY
    CLAIMED YOU ON MY TAXES ALREADY, YEAH YEAH YEAH
    I PROMISE I WON'T LET NO BILLS GET BEHIND
    'CAUSE EVERY TOUCH, EVERY KISS, AND HUG
    BEST BELIEVE IT'LL BE ON TIME
    SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE
    YOUR SUGA, GIVE MAMA SOME SUGA MAMA
    SUGA MA, MA, MA, MA
    I'M YOUR (SUGA MAMA) SUGA MAMA

    LET ME BE, I WANTS TO BE, GOTSTA BE (GOTSTA BE)
    NEW WHIP, NEW HEAVY ON THE WRIST
    'CAUSE IM-A…
    SUGA MA, MA, MA, MA
    I'M YOUR, SUGA MAMA (SUGA MAMA)

    SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    HEY, COME SIT ON MAMA LAP
    HEY, HEY, COME SIT ON MAMA LAP
    (2X)

    WRITTEN BY BEYONCÉ KNOWLES, RICH HARRISON, MAKEBA AND CHUCK MIDDLETON
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), EMI BLACKWOOD MUSIC, INC. (BMI) OBO ITSELF AND DAM RICH (BMI)/MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING INC. (BMI)/EMI BLACKWOOD MUSIC, INC. (BMI), MUTT MUSIC (BMI)

    PRODUCED BY RICH HARRISON FOR RICHCRAFT, INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND RICH HARRISON FOR RICHCRAFT, INC. AT SONY MUSIC STUDIOS, NY C
    ASSISTED BY STEVE TOLLE
    CONTAINS EXCERPTS FROM "SEARCHING FOR SOUL" WRITTEN BY CHUCK MIDDLETON, PUBLISHED BY MUTT MUSIC (BMI) AND RECORDED BY J. WADE AND THE SOUL SEARCHERS. COURTESY OF UBIQUITY RECORDS. USED BY PERMISSION.

  • BASS (UGH)
    HIGH HAT (UGH)
    808 (UGH)
    JAY (AH HA … READY … AH HA …)
    LET'S GO GET 'EM (AH HA … C'MON)

    I USE TO RUN BASS BY LIKE JUAN PIERRE
    BUT NOW I RUN THE BASS, HIGH HAT AND THE SNARE
    I USE TO BAG GIRLS LIKE BIRKIN BAGS
    NOW I BAG B (BOY YOU HURTIN' THAT)
    BROOKLYN BE WHERE THEY BIRTH ME AT
    NOW I BE EVERYWHERE – THE NERVE OF RAP
    THE AUDACITY TO HAVE ME WITH THEM CURTAINS BACK
    ME AND B, SHE ABOUT TO STEAM, STAND BACK

    BABY
    SEEMS LIKE EVERYWHERE I GO, I SEE YOU
    FROM YOUR EYES I SMILE, IT'S LIKE I BREATHE YOU
    HELPLESSLY I REMINISCE, DON'T WANT TO
    COMPARE NOBODY TO YOU

    BOY I TRY TO CATCH MYSELF
    BUT I'M OUTTA CONTROL
    YOUR SEXINESS IS SO APPEALING
    I CAN'T LET IT GO

    YOU KNOW THAT I CAN'T GET OVER YOU
    'CAUSE EVERYTHING I SEE IS YOU
    AND I DON'T WANT NO SUBSTITUTE
    BABY I SWEAR IT'S DEJA VU

    YOU KNOW THAT I CAN'T GET OVER YOU
    'CAUSE EVERYTHING I SEE IS YOU
    AND I DON'T WANT NO SUBSTITUTE
    BABY I SWEAR IT'S DEJA VU

    I'M SEEING
    THINGS THAT I KNOW CAN'T BE
    AM I DREAMING
    WHEN I SAW YOU WALKING PAST ME
    ALMOST CALLED YOUR NAME
    GOT A BETTER GLIMPSE AND THEN I LOOKED AWAY
    IT'S LIKE I'M LOSING IT

    BOY I TRY TO CATCH MYSELF
    BUT I'M OUTTA CONTROL
    YOUR SEXINESS IS SO APPEALING
    I CAN'T LET IT GO

    YOU KNOW THAT I CAN'T GET OVER YOU
    'CAUSE EVERYTHING I SEE IS YOU
    AND I DON'T WANT NO SUBSTITUTE
    BABY I SWEAR IT'S DEJA VU

    YOU KNOW THAT I CAN'T GET OVER YOU
    'CAUSE EVERYTHING I SEE IS YOU
    AND I DON'T WANT NO SUBSTITUTE
    BABY I SWEAR IT'S DEJA VU

    YES
    HOVA'S FLOW
    SO UNUSUAL
    BABY GIRL YOU SHOULD ALREADY KNOW
    IT'S H – O
    LIGHT UP THE DRO
    'CAUSE YOU GONNA NEED HELP TRYNA STUDY MY
    BOUNCE
    FLOW BLOW
    WHAT THE DIFFERENCE
    ONE YOU TAKE IN VEIN
    WHILE THE OTHER YOU SNIFFIN'
    IT'S STILL DOPE
    PO-PO TYRNA CONVICT 'EM
    THAT A NO-GO
    MY DOUGH KEEPS THE SCALES TIPPIN'
    LIKE 4 4'S
    LIKE I'M FROM THE H-O-U-S-T-O-N
    BLOW – WIND – SO CHICAGO OF HIM
    IS HE THE BEST EVER
    THAT THE ARGU-A-MENT
    I DON'T MAKE THE LIST
    DON'T BE MAD AT ME
    I JUST MAKE THE HITS LIKE A FACTORY
    I'M JUST ONE TO ONE
    NOTHIN' AFTER ME
    NO DEJA VU
    JUST ME AND MY (OHH)

    BABY I CAN'T GO ANYWHERE
    WITHOUT THINKING THAT YOU'RE THERE
    SEEMS LIKE YOUR EVERYWHERE IT'S TRUE
    GOTTA BE HAVING DEJA VU
    'CAUSE IN MY MIND, I WANT YOU HERE
    GET ON THE NEXT PLANE, I DON'T CARE
    IS IT BECAUSE I'M MISSING YOU
    THAT I'M HAVING DEJA VU

    BOY I TRY TO CATCH MYSELF
    BUT I'M OUTTA CONTROL
    YOUR SEXINESS IS SO APPEALING
    I CAN'T LET IT GO

    YOU KNOW THAT I CAN'T GET OVER YOU
    'CAUSE EVERYTHING I SEE IS YOU
    AND I DON'T WANT NO SUBSTITUTE
    BABY I SWEAR IT'S DEJA VU
    (3X)

    WRITTEN BY BEYONCÉ KNOWLES, RODNEY JERKINS, DELISHA THOMAS, MAKEBA, KELI NICOLE PRICE AND SHAWN CARTER
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP)/EMI BLACKWOOD MUSIC, INC. (BMI)/23000 MUSIC PUBLISHING (SOCAN/BMI), MAKEBA YOGA FLAMES MUSIC (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC (BMI), PRICE TAG (SESAC). ADMINISTERED BY INTERNATIONAL MUSIC PUBLISHING (SESAC), EMI APRIL MUSIC, INC. (ASCAP)/CARTER BOYS PUBLISHING

    PRODUCED BY RODNEY "DARKCHILD" JERKINS FOR DARKCHILD.COM AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. ASSISTED BY JON JON

    RECORDED BY JEFF VILLANUEVA AND JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND JUN ISHIZEKI AT THE RECORD PLANT, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT, RODNEY JERKINS AND BEYONCÉ KNOWLES AT SONY MUSIC STUDIOS
    ALL MUSIC BY RODNEY "DARKCHILD" JERKINS
    RAP PERFORMED BY JAY-Z
    BASS: JON JON
    HORNS ARRANGED BY RODNEY "DARKCHILD" JERKINS
    HORNS BY RONALD JUDGE, ALLEN "AL GEEZ" ARTHUR AND AARON "GOODY" GOODE

  • RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
    WON'T YOU RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    TELL ME HOW SHOULD I FEEL
    WHEN I KNOW WHAT I KNOW
    AND MY FEMALE INTUITION
    TELLING ME YOU A DOG
    PEOPLE TOLD ME 'BOUT THE FLAMES
    I COULDN'T SEE THROUGH THE SMOKE
    WHEN I NEED ANSWERS, ACCUSATIONS
    WHAT YOU MEAN YOU GON' CHOKE

    YOU CAN'T STAY, YOU GOTTA GO
    AIN'T NO OTHER CHICKS SPENDING YOUR DOUGH
    THIS IS TAKING A TOLL, THE WAY THE STORY UNFOLDS
    NOT THE PICTURE PERFECT MOVIE EVERYONE WOULD'VE SAW

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM
    WON'T YOU RING THE ALARM
    I BEEN THROUGH THIS TOO LONG
    BUT I'LL BE DAMNED IF I SEE ANOTHER CHICK ON YOUR ARM

    TELL ME HOW SHOULD I FEEL
    WHEN YOU MADE ME BELONG
    AND THE THOUGHT OF YOU JUST TOUCHING HER
    IS WHAT I HATE MOST
    I DON'T WANT YOU BUT I WANT IT
    AND I CAN'T LET IT GO
    TO KNOW YOU GIVE IT TO HER LIKE YOU GAVE IT TO ME, COME ON

    HE'S SO ARROGANT AND BOLD (OH)
    SHE GON' LOVE THAT SHIT, I KNOW
    I DONE PUT IN A CALL, TIME TO RING THE ALARM
    'CAUSE YOU AIN'T NEVER SEEN A FIRE LIKE THE ONE I'M-A 'CAUSE

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    HOW CAN YOU LOOK AT ME
    AND NOT SEE ALL THE THINGS THAT I KEPT ONLY JUST FOR YOU
    WHY WOULD YOU RISK IT BABY
    IS THAT THE PRICE THAT I PAY
    BUT THIS IS MY SHOW AND I WON'T LET YOU GO
    ALL HAS BEEN PAID FOR, AND IT'S MINE
    HOW COULD YOU LOOK AT ME
    AND NOT SEE ALL THE THINGS (SEE ALL THE THINGS)

    SHE GON' BE ROCKIN' CHINCHILLA COATS
    IF I LET YOU GO
    PENT IN THE HOUSE OFF THE COAST
    IF I LET YOU GO
    SHE GON' TAKE EVERYTHING I OWN
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    SHE GON' ROCK THEM VVS STONES
    IF I LET YOU GO
    COUPED IN THE 'BACH OR THE ROLLS
    IF I LET YOU GO
    SHE GON' PROFIT EVERYTHING I TAUGHT
    IF I LET YOU GO
    I CAN'T LET YOU GO
    DAMN, IF I LET YOU GO

    WRITTEN BY BEYONCÉ KNOWLES, KASSEEM "SWISS BEATZ" DEAN AND SEAN GARRETT
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI)

    PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AND SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

  • I WISH I COULD BELIEVE YOU
    THEN I'LL BE ALRIGHT
    BUT NOW EVERYTHING YOU TOLD ME
    REALLY DON'T APPLY
    TO THE WAY I FEEL INSIDE
    LOVING YOU WAS EASY
    ONCE UPON A TIME
    BUT NOW MY SUSPICIONS OF YOU
    HAVE MULTIPLIED
    AND IT'S ALL BECAUSE YOU LIED

    I ONLY GIVE YOU A HARD TIME
    'CAUSE I CAN'T GO ON AND PRETEND LIKE
    I HAVEN'T TRIED TO FORGIVE THIS
    BUT I'M MUCH TOO FULL OF RESENTMENT
    JUST CAN'T SEEM TO GET OVER
    THE WAY YOU HURT ME
    DON'T KNOW HOW YOU GAVE ANOTHER
    WHO DIDN'T MEAN A THING, NO
    THE VERY THING YOU GAVE TO ME

    I THOUGHT I COULD FORGIVE YOU
    AND I KNOW YOU'VE CHANGED
    AS MUCH AS I WANNA TRUST YOU
    I KNOW IT AIN'T THE SAME
    AND IT'S ALL BECAUSE YOU LIED

    I ONLY GIVE YOU A HARD TIME
    'CAUSE I CAN'T GO ON AND PRETEND LIKE
    I HAVEN'T TRIED TO FORGIVE THIS
    BUT I'M MUCH TOO FULL OF RESENTMENT

    I MAY NEVER UNDERSTAND WHY
    I'M DOING THE BEST THAT I CAN
    I TRIED AND I TRIED TO FORGIVE THIS
    BUT I'M MUCH TOO FULL OF RESENTMENT

    I ALWAYS REMEMBER FEELIN'
    LIKE I WAS NO GOOD
    LIKE I COULDN'T DO IT FOR YOU
    LIKE YOUR MISTRESS COULD
    AND IT'S ALL BECAUSE YOU LIED

    LOVED YOU MORE THAN EVER
    MORE THAN MY OWN LIFE
    THE BEST PART OF ME I GAVE YOU
    IT WAS SACRIFICED
    AND IT'S ALL BECAUSE YOU LIED

    I ONLY GIVE YOU A HARD TIME
    'CAUSE I CAN'T GO ON AND PRETEND LIKE
    I TRIED AND I TRIED TO FORGIVE THIS
    BUT I'M MUCH TOO DAMN FULL OF RESENTMENT

    I KNOW SHE WAS ATTRACTIVE
    BUT I WAS HERE FIRST
    BEEN RIDING WITH YOU FOR 6 YEARS
    WHY DID I DESERVE
    TO BE TREATED THIS WAY BY YOU
    I KNOW YOU'RE PROBABLY THINKING
    WHAT'S UP WITH B
    I'VE BEEN CRYING FOR TOO LONG
    WHAT DID YOU DO TO ME
    I USED TO BE SO STRONG
    NOW YOU TOOK MY SOUL
    I'M CRYING
    CAN'T STOP CRYING
    CAN'T STOP CRYING
    YOU COULD'VE TOLD ME
    YOU WASN'T HAPPY
    I KNOW YOU DIDN'T WANT TO HURT ME
    LOOK AT WHAT YOU'VE DONE TO ME NOW
    I GOTTA LOOK AT HER IN HER EYES
    AND SEE SHE'S HAD HALF OF ME
    YOU LIED
    HOW COULD YOU LIE
    YOU LIED

    WRITTEN BY BEYONCÉ KNOWLES, WALTER W. MILLSAP III, CANDICE C. NELSON AND C. MAYFIELD
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), CONJUNCTION MUSIC/EMI APRIL MUSIC, INC. (ASCAP), UNIVERSAL MUSIC CORP. (ASCAP) ON BEHALF OF BOOTLEGGERS STOP (ASCAP)/WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI), ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI)

    PRODUCED BY WALTER "LIL WALT" MILLSAP III FOR CONJUNCTION PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.
    CO-PRODUCED BY CANDICE "G.G" NELSON FOR CONJUNCTION PRODUCTIONS, LLC
    VOCAL PRODUCTION BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    ALL MUSIC BY WALTER "LIL WALT" MILLSAP III AND CANDICE "G.G" NELSON FOR CONJUNCTION PRODUCTIONS, LLC
    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI AND DAVE "D-LO" LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
    PRO TOOLS EDITING BY DAVE "D-LO" LOPEZ AND WALTER MILLSAP III AT LAIR STUDIOS, LOS ANGELES, CA
    MIXED BY JASON GOLDSTEIN FOR CLEAR WATER ENTERTAINMENT AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE
    CONTAINS ELEMENTS OF "THINK" (C. MAYFIELD) WARNER-TAMERLANE PUBLISHING CORP. (BMI) AND TODD MAYFIELD PUBLISHING (BMI). ALL RIGHTS ADMINISTERED BY WARNER-TAMERLANE PUBLISHING (BMI). ALL RIGHTS RESERVED.

  • LISTEN TO THE SONG HERE IN MY HEART
    A MELODY I START BUT CAN'T COMPLETE

    LISTEN, TO THE SOUND FROM DEEP WITHIN
    IT'S ONLY BEGINNING
    TO FIND RELEASE

    OH, THE TIME HAS COME
    FOR MY DREAMS TO BE HEARD
    THEY WILL NOT BE PUSHED ASIDE AND TURNED
    INTO YOUR OWN
    ALL CAUSE YOU WON'T
    LISTEN

    LISTEN, I AM ALONE AT A CROSSROADS
    I'M NOT AT HOME, IN MY OWN HOME
    AND I'VE TRIED AND TRIED
    TO SAY WHAT'S ON MY MIND
    YOU SHOULD HAVE KNOWN

    OH, NOW I'M DONE BELIEVING YOU
    YOU DON'T KNOW WHAT I'M FEELING
    I'M MORE THAN WHAT YOU MADE OF ME
    I FOLLOWED THE VOICE YOU GAVE TO ME
    BUT NOW I GOTTA FIND MY OWN

    YOU SHOULD HAVE LISTENED
    THERE IS SOMEONE HERE INSIDE
    SOMEONE I'D THOUGHT HAD DIED
    SO LONG AGO

    OH, I'M SCREAMING OUT, AND MY DREAMS WILL BE HEARD
    THEY WILL NOT BE PUSHED ASIDE ON WORDS
    INTO YOUR OWN
    ALL CAUSE YOU WON'T
    LISTEN

    LISTEN, I AM ALONE AT A CROSSROADS
    I'M NOT AT HOME, IN MY OWN HOME
    AND I'VE TRIED AND TRIED
    TO SAY WHAT'S ON MY MIND
    YOU SHOULD HAVE KNOWN

    OH, NOW I'M DONE BELIEVING YOU
    YOU DON'T KNOW WHAT I'M FEELING
    I'M MORE THAN WHAT YOU MADE OF ME
    I FOLLOWED THE VOICE YOU GAVE TO ME
    BUT NOW I GOTTA FIND MY OWN

    I DON'T KNOW WHERE I BELONG
    BUT I'LL BE MOVING ON
    IF YOU DON'T
    IF YOU WON'T

    LISTEN TO THE SONG HERE IN MY HEART
    A MELODY I START
    BUT I WILL COMPLETE

    OH, NOW I'M DONE BELIEVING YOU
    YOU DON'T KNOW WHAT I'M FEELING
    I'M MORE THAN WHAT YOU'VE MADE OF ME
    I FOLLOWED THE VOICE YOU THINK YOU GAVE TO ME
    BUT NOW I GOTTA FIND MY OWN
    MY OWN

    WRITTEN BY BEYONCÉ KNOWLES, HENRY KRIEGER, SCOTT CUTLER AND ANNIE PREVEN
    PUBLISHED BY B-DAY PUBLISHING/EMI MUSIC PUBLISHING (ASCAP), MIROKU MUSIC (ASCAP), SCOTTA ROCK MUSIC (ASCAP). ADMIN. BY KOBALT, SHIGSHAG MUSIC (BMI) ADMIN. BY KOBALT, SKG SONGS (ASCAP) AND SONGS OF SKG (BMI)

    PRODUCED BY THE UNDERDOGS AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    ALL VOCALS PRODUCED BY RUDY PEREZ
    SPANISH LYRICS WRITTEN BY RUDY PEREZ
    BACKGROUND VOCALS: JASMIN CRUZ AND RUDY PEREZ
    LEAD VOCAL ENGINEER: ANDRES BERMUDEZ AND JIM CARUANA
    ASSISTED BY ROB KINELSKI, GEOFFREY RICE AND STEVE TOLLE
    RECORDED AT SONY MUSIC STUDIOS, NYC AND THE BEACH HOUSE STUDIOS, MIAMI BEACH, FL
    BACKGROUND VOCAL ENGINEER: ANDRES BERMUDEZ
    ASSISTANT ENGINEER: DAVID LOPEZ
    PRO TOOLS ENGINEER/EDITING: CLAY PERRY
    MIXED BY BRUCE WEEDEN
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

  • 9 – 4 – 8 – 1
    B'DAY

    MISSION ONE
    I'M-A PUT THIS ON
    WHEN HE SEE ME IN THE DRESS, I'M-A GET ME SOME (HEY)

    MISSION TWO
    GOTTA MAKE THAT CALL
    TELL HIM GET THE BOTTLES POPPIN' WHEN THEY PLAY MY SONG (HEY)

    MISSION THREE
    GOT MY THREE BEST FRIENDS
    LIKE WE DO IT ALL THE TIME, WE GON' DO IT AGAIN (HEY)

    MISSION FOUR
    GOT THE VINTAGE ROLLS
    DROP A COUPLE HUNDREDS, TELL HIM LEAVE IT AT THE DOOR

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y'ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    MISSION FIVE
    SKIP TO THE FRONT OF THE LINE
    LET ME FIX MY HAIR UP 'FORE I GO INSIDE (HEY)

    MISSION SIX
    GOTTA CHECK THESE CHICKS
    'CAUSE YOU KNOW THEY GONE BLOCK WHEN I TAKE THESE FLICKS (HEY)

    MISSION SEVEN
    GOTTA MAKE MY ROUNDS
    GIVEN EYES TO THE GUYS NOW I THINK I FOUND HIM (HEY)
    MISSION EIGHT
    NOW WE CONVERSATIN'
    WE CAN SKIP SMALL TALK, LET'S GET RIGHT TO THE CHASE (HEY)

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y'ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    YOU SHOULD SEE MY BODY
    I GOTTA KNOW ENOUGH TO KNOW IF YOU CAN GET ME BODIED
    I'M KINDA TIGHT, I'M FEELING RIGHT ENOUGH TO SEE SOMEBODY
    I WANNA LET IT OUT TONIGHT
    WANNA DANCE, WANNA PARTY, WANNA BE MYSELF TONIGHT

    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    CAN YOU GET ME BODIED
    I WANNA BE MYSELF TONIGHT
    WON'T YOU SING MY BODY
    I WANT TO LET IT OUT TONIGHT
    WANNA PARTY, WANNA DANCE, WANNA BE MYSELF TONIGHT

    BABY ALL I WANT IS TO LET IT GO
    AIN'T NO WORRIES, OH
    WE CAN DANCE ALL NIGHT
    GET ME BODIED
    THAT MEANS COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    AND YOUR BODY'S TOUCHING MY BODY
    ALL I NEED IS TO LET IT BE
    AIN'T NO WORRY, NO
    BOY DANCE WITH ME
    FEEL MY BODY
    STOP JUST COME CLOSER TO ME
    WHILE WE GRIND TO THE BEAT
    WITH YOUR BODY TOUCHING MY BODY

    GETTIN' BODIED
    AIN'T NO SHAME 'CAUSE I GOTTA GET MINE
    I SWING MY HAIR, KICK OFF MY SHOES
    COME HER BOY LET ME WORK ON YOU

    I AIN'T WORRIED DOING ME TONIGHT
    A LITTLE SWEAT AIN'T NEVER HURT NOBODY
    WHILE Y'ALL STANDIN' ON THE WALL
    I'M THE ONE TONIGHT
    GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED, GETTIN' BODIED
    WANT MY BODY
    WON'T YOU GET ME BODIED
    YOU WANT MY BODY
    WON'T YOU GET ME BODIED (HEY)

    WRITTEN BY BEYONCÉ KNOWLES, KASSEEM "SWIZZ BEATZ" DEAN, SEAN GARRETT,
    MAKEBA, ANGELA BEYINCE, SOLANGE KNOWLES
    PUBLISHED BY BEYONCÉ PUBLISHING (ASCAP), UNIVERSAL TUNES, A DIVISION OF
    SONGS OF UNIVERSAL INC. (SESAC), TEAM S DOT PUBLISHING (BMI)/HITCO MUSIC
    (BMI)/SONGS OF WINDSWEPT PACIFIC (BMI), MAKEBA YOGA FLAMES MUSIC
    (BMI)/JANICE COMBS PUBLISHING, INC. (BMI)/EMI BLACKWOOD MUSIC INC. (BMI),
    ANGELA BEYINCE MUSIC (ASCAP)/EMI APRIL MUSIC, INC. (ASCAP), SOLANGE MWP
    PUBLISHING (ASCAP) ADMINISTERED BY MUSIC WORLD, LLC

    PRODUCED BY SWIZZ BEATZ FOR SWIZZ BEATZ PRODUCTIONS, INC., BEYONCÉ KNOWLES
    FOR MUSIC WORLD PRODUCTIONS, INC. AND SEAN GARRETT FOR THE PRACTICE TEAM

    RECORDED BY JIM CARUANA AT SONY MUSIC STUDIOS, NYC
    ASSISTED BY ROB KINELSKI
    MIXED BY JASON GOLDSTEIN FOR CLEARWATER ENTERTAINMENT AND SWIZZ BEATZ AT
    SONY MUSIC STUDIOS, NYC
    ASSISTED BY STEVE TOLLE

    RECORDED BY JIM CARUANA, SHANE WOODLEY AND ROBERT "LB" DORSEY AT ROC THE MIC STUDIOS, NYC AND MICHAEL TOCCI FOR COMPOUND ENTERTAINMENT, LLC.
    MIXED BY JEAN-MARIE HORVAT AT OZ RECORDING STUDIOS, VALENCIA, CA
    DIGITAL PREP ENGINEER: COLIN MILLER
    MASTERED BY TOM COYNE AT STERLING SOUND, NYC

Dangerously in Love (2003)

Dangerously in Love

  • Buy Now
  • YES, SO CRAZY RIGHT NOW
    MOST INCREDIBLY, IT'S YOUR GIRL B
    IT'S YOUR BOY, YOUNG
    HISTORY IN THE MAKIN' PART 2
    SO CRAZY RIGHT NOW

    I LOOK AND STARE SO DEEP IN YOUR EYES
    I TOUCH ON YOU MORE AND MORE EVERY TIME
    WHEN YOU LEAVE I'M BEGGIN' YOU NOT TO GO
    CALL YOUR NAME TWO, THREE TIMES IN A ROW

    SUCH A FUNNY THING FOR ME TO TRY TO EXPLAIN
    HOW I'M FEELING AND MY PRIDE IS THE ONE TO BLAME
    YEAH, 'CAUSE I KNOW I DON'T UNDERSTAND
    JUST HOW YOUR LOVE CAN DO WHAT NO ONE ELSE CAN

    GOT ME LOOKIN' SO CRAZY RIGHT NOW
    YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
    GOT ME LOOKIN' SO CRAZY RIGHT NOW
    YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOW

    GOT ME HOPIN' YOU PAGE ME RIGHT NOW
    YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
    LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVE

    WHEN I TALK TO MY FRIENDS SO QUIETLY
    WHO HE THINK HE IS
    LOOK AT WHAT YOU DID TO ME
    TENNIS SHOES DON'T EVEN NEED TO BUY A NEW DRESS
    IF YOU AIN'T THERE, AIN'T NOBODY ELSE TO IMPRESS

    IT'S THE WAY THAT YOU KNOW WHAT I THOUGHT I KNEW
    IT'S THE BEAT THAT MY HEART SKIPS WHEN I'M WITH YOU
    BUT I STILL DON'T UNDERSTAND
    JUST HOW YOUR LOVE CAN DO WHAT NO ONE ELSE CAN

    GOT ME LOOKIN' SO CRAZY RIGHT NOW
    YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
    GOT ME LOOKIN' SO CRAZY RIGHT NOW
    YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOW

    GOT ME HOPIN' YOU PAGE ME RIGHT NOW
    YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
    LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVE

    I'M WARMED UP NOW, LET'S GO
    YOUNG HOV, Y'ALL KNOW WHEN THE FLOW IS LOCO
    YOUNG B AND THE R O C, UH OH
    OG, BIG HOMIE THE ONE AND ONLY
    STICK BONEY BUT THE POCKETS ARE FAT LIKE TONY
    SOPRANO THE ROC HANDLE LIKE VAN EXEL
    I SHAKE PHONIES MAN, YOU CAN'T GET NEXT TO
    A GENUINE ARTICLE, I DO NOT SING THO
    I SLING THOUGH, IF ANYTHING I BLING YO
    STARR LIKE RINGO, WAR LIKE A GREEN BERET
    YOU'RE CRAZY, BRING YOUR WHOLE SET
    JAY-Z IN THE RANGE, CRAZY AND DERANGED
    THEY CAN'T FIGURE HIM OUT, THEY'RE LIKE, HEY IS HE INSANE
    YES SIR I'M CUT FROM A DIFFERENT CLOTH
    MY TEXTURE IS THE BEST FUR, I'M CHINCHILLA
    I BEEN ILLER THEN CHAIN SMOKERS
    HOW YOU THINK I GOT THE NAME HOVA
    I'VE BEEN REALER, THE GAME'S OVA
    FALL BACK YOUNG
    EVER SINCE I MADE THE CHANGE OVER TO PLATINUM
    THE GAME'S BEEN A WRAP - ONE

    GOT ME LOOKIN' SO CRAZY, MY BABY
    I'M NOT MYSELF, LATELY I'M FOOLISH, I DON'T DO THIS
    I'VE BEEN PLAYIN' MYSELF, BABY I DON'T CARE
    'CAUSE YOUR LOVE GOT THE BEST OF ME
    AND BABY YOU'RE MAKING A FOOL OF ME
    YOU GOT ME SPRUNG AND I DON'T CARE WHO SEES
    'CAUSE BABY YOU GOT ME, YOU GOT ME SO CRAZY

    GOT ME LOOKIN' SO CRAZY RIGHT NOW
    YOUR LOVE GOT ME LOOKIN' SO CRAZY RIGHT NOW
    GOT ME LOOKIN' SO CRAZY RIGHT NOW
    YOUR TOUCH GOT ME LOOKIN' SO CRAZY RIGHT NOW

    GOT ME HOPIN' YOU PAGE ME RIGHT NOW
    YOUR KISS GOT ME HOPIN' YOU SAVE ME RIGHT NOW
    LOOKIN' SO CRAZY IN LOVE, GOT ME LOOKIN', GOT ME LOOKIN' SO CRAZY IN LOVE

    BEYONCÉ KNOWLES, RICH HARRISON, SHAWN CARTER, EUGENE RECORD
    BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/ EMI BLACKWOOD MUSIC INC. OBO ITSELF AND DAM RICH MUSIC (BMI)/ EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP) UNICHAPPELL MUSIC INC. (BMI)

    PRODUCED BY RICH HARRISON FOR RICHCRAFT INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED AT SONY STUDIOS, NYC
    ENGINEERED BY JIM CARUANA
    ADDITIONAL VOCALS RECORDED AT THE HIT FACTORY, NYC
    RECORDED BY PAT THRALL
    ALL INSTRUMENTS PLAYED BY RICH HARRISON
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
    CONTAINS SAMPLES FROM "ARE YOU MY WOMAN" WRITTEN BY EUGENE RECORD AND PUBLISHED BY UNICHAPPELL MUSIC INC. (BMI) PERFORMED BY THE CHI-LITES COURTESY OF BRUNSWICK RECORDS

  • I LOVE TO LOVE YOU BABY
    I LOVE TO LOVE YOU BABY

    I'M FEELING SEXY
    I WANNA HEAR YOU SAY MY NAME, BOY
    IF YOU CAN REACH ME
    YOU CAN FEEL MY BURNING FLAME
    FEELING KINDA NASTY
    I JUST MIGHT TAKE YOU HOME WITH ME

    BABY, THE MINUTE I FEEL YOUR ENERGY
    YOUR VIBE HAS JUST TAKEN OVER ME
    START FEELING SO CRAZY, BABE

    LATELY, I FEEL THE FUNK COMING OVER ME
    I DON'T KNOW WHAT'S GOTTEN INTO ME
    THE RHYTHM'S GOT ME FEELING SO CRAZY, BABE

    TONIGHT I'LL BE YOUR NAUGHTY GIRL
    I'M CALLING ALL MY GIRLS
    WE'RE GONNA TURN THIS PARTY OUT
    I KNOW YOU WANT MY BODY

    TONIGHT I'LL BE YOUR NAUGHTY GIRL
    I'M CALLING ALL MY GIRLS
    I SEE YOU LOOK ME UP AND DOWN
    AND I THINK ABOUT IT

    YOU'RE SO SEXY
    TONIGHT I AM ALL YOURS, BOY
    THE WAY YOUR BODY
    MOVES ACROSS THE FLOOR
    FEELING KINDA NASTY
    I JUST MIGHT TAKE YOU HOME WITH ME

    BABY, THE MINUTE I FEEL YOUR ENERGY
    YOUR VIBE HAS JUST TAKEN OVER ME
    START FEELING SO CRAZY, BABE

    LATELY, I FEEL THE FUNK COMING OVER ME
    I DON'T KNOW WHAT'S GOTTEN INTO ME
    THE RHYTHM'S GOT ME FEELING SO CRAZY, BABE

    TONIGHT I'LL BE YOUR NAUGHTY GIRL
    I'M CALLING ALL MY GIRLS
    WE'RE GONNA TURN THIS PARTY OUT
    I KNOW YOU WANT MY BODY

    TONIGHT I'LL BE YOUR NAUGHTY GIRL
    I'M CALLING ALL MY GIRLS
    I SEE YOU LOOK ME UP AND DOWN
    AND I THINK ABOUT IT

    I LOVE TO LOVE YOU BABY
    I LOVE TO LOVE YOU BABY
    I LOVE TO LOVE YOU BABY
    I LOVE TO LOVE YOU BABY

    TONIGHT I'LL BE YOUR NAUGHTY GIRL
    I'M CALLING ALL MY GIRLS
    WE'RE GONNA TURN THIS PARTY OUT
    I KNOW YOU WANT MY BODY

    TONIGHT I'LL BE YOUR NAUGHTY GIRL
    I'M CALLING ALL MY GIRLS
    I SEE YOU LOOK ME UP AND DOWN
    AND I THINK ABOUT IT
    (2X)

    BEYONCÉ KNOWLES, SCOTT STORCH, ROBERT WALKER, ANGELA BEYINCE, PETE BELOTTE, GIORGIO MORODER, DONNA SUMMER
    BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT/TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/ BLACK OWNED MUSIK/ ANGELA BEYINCE MUSIC/ WB MUSIC CORP. (ASCAP) SUMMER NIGHT MUSIC (BMI)

    PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED AT SOUTH BEACH STUDIOS, MIAMI
    ENGINEERED BY CARLOS BEDOYA
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: GREG PRICE AND LUZ VASQUEZ
    CONTAINS INTERPOLATIONS FROM "LOVE TO LOVE YOU BABY" WRITTEN BY P. BELLOTT, G. MORODER AND D. SUMMER AND PUBLISHED BY WB MUSIC CORP. (ASCAP) AND SWEET SUMMER NIGHT MUSIC (ASCAP). USED BY PERMISSION. ALL RIGHTS RESERVED.

  • CERTIFIED QUALITY
    A DAT DA GIRL DEM NEED AND DEM NOT STOP CRY WITHOUT APOLOGY
    BUCK DEM DA RIGHT WAY – DAT MY POLICY
    SEAN PAUL ALONGSIDE BEYONCÉ – NOW HEAR WHAT DA MAN SAY
    DUTTY YEAH, DUTTY YA, DUTTY YEAH, DUTTY YA
    BEYONCE SING IT NOW GIRL

    BABY BOY YOU STAY ON MY MIND
    FULFILL MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS

    BABY BOY NOT A DAY GOES BY
    WITHOUT MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS

    AH OH MY BABY'S FLY BABY GO
    YES NO HURT ME SO GOOD BABY OH
    I'M SO WRAPPED UP IN YOUR LOVE LET ME GO
    LET ME BREATHE STAY OUT MY FANTASIES

    YA READY GIMME DA TING DAT YA READY GET YA LIVE
    AND TELL ME ALL ABOUT DA TINGS THAT YOU WILL FANTASIZE
    I KNOW YOU DIG DA WAY ME STEP DA WAY ME MAKE MY STRIDE
    FOLLOW YOUR FEELINGS BABY GIRL BECAUSE THEY CANNOT BE DENIED
    COME CHECK ME IN A NIGHT AND MAKE WE GET IT AMPLIFIED
    ME HAVE DA TING TO RUN DA SHIP 'CAUSE I'M GO SLIP AND I'M GO SLIDE
    AND IN THE WORDS OF LOVE I GOT TA GET IT CERTIFIED
    BUT I GIVE YOU DA TOUGHEST LONGEST KINDA RIDE – GIRL

    BABY BOY YOU STAY ON MY MIND
    FULFILL MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS

    BABY BOY NOT A DAY GOES BY
    WITHOUT MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS

    PICTURE US DANCIN' REAL CLOSE IN A DARK DARK CORNER OF A BASEMENT PARTY
    EVERY TIME I CLOSE MY EYES IT'S LIKE EVERYONE LEFT BUT YOU AND ME
    IN OUR OWN LITTLE WORLD
    THE MUSIC IS THE SUN
    THE DANCE FLOOR BECOMES THE SEA
    FEELS LIKE TRUE PARADISE TO ME

    BABY BOY YOU STAY ON MY MIND
    FULFILL MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS

    BABY BOY NOT A DAY GOES BY
    WITHOUT MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS

    BABY BOY YOU STAY ON MY MIND
    BABY BOY YOU ARE SO DAMN FINE
    BABY BOY WON'T YOU BE MINE
    BABY BOY LET'S CONCEIVE AN ANGEL
    (2X)

    TOP TOP – GIRL
    ME AND YOU TOGETHER IS A WRAP DAT – GIRL
    DRIVING AROUND DA TOWN IN YOUR DROP TOP – GIRL
    YOU NO STOP SHOCK – GIRL
    LITTLE MORE DA DUTTY, WE'LL ROCK DAT WORLD
    (2X)

    BABY BOY YOU STAY ON MY MIND
    FULFILL MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS
    BABY BOY NOT A DAY GOES BY
    WITHOUT MY FANTASIES
    I THINK ABOUT YOU ALL THE TIME
    I SEE YOU IN MY DREAMS

    WE STEPPIN' IN HOTTER THIS YEAR
    WE STEPPIN' IN HOTTER THIS YEAR
    I KNOW YOU GON' LIKE IT
    I KNOW YOU GON' LIKE IT
    I'M STEPPIN' UP HOTTER THIS YEAR
    I'M STEPPIN' UP HOTTER THIS YEAR
    SO DON'T YOU FIGHT IT
    SO DON'T YOU FIGHT IT

    BEYONCÉ KNOWLES, SCOTT STORCH, SEAN PAUL HENRIQUES, ROBERT WALKER, SHAWN CARTER
    BEYONCÉ PUBLISHING / HITCO SOUTH ALL RIGHTS ADMIN. BY MUSIC OF WINDSWEPT/ TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/ EMI APRIL MUSIC INC. OBO EMI MUSIC PUBLISHING LTD/ BLACK OWNED MUSIK/ EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)

    PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED AT SOUTH BEACH STUDIOS, MIAMI
    ADDITIONAL VOCALS RECORDED AT THE HIT FACTORY, NYC
    RECORDED BY PAT THRALL
    ENGINEERED BY CARLOS BEDOYA
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: GREG PRICE AND LUZ VASQUEZ

  • PURE PLAYERS
    PURE PLAYERS
    SLOWLY AS SIR LUSCIOUS STEP UP LIKE A Q-DAWG
    A-TOWN'S UP, DEUCES DOWN, IT'S THE NEW CALL
    AND YOU CAN DIAL 1-888, CUT SOME
    I'M YOUR KINKY OPERATOR WHEN YOU WANNA CUT SOME
    AIN'T NO DIAL TONES JUST MILESTONES OF PLEASURE TO REACH
    TO EACH HIS OWN, I'M A STONE COLD AQUARIAN FREAK
    HUMANITARIAN, BARBARIAN BUT UNDER THE SHEETS
    IT'S THE PLAYER FROM THE POINT AND YOUR GIRL FROM THE D

    ARE YOU INFATUATED WITH ME
    I COULD END YOUR CURIOSITY
    IF YOU DON'T THINK I'M TOO RUDE
    HERE'S YOUR CHANCE TO MAKE YOUR MOVE

    I SIT AND WAIT FOR NOBODY
    PEOPLE SAY THAT MY

    MY STYLE IS SO CRAZY
    I THINK YOU LIKE IT BABY
    DO YOU WANT TO GET NASTY
    I DARE YOU TO UNDRESS ME

    BABY LET ME KNOW IF YOU WANNA ROLL
    WITH THIS HIP HOP STAR
    BAD BOOTS ON PANTS DOWN LOW
    I'M A HIP HOP STAR

    BABY LET ME KNOW IF YOU WANNA RIDE
    WITH THIS HIP HOP STAR
    I'M A ROCK STAR

    DO I BLOW YOU AWAY
    DO I STIMULATE YOUR MIND
    WOULD YOU TASTE MY LOVE IF I GIVE YOU TIME
    I HAVE NONE TO WASTE WITH YOU
    I GUESS YOU CAN SAY

    MY STYLE IS SO CRAZY
    I THINK YOU LIKE IT BABY
    DO YOU WANT TO GET MESSY
    I DARE YOU TO UNDRESS ME

    BABY LET ME KNOW IF YOU WANNA ROLL
    WITH THIS HIP HOP STAR
    BAD BOOTS ON PANTS DOWN LOW
    I'M A HIP HOP STAR
    BABY LET ME KNOW IF YOU WANNA RIDE
    WITH THIS HIP HOP STAR
    I'M A ROCK STAR

    UNDRESS ME, UNDRESS ME
    COME
    COME BABY, UNDRESS ME

    TAKE OFF THAT TANK TOP AND PULL OFF THEM DRAWERS
    THE GIRLS ALL PAUSE, GOT THEM DRIPPIN' DOWN THEY SUGAR WALLS
    AW NAW! GETTING TO THE NAPPY ROOT
    KNOCKING BOOTS AND STILETTOS, DAMN I KEEP IT GHETTO
    A COOL TYPE OF FELLOW, MELLOW GOT THE GOLD MEDAL
    NEVER SETTLE FOR LESS MY ROSE PETAL
    TOOEY, TOOEY, TOOEY, TOOEY! SPIT GAME
    VENOM TO GET IT UP IN 'EM, LET ME P POP THAT THANG
    FIRST CHECK HER BRAIN TO SEE IF SHE'S SANE
    DERANGED OR STRANGE OR CRAZY AS HELL
    YOU NEVER CAN TELL THESE DAYS
    EVERYBODY GOT A LITTLE RICK JAMES IN THEY VEINS, MAN

    THE WAY I FEEL, OH GIRL, I KNOW IT'S 'BOUT TO BE
    ME ALL ON YOU AND DAMN GIRL, YOU ALL OVER ME

    BABY LET ME KNOW IF YOU WANNA ROLL
    WITH THIS HIP HOP STAR
    BAD BOOTS ON PANTS DOWN LOW
    I'M A ROCK STAR

    BABY LET ME KNOW IF YOU WANNA RIDE
    WITH THIS HIP HOP STAR
    I'M A ROCK STAR

    BEYONCÉ KNOWLES, BRYCE WILSON, MAKEDA DAVIS, ANTWAN PATTON, SHAWN CARTER
    BEYONCÉ PUBLISHING / HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT/NOTTING DALE SONGS, INC. OBO ITSELF AND GROOVE 78 MUSIC/MAKEDA DAVIS PUBLISHING DESIGNEE/CHRYSALIS MUSIC INC./GNAT BOOTY MUSIC/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)

    PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND BRYCE WILSON FOR CZAR/ 1ST AND 15TH PRODUCTIONS, INC.
    ADDITIONAL VOCAL PRODUCTION BY BIG BOI FOR BOOM BOOM ROOM PRODUCTIONS

    RECORDED BY GURU AT BASELINE STUDIOS, NYC
    ADDITIONAL RECORDING BY CHRIS CARMOUCHE AND VINCENT ALEXANDER AT STANKONIA STUDIOS, ATLANTA
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ

  • OH BABY
    OH BABY
    OH YEAH…

    I LOVE THE WAY YOU MAKE ME FEEL
    IT SLOWS DOWN TIME
    COME IN MY BEDROOM
    AND TURN OFF THE LIGHTS

    YOU WHISPER SOFTLY IN MY EAR
    MAKES ME UNWIND
    THE WAY YOU TOUCH ME
    LETS ME KNOW YOU'RE MINE

    I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
    YOU SCREAM MY NAME
    AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
    AND MAKES ME FEEL THIS WAY

    I'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
    TO TAKE CARE OF ME
    I'D RATHER BE WITH YOU
    I KNOW, I'D RATHER BE WITH YOU

    I LOVE THE WAY YOU LOOK AT ME
    STARE INTO MY EYES
    WHAT DO THEY SAY TO YOU
    BOY DON'T BE SHY

    TONIGHT'S THE NIGHT YOUR FANTASIES
    WILL ALL COME TRUE
    I AM YOUR WOMAN
    I BELONG TO YOU

    THERE IS NOTHING, I WON'T DO FOR YOU
    I KNOW MY SOUL CONNECTED ME TO YOU
    I FEEL SO SAFE WHEN I'M ALONE WITH YOU

    I'M HOLDING BACK NOTHING, SAVING IT ALL FOR YOU
    BABY I LOVE MAKING LOVE TO YOU
    IT'S LIKE A HIGH I CAN'T COME DOWN FROM YOU

    I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
    YOU SCREAM MY NAME
    AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
    AND MAKES ME FEEL THIS WAY

    I'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
    TO TAKE CARE OF ME
    I'D RATHER BE WITH YOU
    BOY I'D RATHER BE WITH YOU
    I'D RATHER BE WITH YOU
    BOY I'D RATHER BE WITH YOU

    I'D RATHER BE WITH YOU, YEAH
    BOY I RATHER BE WITH YOU
    I'D RATHER BE WITH YOU, YEAH
    BOY I RATHER BE WITH YOU

    I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
    YOU SCREAM MY NAME
    AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
    AND MAKES ME FEEL THIS WAY

    I'D RATHER BE WITH YOU 'CAUSE YOU HUSTLE HARD
    TO TAKE CARE OF ME
    I'D RATHER BE WITH YOU
    BOY I'D RATHER BE WITH YOU
    I KNOW, I'D RATHER BE WITH YOU

    I'D RATHER BE WITH YOU 'CAUSE I LOVE THE WAY
    YOU SCREAM MY NAME (I AIN'T GOIN' NOWHERE, I'M HAPPY WITH YOU)
    AND THERE'S NO OTHER MAN THAT GIVES ME WHAT I WANT
    AND MAKES ME FEEL THIS WAY
    I AIN'T THINKIN' 'BOUT NOBODY BUT YOU BABY
    I'D RATHER BE WITH YOU
    'CAUSE YOU HUSTLE HARD TO TAKE CARE OF ME
    I'D RATHER BE WITH YOU
    BOY I'D RATHER BE WITH YOU
    BOY I'D RATHER BE WITH YOU

    BEYONCÉ KNOWLES, RICH HARRISON, ANGELA BEYINCE, SHUGGIE OTIS, GEORGE CLINTON JR., WILLIAM COLLINS, GARY COOPER
    BEYONCÉ PUBLISHING / HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/EMI BLACKWOOD MUSIC INC. OBO ITSELF AND DAM RICH MUSIC (BMI)/ANGELA BEYINCE MUSIC (ASCAP)/KIDADA MUSIC INC./SHUGITERIUS MUSIC ADMIN BY WARNER-TAMERLANE PUBLISHING CORP./RUBBER BAND MUSIC, INC. ADMIN. BY UNIVERSAL – SONGS OF POLYGRAM INT. INC. (BMI)

    PRODUCED BY RICH HARRISON FOR RICH CRAFT INC. AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED AT SONY STUDIOS, NYC
    ENGINEERED BY JIM CARUANA
    ALL INSTRUMENTS PLAYED BY RICH HARRISON
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
    SHUGGIE OTIS "STRAWBERRY LETTER 23" UNDER LICENSE FROM SONY.
    CONTAINS INTERPOLATIONS FROM "I'D RATHER BE WITH YOU" WRITTEN BY GEORGE CLINTON JR., WILLIAMS COLLINS AND GARY COOPER AND PUBLISHED BY RUBBER BAND MUSIC. UNIVERSAL SONGS OF POLYGRAM (BMI).
    CONTAINS EXCERPTS FROM "STRAWBERRY LETTER 23" WRITTEN BY SHUGGIE OTIS AND PUBLISHED BY WARNER-TAMERLANE PUB CORP (BMI) PERFORMED BY SHUGGIE OTIS COURTESY OF SONY MUSIC ENTERTAINMENT

  • ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT

    I CAN'T BELIEVE I BELIEVED EVERYTHING WE HAD WOULD LAST
    SO YOUNG AND NAIVE OF ME TO THINK SHE WAS FROM YOUR PAST
    SILLY OF ME TO DREAM OF ONE DAY HAVING YOUR KIDS
    LOVE IS SO BLIND IT FEELS RIGHT WHEN IT'S WRONG

    I CAN'T BELIEVE I FELL FOR YOUR SCHEMES; I'M SMARTER THAN THAT
    SO DUMB AND NAIVE TO BELIEVE THAT WITH ME, YOU'RE A CHANGED MAN
    FOOLISH OF ME TO COMPETE WHEN YOU CHEAT WITH LOOSE WOMEN
    IT TOOK ME SOME TIME BUT NOW I MOVED ON
    BECAUSE I REALIZED I'VE GOT

    ME, MYSELF AND I
    THAT'S ALL I GOT IN THE END
    THAT'S WHAT I FOUND OUT

    AND IT AIN'T NO NEED TO CRY
    I TOOK A VOW THAT FROM NOW ON
    I'M GON' BE MY OWN BEST FRIEND
    (2X)

    SO CONTROLLING TO SAY THAT YOU LOVE ME BUT YOU DON'T
    YOUR FAMILY TOLD ME ONE DAY I WOULD SEE IT ON MY OWN
    NEXT THING I KNOW I'M DEALING WITH YOUR THREE KIDS IN MY HOME
    LOVE IS SO BLIND IT FEELS RIGHT WHEN IT'S WRONG

    NOW THAT IT'S OVER, STOP CALLING ME
    COME PICK UP YOUR CLOTHES
    AIN'T NO NEED TO FRONT LIKE YOU'RE STILL WITH ME
    ALL YOUR HOMIES KNOW
    EVEN YOUR VERY BEST FRIEND TRIED TO WARN ME ON THE LOW
    TOOK ME SOME TIME BUT NOW I AM STRONG
    BECAUSE I REALIZED I'VE GOT

    ME, MYSELF AND I
    THAT'S ALL I GOT IN THE END
    THAT'S WHAT I FOUND OUT

    AND IT AIN'T NO NEED TO CRY
    I TOOK A VOW THAT FROM NOW ON
    I'M GON' BE MY OWN BEST FRIEND
    (2X)

    I GOT ME, MYSELF AND I
    (I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
    I MUST HAVE CRIED A THOUSAND TIMES
    (ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT)

    I CAN'T REGRET TIME SPENT WITH YOU
    (YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
    SO I HAVE VOWED TO MAKE IT THROUGH
    (AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN)

    NOW I GOT ME, MYSELF AND I
    (I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
    I MUST HAVE CRIED A THOUSAND TIMES
    (I'VE CRIED)
    (ALL THE LADIES IF YOU FEEL ME, HELP ME SING IT OUT)

    I CAN'T REGRET TIME SPENT WITH YOU
    (YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
    SO I HAVE VOWED TO MAKE IT THROUGH
    (AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN, YEAH)

    I'VE GOT ME, MYSELF AND I
    (ME, MYSELF AND I)
    I MUST HAVE CRIED A THOUSAND TIMES
    (I HAVE CRIED SO MANY TIMES)

    I CAN'T REGRET TIME SPENT WITH YOU
    (I CAN'T REGRET TIME SPENT WITH YOU)
    SO I HAVE VOWED TO MAKE IT THROUGH
    (AFTER ALL THE RAIN YOU'LL SEE THE SUN COME OUT AGAIN)

    NOW I'VE GOT ME, MYSELF AND I
    (I KNOW THAT I WILL NEVER DISAPPOINT MYSELF)
    I MUST HAVE CRIED A THOUSAND TIMES
    (IF YOU CRIED A THOUSAND TIMES, LADIES, YOU WILL SURVIVE)

    I CAN'T REGRET TIME SPENT WITH YOU
    (YEAH, YOU HURT ME BUT I LEARNED A LOT ALONG THE WAY)
    SO I HAVE VOWED TO MAKE IT THROUGH
    (I CAN SEE THE SUNSHINE; I'VE GOT ME, MYSELF AND I)

    BEYONCÉ KNOWLES, SCOTT STORCH, ROBERT WALKER
    BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT/TVT MUSIC, INC. OBO ITSELF AND SCOTT STORCH MUSIC/BLACK OWNED MUSIK (ASCAP)

    PRODUCED BY SCOTT STORCH FOR TUFF JEW PRODUCTIONS, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED AT SOUTH BEACH STUDIOS, MIAMI
    ENGINEERED BY CARLOS BEDOYA
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: PAT WOODWARD, GREG PRICE AND LUZ VASQUEZ

  • I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
    YES WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
    THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
    (IT'S LIKE I NEVER SAY YES)

    I SAID YES, WE CAN BE TOGETHER
    YES, YOU CAN STAY WITH ME
    BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
    THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
    (IT'S LIKE I NEVER SAY YES)

    YOU WAS ON THE WALL
    I WAS WITH MY CREW
    YOU WAS WATCHING ME BABY
    I WAS WATCHING YOU

    SLOWLY YOU WALKED OVER
    I MAINTAINED MY COOL
    YOU SAID HELLO TO ME
    I SAID HELLO TO YOU

    YOU ASKED ME WHERE I'M FROM
    I ASKED YOU WHAT YOU DO
    YOU SOMEHOW INTRIGUED ME
    I THOUGHT YOU WERE SO COOL

    SOMEWHERE BETWEEN HI AND GOODBYE, I FELT SO COMFORTABLE
    I FELT LIKE WE COULD TALK ALL NIGHT, SO I GAVE MY NUMBER TO YOU

    I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
    YES WE CAN BE TOGETHER, BUT YOU GOTTA WAIT FOR ME
    THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
    (IT'S LIKE I NEVER SAY YES)

    I SAID YES WE CAN BE TOGETHER
    YES, YOU CAN STAY WITH ME
    BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
    THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
    (IT'S LIKE I NEVER SAY YES)

    CERTAINLY YOU CAN CALL ME BABY
    I LOVE TO HEAR FROM YOU
    YES OF COURSE, YOU CAN COME AND SEE ME BOY
    WANNA GET TO KNOW YOU MORE, SURE I'M FEELING YOU
    NO BABY, NOT YET, WE CAN'T TAKE THAT NEXT STEP
    WHY YOU GETTING SO UPSET, BOY YOU
    ACT AS THOUGH I NEVER TOLD YOU YES BEFORE, YOU ARE SO UNGRATEFUL

    YOU WAS AT MY HOUSE
    I WAS SITTING ON MY COUCH
    YOU WAS REALLY BUGGING, SO I TOLD YOU TO GET OUT
    I HAVE BEEN MISJUDGING YOU, YOU HAD A LOT OF NERVE - YOU
    TOO DAMN OLD TO BE SO IMMATURE, I HOPE YOU LEARNED

    YOU SAID I MOVE TOO SLOW, I SHOWED YOU TO THE DOOR
    YOU SAID YOU'D CALL ME LATER, I SAID DON'T CALL NO MORE
    BUT IT'S COOL IF YOU CAN'T WAIT FOR ME, I'M GLAD YOU LET ME KNOW
    'CAUSE YOU SHOWED ME YOUR TRUE FACE BABY, THE FIRST TIME I SAID NO

    I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
    YES, WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
    THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
    (IT'S LIKE I NEVER SAY YES)

    I SAID YES, WE CAN BE TOGETHER
    YES, YOU CAN STAY WITH ME
    BUT WHEN I SAY NO NOT TONIGHT, YOU ACTING SO UNGRATEFULLY
    THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
    (IT'S LIKE I NEVER SAID YES)

    I SAID YES TO YOUR MAMA AND YES TO YOU DATING ME
    YES, WE CAN BE TOGETHER BUT YOU GOTTA WAIT FOR ME
    THE FIRST TIME I SAY NO, IT'S LIKE I NEVER SAID YES
    (IT'S LIKE I NEVER SAID YES)

    BEYONCÉ KNOWLES, BERNARD EDWARDS JR., SHAWN CARTER
    BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT/3RDI MUSIC WORKS/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING (ASCAP)

    PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND FOCUS… FOR A-FOC.ALIPTIC MUSICWORKS, COURTESY OF AFTERMATH RECORDS

    RECORDED BY FOCUS… AT COE.BE.3 STUDIOS, STONE MOUNTAIN, GA
    VOCALS RECORDED BY CARLOS BEDOYA AT SOUTH BEACH STUDIOS, MIAMI
    ALL INSTRUMENTS BY FOCUS…
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEER: JASON DALE

  • IN DECEMBER EVERY SIGN HAS IT'S OWN MODE
    I WAS IN LOVE WITH A SAGITTARIUS
    SEE THE EMOTIONS HE PUT ME THROUGH
    FROM CAPRICORNS TO AQUARIUS
    THEY ALL GOT THEIR DIFFERENT MINDS
    THE AFFECTION OF A VIRGO
    WHICH SIGN MATCHES GOOD WITH MINE

    I WAS IN LOVE WITH A SAGITTARIUS, HE BLEW MY MIND
    HE ALSO HAD A FLIP SIDE, TOO MUCH LIKE A GEMINI
    HE WAS FREAKY LIKE A TAURUS, THE WAY HE HANDLED ME, YEAH
    FLIRTATIOUS LIKE AN ARIES, WHICH SIGN IS BEST FOR ME

    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

    I WISH HE WAS A VIRGO, THE SAME SIGN AS ME
    AND KNOW HOW TO SHOW ME LOVE, 'CAUSE I'VE BEEN HURT BY A PISCES

    REWIND

    I WISH HE WAS A VIRGO, THE SAME SIGN AS ME
    AND KNOW HOW TO SHOW ME LOVE, 'CAUSE I'VE BEEN HURT BY A PISCES

    I WANT HIM SEXY LIKE A SCORPIO
    THE WAY HE HOLDS ME CLOSE, YEAH
    SENSITIVE AS A CANCER
    EVERY SIGN FROM COAST TO COAST

    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

    I CAN'T EXPLAIN WHY I LOVE HIM
    BOSSY LIKE LEO'S DO
    GOT GAME LIKE AN AQUARIUS
    SWITCH MOVES AFTER HE BEEN WITH YOU

    FUN LIKE A LIBRA
    HE STAYS ON MY MIND
    HE'S SO UNPREDICTABLE
    HE REMINDS ME OF EVERY SIGN

    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    LEO, VIRGO, LIBRA, SCORPIO, SAGITTARIUS, I LOVE ALL Y'ALL

    EVERY SIGN FROM THE FIRST TO THE LAST
    EVERYDAY OF THE MONTH HAS ITS GOOD AND ITS BAD
    I LOVE YOU ALL, ALL 12 SIGNS

    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH
    CAPRICORN, AQUARIUS, PISCES, ARIES, TAURUS, GEMINI, CANCER, OH

    EVERY ONE OF THESE SIGNS, YOU KNOW YOU'RE BLOWING ME AWAY
    NO MATTER WHEN YOU'RE BORN FOR SURE WITH ME, YOU'RE OKAY

    I LOVE EVERY ONE OF Y'ALL, NO MATTER WHAT SIGN YOU ARE
    JANUARY TO DECEMBER, HERE'S MY OPEN ARMS

    I WAS IN LOVE WITH A SAGITTARIUS
    I WAS IN LOVE WITH A SAGITTARIUS
    I WAS IN LOVE WITH A SAGITTARIUS
    I WAS IN LOVE WITH A SAGITTARIUS

    MISSY ELLIOTT, NISAN STEWART, CRAIG BROCKMAN
    MASS CONFUSION PRODUCTIONS ADMIN BY WB MUSIC CORP./UNIVERSAL MUSIC CORP. ON BEHALF OF NISAN'S MUSIC/CHERRY LANE MUSIC PUBLISHING CO., INC. ON BEHALF OF CRAIGMAN MUSIC (ASCAP)

    PRODUCED BY MISSY ELLIOTT FOR MASS CONFUSION PRODUCTIONS, INC.
    CO-PRODUCED BY CRAIG BROCKMAN FOR NEW EVERY MORNING MUSIC, INC. AND NISAN STEWART FOR NCS ENTERTAINMENT, INC.
    VOCALS PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY JIM CARUANA AT SONY STUDIOS, NYC
    ADDITIONAL RECORDING AT THE HIT FACTORY CRITERIA, MIAMI
    MIXED BY SCOTT KIEKLAK AT THE HIT FACTORY CRITERIA, MIAMI
    ASSISTANT MIX ENGINEER: DEMACIO "DEMO" CASTELLON

  • YOU'VE GOT ME
    YOU'VE GOT ME
    YOU'VE GOT ME
    YOU'VE GOT ME SPEECHLESS

    WHERE YOU BEEN LATELY
    WAITED FOR YOU ALL DAY
    WAITING FOR YOU TO USE THE KEY
    THAT OPENS MY PLACE

    MY HEART STARTS TREMBLING
    AS I HEAR YOUR FOOTSTEPS PACE
    LOCK OPENED, DOORKNOB TURNED
    THERE APPEARS YOUR FACE

    GOING OUT MY HEAD I THINK I'M LOSING ALL MY MIND
    DRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHT
    FEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLD
    IN YOUR ARMS, LOST FOR WORDS, YOU'VE GOT ME

    YOU'VE GOT ME, YOU'VE GOT ME
    YOU'VE GOT ME, YOU'VE GOT ME
    YOU'VE GOT ME, YOU'VE GOT ME
    YOU'VE GOT ME
    SPEECHLESS

    LAYING SO CLOSELY
    I FEEL YOUR SKIN RUBBING AND TOUCHING ME
    ONLY SWEAT BETWEEN US
    FEELING YOU KISSING AND PLEASING ME

    I RUB YOUR BACK
    I KISS YOUR NECK
    I KNOW THAT YOU LOVE WHEN WE TOUCH LIKE THAT
    I CAN FEEL YOU NEED ME
    FEEL SO GOOD TO ME, FEEL SO GOOD TO ME

    GOING OUT MY HEAD I THINK I'M LOSING ALL MY MIND
    DRIVE ME CRAZY, BURNING CANDLES, MAKING LOVE ALL NIGHT
    FEEL SO STRANGE, IT FEELS SO CRAZY TO BE IN YOUR WORLD
    IN YOUR ARMS LOST FOR WORDS YOU'VE GOT ME

    YOU'VE GOT ME, YOU'VE GOT ME
    YOU'VE GOT ME, YOU'VE GOT ME
    YOU'VE GOT ME
    SPEECHLESS
    YES, YES, YES, YES, YES, YES
    SPEECHLESS
    ALL I CAN SAY IS…YES, YES, YES,
    ALL I CAN SAY IS…YES, YES, YES

    KISS ME
    HOLD ME
    YOU'VE GOT ME
    SPEECHLESS

    BEYONCÉ KNOWLES, ANDREAO HEARD, SHERROD BARNES, ANGELA BEYINCE
    BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT/6TH BORO MUSIC/ LIC SPIFFY MUSIC/ANGELA BEYINCE MUSIC (ASCAP)

    PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND ANDREAO "FANATIC" HEARD AND SHERROD BARNES FOR SIXTH BORO ENTERTAINMENT INC.

    RECORDED AT SOHO STUDIOS, NYC
    VOCALS RECORDED AT PATCHWERK STUDIOS, ATLANTA AND SOUTH BEACH STUDIOS, MIAMI
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: DAN BUCCHI AND MATT SNEDECOR

  • THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW I LIKE IT BABY
    (4X)

    I NEED A THUG THAT'LL HAVE MY BACK
    DO-RAG, NIKE AIRS TO MATCH
    AIN'T NOTHIN' WRONG WITH THAT
    THAT'S HOW I LIKE IT, BABY

    WHERE MY THUGS AT
    WHITE T-SHIRT, I LOVE THAT
    TIMBERLAND BOOTS, YOU DOES THAT, IT'S A FACT
    THAT'S HOW I LIKE IT, BABY

    I LIKE THE WAY YOU WALK
    THE WAY YOU TALK
    THE WAY YOU DRESS
    THE WAY YOU SMILE

    I LIKE THE WAY YOU ARE
    THE WAY YOU AIN'T
    I LIKE YOUR HONESTY, INTEGRITY, IT LEVELS ME
    SO PLEASE DON'T EVER CHANGE

    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW I LIKE IT BABY
    (4X)

    I LIKE THE WAY YOU BRUSH YOUR HAIR
    I LIKE THE STYLISH CLOTHES YOU WEAR
    IT'S JUST THE REAL THINGS YOU DO
    THAT'S WHY I WANNA STICK WITH YOU

    WHERE MY GIRLS AT
    LET THEM KNOW WE LOVE THAT
    SEXY WAY THEY DOES THAT
    THAT'S HOW I LIKE IT BABY

    I HOPE YOU LIKE MY STYLE
    THE WAY I DRESS
    THE WAY I FLIRT
    SAY YES

    I HOPE YOU LIKE MY MIND
    THE THINGS I SAY
    IF I'M WITH YOU, THEN I'M WITH ONLY YOU
    MY LOYALTY WILL NEVER, EVER CHANGE

    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW I LIKE IT BABY
    (4X)

    I KNOW YOU'VE HEARD I'M A GANGSTA
    THEY SAY STAY AWAY FROM THEM GANGSTAS
    THEY NEVER CHANGE UP, OR PULL THEY PANTS UP
    WELL, BABY GIRL, PUT YA FOOT DOWN
    DON'T LET 'EM PUSH YOU AROUND, YOU KNOW WHAT YOU LIKE
    BABY THUG, YOU KNOW WRONG FROM RIGHT
    YOU DONE FELT WRONG BEFORE
    THIS CAN'T BE WHAT IT FEEL LIKE
    AND THEY DON'T REALLY KNOW WHATCHA FEEL LIKE, FOR INSTANCE
    THEY DON'T KNOW THE DIFFERENCE BETWEEN REAL LIFE
    AND THE MUSIC VIDEOS AND THE RAGGEDY MAGAZINES
    THEY HAVE IT BADDER THAN HE SEEMS
    ALL THEY SEE IS MY BAGGY JEANS, MY ATTITUDE
    I AIN'T MAD AT YOU, IT'S JUST MY CLYDE
    WAY I WEAR MY HAT TO THE SIDE
    WAY I LEAN REAL LOW WHEN I RIDE
    THAT'S WHY MY MINDS, THEY LIKE MY WALK
    MY ACCENT FROM NEW YORK
    MY WAY OF THINKING IS SLIGHTLY OFF
    THEY LIKE THE WAY HE FLOSS
    LEAVE THE BLOCK ON A BIKE, HE COME BACK ON A PORSCHE
    BUT OF COURSE
    MOST OF ALL, THEY LIKE MY HONESTY, INTEGRITY, MY LOYALTY
    YOUNG HOV AND THE LETTER B
    HOW YOU LIKE THAT, HUH?

    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW YOU LIKE IT, HUH
    THAT'S HOW I LIKE IT BABY
    (4X)

    D. ANDREWS, B. BRIDGEMAN, BEYONCÉ KNOWLES, SHAWN CARTER, RANDY DEBARGE, ELDRA DEBARGE, ETTERLENE JORDAN
    DNOMYANR/BOBBY EARL MUSIC (SESAC)/HITCO SOUTH/BEYONCÉ PUBLISHING ADMIN. BY MUSIC OF WINDSWEPT/EMI APRIL MUSIC INC. OBO ITSELF AND CARTER BOYS PUBLISHING/JOBETE MUSIC CO., INC. (ASCAP)

    PRODUCED BY D-ROY AND MR. B FOR ART AND LIFE/HEAT ROC MANAGEMENT, LLC AND BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED BY GURU AT BASELINE STUDIOS, NYC
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTOR, NYC
    ASSISTANT MIX ENGINEERS: PAT WOODWARD AND LUZ VASQUEZ
    CONTAINS RESUNG LYRICS FROM "I LIKE IT" WRITTEN BY RANDY DEBARGE, ELDRA DEBARGE, ETTERLENE JORDAN AND PUBLISHED BY JOBETE MUSIC (ASCAP)
    USED BY PERMISSION.

  • THE CLOSER I GET TO YOU
    THE MORE YOU MAKE ME SEE
    BY GIVING ME ALL YOU'VE GOT (TELL ME MORE)
    YOUR LOVE HAS CAPTURED ME

    OVER AND OVER AGAIN
    I TRIED TO TELL MYSELF THAT WE
    COULD NEVER BE MORE THAN FRIENDS
    BUT ALL THE WHILE INSIDE I KNEW IT WAS REAL
    THE WAY YOU MAKE ME FEEL

    LYING HERE NEXT TO YOU
    TIME JUST SEEMS TO FLY
    NEEDING YOU MORE AND MORE (MORE AND MORE)
    LET'S GIVE LOVE A TRY (LET'S GIVE LOVE A TRY)

    SWEETER AND SWEETER LOVE GROWS
    AND HEAVEN'S THERE FOR THOSE
    WHO FOOL THE TRICKS OF TIME
    WITH HEARTS OF LOVE WE'LL FIND
    TRUE LOVE
    IN A SPECIAL WAY

    THE CLOSER I GET (THE CLOSER I GET TO YOU BABY)
    THE MORE YOU MAKE ME SEE (THE MORE YOU MAKE ME SEE)
    BY GIVING ME WHAT YOU'VE GOT
    YOUR LOVE CAPTURES ME

    OVER AND OVER AGAIN
    I TRY TO TELL MYSELF THAT WE
    COULD NEVER BE MORE THAN FRIENDS
    AND ALL THE WHILE INSIDE I KNEW THIS WAS REAL (GOT TO BE, GOT TO BE REAL)
    THE WAY YOU MAKE ME FEEL
    MY BABY, MY BABY, MY BABY, MY LOVE (MY LOVE, MY LOVE)

    COME A LITTLE CLOSER SO THAT WE CAN SEE INTO THE EYES OF LOVE (I WANNA SEE INTO THOSE EYES OF LOVE)
    JUST A LITTLE CLOSER LET ME SPEAK TO YOU, I WANT TO SOFTLY TELL YOU SOMETHING (HERE I AM, HERE'S MY LOVE, I JUST WANT YOU TOO…COME CLOSER LOVE)
    COME A LITTLE CLOSER LET ME WHISPER IN YOUR EAR 'CAUSE I WANNA TELL YOU SOMETHING (I WANNA WHISPER IN YOUR EAR SO SOFT, SO COME CLOSER LOVE)
    MOVE ON IN REAL CLOSE SO WE CAN CELEBRATE THE WAY WE FEEL ABOUT EACH OTHER'S LOVING (WANNA TO TELL YOU WORDS, WORDS OF LOVE, WORDS THAT MAKE YOU WANNA)

    J. MTUME, R. LUCAS
    SCARAB PUBLISHING CORP./ENSIGN MUSIC CORP. (BMI)

    PRODUCED BY NAT ADDERLEY JR.
    VOCAL ARRANGEMENT BY LUTHER VANDROSS
    ARRANGED BY NAT ADDERLEY JR. AND SKIP ANDERSON

    DRUMS: IVAN HAMPDEN
    BASS: BYRON MILLER
    GUITAR: PHIL HAMILTON
    PERFCUSSION: BASHIRI JOHNSON
    ELECTRIC PIANO: NAT ADDERLEY JR.
    SOUND PROGRAMMING AND ADDITIONAL KEYBOARDS: SKIP ANDERSON
    STRINGS CONTRACTED BY AL BROWN
    CONCERT MASTER: SANFORD ALLEN
    STRINGS ARRANGED BY NAT ADDERLEY JR
    STRINGS RECORDED BY RAY BARDANI AT RIGHT TRACK STUDIOS, NYC
    BACKGROUND VOCALS: CISSY HOUSTON, TAWATH AGEE, BRENDA WHITE-KING, AND CANDACE THOMAS
    RECORDED BY STAN WALLACE
    MIXED BY RAY BARDANI AT THE HIT FACTORY, NYC

  • I LOVE YOU
    I LOVE YOU
    I LOVE YOU

    BABY I LOVE YOU
    YOU ARE MY LIFE
    MY HAPPIEST MOMENTS WEREN'T COMPLETE
    IF YOU WEREN'T BY MY SIDE

    YOU'RE MY RELATION
    IN CONNECTION TO THE SUN
    WITH YOU NEXT TO ME
    THERE'S NO DARKNESS I CAN'T OVERCOME

    YOU ARE MY RAINDROP
    I AM THE SEED
    WITH YOU AND GOD, WHO'S MY SUNLIGHT
    I BLOOM AND GROW SO BEAUTIFULLY

    BABY, I'M SO PROUD
    SO PROUD TO BE YOUR GIRL
    YOU MAKE THE CONFUSION
    GO ALL AWAY
    FROM THIS COLD AND MIXED UP WORLD

    I AM IN LOVE WITH YOU
    YOU SET ME FREE
    I CAN'T DO THIS THING
    CALLED LIFE WITHOUT YOU HERE WITH ME

    'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
    I'LL NEVER LEAVE
    JUST KEEP LOVING ME
    THE WAY I LOVE, YOU LOVING ME
    (2X)

    AND I KNOW YOU LOVE ME
    LOVE ME FOR WHO I AM
    CAUSE YEARS BEFORE I BECAME WHO I AM
    BABY YOU WERE MY MAN

    I KNOW IT AIN'T EASY
    EASY LOVING ME
    I APPRECIATE THE LOVE AND DEDICATION
    FROM YOU TO ME

    LATER ON IN MY DESTINY
    I SEE MYSELF HAVING YOUR CHILD
    I SEE MYSELF BEING YOUR WIFE
    AND I SEE MY WHOLE FUTURE IN YOUR EYES

    THOUGHT OF ALL MY LOVE FOR YOU
    SOMETIMES MAKE ME WANNA CRY
    REALIZE ALL MY BLESSINGS
    I'M GRATEFUL TO HAVE YOU BY MY SIDE

    I AM IN LOVE WITH YOU
    YOU SET ME FREE
    I CAN'T DO THIS THING
    CALLED LIFE WITHOUT YOU HERE WITH ME

    'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
    I'LL NEVER LEAVE
    JUST KEEP LOVING ME
    THE WAY I LOVE, YOU LOVING ME
    (2X)

    EVERY TIME I SEE YOUR FACE
    MY HEART SMILES
    EVERY TIME IT FEELS SO GOOD
    IT HURTS SOMETIMES
    CREATED IN THIS WORLD
    TO LOVE
    TO HOLD
    TO FEEL
    TO BREATHE
    TO LOVE YOU

    I AM IN LOVE WITH YOU
    YOU SET ME FREE
    I CAN'T DO THIS THING
    CALLED LIFE WITHOUT YOU HERE WITH ME

    'CAUSE I'M DANGEROUSLY IN LOVE WITH YOU
    I'LL NEVER LEAVE
    JUST KEEP LOVING ME
    THE WAY I LOVE, YOU LOVING ME
    (2X)

    BEYONCÉ KNOWLES, ERROL MCCALLA JR.
    BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN BY MUSIC OF WINDSWEPT (ASCAP)/FORAY MUSIC OBO ITSELF AND EWM PUBLISHING (SESAC)

    PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND ERROL "POPPI" MCCALLA JR. FOR MUSIC WORLD PRODUCTIONS, INC.

    GUITARS: DAN WORKMAN
    ADDITIONAL GUITARS: JOHN "JAB" BROUSSARD
    RECORDED AT SUGARHILL STUDIOS, HOUSTON
    ENGINEER: DAN WORKMAN
    VOCALS RECORDED AT THE ENTERPRISE, BURBANK, CA
    ENGINEER: BRIAN SPRINGER
    MIXED BY DEXTER SIMMONS AT THE ENTERPRISE, BURBANK, CA

  • I BELIEVE THAT HARMONIES ARE COLORS
    EVERY TIME I PAINT, IT SHARPENS MY HARMONY
    YESTERDAY I TRIED TO PAINT YOU, BUT THE COLORS WEREN'T BEAUTIFUL ENOUGH
    YOUR LOVE GOES BEYOND WHAT I CAN SAY
    LOVE BEYONCÉ

    BEYONCÉ KNOWLES
    BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)

    PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    ENGINEER: CARLOS BEDOYA
    RECORDED AT SOUTH BEACH STUDIOS, MIAMI, FL

  • A GIFT, A GIFT FROM VIRGO

    I WISH I COULD LOOK IN YOUR EYES
    AND TELL YOU HOW I FEEL
    RIGHT NOW INSIDE
    BABY I KNOW THAT IT'S REAL
    SO REAL, SO REAL, SO REAL
    HOW I WISH I COULD BE WITH YOU
    HOW I WISH, HOW I WISH, HOW I WISH I COULD BE WITH YOU RIGHT NOW

    EVERY MORNING, EVERY AFTERNOON, EVERY NIGHT
    I WANNA BE WITH YOU
    IT DON'T MATTER IF WE GO TO THE PARK OR WATCH A PLAY
    STAY IN THE HOTEL ROOM ALL DAY
    I JUST WANNA BE WITH YOU

    I LOVE EVERYTHING ABOUT YOU
    FROM YOUR OLD SCHOOL TENNIS SHOES
    TO THE WAY YOU MOVE WHEN YOU'RE DANCING WITH ME

    DO YOU REMEMBER OUR FIRST KISS
    IT WASN'T LONG ENOUGH
    REMEMBER THE FIRST TIME
    WE SPENT THOSE WEEKS TOGETHER
    THEY WERE NOT LONG ENOUGH

    ALL OF OUR CONVERSATIONS
    ALL OF YOUR SWEET PAGES
    THEY'RE NEVER LONG ENOUGH

    WHEN IT'S TIME FOR ME TO LEAVE
    IT'S SO HARD TO SAY GOOD-BYE
    I NEVER WANT TO SAY GOOD-BYE
    I NEVER EVER WANT TO SAY GOOD-BYE

    ONE DAY, ONE DAY WE'LL MAKE LOVE
    FINALLY I'LL BE YOURS
    ONLY YOU, ONLY YOU
    I COULD LOVE YOU
    IT'S TOO LATE
    I ALREADY LOVE YOU
    I LOVE YOU
    I LOVE YOU
    I LOVE YOU

    BEYONCÉ KNOWLES, SHUGGIE OTIS
    BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/OFF THE WALL MUSIC ADMIN. BY BUG MUSIC (BMI)

    PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC.

    RECORDED AT PATCHWERK STUDIOS, ATLANTA, GA
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NYC
    ASSISTANT MIX ENGINEERS: MATT SNEDECOR AND BRENDAN KUNTZ
    INSPIRED BY THE ORIGINAL MUSICAL COMPOSITION "RAINY DAY," WRITTEN BY SHUGGIE OTIS AND PUBLISHED BY OFF THE WALL MUSIC (BMI)/ADMINISTERED BY BUG MUSIC

  • I REMEMBER WHEN YOU USE TO TAKE ME ON A BIKE RIDE EVERYDAY ON THE BAYOU
    (YOU REMEMBER THAT? WE WERE INSEPARABLE)
    AND I REMEMBER WHEN YOU COULD DO NO WRONG
    YOU'D COME HOME FROM WORK AND I JUMPED IN YOUR ARMS WHEN I SAW YOU
    I WAS SO HAPPY TO SEE YOU (I WAS SO EXCITED, SO HAPPY TO SEE YOU)

    BECAUSE YOU LOVED ME I OVERCOME
    AND I'M SO PROUD OF WHAT YOU'VE BECOME
    YOU'VE GIVEN ME SUCH SECURITY
    NO MATTER WHAT MISTAKES I MAKE, YOU'RE THERE FOR ME
    YOU CURE MY DISAPPOINTMENTS AND YOU HEAL MY PAIN
    YOU UNDERSTOOD MY FEARS AND YOU PROTECTED ME
    TREASURE EVERY IRREPLACEABLE MEMORY AND THAT'S WHY…

    I WANT MY UNBORN SON TO BE LIKE MY DADDY
    I WANT MY HUSBAND TO BE LIKE MY DADDY
    THERE IS NO ONE ELSE LIKE MY DADDY
    AND I THANK YOU FOR LOVING ME

    I STILL REMEMBER THE EXPRESSION ON YOUR FACE
    WHEN YOU FOUND OUT I'D BEEN ON A DATE AND HAD A BOYFRIEND
    (MY FIRST BOYFRIEND, YOU SHOULD HAVE SEEN YOUR FACE)
    I STILL REMEMBER I CAUGHT YOU CRYING 'CAUSE OF MY TATTOO
    COULD HAVE SAID BEYONCE I TOLD YOU SO
    INSTEAD YOU SAID YOU'D GET ONE TOO
    (EVEN MY MAMA SAID Y'ALL GET ONE JUST LIKE MINE)

    WORDS CAN'T EXPRESS MY BOUNDLESS GRATITUDE FOR YOU
    I APPRECIATE WHAT YOU DO
    YOU'VE GIVEN ME SUCH SECURITY
    NO MATTER WHAT MISTAKES, I KNOW YOU'RE THERE FOR ME
    YOU CURE MY DISAPPOINTMENTS AND YOU HEAL MY PAIN
    YOU UNDERSTAND MY FEARS AND YOU PROTECTED ME
    TREASURE EVERY EXTRAORDINARY MEMORY AND THAT'S WHY…

    I WANT MY UNBORN SON TO BE LIKE MY DADDY
    I WANT MY HUSBAND TO BE LIKE MY DADDY
    THERE IS NO ONE ELSE LIKE MY DADDY
    AND I THANK YOU FOR LOVING ME

    EVEN IF MY MAN BROKE MY HEART TODAY
    NO MATTER HOW MUCH PAIN I'M IN, I WILL BE OKAY
    CAUSE I GOT A MAN IN MY LIFE THAT CAN'T BE REPLACED
    FOR THIS LOVE IS UNCONDITIONAL IT WON'T GO AWAY

    I KNOW I'M LUCKY
    KNOW IT AIN'T EASY
    FOR MEN WHO TAKE CARE OF THEIR RESPONSIBILITIES
    LOVE IS OVERWHELMING
    LORD WHY DID YOU PICK ME
    CAN'T STOP MY TEARS FROM FALLING
    I LOVE YOU SO MUCH DADDY

    THANK YOU, YOU'VE DONE SO MUCH FOR ME.
    I LOVE YOU DADDY.

    I GET SO EMOTIONAL DADDY, EVERY TIME I THINK OF YOU
    I GET SO EMOTIONAL DADDY, EVERY TIME I THINK OF YOU
    THERE IS NO ONE ELSE LIKE MY DADDY
    NO ONE ELSE REPLACE MY DADDY...

    BEYONCÉ KNOWLES, MARK BATSON
    BEYONCÉ PUBLISHING/HITCO SOUTH ADMIN. BY MUSIC OF WINDSWEPT (ASCAP)/BAT FUTURE MUSIC (BMI)

    PRODUCED BY BEYONCÉ KNOWLES FOR MUSIC WORLD PRODUCTIONS, INC. AND MARK BATSON FOR LIVING LOOP PRODUCTIONS, INC.

    VOCALS RECORDED AT SILENT SOUND STUDIO, NYC
    BASS, DRUMS AND KEYBOARDS: MARK BATSON
    RECORDED AT ALLUSTRIOUS STUDIOS, NYC
    ENGINEERED BY MARK BATSON
    STRINGS ARRANGED AND CONDUCTED BY MARK BATSON
    VIOLIN: MARLENE RICE
    VIOLA: JUDITH INSELL-STAACK
    CELLO: NIOKA WORKMAN
    RECORDED AT THE HIT FACTORY, NYC
    ENGINEER: MICHAEL MCCOY
    ASSISTANT ENGINEER: JON BELEC
    MIXED BY TONY MASERATI FOR TWO CHORD MUSIC, INC. AT THE HIT FACTORY, NY C
    ASSISTANT MIX ENGINEERS: DAN BUCCHI AND MATT SNEDECOR

Posted by: deko49.blogspot.com

Source: https://www.beyonce.com/track/